(11983,1,'2015-02-12 22:21:38','2015-02-12 14:21:38','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Slow Dancing Society</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-9141\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-2014-300x300.jpg\" alt=\"Slow Dancing Society\" width=\"259\" height=\"259\" /></a><em>““a complexity of sound that allows it to stand out from traditionally ambient music… It is easy to get dissolved in this album, to let yourself fall into meditation as the music plays… an aural delight”</em> –<strong> The Silent Ballet </strong>\r\n\r\nSlow Dancing Society is Washington-based producer and musician Drew Sullivan. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation. <a title=\"Facebook\" href=\"https://www.facebook.com/pages/Slow-Dancing-Society/260874147036?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SoundOfElegance\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/soundofelegance\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a href=\"https://itunes.apple.com/us/artist/slow-dancing-society/id204837919?uo=4&at=11lRii\" target=\"itunes_store\" style=\"display:inline-block;overflow:hidden;background:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.png) no-repeat;width:45px;height:15px;@media only screen{background-image:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.svg);}\"></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>The Dusk Recital</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3114138192/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-dusk-recital\">The Dusk Recital by Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>The Dusk Recital</em> was borne out of the sessions for Slow Dancing Society’s last album <em>The Cogent Sea</em> and is, in part, an instrumental homage to the mainstream dream-pop of the 90s. Cavernous drums, minimal guitar licks a la Roxy Music, and smooth saxophone lines feature prominently across these six tracks, all enveloped in the unmistakable Slow Dancing Society sound and feel. This is Drew Sullivan at his most playful, offering us a glimpse into some of the guilty pleasures he acknowledges as influences, while also delivering a deliciously smooth and immersive listening experience.\r\n<div></div>\r\n<div></div>\r\n<h4>The Cogent Sea</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=932115624/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-cogent-sea\">The Cogent Sea by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nSlow Dancing Society’s sixth album <em>The Cogent Sea</em> is another absorbing progression in Drew Sullivan’s mesmerising discography. The album continues the submersed exploration of Sullivan’s ’80s influences while also drawing upon an incredibly focused and cinematic ambient minimalism. There are trademark elements from across Slow Dancing Society’s stunning, critically acclaimed back catalogue, but rather than being throwbacks they present a continuity of narrative that is rarely found over such a large body of work. On single ‘A Clearing’, gently overlapping waves of synthesizer are suspended amid sustained tones, holding the listener transfixed before Sullivan’s trademark guitar sound gently brings the listener back down to earth, transformed. Second single ‘Pull’ is aptly titled, its droning radiance, warm piano chords and magnetic guitar figures pulling the listener irresistibly into its enveloping glow. This is Slow Dancing Society at his masterful, immersive best.\r\n<div></div>\r\n<div></div>\r\n<h4>Laterna Magica</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3307423845/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/laterna-magica\">Laterna Magica by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nSlow Dancing Society’s fifth album <em>Laterna Magica</em> demonstrates another key progression in the Slow Dancing Society discography, which is becoming one of the essential bodies of work in contemporary ambient music. The tracks are underpinned by gorgeous guitar drift and warm synth wash, sparingly propelled by throbbing electronic undercurrents. From the soft-focus exhalation of ‘A Few Moments’, via the gleaming musical universe of recently released single ‘I’ll Leave A Light On’, through to the hypnotic pulse and drifting melancholic piano of finale ‘Tomorrow’s Another Day’, <em>Laterna Magica</em> is a definitive Slow Dancing Society release.\r\n<div></div>\r\n<div></div>\r\n<h4>Under The Sodium Lights</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 373px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1884357437/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/under-the-sodium-lights\">Under The Sodium Lights by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nFollowing on from the ebullient warmth of the critically acclaimed <em>Priest Lake Circa ’88</em>, <em>Under The Sodium Lights</em> is Drew Sullivan’s latest ambient epic. The album feels like a distillation of the three stunning releases that preceded it – and as such is Sullivan’s finest work to date. The delicate interplay between focused melodic details and blurred washes of sound draws the listener into a hypnotised state, where the waking world and the world of sleep cascade in and out of balance. First single ‘…and to the dust we shall return’ sees the gradual accretion of reverberant guitar tones, emerging from the silence as sparse reflections across the stereo field. Slow searching melodies overlap and accumulate before a descending bass figure carries the song home to its elegiac conclusion. From the luscious, tactile dream of ‘The Songs In Your Eyes’ to hopeful finale ‘Love Is On The Way’, <em>Under The Sodium Lights</em> resonates with a rich emotional core – and the choking realisation of our own transience. The album rewards immersive listening from start to finish, to really soak in its beauty.\r\n<div></div>\r\n<div></div>\r\n<h4>Priest Lake Circa \'88</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3949085097/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/priest-lake-circa-88\">Priest Lake Circa \'88 by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nFollowing on from the ice-sculpted cinematics of the critically praised <em>The Slow and Steady Winter</em>, <em>Priest Lake Circa ’88</em> is Drew Sullivan’s finest work to date. In essence, it is the second part of a double album that began with <em>The Slow and Steady Winter</em>, acting as a long-distance conclusion to the double album’s narrative arc. <em>Priest Lake Circa ’88</em> exudes restraint and repose, yet is so richly melodic and full. While the album draws its raw form from ambient music, post rock and even dream pop, it is masterfully crafted into something that could only ever find itself under the Slow Dancing Society moniker. The album speaks of both departure and eventual return, and perhaps in its broadest sense the notion of “home”. Above all, this is music to bathe in: warm, steamy and all-encompassing.\r\n<div></div>\r\n<div></div>\r\n<h4>The Slow and Steady Winter</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1874510603/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-slow-and-steady-winter\">The Slow and Steady Winter by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nFrom the outset<em> The Slow and Steady Winter</em> sets itself up to be an epic. Clocking in at over an hour long and comprising of only eight tracks the album paints its majestic landscapes with both measure and purpose, unfolding a sound that moves from immersive ambient evocations to beatific bliss rock. <em>The Slow and Steady Winter</em> is not concerned with singularity but rather the totality of experience. The album is a gorgeously choreographed chronicle of a Spokane winter from the ice covered fields of ‘The Early Stages of Decline’ to the thawed warm edges of spring in ‘February Sun’. The album serves as a wonderful progression from Slow Dancing Society’s previous work both in sound and mood. In part it presents a much darker vision while still radiating an ineffable sense of humanity and heart.\r\n<div></div>\r\n<div></div>\r\n<h4>The Sound of Lights When Dim</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=29030174/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-sound-of-lights-when-dim\">The Sound Of Lights When Dim by Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>The Sound of Lights When Dim</em> is a sumptuous unfolding ride towards a fading horizon. As with Eno’s finest moments and Sylvian’s ambient explorations, this work manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n<div></div>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSlow Dancing Society is Washington based musician/producer and nostalgist extraordinaire, Drew Sullivan. If ever there was an artist who truly expressed themselves in a way that defies everything music and art expects, and at times demands, then Slow Dancing Society would be that artist. With influences ranging from classic artists such as Brian Eno, Def Leppard, Tears For Fears, The Cure, Eddie Money, Pink Floyd, Prince, Spandeau Ballet and U2 to contemporary artists like Manual, Charles Webster, Explosions In The Sky, Sigur Rós, Hammock, Red House Painters and My Morning Jacket, one might begin to understand what they are in for when they hear something coming from Slow Dancing Society.\r\n\r\nAt times there is a pure abandonment of structure, continuity, consistancy and most importantly, hipness. If one were to compare the music of Slow Dancing Society to anything, it would be our memories and our past. Which is probably why one will experience such a sense of nostalgia and an overall coloring of sentimental values when they listen to the music. One cannot refute the notions that life is abstract, doesn’t always make sense, isn’t always beautiful (though at times the contrary) and never what it seems. So why then does the music have to be?\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=slow-dancing-society content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Slow Dancing Society News\" href=\"http://www.hiddenshoal.com/category/news/slow-dancing-society/\"><strong>More News</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=slow-dancing-society-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Slow Dancing Society Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/slow-dancing-society-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"The Dusk Recital Press Release\" href=\"http://www.hiddenshoal.com/publicity/slow-dancing-society/Slow_Dancing_Society-The_Dusk_Recital-Press_Release.pdf\" target=\"_blank\"><em>The Dusk Recital</em></a> EP Release\r\n\r\n<a href=\"../../publicity/press-releases/Slow_Dancing_Society-The_Cogent_Sea-Press Release.pdf\"><em>The Cogent Sea</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/Slow_Dancing_Society-Pull_Press_Release.pdf\">‘Pull’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-A_Clearing.pdf\">‘A Clearing’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Laterna_Magica.pdf\"><em>Laterna Magica</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Ill_Leave_a_Light_On.pdf\">‘I’ll Leave a Light On’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Under_The_Sodium_Lights.pdf\"> <em>Under The Sodium Lights</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-and_to_the_dust_we_shall_remain.pdf\">‘…and to the dust we shall return’ Single and Video Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Priest_Lake_Circa_88.pdf\" target=\"_blank\"><em>Priest Lake Circa ’88</em> Album Release </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society_Single.pdf\" target=\"_blank\">\'A Warm Glow\' Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-New_Slow_Dancing_Society_Album.pdf\"><em>The Slow and Steady Winter</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society_Album.pdf\" target=\"_blank\"><em>The Sounds Of Lights When Dim</em> Album Release </a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9155,9156,9157,9158,9159,9160\"]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/oRRxPZf5yO4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSlow Dancing Society\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Slow Dancing Society','','inherit','closed','closed','','9140-revision-v1','','','2015-02-12 22:21:38','2015-02-12 14:21:38','',9140,'http://www.hiddenshoal.com/9140-revision-v1/',0,'revision','',0),(11984,1,'2015-02-12 22:24:51','2015-02-12 14:24:51','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Slow Dancing Society</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-9141\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-2014-300x300.jpg\" alt=\"Slow Dancing Society\" width=\"259\" height=\"259\" /></a><em>““a complexity of sound that allows it to stand out from traditionally ambient music… It is easy to get dissolved in this album, to let yourself fall into meditation as the music plays… an aural delight”</em> –<strong> The Silent Ballet </strong>\r\n\r\nSlow Dancing Society is Washington-based producer and musician Drew Sullivan. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/pages/Slow-Dancing-Society/260874147036?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SoundOfElegance\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/soundofelegance\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a href=\"https://itunes.apple.com/us/artist/slow-dancing-society/id204837919?uo=4&at=11lRii\" target=\"itunes_store\" style=\"display:inline-block;overflow:hidden;background:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.png) no-repeat;width:45px;height:15px;@media only screen{background-image:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.svg);}\"></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>The Dusk Recital</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3114138192/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-dusk-recital\">The Dusk Recital by Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>The Dusk Recital</em> was borne out of the sessions for Slow Dancing Society’s last album <em>The Cogent Sea</em> and is, in part, an instrumental homage to the mainstream dream-pop of the 90s. Cavernous drums, minimal guitar licks a la Roxy Music, and smooth saxophone lines feature prominently across these six tracks, all enveloped in the unmistakable Slow Dancing Society sound and feel. This is Drew Sullivan at his most playful, offering us a glimpse into some of the guilty pleasures he acknowledges as influences, while also delivering a deliciously smooth and immersive listening experience.\r\n<div></div>\r\n<div></div>\r\n<h4>The Cogent Sea</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=932115624/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-cogent-sea\">The Cogent Sea by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nSlow Dancing Society’s sixth album <em>The Cogent Sea</em> is another absorbing progression in Drew Sullivan’s mesmerising discography. The album continues the submersed exploration of Sullivan’s ’80s influences while also drawing upon an incredibly focused and cinematic ambient minimalism. There are trademark elements from across Slow Dancing Society’s stunning, critically acclaimed back catalogue, but rather than being throwbacks they present a continuity of narrative that is rarely found over such a large body of work. On single ‘A Clearing’, gently overlapping waves of synthesizer are suspended amid sustained tones, holding the listener transfixed before Sullivan’s trademark guitar sound gently brings the listener back down to earth, transformed. Second single ‘Pull’ is aptly titled, its droning radiance, warm piano chords and magnetic guitar figures pulling the listener irresistibly into its enveloping glow. This is Slow Dancing Society at his masterful, immersive best.\r\n<div></div>\r\n<div></div>\r\n<h4>Laterna Magica</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3307423845/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/laterna-magica\">Laterna Magica by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nSlow Dancing Society’s fifth album <em>Laterna Magica</em> demonstrates another key progression in the Slow Dancing Society discography, which is becoming one of the essential bodies of work in contemporary ambient music. The tracks are underpinned by gorgeous guitar drift and warm synth wash, sparingly propelled by throbbing electronic undercurrents. From the soft-focus exhalation of ‘A Few Moments’, via the gleaming musical universe of recently released single ‘I’ll Leave A Light On’, through to the hypnotic pulse and drifting melancholic piano of finale ‘Tomorrow’s Another Day’, <em>Laterna Magica</em> is a definitive Slow Dancing Society release.\r\n<div></div>\r\n<div></div>\r\n<h4>Under The Sodium Lights</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 373px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1884357437/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/under-the-sodium-lights\">Under The Sodium Lights by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nFollowing on from the ebullient warmth of the critically acclaimed <em>Priest Lake Circa ’88</em>, <em>Under The Sodium Lights</em> is Drew Sullivan’s latest ambient epic. The album feels like a distillation of the three stunning releases that preceded it – and as such is Sullivan’s finest work to date. The delicate interplay between focused melodic details and blurred washes of sound draws the listener into a hypnotised state, where the waking world and the world of sleep cascade in and out of balance. First single ‘…and to the dust we shall return’ sees the gradual accretion of reverberant guitar tones, emerging from the silence as sparse reflections across the stereo field. Slow searching melodies overlap and accumulate before a descending bass figure carries the song home to its elegiac conclusion. From the luscious, tactile dream of ‘The Songs In Your Eyes’ to hopeful finale ‘Love Is On The Way’, <em>Under The Sodium Lights</em> resonates with a rich emotional core – and the choking realisation of our own transience. The album rewards immersive listening from start to finish, to really soak in its beauty.\r\n<div></div>\r\n<div></div>\r\n<h4>Priest Lake Circa \'88</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3949085097/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/priest-lake-circa-88\">Priest Lake Circa \'88 by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nFollowing on from the ice-sculpted cinematics of the critically praised <em>The Slow and Steady Winter</em>, <em>Priest Lake Circa ’88</em> is Drew Sullivan’s finest work to date. In essence, it is the second part of a double album that began with <em>The Slow and Steady Winter</em>, acting as a long-distance conclusion to the double album’s narrative arc. <em>Priest Lake Circa ’88</em> exudes restraint and repose, yet is so richly melodic and full. While the album draws its raw form from ambient music, post rock and even dream pop, it is masterfully crafted into something that could only ever find itself under the Slow Dancing Society moniker. The album speaks of both departure and eventual return, and perhaps in its broadest sense the notion of “home”. Above all, this is music to bathe in: warm, steamy and all-encompassing.\r\n<div></div>\r\n<div></div>\r\n<h4>The Slow and Steady Winter</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1874510603/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-slow-and-steady-winter\">The Slow and Steady Winter by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nFrom the outset<em> The Slow and Steady Winter</em> sets itself up to be an epic. Clocking in at over an hour long and comprising of only eight tracks the album paints its majestic landscapes with both measure and purpose, unfolding a sound that moves from immersive ambient evocations to beatific bliss rock. <em>The Slow and Steady Winter</em> is not concerned with singularity but rather the totality of experience. The album is a gorgeously choreographed chronicle of a Spokane winter from the ice covered fields of ‘The Early Stages of Decline’ to the thawed warm edges of spring in ‘February Sun’. The album serves as a wonderful progression from Slow Dancing Society’s previous work both in sound and mood. In part it presents a much darker vision while still radiating an ineffable sense of humanity and heart.\r\n<div></div>\r\n<div></div>\r\n<h4>The Sound of Lights When Dim</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=29030174/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-sound-of-lights-when-dim\">The Sound Of Lights When Dim by Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>The Sound of Lights When Dim</em> is a sumptuous unfolding ride towards a fading horizon. As with Eno’s finest moments and Sylvian’s ambient explorations, this work manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n<div></div>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSlow Dancing Society is Washington based musician/producer and nostalgist extraordinaire, Drew Sullivan. If ever there was an artist who truly expressed themselves in a way that defies everything music and art expects, and at times demands, then Slow Dancing Society would be that artist. With influences ranging from classic artists such as Brian Eno, Def Leppard, Tears For Fears, The Cure, Eddie Money, Pink Floyd, Prince, Spandeau Ballet and U2 to contemporary artists like Manual, Charles Webster, Explosions In The Sky, Sigur Rós, Hammock, Red House Painters and My Morning Jacket, one might begin to understand what they are in for when they hear something coming from Slow Dancing Society.\r\n\r\nAt times there is a pure abandonment of structure, continuity, consistancy and most importantly, hipness. If one were to compare the music of Slow Dancing Society to anything, it would be our memories and our past. Which is probably why one will experience such a sense of nostalgia and an overall coloring of sentimental values when they listen to the music. One cannot refute the notions that life is abstract, doesn’t always make sense, isn’t always beautiful (though at times the contrary) and never what it seems. So why then does the music have to be?\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=slow-dancing-society content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Slow Dancing Society News\" href=\"http://www.hiddenshoal.com/category/news/slow-dancing-society/\"><strong>More News</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=slow-dancing-society-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Slow Dancing Society Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/slow-dancing-society-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"The Dusk Recital Press Release\" href=\"http://www.hiddenshoal.com/publicity/slow-dancing-society/Slow_Dancing_Society-The_Dusk_Recital-Press_Release.pdf\" target=\"_blank\"><em>The Dusk Recital</em></a> EP Release\r\n\r\n<a href=\"../../publicity/press-releases/Slow_Dancing_Society-The_Cogent_Sea-Press Release.pdf\"><em>The Cogent Sea</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/Slow_Dancing_Society-Pull_Press_Release.pdf\">‘Pull’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-A_Clearing.pdf\">‘A Clearing’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Laterna_Magica.pdf\"><em>Laterna Magica</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Ill_Leave_a_Light_On.pdf\">‘I’ll Leave a Light On’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Under_The_Sodium_Lights.pdf\"> <em>Under The Sodium Lights</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-and_to_the_dust_we_shall_remain.pdf\">‘…and to the dust we shall return’ Single and Video Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Priest_Lake_Circa_88.pdf\" target=\"_blank\"><em>Priest Lake Circa ’88</em> Album Release </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society_Single.pdf\" target=\"_blank\">\'A Warm Glow\' Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-New_Slow_Dancing_Society_Album.pdf\"><em>The Slow and Steady Winter</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society_Album.pdf\" target=\"_blank\"><em>The Sounds Of Lights When Dim</em> Album Release </a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9155,9156,9157,9158,9159,9160\"]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/oRRxPZf5yO4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSlow Dancing Society\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Slow Dancing Society','','inherit','closed','closed','','9140-revision-v1','','','2015-02-12 22:24:51','2015-02-12 14:24:51','',9140,'http://www.hiddenshoal.com/9140-revision-v1/',0,'revision','',0),(11985,1,'2015-02-12 22:31:26','2015-02-12 14:31:26','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Tangled Star</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft size-medium wp-image-9196\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/T-Star_Band_Photo1-300x208.jpg\" alt=\"Tangled Star\" width=\"300\" height=\"208\" /></a><em>“<em>something that ripples, radiates and blossoms amid a dressage of shimmering keys and softly burnt riff cascades which had us much in mind of Hefner shimmying with the Clientele at times.</em>”</em> –<strong> Losing Today </strong>\r\n\r\nDistilling elements of indie rock and alt country married with Craig Hallsworth’s wonderful dust and liquor coated vocals and twisting lyrics, Tangled Star weaves their own magic place. Through the musics exultant shifts and wandering detours the band manages to make once familiar territory foreign and offset.\r\n<a href=\"https://itunes.apple.com/us/artist/tangled-star/id205384613?uo=4&at=11lRii\" target=\"itunes_store\" style=\"display:inline-block;overflow:hidden;background:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.png) no-repeat;width:45px;height:15px;@media only screen{background-image:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.svg);}\"></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Let\'s Adjourn To The Garden</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2116748307/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://tangled-star.bandcamp.com/album/lets-adjourn-to-the-garden\">Let\'s Adjourn to the Garden by Tangled Star</a></iframe>\r\nJune 2013\r\n<div></div>\r\n<em>Let’s Adjourn To The Garden</em> sees Craig Hallsworth’s Tangled Star project shift gears while continuing to distill the inimitable songcraft Hallsworth is so well known for. <em>Let’s Adjourn To The Garden</em> is, in typically contrarian fashion, their least bucolic offering yet, blending more driving power-pop flavours into their distinctive soup of song. Hallsworth’s wonderful dust-and-liquor-coated vocals and twisting lyrics combine with exultant shifts and melodic detours allowing the music to make once familiar territory somehow foreign and offset.\r\n\r\nTracks such as ‘Head In The Sand’ and ‘Hasn’t Made For Freedom’ streamline Tangled Star’s brilliant hooks and melodic turns into immediately addictive and electric slices of slow burn power-pop. ‘Attic Space Conversion #1’ exemplifies the band\'s compositional and stylistic shifts even more, stitching rousing ramshackle rock with almost Doors’esque cosmic guitar pop. And there amidst the fuzz and driving drums lay some quiet gems in the beautifully stripped back, drumless guitar pop of ‘99% Ok’ and ‘Someone’s Walking’. Just when you think you have the album pegged, the final track ‘Theme’ takes a left turn employing sweeping synths and electronic percussion in some sort of beatific yet melancholic final postcard to the world.\r\n<div></div>\r\n<div></div>\r\n<h4>That Time</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3107117187/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://tangled-star.bandcamp.com/album/that-time\">That Time by Tangled Star</a></iframe>\r\nJune 2009\r\n<div></div>\r\n<em>That Time</em> sees Tangled Star at their most immediately accessible and deliciously hooky. Like a trapdoor spider hidden by a welcome doormat, the band lay an easy invitation to the unsuspecting listener, only to unleash a series of inimitable pop hooks and subtle detours. The EP typifies Tangled Star’s ability to craft songs that reveal fresh dimensions with each listen.\r\n\r\n<em>That Time</em> features the stunning single ‘seabirdtown’. The track opens with the expansive open-air sound of Pink Floyd-style organs and spatial guitars before falling into an earthbound shuffle and a taste of a lush, full-band sound for Tangled Star. The song’s gradual build to a towering edifice of glowing overdriven guitar, droning organ and harmony vocals is topped off by an echoed guitar line that sketches glistening arcs in the stratosphere. The single is indicative of <em>That Time</em>’s strengths as a louder, more flowing version of the melodic, evocative spaces of Tangled Star’s twilight pop songs.\r\n<div></div>\r\n<div></div>\r\n<h4>Our Man From Eden Hill</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2416987741/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://tangled-star.bandcamp.com/album/our-man-in-eden-hill\">Our Man in Eden Hill by Tangled Star</a></iframe>\r\nFebruary 2008\r\n<div></div>\r\n<em>Our Man in Eden Hil</em>l sees Tangled Star building on their wonderfully received debut outing through Hidden Shoal, <em>It’s Now or Later</em>. Musically the EP toys with the frayed edges of country, pop and indie, while in part infusing a sense of space and possibility familiar to fans of the classic <em>Dark Side of the Moon</em>. As with their debut EP, <em>Our Man in Eden Hill</em>’s surface often belies its musical and emotional interior. Through its gentle shifts and directed detours, the EP manages to make once familiar territory foreign and offset. As chief songwriter and lyricist Craig Hallsworth explains,\r\n\r\n“If these songs are simple, they are only apparently so. To me, they are only beginning to really work when they are able to express a space of becoming... There are strange warnings and advice, mysterious imperatives and entreaties... I see the lyrics as working for and against themselves, as well as for and against the music, generating a plane of momentary, shifting affective states. There is comic desperation folded into offhand profundity. There is something depressing and defeating suddenly transformed into a rare kind of pleasure and privilege. There are secrets with nothing to hide. There is one last chance after another…” - Craig Hallsworth\r\n<div></div>\r\n<div></div>\r\n<h4>It\'s Now Or Later</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1686875670/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://tangled-star.bandcamp.com/album/its-now-or-later\">It\'s Now or Later by Tangled Star</a></iframe>\r\nFebruary 2007\r\n<div></div>\r\n<em>It’s Now or Later</em> charts a journey across once familiar land yet through its exultant shifts and wandering detours manages to make everything feel new again. The album’s title talks to the wonderful paradox that is infused within each song both musically and lyrically. This is the apathetic’s guide to caring too much.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p align=\"justify\">In the late 90s, Outstation (Craig Hallsworth, guitars and singing; Jim Butterworth, bass; Jamie Hamilton, drums), a sonic monstrosity, began playing a lot of quiet tunes, and eventually turned into Tangled Star. Lorne Clements (Hammond Organ, Piano) became involved. Then Jamie Hamilton left, and was replaced by a drum machine, and Jim became its programmer.</p>\r\n<p align=\"justify\">The T-Star quietly went about its business for a few years in Jim’s back shed and in Lorne’s living room. They played only a handful of live shows, but recorded two albums with Alan Smith from Bergerk! Recordings – the self-titled debut, and It’s Now Or Later (to be released through Hidden Shoal Recordings November, 2006).</p>\r\n<strong>Craig Hallsworth:</strong>\r\nBorn 1964 in Collie South-West Western Australia – land that belongs to the Noongar People. Fatally infected with AM radio that plays constantly throughout childhood, in the house and in the car. Begins playing guitar and writing songs around 8 or 9 years of age. Magazines and records. Sitting alone in a room playing and singing into a cassette recorder. String of bands. Loses virginity after a gig at the Narrogin Hotel. Moves to Perth in the mid 80s upon completion of welding apprenticeship in the coal mines. Over next 15 years or so plays in The Bamboos, The Healers, wild palms, Zuvuya, Outstation, Tangled Star, as well as many solo performances and recordings. Currently writing an experimental book-length poem and playing in The Slow Beings.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=tangled-star-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=tangled-star-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Tangled_Star-Lets_Adjourn.pdf\"><em>Let’s Adjourn To The Garden</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Tangled_Star-Head_in_the_Sand.pdf\">‘Head In The Sand’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Tangled_Star_That_Time_EP.pdf\"><em>That Time</em> EP</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Tangled_Star-Our_Man_in_Eden_Hill_CD_Re-Issue.pdf\"><em>Our Man In Eden Hill</em> EP</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Tangled_Star_Mini_Album.pdf\" target=\"_blank\"><em>It’s Now Or Later</em> Mini-Album Release</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"9201,9196\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nTangled Star\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Tangled Star','','inherit','closed','closed','','9181-revision-v1','','','2015-02-12 22:31:26','2015-02-12 14:31:26','',9181,'http://www.hiddenshoal.com/9181-revision-v1/',0,'revision','',0),(11986,1,'2015-02-12 23:15:00','2015-02-12 15:15:00','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>The Slow Beings</h1>\r\n<img class=\"alignleft wp-image-9122 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/The_Slow_Beings_9-298x300.jpg\" alt=\"The Slow Beings\" width=\"261\" height=\"263\" /><em>“The hugely experienced songwriting duo of Craig Hallsworth (The Bamboos, The Healers) and Liam Coffey (The Rainyard, Header) brings influences from both sides of the Atlantic to the table...it’s hardly surprising the album, for the most part, ‘blurs’ its influences into forms both fresh and timeless.”</em> - <strong>Drum Media</strong>\r\n\r\nOut of the ashes of some of Perth’s finest indie bands (The Bamboos, The Rainyard, The Healers, Header, Tangled Star) The Slow Beings may well have been one of indie rock’s new shining lights. The band had a way of delivering wonderfully crafted and composed melodic songs with an almost imperceptible prankishness, making the world an accidentally more beautiful and arbitrarily more profound place to cut a lonely figure.\r\n<a href=\"https://itunes.apple.com/us/artist/the-slow-beings/id280314814?uo=4&at=11lRii\" target=\"itunes_store\" style=\"display:inline-block;overflow:hidden;background:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.png) no-repeat;width:45px;height:15px;@media only screen{background-image:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.svg);}\"></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Know Why The Earth Moves</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2263991587/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://theslowbeings.bandcamp.com/album/we-know-why-the-earth-moves\">We Know Why The Earth Moves by The Slow Beings</a></iframe>\r\nMay 2008\r\n<div></div>\r\nOn their masterful debut <em>We Know Why The Earth Moves</em> The Slow Beings have managed to channel a range of pop and rock influences into something that is uniquely their own. Tracks such as the much loved radio single ‘I Waste The Sea’, ‘Carson Dyle’ and ‘Nil By Rote’ expose the wonderful duality and underlying playfulness at work within The Slow Beings music. Shifting from Smiths-like guitar pop to driving, hook laden indie rock through to country tinged indie pop often all within the one song, these tracks leave you in a far different musical and emotional place than you set out in.\r\n\r\n‘(Let’s) Get (Married)’ is perfect, crafted pop with the type of warm intangible immediacy you’d expect to find on a Wrens album. Similarly ‘Yoskar-Ola Song’ exudes a kind of affected yet magnetic humanity all in the guise of gorgeous alt-country pop. The Slow Beings have an innate knack for re-inventing the edges of indie rock and pop through a reverence for its form and power, yet irreverence in its handling.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<h2></h2>\r\n<h4><strong>In Chronology And Out Of It: On The Same Page With The Slow Beings</strong></h4>\r\n<span style=\"color: #000000;\"> </span>\r\n\r\n<strong>The Present Day:</strong> <span style=\"color: #999999;\">Anonymous employee receives directive to begin band biography with quote from Mary Shelley’s Frankenstein (or Bob Bottom’s Bugged ).</span>\r\n\r\n<strong>2005:</strong> <span style=\"color: #999999;\">Craig Hallsworth (electrical guitar, vox) and Liam Coffey (electrical bass guitar, vox) begin correspondence, CH in Skinner Street, Holborn, and LC in Bishop’s Gate, Windsor.</span>\r\n\r\n<strong>2006:</strong> <span style=\"color: #999999;\">Dean Willoughby (drum set) leaves band.</span>\r\n\r\n<strong>2007: </strong><span style=\"color: #999999;\">Hugh Veldon (drum set) joins band. Carl Properjohn (electrical guitar, vox) leaves band.</span>\r\n\r\n<strong>1822: </strong><span style=\"color: #999999;\">The Shelley’s settle at Casa Magni, near Lerici.</span>\r\n\r\n<strong>2007:</strong> <span style=\"color: #999999;\">Hugh Veldon ponders his future with band.</span>\r\n\r\n<strong>2005:</strong> <span style=\"color: #999999;\">CH and LC compose first song together. “We Know Why The Earth Moves” will eventually become title track of SBs’ desperately-anticipated debut album.</span>\r\n\r\n<strong>1819: </strong><span style=\"color: #999999;\">They depart for Leghorn.</span>\r\n\r\n<strong>2007:</strong> <span style=\"color: #999999;\">SBs complete recording at Bergerk! Studios in Chester Square. Lorne Clements (of Cologny, near Geneva) dispatches piano and hammond organ parts by sea mail.</span>\r\n\r\n<strong>2007:</strong> <span style=\"color: #999999;\">Hugh Veldon ponders his future with the Baxter family, of Dundee.</span>\r\n\r\n<strong>1832:</strong> <span style=\"color: #999999;\">SBs (CH, HV, LC and the other LC) tour Northcote and Abbotsford. All band members compete vigorously for opportunity to drive Rent-A-Bomb van to and from concert appearances. Also, Percy Florence is entered at Harrow.</span>\r\n\r\n<strong>2008:</strong> <span style=\"color: #999999;\">SBs sign to Hidden Shoal Recordings, celebrate with jar of Explosive Mixture.</span>\r\n\r\n<strong>1826:</strong> <span style=\"color: #999999;\">SBs receive rapturous plaudits for debut single, “I Waste The Sea,” from London Magazine, the Westminster Review and Keepsake.</span>\r\n\r\n<strong>2009:</strong> <span style=\"color: #999999;\">SBs airlifted into Chamounix on suicide mission to make valley as beautiful and picturesque as that of Servox.</span>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=the-slow-beings-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=the-slow-beings-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n&nbsp;\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-The_Slow_Beings_CD_Release.pdf\" target=\"_blank\">We Know Why The Earth Moves Album Release </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-The_Slow_Beings_Single.pdf\" target=\"_blank\">I Waste The Sea Single Release</a>\r\n\r\n<a href=\"../..publicity/press-releases/HSR_Press_Release-The_Slow_Beings_Signing.pdf\" target=\"_blank\">The Slow Beings Signing</a>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9131,9125,9126,9128,9127,9129,9130\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry!\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nThe Slow Beings\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','The Slow Beings','','inherit','closed','closed','','9121-revision-v1','','','2015-02-12 23:15:00','2015-02-12 15:15:00','',9121,'http://www.hiddenshoal.com/9121-revision-v1/',0,'revision','',0),(11987,1,'2015-02-12 23:24:30','2015-02-12 15:24:30','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Toby Richardson</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-9231\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Toby_Richardson_Beach-225x300.jpg\" alt=\"Toby Richardson\" width=\"180\" height=\"240\" /></a><em>“...this little gem arrives somewhat disheveled and scuffed, the skewed melodic terrains point to a power pop prowess scratched and splintered by a disorientating off kilter soft psyche hue...”</em> –<strong> Losing Today</strong>\r\n\r\nToby Richardson represents an important part of Perth music history via pivotal 90’s band Mustang! who releasing the EP “Jacuzzi International Presents Mustang!” through Survival Records in 1994. His debut EP <em>Golden Days</em> is a 6 track lo-fi rock opus. With all the playful charm of Robert Pollard and the wirey choreography of Pavement, Richardson removes all pretension and carves his own special shape into the indie rock landscape.\r\n<a href=\"https://itunes.apple.com/us/artist/toby-richardson/id169426004?uo=4&at=11lRii\" target=\"itunes_store\" style=\"display:inline-block;overflow:hidden;background:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.png) no-repeat;width:45px;height:15px;@media only screen{background-image:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.svg);}\"></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>The Stones And The Rabbits</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2830910172/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://tobyrichardson.bandcamp.com/album/the-stones-and-the-rabbits\">The Stones And The Rabbits by Toby Richardson</a></iframe>\r\nDecember 2010\r\n<div></div>\r\n‘Young Sweet Lovers’ kicks off proceedings with all of Toby Richardson’s delicious trademark ingredients: booming drums, fuzzy guitar lines and just-rolled-out-of-bed vocal delivery, married to wonderfully skewed melodicism and Richardson’s innate sense of songcraft. The lead riff is tasty enough, stumbling drunkenly through its extended coda, but the song’s apex comes with its slide guitar lines that weave woozily around fuzz bass. The title track features one of Richardson’s catchiest hooks to date, plus plenty of meandering, harmonised guitar soloing that splits the difference between Dinosaur Jr and an ether-soaked country hoe-down. The track’s disarming lack of pretense plays against Richardson’s affected take on rock as wailing guitars and driving chords quaver and bend in and out of shape. ‘Wrong Highway Road’ dials back the irreverence, soaking in its gorgeous fuzzy reflections upon a spooked-out night drive, “halfway to nowhere”. The track feels like The Doors playing with a gun to their heads. Next up, single ‘King Of All The Moves’ is like a garage band falling endlessly down a cartoon staircase. The track pays homage to dirty rock while turning it inside out and painting it with jelly, creating a soundtrack to some unimaginable ‘70s cop show filled with sequins, half-naked dancers and possibly a dolphin. ‘Managaha Island’ rounds out this addictive EP in style, tumbling and shimmying with tousle-haired insights and off-hand melodic grace.\r\n<div></div>\r\n<div></div>\r\n<h4>Evergreen</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=296091253/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://tobyrichardson.bandcamp.com/album/evergreen\">Evergreen by Toby Richardson</a></iframe>\r\nMarch 2008\r\n<div></div>\r\nWith his inimitable lo-fi stylings, Richardson has produced another indie-rock gem. The album’s skewed melodicism is married to an amazing sense of songcraft that reawakens the listener to the invigorating possibilities of rock ’n’ roll. With all the playful irreverence of Robert Pollard and Pavement, <em>Evergreen</em> sees Toby laying down 10 songs of irrepressible lo-fi stadium rock. The album features wonky fist-in-the-air anthems that blend the catchy attack of The Kinks with the bluesy skronk of Captain Beefheart, through to bent pop-fuelled love songs that wind their way into your aorta like cupid’s heartworm. Richardson has managed to strip the skin from classic rock ’n’ roll, cover it in fur, jewels and barbed wire and ride it through a casino. The unbridled, irrepressible feel of this album is hard to deny.\r\n<div></div>\r\n<div></div>\r\n<h4>Golden Days</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3114503890/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://tobyrichardson.bandcamp.com/album/golden-days\">Golden Days by Toby Richardson</a></iframe>\r\nJuly 2006\r\n<div></div>\r\nDebut EP from ex Mustang guitarist Toby Richardson. Featuring the single, \'It Makes the Air Sound Better\', <em>Golden Days</em> is a lo-fi rock opus.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nThe spark that started Toby Richardson’s musical journey came from the inexorable flame of the Perth rock scene. Seeing bands like The Stems, The Marigolds, Chad’s Tree, The Healers and touring acts such as Ed Kuepper and The Yard Goes On Forever in the late ’80s captured his imagination. This was a revelation of the immediate power and excitement that live rock ‘n’ roll can create – and what a great setting it provides for drinking beer.With his brother Mark playing in bands Chant and Be Happy and Grin, Toby decided to give it a crack himself. Due to the informal nature of the rock industry back then, it was almost like he’d only just busted out a few chords before he and his cronies hit the stage. Running on borrowed equipment and Austudy cheques, his first band Pool Flotation Device played three gigs, got a decent review and broke up.\r\n\r\nToby then joined already established band Mustang! Other band members were Chris Gorman on drums, John Henderson (later Mike Staude) on lead guitar, Chris Gorman on drums and Hamish Fitzsimmons on bass. At that time Toby and his band mates were influenced by artists such as Teenage Fanclub, Pere Ubu, Urge Overkill, Television, Big Star, Captain Beefheart and Dinosaur Jr. Mustang! soon got a decent following through art school crowds and a bit of harmless hype in local rock press. They also had some catchy tunes and plenty of volume – Toby now suffers from tinnitus as a result. Some of the venues they played were The Shenton Park, The Old Melbourne, The Grosvenor, The Firm and The Loft. Their Rock cohorts were bands such as Baked, O!, Wormfarm, Bluetile Lounge, Wooden Fische and Benji.\r\n\r\nOf this group of bands a collective known as Jacuzzi International was formed. This was basically a good excuse to party, and an easy way to organise gigs. The name was simply derived from the enjoyable practice JI members had of sharing a jacuzzi with friends at JI parties.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=toby-richardson content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=toby-richardson-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Toby_Richardson-The_Stones_And_The_Rabbits.pdf\"><em>The Stones And The Rabbits </em>EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Toby_Richardson_Evergreen.pdf\" target=\"_blank\">Evergreen Album Release </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_18th_July.pdf\" target=\"_blank\"><em>Golden Days</em> EP Release</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9235,9236,9234\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry!\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nToby Richardson\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Toby Richardson','','inherit','closed','closed','','9211-revision-v1','','','2015-02-12 23:24:30','2015-02-12 15:24:30','',9211,'http://www.hiddenshoal.com/9211-revision-v1/',0,'revision','',0),(11988,1,'2015-02-12 23:42:31','2015-02-12 15:42:31','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Todd Tobias</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-9264\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Todd-Tobias-1-Adjusted-222x300.jpg\" alt=\"Todd Tobias\" width=\"183\" height=\"248\" /></a><em>“it’s tribute to Todd Tobias’s skill as a producer and arranger that the pace never slackens and that he’s quite effectively produced the audio equivalent of a graphic novel, one that will keep you listening right up until its cataclysmic final moments.”</em> –<strong> DOA </strong>\r\n\r\nAfter years of producing Guided By Voices and playing in Circus Devils with Robert Pollard, Todd Tobias struck out on his own with his debut solo album M<em>edicine Show</em>. Defiantly unique and vividly realised, Tobias\' debut is a multi-faceted instrumental opus, evoking a shadowy steampunk dystopia.\r\n\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/pages/Todd-Tobias/385101561556685?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.tobias-music.com/id4.html\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://itunes.apple.com/us/artist/todd-tobias/id70698052?uo=4&at=11lRii\" target=\"itunes_store\" style=\"display:inline-block;overflow:hidden;background:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.png) no-repeat;width:45px;height:15px;@media only screen{background-image:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.svg);}\"></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<h4>Impossible Cities</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=271738062/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities\">IMPOSSIBLE CITIES by Todd Tobias</a></iframe>\r\nOctober 2014\r\n\r\n<em>Impossible Cities</em> is the latest visionary chapter in Todd Tobias’s ongoing exploration of rock’s darkest and most hypnotic realms. Inspired by the Ital Calvino book <em>Invisible Cities</em>, each track is named after an imaginary city, from the glistening exoticism of ‘Lamura’ via the seething murk of ‘Gorgum Reeth’ and ‘Smazbaal’ to the eerie, shimmering grandeur of ‘Akrova’, Tobias’s latest musical universe is vividly rendered, scary, beautiful and utterly immersive. The album comes with the companion mini-album <em>Impossible Cities 2</em>, which comprises 10 haunting vignettes.\r\n<div></div>\r\n<div></div>\r\n<h4>Impossible Cities 2</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1146527875/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities-2-ep\">Impossible Cities 2 (EP) by Todd Tobias</a></iframe>\r\nOctober 2014\r\n\r\n<em>Impossible Cities 2, </em>comprising 10 haunting vignettes, is the free companion mini-album to Todd Tobias\'s <em>Impossible Cities.</em>\r\n<div></div>\r\n<div></div>\r\n<h4>I Razor (featuring Circus Devils)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 1340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1896803588/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/i-razor\">I RAZOR by Todd Tobias and CIRCUS DEVILS</a></iframe>\r\nMay 2013\r\n<div></div>\r\n<i>I Razor</i>, by Todd Tobias and Circus Devils, is the soundtrack to the no-budget experimental feature film of the same name directed by Todd Tobias. The <i>I Razor</i> soundtrack comprises challenging, playful, twisted, murky and downright beautiful pieces of music by Todd Tobias and Circus Devils, featuring vocals from Robert Pollard (Guided By Voices) as well as instrumental versions of some of the Devil’s existing songs. The album is a cinematic feast within itself, uncompromising, redemptive and always engaging. It weaves lo-fi keyboards through shimmering guitar textures, scatters unsettling rhythms across ethereal synthscapes, and unveils kaleidoscopic new treasures among its 30+ tracks with each listen. Told from the perspective of a former scientist turned wandering telepathic man-child, <i>I Razor</i> is the story of one man’s quest to regain his lost humanity.  <i>I Razor</i> presents its world in hallucinatory visions, reflecting the state of mind of its main character.  The story is told with minimal dialog and an open plot structure, relying instead on visuals and music to carry it’s narratives.\r\n<div></div>\r\n<div></div>\r\n&nbsp;\r\n<h4>Night Above Ground</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3025667975/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/night-above-ground-ep\">NIGHT ABOVE GROUND ep by Todd Tobias</a></iframe>\r\nNovember 2012\r\n<div></div>\r\nIn contrast to <em>Medicine Show</em>\'s serpentine construction and intense atmosphere, <em>Night Above Ground</em> is more airy, accessible and playful, bursting into vivid life with the crowd chatter and tumbling noisescapes of ‘Invocation’. Immersive, hypnotic tracks such as ‘Crystal Palace People’ alternate with brief, impressionistic pieces such as ‘Workshop of Spears’ and ‘Ashes and Cream’. The EP’s 17 minutes flow past your third eye like a Dali-esque dream.\r\n<div></div>\r\n<div></div>\r\n&nbsp;\r\n<h4>Medicine Show</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 670px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1386444045/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/medicine-show\">MEDICINE SHOW by Todd Tobias</a></iframe>\r\nApril 2012\r\n<div></div>\r\nAfter years of producing Guided By Voices, playing in Circus Devils with Robert Pollard, and helping to create the music for Pollard’s solo albums, Todd Tobias is striking out on his own with his debut solo album. Defiantly unique and vividly realised, <span style=\"font-style: italic;\">Medicine Show</span> is a multi-faceted instrumental opus, evoking a shadowy steampunk dystopia. By turns nightmarish and hauntingly beautiful, the three-dimensional musical universe that Tobias conjures across 40 minutes is totally addictive. From the dark GBV-esque groove of ‘Night of the Club Foot’, through the gaseous synths of ‘Pre-Dawn Visitation’, evoking a hallucinogen-fuelled walk among a misty moon-lit forest, to the visceral lurch of single ‘Manatoc Enters The City / The Long Fall’, <span style=\"font-style: italic;\">Medicine Show</span> plays out like the soundtrack to a Terry Gilliam movie starring Tom Waits, each song a totally immersive scene, leading inexorably into the next.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nTodd Tobias and older brother Tim Tobias grew up in Northeast Ohio, USA, where the two played together in a string of bands, culminating in Clouds Forming Crowns and Circus Devils (the latter with fellow Ohioan Robert Pollard of Guided by Voices). Todd has been Robert Pollard’s in-house record producer since 2002, beginning with Guided by Voices’ Matador release <em>Universal Truths and Cycles</em>. Todd has also produced many other indie-rock projects over the years, including the latest release from fellow Hidden Shoal Recordings artist Kramies (<em>The European</em> EP).\r\n\r\nTodd has always been a musical experimentalist. While playing in bands as a drummer or bassist, he continued work on his own with a cassette 4 track, creating soundscapes and his own brand of exotic rock. One of Todd’s basement tapes eventually caught the ear of Robert Pollard, who then asked Todd and brother Tim to form Circus Devils. Following the debut album from Circus Devils in 2001, Todd began to use the band as a showpiece for his unorthodox musical adventures. After nine albums with Circus Devils, and several dozen album productions with Robert Pollard and a variety of other artists, Todd finally birthed his first solo work for Hidden Shoal, <em>Medicine Show</em>.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=todd-tobias-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Todd Tobias News\" href=\"http://www.hiddenshoal.com/category/news/todd-tobias-news/\"><strong>More News</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=todd-tobias-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><strong><a title=\"Todd Tobias Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/todd-tobias-reviews/\">More Reviews</a></strong></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Impossible Cities Press Release\" href=\"http://www.hiddenshoal.com/publicity/todd-tobias/Impossible-Cities-1000px.jpg\"><em>Impossible Cities</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-I_Razor_Soundtrack.pdf\"><em>I Razor</em> Soundtrack Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_-_Circus_Devils-All_The_Good_Ones_Are_Gone.pdf\">Circus Devils – ‘All The Good Ones Are Gone’ single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Todd_Tobias_Medicine_Show.pdf\">Todd Tobias – <em>Medicine Show</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Todd_Tobias_Manatoc_Enters_The_City.pdf\">‘Manatoc Enters The City / The Long Fall’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Todd_Tobias_Signing.pdf\">Todd Tobias Signs To Hidden Shoal</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9266,9267,9268\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/PaVtMYElhXo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/Ed0Hfh4qs-Y?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/5fuyIu4V26Y?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/EXOYfO_ZoRM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nTodd Tobias\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Todd Tobias','','inherit','closed','closed','','9263-revision-v1','','','2015-02-12 23:42:31','2015-02-12 15:42:31','',9263,'http://www.hiddenshoal.com/9263-revision-v1/',0,'revision','',0),(11991,1,'2015-02-13 11:59:57','2015-02-13 03:59:57','<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"234\" height=\"157\" />On the latest <a title=\"Mixtape Series\" href=\"http://www.hiddenshoal.com/features/mixtapes/\" target=\"_blank\">Hidden Shoal mixtape</a>, German ambient artist <a title=\"Kryshe\" href=\"http://www.hiddenshoal.com/project/kryshe/\">Kryshe</a> picked tracks from cherished albums he owns on vinyl. <a title=\"Wealth Mixtape by Kryshe\" href=\"https://www.mixcloud.com/hiddenshoal/wealth-a-mixtape-by-kryshe/\" target=\"_blank\">The mix</a> traces a line from \'70s German kosmische through to Talk Talk\'s majestic \'Wealth\', taking in instrumental touchstones such as Klaus Schulze, Olafur Arnalds and A Winged Victory For The Sullen along the way. In moving between cosmic synthesized soundscapes and the intimate tones of strings and piano, Kryshe explores the myriad influences that have shaped his own exquisitely subtle and detailed ambient work.\r\n\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s music often evolves from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh. His releases to date are the <em>Dreamland</em> and <em>In Between</em> EPs, and the full-length release <em>Growing</em>. Listen to Kryshe\'s music and learn more about the artist <a title=\"Kryshe\" href=\"http://www.hiddenshoal.com/project/kryshe/\">here</a>.\r\n\r\n<iframe src=\"https://www.mixcloud.com/widget/iframe/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fwealth-a-mixtape-by-kryshe%2F&amp;embed_uuid=eb4742dd-e651-43ca-b96e-8a2c6bb8e6f8&amp;replace=0&amp;hide_cover=1&amp;embed_type=widget_standard\" width=\"660\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: 652px;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: 652px;\"><a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/wealth-a-mixtape-by-kryshe/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=resource_link\" target=\"_blank\">\"Wealth\" - A Mixtape by Kryshe</a> by <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Wealth\" - Mixtape by Kryshe','','publish','closed','closed','','wealth-mixtape-kryshe','','','2016-02-03 15:48:14','2016-02-03 07:48:14','',0,'http://www.hiddenshoal.com/?p=11991',0,'post','',0),(11992,1,'2015-02-13 11:32:09','2015-02-13 03:32:09','On the latest Hidden Shoal mixtape, German ambient artist Kryshe picked tracks from cherished albums he owns on vinyl. The mix traces a line from \'70s German kosmische through to Talk Talk\'s majestic \'Wealth\', taking in instrumental touchstones such as Klaus Schulze, Olafur Arnalds and A Winged Victory For The Sullen along the way. In moving between cosmic synthesized soundscapes and the intimate tones of strings and piano, Kryshe explores the myriad influences that have shaped his own exquisitely subtle and detailed ambient work.\r\n\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s music often evolves from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh. His releases to date are the <em>Dreamland</em> and <em>In Between</em> EPs, and the full-length release <em>Growing</em>. Listen to Kryshe\'s music and learn more about the artist <a title=\"Kryshe\" href=\"http://www.hiddenshoal.com/project/kryshe/\">here</a>.','\"Wealth\" - Mixtape by Kryshe','','inherit','closed','closed','','11991-revision-v1','','','2015-02-13 11:32:09','2015-02-13 03:32:09','',11991,'http://www.hiddenshoal.com/11991-revision-v1/',0,'revision','',0),(11993,1,'2015-02-13 11:33:27','2015-02-13 03:33:27','<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"228\" height=\"153\" />On the latest Hidden Shoal mixtape, German ambient artist Kryshe picked tracks from cherished albums he owns on vinyl. The mix traces a line from \'70s German kosmische through to Talk Talk\'s majestic \'Wealth\', taking in instrumental touchstones such as Klaus Schulze, Olafur Arnalds and A Winged Victory For The Sullen along the way. In moving between cosmic synthesized soundscapes and the intimate tones of strings and piano, Kryshe explores the myriad influences that have shaped his own exquisitely subtle and detailed ambient work.\r\n\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s music often evolves from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh. His releases to date are the <em>Dreamland</em> and <em>In Between</em> EPs, and the full-length release <em>Growing</em>. Listen to Kryshe\'s music and learn more about the artist <a title=\"Kryshe\" href=\"http://www.hiddenshoal.com/project/kryshe/\">here</a>.','\"Wealth\" - Mixtape by Kryshe','','inherit','closed','closed','','11991-revision-v1','','','2015-02-13 11:33:27','2015-02-13 03:33:27','',11991,'http://www.hiddenshoal.com/11991-revision-v1/',0,'revision','',0),(11994,1,'2015-02-13 11:35:44','2015-02-13 03:35:44','<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"228\" height=\"153\" />On the latest <a title=\"Mixtape Series\" href=\"http://www.hiddenshoal.com/features/mixtapes/\" target=\"_blank\">Hidden Shoal mixtape</a>, German ambient artist Kryshe picked tracks from cherished albums he owns on vinyl. <a title=\"Wealth Mixtape by Kryshe\" href=\"https://www.mixcloud.com/hiddenshoal/wealth-a-mixtape-by-kryshe/\" target=\"_blank\">The mix</a> traces a line from \'70s German kosmische through to Talk Talk\'s majestic \'Wealth\', taking in instrumental touchstones such as Klaus Schulze, Olafur Arnalds and A Winged Victory For The Sullen along the way. In moving between cosmic synthesized soundscapes and the intimate tones of strings and piano, Kryshe explores the myriad influences that have shaped his own exquisitely subtle and detailed ambient work.\r\n\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s music often evolves from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh. His releases to date are the <em>Dreamland</em> and <em>In Between</em> EPs, and the full-length release <em>Growing</em>. Listen to Kryshe\'s music and learn more about the artist <a title=\"Kryshe\" href=\"http://www.hiddenshoal.com/project/kryshe/\">here</a>.\r\n<iframe src=\"https://www.mixcloud.com/widget/iframe/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fwealth-a-mixtape-by-kryshe%2F&amp;embed_uuid=eb4742dd-e651-43ca-b96e-8a2c6bb8e6f8&amp;replace=0&amp;hide_cover=1&amp;embed_type=widget_standard\" width=\"660\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: 652px;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: 652px;\"><a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/wealth-a-mixtape-by-kryshe/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=resource_link\" target=\"_blank\">\"Wealth\" - A Mixtape by Kryshe</a> by <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Wealth\" - Mixtape by Kryshe','','inherit','closed','closed','','11991-revision-v1','','','2015-02-13 11:35:44','2015-02-13 03:35:44','',11991,'http://www.hiddenshoal.com/11991-revision-v1/',0,'revision','',0),(11995,1,'2015-02-13 11:45:06','2015-02-13 03:45:06','<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"234\" height=\"157\" />On the latest <a title=\"Mixtape Series\" href=\"http://www.hiddenshoal.com/features/mixtapes/\" target=\"_blank\">Hidden Shoal mixtape</a>, German ambient artist Kryshe picked tracks from cherished albums he owns on vinyl. <a title=\"Wealth Mixtape by Kryshe\" href=\"https://www.mixcloud.com/hiddenshoal/wealth-a-mixtape-by-kryshe/\" target=\"_blank\">The mix</a> traces a line from \'70s German kosmische through to Talk Talk\'s majestic \'Wealth\', taking in instrumental touchstones such as Klaus Schulze, Olafur Arnalds and A Winged Victory For The Sullen along the way. In moving between cosmic synthesized soundscapes and the intimate tones of strings and piano, Kryshe explores the myriad influences that have shaped his own exquisitely subtle and detailed ambient work.\r\n\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s music often evolves from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh. His releases to date are the <em>Dreamland</em> and <em>In Between</em> EPs, and the full-length release <em>Growing</em>. Listen to Kryshe\'s music and learn more about the artist <a title=\"Kryshe\" href=\"http://www.hiddenshoal.com/project/kryshe/\">here</a>.\r\n<iframe src=\"https://www.mixcloud.com/widget/iframe/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fwealth-a-mixtape-by-kryshe%2F&amp;embed_uuid=eb4742dd-e651-43ca-b96e-8a2c6bb8e6f8&amp;replace=0&amp;hide_cover=1&amp;embed_type=widget_standard\" width=\"660\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: 652px;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: 652px;\"><a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/wealth-a-mixtape-by-kryshe/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=resource_link\" target=\"_blank\">\"Wealth\" - A Mixtape by Kryshe</a> by <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Wealth\" - Mixtape by Kryshe','','inherit','closed','closed','','11991-revision-v1','','','2015-02-13 11:45:06','2015-02-13 03:45:06','',11991,'http://www.hiddenshoal.com/11991-revision-v1/',0,'revision','',0),(11996,1,'2015-02-13 11:59:57','2015-02-13 03:59:57','<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"234\" height=\"157\" />On the latest <a title=\"Mixtape Series\" href=\"http://www.hiddenshoal.com/features/mixtapes/\" target=\"_blank\">Hidden Shoal mixtape</a>, German ambient artist <a title=\"Kryshe\" href=\"http://www.hiddenshoal.com/project/kryshe/\">Kryshe</a> picked tracks from cherished albums he owns on vinyl. <a title=\"Wealth Mixtape by Kryshe\" href=\"https://www.mixcloud.com/hiddenshoal/wealth-a-mixtape-by-kryshe/\" target=\"_blank\">The mix</a> traces a line from \'70s German kosmische through to Talk Talk\'s majestic \'Wealth\', taking in instrumental touchstones such as Klaus Schulze, Olafur Arnalds and A Winged Victory For The Sullen along the way. In moving between cosmic synthesized soundscapes and the intimate tones of strings and piano, Kryshe explores the myriad influences that have shaped his own exquisitely subtle and detailed ambient work.\r\n\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s music often evolves from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh. His releases to date are the <em>Dreamland</em> and <em>In Between</em> EPs, and the full-length release <em>Growing</em>. Listen to Kryshe\'s music and learn more about the artist <a title=\"Kryshe\" href=\"http://www.hiddenshoal.com/project/kryshe/\">here</a>.\r\n<iframe src=\"https://www.mixcloud.com/widget/iframe/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fwealth-a-mixtape-by-kryshe%2F&amp;embed_uuid=eb4742dd-e651-43ca-b96e-8a2c6bb8e6f8&amp;replace=0&amp;hide_cover=1&amp;embed_type=widget_standard\" width=\"660\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: 652px;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: 652px;\"><a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/wealth-a-mixtape-by-kryshe/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=resource_link\" target=\"_blank\">\"Wealth\" - A Mixtape by Kryshe</a> by <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Wealth\" - Mixtape by Kryshe','','inherit','closed','closed','','11991-revision-v1','','','2015-02-13 11:59:57','2015-02-13 03:59:57','',11991,'http://www.hiddenshoal.com/11991-revision-v1/',0,'revision','',0),(12009,1,'2015-02-18 22:18:31','2015-02-18 14:18:31','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Chloë March</h1>\r\n<img class=\"alignleft wp-image-10520 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM3BioPic-300x300.jpg\" alt=\"Chloë March\" width=\"300\" height=\"300\" /><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong> Oft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>To Set The River On Fire</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 400px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe> February 2015\r\n<div></div>\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<div></div>\r\n<div></div>\r\n<h4>Nights Bright Days</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe> November 2014\r\n<div></div>\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.\r\n<div></div>\r\n<div></div>\r\n<h4>Under The Day</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe> November 2014\r\n<div></div>\r\nA set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.\r\n<div></div>\r\n<div></div>\r\n<h4>Politik</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe> July 2012\r\n<div></div>\r\nChloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.\r\n<div></div>\r\n<div></div>\r\n<h4>Garden On The Boulevard</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe> November 2009\r\n<div></div>\r\n<em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.\r\n<div></div>\r\n<div></div>\r\n<h4>Divining</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe> November 2008\r\n<div></div>\r\nChloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.\r\n<div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div>\r\n<div></div>\r\n<h4>Snowdrop</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe> November 2004\r\n<div></div>\r\nChloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"10523,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2015-02-18 22:18:31','2015-02-18 14:18:31','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(12010,1,'2015-02-18 22:20:57','2015-02-18 14:20:57','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Chloë March</h1>\r\n<img class=\"alignleft wp-image-10520 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM3BioPic-300x300.jpg\" alt=\"Chloë March\" width=\"300\" height=\"300\" /><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>   <a href=\"https://itunes.apple.com/us/artist/chloe-march/id47255965?uo=4&at=11lRii\" target=\"itunes_store\" style=\"display:inline-block;overflow:hidden;background:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.png) no-repeat;width:45px;height:15px;@media only screen{background-image:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.svg);}\"></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>To Set The River On Fire</h4><div> </div><p><iframe style=\"border: 0; width: 400px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe> <br />February 2015</p><div> </div><p>The new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.</p><div> </div><div> </div><h4>Nights Bright Days</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe> November 2014</p><div> </div><p>Although often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.</p><div> </div><div> </div><h4>Under The Day</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe> November 2014</p><div> </div><p>A set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.</p><div> </div><div> </div><h4>Politik</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe> July 2012</p><div> </div><p>Chloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.</p><div> </div><div> </div><h4>Garden On The Boulevard</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe> November 2009</p><div> </div><p><em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.</p><div> </div><div> </div><h4>Divining</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe> November 2008</p><div> </div><p>Chloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.</p><div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div><div> </div><h4>Snowdrop</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe> November 2004</p><div> </div><p>Chloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong></p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery columns=\"2\" ids=\"10523,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2015-02-18 22:20:57','2015-02-18 14:20:57','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(12011,1,'2015-02-18 22:23:37','2015-02-18 14:23:37','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Chloë March</h1>\r\n<img class=\"alignleft wp-image-10520 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM3BioPic-300x300.jpg\" alt=\"Chloë March\" width=\"300\" height=\"300\" /><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>   <a href=\"https://itunes.apple.com/us/artist/chloe-march/id47255965?uo=4&at=11lRii\" target=\"itunes_store\" style=\"display:inline-block;overflow:hidden;background:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.png) no-repeat;width:45px;height:15px;@media only screen{background-image:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.svg);}\"></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>To Set The River On Fire</h4><div> </div><p><iframe style=\"border: 0; width: 400px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe> <br />February 2015</p><div> </div><p>The new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.</p><div> </div><div> </div><h4>Nights Bright Days</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe> <br />November 2014</p><div> </div><p>Although often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.</p><div> </div><div> </div><h4>Under The Day</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe> <br />November 2014</p><div> </div><p>A set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.</p><div> </div><div> </div><h4>Politik</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe> <br />July 2012</p><div> </div><p>Chloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.</p><div> </div><div> </div><h4>Garden On The Boulevard</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe> <br />November 2009</p><div> </div><p><em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.</p><div> </div><div> </div><h4>Divining</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe> <br />November 2008</p><div> </div><p>Chloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.</p><div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div><div> </div><h4>Snowdrop</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe> <br />November 2004</p><div> </div><p>Chloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong></p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery columns=\"2\" ids=\"10523,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2015-02-18 22:23:37','2015-02-18 14:23:37','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(12012,1,'2015-02-18 22:25:50','2015-02-18 14:25:50','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Chloë March</h1>\r\n<img class=\"alignleft wp-image-10520 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM3BioPic-300x300.jpg\" alt=\"Chloë March\" width=\"300\" height=\"300\" /><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>   <a href=\"https://itunes.apple.com/us/artist/chloe-march/id47255965?uo=4&at=11lRii\" target=\"itunes_store\" style=\"display:inline-block;overflow:hidden;background:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.png) no-repeat;width:45px;height:15px;@media only screen{background-image:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.svg);}\"></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>To Set The River On Fire</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe><br /> February 2015</p><div> </div><p>The new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.</p><div> </div><div> </div><h4>Nights Bright Days</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe><br /> November 2014</p><div> </div><p>Although often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.</p><div> </div><div> </div><h4>Under The Day</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe><br /> November 2014</p><div> </div><p>A set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.</p><div> </div><div> </div><h4>Politik</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe><br /> July 2012</p><div> </div><p>Chloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.</p><div> </div><div> </div><h4>Garden On The Boulevard</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe><br /> November 2009</p><div> </div><p><em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.</p><div> </div><div> </div><h4>Divining</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe><br /> November 2008</p><div> </div><p>Chloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.</p><div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div><div> </div><h4>Snowdrop</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe><br /> November 2004</p><div> </div><p>Chloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong></p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery columns=\"2\" ids=\"10523,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2015-02-18 22:25:50','2015-02-18 14:25:50','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(12013,1,'2015-02-18 22:29:37','2015-02-18 14:29:37','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Markus Mehr</h1>\r\n<img class=\"alignleft size-medium wp-image-10435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" /><em>“... prepare for a shuddering, near chaotic, kaleidoscopic </em><em>experience as Mehr challenges our and his own </em><em>preconceptions of what “electronica” is, what it represents </em><em>and of what his instrumentation can achieve.”<strong> – Delusions of Adequacy</strong></em>\r\n\r\nMarkus Mehr’s debut, <em>Lava</em>, holds true to its title – it is a dense, steaming surge of glue-thick sound. But, after any destructive force there is new growth. Green shoots of melody arc out of the surface and populate the terrain as new possibilities emerge. <span class=\"_5yl5\" data-reactid=\".27.$mid=11404191394044=243362f841034556913.2:0.0.0.0.0\"><span class=\"null\">His follow-up triptych of works (<em>In</em>, <em>On</em> and <em>Off</em>) brought another level of conceptual and sonic experimentation to the table, advancing his stature in the field of contemporary experimental music.</span></span>\r\n\r\n<a title=\"Facebook\" href=\"http://www.facebook.com/markus.mehr\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/MarkusMehr\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/markus-mehr\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.markusmehr.de/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>   https://itunes.apple.com/us/artist/markus-mehr/id299102328?uo=4&at=11lRii[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>To Set The River On Fire</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe>\r\nFebruary 2015\r\n<div></div>\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa.\r\n\r\nListening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<div></div>\r\n<div></div>\r\n<h4>Binary Rooms</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe>\r\nOctober 2014\r\n<div></div>\r\nMehr’s work has seen a subtle shift in scale across his five studio albums. From the widescreen cosmic vistas of <em>Lava</em> to some of the more intimate moments of his 42-minute single-track opus <em>Off</em>, Mehr has now come to examine the most challenging space yet – that of our everyday lives and the spatial narratives that surround us. Mehr’s music has always possessed a keen sense of and negotiation with scale, and on <em>Binary Rooms</em> he challenges notions of personal space, juxtaposing the human against the industrial, the gentle and intimate against the jolting and harsh. Mehr acts as a fragment hunter, meshing machine-like tones with the discarded elements of humanity; narrative with anti-narrative. On <em>Binary Rooms</em> he manages to create a spatial remix – a striking re-design of aural reality filled with a living, digital biology. Experimental filmmaker and Markus Mehr collaborator <a href=\"https://vimeo.com/sixtsense/videos\">Stefanie Sixt</a> has created a stunning new video work for the track \'Gymnasium/Swarms\' which can be viewed in full at <a href=\"https://vimeo.com/105644655\" rel=\"lightbox-video-0\">Vimeo.</a>\r\n<div></div>\r\n<div></div>\r\n<h4>Off</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 170px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=398032740/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/off\">Off by Markus Mehr</a></iframe>\r\nJanuary 2013\r\n<div></div>\r\n<em>Off</em>  by German experimental ambient artist Markus Mehr, is the third and final part of a trilogy that includes the critically acclaimed releases <em>In</em> and <em>On</em>. <em>Off</em>  is not only the culmination of Markus Mehr’s trilogy, but it may also be the culmination of his career’s work thus far. The single-track album begins in silence, as a thrumming loop gradually emerges. From there, a beautiful piano refrain is introduced, noise ebbs and flows, threatening to engulf the piece, while field recordings and swooningly transportive synth patterns drift into focus. During its 42-minute runtime, the piece immerses the listener in a dizzyingly beautiful soundworld that’s ever-shifting. Certain passages allude to other sequences and samples in the preceding albums, linking the three albums into a kaleidoscopic mobius strip.\r\n<div></div>\r\n<div></div>\r\n<h4>On</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2332510059/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/on\">On by Markus Mehr</a></iframe>\r\nJuly 2012\r\n<div></div>\r\nThe new album <em>On</em> by German experimental ambient artist Markus Mehr, forms the second part of a triptych that also includes recent release <em>In</em> and the forthcoming <em>Off</em>. <em>On</em> is a continuation of the experimental direction of Markus Mehr’s previous releases, with eight diverse tracks employing samples, field recordings and slathers of Mehr’s trademark distorted drones. This approach is apparent right from opener ‘Gonna Make You Mine’, as scything slashes of sound leap from the speakers. Single ‘Flaming Youth’ counterbalances fragments of static against a gorgeous sleepy-eyed loop of mangled lounge-jazz. A track as expansive and moving as ‘Duck Became Swan’ is followed by brief rhythmic piece ‘Olympia’. This tightrope walk between dizzying samples and exacting digital manipulation is walked with aplomb throughout <em>On</em>’s adventurous and thrilling 45-minute runtime. <em>On</em> is preceded by <em>In</em>, the first part of the triptych, which comprises two monumental tracks, ‘Komo’ and ‘Ostinato’, each of which clocks in at around 25 minutes, circling around and building upon hypnotic instrumental motifs. The final part of the triptych, Off, released on 24 January 2013, includes the most epic piece yet, ‘Transit’, which clocks in at 49 minutes and will be performed live in collaboration with video artist Stefanie Sixt, who created the video to Mehr’s single ‘Cousteau’.\r\n<div></div>\r\n<div></div>\r\n<h4>In</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 210px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4000928914/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in\">In by Markus Mehr</a></iframe>\r\nJanuary 2012\r\n<div></div>\r\nMarkus Mehr follows up his stunning debut album <em>Lava</em> with three new releases released over a 12 month period. In is the first part of the triptych, comprising two monumental tracks, ‘Komo’ and ‘Ostinato’, each of which clocks in at around 25 minutes, circling around and building upon hypnotic instrumental motifs. ‘Komo’ gradually emerges from silence, its distant, filtered throb reluctantly revealing its source material – a heartbreaking string part whose emotional impact intensifies as the loop clarifies. ‘Ostinato’ is an altogether darker, gnarlier experience, its string loops chewed into distorted knots which are highlighted by treated guitars and crafted electronics. The second part, <em>On</em>, released on 21 June 2012, takes a more experimental direction, with eight diverse tracks employing samples, field recordings and slathers of Mehr’s trademark distorted drones. And finally, <em>Off</em>, released on 24 January 2013, includes the most epic piece yet, ‘Transit’, which clocks in at 49 minutes and will be performed live in collaboration with video artist Stefanie Sixt, who created the video to Mehr’s single ‘Cousteau’.\r\n<div></div>\r\n<div></div>\r\n<h4>Lava</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=634202850/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/lava\">Lava by Markus Mehr</a></iframe>\r\nAugust 2010\r\n<div></div>\r\n<em>Lava</em> holds true to its title – it is a dense surge of glue-think sound, making new paths as it pushes through the landscape. But, after any destructive force there is new growth. Green shoots of melody arc out of the surface and populate the terrain as new possibilities emerge. A new master of heartbreaking ambient drone has arrived. These tracks evoke time spent transfixed, gazing through a giant looking glass, waiting wide-eyed as new discoveries are revealed in the album’s textured contours. On epic opener ‘Agenda’, layers of gorgeous synth gradually accumulate into a gloriously massive chord. On single ‘Hubble’, a bedrock of fuzzed drone is decorated with glistening counter-melodies, tracing shards of light across the coal-black skies. ‘Softwar’ builds and then falls away, only to return with a spine-tingling theme that crumbles under its own majesty. <em>Lava</em>’s ability to both suspend the listener in its abstracted liquid vapours and at the same time imprint its affecting narrative is a special thing. It is one of those albums whose emotional impact stays with you long after you feel its last touch.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nBased in Augsburg, south Germany, Markus Mehr’s musical journey began with the guitar. He grew up listening to bands like Black Sabbath and AC/DC, before turning his ears to darker sounds and the ethereal, experimental pop of David Sylvian. After recording and touring with several bands, he struck out on his own with home studio project Aroma.\r\n\r\nNow working under his own name, Mehr wrote and recorded his debut album <em>Lava</em> at his home studio using guitars and synths, plus any noise-making accoutrements at hand – electric shavers, ventilators, electric tooth brushes and field recordings –all processed and distorted to create a gorgeous wall of sound, akin to the classic ’70s Kosmische music of Klaus Schulze and Tangerine Dream, but also the contemporary masters of textured luminosity, Fennesz and Tim Hecker. His follow up albums, <em>In</em>, <em>On</em> and <em>Off </em> pushed the sonic and structural envelope even further and created a triptych of works that stands amongst the most engaging contemporary experimental music of our days.\r\n\r\nMehr’s extensive live performances across Europe include collaborations with visual artist Stefanie Sixt and performances in churches, galleries and large disused gas tanks amongst the more traditional festival shows.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n\r\n \r\n<h3>News</h3>\r\n[catlist name=markus-mehr content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n\r\n \r\n<h2>Reviews</h2>\r\n[catlist name=markus-mehr-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Live_In_Bari.pdf\"><em>Live in Bari</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Off.pdf\"><em>Off</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Duck_Became_Swan.pdf\">‘Duck Became Swan’ Single Release and Music Video</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Flaming_Youth.pdf\">‘Flaming Youth’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-In.pdf\"><em>In</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Cousteau.pdf\">‘Cousteau’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Lava_Digital_Release.pdf\"><em>Lava</em> Album Digital Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Hubble_Single.pdf\">‘Hubble’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Signing.pdf\">Markus Mehr Signs to Hidden Shoal</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery ids=\"10433,10435,9020,9021,9022,9023,9024,9025,9019\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/dGRCY37hMm4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/PcfMLHZZomw?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/1jIYi486n0c?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMarkus Mehr\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Markus Mehr','','inherit','closed','closed','','9007-revision-v1','','','2015-02-18 22:29:37','2015-02-18 14:29:37','',9007,'http://www.hiddenshoal.com/9007-revision-v1/',0,'revision','',0),(12014,1,'2015-02-18 22:32:12','2015-02-18 14:32:12','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Markus Mehr</h1>\r\n<img class=\"alignleft size-medium wp-image-10435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" /><em>“... prepare for a shuddering, near chaotic, kaleidoscopic </em><em>experience as Mehr challenges our and his own </em><em>preconceptions of what “electronica” is, what it represents </em><em>and of what his instrumentation can achieve.”<strong> – Delusions of Adequacy</strong></em>\r\n\r\nMarkus Mehr’s debut, <em>Lava</em>, holds true to its title – it is a dense, steaming surge of glue-thick sound. But, after any destructive force there is new growth. Green shoots of melody arc out of the surface and populate the terrain as new possibilities emerge. <span class=\"_5yl5\" data-reactid=\".27.$mid=11404191394044=243362f841034556913.2:0.0.0.0.0\"><span class=\"null\">His follow-up triptych of works (<em>In</em>, <em>On</em> and <em>Off</em>) brought another level of conceptual and sonic experimentation to the table, advancing his stature in the field of contemporary experimental music.</span></span>\r\n\r\n<a title=\"Facebook\" href=\"http://www.facebook.com/markus.mehr\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/MarkusMehr\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/markus-mehr\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.markusmehr.de/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>   <a href=\"https://itunes.apple.com/us/artist/markus-mehr/id299102328?uo=4&at=11lRii\" target=\"itunes_store\" style=\"display:inline-block;overflow:hidden;background:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.png) no-repeat;width:45px;height:15px;@media only screen{background-image:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.svg);}\"></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>To Set The River On Fire</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe> <br />February 2015</p><div> </div><p>The new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.</p><div> </div><div> </div><h4>Binary Rooms</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe> <br />October 2014</p><div> </div><p>Mehr’s work has seen a subtle shift in scale across his five studio albums. From the widescreen cosmic vistas of <em>Lava</em> to some of the more intimate moments of his 42-minute single-track opus <em>Off</em>, Mehr has now come to examine the most challenging space yet – that of our everyday lives and the spatial narratives that surround us. Mehr’s music has always possessed a keen sense of and negotiation with scale, and on <em>Binary Rooms</em> he challenges notions of personal space, juxtaposing the human against the industrial, the gentle and intimate against the jolting and harsh. Mehr acts as a fragment hunter, meshing machine-like tones with the discarded elements of humanity; narrative with anti-narrative. On <em>Binary Rooms</em> he manages to create a spatial remix – a striking re-design of aural reality filled with a living, digital biology. Experimental filmmaker and Markus Mehr collaborator <a href=\"https://vimeo.com/sixtsense/videos\">Stefanie Sixt</a> has created a stunning new video work for the track \'Gymnasium/Swarms\' which can be viewed in full at <a href=\"https://vimeo.com/105644655\" rel=\"lightbox-video-0\">Vimeo.</a></p><div> </div><div> </div><h4>Off</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 170px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=398032740/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/off\">Off by Markus Mehr</a></iframe> <br />January 2013</p><div> </div><p><em>Off</em>  by German experimental ambient artist Markus Mehr, is the third and final part of a trilogy that includes the critically acclaimed releases <em>In</em> and <em>On</em>. <em>Off</em>  is not only the culmination of Markus Mehr’s trilogy, but it may also be the culmination of his career’s work thus far. The single-track album begins in silence, as a thrumming loop gradually emerges. From there, a beautiful piano refrain is introduced, noise ebbs and flows, threatening to engulf the piece, while field recordings and swooningly transportive synth patterns drift into focus. During its 42-minute runtime, the piece immerses the listener in a dizzyingly beautiful soundworld that’s ever-shifting. Certain passages allude to other sequences and samples in the preceding albums, linking the three albums into a kaleidoscopic mobius strip.</p><div> </div><div> </div><h4>On</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2332510059/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/on\">On by Markus Mehr</a></iframe> <br />July 2012</p><div> </div><p>The new album <em>On</em> by German experimental ambient artist Markus Mehr, forms the second part of a triptych that also includes recent release <em>In</em> and the forthcoming <em>Off</em>. <em>On</em> is a continuation of the experimental direction of Markus Mehr’s previous releases, with eight diverse tracks employing samples, field recordings and slathers of Mehr’s trademark distorted drones. This approach is apparent right from opener ‘Gonna Make You Mine’, as scything slashes of sound leap from the speakers. Single ‘Flaming Youth’ counterbalances fragments of static against a gorgeous sleepy-eyed loop of mangled lounge-jazz. A track as expansive and moving as ‘Duck Became Swan’ is followed by brief rhythmic piece ‘Olympia’. This tightrope walk between dizzying samples and exacting digital manipulation is walked with aplomb throughout <em>On</em>’s adventurous and thrilling 45-minute runtime. <em>On</em> is preceded by <em>In</em>, the first part of the triptych, which comprises two monumental tracks, ‘Komo’ and ‘Ostinato’, each of which clocks in at around 25 minutes, circling around and building upon hypnotic instrumental motifs. The final part of the triptych, Off, released on 24 January 2013, includes the most epic piece yet, ‘Transit’, which clocks in at 49 minutes and will be performed live in collaboration with video artist Stefanie Sixt, who created the video to Mehr’s single ‘Cousteau’.</p><div> </div><div> </div><h4>In</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 210px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4000928914/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in\">In by Markus Mehr</a></iframe> <br />January 2012</p><div> </div><p>Markus Mehr follows up his stunning debut album <em>Lava</em> with three new releases released over a 12 month period. In is the first part of the triptych, comprising two monumental tracks, ‘Komo’ and ‘Ostinato’, each of which clocks in at around 25 minutes, circling around and building upon hypnotic instrumental motifs. ‘Komo’ gradually emerges from silence, its distant, filtered throb reluctantly revealing its source material – a heartbreaking string part whose emotional impact intensifies as the loop clarifies. ‘Ostinato’ is an altogether darker, gnarlier experience, its string loops chewed into distorted knots which are highlighted by treated guitars and crafted electronics. The second part, <em>On</em>, released on 21 June 2012, takes a more experimental direction, with eight diverse tracks employing samples, field recordings and slathers of Mehr’s trademark distorted drones. And finally, <em>Off</em>, released on 24 January 2013, includes the most epic piece yet, ‘Transit’, which clocks in at 49 minutes and will be performed live in collaboration with video artist Stefanie Sixt, who created the video to Mehr’s single ‘Cousteau’.</p><div> </div><div> </div><h4>Lava</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=634202850/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/lava\">Lava by Markus Mehr</a></iframe> <br />August 2010</p><div> </div><p><em>Lava</em> holds true to its title – it is a dense surge of glue-think sound, making new paths as it pushes through the landscape. But, after any destructive force there is new growth. Green shoots of melody arc out of the surface and populate the terrain as new possibilities emerge. A new master of heartbreaking ambient drone has arrived. These tracks evoke time spent transfixed, gazing through a giant looking glass, waiting wide-eyed as new discoveries are revealed in the album’s textured contours. On epic opener ‘Agenda’, layers of gorgeous synth gradually accumulate into a gloriously massive chord. On single ‘Hubble’, a bedrock of fuzzed drone is decorated with glistening counter-melodies, tracing shards of light across the coal-black skies. ‘Softwar’ builds and then falls away, only to return with a spine-tingling theme that crumbles under its own majesty. <em>Lava</em>’s ability to both suspend the listener in its abstracted liquid vapours and at the same time imprint its affecting narrative is a special thing. It is one of those albums whose emotional impact stays with you long after you feel its last touch.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nBased in Augsburg, south Germany, Markus Mehr’s musical journey began with the guitar. He grew up listening to bands like Black Sabbath and AC/DC, before turning his ears to darker sounds and the ethereal, experimental pop of David Sylvian. After recording and touring with several bands, he struck out on his own with home studio project Aroma.\r\n\r\nNow working under his own name, Mehr wrote and recorded his debut album <em>Lava</em> at his home studio using guitars and synths, plus any noise-making accoutrements at hand – electric shavers, ventilators, electric tooth brushes and field recordings –all processed and distorted to create a gorgeous wall of sound, akin to the classic ’70s Kosmische music of Klaus Schulze and Tangerine Dream, but also the contemporary masters of textured luminosity, Fennesz and Tim Hecker. His follow up albums, <em>In</em>, <em>On</em> and <em>Off </em> pushed the sonic and structural envelope even further and created a triptych of works that stands amongst the most engaging contemporary experimental music of our days.\r\n\r\nMehr’s extensive live performances across Europe include collaborations with visual artist Stefanie Sixt and performances in churches, galleries and large disused gas tanks amongst the more traditional festival shows.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n\r\n \r\n<h3>News</h3>\r\n[catlist name=markus-mehr content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n\r\n \r\n<h2>Reviews</h2>\r\n[catlist name=markus-mehr-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Live_In_Bari.pdf\"><em>Live in Bari</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Off.pdf\"><em>Off</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Duck_Became_Swan.pdf\">‘Duck Became Swan’ Single Release and Music Video</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Flaming_Youth.pdf\">‘Flaming Youth’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-In.pdf\"><em>In</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Cousteau.pdf\">‘Cousteau’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Lava_Digital_Release.pdf\"><em>Lava</em> Album Digital Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Hubble_Single.pdf\">‘Hubble’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Signing.pdf\">Markus Mehr Signs to Hidden Shoal</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery ids=\"10433,10435,9020,9021,9022,9023,9024,9025,9019\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/dGRCY37hMm4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/PcfMLHZZomw?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/1jIYi486n0c?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMarkus Mehr\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Markus Mehr','','inherit','closed','closed','','9007-revision-v1','','','2015-02-18 22:32:12','2015-02-18 14:32:12','',9007,'http://www.hiddenshoal.com/9007-revision-v1/',0,'revision','',0),(12015,1,'2015-02-19 13:45:38','2015-02-19 05:45:38','<img class=\"alignright wp-image-12019\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/March-Mehr-Comp-300px.jpg\" alt=\"Markus Mehr &amp; Chloe March\" width=\"402\" height=\"201\" />Hidden Shoal is excited to announce the new EP <a title=\"To Set The River On Fire\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\"><em>To Set The River On Fire</em></a>, the first in an ongoing “versus” remix series which sees two <a href=\"http://www.hiddenshoal.com/\">Hidden Shoal</a> artists remix each other’s music. We have a cracker to start things off -  English dream-pop artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> takes on a track from the latest album by German experimentalist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> – and vice versa.\r\n\r\nListening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original. The EP consists of the two remixes as well as the original tracks and is available as a free download via <a title=\"Bandcamp\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\">BandCamp</a> as well as a full EP stream on <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/sets/chloe-march-vs-markus-mehr-to-set-the-river-on-fire\" target=\"_blank\">SoundCloud</a>. All songs are also available for licensing via <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\" target=\"_blank\">Hidden Shoal</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/81435011&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"350\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March vs. Markus Mehr - \"To Set The River On Fire\" EP','','publish','closed','closed','','chloe-march-vs-markus-mehr-set-river-fire-ep','','','2016-02-03 16:47:55','2016-02-03 08:47:55','',0,'http://www.hiddenshoal.com/?p=12015',0,'post','',0),(12016,1,'2015-02-19 13:33:48','2015-02-19 05:33:48','','Markus Mehr & Chloe March','','inherit','closed','closed','','march-mehr-comp','','','2015-02-19 13:34:16','2015-02-19 05:34:16','',12015,'http://www.hiddenshoal.com/wp-content/uploads/2015/02/March-Mehr-Comp.jpg',0,'attachment','image/jpeg',0),(12017,1,'2015-02-19 13:36:21','2015-02-19 05:36:21','<img class=\"alignleft size-medium wp-image-12016\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/March-Mehr-Comp-300x150.jpg\" alt=\"Markus Mehr &amp; Chloe March\" width=\"300\" height=\"150\" />Hidden Shoal is excited to anounce the new EP <em>To Set The River On Fire</em>, the first in an ongoing “versus” remix series which sees two <a href=\"http://www.hiddenshoal.com/\">Hidden Shoal</a> artists remix each other’s music. We have a cracker to start things off -  English dream-pop artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> takes on a track from the latest album by German experimentalist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> – and vice versa.\r\n\r\nListening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original. The EP consists of the two remixes as well as the original tracks and is available as a free download via <a title=\"Bandcamp\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\">BandCamp</a> as well as a full EP stream on <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/sets/chloe-march-vs-markus-mehr-to-set-the-river-on-fire\" target=\"_blank\">SoundCloud</a>. All songs are also available for licensing via <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\" target=\"_blank\">Hidden Shoal</a>.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/81435011&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March vs. Markus Mehr - \"To Set The River On Fire\" EP','','inherit','closed','closed','','12015-revision-v1','','','2015-02-19 13:36:21','2015-02-19 05:36:21','',12015,'http://www.hiddenshoal.com/12015-revision-v1/',0,'revision','',0),(12018,1,'2015-02-19 13:38:20','2015-02-19 05:38:20','<img class=\"alignleft size-medium wp-image-12016\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/March-Mehr-Comp-300x150.jpg\" alt=\"Markus Mehr &amp; Chloe March\" width=\"300\" height=\"150\" />Hidden Shoal is excited to anounce the new EP <a title=\"To Set The River On Fire\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\"><em>To Set The River On Fire</em></a>, the first in an ongoing “versus” remix series which sees two <a href=\"http://www.hiddenshoal.com/\">Hidden Shoal</a> artists remix each other’s music. We have a cracker to start things off -  English dream-pop artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> takes on a track from the latest album by German experimentalist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> – and vice versa.\r\n\r\nListening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original. The EP consists of the two remixes as well as the original tracks and is available as a free download via <a title=\"Bandcamp\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\">BandCamp</a> as well as a full EP stream on <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/sets/chloe-march-vs-markus-mehr-to-set-the-river-on-fire\" target=\"_blank\">SoundCloud</a>. All songs are also available for licensing via <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\" target=\"_blank\">Hidden Shoal</a>.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/81435011&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March vs. Markus Mehr - \"To Set The River On Fire\" EP','','inherit','closed','closed','','12015-revision-v1','','','2015-02-19 13:38:20','2015-02-19 05:38:20','',12015,'http://www.hiddenshoal.com/12015-revision-v1/',0,'revision','',0),(12019,1,'2015-02-19 13:40:00','2015-02-19 05:40:00','','Markus Mehr & Chloe March','','inherit','closed','closed','','march-mehr-comp-300px','','','2015-02-19 13:40:28','2015-02-19 05:40:28','',12015,'http://www.hiddenshoal.com/wp-content/uploads/2015/02/March-Mehr-Comp-300px.jpg',0,'attachment','image/jpeg',0),(12020,1,'2015-02-19 13:40:38','2015-02-19 05:40:38','<img class=\"alignleft  wp-image-12019\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/March-Mehr-Comp-300px.jpg\" alt=\"Markus Mehr &amp; Chloe March\" width=\"450\" height=\"225\" />Hidden Shoal is excited to anounce the new EP <a title=\"To Set The River On Fire\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\"><em>To Set The River On Fire</em></a>, the first in an ongoing “versus” remix series which sees two <a href=\"http://www.hiddenshoal.com/\">Hidden Shoal</a> artists remix each other’s music. We have a cracker to start things off -  English dream-pop artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> takes on a track from the latest album by German experimentalist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> – and vice versa.\r\n\r\nListening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original. The EP consists of the two remixes as well as the original tracks and is available as a free download via <a title=\"Bandcamp\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\">BandCamp</a> as well as a full EP stream on <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/sets/chloe-march-vs-markus-mehr-to-set-the-river-on-fire\" target=\"_blank\">SoundCloud</a>. All songs are also available for licensing via <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\" target=\"_blank\">Hidden Shoal</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/81435011&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March vs. Markus Mehr - \"To Set The River On Fire\" EP','','inherit','closed','closed','','12015-revision-v1','','','2015-02-19 13:40:38','2015-02-19 05:40:38','',12015,'http://www.hiddenshoal.com/12015-revision-v1/',0,'revision','',0),(12021,1,'2015-02-19 13:41:01','2015-02-19 05:41:01','<img class=\"alignleft  wp-image-12019\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/March-Mehr-Comp-300px.jpg\" alt=\"Markus Mehr &amp; Chloe March\" width=\"434\" height=\"217\" />Hidden Shoal is excited to anounce the new EP <a title=\"To Set The River On Fire\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\"><em>To Set The River On Fire</em></a>, the first in an ongoing “versus” remix series which sees two <a href=\"http://www.hiddenshoal.com/\">Hidden Shoal</a> artists remix each other’s music. We have a cracker to start things off -  English dream-pop artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> takes on a track from the latest album by German experimentalist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> – and vice versa.\r\n\r\nListening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original. The EP consists of the two remixes as well as the original tracks and is available as a free download via <a title=\"Bandcamp\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\">BandCamp</a> as well as a full EP stream on <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/sets/chloe-march-vs-markus-mehr-to-set-the-river-on-fire\" target=\"_blank\">SoundCloud</a>. All songs are also available for licensing via <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\" target=\"_blank\">Hidden Shoal</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/81435011&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March vs. Markus Mehr - \"To Set The River On Fire\" EP','','inherit','closed','closed','','12015-revision-v1','','','2015-02-19 13:41:01','2015-02-19 05:41:01','',12015,'http://www.hiddenshoal.com/12015-revision-v1/',0,'revision','',0),(12022,1,'2015-02-19 13:42:47','2015-02-19 05:42:47','<img class=\"alignleft  wp-image-12019\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/March-Mehr-Comp-300px.jpg\" alt=\"Markus Mehr &amp; Chloe March\" width=\"402\" height=\"201\" />Hidden Shoal is excited to anounce the new EP <a title=\"To Set The River On Fire\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\"><em>To Set The River On Fire</em></a>, the first in an ongoing “versus” remix series which sees two <a href=\"http://www.hiddenshoal.com/\">Hidden Shoal</a> artists remix each other’s music. We have a cracker to start things off -  English dream-pop artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> takes on a track from the latest album by German experimentalist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> – and vice versa.\r\n\r\nListening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original. The EP consists of the two remixes as well as the original tracks and is available as a free download via <a title=\"Bandcamp\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\">BandCamp</a> as well as a full EP stream on <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/sets/chloe-march-vs-markus-mehr-to-set-the-river-on-fire\" target=\"_blank\">SoundCloud</a>. All songs are also available for licensing via <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\" target=\"_blank\">Hidden Shoal</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/81435011&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March vs. Markus Mehr - \"To Set The River On Fire\" EP','','inherit','closed','closed','','12015-revision-v1','','','2015-02-19 13:42:47','2015-02-19 05:42:47','',12015,'http://www.hiddenshoal.com/12015-revision-v1/',0,'revision','',0),(12023,1,'2015-02-19 13:43:29','2015-02-19 05:43:29','<img class=\"alignright wp-image-12019\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/March-Mehr-Comp-300px.jpg\" alt=\"Markus Mehr &amp; Chloe March\" width=\"402\" height=\"201\" />Hidden Shoal is excited to anounce the new EP <a title=\"To Set The River On Fire\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\"><em>To Set The River On Fire</em></a>, the first in an ongoing “versus” remix series which sees two <a href=\"http://www.hiddenshoal.com/\">Hidden Shoal</a> artists remix each other’s music. We have a cracker to start things off -  English dream-pop artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> takes on a track from the latest album by German experimentalist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> – and vice versa.\r\n\r\nListening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original. The EP consists of the two remixes as well as the original tracks and is available as a free download via <a title=\"Bandcamp\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\">BandCamp</a> as well as a full EP stream on <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/sets/chloe-march-vs-markus-mehr-to-set-the-river-on-fire\" target=\"_blank\">SoundCloud</a>. All songs are also available for licensing via <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\" target=\"_blank\">Hidden Shoal</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/81435011&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March vs. Markus Mehr - \"To Set The River On Fire\" EP','','inherit','closed','closed','','12015-revision-v1','','','2015-02-19 13:43:29','2015-02-19 05:43:29','',12015,'http://www.hiddenshoal.com/12015-revision-v1/',0,'revision','',0),(12024,1,'2015-02-19 13:45:38','2015-02-19 05:45:38','<img class=\"alignright wp-image-12019\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/March-Mehr-Comp-300px.jpg\" alt=\"Markus Mehr &amp; Chloe March\" width=\"402\" height=\"201\" />Hidden Shoal is excited to announce the new EP <a title=\"To Set The River On Fire\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\"><em>To Set The River On Fire</em></a>, the first in an ongoing “versus” remix series which sees two <a href=\"http://www.hiddenshoal.com/\">Hidden Shoal</a> artists remix each other’s music. We have a cracker to start things off -  English dream-pop artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> takes on a track from the latest album by German experimentalist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> – and vice versa.\r\n\r\nListening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original. The EP consists of the two remixes as well as the original tracks and is available as a free download via <a title=\"Bandcamp\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\">BandCamp</a> as well as a full EP stream on <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/sets/chloe-march-vs-markus-mehr-to-set-the-river-on-fire\" target=\"_blank\">SoundCloud</a>. All songs are also available for licensing via <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\" target=\"_blank\">Hidden Shoal</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/81435011&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March vs. Markus Mehr - \"To Set The River On Fire\" EP','','inherit','closed','closed','','12015-revision-v1','','','2015-02-19 13:45:38','2015-02-19 05:45:38','',12015,'http://www.hiddenshoal.com/12015-revision-v1/',0,'revision','',0),(12025,1,'2015-02-19 13:52:23','2015-02-19 05:52:23','<img class=\"alignright wp-image-12019\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/March-Mehr-Comp-300px.jpg\" alt=\"Markus Mehr &amp; Chloe March\" width=\"402\" height=\"201\" />Hidden Shoal is excited to announce the new EP <a title=\"To Set The River On Fire\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\"><em>To Set The River On Fire</em></a>, the first in an ongoing “versus” remix series which sees two <a href=\"http://www.hiddenshoal.com/\">Hidden Shoal</a> artists remix each other’s music. We have a cracker to start things off -  English dream-pop artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> takes on a track from the latest album by German experimentalist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> – and vice versa.\r\n\r\nListening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original. The EP consists of the two remixes as well as the original tracks and is available as a free download via <a title=\"Bandcamp\" href=\"https://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\" target=\"_blank\">BandCamp</a> as well as a full EP stream on <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/sets/chloe-march-vs-markus-mehr-to-set-the-river-on-fire\" target=\"_blank\">SoundCloud</a>. All songs are also available for licensing via <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\" target=\"_blank\">Hidden Shoal</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/81435011&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"350\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March vs. Markus Mehr - \"To Set The River On Fire\" EP','','inherit','closed','closed','','12015-revision-v1','','','2015-02-19 13:52:23','2015-02-19 05:52:23','',12015,'http://www.hiddenshoal.com/12015-revision-v1/',0,'revision','',0),(12026,1,'2015-02-19 15:51:12','2015-02-19 07:51:12','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Music Licensing</h1>\r\n<h1></h1>\r\n<h3>What We Do</h3>\r\nHidden Shoal Publishing manages a growing catalogue of label released, curated tracks, all available for your music licensing needs. We provide a one-stop shop, handling both master and sync rights worldwide and can turn clearance requests around as quickly as your project requires. We work with large and small clients alike from independent productions to big scale projects across film, tv, games, web and more. We also license tracks for compilations and manage licensing for covers of Hidden Shoal songs. Our client list includes MTV, ABC (US), Billabong, Foxtel, BBC, Greenpoint Pictures, Turn Left Productions, Victorian Government, ABC (Australia) and many more.\r\n<h3>The Music</h3>\r\nThis wonderful selection of music covers a broad spectrum of sounds and styles, from filmic neo-classical and expansive and emotive ambient instrumentals through to inventive indie and post-rock, electronica and all the spaces in-between. To give you an introductory feel for what we have to offer you can sample a small selection of sonic delights from the catalogue via our <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal\" target=\"_blank\">SoundCloud</a> playlist to the right or stream releases via our artist\'s profiles on this website.\r\n\r\n<a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">Contact us</a> for further information or with any licensing enquiries.\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h2>Licensing News</h2>\r\n[catlist name=licensing-news excerpt=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Apricot Rail News\" href=\"http://www.hiddenshoal.com/category/news/apricot-rail-news/\"><strong>More Licensing News</strong></a></p>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>Licensing Showcase</h3>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/43771696&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\" 100% height=\" height=\"800\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n<button>Pop Up Player</button>\r\n<script>// <![CDATA[\r\nfunction myFunction() {\r\n    var myWindow = window.open(\"http://www.hiddenshoal.com/wp-content/sc_licensing_player.html\", \"\", \"width=400, height=465\");\r\n}\r\n// ]]></script>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Licensing','','inherit','closed','closed','','8181-revision-v1','','','2015-02-19 15:51:12','2015-02-19 07:51:12','',8181,'http://www.hiddenshoal.com/8181-revision-v1/',0,'revision','',0),(12027,1,'2015-02-19 16:24:14','2015-02-19 08:24:14','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/HC-B_3.jpg\"><img class=\"alignleft  wp-image-11831\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/HC-B_4.jpg\" alt=\"HC-B\" width=\"312\" height=\"212\" /></a>It\'s hard to believe Sicilian quintet <a title=\"HC-B\" href=\"http://www.hiddenshoal.com/project/hc-b/\">HC-B</a> released their masterpiece <a title=\"Soundcheck for a Missing Movie\" href=\"http://www.hiddenshoal.com/project/hc-b/\"><em>Soundcheck for a Missing Movie</em></a> back in 2009. Those who thought this was the last great sonic document from the band will be pleased to know it\'s not and that we have some exciting news on what\'s to come from HC-B in 2015 (soon!). So what better time to reflect on one of the centerpieces of <em>Soundcheck for a Missing Movie</em>, \'Hot Afternoon in The Bull\'s Square\'. Now I had planned to wax lyrical about this song as it excites me every time I listen to it, but then I stumbled on a quote from the awesome US college radio station <a title=\"WRUV\" href=\"http://wruv.org/\" target=\"_blank\">WRUV</a> that summed up everything I wanted to say,\r\n\r\n<em>“Quality Instrumental Post-Rock with a fierce emotion that will blast your face off for its entirety… The songs blend together to form a tsunami of shredding guitars, loud violins, free horns, booming basses and hammering drums… One of the greatest of its genre.”</em> <strong>– WRUV</strong>\r\n\r\nNow listen and hear why every word of that quote is spot on.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/130406438&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - HC-B \'Hot Afternoon in The Bull\'s Square\'','','publish','closed','closed','','featured-track-hc-b-hot-afternoon-bulls-square','','','2016-06-20 10:42:01','2016-06-20 02:42:01','',0,'http://www.hiddenshoal.com/?p=12027',0,'post','',0),(12028,1,'2015-02-19 16:07:37','2015-02-19 08:07:37','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/HC-B_3.jpg\"><img class=\"alignleft  wp-image-11831\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/HC-B_4.jpg\" alt=\"HC-B\" width=\"312\" height=\"212\" /></a>It\'s hard to believe Sicilian quintet HC-B released their masterpiece <em>Soundcheck for a Missing Movie</em> back in 2009. Those who thought this was the last great sonic document from the band will be pleased to know it\'s not and that we have some exciting news on what\'s to come in 2015 (soon!). So what better time to reflect on one of the centerpieces of <em>Soundcheck for a Missing Movie</em>, \'Hot Afternoon in The Bull\'s Square\'. Now I had planned to wax lyrical about this song as it excites me every time I listen to it, but then I stumbled on a quote from the awesome US college radio station <a title=\"WRUV\" href=\"http://wruv.org/\" target=\"_blank\">WRUV</a> that summed up everything I wanted to say,\r\n\r\n<em>“Quality Instrumental Post-Rock with a fierce emotion that will blast your face off for its entirety… The songs blend together to form a tsunami of shredding guitars, loud violins, free horns, booming basses and hammering drums… One of the greatest of its genre.”</em> <strong>– WRUV</strong>\r\n\r\nNow listen and hear why every word of that quote is spot on.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/130406438&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - HC-B - \'Hot Afternoon in The Bull\'s Square\'','','inherit','closed','closed','','12027-revision-v1','','','2015-02-19 16:07:37','2015-02-19 08:07:37','',12027,'http://www.hiddenshoal.com/12027-revision-v1/',0,'revision','',0),(12029,1,'2015-02-19 16:12:57','2015-02-19 08:12:57','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/HC-B_3.jpg\"><img class=\"alignleft  wp-image-11831\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/HC-B_4.jpg\" alt=\"HC-B\" width=\"312\" height=\"212\" /></a>It\'s hard to believe Sicilian quintet <a title=\"HC-B\" href=\"http://www.hiddenshoal.com/project/hc-b/\">HC-B</a> released their masterpiece <a title=\"Soundcheck for a Missing Movie\" href=\"http://www.hiddenshoal.com/project/hc-b/\"><em>Soundcheck for a Missing Movie</em></a> back in 2009. Those who thought this was the last great sonic document from the band will be pleased to know it\'s not and that we have some exciting news on what\'s to come from HC-B in 2015 (soon!). So what better time to reflect on one of the centerpieces of <em>Soundcheck for a Missing Movie</em>, \'Hot Afternoon in The Bull\'s Square\'. Now I had planned to wax lyrical about this song as it excites me every time I listen to it, but then I stumbled on a quote from the awesome US college radio station <a title=\"WRUV\" href=\"http://wruv.org/\" target=\"_blank\">WRUV</a> that summed up everything I wanted to say,\r\n\r\n<em>“Quality Instrumental Post-Rock with a fierce emotion that will blast your face off for its entirety… The songs blend together to form a tsunami of shredding guitars, loud violins, free horns, booming basses and hammering drums… One of the greatest of its genre.”</em> <strong>– WRUV</strong>\r\n\r\nNow listen and hear why every word of that quote is spot on.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/130406438&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - HC-B - \'Hot Afternoon in The Bull\'s Square\'','','inherit','closed','closed','','12027-revision-v1','','','2015-02-19 16:12:57','2015-02-19 08:12:57','',12027,'http://www.hiddenshoal.com/12027-revision-v1/',0,'revision','',0),(12031,1,'2015-02-19 16:23:09','2015-02-19 08:23:09','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/HC-B_3.jpg\"><img class=\"alignleft  wp-image-11831\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/HC-B_4.jpg\" alt=\"HC-B\" width=\"312\" height=\"212\" /></a>It\'s hard to believe Sicilian quintet <a title=\"HC-B\" href=\"http://www.hiddenshoal.com/project/hc-b/\">HC-B</a> released their masterpiece <a title=\"Soundcheck for a Missing Movie\" href=\"http://www.hiddenshoal.com/project/hc-b/\"><em>Soundcheck for a Missing Movie</em></a> back in 2009. Those who thought this was the last great sonic document from the band will be pleased to know it\'s not and that we have some exciting news on what\'s to come from HC-B in 2015 (soon!). So what better time to reflect on one of the centerpieces of <em>Soundcheck for a Missing Movie</em>, \'Hot Afternoon in The Bull\'s Square\'. Now I had planned to wax lyrical about this song as it excites me every time I listen to it, but then I stumbled on a quote from the awesome US college radio station <a title=\"WRUV\" href=\"http://wruv.org/\" target=\"_blank\">WRUV</a> that summed up everything I wanted to say,\r\n\r\n<em>“Quality Instrumental Post-Rock with a fierce emotion that will blast your face off for its entirety… The songs blend together to form a tsunami of shredding guitars, loud violins, free horns, booming basses and hammering drums… One of the greatest of its genre.”</em> <strong>– WRUV</strong>\r\n\r\nNow listen and hear why every word of that quote is spot on.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/130406438&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - HC-B - \'Hot Afternoon in The Bull\'s Square\'','','inherit','closed','closed','','12027-revision-v1','','','2015-02-19 16:23:09','2015-02-19 08:23:09','',12027,'http://www.hiddenshoal.com/12027-revision-v1/',0,'revision','',0),(12030,1,'2015-02-19 16:13:05','2015-02-19 08:13:05','<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/HC-B_3.jpg\"><img class=\"alignleft  wp-image-11831\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/HC-B_4.jpg\" alt=\"HC-B\" width=\"312\" height=\"212\" /></a>It\'s hard to believe Sicilian quintet <a title=\"HC-B\" href=\"http://www.hiddenshoal.com/project/hc-b/\">HC-B</a> released their masterpiece <a title=\"Soundcheck for a Missing Movie\" href=\"http://www.hiddenshoal.com/project/hc-b/\"><em>Soundcheck for a Missing Movie</em></a> back in 2009. Those who thought this was the last great sonic document from the band will be pleased to know it\'s not and that we have some exciting news on what\'s to come from HC-B in 2015 (soon!). So what better time to reflect on one of the centerpieces of <em>Soundcheck for a Missing Movie</em>, \'Hot Afternoon in The Bull\'s Square\'. Now I had planned to wax lyrical about this song as it excites me every time I listen to it, but then I stumbled on a quote from the awesome US college radio station <a title=\"WRUV\" href=\"http://wruv.org/\" target=\"_blank\">WRUV</a> that summed up everything I wanted to say,</p>\r\n<p><em>“Quality Instrumental Post-Rock with a fierce emotion that will blast your face off for its entirety… The songs blend together to form a tsunami of shredding guitars, loud violins, free horns, booming basses and hammering drums… One of the greatest of its genre.”</em> <strong>– WRUV</strong></p>\r\n<p>Now listen and hear why every word of that quote is spot on.</p>\r\n<p><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/130406438&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe></p>\r\n','Featured Track - HC-B - \'Hot Afternoon in The Bull\'s Square\'','','inherit','closed','closed','','12027-revision-v1','','','2015-02-19 16:13:05','2015-02-19 08:13:05','',12027,'http://www.hiddenshoal.com/12027-revision-v1/',0,'revision','',0),(12032,1,'2015-02-19 16:39:11','2015-02-19 08:39:11','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/HC-B_3.jpg\"><img class=\"alignleft  wp-image-11831\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/HC-B_4.jpg\" alt=\"HC-B\" width=\"312\" height=\"212\" /></a>It\'s hard to believe Sicilian quintet <a title=\"HC-B\" href=\"http://www.hiddenshoal.com/project/hc-b/\">HC-B</a> released their masterpiece <a title=\"Soundcheck for a Missing Movie\" href=\"http://www.hiddenshoal.com/project/hc-b/\"><em>Soundcheck for a Missing Movie</em></a> back in 2009. Those who thought this was the last great sonic document from the band will be pleased to know it\'s not and that we have some exciting news on what\'s to come from HC-B in 2015 (soon!). So what better time to reflect on one of the centerpieces of <em>Soundcheck for a Missing Movie</em>, \'Hot Afternoon in The Bull\'s Square\'. Now I had planned to wax lyrical about this song as it excites me every time I listen to it, but then I stumbled on a quote from the awesome US college radio station <a title=\"WRUV\" href=\"http://wruv.org/\" target=\"_blank\">WRUV</a> that summed up everything I wanted to say,\r\n\r\n<em>“Quality Instrumental Post-Rock with a fierce emotion that will blast your face off for its entirety… The songs blend together to form a tsunami of shredding guitars, loud violins, free horns, booming basses and hammering drums… One of the greatest of its genre.”</em> <strong>– WRUV</strong>\r\n\r\nNow listen and hear why every word of that quote is spot on.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/130406438&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - HC-B \'Hot Afternoon in The Bull\'s Square\'','','inherit','closed','closed','','12027-revision-v1','','','2015-02-19 16:39:11','2015-02-19 08:39:11','',12027,'http://www.hiddenshoal.com/12027-revision-v1/',0,'revision','',0),(12033,1,'2015-02-19 17:25:00','2015-02-19 09:25:00','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Free YouTube Music Licenses</h1>\r\n&nbsp;\r\n<h3>How It Works</h3>\r\nWe fully encourage the free use of tracks from the Hidden Shoal Publishing catalogue for personal, non-commercial usage within video works and audio only videos on the <a title=\"YouTube\" href=\"http://www.youtube.com\" target=\"_blank\">YouTube</a> network. Our free YouTube music licenses utilise the YouTube COntent ID system (via our partner AdRev) which picks up the use of any of our tracks on the YouTube network, notifies the user that the track is copyright protected and will then enable ads on the specific video. It\'s important to understand that you will not receive a strike against your account, nor will it affect your account or video in any other way. It\'s also important to understand that this process does provide a much needed income stream for our artists, and forms a small part of the financial return they truly deserve. Plus you get to use some amazing tracks from a large catalogue without being hassled!\r\n\r\n<strong>Note :</strong> If you have paid for a commercial license through Hidden Shoal and you are receiving a notification from AdRev then please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> with the video url and we will whitelist it from the system. Easy! Also we are setting up an online, automated licensing system for personal and commercial online video licensing so this process will be made much easier. Expect this in the first quarter of 2015.\r\n<h3>Conditions</h3>\r\n<ol>\r\n	<li>The free of charge use of any tracks from the Hidden Shoal Publishing catalogue is only for use within videos streamed online via the YouTube network. To obtain a license for any other use or if you are not sure if your video falls within those parameters then please <a title=\"Contact Hidden Shoal\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a>.</li>\r\n	<li>Your video may not qualify for free use if it is of an overtly religious or political nature. Hidden Shoal Publishing reserves the right to withdraw the allowed use of the track if it deems it inappropriate. Please note we are not trying to be cultural police here, rather we have understandings with our artists in regards to what is deemed appropriate use for them. Please <a title=\"Contast Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> if you are unsure.</li>\r\n	<li>You must provide a credit for the artist and song within the video description on YouTube. This should be in the form of artist\'s name, track name and a link to the artist\'s profile on the Hidden Shoal website.</li>\r\n	<li>If utilising a track that is not from the sample lists below then please ensure that it is currently part of the Hidden Shoal Publishing catalogue. If you cannot see the track or artist listed on our website then you can be pretty sure it is not under our control. As always please <a title=\"Contast Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> if you are unsure.</li>\r\n</ol>\r\n<h3>Sample Tracks (Download)</h3>\r\nTo give you a head start we\'ve provided a small selection of tracks below. Note that once you have selected a track, just click on the download button at the top right of the SoundCloud player to download it.\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_accordion admin_label=\"Accordion\"][et_pb_accordion_item title=\"Indie Rock, Dreampop, Shoegaze, Singer-Songwriter\"]\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/59154077%3Fsecret_token%3Ds-nw4KJ&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n[/et_pb_accordion_item][et_pb_accordion_item title=\"Electronic\"]\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58890737%3Fsecret_token%3Ds-oY8Gu&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n[/et_pb_accordion_item][et_pb_accordion_item title=\"Neo-Classical, Ambient\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58166666%3Fsecret_token%3Ds-pomy0&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Instrumental Rock and Post-Rock\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58312269%3Fsecret_token%3Ds-3WaUG&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Psychedelic &amp; Oddball\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58848325%3Fsecret_token%3Ds-y0U1C&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][/et_pb_accordion][/et_pb_column][/et_pb_row][/et_pb_section]','Free YouTube Music Licenses','','inherit','closed','closed','','11236-revision-v1','','','2015-02-19 17:25:00','2015-02-19 09:25:00','',11236,'http://www.hiddenshoal.com/11236-revision-v1/',0,'revision','',0),(12034,1,'2015-02-19 17:26:46','2015-02-19 09:26:46','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Free YouTube Music Licenses</h1>\r\n&nbsp;\r\n<h3>How It Works</h3>\r\nWe fully encourage the free use of tracks from the Hidden Shoal Publishing catalogue for personal, non-commercial usage within video works and audio only videos on the <a title=\"YouTube\" href=\"http://www.youtube.com\" target=\"_blank\">YouTube</a> network. Our free YouTube music licenses utilise the YouTube COntent ID system (via our partner AdRev) which picks up the use of any of our tracks on the YouTube network, notifies the user that the track is copyright protected and will then enable ads on the specific video. It\'s important to understand that you will not receive a strike against your account, nor will it affect your account or video in any other way. It\'s also important to understand that this process does provide a much needed income stream for our artists, and forms a small part of the financial return they truly deserve. Plus you get to use some amazing tracks from a large catalogue without being hassled!\r\n\r\n<strong>Note :</strong> If you have paid for a commercial license through Hidden Shoal and you are receiving a notification from AdRev then please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> with the video url and we will whitelist it from the system. Easy! Also we are setting up an online, automated licensing system for personal and commercial online video licensing so this process will be made much easier. Expect this in the first quarter of 2015.\r\n<h3>Conditions</h3>\r\n<ol>\r\n	<li>The free of charge use of any tracks from the Hidden Shoal Publishing catalogue is only for use within videos streamed online via the YouTube network. To obtain a license for any other use or if you are not sure if your video falls within those parameters then please <a title=\"Contact Hidden Shoal\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a>.</li>\r\n	<li>Your video may not qualify for free use if it is of an overtly religious or political nature. Hidden Shoal Publishing reserves the right to withdraw the allowed use of the track if it deems it inappropriate. Please note we are not trying to be cultural police here, rather we have understandings with our artists in regards to what is deemed appropriate use for them. Please <a title=\"Contast Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> if you are unsure.</li>\r\n	<li>You must provide a credit for the artist and song within the video description on YouTube. This should be in the form of artist\'s name, track name and a link to the artist\'s profile on the Hidden Shoal website.</li>\r\n	<li>If utilising a track that is not from the sample lists below then please ensure that it is currently part of the Hidden Shoal Publishing catalogue. If you cannot see the track or artist listed on our website then you can be pretty sure it is not under our control. As always please <a title=\"Contast Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> if you are unsure.</li>\r\n</ol>\r\n<h3>Sample Tracks (Download)</h3>\r\nTo give you a head start we\'ve provided a small selection of tracks below. Note that once you have selected a track, just click on the download button at the top right of the SoundCloud player to download it.\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_accordion admin_label=\"Accordion\"][et_pb_accordion_item title=\"Indie Rock, Dreampop, Shoegaze, Singer-Songwriter\"]\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/59154077%3Fsecret_token%3Ds-nw4KJ&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n[/et_pb_accordion_item][et_pb_accordion_item title=\"Electronic\"]\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58890737%3Fsecret_token%3Ds-oY8Gu&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n[/et_pb_accordion_item][et_pb_accordion_item title=\"Neo-Classical, Ambient\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58166666%3Fsecret_token%3Ds-pomy0&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Instrumental Rock and Post-Rock\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58312269%3Fsecret_token%3Ds-3WaUG&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Psychedelic &amp; Oddball\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58848325%3Fsecret_token%3Ds-y0U1C&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][/et_pb_accordion][/et_pb_column][/et_pb_row][/et_pb_section]','Free YouTube Music Licensing','','inherit','closed','closed','','11236-revision-v1','','','2015-02-19 17:26:46','2015-02-19 09:26:46','',11236,'http://www.hiddenshoal.com/11236-revision-v1/',0,'revision','',0),(12035,1,'2015-02-19 17:27:05','2015-02-19 09:27:05','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Free YouTube Music Licensing</h1>\r\n&nbsp;\r\n<h3>How It Works</h3>\r\nWe fully encourage the free use of tracks from the Hidden Shoal Publishing catalogue for personal, non-commercial usage within video works and audio only videos on the <a title=\"YouTube\" href=\"http://www.youtube.com\" target=\"_blank\">YouTube</a> network. Our free YouTube music licenses utilise the YouTube COntent ID system (via our partner AdRev) which picks up the use of any of our tracks on the YouTube network, notifies the user that the track is copyright protected and will then enable ads on the specific video. It\'s important to understand that you will not receive a strike against your account, nor will it affect your account or video in any other way. It\'s also important to understand that this process does provide a much needed income stream for our artists, and forms a small part of the financial return they truly deserve. Plus you get to use some amazing tracks from a large catalogue without being hassled!\r\n\r\n<strong>Note :</strong> If you have paid for a commercial license through Hidden Shoal and you are receiving a notification from AdRev then please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> with the video url and we will whitelist it from the system. Easy! Also we are setting up an online, automated licensing system for personal and commercial online video licensing so this process will be made much easier. Expect this in the first quarter of 2015.\r\n<h3>Conditions</h3>\r\n<ol>\r\n	<li>The free of charge use of any tracks from the Hidden Shoal Publishing catalogue is only for use within videos streamed online via the YouTube network. To obtain a license for any other use or if you are not sure if your video falls within those parameters then please <a title=\"Contact Hidden Shoal\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a>.</li>\r\n	<li>Your video may not qualify for free use if it is of an overtly religious or political nature. Hidden Shoal Publishing reserves the right to withdraw the allowed use of the track if it deems it inappropriate. Please note we are not trying to be cultural police here, rather we have understandings with our artists in regards to what is deemed appropriate use for them. Please <a title=\"Contast Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> if you are unsure.</li>\r\n	<li>You must provide a credit for the artist and song within the video description on YouTube. This should be in the form of artist\'s name, track name and a link to the artist\'s profile on the Hidden Shoal website.</li>\r\n	<li>If utilising a track that is not from the sample lists below then please ensure that it is currently part of the Hidden Shoal Publishing catalogue. If you cannot see the track or artist listed on our website then you can be pretty sure it is not under our control. As always please <a title=\"Contast Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> if you are unsure.</li>\r\n</ol>\r\n<h3>Sample Tracks (Download)</h3>\r\nTo give you a head start we\'ve provided a small selection of tracks below. Note that once you have selected a track, just click on the download button at the top right of the SoundCloud player to download it.\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_accordion admin_label=\"Accordion\"][et_pb_accordion_item title=\"Indie Rock, Dreampop, Shoegaze, Singer-Songwriter\"]\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/59154077%3Fsecret_token%3Ds-nw4KJ&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n[/et_pb_accordion_item][et_pb_accordion_item title=\"Electronic\"]\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58890737%3Fsecret_token%3Ds-oY8Gu&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n[/et_pb_accordion_item][et_pb_accordion_item title=\"Neo-Classical, Ambient\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58166666%3Fsecret_token%3Ds-pomy0&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Instrumental Rock and Post-Rock\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58312269%3Fsecret_token%3Ds-3WaUG&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Psychedelic &amp; Oddball\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58848325%3Fsecret_token%3Ds-y0U1C&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][/et_pb_accordion][/et_pb_column][/et_pb_row][/et_pb_section]','Free YouTube Music Licensing','','inherit','closed','closed','','11236-revision-v1','','','2015-02-19 17:27:05','2015-02-19 09:27:05','',11236,'http://www.hiddenshoal.com/11236-revision-v1/',0,'revision','',0),(12036,1,'2015-02-20 11:53:28','2015-02-20 03:53:28','','To-Set-The-River-On-Fire-300px','','inherit','closed','closed','','to-set-the-river-on-fire-300px','','','2015-02-20 11:53:28','2015-02-20 03:53:28','',8417,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/To-Set-The-River-On-Fire-300px.jpg',0,'attachment','image/jpeg',0),(12037,1,'2015-02-20 11:59:01','2015-02-20 03:59:01','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe><em>\r\nTo Set The River on Fire</em>\r\nby <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> vs.<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"> Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=45489366/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://willemgator.bandcamp.com/album/hong-kong-express\">Hong Kong Express by Willem Gator</a></iframe>\r\n<em>Hong Kong Express</em>\r\nby <a title=\"Willem Gator\" href=\"http://www.hiddenshoal.com/project/willem-gator/\">Willem Gator</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3114138192/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-dusk-recital\">The Dusk Recital by Slow Dancing Society</a></iframe>\r\n<em>The Dusk Recital\r\n</em>by <a title=\"Slow Dancing Society News\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2377940152/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://makee.bandcamp.com/album/makee\">makee by makee</a></iframe>\r\n<em>Makee</em>\r\nby <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">Makee</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"3\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2015-02-20 11:59:01','2015-02-20 03:59:01','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(12038,1,'2015-02-20 12:03:28','2015-02-20 04:03:28','','Hong Kong Express','','inherit','closed','closed','','hong-kong-express-cover-art-1400px','','','2015-02-20 12:03:48','2015-02-20 04:03:48','',8417,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Hong-Kong-Express-Cover-Art-1400px.jpg',0,'attachment','image/jpeg',0),(12039,1,'2015-02-20 12:06:14','2015-02-20 04:06:14','','Touch me and i will save you','','inherit','closed','closed','','touch-me-cover-art-1400px','','','2015-02-20 12:06:46','2015-02-20 04:06:46','',8417,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Touch-Me-Cover-Art-1400px.jpg',0,'attachment','image/jpeg',0),(12040,1,'2015-02-20 12:08:47','2015-02-20 04:08:47','','Soundcheck For A Missing Movie','','inherit','closed','closed','','soundcheck_mp3','','','2015-02-20 12:08:59','2015-02-20 04:08:59','',8417,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Soundcheck_Mp3.jpg',0,'attachment','image/jpeg',0),(12041,1,'2015-02-20 12:12:08','2015-02-20 04:12:08','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe><em>\r\nTo Set The River on Fire</em>\r\nby <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> vs.<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"> Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1184022536/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://music.battlestations.ws/album/in-a-cold-embrace\">In a cold embrace by Battlestations</a></iframe>\r\n<em>In A Cold Embrace\r\n</em>by <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\">Battlestations</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=45489366/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://willemgator.bandcamp.com/album/hong-kong-express\">Hong Kong Express by Willem Gator</a></iframe>\r\n<em>Hong Kong Express</em>\r\nby <a title=\"Willem Gator\" href=\"http://www.hiddenshoal.com/project/willem-gator/\">Willem Gator</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2377940152/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://makee.bandcamp.com/album/makee\">makee by makee</a></iframe>\r\n<em>Makee</em>\r\nby <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">Makee</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"3\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2015-02-20 12:12:08','2015-02-20 04:12:08','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(12042,1,'2015-02-20 12:20:06','2015-02-20 04:20:06','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Discography</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"river fire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-12036 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/To-Set-The-River-On-Fire-300px.jpg\" alt=\"To-Set-The-River-On-Fire-300px\" width=\"300\" height=\"300\" /></a>\r\nChloe March vs. Markus Mehr\r\n<em>To Set The River on Fire </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"dusk recital\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-11402 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/duskrecital_300.jpg\" alt=\"The Dusk Recital\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Dusk Recital</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"makee\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/makee/\"><img class=\"alignnone wp-image-11088 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Makee-EP-300px.jpg\" alt=\"Makee EP\" width=\"300\" height=\"300\" /></a>\r\nmakee\r\n<em>makee</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Nights Bright Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-11189 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Nights-Bright-Days-Cover-1000px-300x300.jpg\" alt=\"Nights Bright Days\" width=\"300\" height=\"300\" /></a>\r\nChloë March\r\n<em>Nights bright Days</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under The Day\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone size-medium wp-image-11191\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderTheDayCov350-300x300.jpg\" alt=\"Under The Day\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>Under The Day</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Enchanting Gaze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone wp-image-11190 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enchanting-Gaze-1000px-300x300.jpg\" alt=\"Enchanting Gaze\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Enchanting Gaze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-medium wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities 2\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-11192 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Impossible-Cites-2-1000px-300x300.jpg\" alt=\"Impossible Cites 2\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities 2</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Binary Rooms\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-10985 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - \" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Binary Rooms</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deconstruction Manual\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\"><img class=\"alignnone wp-image-10803 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Deconstruction Manual</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"In Between\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-10470 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/In-Between-Cover-1000px-300x300.jpg\" alt=\"Kryshe - In Between\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>In Between</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Revolving Maze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignnone wp-image-10715 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Revolving-Maze-Front-Cover-300x300.jpg\" alt=\"Revolving Maze\" width=\"300\" height=\"300\" /></a>\r\nInvolved\r\n<em>Revolving Maze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Positive Haywires\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignnone size-medium wp-image-10728\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Positive-Haywires-Front-Cover-1000px-300x300.jpg\" alt=\"Positive Haywires\" width=\"300\" height=\"300\" /></a>\r\nBrother Earth\r\n<em>Positive Haywires</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under Songs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/draliensmith/\"><img class=\"alignnone wp-image-10373 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderSongsCoverArt-300x300.jpg\" alt=\"Under Songs\" width=\"300\" height=\"300\" /></a>\r\nDrAlienSmith\r\n<em>Under Songs</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Cogent Sea</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Growing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-11052 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Growing-Cover-300x300.jpg\" alt=\"Growing\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Growing</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em> The Folklore Sessions</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone wp-image-9399 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /></a>\r\nperth\r\nWhere\'s Utopia (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a>\r\nperth\r\n<em>What’s Your Utopia?</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"No True Beauty\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/NO-TRUE-BEAUTY-300x300.jpg\" alt=\"There Can Be True Beauty Without Decay\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>There Can Be No True Beauty Without Decay </em></em>(2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Voices Out There</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Wooden Heart</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Live in Bari</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Let\'s Adjourn To The Garden</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Bloc4\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9424\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Bloc4_LRG.jpg\" alt=\"Bloc4\" width=\"300\" height=\"300\" /></a>\r\nJumpel\r\n<em>Bloc4</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias &amp; Circus Devils\r\n<em>I Razor </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Momentary Mask\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone wp-image-10374 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Momentary-Mask-Cover-300x300.jpg\" alt=\"The Momentary Mask\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>The Momentary Mask </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em>Quarrels</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Off</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>East of Monument </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>The Road To The Crater </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>Terrane </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Laterna Magica</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>On</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Un Giorno Sospeso</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dreamland\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone size-medium wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Dreamland </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Medicine Show </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Light Dispersed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11492\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIGHT-DISPERSED-300x300.jpg\" alt=\"Light Dispersed\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Light Dispersed </em>(2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The European</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Remixed</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a>\r\nAntonymes meets Slow Dancing Society\r\n<em><em>We Don’t Look Back For Very Long</em> </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Letters From The Coast </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hong Kong\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone wp-image-12038 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Hong-Kong-Express-Cover-Art-1400px-300x300.jpg\" alt=\"Hong Kong Express\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\n<em>Hong Kong Express </em>(2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Like Rumours\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIKE-RUMOURS-300x300.jpg\" alt=\"Like Rumours Of Hushed Thunder\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Like Rumours Of Hushed Thunder</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>A Frame of Reference</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Now We\'re Active</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Lost in Waves of Light </em></em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>The Licence To Interpret Dreams </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>The Stones And The Rabbits</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"europa\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9469\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europa_LRG.jpg\" alt=\"Europa\" width=\"300\" height=\"300\" /></a>\r\nJumpel\r\n<em>Europa</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em><em>Under The Sodium Lights </em></em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Lava </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>Heresy and Rite</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Before The Light Fails\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/BEFORE-THE-LIGHT-FAILS-300x300.jpg\" alt=\"31: Before The Light Fails\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>31: Before The Light Fails</em> (2010)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"machine\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9475\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/machine_LRG1.jpg\" alt=\"Machine Is My Animal\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Machine Is My Animal </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em><em>Unknown Knowns </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>I Haven’t Got It In Me</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"soundcheck\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12040\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Soundcheck_Mp3-300x300.jpg\" alt=\"Soundcheck For A Missing Movie\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Soundcheck For A Missing Movie</em> (2009)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Umpire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-medium wp-image-11478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Umpire-EP-Cover-Art-1000px-300x300.jpg\" alt=\"Umpire\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Umpire</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Chromatic Sigh</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a>\r\nDown Review\r\n<em>From Here, For Anyone</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em><em>Apricot Rail </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>That Time</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a>\r\nSleeping Me\r\n<em>Cradlesongs</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deuxième Bureau \" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9485\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bureau_LRG.jpg\" alt=\"Deuxième Bureau \" width=\"300\" height=\"300\" /></a>\r\nJumpel\r\n<em>Deuxième Bureau</em>  (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"spook\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9486\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG1.jpg\" alt=\"The Spook\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em><em>The Spook </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Too Late, The Day</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"touch me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone size-medium wp-image-12039\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Touch-Me-Cover-Art-1400px-300x300.jpg\" alt=\"Touch me and i will save you\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\nTouch me and i will save you (2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Priest Lake Circa \'88 </em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a>\r\nThe Slow Beings\r\n<em>We Know Why The Earth Moves</em>  (2008)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em><em>Evergreen </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Our Man in Eden Hill</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>September 16th </em>(2007)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Slow And Steady Winter</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a>\r\nCheekbone\r\n<em><em>Yesterday </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Samuel\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9497\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/samueljason_LRG.jpg\" alt=\"Samuel Jason Lies On The Beach\" width=\"300\" height=\"300\" /></a>\r\nJumpel\r\n<em>Samuel Jason Lies On The Beach</em> (2007)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Restless </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Fining</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em><em>It\'s Now Or Later </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Sound Of Lights When Dim</em> (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes &amp; Ponds\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a>\r\nThe Hero Cycle\r\n<em>Lakes and Ponds </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>Golden Days </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a>\r\nEnargeia\r\n<em><em>UFO: Stryker Force </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>Slow Attack</em> (2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a>\r\nMotor Eye\r\n<em>Motor Eye </em>(2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Up Down Up </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em><em>Ideas Are The Answer </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a>\r\nWayne Harriss\r\n<em>Aerospace</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Mapping the static\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-medium wp-image-11477\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Mapping-The-Static-Cover-Art-1000px-300x300.jpg\" alt=\"Mapping The Static\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em>Mapping The Static</em> (2003)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','closed','','8417-revision-v1','','','2015-02-20 12:20:06','2015-02-20 04:20:06','',8417,'http://www.hiddenshoal.com/8417-revision-v1/',0,'revision','',0),(12044,1,'2015-02-24 23:17:11','2015-02-24 15:17:11','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>The October Solution</h1>\r\n<img class=\"alignleft wp-image-11656 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/The-October-Solution-Band-Pic-300x224.jpg\" alt=\"The October Solution\" width=\"300\" height=\"224\" />Dream-rock architects The October Solution are Drew Sullivan (<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>, <a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>) and Jarrod Manuel (<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive. Their songs resonate with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/OctoberSolution\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/EOtheband\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/theoctobersolution\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://the-october-solution.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><h4>1984 (Single)</h4><p><iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=3165214668/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://theoctobersolution.bandcamp.com/track/1984\">1984 by The October Solution</a></iframe> <br />February 2015</p><p>‘1984’ is the first single form Axis Swim Scar, the debut album by dream-pop architects The October Solution (Drew Sullivan of Slow Dancing Society and City of Satellites, and Jarrod Manuel of City of Satellites). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive, no better exemplified than on single ‘1984’, which draws upon the sweeping grandeur of Disintegration-era Cure. Axis Swim Scar resonates with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites. \'1984\' is available now as a free download. Axis Swim Scar will see official release on the 14th of April.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nThe October Solution – Drew Sullivan (<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>, City of Satellites) and Jarrod Manuel (<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>) – originally formed as EO in 2011, releasing two EPs, <i>Breathe Your Air</i> and <i>Somewhere Human</i>, before changing their name to The October Solution in 2013. While the duo operate at opposite ends of the globe – with Manuel based in Adelaide, Australia and Sullivan in Spokane, USA – this independent collaboration was born from a City of Satellites production meet-up in the US, where the pair bonded over their shared love of ’80s and ’90s pop music and shoegaze.\r\n\r\nThe October Solution\'s debut album <i>Axis Swim Scar</i> (mastered by <a title=\"Jonas Munk\" href=\"https://soundcloud.com/jonas-munk\" target=\"_blank\">Jonas Munk</a>) will see release through Hidden Shoal on 15th April 2015, followed by a deluxe compilation re-issue of their first two EPs later in the year.\r\n\r\n \r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=the-october-solution-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=the-october-solution-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery ids=\"11706,11705,11704,11794,11793\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nThe October Solution\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','The October Solution','','inherit','closed','closed','','11654-revision-v1','','','2015-02-24 23:17:11','2015-02-24 15:17:11','',11654,'http://www.hiddenshoal.com/11654-revision-v1/',0,'revision','',0),(12043,1,'2015-02-24 23:14:42','2015-02-24 15:14:42','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>The October Solution</h1>\r\n<img class=\"alignleft wp-image-11656 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/The-October-Solution-Band-Pic-300x224.jpg\" alt=\"The October Solution\" width=\"300\" height=\"224\" />Dream-rock architects The October Solution are Drew Sullivan (<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>, <a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>) and Jarrod Manuel (<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive. Their songs resonate with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/OctoberSolution\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/EOtheband\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/theoctobersolution\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://the-october-solution.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<h4>1984 (Single)</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=3165214668/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://theoctobersolution.bandcamp.com/track/1984\">1984 by The October Solution</a></iframe> February 2015 ‘1984’ is the first single form Axis Swim Scar, the debut album by dream-pop architects The October Solution (Drew Sullivan of Slow Dancing Society and City of Satellites, and Jarrod Manuel of City of Satellites). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive, no better exemplified than on single ‘1984’, which draws upon the sweeping grandeur of Disintegration-era Cure. Axis Swim Scar resonates with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites. \'1984\' is available now as a free download. Axis Swim Scar will see official release on the 14th of April.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nThe October Solution – Drew Sullivan (<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>, City of Satellites) and Jarrod Manuel (<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>) – originally formed as EO in 2011, releasing two EPs, <i>Breathe Your Air</i> and <i>Somewhere Human</i>, before changing their name to The October Solution in 2013. While the duo operate at opposite ends of the globe – with Manuel based in Adelaide, Australia and Sullivan in Spokane, USA – this independent collaboration was born from a City of Satellites production meet-up in the US, where the pair bonded over their shared love of ’80s and ’90s pop music and shoegaze.\r\n\r\nThe October Solution\'s debut album <i>Axis Swim Scar</i> (mastered by <a title=\"Jonas Munk\" href=\"https://soundcloud.com/jonas-munk\" target=\"_blank\">Jonas Munk</a>) will see release through Hidden Shoal on 15th April 2015, followed by a deluxe compilation re-issue of their first two EPs later in the year.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=the-october-solution-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=the-october-solution-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"11706,11705,11704,11794,11793\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nThe October Solution\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','The October Solution','','inherit','closed','closed','','11654-revision-v1','','','2015-02-24 23:14:42','2015-02-24 15:14:42','',11654,'http://www.hiddenshoal.com/11654-revision-v1/',0,'revision','',0),(12046,1,'2015-02-24 23:18:29','2015-02-24 15:18:29','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>The October Solution</h1>\r\n<img class=\"alignleft wp-image-11656 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/The-October-Solution-Band-Pic-300x224.jpg\" alt=\"The October Solution\" width=\"300\" height=\"224\" />Dream-rock architects The October Solution are Drew Sullivan (<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>, <a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>) and Jarrod Manuel (<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive. Their songs resonate with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/OctoberSolution\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/EOtheband\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/theoctobersolution\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://the-october-solution.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<h4>\r\n1984 (Single)</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=3165214668/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://theoctobersolution.bandcamp.com/track/1984\">1984 by The October Solution</a></iframe>\r\nFebruary 2015\r\n\r\n‘1984’ is the first single form Axis Swim Scar, the debut album by dream-pop architects The October Solution (Drew Sullivan of Slow Dancing Society and City of Satellites, and Jarrod Manuel of City of Satellites). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive, no better exemplified than on single ‘1984’, which draws upon the sweeping grandeur of Disintegration-era Cure. Axis Swim Scar resonates with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites. \'1984\' is available now as a free download. Axis Swim Scar will see official release on the 14th of April.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nThe October Solution – Drew Sullivan (<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>, City of Satellites) and Jarrod Manuel (<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>) – originally formed as EO in 2011, releasing two EPs, <i>Breathe Your Air</i> and <i>Somewhere Human</i>, before changing their name to The October Solution in 2013. While the duo operate at opposite ends of the globe – with Manuel based in Adelaide, Australia and Sullivan in Spokane, USA – this independent collaboration was born from a City of Satellites production meet-up in the US, where the pair bonded over their shared love of ’80s and ’90s pop music and shoegaze.\r\n\r\nThe October Solution\'s debut album <i>Axis Swim Scar</i> (mastered by <a title=\"Jonas Munk\" href=\"https://soundcloud.com/jonas-munk\" target=\"_blank\">Jonas Munk</a>) will see release through Hidden Shoal on 15th April 2015, followed by a deluxe compilation re-issue of their first two EPs later in the year.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=the-october-solution-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=the-october-solution-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"11706,11705,11704,11794,11793\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nThe October Solution\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','The October Solution','','inherit','closed','closed','','11654-revision-v1','','','2015-02-24 23:18:29','2015-02-24 15:18:29','',11654,'http://www.hiddenshoal.com/11654-revision-v1/',0,'revision','',0),(12047,1,'2015-02-25 09:31:34','2015-02-25 01:31:34','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>The October Solution</h1>\r\n<img class=\"alignleft wp-image-11656 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/The-October-Solution-Band-Pic-300x224.jpg\" alt=\"The October Solution\" width=\"300\" height=\"224\" />Dream-rock architects The October Solution are Drew Sullivan (<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>, <a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>) and Jarrod Manuel (<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive. Their songs resonate with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/OctoberSolution\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/EOtheband\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/theoctobersolution\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://the-october-solution.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>1984 (Single)</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=3165214668/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://theoctobersolution.bandcamp.com/track/1984\">1984 by The October Solution</a></iframe> February 2015 ‘1984’ is the first single form Axis Swim Scar, the debut album by dream-pop architects The October Solution (Drew Sullivan of Slow Dancing Society and City of Satellites, and Jarrod Manuel of City of Satellites). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive, no better exemplified than on single ‘1984’, which draws upon the sweeping grandeur of Disintegration-era Cure. Axis Swim Scar resonates with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites. \'1984\' is available now as a free download. Axis Swim Scar will see official release on the 14th of April.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nThe October Solution – Drew Sullivan (<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>, City of Satellites) and Jarrod Manuel (<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>) – originally formed as EO in 2011, releasing two EPs, <i>Breathe Your Air</i> and <i>Somewhere Human</i>, before changing their name to The October Solution in 2013. While the duo operate at opposite ends of the globe – with Manuel based in Adelaide, Australia and Sullivan in Spokane, USA – this independent collaboration was born from a City of Satellites production meet-up in the US, where the pair bonded over their shared love of ’80s and ’90s pop music and shoegaze.\r\n\r\nThe October Solution\'s debut album <i>Axis Swim Scar</i> (mastered by <a title=\"Jonas Munk\" href=\"https://soundcloud.com/jonas-munk\" target=\"_blank\">Jonas Munk</a>) will see release through Hidden Shoal on 15th April 2015, followed by a deluxe compilation re-issue of their first two EPs later in the year.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=the-october-solution-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=the-october-solution-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"11706,11705,11704,11794,11793\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nThe October Solution\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','The October Solution','','inherit','closed','closed','','11654-revision-v1','','','2015-02-25 09:31:34','2015-02-25 01:31:34','',11654,'http://www.hiddenshoal.com/11654-revision-v1/',0,'revision','',0),(12048,1,'2015-02-25 09:33:22','2015-02-25 01:33:22','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>The October Solution</h1>\r\n<img class=\"alignleft wp-image-11656 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/The-October-Solution-Band-Pic-300x224.jpg\" alt=\"The October Solution\" width=\"300\" height=\"224\" />Dream-rock architects The October Solution are Drew Sullivan (<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>, <a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>) and Jarrod Manuel (<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive. Their songs resonate with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/OctoberSolution\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/EOtheband\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/theoctobersolution\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://the-october-solution.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><p> <span style=\"color: #000000;\">-</span></p><h4>1984 (Single)</h4><p><iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=3165214668/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://theoctobersolution.bandcamp.com/track/1984\">1984 by The October Solution</a></iframe> <br />February 2015</p><p>‘1984’ is the first single form <em>Axis Swim Scar</em>, the debut album by dream-pop architects The October Solution (Drew Sullivan of Slow Dancing Society and City of Satellites, and Jarrod Manuel of City of Satellites). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive, no better exemplified than on single ‘1984’, which draws upon the sweeping grandeur of Disintegration-era Cure. Axis Swim Scar resonates with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.</p><p>\'1984\' is available now as a free download. <em>Axis Swim Scar</em> will see official release on the 14th of April.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nThe October Solution – Drew Sullivan (<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>, City of Satellites) and Jarrod Manuel (<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>) – originally formed as EO in 2011, releasing two EPs, <i>Breathe Your Air</i> and <i>Somewhere Human</i>, before changing their name to The October Solution in 2013. While the duo operate at opposite ends of the globe – with Manuel based in Adelaide, Australia and Sullivan in Spokane, USA – this independent collaboration was born from a City of Satellites production meet-up in the US, where the pair bonded over their shared love of ’80s and ’90s pop music and shoegaze.\r\n\r\nThe October Solution\'s debut album <i>Axis Swim Scar</i> (mastered by <a title=\"Jonas Munk\" href=\"https://soundcloud.com/jonas-munk\" target=\"_blank\">Jonas Munk</a>) will see release through Hidden Shoal on 15th April 2015, followed by a deluxe compilation re-issue of their first two EPs later in the year.\r\n\r\n \r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=the-october-solution-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=the-october-solution-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery ids=\"11706,11705,11704,11794,11793\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nThe October Solution\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','The October Solution','','inherit','closed','closed','','11654-revision-v1','','','2015-02-25 09:33:22','2015-02-25 01:33:22','',11654,'http://www.hiddenshoal.com/11654-revision-v1/',0,'revision','',0),(12120,1,'2015-03-05 15:54:55','2015-03-05 07:54:55','<img class=\"alignleft  wp-image-9021\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus_Mehr_61-199x300.jpg\" alt=\"Markus Mehr\" width=\"176\" height=\"265\" />A beautiful sister mix to <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>\'s previous <a title=\"Kitsch before Glitch\" href=\"http://www.hiddenshoal.com/kitsch-before-glitch-mixtape-by-markus-mehr/\" target=\"_blank\"><em>Kitsch before Glitch</em></a> mixtape. This time around Mehr takes us from David Sylvian to Thomas Köner to Aphex Twin to The Beatles and beyond. Let\'s hand it over to the man himself to explain,\r\n\r\n<em>\"This is the ‘sister’ to my previous mixtape, Kitsch Before Glitch – but they’re not identical twins. This mix is the complete opposite of the last. It’s music that has attracted me and moved me over the last six or seven months.</em>\r\n\r\n<em>It starts with David Sylvian’s ‘Darkest Dreaming’, a beautiful miniature I rediscovered last summer when I was finishing the album Binary Rooms. I played it in the morning, before I started working, for an A/B mix comparison, during the breaks, and again at the end of the day. I am addicted to this song. It makes me remember my taxi driver days, when I would record one song onto tape over and over again (such as ‘Heartbeat’ by Sakamoto/Sylvian, ‘Don’t Want To Know If You Are Lonely’ by Hüsker Dü, or ‘Someone To Pull The Trigger’ by Matthew Sweet), then listen on repeat the whole night through.</em>\r\n\r\n<em>After this intro you’ll hear a lot of outstanding music released in 2014, previously unreleased music, tracks from colleagues and with colleagues, and some hard-to-find electronic classics of the early ‘40s, ‘50s and ‘60s. And it ends with The Beatles’... by accident. If you’ve been listening to the whole tape, you are definitely also a ‘Fool On The Hill’ – a very nice one.\"</em>\r\n- <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\"><strong>Markus Mehr</strong></a>\r\n\r\n<iframe src=\"https://www.mixcloud.com/widget/iframe/?embed_type=widget_standard&amp;embed_uuid=d3df0186-168f-4dac-808d-ce4f175423a8&amp;feed=https%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fglitch-before-kitsch-by-markus-mehr%2F&amp;hide_cover=1&amp;replace=0\" width=\"660\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: 652px;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: 652px;\"><a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/glitch-before-kitsch-by-markus-mehr/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=resource_link\" target=\"_blank\">\"Glitch before Kitsch\" by Markus Mehr</a> by <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Glitch before Kitsch\" MixTape by Markus Mehr','','publish','closed','closed','','glitch-kitsch-mixtape-markus-mehr','','','2016-02-03 15:51:49','2016-02-03 07:51:49','',0,'http://www.hiddenshoal.com/?p=12120',0,'post','',0),(12050,1,'2015-02-25 10:04:05','2015-02-25 02:04:05','<img class=\"alignleft  wp-image-12053\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/small_artwork_single_1984-300x300.jpg\" alt=\"The October Solution \'1984\'\" width=\"184\" height=\"184\" />Hidden Shoal is excited to announce the release of ‘<a title=\"1984\" href=\"https://theoctobersolution.bandcamp.com/track/1984\" target=\"_blank\">1984</a>’, the first cut from <em>Axis Swim Scar</em>, the debut album by dream-pop architects <a title=\"The October Solution\" href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a> (Drew Sullivan of <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\" target=\"_blank\">Slow Dancing Society</a> and City of Satellites, and Jarrod Manuel of <a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\" target=\"_blank\">City of Satellites</a>). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive, no better exemplified than on single ‘1984’, which draws upon the sweeping grandeur of Disintegration-era Cure. Axis Swim Scar resonates with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\nThe October Solution originally formed as EO in 2011, releasing two EPs, <em>Breathe Your Air</em> and <em>Somewhere Human</em>, before changing their name to The October Solution in 2013. While the duo operate at opposite ends of the globe – with Jarrod Manuel based in Adelaide, Australia and Drew Sullivan based in Spokane, USA – this independent collaboration was born at a City of Satellites production meet-up in the US, where the pair bonded over their shared love of ’80s and ’90s pop music and shoegaze.\r\n\r\n\'1984\' is available now as a <a title=\"1984 Download\" href=\"https://theoctobersolution.bandcamp.com/track/1984\" target=\"_blank\">free download</a> and <a title=\"Stream 1984\" href=\"https://soundcloud.com/hidden_shoal/1984-single\" target=\"_blank\">stream</a>. <em>Axis Swim Scar</em> will see official release on the 14th of April.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/191723801&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','The October Solution \'1984\' - First Single from \"Axis Swim Scar\"','','publish','closed','closed','','october-solution-1984-first-single-axis-swim-scar','','','2016-08-23 17:38:30','2016-08-23 09:38:30','',0,'http://www.hiddenshoal.com/?p=12050',0,'post','',0),(12051,1,'2015-02-25 09:41:35','2015-02-25 01:41:35','Hidden Shoal is excited to announce ‘1984’, the first cut from <em>Axis Swim Scar</em>, the debut album by dream-pop architects <a title=\"The October Solution\" href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a> (Drew Sullivan of <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\" target=\"_blank\">Slow Dancing Society</a> and City of Satellites, and Jarrod Manuel of <a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\" target=\"_blank\">City of Satellites</a>). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive, no better exemplified than on single ‘1984’, which draws upon the sweeping grandeur of Disintegration-era Cure. Axis Swim Scar resonates with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\nThe October Solution originally formed as EO in 2011, releasing two EPs, Breathe Your Air and Somewhere Human, before changing their name to The October Solution in 2013. While the duo operate at opposite ends of the globe – with Jarrod Manuel based in Adelaide, Australia and Drew Sullivan based in Spokane, USA – this independent collaboration was born at a City of Satellites production meet-up in the US, where the pair bonded over their shared love of ’80s and ’90s pop music and shoegaze.\r\n\r\n\'1984\' is available now as a free download. Axis Swim Scar will see official release on the 14th of April.','The October Solution \'1984\' - New Single!','','inherit','closed','closed','','12050-revision-v1','','','2015-02-25 09:41:35','2015-02-25 01:41:35','',12050,'http://www.hiddenshoal.com/12050-revision-v1/',0,'revision','',0),(12052,1,'2015-02-25 09:42:13','2015-02-25 01:42:13','Hidden Shoal is excited to announce ‘1984’, the first cut from <em>Axis Swim Scar</em>, the debut album by dream-pop architects <a title=\"The October Solution\" href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a> (Drew Sullivan of <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\" target=\"_blank\">Slow Dancing Society</a> and City of Satellites, and Jarrod Manuel of <a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\" target=\"_blank\">City of Satellites</a>). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive, no better exemplified than on single ‘1984’, which draws upon the sweeping grandeur of Disintegration-era Cure. Axis Swim Scar resonates with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\nThe October Solution originally formed as EO in 2011, releasing two EPs, Breathe Your Air and Somewhere Human, before changing their name to The October Solution in 2013. While the duo operate at opposite ends of the globe – with Jarrod Manuel based in Adelaide, Australia and Drew Sullivan based in Spokane, USA – this independent collaboration was born at a City of Satellites production meet-up in the US, where the pair bonded over their shared love of ’80s and ’90s pop music and shoegaze.\r\n\r\n\'1984\' is available now as a free download. Axis Swim Scar will see official release on the 14th of April.','The October Solution \'1984\' - First Single from \"Axis Swim Scar\"','','inherit','closed','closed','','12050-revision-v1','','','2015-02-25 09:42:13','2015-02-25 01:42:13','',12050,'http://www.hiddenshoal.com/12050-revision-v1/',0,'revision','',0),(12053,1,'2015-02-25 09:56:02','2015-02-25 01:56:02','','The October Solution \'1984\'','','inherit','closed','closed','','small_artwork_single_1984','','','2015-02-25 09:56:36','2015-02-25 01:56:36','',12050,'http://www.hiddenshoal.com/wp-content/uploads/2015/02/small_artwork_single_1984.jpg',0,'attachment','image/jpeg',0),(12054,1,'2015-02-25 09:57:27','2015-02-25 01:57:27','<img class=\"alignleft  wp-image-12053\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/small_artwork_single_1984-300x300.jpg\" alt=\"The October Solution \'1984\'\" width=\"184\" height=\"184\" />Hidden Shoal is excited to announce ‘1984’, the first cut from <em>Axis Swim Scar</em>, the debut album by dream-pop architects <a title=\"The October Solution\" href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a> (Drew Sullivan of <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\" target=\"_blank\">Slow Dancing Society</a> and City of Satellites, and Jarrod Manuel of <a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\" target=\"_blank\">City of Satellites</a>). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive, no better exemplified than on single ‘1984’, which draws upon the sweeping grandeur of Disintegration-era Cure. Axis Swim Scar resonates with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\nThe October Solution originally formed as EO in 2011, releasing two EPs, <em>Breathe Your Air</em> and <em>Somewhere Human</em>, before changing their name to The October Solution in 2013. While the duo operate at opposite ends of the globe – with Jarrod Manuel based in Adelaide, Australia and Drew Sullivan based in Spokane, USA – this independent collaboration was born at a City of Satellites production meet-up in the US, where the pair bonded over their shared love of ’80s and ’90s pop music and shoegaze.\r\n\r\n\'1984\' is available now as a <a title=\"1984 Download\" href=\"https://theoctobersolution.bandcamp.com/track/1984\" target=\"_blank\">free download</a> and <a title=\"Stream 1984\" href=\"https://soundcloud.com/hidden_shoal/1984-single\" target=\"_blank\">stream</a>. <em>Axis Swim Scar</em> will see official release on the 14th of April.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/191723801&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','The October Solution \'1984\' - First Single from \"Axis Swim Scar\"','','inherit','closed','closed','','12050-revision-v1','','','2015-02-25 09:57:27','2015-02-25 01:57:27','',12050,'http://www.hiddenshoal.com/12050-revision-v1/',0,'revision','',0),(12055,1,'2015-02-25 09:58:09','2015-02-25 01:58:09','<img class=\"alignleft  wp-image-12053\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/small_artwork_single_1984-300x300.jpg\" alt=\"The October Solution \'1984\'\" width=\"184\" height=\"184\" />Hidden Shoal is excited to announce ‘<a title=\"1984\" href=\"https://theoctobersolution.bandcamp.com/track/1984\" target=\"_blank\">1984</a>’, the first cut from <em>Axis Swim Scar</em>, the debut album by dream-pop architects <a title=\"The October Solution\" href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a> (Drew Sullivan of <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\" target=\"_blank\">Slow Dancing Society</a> and City of Satellites, and Jarrod Manuel of <a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\" target=\"_blank\">City of Satellites</a>). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive, no better exemplified than on single ‘1984’, which draws upon the sweeping grandeur of Disintegration-era Cure. Axis Swim Scar resonates with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\nThe October Solution originally formed as EO in 2011, releasing two EPs, <em>Breathe Your Air</em> and <em>Somewhere Human</em>, before changing their name to The October Solution in 2013. While the duo operate at opposite ends of the globe – with Jarrod Manuel based in Adelaide, Australia and Drew Sullivan based in Spokane, USA – this independent collaboration was born at a City of Satellites production meet-up in the US, where the pair bonded over their shared love of ’80s and ’90s pop music and shoegaze.\r\n\r\n\'1984\' is available now as a <a title=\"1984 Download\" href=\"https://theoctobersolution.bandcamp.com/track/1984\" target=\"_blank\">free download</a> and <a title=\"Stream 1984\" href=\"https://soundcloud.com/hidden_shoal/1984-single\" target=\"_blank\">stream</a>. <em>Axis Swim Scar</em> will see official release on the 14th of April.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/191723801&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','The October Solution \'1984\' - First Single from \"Axis Swim Scar\"','','inherit','closed','closed','','12050-revision-v1','','','2015-02-25 09:58:09','2015-02-25 01:58:09','',12050,'http://www.hiddenshoal.com/12050-revision-v1/',0,'revision','',0),(12056,1,'2015-02-25 10:03:46','2015-02-25 02:03:46','<img class=\"alignleft  wp-image-12053\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/small_artwork_single_1984-300x300.jpg\" alt=\"The October Solution \'1984\'\" width=\"184\" height=\"184\" />Hidden Shoal is excited to announce the release of ‘<a title=\"1984\" href=\"https://theoctobersolution.bandcamp.com/track/1984\" target=\"_blank\">1984</a>’, the first cut from <em>Axis Swim Scar</em>, the debut album by dream-pop architects <a title=\"The October Solution\" href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a> (Drew Sullivan of <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\" target=\"_blank\">Slow Dancing Society</a> and City of Satellites, and Jarrod Manuel of <a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\" target=\"_blank\">City of Satellites</a>). While steeped in ’80s nostalgia, their music moves beyond familiar tropes to stand as defiantly futuristic and progressive, no better exemplified than on single ‘1984’, which draws upon the sweeping grandeur of Disintegration-era Cure. Axis Swim Scar resonates with soaring guitars, ethereal vocals, and deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\nThe October Solution originally formed as EO in 2011, releasing two EPs, <em>Breathe Your Air</em> and <em>Somewhere Human</em>, before changing their name to The October Solution in 2013. While the duo operate at opposite ends of the globe – with Jarrod Manuel based in Adelaide, Australia and Drew Sullivan based in Spokane, USA – this independent collaboration was born at a City of Satellites production meet-up in the US, where the pair bonded over their shared love of ’80s and ’90s pop music and shoegaze.\r\n\r\n\'1984\' is available now as a <a title=\"1984 Download\" href=\"https://theoctobersolution.bandcamp.com/track/1984\" target=\"_blank\">free download</a> and <a title=\"Stream 1984\" href=\"https://soundcloud.com/hidden_shoal/1984-single\" target=\"_blank\">stream</a>. <em>Axis Swim Scar</em> will see official release on the 14th of April.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/191723801&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','The October Solution \'1984\' - First Single from \"Axis Swim Scar\"','','inherit','closed','closed','','12050-revision-v1','','','2015-02-25 10:03:46','2015-02-25 02:03:46','',12050,'http://www.hiddenshoal.com/12050-revision-v1/',0,'revision','',0),(12057,1,'2015-02-25 22:35:08','2015-02-25 14:35:08','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Kramies</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-8971\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Kramies-2013-Press-Shot-300x300.jpg\" alt=\"Kramies\" width=\"232\" height=\"232\" /></a><em>“It’s rare to find dream-pop that resolves with such assured optimism, in which you can sense experience shifting into its proper place... Kramies seems to have mastered the talent of simply breathing it into shape”<strong> – Misfit City</strong></em>\r\n\r\nDutch-American singer-songwriter Kramies has been honing his inimitable craft for many years, bewitching all who have heard his music along the way. Fusing masterful songwriting with electronics and atmospherics, stepping into a Kramies song means being swept up into an emotionally resonant vortex of swooning pop that simply demands repeat listens.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>The Fate That Never Favoured Us</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4058454627/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-fate-that-never-favored-us\">The Fate That Never Favored Us by Kramies</a></iframe> March 2015 Ahead of his forthcoming French tour, dream-pop troubadour Kramies has dropped another gorgeous track produced by Jason Lytle (Grandaddy). ‘The Fate That Never Favored Us’ is a lilting, swaying cosmic waltz, delicately built around melancholy acoustic guitar and eerie synths, through which Kramies weaves his languid vocals. As with so much of his music, Kramies delivers soundtracks to moments rather than mere songs.\r\n<div></div>\r\n<div></div>\r\n<h4>The Folklore Sessions</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe> May 2014\r\n<div></div>\r\n<em>The Folklore Sessions</em> is the free new EP by dream-pop singer-songwriter Kramies, featuring acoustic versions of songs from his two acclaimed Hidden Shoal EPs <em>The European</em> and <em>The Wooden Heart</em>, plus the beautiful piano talents of Grant Wilson (from Syfy\'s Ghost Hunters). While his previous EPs mined a wonderfully rich seam of atmospheric yet epic songcraft, <em>The Folklore Sessions</em> demonstrates that Kramies’ songwriting is just as stunning without the undeniable production talents of Jason Lytle (Grandaddy) and Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils). With just his voice and acoustic guitar, plus languid piano backing by Grant Wilson (of Ghost Hunters TV show fame), these stripped-back versions of <em>The European</em>’s ‘Antiquarian Days’, <em>The Wooden Heart</em>’s title track and ‘Sea Otter Cottage’ are given vivid new life through Kramies’ genuinely affecting performances.\r\n<div></div>\r\n<div></div>\r\n<h4>The Wooden Heart</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2389044161/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe> October 2013\r\n<div></div>\r\n<em>The Wooden Heart</em> is the luscious and expansive new EP from Colorado-based dream-pop artist Kramies. The EP features the production and instrumental talents of Jason Lytle of Grandaddy fame, along with the inimitable production and additional instrumentation of Robert Pollard co-conspirator Todd Tobias. <em>The Wooden Heart</em> mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal. In addition to Todd Tobias’s production (on ‘The Beginning’, ‘The Wooden Heart’, ‘Upon The Northern Isles’ and ‘The Ending’), <em>The Wooden Heart</em> EP also features the production and instrumental talents of Jason Lytle of Grandaddy fame (on ‘Sea Otter Cottage’ and ‘Clocks Were All Broken’). Rounded out by the beautiful artwork of French photographer Jérôme Sevrette, The Wooden Heart EP is a lovingly constructed work of art.\r\n<div></div>\r\n<div></div>\r\n<h4>The European</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2414891436/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-european\">The European by Kramies</a></iframe> November 2011\r\n<div></div>\r\nProduced by Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils), <em>The European</em> sets Kramies’ gorgeous voice and acoustic guitar within a glowing tableau, epic in scope yet delicate in detail. The EP fades into view with ‘Intro’, a simple cyclical pattern of guitar, piano and vocals gradually subsumed by drones and distortion. This leads into the majestic, glacial sway of the title track, guaranteed to make the hairs on the back of your neck stand on end. Then, ‘Inventors’ is the album’s dark, shadowy heart, a ballad of subtle intensity. Single ‘Coal Miners Executive Club’ is an emotionally resonant vortex of swooning pop built around an absolutely heartbreaking chord progression on synthesizer, carried skyward as layers and layers of instruments build and build. And the closing ‘Antiquarian Days’ is a fitting fade towards a sepia horizon, burbling loops and chiming guitars accompanying Kramies’ gentle lament.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nDutch-American singer-songwriter Kramies Windt began writing songs at the age of 14 after buying his first synth, acoustic guitar and four-track cassette recorder at an estate sale in his home town of Cleveland, Ohio. Even though he was never really exposed to any music other than old Dutch Christmas records his family had lying around when he was a kid, their haunting sound would shape the direction of his future songwriting.\r\n\r\nKramies started forming and playing in bands around the age of 16, and by the age of 19, the bands he formed became based around the songs he was writing. The bands took on many forms, playing the underground music scene from Ohio to Chicago. Come the late ’90s, Kramies developed his own sound, based around old-world imagery of cobblestone streets, old trains and castles, and romantic, poetic moments. Kramies and his band went on to open for Spiritualized, Grandaddy, Yo La Tengo, Calexico, Stereolab, Dirty Three and Red House Painters.\r\n\r\nCome 2004, Kramies decided to focus on writing and recording in the studio, and began working with producer and engineer Todd Tobias (Guided By Voices, Robert Pollard) and guitarist David Paolucci. Working with Todd and David, Kramies released two albums to critical acclaim: Golden Like A New Thing (ACM, 2008) and Castle of Ghosts (ACM, 2010).\r\n\r\nIn 2010 Kramies began writing the songs for his first Hidden Shoal release, The European EP, in his coat closet in Colorado. The songs were demoed on four-track, painting a vivid sonic picture of the direction the release would take, drawing on the haunting old-world imagery he loved so much as a kid. The demos were sent to David Paolucci to start working on guitar parts in Ohio. Kramies then toured Ireland, playing really old pubs and small concert halls, which brought new ideas and layers to the songs. The European EP was recorded in June and July 2011 with Todd Tobias, with prominent, swirling guitar work from Dave Paolucci.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kramies-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><strong><a title=\"More Kramies News\" href=\"http://www.hiddenshoal.com/category/news/kramies-news/\">More News</a></strong></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kramies-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Kramies Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/kramies-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">Kramies <em>The Folklore Sessions</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">Kramies <em>The Wooden Heart</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart%28Single%29.pdf\">Kramies ‘The Wooden Heart’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">Kramies – <em>The European</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">Kramies – ‘Coal Miners Executive Club’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9000,8999,9001\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/uM1_Ov-ont0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/-l4F8vCH8MM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/vOHV7ZWshkM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/TdmV4aOSmxE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/C5865MiACPA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/KxAnc3dj3b0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKramies\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kramies','','inherit','closed','closed','','8970-revision-v1','','','2015-02-25 22:35:08','2015-02-25 14:35:08','',8970,'http://www.hiddenshoal.com/8970-revision-v1/',0,'revision','',0),(12058,1,'2015-02-25 22:39:36','2015-02-25 14:39:36','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Kramies</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-8971\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Kramies-2013-Press-Shot-300x300.jpg\" alt=\"Kramies\" width=\"232\" height=\"232\" /></a><em>“It’s rare to find dream-pop that resolves with such assured optimism, in which you can sense experience shifting into its proper place... Kramies seems to have mastered the talent of simply breathing it into shape”<strong> – Misfit City</strong></em>\r\n\r\nDutch-American singer-songwriter Kramies has been honing his inimitable craft for many years, bewitching all who have heard his music along the way. Fusing masterful songwriting with electronics and atmospherics, stepping into a Kramies song means being swept up into an emotionally resonant vortex of swooning pop that simply demands repeat listens.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a href=\"https://itunes.apple.com/us/artist/kramies/id271914759?uo=4&at=11lRii\" target=\"itunes_store\" style=\"display:inline-block;overflow:hidden;background:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.png) no-repeat;width:45px;height:15px;@media only screen{background-image:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.svg);}\"></a></strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>The Fate That Never Favoured Us</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4058454627/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-fate-that-never-favored-us\">The Fate That Never Favored Us by Kramies</a></iframe> <br />March 2015</p><p>Ahead of his forthcoming French tour, dream-pop troubadour Kramies has dropped another gorgeous track produced by Jason Lytle (Grandaddy). ‘The Fate That Never Favored Us’ is a lilting, swaying cosmic waltz, delicately built around melancholy acoustic guitar and eerie synths, through which Kramies weaves his languid vocals. As with so much of his music, Kramies delivers soundtracks to moments rather than mere songs.</p><div> </div><div> </div><h4>The Folklore Sessions</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe> May 2014</p><div> </div><p><em>The Folklore Sessions</em> is the free new EP by dream-pop singer-songwriter Kramies, featuring acoustic versions of songs from his two acclaimed Hidden Shoal EPs <em>The European</em> and <em>The Wooden Heart</em>, plus the beautiful piano talents of Grant Wilson (from Syfy\'s Ghost Hunters). While his previous EPs mined a wonderfully rich seam of atmospheric yet epic songcraft, <em>The Folklore Sessions</em> demonstrates that Kramies’ songwriting is just as stunning without the undeniable production talents of Jason Lytle (Grandaddy) and Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils). With just his voice and acoustic guitar, plus languid piano backing by Grant Wilson (of Ghost Hunters TV show fame), these stripped-back versions of <em>The European</em>’s ‘Antiquarian Days’, <em>The Wooden Heart</em>’s title track and ‘Sea Otter Cottage’ are given vivid new life through Kramies’ genuinely affecting performances.</p><div> </div><div> </div><h4>The Wooden Heart</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2389044161/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe> October 2013</p><div> </div><p><em>The Wooden Heart</em> is the luscious and expansive new EP from Colorado-based dream-pop artist Kramies. The EP features the production and instrumental talents of Jason Lytle of Grandaddy fame, along with the inimitable production and additional instrumentation of Robert Pollard co-conspirator Todd Tobias. <em>The Wooden Heart</em> mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal. In addition to Todd Tobias’s production (on ‘The Beginning’, ‘The Wooden Heart’, ‘Upon The Northern Isles’ and ‘The Ending’), <em>The Wooden Heart</em> EP also features the production and instrumental talents of Jason Lytle of Grandaddy fame (on ‘Sea Otter Cottage’ and ‘Clocks Were All Broken’). Rounded out by the beautiful artwork of French photographer Jérôme Sevrette, The Wooden Heart EP is a lovingly constructed work of art.</p><div> </div><div> </div><h4>The European</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2414891436/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-european\">The European by Kramies</a></iframe> November 2011</p><div> </div><p>Produced by Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils), <em>The European</em> sets Kramies’ gorgeous voice and acoustic guitar within a glowing tableau, epic in scope yet delicate in detail. The EP fades into view with ‘Intro’, a simple cyclical pattern of guitar, piano and vocals gradually subsumed by drones and distortion. This leads into the majestic, glacial sway of the title track, guaranteed to make the hairs on the back of your neck stand on end. Then, ‘Inventors’ is the album’s dark, shadowy heart, a ballad of subtle intensity. Single ‘Coal Miners Executive Club’ is an emotionally resonant vortex of swooning pop built around an absolutely heartbreaking chord progression on synthesizer, carried skyward as layers and layers of instruments build and build. And the closing ‘Antiquarian Days’ is a fitting fade towards a sepia horizon, burbling loops and chiming guitars accompanying Kramies’ gentle lament.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nDutch-American singer-songwriter Kramies Windt began writing songs at the age of 14 after buying his first synth, acoustic guitar and four-track cassette recorder at an estate sale in his home town of Cleveland, Ohio. Even though he was never really exposed to any music other than old Dutch Christmas records his family had lying around when he was a kid, their haunting sound would shape the direction of his future songwriting.\r\n\r\nKramies started forming and playing in bands around the age of 16, and by the age of 19, the bands he formed became based around the songs he was writing. The bands took on many forms, playing the underground music scene from Ohio to Chicago. Come the late ’90s, Kramies developed his own sound, based around old-world imagery of cobblestone streets, old trains and castles, and romantic, poetic moments. Kramies and his band went on to open for Spiritualized, Grandaddy, Yo La Tengo, Calexico, Stereolab, Dirty Three and Red House Painters.\r\n\r\nCome 2004, Kramies decided to focus on writing and recording in the studio, and began working with producer and engineer Todd Tobias (Guided By Voices, Robert Pollard) and guitarist David Paolucci. Working with Todd and David, Kramies released two albums to critical acclaim: Golden Like A New Thing (ACM, 2008) and Castle of Ghosts (ACM, 2010).\r\n\r\nIn 2010 Kramies began writing the songs for his first Hidden Shoal release, The European EP, in his coat closet in Colorado. The songs were demoed on four-track, painting a vivid sonic picture of the direction the release would take, drawing on the haunting old-world imagery he loved so much as a kid. The demos were sent to David Paolucci to start working on guitar parts in Ohio. Kramies then toured Ireland, playing really old pubs and small concert halls, which brought new ideas and layers to the songs. The European EP was recorded in June and July 2011 with Todd Tobias, with prominent, swirling guitar work from Dave Paolucci.\r\n\r\n \r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kramies-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><strong><a title=\"More Kramies News\" href=\"http://www.hiddenshoal.com/category/news/kramies-news/\">More News</a></strong></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kramies-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Kramies Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/kramies-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">Kramies <em>The Folklore Sessions</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">Kramies <em>The Wooden Heart</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart%28Single%29.pdf\">Kramies ‘The Wooden Heart’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">Kramies – <em>The European</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">Kramies – ‘Coal Miners Executive Club’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery ids=\"9000,8999,9001\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/uM1_Ov-ont0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/-l4F8vCH8MM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/vOHV7ZWshkM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/TdmV4aOSmxE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/C5865MiACPA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/KxAnc3dj3b0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKramies\' music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kramies','','inherit','closed','closed','','8970-revision-v1','','','2015-02-25 22:39:36','2015-02-25 14:39:36','',8970,'http://www.hiddenshoal.com/8970-revision-v1/',0,'revision','',0),(12060,1,'2015-02-25 22:43:04','2015-02-25 14:43:04','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Kramies</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-8971\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Kramies-2013-Press-Shot-300x300.jpg\" alt=\"Kramies\" width=\"232\" height=\"232\" /></a><em>“It’s rare to find dream-pop that resolves with such assured optimism, in which you can sense experience shifting into its proper place... Kramies seems to have mastered the talent of simply breathing it into shape”<strong> – Misfit City</strong></em> Dutch-American singer-songwriter Kramies has been honing his inimitable craft for many years, bewitching all who have heard his music along the way. Fusing masterful songwriting with electronics and atmospherics, stepping into a Kramies song means being swept up into an emotionally resonant vortex of swooning pop that simply demands repeat listens. <strong><a title=\"Facebook\" href=\"https://www.facebook.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>The Fate That Never Favoured Us</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4058454627/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-fate-that-never-favored-us\">The Fate That Never Favored Us by Kramies</a></iframe>\r\nMarch 2015\r\n\r\nAhead of his forthcoming French tour, dream-pop troubadour Kramies has dropped another gorgeous track produced by Jason Lytle (Grandaddy). ‘The Fate That Never Favored Us’ is a lilting, swaying cosmic waltz, delicately built around melancholy acoustic guitar and eerie synths, through which Kramies weaves his languid vocals. As with so much of his music, Kramies delivers soundtracks to moments rather than mere songs.\r\n<div></div>\r\n<div></div>\r\n<h4>The Folklore Sessions</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe>\r\nMay 2014\r\n<div></div>\r\n<em>The Folklore Sessions</em> is the free new EP by dream-pop singer-songwriter Kramies, featuring acoustic versions of songs from his two acclaimed Hidden Shoal EPs <em>The European</em> and <em>The Wooden Heart</em>, plus the beautiful piano talents of Grant Wilson (from Syfy\'s Ghost Hunters). While his previous EPs mined a wonderfully rich seam of atmospheric yet epic songcraft, <em>The Folklore Sessions</em> demonstrates that Kramies’ songwriting is just as stunning without the undeniable production talents of Jason Lytle (Grandaddy) and Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils). With just his voice and acoustic guitar, plus languid piano backing by Grant Wilson (of Ghost Hunters TV show fame), these stripped-back versions of <em>The European</em>’s ‘Antiquarian Days’, <em>The Wooden Heart</em>’s title track and ‘Sea Otter Cottage’ are given vivid new life through Kramies’ genuinely affecting performances.\r\n<div></div>\r\n<div></div>\r\n<h4>The Wooden Heart</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2389044161/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe>\r\nOctober 2013\r\n<div></div>\r\n<em>The Wooden Heart</em> is the luscious and expansive new EP from Colorado-based dream-pop artist Kramies. The EP features the production and instrumental talents of Jason Lytle of Grandaddy fame, along with the inimitable production and additional instrumentation of Robert Pollard co-conspirator Todd Tobias. <em>The Wooden Heart</em> mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal. In addition to Todd Tobias’s production (on ‘The Beginning’, ‘The Wooden Heart’, ‘Upon The Northern Isles’ and ‘The Ending’), <em>The Wooden Heart</em> EP also features the production and instrumental talents of Jason Lytle of Grandaddy fame (on ‘Sea Otter Cottage’ and ‘Clocks Were All Broken’). Rounded out by the beautiful artwork of French photographer Jérôme Sevrette, The Wooden Heart EP is a lovingly constructed work of art.\r\n<div></div>\r\n<div></div>\r\n<h4>The European</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2414891436/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-european\">The European by Kramies</a></iframe>\r\nNovember 2011\r\n<div></div>\r\nProduced by Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils), <em>The European</em> sets Kramies’ gorgeous voice and acoustic guitar within a glowing tableau, epic in scope yet delicate in detail. The EP fades into view with ‘Intro’, a simple cyclical pattern of guitar, piano and vocals gradually subsumed by drones and distortion. This leads into the majestic, glacial sway of the title track, guaranteed to make the hairs on the back of your neck stand on end. Then, ‘Inventors’ is the album’s dark, shadowy heart, a ballad of subtle intensity. Single ‘Coal Miners Executive Club’ is an emotionally resonant vortex of swooning pop built around an absolutely heartbreaking chord progression on synthesizer, carried skyward as layers and layers of instruments build and build. And the closing ‘Antiquarian Days’ is a fitting fade towards a sepia horizon, burbling loops and chiming guitars accompanying Kramies’ gentle lament.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nDutch-American singer-songwriter Kramies Windt began writing songs at the age of 14 after buying his first synth, acoustic guitar and four-track cassette recorder at an estate sale in his home town of Cleveland, Ohio. Even though he was never really exposed to any music other than old Dutch Christmas records his family had lying around when he was a kid, their haunting sound would shape the direction of his future songwriting.\r\n\r\nKramies started forming and playing in bands around the age of 16, and by the age of 19, the bands he formed became based around the songs he was writing. The bands took on many forms, playing the underground music scene from Ohio to Chicago. Come the late ’90s, Kramies developed his own sound, based around old-world imagery of cobblestone streets, old trains and castles, and romantic, poetic moments. Kramies and his band went on to open for Spiritualized, Grandaddy, Yo La Tengo, Calexico, Stereolab, Dirty Three and Red House Painters.\r\n\r\nCome 2004, Kramies decided to focus on writing and recording in the studio, and began working with producer and engineer Todd Tobias (Guided By Voices, Robert Pollard) and guitarist David Paolucci. Working with Todd and David, Kramies released two albums to critical acclaim: Golden Like A New Thing (ACM, 2008) and Castle of Ghosts (ACM, 2010).\r\n\r\nIn 2010 Kramies began writing the songs for his first Hidden Shoal release, The European EP, in his coat closet in Colorado. The songs were demoed on four-track, painting a vivid sonic picture of the direction the release would take, drawing on the haunting old-world imagery he loved so much as a kid. The demos were sent to David Paolucci to start working on guitar parts in Ohio. Kramies then toured Ireland, playing really old pubs and small concert halls, which brought new ideas and layers to the songs. The European EP was recorded in June and July 2011 with Todd Tobias, with prominent, swirling guitar work from Dave Paolucci.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kramies-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><strong><a title=\"More Kramies News\" href=\"http://www.hiddenshoal.com/category/news/kramies-news/\">More News</a></strong></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kramies-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Kramies Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/kramies-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">Kramies <em>The Folklore Sessions</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">Kramies <em>The Wooden Heart</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart%28Single%29.pdf\">Kramies ‘The Wooden Heart’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">Kramies – <em>The European</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">Kramies – ‘Coal Miners Executive Club’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9000,8999,9001\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/uM1_Ov-ont0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/-l4F8vCH8MM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/vOHV7ZWshkM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/TdmV4aOSmxE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/C5865MiACPA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/KxAnc3dj3b0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKramies\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kramies','','inherit','closed','closed','','8970-revision-v1','','','2015-02-25 22:43:04','2015-02-25 14:43:04','',8970,'http://www.hiddenshoal.com/8970-revision-v1/',0,'revision','',0),(12059,1,'2015-02-25 22:40:39','2015-02-25 14:40:39','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Kramies</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-8971\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Kramies-2013-Press-Shot-300x300.jpg\" alt=\"Kramies\" width=\"232\" height=\"232\" /></a><em>“It’s rare to find dream-pop that resolves with such assured optimism, in which you can sense experience shifting into its proper place... Kramies seems to have mastered the talent of simply breathing it into shape”<strong> – Misfit City</strong></em>\r\n\r\nDutch-American singer-songwriter Kramies has been honing his inimitable craft for many years, bewitching all who have heard his music along the way. Fusing masterful songwriting with electronics and atmospherics, stepping into a Kramies song means being swept up into an emotionally resonant vortex of swooning pop that simply demands repeat listens.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a href=\"https://itunes.apple.com/us/artist/kramies/id271914759?uo=4&at=11lRii\" target=\"itunes_store\" style=\"display:inline-block;overflow:hidden;background:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.png) no-repeat;width:45px;height:15px;@media only screen{background-image:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.svg);}\"></a></strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>The Fate That Never Favoured Us</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4058454627/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-fate-that-never-favored-us\">The Fate That Never Favored Us by Kramies</a></iframe> <br />March 2015</p><p>Ahead of his forthcoming French tour, dream-pop troubadour Kramies has dropped another gorgeous track produced by Jason Lytle (Grandaddy). ‘The Fate That Never Favored Us’ is a lilting, swaying cosmic waltz, delicately built around melancholy acoustic guitar and eerie synths, through which Kramies weaves his languid vocals. As with so much of his music, Kramies delivers soundtracks to moments rather than mere songs.</p><div> </div><div> </div><h4>The Folklore Sessions</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe> <br />May 2014</p><div> </div><p><em>The Folklore Sessions</em> is the free new EP by dream-pop singer-songwriter Kramies, featuring acoustic versions of songs from his two acclaimed Hidden Shoal EPs <em>The European</em> and <em>The Wooden Heart</em>, plus the beautiful piano talents of Grant Wilson (from Syfy\'s Ghost Hunters). While his previous EPs mined a wonderfully rich seam of atmospheric yet epic songcraft, <em>The Folklore Sessions</em> demonstrates that Kramies’ songwriting is just as stunning without the undeniable production talents of Jason Lytle (Grandaddy) and Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils). With just his voice and acoustic guitar, plus languid piano backing by Grant Wilson (of Ghost Hunters TV show fame), these stripped-back versions of <em>The European</em>’s ‘Antiquarian Days’, <em>The Wooden Heart</em>’s title track and ‘Sea Otter Cottage’ are given vivid new life through Kramies’ genuinely affecting performances.</p><div> </div><div> </div><h4>The Wooden Heart</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2389044161/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe> <br />October 2013</p><div> </div><p><em>The Wooden Heart</em> is the luscious and expansive new EP from Colorado-based dream-pop artist Kramies. The EP features the production and instrumental talents of Jason Lytle of Grandaddy fame, along with the inimitable production and additional instrumentation of Robert Pollard co-conspirator Todd Tobias. <em>The Wooden Heart</em> mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal. In addition to Todd Tobias’s production (on ‘The Beginning’, ‘The Wooden Heart’, ‘Upon The Northern Isles’ and ‘The Ending’), <em>The Wooden Heart</em> EP also features the production and instrumental talents of Jason Lytle of Grandaddy fame (on ‘Sea Otter Cottage’ and ‘Clocks Were All Broken’). Rounded out by the beautiful artwork of French photographer Jérôme Sevrette, The Wooden Heart EP is a lovingly constructed work of art.</p><div> </div><div> </div><h4>The European</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2414891436/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-european\">The European by Kramies</a></iframe><br /> November 2011</p><div> </div><p>Produced by Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils), <em>The European</em> sets Kramies’ gorgeous voice and acoustic guitar within a glowing tableau, epic in scope yet delicate in detail. The EP fades into view with ‘Intro’, a simple cyclical pattern of guitar, piano and vocals gradually subsumed by drones and distortion. This leads into the majestic, glacial sway of the title track, guaranteed to make the hairs on the back of your neck stand on end. Then, ‘Inventors’ is the album’s dark, shadowy heart, a ballad of subtle intensity. Single ‘Coal Miners Executive Club’ is an emotionally resonant vortex of swooning pop built around an absolutely heartbreaking chord progression on synthesizer, carried skyward as layers and layers of instruments build and build. And the closing ‘Antiquarian Days’ is a fitting fade towards a sepia horizon, burbling loops and chiming guitars accompanying Kramies’ gentle lament.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nDutch-American singer-songwriter Kramies Windt began writing songs at the age of 14 after buying his first synth, acoustic guitar and four-track cassette recorder at an estate sale in his home town of Cleveland, Ohio. Even though he was never really exposed to any music other than old Dutch Christmas records his family had lying around when he was a kid, their haunting sound would shape the direction of his future songwriting.\r\n\r\nKramies started forming and playing in bands around the age of 16, and by the age of 19, the bands he formed became based around the songs he was writing. The bands took on many forms, playing the underground music scene from Ohio to Chicago. Come the late ’90s, Kramies developed his own sound, based around old-world imagery of cobblestone streets, old trains and castles, and romantic, poetic moments. Kramies and his band went on to open for Spiritualized, Grandaddy, Yo La Tengo, Calexico, Stereolab, Dirty Three and Red House Painters.\r\n\r\nCome 2004, Kramies decided to focus on writing and recording in the studio, and began working with producer and engineer Todd Tobias (Guided By Voices, Robert Pollard) and guitarist David Paolucci. Working with Todd and David, Kramies released two albums to critical acclaim: Golden Like A New Thing (ACM, 2008) and Castle of Ghosts (ACM, 2010).\r\n\r\nIn 2010 Kramies began writing the songs for his first Hidden Shoal release, The European EP, in his coat closet in Colorado. The songs were demoed on four-track, painting a vivid sonic picture of the direction the release would take, drawing on the haunting old-world imagery he loved so much as a kid. The demos were sent to David Paolucci to start working on guitar parts in Ohio. Kramies then toured Ireland, playing really old pubs and small concert halls, which brought new ideas and layers to the songs. The European EP was recorded in June and July 2011 with Todd Tobias, with prominent, swirling guitar work from Dave Paolucci.\r\n\r\n \r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kramies-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><strong><a title=\"More Kramies News\" href=\"http://www.hiddenshoal.com/category/news/kramies-news/\">More News</a></strong></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kramies-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Kramies Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/kramies-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">Kramies <em>The Folklore Sessions</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">Kramies <em>The Wooden Heart</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart%28Single%29.pdf\">Kramies ‘The Wooden Heart’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">Kramies – <em>The European</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">Kramies – ‘Coal Miners Executive Club’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery ids=\"9000,8999,9001\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/uM1_Ov-ont0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/-l4F8vCH8MM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/vOHV7ZWshkM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/TdmV4aOSmxE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/C5865MiACPA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/KxAnc3dj3b0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKramies\' music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kramies','','inherit','closed','closed','','8970-revision-v1','','','2015-02-25 22:40:39','2015-02-25 14:40:39','',8970,'http://www.hiddenshoal.com/8970-revision-v1/',0,'revision','',0),(12061,1,'2015-02-25 22:48:39','2015-02-25 14:48:39','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h1>Kramies</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-8971\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Kramies-2013-Press-Shot-300x300.jpg\" alt=\"Kramies\" width=\"232\" height=\"232\" /></a><em>“It’s rare to find dream-pop that resolves with such assured optimism, in which you can sense experience shifting into its proper place... Kramies seems to have mastered the talent of simply breathing it into shape”<strong> – Misfit City</strong></em>\r\n\r\nDutch-American singer-songwriter Kramies has been honing his inimitable craft for many years, bewitching all who have heard his music along the way. Fusing masterful songwriting with electronics and atmospherics, stepping into a Kramies song means being swept up into an emotionally resonant vortex of swooning pop that simply demands repeat listens.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a href=\"https://itunes.apple.com/us/artist/kramies/id271914759?uo=4&at=11lRii\" target=\"itunes_store\" style=\"display:inline-block;overflow:hidden;background:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.png) no-repeat;width:45px;height:15px;@media only screen{background-image:url(https://linkmaker.itunes.apple.com/htmlResources/assets//images/web/linkmaker/badge_itunes-sm.svg);}\"></a></strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>The Fate That Never Favoured Us</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4058454627/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-fate-that-never-favored-us\">The Fate That Never Favored Us by Kramies</a></iframe>\r\nMarch 2015\r\n\r\nAhead of his forthcoming French tour, dream-pop troubadour Kramies has dropped another gorgeous track produced by Jason Lytle (Grandaddy). ‘The Fate That Never Favored Us’ is a lilting, swaying cosmic waltz, delicately built around melancholy acoustic guitar and eerie synths, through which Kramies weaves his languid vocals. As with so much of his music, Kramies delivers soundtracks to moments rather than mere songs.\r\n<div></div>\r\n<div></div>\r\n<h4>The Folklore Sessions</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe>\r\nMay 2014\r\n<div></div>\r\n<em>The Folklore Sessions</em> is the free new EP by dream-pop singer-songwriter Kramies, featuring acoustic versions of songs from his two acclaimed Hidden Shoal EPs <em>The European</em> and <em>The Wooden Heart</em>, plus the beautiful piano talents of Grant Wilson (from Syfy\'s Ghost Hunters). While his previous EPs mined a wonderfully rich seam of atmospheric yet epic songcraft, <em>The Folklore Sessions</em> demonstrates that Kramies’ songwriting is just as stunning without the undeniable production talents of Jason Lytle (Grandaddy) and Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils). With just his voice and acoustic guitar, plus languid piano backing by Grant Wilson (of Ghost Hunters TV show fame), these stripped-back versions of <em>The European</em>’s ‘Antiquarian Days’, <em>The Wooden Heart</em>’s title track and ‘Sea Otter Cottage’ are given vivid new life through Kramies’ genuinely affecting performances.\r\n<div></div>\r\n<div></div>\r\n<h4>The Wooden Heart</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2389044161/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe>\r\nOctober 2013\r\n<div></div>\r\n<em>The Wooden Heart</em> is the luscious and expansive new EP from Colorado-based dream-pop artist Kramies. The EP features the production and instrumental talents of Jason Lytle of Grandaddy fame, along with the inimitable production and additional instrumentation of Robert Pollard co-conspirator Todd Tobias. <em>The Wooden Heart</em> mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal. In addition to Todd Tobias’s production (on ‘The Beginning’, ‘The Wooden Heart’, ‘Upon The Northern Isles’ and ‘The Ending’), <em>The Wooden Heart</em> EP also features the production and instrumental talents of Jason Lytle of Grandaddy fame (on ‘Sea Otter Cottage’ and ‘Clocks Were All Broken’). Rounded out by the beautiful artwork of French photographer Jérôme Sevrette, The Wooden Heart EP is a lovingly constructed work of art.\r\n<div></div>\r\n<div></div>\r\n<h4>The European</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2414891436/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-european\">The European by Kramies</a></iframe>\r\nNovember 2011\r\n<div></div>\r\nProduced by Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils), <em>The European</em> sets Kramies’ gorgeous voice and acoustic guitar within a glowing tableau, epic in scope yet delicate in detail. The EP fades into view with ‘Intro’, a simple cyclical pattern of guitar, piano and vocals gradually subsumed by drones and distortion. This leads into the majestic, glacial sway of the title track, guaranteed to make the hairs on the back of your neck stand on end. Then, ‘Inventors’ is the album’s dark, shadowy heart, a ballad of subtle intensity. Single ‘Coal Miners Executive Club’ is an emotionally resonant vortex of swooning pop built around an absolutely heartbreaking chord progression on synthesizer, carried skyward as layers and layers of instruments build and build. And the closing ‘Antiquarian Days’ is a fitting fade towards a sepia horizon, burbling loops and chiming guitars accompanying Kramies’ gentle lament.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nDutch-American singer-songwriter Kramies Windt began writing songs at the age of 14 after buying his first synth, acoustic guitar and four-track cassette recorder at an estate sale in his home town of Cleveland, Ohio. Even though he was never really exposed to any music other than old Dutch Christmas records his family had lying around when he was a kid, their haunting sound would shape the direction of his future songwriting.\r\n\r\nKramies started forming and playing in bands around the age of 16, and by the age of 19, the bands he formed became based around the songs he was writing. The bands took on many forms, playing the underground music scene from Ohio to Chicago. Come the late ’90s, Kramies developed his own sound, based around old-world imagery of cobblestone streets, old trains and castles, and romantic, poetic moments. Kramies and his band went on to open for Spiritualized, Grandaddy, Yo La Tengo, Calexico, Stereolab, Dirty Three and Red House Painters.\r\n\r\nCome 2004, Kramies decided to focus on writing and recording in the studio, and began working with producer and engineer Todd Tobias (Guided By Voices, Robert Pollard) and guitarist David Paolucci. Working with Todd and David, Kramies released two albums to critical acclaim: Golden Like A New Thing (ACM, 2008) and Castle of Ghosts (ACM, 2010).\r\n\r\nIn 2010 Kramies began writing the songs for his first Hidden Shoal release, The European EP, in his coat closet in Colorado. The songs were demoed on four-track, painting a vivid sonic picture of the direction the release would take, drawing on the haunting old-world imagery he loved so much as a kid. The demos were sent to David Paolucci to start working on guitar parts in Ohio. Kramies then toured Ireland, playing really old pubs and small concert halls, which brought new ideas and layers to the songs. The European EP was recorded in June and July 2011 with Todd Tobias, with prominent, swirling guitar work from Dave Paolucci.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kramies-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><strong><a title=\"More Kramies News\" href=\"http://www.hiddenshoal.com/category/news/kramies-news/\">More News</a></strong></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kramies-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Kramies Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/kramies-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">Kramies <em>The Folklore Sessions</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">Kramies <em>The Wooden Heart</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart%28Single%29.pdf\">Kramies ‘The Wooden Heart’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">Kramies – <em>The European</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">Kramies – ‘Coal Miners Executive Club’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9000,8999,9001\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/uM1_Ov-ont0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/-l4F8vCH8MM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/vOHV7ZWshkM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/TdmV4aOSmxE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/C5865MiACPA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/KxAnc3dj3b0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKramies\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kramies','','inherit','closed','closed','','8970-revision-v1','','','2015-02-25 22:48:39','2015-02-25 14:48:39','',8970,'http://www.hiddenshoal.com/8970-revision-v1/',0,'revision','',0),(12063,1,'2015-03-03 22:55:48','2015-03-03 14:55:48','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>REW&lt;&lt;</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12065\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7455-1-300x225.jpg\" alt=\"Ryan Weber\" width=\"245\" height=\"184\" /></a> <em>“has a feel all its own... These concise little songs are continually expanding and contracting, demonstrating how even seemingly minor mixing changes can stir a big emotional impact”</em> – <strong>Express Milwaukee</strong>\r\n\r\nThe eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement, and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the dreaminess with a sense of drama, no more evident than in REW&lt;&lt;’s sophomore release <i>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</i>.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/REWsongs\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/REW_music\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/rew-10\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://rew-songs.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/au/album/olive-skinned-silver-tongued/id995342762?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone wp-image-12412 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3158289214/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://rew-music.bandcamp.com/album/olive-skinned-silver-tongued-sirens-sing-swan-songs\">Olive Skinned, Silver Tongued Sirens Sing Swan Songs by REW&lt;&lt;</a></iframe>\r\nJuly 2015\r\n\r\nOn <em>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</em>, the eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the album’s dreaminess with a sense of drama. From shimmering, widescreen electronic pop to haunting, minimal ballads, REW&lt;&lt; traverses dizzyingly varied terrain across the album’s 30 minutes, crafting a vivid journey that demands repeat visits.\r\n\r\n&nbsp;\r\n<h4>Departeures</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=417273966/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://rew-music.bandcamp.com/album/departeures\">departeures by REW&lt;&lt;</a></iframe>\r\nFebruary 2014\r\n\r\nREW&lt;&lt;\'s debut album. A stunning daydream travelogue recorded in hotel rooms and train compartments from July-September 2013 in Kenya, India, Thailand, Laos, Vietnam, Cambodia, Malaysia and Indonesia.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nREW&lt;&lt; is the solo moniker of Ryan E. Weber, who originally hails from the Western shores of Lake Michigan. His previous bands include Camden, The Promise Ring and Decibully, and he is one half of dream-pop duo Eric &amp; Magill. Working on Eric &amp; Magill releases while living in both Kenya and the Republic of Armenia, Weber collaborated over the internet with a host of notable contemporary indie artists, including members of Shearwater, The Dirty Projectors, Owen, Volcano Choir and The Delgados. In 2014 he released his acclaimed debut solo album as REW&lt;&lt;, <i>Departeures. </i>His new album <i>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</i> is his debut for Hidden Shoal.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=rew-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=rew-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12068,12065\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/iHI3Mw9lONo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/V0kb_0PnuM4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/l-C86OxiQzY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/mN_Q4kEt5mI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nREW\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','REW<<','','publish','closed','closed','','rew','','','2017-03-01 10:20:28','2017-03-01 02:20:28','',0,'http://www.hiddenshoal.com/?post_type=project&#038;p=12063',0,'project','',0),(12073,1,'2015-02-27 17:08:26','2015-02-27 09:08:26','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>REW&lt;&lt;</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12065\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7455-1-300x225.jpg\" alt=\"Ryan Weber\" width=\"279\" height=\"209\" /></a> <em>“has a feel all its own... These concise little songs are continually expanding and contracting, demonstrating how even seemingly minor mixing changes can stir a big emotional impact”</em> – <strong>Express Milwaukee</strong>\r\n\r\nThe eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement, and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the dreaminess with a sense of drama, no more evident than in REW&lt;&lt;’s sophomore release <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> (released on 16th July 2015).\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/REWsongs\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/REW_music\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/rew-10\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://rew-songs.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<em>Olive Skinned, Silver Tongued Siren Sings Swan Songs</em> released on 16th July 2015, preceded by the first single taken from the album on April 15th.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nREW&lt;&lt; is the solo moniker of Ryan E. Weber, who originally hails from the Western shores of Lake Michigan. His previous bands include Camden, The Promise Ring and Decibully, and he is one half of dream-pop duo Eric &amp; Magill. Working on Eric &amp; Magill releases while living in both Kenya and the Republic of Armenia, Weber collaborated over the internet with a host of notable contemporary indie artists, including members of Shearwater, The Dirty Projectors, Owen, Volcano Choir and The Delgados. In 2014 he released his acclaimed debut solo album as REW&lt;&lt;, <i>Departeures. </i>His new album <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> is his debut for Hidden Shoal.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=rew-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=rew-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12068,12065\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry![/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nREW\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','REW','','inherit','closed','closed','','12063-revision-v1','','','2015-02-27 17:08:26','2015-02-27 09:08:26','',12063,'http://www.hiddenshoal.com/12063-revision-v1/',0,'revision','',0),(12070,1,'2015-02-27 11:37:20','2015-02-27 03:37:20','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>REW&lt;&lt;</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft size-medium wp-image-12065\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7455-1-300x225.jpg\" alt=\"Ryan Weber\" width=\"300\" height=\"225\" /></a> <em>“has a feel all its own... These concise little songs are continually expanding and contracting, demonstrating how even seemingly minor mixing changes can stir a big emotional impact”</em> – <strong>Express Milwaukee</strong>\r\n\r\nThe eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement, and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the dreaminess with a sense of drama, no more evident than in REW&lt;&lt;’s sophomore release <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> (released on 16th July 2015).\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/REW_music\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/rew-10\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://rew-songs.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<em>Olive Skinned, Silver Tongued Siren Sings Swan Songs</em> released on 16th July 2015, preceded by the first single taken from the album on April 15th.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nREW&lt;&lt; is the solo moniker of Ryan E. Weber, who originally hails from the Western shores of Lake Michigan. His previous bands include Camden, The Promise Ring and Decibully, and he is one half of dream-pop duo Eric &amp; Magill. Working on Eric &amp; Magill releases while living in both Kenya and the Republic of Armenia, Weber collaborated over the internet with a host of notable contemporary indie artists, including members of Shearwater, The Dirty Projectors, Owen, Volcano Choir and The Delgados. In 2014 he released his acclaimed debut solo album as REW&lt;&lt;, <i>Departeures. </i>His new album <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> is his debut for Hidden Shoal.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=rew-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=rew-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12068,12065\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry![/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nREW\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','REW','','inherit','closed','closed','','12063-revision-v1','','','2015-02-27 11:37:20','2015-02-27 03:37:20','',12063,'http://www.hiddenshoal.com/12063-revision-v1/',0,'revision','',0),(12064,1,'2015-02-26 22:28:50','2015-02-26 14:28:50','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]</p><h1>Antonymes</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it. <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]</p><h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]</p><h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]</p><h3>News</h3><p>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]</p><h2>Reviews</h2><p>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]</p><h3>Press Releases</h3><p>  <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]</p><h3>Artist Photos</h3><p> </p><p>[gallery ids=\"8222,8221,8220,8219\"]</p><p>[/et_pb_tab][et_pb_tab title=\"Video\"]</p><h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]</p><h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','REW','','inherit','closed','closed','','12063-revision-v1','','','2015-02-26 22:28:50','2015-02-26 14:28:50','',12063,'http://www.hiddenshoal.com/12063-revision-v1/',0,'revision','',0),(12065,1,'2015-02-26 23:02:55','2015-02-26 15:02:55','','Ryan Weber','','inherit','closed','closed','','img_7455-1','','','2015-02-26 23:05:20','2015-02-26 15:05:20','',12063,'http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7455-1.jpg',0,'attachment','image/jpeg',0),(12066,1,'2015-02-26 23:13:49','2015-02-26 15:13:49','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>REW&lt;&lt;</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft size-medium wp-image-12065\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7455-1-300x225.jpg\" alt=\"Ryan Weber\" width=\"300\" height=\"225\" /></a>\r\n\r\n<em>“has a feel all its own... These concise little songs are continually expanding and contracting, demonstrating how even seemingly minor mixing changes can stir a big emotional impact”</em> – <strong>Express Milwaukee</strong>\r\n\r\nThe eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement, and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the dreaminess with a sense of drama, no more evident than in REW&lt;&lt;’s sophomore release <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> (released on 16th July 2015).\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/REW_music\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/rew-10\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://rew-songs.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p>  <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','REW','','inherit','closed','closed','','12063-revision-v1','','','2015-02-26 23:13:49','2015-02-26 15:13:49','',12063,'http://www.hiddenshoal.com/12063-revision-v1/',0,'revision','',0),(12069,1,'2015-02-27 11:36:50','2015-02-27 03:36:50','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>REW&lt;&lt;</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft size-medium wp-image-12065\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7455-1-300x225.jpg\" alt=\"Ryan Weber\" width=\"300\" height=\"225\" /></a> <em>“has a feel all its own... These concise little songs are continually expanding and contracting, demonstrating how even seemingly minor mixing changes can stir a big emotional impact”</em> – <strong>Express Milwaukee</strong></p><p>The eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement, and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the dreaminess with a sense of drama, no more evident than in REW&lt;&lt;’s sophomore release <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> (released on 16th July 2015).<br /> <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/REW_music\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/rew-10\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://rew-songs.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><p><em>Olive Skinned, Silver Tongued Siren Sings Swan Songs</em> released on 16th July 2015, preceded by the first single taken from the album on April 15th.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>REW&lt;&lt; is the solo moniker of Ryan E. Weber, who originally hails from the Western shores of Lake Michigan. His previous bands include Camden, The Promise Ring and Decibully, and he is one half of dream-pop duo Eric &amp; Magill. Working on Eric &amp; Magill releases while living in both Kenya and the Republic of Armenia, Weber collaborated over the internet with a host of notable contemporary indie artists, including members of Shearwater, The Dirty Projectors, Owen, Volcano Choir and The Delgados. In 2014 he released his acclaimed debut solo album as REW&lt;&lt;, <i>Departeures. </i>His new album <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> is his debut for Hidden Shoal.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3><p>[catlist name=rew-news content=yes pagination=no title_tag=h4 title_class=lcp_title]</p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2><p>[catlist name=rew-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]</p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p>No press releases yet, sorry.</p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p><p>[gallery ids=\"12068,12065\"]</p>[/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3>\r\nNo videos yet, sorry![/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>REW\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','REW','','inherit','closed','closed','','12063-revision-v1','','','2015-02-27 11:36:50','2015-02-27 03:36:50','',12063,'http://www.hiddenshoal.com/12063-revision-v1/',0,'revision','',0),(12068,1,'2015-02-27 11:35:52','2015-02-27 03:35:52','','Ryan Weber','','inherit','closed','closed','','img_7479','','','2015-02-27 11:36:03','2015-02-27 03:36:03','',12063,'http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7479.jpg',0,'attachment','image/jpeg',0),(12071,1,'2015-02-27 12:56:30','2015-02-27 04:56:30','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>REW&lt;&lt;</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12065\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7455-1-300x225.jpg\" alt=\"Ryan Weber\" width=\"279\" height=\"209\" /></a> <em>“has a feel all its own... These concise little songs are continually expanding and contracting, demonstrating how even seemingly minor mixing changes can stir a big emotional impact”</em> – <strong>Express Milwaukee</strong>\r\n\r\nThe eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement, and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the dreaminess with a sense of drama, no more evident than in REW&lt;&lt;’s sophomore release <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> (released on 16th July 2015).\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/REW_music\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/rew-10\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://rew-songs.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<em>Olive Skinned, Silver Tongued Siren Sings Swan Songs</em> released on 16th July 2015, preceded by the first single taken from the album on April 15th.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nREW&lt;&lt; is the solo moniker of Ryan E. Weber, who originally hails from the Western shores of Lake Michigan. His previous bands include Camden, The Promise Ring and Decibully, and he is one half of dream-pop duo Eric &amp; Magill. Working on Eric &amp; Magill releases while living in both Kenya and the Republic of Armenia, Weber collaborated over the internet with a host of notable contemporary indie artists, including members of Shearwater, The Dirty Projectors, Owen, Volcano Choir and The Delgados. In 2014 he released his acclaimed debut solo album as REW&lt;&lt;, <i>Departeures. </i>His new album <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> is his debut for Hidden Shoal.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=rew-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=rew-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12068,12065\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry![/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nREW\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','REW','','inherit','closed','closed','','12063-revision-v1','','','2015-02-27 12:56:30','2015-02-27 04:56:30','',12063,'http://www.hiddenshoal.com/12063-revision-v1/',0,'revision','',0),(12077,1,'2014-02-01 22:04:28','2014-02-01 14:04:28','\"Milwaukee ex-pat Ryan Weber (best known for his current collaboration in Eric &amp; Magill and former time spent\r\nin Decibully) has just released a solo flight of songs, culled from the downtime during his diverse travels while\r\nworking with the Peace Corps and his time spent simply traveling, directly after. The project, entitled simply,\r\n‘REW’, was “recorded in hotel rooms and train compartments” and although grown in small spaces, the songs\r\nbranch out to envelop their worldly inspiration.\"\r\n\r\n- <strong>WMSE</strong>','REW \"Departeures\" at WMSE','','publish','closed','closed','','rew-departeures-wmse','','','2015-03-04 11:22:52','2015-03-04 03:22:52','',0,'http://www.hiddenshoal.com/?p=12077',0,'post','',0),(12074,1,'2015-03-02 12:41:54','2015-03-02 04:41:54','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Free YouTube Music Licensing</h1>\r\n&nbsp;\r\n<h3>How It Works</h3>\r\nWe fully encourage the free use of tracks from the Hidden Shoal Publishing catalogue for personal, non-commercial usage within video works and audio only videos on the <a title=\"YouTube\" href=\"http://www.youtube.com\" target=\"_blank\">YouTube</a> network. Our free YouTube music licenses utilise the YouTube Content ID system (via our partner AdRev) which picks up the use of any of our tracks on the YouTube network, notifies the user that the track is copyright protected and will then enable ads on the specific video. It\'s important to understand that you will not receive a strike against your account, nor will it affect your account or video in any other way. It\'s also important to understand that this process does provide a much needed income stream for our artists, and forms a small part of the financial return they truly deserve. Plus you get to use some amazing tracks from a large catalogue without being hassled!\r\n\r\n<strong>Note :</strong> If you have paid for a commercial license through Hidden Shoal and you are receiving a notification from AdRev then please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> with the video url and we will whitelist it from the system. Easy! Also we are setting up an online, automated licensing system for personal and commercial online video licensing so this process will be made much easier. Expect this in the first quarter of 2015.\r\n<h3>Conditions</h3>\r\n<ol>\r\n	<li>The free of charge use of any tracks from the Hidden Shoal Publishing catalogue is only for use within videos streamed online via the YouTube network. To obtain a license for any other use or if you are not sure if your video falls within those parameters then please <a title=\"Contact Hidden Shoal\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a>.</li>\r\n	<li>Your video may not qualify for free use if it is of an overtly religious or political nature. Hidden Shoal Publishing reserves the right to withdraw the allowed use of the track if it deems it inappropriate. Please note we are not trying to be cultural police here, rather we have understandings with our artists in regards to what is deemed appropriate use for them. Please <a title=\"Contast Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> if you are unsure.</li>\r\n	<li>You must provide a credit for the artist and song within the video description on YouTube. This should be in the form of artist\'s name, track name and a link to the artist\'s profile on the Hidden Shoal website.</li>\r\n	<li>If utilising a track that is not from the sample lists below then please ensure that it is currently part of the Hidden Shoal Publishing catalogue. If you cannot see the track or artist listed on our website then you can be pretty sure it is not under our control. As always please <a title=\"Contast Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> if you are unsure.</li>\r\n</ol>\r\n<h3>Sample Tracks (Download)</h3>\r\nTo give you a head start we\'ve provided a small selection of tracks below. Note that once you have selected a track, just click on the download button at the top right of the SoundCloud player to download it.\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_accordion admin_label=\"Accordion\"][et_pb_accordion_item title=\"Indie Rock, Dreampop, Shoegaze, Singer-Songwriter\"]\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/59154077%3Fsecret_token%3Ds-nw4KJ&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n[/et_pb_accordion_item][et_pb_accordion_item title=\"Electronic\"]\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58890737%3Fsecret_token%3Ds-oY8Gu&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n[/et_pb_accordion_item][et_pb_accordion_item title=\"Neo-Classical, Ambient\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58166666%3Fsecret_token%3Ds-pomy0&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Instrumental Rock and Post-Rock\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58312269%3Fsecret_token%3Ds-3WaUG&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Psychedelic &amp; Oddball\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58848325%3Fsecret_token%3Ds-y0U1C&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][/et_pb_accordion][/et_pb_column][/et_pb_row][/et_pb_section]','Free YouTube Music Licensing','','inherit','closed','closed','','11236-revision-v1','','','2015-03-02 12:41:54','2015-03-02 04:41:54','',11236,'http://www.hiddenshoal.com/11236-revision-v1/',0,'revision','',0),(12075,1,'2015-03-02 12:42:49','2015-03-02 04:42:49','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Les Limbes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Les-Limbes-2.jpg\"><img class=\"alignleft  wp-image-11747\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Les-Limbes-2-300x246.jpg\" alt=\"Les Limbes\" width=\"244\" height=\"200\" /></a>French outfit Les Limbes are all about propulsion and atmosphere. Their brand of epic, rocket-fuelled post-rock\'n\'roll is woven together with heavy guitars, soaring strings and driving pianos. Their debut self-titled EP (May 2015) is testament to the band’s ability to not only write smart compositions, but also bring them to life with incredible energy and a stratospheric sound.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/leslimbes33\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/leslimbes33\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/leslimbes33\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div> Les Limbes self-titled debut EP will be released May 2015 with a single preceding it in March. More details soon.</div>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nBorn from the ashes of a number of previously active bands from Bordeaux, south west France (Beautiful Lunar Landscape, Nihil, Nucold), several members of Les Limbes began working together in 2012. Initially the band jammed and recorded their ideas, which made it clear something special was brewing. The band grew to a five piece (Arnaud Sigonney, Yoann Roy, Daniel Guerin, Julien Favreau, <span class=\"_5yl5\" data-reactid=\".2e.$mid=11421757088907=2478fe898c16e77db79.2:0.0.0.0.0\"><span data-reactid=\".2e.$mid=11421757088907=2478fe898c16e77db79.2:0.0.0.0.0.0\"><span data-reactid=\".2e.$mid=11421757088907=2478fe898c16e77db79.2:0.0.0.0.0.0.$end:0:$0:0\">Nicolas Pointeau</span></span></span>), began playing shows in Bordeaux, and recorded their brilliant four-track self-titled debut EP, to be released through Hidden Shoal (May 2015). Fans of Beautiful Lunar Landscape, who also released their debut through Hidden Shoal in 2007, will recognise the epic atmospheric rock stylings that Les Limbes effortlessly exude. However, the band also bring a new level of energy to the table, propelling these compositions into the stratosphere. This is noisy, rocket-fuelled post-rock\'n\'roll at its finest.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=les-limbes-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=les-limbes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"11746,11747\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/-T0mZSTBJ78?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nLes Limbes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Les Limbes','','inherit','closed','closed','','11728-revision-v1','','','2015-03-02 12:42:49','2015-03-02 04:42:49','',11728,'http://www.hiddenshoal.com/11728-revision-v1/',0,'revision','',0),(12076,1,'2015-03-02 17:02:25','2015-03-02 09:02:25','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>REW&lt;&lt;</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12065\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7455-1-300x225.jpg\" alt=\"Ryan Weber\" width=\"279\" height=\"209\" /></a> <em>“has a feel all its own... These concise little songs are continually expanding and contracting, demonstrating how even seemingly minor mixing changes can stir a big emotional impact”</em> – <strong>Express Milwaukee</strong>\r\n\r\nThe eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement, and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the dreaminess with a sense of drama, no more evident than in REW&lt;&lt;’s sophomore release <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> (released on 16th July 2015).\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/REWsongs\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/REW_music\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/rew-10\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://rew-songs.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<em>Olive Skinned, Silver Tongued Siren Sings Swan Songs</em> released on 16th July 2015, preceded by the first single taken from the album on April 15th.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nREW&lt;&lt; is the solo moniker of Ryan E. Weber, who originally hails from the Western shores of Lake Michigan. His previous bands include Camden, The Promise Ring and Decibully, and he is one half of dream-pop duo Eric &amp; Magill. Working on Eric &amp; Magill releases while living in both Kenya and the Republic of Armenia, Weber collaborated over the internet with a host of notable contemporary indie artists, including members of Shearwater, The Dirty Projectors, Owen, Volcano Choir and The Delgados. In 2014 he released his acclaimed debut solo album as REW&lt;&lt;, <i>Departeures. </i>His new album <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> is his debut for Hidden Shoal.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=rew-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=rew-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12068,12065\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry![/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nREW\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','REW>>','','inherit','closed','closed','','12063-revision-v1','','','2015-03-02 17:02:25','2015-03-02 09:02:25','',12063,'http://www.hiddenshoal.com/12063-revision-v1/',0,'revision','',0),(12078,1,'2015-03-03 22:04:28','2015-03-03 14:04:28','\"Milwaukee ex-pat Ryan Weber (best known for his current collaboration in Eric &amp; Magill and former time spent\r\nin Decibully) has just released a solo flight of songs, culled from the downtime during his diverse travels while\r\nworking with the Peace Corps and his time spent simply traveling, directly after. The project, entitled simply,\r\n‘REW’, was “recorded in hotel rooms and train compartments” and although grown in small spaces, the songs\r\nbranch out to envelop their worldly inspiration.\"\r\n\r\n- <strong>WMSE</strong>','REW>> \"Departeures\" at WMSE','','inherit','closed','closed','','12077-revision-v1','','','2015-03-03 22:04:28','2015-03-03 14:04:28','',12077,'http://www.hiddenshoal.com/12077-revision-v1/',0,'revision','',0),(12079,1,'2014-02-03 22:11:28','2014-02-03 14:11:28','\"There are palm trees on the cover, and the first song starts out with a vaguely tropical feeling before turning into something closer to a French-pop duet. A song midway through starts out with ambient sounds that very closely resemble (and probably are) the sounds you hear when you’re settling into an airplane seat and getting ready for takeoff. The final track, “Arriver” (as opposed to the opening track, “Departeures”), ends with a pilot’s loudspeaker announcement and some kind of field recording of applause.\r\n\r\nThis is a travel album, one created during journeys which also replicates the disorientation and beauty of being on the move, abroad. It does that mainly through rather gorgeous, shifting dream-pop, consistently melodic (in a sticks-in-your-head even if you’re not sure what he’s saying way), but also with the directness of folk or punk. REW&lt;&lt; is Ryan Weber, who is half of the somewhat similarly focused duo Eric &amp; Magill, and also has played in emotionally direct groups like the Promise Ring and its rootsier relative Decibully. That past is here somehow, though not so close to the surface that you’d guess it without knowing.\r\n\r\nDeparteures was recorded in “hotel rooms and train compartments” in Asia and Africa, and is largely a one-person affair. The music feels carefully put together by someone with a lot of time on his hands; and a laptop that able to be recharged at airports across the\r\nglobe. These songs seem solitary, too; focused within the brain of the traveler, asking questions of himself like, “Where do I go from here?” or expressing thoughts like “it’s getting tougher all the time.”\r\n\r\nListening, though, I never imagine that those questions and thoughts pertain just to travel itself, but are more a reflection of how travel, especially solitary travel, presents a unique opportunity for contemplation.\r\n\r\nIt may be rare for a DIY pay-as-you-wish “singer-songwriter” bandcamp album, even one for the laptop era, to warrant an additional instrumental version of the album. Yet this one has it, and deserves it. My ears and mind are drawn more often to the music and the\r\never-shifting textures of Departeures than I am to the singing and lyrics. Or rather, the vocals are just one more piece of the fabric; they unite with the synthesizers, acoustic guitars and unexpected or unidentifiable sounds.\r\n\r\nAs an album it floats by quickly, but not without permeating your thoughts. Like travel itself, perhaps?\"\r\n\r\n- <a title=\"Erasing Clouds\" href=\"http://erasingcloudsblog.blogspot.com.au/2014/03/rew-departeures.html\" target=\"_blank\"><strong>Erasing Clouds</strong></a>','REW \"Departeures\" Reviewed at Erasing Clouds','','publish','closed','closed','','rew-departeures-reviewed-erasing-clouds','','','2015-03-04 11:23:33','2015-03-04 03:23:33','',0,'http://www.hiddenshoal.com/?p=12079',0,'post','',0),(12080,1,'2015-03-03 22:11:28','2015-03-03 14:11:28','\"There are palm trees on the cover, and the first song starts out with a vaguely tropical feeling before turning into something closer to a French-pop duet. A song midway through starts out with ambient sounds that very closely resemble (and probably are) the sounds you hear when you’re settling into an airplane seat and getting ready for takeoff. The final track, “Arriver” (as opposed to the opening track, “Departeures”), ends with a pilot’s loudspeaker announcement and some kind of field recording of applause.\r\n\r\nThis is a travel album, one created during journeys which also replicates the disorientation and beauty of being on the move, abroad. It does that mainly through rather gorgeous, shifting dream-pop, consistently melodic (in a sticks-in-your-head even if you’re not sure what he’s saying way), but also with the directness of folk or punk. REW&lt;&lt; is Ryan Weber, who is half of the somewhat similarly focused duo Eric &amp; Magill, and also has played in emotionally direct groups like the Promise Ring and its rootsier relative Decibully. That past is here somehow, though not so close to the surface that you’d guess it without knowing.\r\n\r\nDeparteures was recorded in “hotel rooms and train compartments” in Asia and Africa, and is largely a one-person affair. The music feels carefully put together by someone with a lot of time on his hands; and a laptop that able to be recharged at airports across the\r\nglobe. These songs seem solitary, too; focused within the brain of the traveler, asking questions of himself like, “Where do I go from here?” or expressing thoughts like “it’s getting tougher all the time.”\r\n\r\nListening, though, I never imagine that those questions and thoughts pertain just to travel itself, but are more a reflection of how travel, especially solitary travel, presents a unique opportunity for contemplation.\r\n\r\nIt may be rare for a DIY pay-as-you-wish “singer-songwriter” bandcamp album, even one for the laptop era, to warrant an additional instrumental version of the album. Yet this one has it, and deserves it. My ears and mind are drawn more often to the music and the\r\never-shifting textures of Departeures than I am to the singing and lyrics. Or rather, the vocals are just one more piece of the fabric; they unite with the synthesizers, acoustic guitars and unexpected or unidentifiable sounds.\r\n\r\nAs an album it floats by quickly, but not without permeating your thoughts. Like travel itself, perhaps?\"\r\n\r\n- <a title=\"Erasing Clouds\" href=\"http://erasingcloudsblog.blogspot.com.au/2014/03/rew-departeures.html\" target=\"_blank\"><strong>Erasing Clouds</strong></a>','REW>> \"Departeures\" Reviewed at Erasing Clouds','','inherit','closed','closed','','12079-revision-v1','','','2015-03-03 22:11:28','2015-03-03 14:11:28','',12079,'http://www.hiddenshoal.com/12079-revision-v1/',0,'revision','',0),(12081,1,'2014-03-03 22:22:50','2014-03-03 14:22:50','\"Ryan Weber, one half of Eric &amp; Magill (who we featured here and chatted to here), has put together an album under the moniker REW«. As the artwork suggests, the record has a dreamy, tropical sound that is chillled, reflective and really rather lovely.\r\n\r\nWhen you hear the story of the recording process, the tropical sound isn’t surprising. Amazingly, Departeures was recorded in hotel rooms and train compartments across Kenya, India, Thailand, Laos, Vietnam, Cambodia, Malaysia and Indonesia, all within a few months in 2013. If the wet/snowy weather is getting to you, put Departeures on your headphones and remember that it’s always summer somewhere in the world.\"\r\n\r\n- <a title=\"Wake The Deaf\" href=\"http://wakethedeaf.co.uk/post/77706815420/rew\" target=\"_blank\"><strong>Wake The Deaf</strong></a>','REW \"Departeures\" Reviewed at Wake The Deaf','','publish','closed','closed','','rew','','','2015-03-04 11:23:51','2015-03-04 03:23:51','',0,'http://www.hiddenshoal.com/?p=12081',0,'post','',0),(12082,1,'2015-03-03 22:22:50','2015-03-03 14:22:50','\"Ryan Weber, one half of Eric &amp; Magill (who we featured here and chatted to here), has put together an album under the moniker REW«. As the artwork suggests, the record has a dreamy, tropical sound that is chillled, reflective and really rather lovely.\r\n\r\nWhen you hear the story of the recording process, the tropical sound isn’t surprising. Amazingly, Departeures was recorded in hotel rooms and train compartments across Kenya, India, Thailand, Laos, Vietnam, Cambodia, Malaysia and Indonesia, all within a few months in 2013. If the wet/snowy weather is getting to you, put Departeures on your headphones and remember that it’s always summer somewhere in the world.\"\r\n\r\n- <a title=\"Wake The Deaf\" href=\"http://wakethedeaf.co.uk/post/77706815420/rew\" target=\"_blank\"><strong>Wake The Deaf</strong></a>','REW<< \"Departeures\" Reviewed at Wake The Deaf','','inherit','closed','closed','','12081-revision-v1','','','2015-03-03 22:22:50','2015-03-03 14:22:50','',12081,'http://www.hiddenshoal.com/12081-revision-v1/',0,'revision','',0),(12083,1,'2015-03-03 22:24:15','2015-03-03 14:24:15','\"There are palm trees on the cover, and the first song starts out with a vaguely tropical feeling before turning into something closer to a French-pop duet. A song midway through starts out with ambient sounds that very closely resemble (and probably are) the sounds you hear when you’re settling into an airplane seat and getting ready for takeoff. The final track, “Arriver” (as opposed to the opening track, “Departeures”), ends with a pilot’s loudspeaker announcement and some kind of field recording of applause.\r\n\r\nThis is a travel album, one created during journeys which also replicates the disorientation and beauty of being on the move, abroad. It does that mainly through rather gorgeous, shifting dream-pop, consistently melodic (in a sticks-in-your-head even if you’re not sure what he’s saying way), but also with the directness of folk or punk. REW&lt;&lt; is Ryan Weber, who is half of the somewhat similarly focused duo Eric &amp; Magill, and also has played in emotionally direct groups like the Promise Ring and its rootsier relative Decibully. That past is here somehow, though not so close to the surface that you’d guess it without knowing.\r\n\r\nDeparteures was recorded in “hotel rooms and train compartments” in Asia and Africa, and is largely a one-person affair. The music feels carefully put together by someone with a lot of time on his hands; and a laptop that able to be recharged at airports across the\r\nglobe. These songs seem solitary, too; focused within the brain of the traveler, asking questions of himself like, “Where do I go from here?” or expressing thoughts like “it’s getting tougher all the time.”\r\n\r\nListening, though, I never imagine that those questions and thoughts pertain just to travel itself, but are more a reflection of how travel, especially solitary travel, presents a unique opportunity for contemplation.\r\n\r\nIt may be rare for a DIY pay-as-you-wish “singer-songwriter” bandcamp album, even one for the laptop era, to warrant an additional instrumental version of the album. Yet this one has it, and deserves it. My ears and mind are drawn more often to the music and the\r\never-shifting textures of Departeures than I am to the singing and lyrics. Or rather, the vocals are just one more piece of the fabric; they unite with the synthesizers, acoustic guitars and unexpected or unidentifiable sounds.\r\n\r\nAs an album it floats by quickly, but not without permeating your thoughts. Like travel itself, perhaps?\"\r\n\r\n- <a title=\"Erasing Clouds\" href=\"http://erasingcloudsblog.blogspot.com.au/2014/03/rew-departeures.html\" target=\"_blank\"><strong>Erasing Clouds</strong></a>','REW<< \"Departeures\" Reviewed at Erasing Clouds','','inherit','closed','closed','','12079-revision-v1','','','2015-03-03 22:24:15','2015-03-03 14:24:15','',12079,'http://www.hiddenshoal.com/12079-revision-v1/',0,'revision','',0),(12084,1,'2015-03-03 22:24:30','2015-03-03 14:24:30','\"Milwaukee ex-pat Ryan Weber (best known for his current collaboration in Eric &amp; Magill and former time spent\r\nin Decibully) has just released a solo flight of songs, culled from the downtime during his diverse travels while\r\nworking with the Peace Corps and his time spent simply traveling, directly after. The project, entitled simply,\r\n‘REW’, was “recorded in hotel rooms and train compartments” and although grown in small spaces, the songs\r\nbranch out to envelop their worldly inspiration.\"\r\n\r\n- <strong>WMSE</strong>','REW<< \"Departeures\" at WMSE','','inherit','closed','closed','','12077-revision-v1','','','2015-03-03 22:24:30','2015-03-03 14:24:30','',12077,'http://www.hiddenshoal.com/12077-revision-v1/',0,'revision','',0),(12085,1,'2015-05-28 09:19:49','2015-05-28 01:19:49','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\n<h1>REW&lt;&lt;</h1>\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12065\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7455-1-300x225.jpg\" alt=\"Ryan Weber\" width=\"328\" height=\"246\" /></a> <em>“has a feel all its own... These concise little songs are continually expanding and contracting, demonstrating how even seemingly minor mixing changes can stir a big emotional impact”</em> – <strong>Express Milwaukee</strong>\n\nThe eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement, and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the dreaminess with a sense of drama, no more evident than in REW&lt;&lt;’s sophomore release <i>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</i> (released on 16th July 2015).\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/REWsongs\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/REW_music\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/rew-10\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://rew-songs.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\n\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\n<h3>Discography</h3>\n<div></div>\n<div></div>\n<h4>\'To Come Unglued\' (Single)</h4>\n<div></div>\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=1494969840/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://rew-music.bandcamp.com/track/to-come-unglued-2\">To Come Unglued by REW&lt;&lt;</a></iframe>\nMay 2015\n\nOn ‘To Come Unglued’, Ryan E. Weber stirs in some of the rhythmic influences absorbed from his international travels, creating a sensual sonic bath infused with psychedelic dream-blues. Its <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=l-C86OxiQzY\" target=\"_blank\">accompanying video</a> features Weber himself, rendered amid a fantastical animation in which he is alternately visited by and transmuted into animal forms that swirl and dance around him. The video’s heady cut-and-paste dreamworld is the perfect mirror to its sonic counterpart.\n<div></div>\n<div></div>\n<h4>\'The Lights in the Sands of Katumpkale\' (Single)</h4>\n<div></div>\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"http://bandcamp.com/EmbeddedPlayer/track=3580395051/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://rew-music.bandcamp.com/track/the-lights-in-the-sands-of-katumpkale-2\">The Lights in the Sands of Katumpkale by REW&lt;&lt;</a></iframe>April 2015\n\n‘The Lights in the Sands of Katumpkale’ is an evocative instrumental miniature – a window into Ryan E. Weber’s kaleidoscopic musical universe. Insistently plucked and bowed strings weave and coalesce around Weber’s effected vocals, creating a kind of surreal neo-classical pop. The accompanying music video, shot on Super 8 and transferred to VHS tape, deepens the song’s mystifying and avant-garde allure as the camera cuts between the body parts of an eerie, white-faced figure moving in black space.\n\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\n<h3>Biography</h3>\nREW&lt;&lt; is the solo moniker of Ryan E. Weber, who originally hails from the Western shores of Lake Michigan. His previous bands include Camden, The Promise Ring and Decibully, and he is one half of dream-pop duo Eric &amp; Magill. Working on Eric &amp; Magill releases while living in both Kenya and the Republic of Armenia, Weber collaborated over the internet with a host of notable contemporary indie artists, including members of Shearwater, The Dirty Projectors, Owen, Volcano Choir and The Delgados. In 2014 he released his acclaimed debut solo album as REW&lt;&lt;, <i>Departeures. </i>His new album <i>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</i> is his debut for Hidden Shoal.\n\n[/et_pb_tab][et_pb_tab title=\"News\"]\n<h3>News</h3>\n[catlist name=rew-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\n<h2>Reviews</h2>\n[catlist name=rew-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\n<h3>Press Releases</h3>\nNo press releases yet, sorry.\n\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\n<h3>Artist Photos</h3>\n&nbsp;\n\n[gallery ids=\"12068,12065\"]\n\n[/et_pb_tab][et_pb_tab title=\"Video\"]\n<h3>Music Videos</h3>\n<iframe src=\"https://www.youtube.com/embed/mN_Q4kEt5mI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\n<h3>Licensing</h3>\nREW\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\n\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','REW<<','','inherit','closed','closed','','12063-autosave-v1','','','2015-05-28 09:19:49','2015-05-28 01:19:49','',12063,'http://www.hiddenshoal.com/12063-autosave-v1/',0,'revision','',0),(12086,1,'2015-03-03 23:01:52','2015-03-03 15:01:52','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>REW&lt;&lt;</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12065\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7455-1-300x225.jpg\" alt=\"Ryan Weber\" width=\"279\" height=\"209\" /></a> <em>“has a feel all its own... These concise little songs are continually expanding and contracting, demonstrating how even seemingly minor mixing changes can stir a big emotional impact”</em> – <strong>Express Milwaukee</strong>\r\n\r\nThe eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement, and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the dreaminess with a sense of drama, no more evident than in REW&lt;&lt;’s sophomore release <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> (released on 16th July 2015).\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/REWsongs\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/REW_music\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/rew-10\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://rew-songs.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<em>Olive Skinned, Silver Tongued Siren Sings Swan Songs</em> released on 16th July 2015, preceded by the first single taken from the album on April 15th.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nREW&lt;&lt; is the solo moniker of Ryan E. Weber, who originally hails from the Western shores of Lake Michigan. His previous bands include Camden, The Promise Ring and Decibully, and he is one half of dream-pop duo Eric &amp; Magill. Working on Eric &amp; Magill releases while living in both Kenya and the Republic of Armenia, Weber collaborated over the internet with a host of notable contemporary indie artists, including members of Shearwater, The Dirty Projectors, Owen, Volcano Choir and The Delgados. In 2014 he released his acclaimed debut solo album as REW&lt;&lt;, <i>Departeures. </i>His new album <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> is his debut for Hidden Shoal.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=rew-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=rew-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12068,12065\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry![/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nREW\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','REW<<','','inherit','closed','closed','','12063-revision-v1','','','2015-03-03 23:01:52','2015-03-03 15:01:52','',12063,'http://www.hiddenshoal.com/12063-revision-v1/',0,'revision','',0),(12444,1,'2015-05-15 16:04:54','2015-05-15 08:04:54','<img class=\"alignleft size-medium wp-image-7051\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Hotels_at_Bumbershoot_-_Jason_Tang2-300x199.jpg\" alt=\"Hotels at Bumbershoot\" width=\"300\" height=\"199\" />We\'re very excited to announce that the full <a title=\"Hotels\" href=\"http://www.hiddenshoal.com/project/hotels/\">Hotels</a>\' discography has now joined the <a title=\"Hidden Shoal Publishing\" href=\"http://www.hiddenshoal.com/licensing/\">Hidden Shoal Publishing catalogue</a>. From the band\'s utterly brilliant debut <em>Thank You For Choosing </em>through to their most recent series of <em>Cinemascope</em> EPs, Hotels create a bewitching brew of dark post-punk and upbeat new wave pop. Driving basslines, Swedish pop melodies, cavernous surf guitar and washes of sad movie strings wind their way around Blake Madden\'s unmistakable baritone vocals.\r\n\r\nThe tracks from all six Hotels releases along with a number of remixes are now available for licensing (master &amp; sync cleared) for film, tv, web, games, compilations and more. Please don’t hesitate to <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with any licensing enquiries. Read more about Hotels and stream their music <a title=\"Hotels\" href=\"http://www.hiddenshoal.com/project/hotels/\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/205567887&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Hotels\' Full Discography Joins The Hidden Shoal Catalogue','','publish','closed','closed','','hotels-full-discography-joins-the-hidden-shoal-catalogue','','','2016-02-03 16:47:37','2016-02-03 08:47:37','',0,'http://www.hiddenshoal.com/?p=12444',0,'post','',0),(12088,1,'2015-03-03 23:15:44','2015-03-03 15:15:44','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>REW&lt;&lt;</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12065\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7455-1-300x225.jpg\" alt=\"Ryan Weber\" width=\"308\" height=\"231\" /></a> <em>“has a feel all its own... These concise little songs are continually expanding and contracting, demonstrating how even seemingly minor mixing changes can stir a big emotional impact”</em> – <strong>Express Milwaukee</strong>\r\n\r\nThe eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement, and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the dreaminess with a sense of drama, no more evident than in REW&lt;&lt;’s sophomore release <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> (released on 16th July 2015).\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/REWsongs\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/REW_music\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/rew-10\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://rew-songs.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<em>Olive Skinned, Silver Tongued Siren Sings Swan Songs</em> released on 16th July 2015, preceded by the first single taken from the album on April 15th.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nREW&lt;&lt; is the solo moniker of Ryan E. Weber, who originally hails from the Western shores of Lake Michigan. His previous bands include Camden, The Promise Ring and Decibully, and he is one half of dream-pop duo Eric &amp; Magill. Working on Eric &amp; Magill releases while living in both Kenya and the Republic of Armenia, Weber collaborated over the internet with a host of notable contemporary indie artists, including members of Shearwater, The Dirty Projectors, Owen, Volcano Choir and The Delgados. In 2014 he released his acclaimed debut solo album as REW&lt;&lt;, <i>Departeures. </i>His new album <i>Olive Skinned, Silver Tongued Siren Sings Swan Songs</i> is his debut for Hidden Shoal.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=rew-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=rew-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12068,12065\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry![/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nREW\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','REW<<','','inherit','closed','closed','','12063-revision-v1','','','2015-03-03 23:15:44','2015-03-03 15:15:44','',12063,'http://www.hiddenshoal.com/12063-revision-v1/',0,'revision','',0),