INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (11091,1,'2014-10-23 12:33:33','2014-10-23 04:33:33','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Discography</h1>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Binary Rooms\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-10985 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /> <em>Binary Rooms</em> (2014)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deconstruction Manual\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\"><img class=\"alignnone wp-image-10803 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"300\" height=\"300\" /></a><br /> Various Artists<br /> <em>Deconstruction Manual</em> (2014)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"In Between\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-10470 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/In-Between-Cover-1000px-300x300.jpg\" alt=\"Kryshe - In Between\" width=\"300\" height=\"300\" /></a><br /> Kryshe<br /> <em>In Between</em> (2014)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Revolving Maze\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignnone wp-image-10715 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Revolving-Maze-Front-Cover-300x300.jpg\" alt=\"Revolving Maze\" width=\"300\" height=\"300\" /></a><br />Involved<br /> <em>Revolving Maze</em> (2014)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Positive Haywires\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignnone size-medium wp-image-10728\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Positive-Haywires-Front-Cover-1000px-300x300.jpg\" alt=\"Positive Haywires\" width=\"300\" height=\"300\" /></a><br /> Brother Earth<br /> <em>Positive Haywires</em> (2014)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under Songs\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/draliensmith/\"><img class=\"alignnone wp-image-10373 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderSongsCoverArt-300x300.jpg\" alt=\"Under Songs\" width=\"300\" height=\"300\" /></a><br /> DrAlienSmith<br /> <em>Under Songs</em> (2014)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a><br /> Slow Dancing Society<br /> <em>The Cogent Sea</em> (2014)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Growing\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-11052 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Growing-Cover-300x300.jpg\" alt=\"Growing\" width=\"300\" height=\"300\" /></a><br /> Kryshe<br /> <em>Growing</em> (2014)</p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a><br /> Kramies<br /> <em> The Folklore Sessions</em> (2014)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignleft size-full wp-image-9399\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /><br /> </a><br /> perth<br /> Where\'s Utopia (2013)[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a><br /> Gilded<br /> <em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a><br />perth <br /><em>What’s Your Utopia?</em> (2013)</p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a><br />[The] Caseworker <br /><em>Voices Out There</em> (2013)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a><br />Kramies<br /><em>The Wooden Heart</em> (2013)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>Live in Bari</em> (2013)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a><br />Tangled Star<br /><em>Let\'s Adjourn To The Garden</em> (2013)</p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Bloc4\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9424\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Bloc4_LRG.jpg\" alt=\"Bloc4\" width=\"300\" height=\"300\" /></a><br />Jumpel<br /><em>Bloc4</em> (2013)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a><br />Todd Tobias &amp; Circus Devils<br /><em>I Razor </em>(2013)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Momentary Mask\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone wp-image-10374 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Momentary-Mask-Cover-300x300.jpg\" alt=\"The Momentary Mask\" width=\"300\" height=\"300\" /></a><br />City of Satellites<br /><em>The Momentary Mask </em>(2013)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a><br />Apricot Rail<br /><em>Quarrels</em> (2013)</p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>Off</em> (2013)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a><br />Half Film<br /><em>East of Monument </em>Re-Issue (2012)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a><br />Half Film<br /><em>The Road To The Crater </em>Re-Issue (2012)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a><br />Gilded<br /><em>Terrane </em>(2012)</p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em>Laterna Magica</em> (2012)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>On</em> (2012)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a><br />Elisa Luu<br /><em>Un Giorno Sospeso</em> (2012)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a><br />Todd Tobias<br /><em>Medicine Show </em>(2012)</p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>In</em> (2012)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a><br />Kramies<br /><em>The European</em> (2011)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a><br />City of Satellites<br /><em>Remixed</em> (2011)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a><br />Antonymes meets Slow Dancing Society<br /><em><em>We Don’t Look Back For Very Long</em> </em>(2011)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a><br />[The] Caseworker<br /><em>Letters From The Coast </em>(2011)</p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a><br />Salli Lunn<br /><em>A Frame of Reference</em> (2011)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a><br />Umpire<br /><em>Now We\'re Active</em> (2011)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a><br />Antonymes<br /><em><em>Lost in Waves of Light </em></em>(2011)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a><br />Antonymes<br /><em>The Licence To Interpret Dreams </em>(2011)</p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a><br />Toby Richardson<br /><em>The Stones And The Rabbits</em> (2010)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"europa\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9469\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europa_LRG.jpg\" alt=\"Europa\" width=\"300\" height=\"300\" /></a><br />Jumpel<br /><em>Europa</em> (2010)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em><em>Under The Sodium Lights </em></em>(2010)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>Lava </em>(2010)</p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a><br />Salli Lunn<br /><em>Heresy and Rite</em> (2010)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"machine\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9475\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/machine_LRG1.jpg\" alt=\"Machine Is My Animal\" width=\"300\" height=\"300\" /></a><br />City of Satellites<br /><em>Machine Is My Animal </em>(2010)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a><br />Mukaizake<br /><em><em>Unknown Knowns </em></em>(2009)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a><br />My Majestic Star<br /><em>I Haven’t Got It In Me</em> (2009)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a><br />Elisa Luu<br /><em>Chromatic Sigh</em> (2009)</p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a><br />Down Review<br /><em>From Here, For Anyone</em> (2009)</p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a><br />Apricot Rail<br /><em><em>Apricot Rail </em></em>(2009)</p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a><br />Tangled Star<br /><em>That Time</em> (2009)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a><br />Sleeping Me<br /><em>Cradlesongs</em> (2009)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deuxième Bureau \" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9485\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bureau_LRG.jpg\" alt=\"Deuxième Bureau \" width=\"300\" height=\"300\" /></a><br />Jumpel<br /><em>Deuxième Bureau</em>  (2009)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"spook\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9486\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG1.jpg\" alt=\"The Spook\" width=\"300\" height=\"300\" /></a><br />City of Satellites<br /><em><em>The Spook </em></em>(2008)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a><br />My Majestic Star<br /><em>Too Late, The Day</em> (2008)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em>Priest Lake Circa \'88 </em>(2008)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a><br />The Slow Beings<br /><em>We Know Why The Earth Moves</em>  (2008)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a><br />Toby Richardson<br /><em><em>Evergreen </em></em>(2008)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a><br />Tangled Star<br /><em>Our Man in Eden Hill</em> (2008)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a><br />Glassacre<br /><em>September 16th </em>(2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em>The Slow And Steady Winter</em>  (2007)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a><br />Cheekbone<br /><em><em>Yesterday </em></em>(2007)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Samuel\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9497\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/samueljason_LRG.jpg\" alt=\"Samuel Jason Lies On The Beach\" width=\"300\" height=\"300\" /></a><br />Jumpel<br /><em>Samuel Jason Lies On The Beach</em> (2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a><br />Chris Mason<br /><em>Restless </em>(2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a><br />My Majestic Star<br /><em>Fining</em>  (2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a><br />Tangled Star<br /><em><em>It\'s Now Or Later </em></em>(2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em>The Sound Of Lights When Dim</em> (2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes &amp; Ponds\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a><br />The Hero Cycle<br /><em>Lakes and Ponds </em>(2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a><br />Toby Richardson<br /><em>Golden Days </em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a><br />Enargeia<br /><em><em>UFO: Stryker Force </em></em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a><br />Glassacre<br /><em>Slow Attack</em> (2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a><br />Motor Eye<br /><em>Motor Eye </em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a><br />Chris Mason<br /><em>Up Down Up </em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a><br />My Majestic Star<br /><em><em>Ideas Are The Answer </em></em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a><br />Wayne Harriss<br /><em>Aerospace</em> (2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','closed','','8417-revision-v1','','','2014-10-23 12:33:33','2014-10-23 04:33:33','',8417,'http://www.hiddenshoal.com/8417-revision-v1/',0,'revision','',0),(11092,1,'2014-10-23 15:24:38','0000-00-00 00:00:00','','Kramies \"The Wooden Heart\" Reviewed at Velvet Independent','','draft','closed','closed','','','','','2014-10-23 15:24:38','2014-10-23 07:24:38','',0,'http://www.hiddenshoal.com/?p=11092',0,'post','',0),(11093,1,'2014-10-23 15:34:21','2014-10-23 07:34:21','\"A year after The Wooden Heart’s initial release, Kramies’ EP is now being re-released, for free! (Officially, October 22nd). So here’s a summary as to why you should take advantage of this free download.\r\n\r\nSinger-songwriter EP’s are largely a display of emotion, provoking the inner most demons in each individual listener to beckon to the call of silent echoes. An oxymoron, but one that is quite understandable with The Wooden Heart. On the beginning of the EP, (somewhat ironically titled The Beginning), the power in sorrow-filled emotions, echoing Perfume Genius’ Put Your Back N 2 It, gracefully enter in illusive atmospherics, before vocals not to far away from Foxygen’s Sam France and delicate piano strokes begin this EP’s emotion filled journey.\r\n\r\nPianos on The Wooden Heart work almost as trigger warnings. Following track Sea Otter Cottage allures the willing listener with creepy, church organ tones before the single press of a calmingly clear piano key, slow rises the floodgates, with a rush of, less than heart warming lyrics, ready to pull you under.\r\n\r\n\'Don’t sink us now, don’t leave me drowning/Let the sun dry us out, dry me out/The waves hide the sound of pulling us down/And I don’t want to say goodbye.\'\r\n\r\nHappiness truly feels like an illusive element on The Wooden Heart openers, until you come across the array of hope from the title track itself. A grand stature of mellifluous, acoustic chords and rising sub-elements of percussion and the now happily nostalgic piano tones, each element flow across this near five-minute ballad, like a snowflake caught in a crosswind, as no sense of the heart-rending proportion of The Wooden Heart can be found.\r\n\r\nThe only real downside to the entire EP, is the ending, named, The Ending. But at a second glance, it’s actually, quite compelling. A complete isolation, where only the echoed acoustic chords are heard in perfect unison with Kramies delicate vocals, he sings out the ending to The Wooden Heart, in just forty five seconds, announcing his unrequited love to us all, as the remaining twenty+ seconds are left with static.\r\n\r\nPeaking at it’s most beautiful point, The Ending, feels sudden and intrusive, leaving you wishing for more, as you now lay coiled up in the corner, with the utmost anguish. But then, as the gold rays of sun appear through the abyss of The Wooden Heart, everything begins to unite into one parallel line, with the EP’s story piecing itself together, leaving you rejuvenated and uplifted from this largely sombre work, as now you understand the true concept of the EP entirely, before diving straight back in, and welcome the lingering taste of this sadistic beauty. 8.5\"\r\n\r\n- <a title=\"Velvet Independent\" href=\"A%20year after The Wooden Heart’s initial release, Kramies’ EP is now being re-released, for free! (Officially, October 22nd). So here’s a summary as to why you should take advantage of this free download.  kramiesSinger-songwriter EP’s are largely a display of emotion, provoking the inner most demons in each individual listener to beckon to the call of silent echoes. An oxymoron, but one that is quite understandable with The Wooden Heart. On the beginning of the EP, (somewhat ironically titled The Beginning), the power in sorrow-filled emotions, echoing Perfume Genius’ Put Your Back N 2 It, gracefully enter in illusive atmospherics, before vocals not to far away from Foxygen’s Sam France and delicate piano strokes begin this EP’s emotion filled journey.  Pianos on The Wooden Heart work almost as trigger warnings. Following track Sea Otter Cottage allures the willing listener with creepy, church organ tones before the single press of a calmingly clear piano key, slow rises the floodgates, with a rush of, less than heart warming lyrics, ready to pull you under.      Don’t sink us now, don’t leave me drowning/Let the sun dry us out, dry me out/The waves hide the sound of pulling us down/And I don’t want to say goodbye.  Happiness truly feels like an illusive element on The Wooden Heart openers, until you come across the array of hope from the title track itself. A grand stature of mellifluous, acoustic chords and rising sub-elements of percussion and the now happily nostalgic piano tones, each element flow across this near five-minute ballad, like a snowflake caught in a crosswind, as no sense of the heart-rending proportion of The Wooden Heart can be found.  The only real downside to the entire EP, is the ending, named, The Ending. But at a second glance, it’s actually, quite compelling. A complete isolation, where only the echoed acoustic chords are heard in perfect unison with Kramies delicate vocals, he sings out the ending to The Wooden Heart, in just forty five seconds, announcing his unrequited love to us all, as the remaining twenty+ seconds are left with static.  Peaking at it’s most beautiful point, The Ending, feels sudden and intrusive, leaving you wishing for more, as you now lay coiled up in the corner, with the utmost anguish. But then, as the gold rays of sun appear through the abyss of The Wooden Heart, everything begins to unite into one parallel line, with the EP’s story piecing itself together, leaving you rejuvenated and uplifted from this largely sombre work, as now you understand the true concept of the EP entirely, before diving straight back in, and welcome the lingering taste of this sadistic beauty. 8.5\" target=\"_blank\"><strong>Velvet Independent</strong></a>','Kramies \"The Wooden Heart\" Reviewed at Velvet Independent','','publish','closed','closed','','kramies-the-wooden-heart-reviewed-at-velvet-independent','','','2014-10-23 15:35:09','2014-10-23 07:35:09','',0,'http://www.hiddenshoal.com/?p=11093',0,'post','',0),(11094,1,'2014-10-23 15:32:39','2014-10-23 07:32:39','\"A year after The Wooden Heart’s initial release, Kramies’ EP is now being re-released, for free! (Officially, October 22nd). So here’s a summary as to why you should take advantage of this free download.\r\n\r\nSinger-songwriter EP’s are largely a display of emotion, provoking the inner most demons in each individual listener to beckon to the call of silent echoes. An oxymoron, but one that is quite understandable with The Wooden Heart. On the beginning of the EP, (somewhat ironically titled The Beginning), the power in sorrow-filled emotions, echoing Perfume Genius’ Put Your Back N 2 It, gracefully enter in illusive atmospherics, before vocals not to far away from Foxygen’s Sam France and delicate piano strokes begin this EP’s emotion filled journey.\r\n\r\nPianos on The Wooden Heart work almost as trigger warnings. Following track Sea Otter Cottage allures the willing listener with creepy, church organ tones before the single press of a calmingly clear piano key, slow rises the floodgates, with a rush of, less than heart warming lyrics, ready to pull you under.\r\n\r\n\'Don’t sink us now, don’t leave me drowning/Let the sun dry us out, dry me out/The waves hide the sound of pulling us down/And I don’t want to say goodbye.\'\r\n\r\nHappiness truly feels like an illusive element on The Wooden Heart openers, until you come across the array of hope from the title track itself. A grand stature of mellifluous, acoustic chords and rising sub-elements of percussion and the now happily nostalgic piano tones, each element flow across this near five-minute ballad, like a snowflake caught in a crosswind, as no sense of the heart-rending proportion of The Wooden Heart can be found.\r\n\r\nThe only real downside to the entire EP, is the ending, named, The Ending. But at a second glance, it’s actually, quite compelling. A complete isolation, where only the echoed acoustic chords are heard in perfect unison with Kramies delicate vocals, he sings out the ending to The Wooden Heart, in just forty five seconds, announcing his unrequited love to us all, as the remaining twenty+ seconds are left with static.\r\n\r\nPeaking at it’s most beautiful point, The Ending, feels sudden and intrusive, leaving you wishing for more, as you now lay coiled up in the corner, with the utmost anguish. But then, as the gold rays of sun appear through the abyss of The Wooden Heart, everything begins to unite into one parallel line, with the EP’s story piecing itself together, leaving you rejuvenated and uplifted from this largely sombre work, as now you understand the true concept of the EP entirely, before diving straight back in, and welcome the lingering taste of this sadistic beauty. 8.5\"\r\n\r\n- <a title=\"Velvet Independent\" href=\"A%20year after The Wooden Heart’s initial release, Kramies’ EP is now being re-released, for free! (Officially, October 22nd). So here’s a summary as to why you should take advantage of this free download.  kramiesSinger-songwriter EP’s are largely a display of emotion, provoking the inner most demons in each individual listener to beckon to the call of silent echoes. An oxymoron, but one that is quite understandable with The Wooden Heart. On the beginning of the EP, (somewhat ironically titled The Beginning), the power in sorrow-filled emotions, echoing Perfume Genius’ Put Your Back N 2 It, gracefully enter in illusive atmospherics, before vocals not to far away from Foxygen’s Sam France and delicate piano strokes begin this EP’s emotion filled journey.  Pianos on The Wooden Heart work almost as trigger warnings. Following track Sea Otter Cottage allures the willing listener with creepy, church organ tones before the single press of a calmingly clear piano key, slow rises the floodgates, with a rush of, less than heart warming lyrics, ready to pull you under.      Don’t sink us now, don’t leave me drowning/Let the sun dry us out, dry me out/The waves hide the sound of pulling us down/And I don’t want to say goodbye.  Happiness truly feels like an illusive element on The Wooden Heart openers, until you come across the array of hope from the title track itself. A grand stature of mellifluous, acoustic chords and rising sub-elements of percussion and the now happily nostalgic piano tones, each element flow across this near five-minute ballad, like a snowflake caught in a crosswind, as no sense of the heart-rending proportion of The Wooden Heart can be found.  The only real downside to the entire EP, is the ending, named, The Ending. But at a second glance, it’s actually, quite compelling. A complete isolation, where only the echoed acoustic chords are heard in perfect unison with Kramies delicate vocals, he sings out the ending to The Wooden Heart, in just forty five seconds, announcing his unrequited love to us all, as the remaining twenty+ seconds are left with static.  Peaking at it’s most beautiful point, The Ending, feels sudden and intrusive, leaving you wishing for more, as you now lay coiled up in the corner, with the utmost anguish. But then, as the gold rays of sun appear through the abyss of The Wooden Heart, everything begins to unite into one parallel line, with the EP’s story piecing itself together, leaving you rejuvenated and uplifted from this largely sombre work, as now you understand the true concept of the EP entirely, before diving straight back in, and welcome the lingering taste of this sadistic beauty. 8.5\" target=\"_blank\"><strong>Velvet Independent</strong></a>','Kramies \"The Wooden Heart\" Reviewed at Velvet Independent','','inherit','closed','closed','','11093-revision-v1','','','2014-10-23 15:32:39','2014-10-23 07:32:39','',11093,'http://www.hiddenshoal.com/11093-revision-v1/',0,'revision','',0),(11095,1,'2014-10-23 16:07:43','2014-10-23 08:07:43','[Poorly translated from the Italian via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/10/15/markus-mehr-binary-rooms/\" target=\"_blank\">here</a>.]\r\n\r\n\"The endless possibilities of environmental Soundscaping not only apply to large natural areas, or large human constructions. The German Markus Mehr has decided to use the same approach \"concrete\" in the representation of interior household, trying to capture a high un\'ordinarietà universe of sound much more interesting than is usually overlooked.\r\n\r\nThis resulted in eight tracks of \"Binary Rooms\", cards that reveal the complexity of a newspaper placed on the threshold of hearing in part because of its low frequency, in part because of the low level of attention that usually is reserved for you. Pulse, screeching, analogue field recordings, broadsides noisy and saturations synthetic populate the sound environment of the German artist, who has juxtaposed the elements according to a practice basically not dissimilar from that used for the orchestration of his previous cosmic-environmental \" Lava \"(2010) and\" Off \"(2013).\r\n\r\n\"Binary Rooms\" it is the amount for concrete, difficult and sometimes edgy as depicted everyday life in a real experiment of neorealism sound.\"\r\n\r\n<strong>- <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/10/15/markus-mehr-binary-rooms/\" target=\"_blank\">Music Won\'t Save You</a></strong>','Markus Mehr \"Binary Rooms\" Reviewed at Music Won\'t Save You','','publish','closed','closed','','markus-mehr-binary-rooms-reviewed-at-music-wont-save-you','','','2014-10-23 16:07:43','2014-10-23 08:07:43','',0,'http://www.hiddenshoal.com/?p=11095',0,'post','',0),(11096,1,'2014-10-23 16:07:43','2014-10-23 08:07:43','[Poorly translated from the Italian via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/10/15/markus-mehr-binary-rooms/\" target=\"_blank\">here</a>.]\r\n\r\n\"The endless possibilities of environmental Soundscaping not only apply to large natural areas, or large human constructions. The German Markus Mehr has decided to use the same approach \"concrete\" in the representation of interior household, trying to capture a high un\'ordinarietà universe of sound much more interesting than is usually overlooked.\r\n\r\nThis resulted in eight tracks of \"Binary Rooms\", cards that reveal the complexity of a newspaper placed on the threshold of hearing in part because of its low frequency, in part because of the low level of attention that usually is reserved for you. Pulse, screeching, analogue field recordings, broadsides noisy and saturations synthetic populate the sound environment of the German artist, who has juxtaposed the elements according to a practice basically not dissimilar from that used for the orchestration of his previous cosmic-environmental \" Lava \"(2010) and\" Off \"(2013).\r\n\r\n\"Binary Rooms\" it is the amount for concrete, difficult and sometimes edgy as depicted everyday life in a real experiment of neorealism sound.\"\r\n\r\n<strong>- <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/10/15/markus-mehr-binary-rooms/\" target=\"_blank\">Music Won\'t Save You</a></strong>','Markus Mehr \"Binary Rooms\" Reviewed at Music Won\'t Save You','','inherit','closed','closed','','11095-revision-v1','','','2014-10-23 16:07:43','2014-10-23 08:07:43','',11095,'http://www.hiddenshoal.com/11095-revision-v1/',0,'revision','',0),(11097,1,'2014-10-23 16:28:40','2014-10-23 08:28:40','\"Arresting sleepy headed woozy baroque folk dreaminess from Chloe March whose ‘nights bright days’ is getting a deserved re-release on the much adored hidden shoal imprint, pulled from it this sweet sortie entitled ‘winter deep’ which I’ll be honest ought on first hearing to have those of you attuned to all things Linda Perhacs hearing alarm bells going off in all directions inside your headspace for this little woodcut wonder plays peek-a-boo between the grooves like some kind of shy eyed sibling of Lisa O Piu here found spell crafting all manner of enchantment and twilight twinkling with a forest folk backing band made up of members of Oddfellows Casino and Stereolab – the latter of whom craftily leaving behind their kraut lounge nuances at the entrance gate. The album due first week in November comes replete with a bonus EP of previously unreleased sounds.\"\r\n\r\n<strong>- <a title=\"The Sunday Experience\" href=\"https://marklosingtoday.wordpress.com/2014/10/15/chloe-march/\" target=\"_blank\">The Sunday Experience</a></strong>','Chloe March \'Winter Deep\' Reviewed at The Sunday Experience','','publish','closed','closed','','chloe-march-winter-deep-reviewed-at-the-sunday-experience','','','2014-10-23 16:28:40','2014-10-23 08:28:40','',0,'http://www.hiddenshoal.com/?p=11097',0,'post','',0),(11098,1,'2014-10-23 16:28:40','2014-10-23 08:28:40','\"Arresting sleepy headed woozy baroque folk dreaminess from Chloe March whose ‘nights bright days’ is getting a deserved re-release on the much adored hidden shoal imprint, pulled from it this sweet sortie entitled ‘winter deep’ which I’ll be honest ought on first hearing to have those of you attuned to all things Linda Perhacs hearing alarm bells going off in all directions inside your headspace for this little woodcut wonder plays peek-a-boo between the grooves like some kind of shy eyed sibling of Lisa O Piu here found spell crafting all manner of enchantment and twilight twinkling with a forest folk backing band made up of members of Oddfellows Casino and Stereolab – the latter of whom craftily leaving behind their kraut lounge nuances at the entrance gate. The album due first week in November comes replete with a bonus EP of previously unreleased sounds.\"\r\n\r\n<strong>- <a title=\"The Sunday Experience\" href=\"https://marklosingtoday.wordpress.com/2014/10/15/chloe-march/\" target=\"_blank\">The Sunday Experience</a></strong>','Chloe March \'Winter Deep\' Reviewed at The Sunday Experience','','inherit','closed','closed','','11097-revision-v1','','','2014-10-23 16:28:40','2014-10-23 08:28:40','',11097,'http://www.hiddenshoal.com/11097-revision-v1/',0,'revision','',0),(11099,1,'2014-10-24 13:21:59','2014-10-24 05:21:59','https://www.youtube.com/watch?v=WucocllpuO0\r\n\r\n \r\nTaken from the debut self-titled EP from Perth based artist Makee (Nov 19, 2014). The fog-laden disco of ‘Bail’ is shot through with a beatific vibe and is the perfect introduction to Makee\'s sonic world. Makee’s bright-eyed, beat-driven tracks, as danceable as they are atmospheric, build to create a thoroughly rewarding sonic whole. His debut self-titled EP, self-described as “looped samples of atmospheric nostalgia”, stretches luxuriously across seemingly disparate genres.','Makee - \'Bail\'',' ','publish','closed','closed','','makee-bail','','','2016-03-17 10:52:38','2016-03-17 02:52:38','',0,'http://www.hiddenshoal.com/?p=11099',0,'post','',0),(11100,1,'2014-10-24 13:21:59','2014-10-24 05:21:59','https://www.youtube.com/watch?v=WucocllpuO0\r\n\r\nTaken from the debut self-titled EP from Perth based artist Makee (Nov 19, 2014).','makee - \'bail\'','','inherit','closed','closed','','11099-revision-v1','','','2014-10-24 13:21:59','2014-10-24 05:21:59','',11099,'http://www.hiddenshoal.com/11099-revision-v1/',0,'revision','',0),(11101,1,'2014-10-24 13:25:47','2014-10-24 05:25:47','https://www.youtube.com/watch?v=WucocllpuO0\n\n\nTaken from the debut self-titled EP from Perth based artist Makee (Nov 19, 2014).  The fog-laden disco of ‘Bail’ is shot through with a beatific vibe and is the perfect introduction to Makee\'s s','makee - \'bail\'','','inherit','closed','closed','','11099-autosave-v1','','','2014-10-24 13:25:47','2014-10-24 05:25:47','',11099,'http://www.hiddenshoal.com/11099-autosave-v1/',0,'revision','',0),(11102,1,'2014-10-24 13:25:52','2014-10-24 05:25:52','https://www.youtube.com/watch?v=WucocllpuO0\r\n\r\n\r\nTaken from the debut self-titled EP from Perth based artist Makee (Nov 19, 2014).  The fog-laden disco of ‘Bail’ is shot through with a beatific vibe and is the perfect introduction to Makee\'s sonic world.','makee - \'bail\'','','inherit','closed','closed','','11099-revision-v1','','','2014-10-24 13:25:52','2014-10-24 05:25:52','',11099,'http://www.hiddenshoal.com/11099-revision-v1/',0,'revision','',0),(11103,1,'2014-10-24 13:26:42','2014-10-24 05:26:42','https://www.youtube.com/watch?v=WucocllpuO0\r\n<span> </span>\r\nTaken from the debut self-titled EP from Perth based artist Makee (Nov 19, 2014).  The fog-laden disco of ‘Bail’ is shot through with a beatific vibe and is the perfect introduction to Makee\'s sonic world.','makee - \'bail\'','','inherit','closed','closed','','11099-revision-v1','','','2014-10-24 13:26:42','2014-10-24 05:26:42','',11099,'http://www.hiddenshoal.com/11099-revision-v1/',0,'revision','',0),(11104,1,'2014-10-24 14:27:23','2014-10-24 06:27:23','\"One of the finest releases to appear on the adored Hidden Shoal imprint in recent times – and believe you me there have been many to choose from – was a rather beguiled outing from the Kramies entitled ‘wooden heart’ – a six track EP no less which is being made available for a very limited time for free to download – and we suggest you do just that. Why should I you might rightly question – well simply because amid these six delicately demurred treats there’s a sense of finite craftsmanship and a peerless pop brain at work here that’s metered out to a song vocabulary that’s steeled in sensitivity and cradled in tenderness, in addition though we’d find it hard to believe you needed further encouragement, the EP features a rare guest appearance by Grandaddy man Jason Lytle. As to the sounds within, simply something else, statuesque, fragile and deeply touching, here you’ll find the dream dipped porcelain poise lushly serenading ‘wooden heart’ spirits together the collective artistry of both the Crimea and Mirror Mirror while the fragile yearnful crush of ‘sea otter cottage’ mines deep the heartbreak of Julian Lennon’s ‘saltwater’. Somewhere else ‘upon the northern isles’ is gracefully wrapped in a sepia trimmed spectral gauzing all delicately hollowed in an ethereal carefree hush all framed in a humbling and stilled widescreen aspect. All said dreamy, demurring and emotionally destroying.\"\r\n\r\n- <a title=\"The Sunday Experience\" href=\"http://marklosingtoday.wordpress.com/2014/10/23/kramies-3/\" target=\"_blank\"><strong>The Sunday Experience</strong></a>','Kramies \"The Wooden Heart\" Reviewed at The Sunday Experience','','publish','closed','closed','','kramies-the-wooden-heart-reviewed-at-the-sunday-experience','','','2014-10-24 14:27:23','2014-10-24 06:27:23','',0,'http://www.hiddenshoal.com/?p=11104',0,'post','',0),(11105,1,'2014-10-24 14:27:23','2014-10-24 06:27:23','\"One of the finest releases to appear on the adored Hidden Shoal imprint in recent times – and believe you me there have been many to choose from – was a rather beguiled outing from the Kramies entitled ‘wooden heart’ – a six track EP no less which is being made available for a very limited time for free to download – and we suggest you do just that. Why should I you might rightly question – well simply because amid these six delicately demurred treats there’s a sense of finite craftsmanship and a peerless pop brain at work here that’s metered out to a song vocabulary that’s steeled in sensitivity and cradled in tenderness, in addition though we’d find it hard to believe you needed further encouragement, the EP features a rare guest appearance by Grandaddy man Jason Lytle. As to the sounds within, simply something else, statuesque, fragile and deeply touching, here you’ll find the dream dipped porcelain poise lushly serenading ‘wooden heart’ spirits together the collective artistry of both the Crimea and Mirror Mirror while the fragile yearnful crush of ‘sea otter cottage’ mines deep the heartbreak of Julian Lennon’s ‘saltwater’. Somewhere else ‘upon the northern isles’ is gracefully wrapped in a sepia trimmed spectral gauzing all delicately hollowed in an ethereal carefree hush all framed in a humbling and stilled widescreen aspect. All said dreamy, demurring and emotionally destroying.\"\r\n\r\n- <a title=\"The Sunday Experience\" href=\"http://marklosingtoday.wordpress.com/2014/10/23/kramies-3/\" target=\"_blank\"><strong>The Sunday Experience</strong></a>','Kramies \"The Wooden Heart\" Reviewed at The Sunday Experience','','inherit','closed','closed','','11104-revision-v1','','','2014-10-24 14:27:23','2014-10-24 06:27:23','',11104,'http://www.hiddenshoal.com/11104-revision-v1/',0,'revision','',0),(11106,1,'2014-10-24 14:29:00','2014-10-24 06:29:00','https://www.youtube.com/watch?v=WucocllpuO0\r\n\r\n<span> </span>\r\nTaken from the debut self-titled EP from Perth based artist Makee (Nov 19, 2014).  The fog-laden disco of ‘Bail’ is shot through with a beatific vibe and is the perfect introduction to Makee\'s sonic world. Makee’s bright-eyed, beat-driven tracks, as danceable as they are atmospheric, build to create a thoroughly rewarding sonic whole. His debut self-titled EP, self-described as “looped samples of atmospheric nostalgia”, stretches luxuriously across seemingly disparate genres.','makee - \'bail\'','','inherit','closed','closed','','11099-revision-v1','','','2014-10-24 14:29:00','2014-10-24 06:29:00','',11099,'http://www.hiddenshoal.com/11099-revision-v1/',0,'revision','',0),(11107,1,'2014-10-24 14:30:45','2014-10-24 06:30:45','https://www.youtube.com/watch?v=WucocllpuO0\r\n\r\n&nbsp;\r\nTaken from the debut self-titled EP from Perth based artist Makee (Nov 19, 2014). The fog-laden disco of ‘Bail’ is shot through with a beatific vibe and is the perfect introduction to Makee\'s sonic world. Makee’s bright-eyed, beat-driven tracks, as danceable as they are atmospheric, build to create a thoroughly rewarding sonic whole. His debut self-titled EP, self-described as “looped samples of atmospheric nostalgia”, stretches luxuriously across seemingly disparate genres.','makee - \'bail\'','','inherit','closed','closed','','11099-revision-v1','','','2014-10-24 14:30:45','2014-10-24 06:30:45','',11099,'http://www.hiddenshoal.com/11099-revision-v1/',0,'revision','',0),(11110,1,'2014-10-24 14:32:49','2014-10-24 06:32:49','https://www.youtube.com/watch?v=WucocllpuO0\r\n\r\n&nbsp;\r\nTaken from the debut self-titled EP from Perth based artist Makee (Nov 19, 2014). The fog-laden disco of ‘Bail’ is shot through with a beatific vibe and is the perfect introduction to Makee\'s sonic world. Makee’s bright-eyed, beat-driven tracks, as danceable as they are atmospheric, build to create a thoroughly rewarding sonic whole. His debut self-titled EP, self-described as “looped samples of atmospheric nostalgia”, stretches luxuriously across seemingly disparate genres.','Makee - \'Bail\'','','inherit','closed','closed','','11099-revision-v1','','','2014-10-24 14:32:49','2014-10-24 06:32:49','',11099,'http://www.hiddenshoal.com/11099-revision-v1/',0,'revision','',0),(11108,1,'2014-10-24 14:31:27','2014-10-24 06:31:27','https://www.youtube.com/watch?v=WucocllpuO0\r\n\r\n<span>&nbsp;</span>\r\nTaken from the debut self-titled EP from Perth based artist Makee (Nov 19, 2014). The fog-laden disco of ‘Bail’ is shot through with a beatific vibe and is the perfect introduction to Makee\'s sonic world. Makee’s bright-eyed, beat-driven tracks, as danceable as they are atmospheric, build to create a thoroughly rewarding sonic whole. His debut self-titled EP, self-described as “looped samples of atmospheric nostalgia”, stretches luxuriously across seemingly disparate genres.','makee - \'bail\'','','inherit','closed','closed','','11099-revision-v1','','','2014-10-24 14:31:27','2014-10-24 06:31:27','',11099,'http://www.hiddenshoal.com/11099-revision-v1/',0,'revision','',0),(11109,1,'2014-10-24 14:32:00','2014-10-24 06:32:00','https://www.youtube.com/watch?v=WucocllpuO0\r\n\r\n&nbsp;<span></span>\r\nTaken from the debut self-titled EP from Perth based artist Makee (Nov 19, 2014). The fog-laden disco of ‘Bail’ is shot through with a beatific vibe and is the perfect introduction to Makee\'s sonic world. Makee’s bright-eyed, beat-driven tracks, as danceable as they are atmospheric, build to create a thoroughly rewarding sonic whole. His debut self-titled EP, self-described as “looped samples of atmospheric nostalgia”, stretches luxuriously across seemingly disparate genres.','makee - \'bail\'','','inherit','closed','closed','','11099-revision-v1','','','2014-10-24 14:32:00','2014-10-24 06:32:00','',11099,'http://www.hiddenshoal.com/11099-revision-v1/',0,'revision','',0),(11111,1,'2014-10-24 14:33:20','2014-10-24 06:33:20','https://www.youtube.com/watch?v=WucocllpuO0\r\n\r\n \r\nTaken from the debut self-titled EP from Perth based artist Makee (Nov 19, 2014). The fog-laden disco of ‘Bail’ is shot through with a beatific vibe and is the perfect introduction to Makee\'s sonic world. Makee’s bright-eyed, beat-driven tracks, as danceable as they are atmospheric, build to create a thoroughly rewarding sonic whole. His debut self-titled EP, self-described as “looped samples of atmospheric nostalgia”, stretches luxuriously across seemingly disparate genres.','Makee - \'Bail\'','','inherit','closed','closed','','11099-revision-v1','','','2014-10-24 14:33:20','2014-10-24 06:33:20','',11099,'http://www.hiddenshoal.com/11099-revision-v1/',0,'revision','',0),(11112,1,'2014-10-24 14:37:02','2014-10-24 06:37:02','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe><br /> <em>Binary Rooms<br /></em>by <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2503571384/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/deconstruction-manual\">Deconstruction Manual by Hidden Shoal</a></iframe><br /> <em>Deconstruction Manual</em><br /> by <a title=\"Deconstruction Manual\" href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\">Various Artists</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe><em><br /> In Between</em><br /> by <a title=\"Kryshe\" href=\"http://www.hiddenshoal.com/project/kryshe/\">Kryshe</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=393710886/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://involved.bandcamp.com/album/revolving-maze\">REVOLVING MAZE by Involved</a></iframe><br /> <em>Revolving Maze</em><br /> by <a title=\"Involved\" href=\"http://www.hiddenshoal.com/project/involved/\">Involved</a></h4>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"3\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2014-10-24 14:37:02','2014-10-24 06:37:02','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(11113,1,'2014-10-24 14:38:04','2014-10-24 06:38:04','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe><br /> <em>Binary Rooms<br /></em>by <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2503571384/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/deconstruction-manual\">Deconstruction Manual by Hidden Shoal</a></iframe><br /> <em>Deconstruction Manual</em><br /> by <a title=\"Deconstruction Manual\" href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\">Various Artists</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe><em><br /> In Between</em><br /> by <a title=\"Kryshe\" href=\"http://www.hiddenshoal.com/project/kryshe/\">Kryshe</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=393710886/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://involved.bandcamp.com/album/revolving-maze\">REVOLVING MAZE by Involved</a></iframe><br /> <em>Revolving Maze</em><br /> by <a title=\"Involved\" href=\"http://www.hiddenshoal.com/project/involved/\">Involved</a></h4>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"3\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2014-10-24 14:38:04','2014-10-24 06:38:04','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(11115,1,'2014-10-24 16:30:11','2014-10-24 08:30:11','\"There are words and there is music and those two things combined make songs. Those songs can be further combined into albums that, if the sun shines favourably, seem more than the sum of their parts. Chloë March’s album “Nights Bright Day” – now re-released on the Hidden Shoals label – is a work of intellectual shadows yet the light of the new day always makes it through her dark clouds in a manner that transcends any potential depression.\r\n\r\nMuch is made of repetition in the music that provides the platform for the introspection that appears to motivate Ms March. An artistic choice is an artistic choice, however, and the effectiveness of that choice is illustrated in the simple piano figures that cause “Eucalyptus Night” to sway as if sighing as the world described in the lyrics spins to a sudden stop. The simplicity of “Winter Deep” provides a further example and, as if driven to describe the ethereal, Ms. March uses her musical witchcraft to cast a spell that turns all that would be wistful into something hypnotic.\r\n\r\nMaintaining a particularly steady pace, and “Nights Bright Day” is nothing if not consistent in that respect, can often cause the mind to wander for, as we all know, variety is the spice of life. The overall effect here, however, is not stuporific but instead curiously uplifting as if the mesmerising effect were a mystical salve for the troubled spirit.\r\n\r\nBeauty is in the ears of the beholder and these ears behold beauty.\"\r\n\r\n- <a title=\"BluesBunny\" href=\"http://www.bluesbunny.com/Reviews/ReviewID/2393/xmps/11123\" target=\"_blank\"><strong>BluesBunny</strong></a>','Chloe March \"Nights Bright Days\" Reviewed at BluesBunny','','inherit','closed','closed','','11114-revision-v1','','','2014-10-24 16:30:11','2014-10-24 08:30:11','',11114,'http://www.hiddenshoal.com/11114-revision-v1/',0,'revision','',0),(11116,1,'2014-10-24 17:02:16','2014-10-24 09:02:16','[Poorly translated from the Italian by Google. Read the original <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/10/11/brother-earth-positive-haywires/\" target=\"_blank\">here</a>.]\r\n\r\n\"Brother Earth is an idea that comes from far away: the encounter between Todd Tobias (Circus Devils) and Steve Five (The Library Is On Fire) dates back to 2008 Since then, the project Brother Earth was grown on an irregular basis to margin of their artistic activities, through impromptu recordings, for the first time collected in \"Positive Haywires.\".\r\n\r\nIt is a work inevitably fragmented, which consists of sixteen short sketches ranging from harsh divertissement post-punk to the prevailing rates of indolence lo-fi subtly alienating. Both refer to the experiences of Robert Pollard, according to aesthetic now recessive, which are, however, household sketches out of time.\"\r\n\r\n- <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/10/11/brother-earth-positive-haywires/\" target=\"_blank\"><strong>Music Won\'t Save You</strong></a>','Brother Earth \"Positive Haywires\" Reviewed at Music Won\'t Save You','','publish','closed','closed','','brother-earth-positive-haywires-reviewed-at-music-wont-save-you','','','2014-10-24 17:02:16','2014-10-24 09:02:16','',0,'http://www.hiddenshoal.com/?p=11116',0,'post','',0),(11117,1,'2014-10-24 17:02:16','2014-10-24 09:02:16','[Poorly translated from the Italian by Google. Read the original <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/10/11/brother-earth-positive-haywires/\" target=\"_blank\">here</a>.]\r\n\r\n\"Brother Earth is an idea that comes from far away: the encounter between Todd Tobias (Circus Devils) and Steve Five (The Library Is On Fire) dates back to 2008 Since then, the project Brother Earth was grown on an irregular basis to margin of their artistic activities, through impromptu recordings, for the first time collected in \"Positive Haywires.\".\r\n\r\nIt is a work inevitably fragmented, which consists of sixteen short sketches ranging from harsh divertissement post-punk to the prevailing rates of indolence lo-fi subtly alienating. Both refer to the experiences of Robert Pollard, according to aesthetic now recessive, which are, however, household sketches out of time.\"\r\n\r\n- <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/10/11/brother-earth-positive-haywires/\" target=\"_blank\"><strong>Music Won\'t Save You</strong></a>','Brother Earth \"Positive Haywires\" Reviewed at Music Won\'t Save You','','inherit','closed','closed','','11116-revision-v1','','','2014-10-24 17:02:16','2014-10-24 09:02:16','',11116,'http://www.hiddenshoal.com/11116-revision-v1/',0,'revision','',0),(11119,1,'2014-10-27 15:28:38','2014-10-27 07:28:38','<img class=\"alignleft size-thumbnail wp-image-6959\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Kramies-150x150.jpg\" alt=\"Kramies\" width=\"150\" height=\"150\" />Quick double barreled news blast for you. <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>\' campaign to free <em>The Wooden Heart</em> EP continues. Along with being available via <a title=\"Bandcamp\" href=\"http://kramies.bandcamp.com/\" target=\"_blank\">Kramies Bandcamp</a> for free download the EP is now also directly downloadable from the lovely French zine <a title=\"Froggy\'s Delight\" href=\"http://www.froggydelight.com/froggydelight.php#focus\" target=\"_blank\">Froggy\'s Delights</a>.\r\n\r\nNow onto some news for Perth-based <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">Makee</a> - his new single has just been chosen as one of RTRFM\'s tracks of the week via their <a title=\"RTRFM\" href=\"http://rtrfm.com.au/features/\" target=\"_blank\">Sound Selection</a> feature. Be sure to <a title=\"Bandcamp\" href=\"https://makee.bandcamp.com/\" target=\"_blank\">grab the track</a>, watch the <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=WucocllpuO0\" target=\"_blank\">music video</a> and wait for his self-title debut EP to drop on the 19th of November.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/172966333&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Makee Scoops Featured Track at RTR, Kramies at Froggy Delight','','publish','closed','closed','','makee-scoops-featured-track-at-rtr-kramies-at-froggy-delight','','','2016-02-03 15:50:31','2016-02-03 07:50:31','',0,'http://www.hiddenshoal.com/?p=11119',0,'post','',0),(11120,1,'2014-10-27 15:25:00','2014-10-27 07:25:00','<img class=\"alignleft size-thumbnail wp-image-6959\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Kramies-150x150.jpg\" alt=\"Kramies\" width=\"150\" height=\"150\" />Quick double barreled news blast for you. <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>\' campaign to free <em>The Wooden Heart</em> EP continues. Along with being available via <a title=\"Bandcamp\" href=\"http://kramies.bandcamp.com/\" target=\"_blank\">Kramies Bandcamp</a> for free download the EP is now also directly downloadable from the lovely French zine <a title=\"Froggy\'s Delight\" href=\"http://www.froggydelight.com/froggydelight.php#focus\" target=\"_blank\">Froggy\'s Delights</a>.\r\n\r\nNow onto some news for Perth-based <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">Makee</a> - his new single has just been chosen as one of RTRFM\'s tracks of the week via their <a title=\"RTRFM\" href=\"http://rtrfm.com.au/features/\" target=\"_blank\">Sound Selection</a> feature. Be sure to grab the track, watch the music video and wait for his self-title debut EP to drop on the 19th of November.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/172966333&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Makee Scoops Featured Track at RTR, Kramies at Froggy Delight','','inherit','closed','closed','','11119-revision-v1','','','2014-10-27 15:25:00','2014-10-27 07:25:00','',11119,'http://www.hiddenshoal.com/11119-revision-v1/',0,'revision','',0),(11121,1,'2014-10-27 15:28:38','2014-10-27 07:28:38','<img class=\"alignleft size-thumbnail wp-image-6959\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Kramies-150x150.jpg\" alt=\"Kramies\" width=\"150\" height=\"150\" />Quick double barreled news blast for you. <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>\' campaign to free <em>The Wooden Heart</em> EP continues. Along with being available via <a title=\"Bandcamp\" href=\"http://kramies.bandcamp.com/\" target=\"_blank\">Kramies Bandcamp</a> for free download the EP is now also directly downloadable from the lovely French zine <a title=\"Froggy\'s Delight\" href=\"http://www.froggydelight.com/froggydelight.php#focus\" target=\"_blank\">Froggy\'s Delights</a>.\r\n\r\nNow onto some news for Perth-based <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">Makee</a> - his new single has just been chosen as one of RTRFM\'s tracks of the week via their <a title=\"RTRFM\" href=\"http://rtrfm.com.au/features/\" target=\"_blank\">Sound Selection</a> feature. Be sure to <a title=\"Bandcamp\" href=\"https://makee.bandcamp.com/\" target=\"_blank\">grab the track</a>, watch the <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=WucocllpuO0\" target=\"_blank\">music video</a> and wait for his self-title debut EP to drop on the 19th of November.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/172966333&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Makee Scoops Featured Track at RTR, Kramies at Froggy Delight','','inherit','closed','closed','','11119-revision-v1','','','2014-10-27 15:28:38','2014-10-27 07:28:38','',11119,'http://www.hiddenshoal.com/11119-revision-v1/',0,'revision','',0),(11123,1,'2014-10-28 14:03:38','2014-10-28 06:03:38','<a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> is a songwriting force to be reckoned with. Not necessarily the most obvious way to introduce her gorgeous and delicate music, but more appropriate than it would seem on the surface. March\'s ability as a composer and <img class=\"alignleft  wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"270\" height=\"155\" />producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. There is no better testament to this than on the forthcoming re-release of her album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a> (4th November 2014), which inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic. March embraces all these influences to create an album full of poetic, emotionally charged and intensely atmospheric songs. It is a thing to behold.\r\n\r\nSo without further adoration we ask Chloë to reach into the bag and pull out three questions.\r\n<h5>Why make music?</h5>\r\nIt’s so all-encompassing, it engages my brain, my body and my heart all at the same time, which is probably why it feels so good when it’s going well and so awful when it isn’t. I really hope that my music can engage with all or some of those parts of the people who are into it – there’s nothing quite like knowing that you’ve managed to make that connection.\r\n<h5>If you were writing a soundtrack/score, what director would you most want to work with?</h5>\r\nMy dream job would have been scoring Cary Fukunaga’s film of ‘Jane Eyre’ with Michael Fassbender and Mia Wasikowska. It’s one of my favourite books and such a brooding, spacious film with gorgeous bleakly epic melancholy landscapes, fantastic actors and so many undercurrents of passion to score. I also think it would be wonderful to work with the director Joe Wright. His use of music reminds me a bit of Anthony Minghella’s – there’s such a big impact made with the score in his films, it’s really given this wonderful amount of space which must be amazingly rewarding for a composer.\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nAt the moment that would be seeing Goldfrapp for the first time earlier this year. They were playing in the grounds of Greenwich Naval College in London so the setting was fantastic, flanked by these venerable old buildings with the Thames and the lights of the city twinkling in the distance. It was freezing and raining but I was so excited to be finally hearing them live I went into a kind of trance. The musicians were brilliant and I’ve always been blown away by Alison Goldfrapp’s voice but I am now seriously in awe of her technique – she was very relaxed and free despite the cold, her range is phenomenal and her velvety tone is so gorgeous, she makes it all sound so easy. I love her performing style too, this sexy mix of confidence, shyness and wit. It was a beautiful show, really emotional and some great dancing at the end – I’m going again in November to hear the whole of ‘Tales of Us’ done live, so I suspect that might be the new best show!','Three Questions With Chloe March','','publish','closed','closed','','three-questions-with-chloe-march','','','2014-10-28 14:03:38','2014-10-28 06:03:38','',0,'http://www.hiddenshoal.com/?p=11123',0,'post','',0),(11124,1,'2014-10-27 15:57:41','2014-10-27 07:57:41','Why make music?\r\n\r\nIt’s so all-encompassing, it engages my brain, my body and my heart all at the same time, which is probably why it feels so good when it’s going well and so awful when it isn’t. I really hope that my music can engage with all or some of those parts of the people who are into it – there’s nothing quite like knowing that you’ve managed to make that connection.\r\n\r\nIf you were writing a soundtrack/score, what director would you most want to work with?\r\n\r\nMy dream job would have been scoring Cary Fukunaga’s film of ‘Jane Eyre’ with Michael Fassbender and Mia Wasikowska. It’s one of my favourite books and such a brooding, spacious film with gorgeous bleakly epic melancholy landscapes, fantastic actors and so many undercurrents of passion to score. I also think it would be wonderful to work with the director Joe Wright. His use of music reminds me a bit of Anthony Minghella’s – there’s such a big impact made with the score in his films, it’s really given this wonderful amount of space which must be amazingly rewarding for a composer.\r\n\r\nWhat\'s the best show you\'ve ever been to?\r\n\r\nAt the moment that would be seeing Goldfrapp for the first time earlier this year. They were playing in the grounds of Greenwich Naval College in London so the setting was fantastic, flanked by these venerable old buildings with the Thames and the lights of the city twinkling in the distance. It was freezing and raining but I was so excited to be finally hearing them live I went into a kind of trance. The musicians were brilliant and I’ve always been blown away by Alison Goldfrapp’s voice but I am now seriously in awe of her technique – she was very relaxed and free despite the cold, her range is phenomenal and her velvety tone is so gorgeous, she makes it all sound so easy. I love her performing style too, this sexy mix of confidence, shyness and wit. It was a beautiful show, really emotional and some great dancing at the end – I’m going again in November to hear the whole of ‘Tales of Us’ done live, so I suspect that might be the new best show!','Three Questions With Chloe March','','inherit','closed','closed','','11123-revision-v1','','','2014-10-27 15:57:41','2014-10-27 07:57:41','',11123,'http://www.hiddenshoal.com/11123-revision-v1/',0,'revision','',0),(11125,1,'2014-10-27 15:59:24','2014-10-27 07:59:24','&nbsp;\r\n<h5>Why make music?</h5>\r\nIt’s so all-encompassing, it engages my brain, my body and my heart all at the same time, which is probably why it feels so good when it’s going well and so awful when it isn’t. I really hope that my music can engage with all or some of those parts of the people who are into it – there’s nothing quite like knowing that you’ve managed to make that connection.\r\n<h5>If you were writing a soundtrack/score, what director would you most want to work with?</h5>\r\nMy dream job would have been scoring Cary Fukunaga’s film of ‘Jane Eyre’ with Michael Fassbender and Mia Wasikowska. It’s one of my favourite books and such a brooding, spacious film with gorgeous bleakly epic melancholy landscapes, fantastic actors and so many undercurrents of passion to score. I also think it would be wonderful to work with the director Joe Wright. His use of music reminds me a bit of Anthony Minghella’s – there’s such a big impact made with the score in his films, it’s really given this wonderful amount of space which must be amazingly rewarding for a composer.\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nAt the moment that would be seeing Goldfrapp for the first time earlier this year. They were playing in the grounds of Greenwich Naval College in London so the setting was fantastic, flanked by these venerable old buildings with the Thames and the lights of the city twinkling in the distance. It was freezing and raining but I was so excited to be finally hearing them live I went into a kind of trance. The musicians were brilliant and I’ve always been blown away by Alison Goldfrapp’s voice but I am now seriously in awe of her technique – she was very relaxed and free despite the cold, her range is phenomenal and her velvety tone is so gorgeous, she makes it all sound so easy. I love her performing style too, this sexy mix of confidence, shyness and wit. It was a beautiful show, really emotional and some great dancing at the end – I’m going again in November to hear the whole of ‘Tales of Us’ done live, so I suspect that might be the new best show!','Three Questions With Chloe March','','inherit','closed','closed','','11123-revision-v1','','','2014-10-27 15:59:24','2014-10-27 07:59:24','',11123,'http://www.hiddenshoal.com/11123-revision-v1/',0,'revision','',0),(11126,1,'2014-10-28 06:07:20','2014-10-27 22:07:20','[et_pb_section background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Hidden Shoal TV</h1>\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]Enjoy a selection of more than 5 hours worth of Hidden Shoal music videos and live performances. Be sure to head to our <a title=\"YouTube\" href=\"https://www.youtube.com/user/hiddenshoal\" target=\"_blank\">YouTube channel</a> and subscribe to keep up to date.\r\n\r\n<iframe src=\"//www.youtube.com/embed/videoseries?list=PLC331131EC8DC434C\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal TV','','inherit','closed','closed','','573-revision-v1','','','2014-10-28 06:07:20','2014-10-27 22:07:20','',573,'http://www.hiddenshoal.com/573-revision-v1/',0,'revision','',0),(11127,1,'2014-10-28 10:57:09','2014-10-28 02:57:09','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Todd Tobias</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-9264\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Todd-Tobias-1-Adjusted-222x300.jpg\" alt=\"Todd Tobias\" width=\"183\" height=\"248\" /></a><em>“it’s tribute to Todd Tobias’s skill as a producer and arranger that the pace never slackens and that he’s quite effectively produced the audio equivalent of a graphic novel, one that will keep you listening right up until its cataclysmic final moments.”</em> –<strong> DOA </strong></p><p>After years of producing Guided By Voices and playing in Circus Devils with Robert Pollard, Todd Tobias struck out on his own with his debut solo album M<em>edicine Show</em>. Defiantly unique and vividly realised, Tobias\' debut is a multi-faceted instrumental opus, evoking a shadowy steampunk dystopia.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Todd-Tobias/385101561556685?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.tobias-music.com/id4.html\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><h4>Impossible Cities</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=271738062/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities\">IMPOSSIBLE CITIES by Todd Tobias</a></iframe><br /> October 2014</p><p><em>Impossible Cities</em> is the latest visionary chapter in Todd Tobias’s ongoing exploration of rock’s darkest and most hypnotic realms. Inspired by the Ital Calvino book <em>Invisible Cities</em>, each track is named after an imaginary city, from the glistening exoticism of ‘Lamura’ via the seething murk of ‘Gorgum Reeth’ and ‘Smazbaal’ to the eerie, shimmering grandeur of ‘Akrova’, Tobias’s latest musical universe is vividly rendered, scary, beautiful and utterly immersive. The album comes with the companion mini-album <em>Impossible Cities 2</em>, which comprises 10 haunting vignettes.</p><div> </div><div> </div><h4>Impossible Cities 2</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1146527875/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities-2-ep\">Impossible Cities 2 (EP) by Todd Tobias</a></iframe><br /> October 2014</p><p> <em>Impossible Cities 2, </em>comprising 10 haunting vignettes, is the free companion mini-album to Todd Tobias\'s <em>Impossible Cities.</em> </p><div> </div><div> </div><h4>I Razor (featuring Circus Devils)</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 1340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1896803588/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/i-razor\">I RAZOR by Todd Tobias and CIRCUS DEVILS</a></iframe><br /> May 2013</p><div> </div><p><i>I Razor</i>, by Todd Tobias and Circus Devils, is the soundtrack to the no-budget experimental feature film of the same name directed by Todd Tobias. The <i>I Razor</i> soundtrack comprises challenging, playful, twisted, murky and downright beautiful pieces of music by Todd Tobias and Circus Devils, featuring vocals from Robert Pollard (Guided By Voices) as well as instrumental versions of some of the Devil’s existing songs. The album is a cinematic feast within itself, uncompromising, redemptive and always engaging. It weaves lo-fi keyboards through shimmering guitar textures, scatters unsettling rhythms across ethereal synthscapes, and unveils kaleidoscopic new treasures among its 30+ tracks with each listen. Told from the perspective of a former scientist turned wandering telepathic man-child, <i>I Razor</i> is the story of one man’s quest to regain his lost humanity.  <i>I Razor</i> presents its world in hallucinatory visions, reflecting the state of mind of its main character.  The story is told with minimal dialog and an open plot structure, relying instead on visuals and music to carry it’s narratives.</p><div> </div><div> </div><p> </p><h4>Night Above Ground</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3025667975/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/night-above-ground-ep\">NIGHT ABOVE GROUND ep by Todd Tobias</a></iframe><br /> November 2012</p><div> </div><p>In contrast to <em>Medicine Show</em>\'s serpentine construction and intense atmosphere, <em>Night Above Ground</em> is more airy, accessible and playful, bursting into vivid life with the crowd chatter and tumbling noisescapes of ‘Invocation’. Immersive, hypnotic tracks such as ‘Crystal Palace People’ alternate with brief, impressionistic pieces such as ‘Workshop of Spears’ and ‘Ashes and Cream’. The EP’s 17 minutes flow past your third eye like a Dali-esque dream.</p><div> </div><div> </div><p> </p><h4>Medicine Show</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 670px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1386444045/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/medicine-show\">MEDICINE SHOW by Todd Tobias</a></iframe><br /> April 2012</p><div> </div><p>After years of producing Guided By Voices, playing in Circus Devils with Robert Pollard, and helping to create the music for Pollard’s solo albums, Todd Tobias is striking out on his own with his debut solo album. Defiantly unique and vividly realised, <span style=\"font-style: italic;\">Medicine Show</span> is a multi-faceted instrumental opus, evoking a shadowy steampunk dystopia. By turns nightmarish and hauntingly beautiful, the three-dimensional musical universe that Tobias conjures across 40 minutes is totally addictive. From the dark GBV-esque groove of ‘Night of the Club Foot’, through the gaseous synths of ‘Pre-Dawn Visitation’, evoking a hallucinogen-fuelled walk among a misty moon-lit forest, to the visceral lurch of single ‘Manatoc Enters The City / The Long Fall’, <span style=\"font-style: italic;\">Medicine Show</span> plays out like the soundtrack to a Terry Gilliam movie starring Tom Waits, each song a totally immersive scene, leading inexorably into the next.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Todd Tobias and older brother Tim Tobias grew up in Northeast Ohio, USA, where the two played together in a string of bands, culminating in Clouds Forming Crowns and Circus Devils (the latter with fellow Ohioan Robert Pollard of Guided by Voices). Todd has been Robert Pollard’s in-house record producer since 2002, beginning with Guided by Voices’ Matador release <em>Universal Truths and Cycles</em>. Todd has also produced many other indie-rock projects over the years, including the latest release from fellow Hidden Shoal Recordings artist Kramies (<em>The European</em> EP).</p><p>Todd has always been a musical experimentalist. While playing in bands as a drummer or bassist, he continued work on his own with a cassette 4 track, creating soundscapes and his own brand of exotic rock. One of Todd’s basement tapes eventually caught the ear of Robert Pollard, who then asked Todd and brother Tim to form Circus Devils. Following the debut album from Circus Devils in 2001, Todd began to use the band as a showpiece for his unorthodox musical adventures. After nine albums with Circus Devils, and several dozen album productions with Robert Pollard and a variety of other artists, Todd finally birthed his first solo work for Hidden Shoal, <em>Medicine Show</em>.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=todd-tobias-news content=yes pagination=no title_tag=h4 title_class=lcp_title]<p style=\"text-align: right;\"><a title=\"Todd Tobias News\" href=\"http://www.hiddenshoal.com/category/news/todd-tobias-news/\"><strong>More News</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=todd-tobias-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<p style=\"text-align: right;\"><strong><a title=\"Todd Tobias Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/todd-tobias-reviews/\">More Reviews</a></strong></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-I_Razor_Soundtrack.pdf\"> <em>I Razor</em> Soundtrack Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release_-_Circus_Devils-All_The_Good_Ones_Are_Gone.pdf\">Circus Devils – ‘All The Good Ones Are Gone’ single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Todd_Tobias_Medicine_Show.pdf\">Todd Tobias – <em>Medicine Show</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Todd_Tobias_Manatoc_Enters_The_City.pdf\">‘Manatoc Enters The City / The Long Fall’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Todd_Tobias_Signing.pdf\">Todd Tobias Signs To Hidden Shoal</a></p><p> </p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"9266,9267,9268\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/qTYQfnb71hE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/5fuyIu4V26Y?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/AQbVKD3ACeA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/EXOYfO_ZoRM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/WIA2VpZJ8eo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Todd Tobias\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Todd Tobias','','inherit','closed','closed','','9263-revision-v1','','','2014-10-28 10:57:09','2014-10-28 02:57:09','',9263,'http://www.hiddenshoal.com/9263-revision-v1/',0,'revision','',0),(11128,1,'2014-10-28 11:22:56','2014-10-28 03:22:56','<img class=\"alignleft  wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"254\" height=\"254\" />Good times for lovers of dark, psychedelic instrumental rock - <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a>\'s new album Impossible Cities, and it\'s free companion EP <em>Impossible Cities 2,</em> is now available. The album is available digitally and on CD in USA and Canada through <a title=\"Impossible Cities\" href=\"https://toddtobiasmusic.bandcamp.com/album/impossible-cities\" target=\"_blank\">Hidden Shoal and Todd Tobias</a>. The CD is also available in Europe and all other territories via the wonderful <a title=\"Tiny Room Records\" href=\"http://www.tinyroom.nl\" target=\"_blank\">Tiny Room Records</a>.\r\n\r\n<em>\"Notably on Smazbaal, the notion of these corrupted hallucinations is inescapable. Paranoia becomes deeply settled, as this near five-minute track creates an uncomfortable nostalgia to classic horror, where nothing is over-processed, and each moment of terror is carefully planned rather than regularly followed. It’s an uncomfortable, sadistic piece, but equally intoxicating at the same time.\"</em> - <a title=\"Velvet Independent\" href=\"http://velvetindependent.com/2014/10/27/todd-tobias-impossible-cities/\" target=\"_blank\"><strong>Velvet Independent</strong></a>\r\n\r\n<em>Impossible Cities</em> is the latest visionary chapter in Todd Tobias’s ongoing exploration of rock’s darkest and most hypnotic realms. Inspired by the Ital Calvino book <em>Invisible Cities</em>, each track is named after an imaginary city, from the glistening exoticism of ‘Lamura’ via the seething murk of ‘Gorgum Reeth’ and ‘Smazbaal’ to the eerie, shimmering grandeur of ‘Akrova’, Tobias’s latest musical universe is vividly rendered, scary, beautiful and utterly immersive. The album comes with the companion mini-album <em>Impossible Cities 2</em>, which comprises 10 haunting vignettes.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/168505631&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Todd Tobias \"Impossible Cities\" Out Now!','','publish','closed','closed','','todd-tobias-impossible-cities-out-now','','','2016-02-03 16:48:14','2016-02-03 08:48:14','',0,'http://www.hiddenshoal.com/?p=11128',0,'post','',0),(11129,1,'2014-10-28 11:12:24','2014-10-28 03:12:24','\"todd tobias is well known in the world of indie rock, having produced albums by guided by voices (RIP? I had tickets to a cancelled show goddammit...) and played with bob pollard in the circus devils. \'impossible cities\' finds him displaying his full strengths as producer, creating a story through rock\'n\'roll sounds. and instrumental concept album of songs that build atmospheres and drag the listener along in their swirling wake.\r\n\r\nthe lead single, \'kur\', available as a free download for a preview, chugs along with muscular guitars and an off kilter drum-beat. electronic drones in the background and snaky, coldly effected guitar solos, along with the somewhat mechanical rhythm, give the song a futuristic feel, as if the world of \'impossible cities\' that tobias is constructing through these songs is of a menacing science fiction nature.\"\r\n\r\n- <a title=\"The Modern Folk Music of America\" href=\"http://www.themodernfolk.net/2014/09/todd-tobias-impossible-cities.html\" target=\"_blank\"><strong>The Modern Folk Music of America</strong></a>','Todd Tobias \"Impossible Cities\" Reviewed at The Modern Folk Music of America','','publish','closed','closed','','todd-tobias-impossible-cities-reviewed-at-the-modern-folk-music-of-america','','','2014-10-28 11:12:24','2014-10-28 03:12:24','',0,'http://www.hiddenshoal.com/?p=11129',0,'post','',0),(11130,1,'2014-10-28 11:12:24','2014-10-28 03:12:24','\"todd tobias is well known in the world of indie rock, having produced albums by guided by voices (RIP? I had tickets to a cancelled show goddammit...) and played with bob pollard in the circus devils. \'impossible cities\' finds him displaying his full strengths as producer, creating a story through rock\'n\'roll sounds. and instrumental concept album of songs that build atmospheres and drag the listener along in their swirling wake.\r\n\r\nthe lead single, \'kur\', available as a free download for a preview, chugs along with muscular guitars and an off kilter drum-beat. electronic drones in the background and snaky, coldly effected guitar solos, along with the somewhat mechanical rhythm, give the song a futuristic feel, as if the world of \'impossible cities\' that tobias is constructing through these songs is of a menacing science fiction nature.\"\r\n\r\n- <a title=\"The Modern Folk Music of America\" href=\"http://www.themodernfolk.net/2014/09/todd-tobias-impossible-cities.html\" target=\"_blank\"><strong>The Modern Folk Music of America</strong></a>','Todd Tobias \"Impossible Cities\" Reviewed at The Modern Folk Music of America','','inherit','closed','closed','','11129-revision-v1','','','2014-10-28 11:12:24','2014-10-28 03:12:24','',11129,'http://www.hiddenshoal.com/11129-revision-v1/',0,'revision','',0),(11131,1,'2014-10-28 11:19:11','2014-10-28 03:19:11','<img class=\"alignleft  wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"200\" height=\"200\" />Good times for lovers of dark, psychedelic instrumental rock - <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a>\'s new album Impossible Cities, and it\'s free companion EP <em>Impossible Cities 2,</em> is now available. The album is available digitally and on CD in USA and Canada through <a title=\"Impossible Cities\" href=\"https://toddtobiasmusic.bandcamp.com/album/impossible-cities\" target=\"_blank\">Hidden Shoal and Todd Tobias</a>. The CD is also available in Europe and all other territories via the wonderful <a title=\"Tiny Room Records\" href=\"http://www.tinyroom.nl\" target=\"_blank\">Tiny Room Records</a>.\r\n\r\n<em>Impossible Cities</em> is the latest visionary chapter in Todd Tobias’s ongoing exploration of rock’s darkest and most hypnotic realms. Inspired by the Ital Calvino book <em>Invisible Cities</em>, each track is named after an imaginary city, from the glistening exoticism of ‘Lamura’ via the seething murk of ‘Gorgum Reeth’ and ‘Smazbaal’ to the eerie, shimmering grandeur of ‘Akrova’, Tobias’s latest musical universe is vividly rendered, scary, beautiful and utterly immersive. The album comes with the companion mini-album <em>Impossible Cities 2</em>, which comprises 10 haunting vignettes.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/168505631&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Todd Tobias \"Impossible Cities\" Out Now!','','inherit','closed','closed','','11128-revision-v1','','','2014-10-28 11:19:11','2014-10-28 03:19:11','',11128,'http://www.hiddenshoal.com/11128-revision-v1/',0,'revision','',0),(11132,1,'2014-10-28 11:26:35','2014-10-28 03:26:35','<img class=\"alignleft  wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"200\" height=\"200\" />Good times for lovers of dark, psychedelic instrumental rock - <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a>\'s new album Impossible Cities, and it\'s free companion EP <em>Impossible Cities 2,</em> is now available. The album is available digitally and on CD in USA and Canada through <a title=\"Impossible Cities\" href=\"https://toddtobiasmusic.bandcamp.com/album/impossible-cities\" target=\"_blank\">Hidden Shoal and Todd Tobias</a>. The CD is also available in Europe and all other territories via the wonderful <a title=\"Tiny Room Records\" href=\"http://www.tinyroom.nl\" target=\"_blank\">Tiny Room Records</a>.\n\n\"Notably on Smazbaal, the notion of these corrupted hallucinations is inescapable. Paranoia becomes deeply settled, as this near five-minute track creates an uncomfortable nostalgia to classic horror, where nothing is over-processed, and each moment of terror is carefully planned rather than regularly followed. It’s an uncomfortable, sadistic piece, but equally intoxicating at the same time.\" - Velvet Ind\n\n<em>Impossible Cities</em> is the latest visionary chapter in Todd Tobias’s ongoing exploration of rock’s darkest and most hypnotic realms. Inspired by the Ital Calvino book <em>Invisible Cities</em>, each track is named after an imaginary city, from the glistening exoticism of ‘Lamura’ via the seething murk of ‘Gorgum Reeth’ and ‘Smazbaal’ to the eerie, shimmering grandeur of ‘Akrova’, Tobias’s latest musical universe is vividly rendered, scary, beautiful and utterly immersive. The album comes with the companion mini-album <em>Impossible Cities 2</em>, which comprises 10 haunting vignettes.\n\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/168505631&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Todd Tobias \"Impossible Cities\" Out Now!','','inherit','closed','closed','','11128-autosave-v1','','','2014-10-28 11:26:35','2014-10-28 03:26:35','',11128,'http://www.hiddenshoal.com/11128-autosave-v1/',0,'revision','',0),(11133,1,'2014-10-28 11:27:04','2014-10-28 03:27:04','<img class=\"alignleft  wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"200\" height=\"200\" />Good times for lovers of dark, psychedelic instrumental rock - <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a>\'s new album Impossible Cities, and it\'s free companion EP <em>Impossible Cities 2,</em> is now available. The album is available digitally and on CD in USA and Canada through <a title=\"Impossible Cities\" href=\"https://toddtobiasmusic.bandcamp.com/album/impossible-cities\" target=\"_blank\">Hidden Shoal and Todd Tobias</a>. The CD is also available in Europe and all other territories via the wonderful <a title=\"Tiny Room Records\" href=\"http://www.tinyroom.nl\" target=\"_blank\">Tiny Room Records</a>.\r\n\r\n<em>\"Notably on Smazbaal, the notion of these corrupted hallucinations is inescapable. Paranoia becomes deeply settled, as this near five-minute track creates an uncomfortable nostalgia to classic horror, where nothing is over-processed, and each moment of terror is carefully planned rather than regularly followed. It’s an uncomfortable, sadistic piece, but equally intoxicating at the same time.\"</em> - <a title=\"Velvet Independent\" href=\"http://velvetindependent.com/2014/10/27/todd-tobias-impossible-cities/\" target=\"_blank\"><strong>Velvet Independent</strong></a>\r\n\r\n<em>Impossible Cities</em> is the latest visionary chapter in Todd Tobias’s ongoing exploration of rock’s darkest and most hypnotic realms. Inspired by the Ital Calvino book <em>Invisible Cities</em>, each track is named after an imaginary city, from the glistening exoticism of ‘Lamura’ via the seething murk of ‘Gorgum Reeth’ and ‘Smazbaal’ to the eerie, shimmering grandeur of ‘Akrova’, Tobias’s latest musical universe is vividly rendered, scary, beautiful and utterly immersive. The album comes with the companion mini-album <em>Impossible Cities 2</em>, which comprises 10 haunting vignettes.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/168505631&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Todd Tobias \"Impossible Cities\" Out Now!','','inherit','closed','closed','','11128-revision-v1','','','2014-10-28 11:27:04','2014-10-28 03:27:04','',11128,'http://www.hiddenshoal.com/11128-revision-v1/',0,'revision','',0),(11134,1,'2014-10-28 11:27:18','2014-10-28 03:27:18','<img class=\"alignleft  wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"225\" height=\"225\" />Good times for lovers of dark, psychedelic instrumental rock - <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a>\'s new album Impossible Cities, and it\'s free companion EP <em>Impossible Cities 2,</em> is now available. The album is available digitally and on CD in USA and Canada through <a title=\"Impossible Cities\" href=\"https://toddtobiasmusic.bandcamp.com/album/impossible-cities\" target=\"_blank\">Hidden Shoal and Todd Tobias</a>. The CD is also available in Europe and all other territories via the wonderful <a title=\"Tiny Room Records\" href=\"http://www.tinyroom.nl\" target=\"_blank\">Tiny Room Records</a>.\r\n\r\n<em>\"Notably on Smazbaal, the notion of these corrupted hallucinations is inescapable. Paranoia becomes deeply settled, as this near five-minute track creates an uncomfortable nostalgia to classic horror, where nothing is over-processed, and each moment of terror is carefully planned rather than regularly followed. It’s an uncomfortable, sadistic piece, but equally intoxicating at the same time.\"</em> - <a title=\"Velvet Independent\" href=\"http://velvetindependent.com/2014/10/27/todd-tobias-impossible-cities/\" target=\"_blank\"><strong>Velvet Independent</strong></a>\r\n\r\n<em>Impossible Cities</em> is the latest visionary chapter in Todd Tobias’s ongoing exploration of rock’s darkest and most hypnotic realms. Inspired by the Ital Calvino book <em>Invisible Cities</em>, each track is named after an imaginary city, from the glistening exoticism of ‘Lamura’ via the seething murk of ‘Gorgum Reeth’ and ‘Smazbaal’ to the eerie, shimmering grandeur of ‘Akrova’, Tobias’s latest musical universe is vividly rendered, scary, beautiful and utterly immersive. The album comes with the companion mini-album <em>Impossible Cities 2</em>, which comprises 10 haunting vignettes.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/168505631&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Todd Tobias \"Impossible Cities\" Out Now!','','inherit','closed','closed','','11128-revision-v1','','','2014-10-28 11:27:18','2014-10-28 03:27:18','',11128,'http://www.hiddenshoal.com/11128-revision-v1/',0,'revision','',0),(11135,1,'2014-10-28 11:27:37','2014-10-28 03:27:37','<img class=\"alignleft  wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"241\" height=\"241\" />Good times for lovers of dark, psychedelic instrumental rock - <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a>\'s new album Impossible Cities, and it\'s free companion EP <em>Impossible Cities 2,</em> is now available. The album is available digitally and on CD in USA and Canada through <a title=\"Impossible Cities\" href=\"https://toddtobiasmusic.bandcamp.com/album/impossible-cities\" target=\"_blank\">Hidden Shoal and Todd Tobias</a>. The CD is also available in Europe and all other territories via the wonderful <a title=\"Tiny Room Records\" href=\"http://www.tinyroom.nl\" target=\"_blank\">Tiny Room Records</a>.\r\n\r\n<em>\"Notably on Smazbaal, the notion of these corrupted hallucinations is inescapable. Paranoia becomes deeply settled, as this near five-minute track creates an uncomfortable nostalgia to classic horror, where nothing is over-processed, and each moment of terror is carefully planned rather than regularly followed. It’s an uncomfortable, sadistic piece, but equally intoxicating at the same time.\"</em> - <a title=\"Velvet Independent\" href=\"http://velvetindependent.com/2014/10/27/todd-tobias-impossible-cities/\" target=\"_blank\"><strong>Velvet Independent</strong></a>\r\n\r\n<em>Impossible Cities</em> is the latest visionary chapter in Todd Tobias’s ongoing exploration of rock’s darkest and most hypnotic realms. Inspired by the Ital Calvino book <em>Invisible Cities</em>, each track is named after an imaginary city, from the glistening exoticism of ‘Lamura’ via the seething murk of ‘Gorgum Reeth’ and ‘Smazbaal’ to the eerie, shimmering grandeur of ‘Akrova’, Tobias’s latest musical universe is vividly rendered, scary, beautiful and utterly immersive. The album comes with the companion mini-album <em>Impossible Cities 2</em>, which comprises 10 haunting vignettes.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/168505631&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Todd Tobias \"Impossible Cities\" Out Now!','','inherit','closed','closed','','11128-revision-v1','','','2014-10-28 11:27:37','2014-10-28 03:27:37','',11128,'http://www.hiddenshoal.com/11128-revision-v1/',0,'revision','',0),(11136,1,'2014-10-28 11:28:10','2014-10-28 03:28:10','<img class=\"alignleft  wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"247\" height=\"247\" />Good times for lovers of dark, psychedelic instrumental rock - <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a>\'s new album Impossible Cities, and it\'s free companion EP <em>Impossible Cities 2,</em> is now available. The album is available digitally and on CD in USA and Canada through <a title=\"Impossible Cities\" href=\"https://toddtobiasmusic.bandcamp.com/album/impossible-cities\" target=\"_blank\">Hidden Shoal and Todd Tobias</a>. The CD is also available in Europe and all other territories via the wonderful <a title=\"Tiny Room Records\" href=\"http://www.tinyroom.nl\" target=\"_blank\">Tiny Room Records</a>.\r\n\r\n<em>\"Notably on Smazbaal, the notion of these corrupted hallucinations is inescapable. Paranoia becomes deeply settled, as this near five-minute track creates an uncomfortable nostalgia to classic horror, where nothing is over-processed, and each moment of terror is carefully planned rather than regularly followed. It’s an uncomfortable, sadistic piece, but equally intoxicating at the same time.\"</em> - <a title=\"Velvet Independent\" href=\"http://velvetindependent.com/2014/10/27/todd-tobias-impossible-cities/\" target=\"_blank\"><strong>Velvet Independent</strong></a>\r\n\r\n<em>Impossible Cities</em> is the latest visionary chapter in Todd Tobias’s ongoing exploration of rock’s darkest and most hypnotic realms. Inspired by the Ital Calvino book <em>Invisible Cities</em>, each track is named after an imaginary city, from the glistening exoticism of ‘Lamura’ via the seething murk of ‘Gorgum Reeth’ and ‘Smazbaal’ to the eerie, shimmering grandeur of ‘Akrova’, Tobias’s latest musical universe is vividly rendered, scary, beautiful and utterly immersive. The album comes with the companion mini-album <em>Impossible Cities 2</em>, which comprises 10 haunting vignettes.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/168505631&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Todd Tobias \"Impossible Cities\" Out Now!','','inherit','closed','closed','','11128-revision-v1','','','2014-10-28 11:28:10','2014-10-28 03:28:10','',11128,'http://www.hiddenshoal.com/11128-revision-v1/',0,'revision','',0),(11137,1,'2014-10-28 11:28:26','2014-10-28 03:28:26','<img class=\"alignleft  wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"254\" height=\"254\" />Good times for lovers of dark, psychedelic instrumental rock - <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a>\'s new album Impossible Cities, and it\'s free companion EP <em>Impossible Cities 2,</em> is now available. The album is available digitally and on CD in USA and Canada through <a title=\"Impossible Cities\" href=\"https://toddtobiasmusic.bandcamp.com/album/impossible-cities\" target=\"_blank\">Hidden Shoal and Todd Tobias</a>. The CD is also available in Europe and all other territories via the wonderful <a title=\"Tiny Room Records\" href=\"http://www.tinyroom.nl\" target=\"_blank\">Tiny Room Records</a>.\r\n\r\n<em>\"Notably on Smazbaal, the notion of these corrupted hallucinations is inescapable. Paranoia becomes deeply settled, as this near five-minute track creates an uncomfortable nostalgia to classic horror, where nothing is over-processed, and each moment of terror is carefully planned rather than regularly followed. It’s an uncomfortable, sadistic piece, but equally intoxicating at the same time.\"</em> - <a title=\"Velvet Independent\" href=\"http://velvetindependent.com/2014/10/27/todd-tobias-impossible-cities/\" target=\"_blank\"><strong>Velvet Independent</strong></a>\r\n\r\n<em>Impossible Cities</em> is the latest visionary chapter in Todd Tobias’s ongoing exploration of rock’s darkest and most hypnotic realms. Inspired by the Ital Calvino book <em>Invisible Cities</em>, each track is named after an imaginary city, from the glistening exoticism of ‘Lamura’ via the seething murk of ‘Gorgum Reeth’ and ‘Smazbaal’ to the eerie, shimmering grandeur of ‘Akrova’, Tobias’s latest musical universe is vividly rendered, scary, beautiful and utterly immersive. The album comes with the companion mini-album <em>Impossible Cities 2</em>, which comprises 10 haunting vignettes.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/168505631&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Todd Tobias \"Impossible Cities\" Out Now!','','inherit','closed','closed','','11128-revision-v1','','','2014-10-28 11:28:26','2014-10-28 03:28:26','',11128,'http://www.hiddenshoal.com/11128-revision-v1/',0,'revision','',0),(11138,1,'2014-10-28 11:32:57','2014-10-28 03:32:57','\"An instrumental LP (influenced by Italo Calvino’s book Invisible Cities), with each track named after an imaginable city, heads in one of two directions. Pure bizarreness, or pure intelligence. The auditory factors walk the path of intelligence, while the album’s idea, feels closer to the bizarre. The behemoth of heavy rock throughout, diminishes the thought of Positive Haywires (from his Brother Earth work) creeping into Tobias’ solo work completely. A platonic relationship between the two LP’s, creates a darker, yet attainable edge to Impossible Cities, lurking further into the realms of corrupted hallucinations.\r\n\r\nThe notion that Impossible Cities should be a soundtrack rather than an official LP, is one you’ll soon become trapped in, once you get about four tracks in.\r\n\r\nOn the fourth track Somna, individual, lingering guitar tones create an unwanted tension, becoming more eerie as the progression moves towards the following track Dravidia, where each few seconds become more and more intense before silence breaks for Gorgum Reeth.\r\n\r\nWithin Gorgum Reeth, nothing feels safe. Each of the 121 seconds is surrounded by a deep fog of unsettling noise, closest to a ship’s fog horn, warning of the consistency of corrupted hallucinations within the LP.\r\n\r\nNotably on Smazbaal, the notion of these corrupted hallucinations is inescapable. Paranoia becomes deeply settled, as this near five-minute track creates an uncomfortable nostalgia to classic horror, where nothing is over-processed, and each moment of terror is carefully planned rather than regularly followed. It’s an uncomfortable, sadistic piece, but equally intoxicating at the same time.\r\n\r\nEpyminion and Akrova are as recognisable to a movie plot as the boyfriend being the psycho, mass murderer. While unrelated to the thought of evil completely, Epyminion provides the eerie uplifting end to a horror film, that Akrova gradually completes. Both tracks distance themselves from the recognisable, darker themes of the LP’s tracks. Instead, they create a new darkness, that relies upon the unease from the pleasantness of ambient tones, attempting to deceive you in a state of contentedness, diverting you from the current state of a dystopic reality.\r\n\r\nEntirely, Impossible Cities, is malicious. Like a vampire in a 20th century horror, preying upon the feeble willed, it’s inevitable the unappealing end will come for the pursued. This discomfort in being positioned as the target becomes oddly enjoyable, as when fully immersed in the LP’s sixteen tracks, well practised organisation across all platforms, becomes the only factor that appears apparent. A soundtrack rather than an album, Impossible Cities would feature happily alongside the neurotic sounds, of fear induced screams. 7.5/10\"\r\n\r\n- <strong><a title=\"Velvet Independent\" href=\"http://velvetindependent.com/2014/10/27/todd-tobias-impossible-cities/\" target=\"_blank\">Velvet Independent</a></strong>','Todd Tobias \"Impossible Cities\" Reviewed at Velvet Independent','','publish','closed','closed','','todd-tobias-impossible-cities-reviewed-at-velvet-independent','','','2014-10-28 11:32:57','2014-10-28 03:32:57','',0,'http://www.hiddenshoal.com/?p=11138',0,'post','',0),(11139,1,'2014-10-28 11:32:57','2014-10-28 03:32:57','\"An instrumental LP (influenced by Italo Calvino’s book Invisible Cities), with each track named after an imaginable city, heads in one of two directions. Pure bizarreness, or pure intelligence. The auditory factors walk the path of intelligence, while the album’s idea, feels closer to the bizarre. The behemoth of heavy rock throughout, diminishes the thought of Positive Haywires (from his Brother Earth work) creeping into Tobias’ solo work completely. A platonic relationship between the two LP’s, creates a darker, yet attainable edge to Impossible Cities, lurking further into the realms of corrupted hallucinations.\r\n\r\nThe notion that Impossible Cities should be a soundtrack rather than an official LP, is one you’ll soon become trapped in, once you get about four tracks in.\r\n\r\nOn the fourth track Somna, individual, lingering guitar tones create an unwanted tension, becoming more eerie as the progression moves towards the following track Dravidia, where each few seconds become more and more intense before silence breaks for Gorgum Reeth.\r\n\r\nWithin Gorgum Reeth, nothing feels safe. Each of the 121 seconds is surrounded by a deep fog of unsettling noise, closest to a ship’s fog horn, warning of the consistency of corrupted hallucinations within the LP.\r\n\r\nNotably on Smazbaal, the notion of these corrupted hallucinations is inescapable. Paranoia becomes deeply settled, as this near five-minute track creates an uncomfortable nostalgia to classic horror, where nothing is over-processed, and each moment of terror is carefully planned rather than regularly followed. It’s an uncomfortable, sadistic piece, but equally intoxicating at the same time.\r\n\r\nEpyminion and Akrova are as recognisable to a movie plot as the boyfriend being the psycho, mass murderer. While unrelated to the thought of evil completely, Epyminion provides the eerie uplifting end to a horror film, that Akrova gradually completes. Both tracks distance themselves from the recognisable, darker themes of the LP’s tracks. Instead, they create a new darkness, that relies upon the unease from the pleasantness of ambient tones, attempting to deceive you in a state of contentedness, diverting you from the current state of a dystopic reality.\r\n\r\nEntirely, Impossible Cities, is malicious. Like a vampire in a 20th century horror, preying upon the feeble willed, it’s inevitable the unappealing end will come for the pursued. This discomfort in being positioned as the target becomes oddly enjoyable, as when fully immersed in the LP’s sixteen tracks, well practised organisation across all platforms, becomes the only factor that appears apparent. A soundtrack rather than an album, Impossible Cities would feature happily alongside the neurotic sounds, of fear induced screams. 7.5/10\"\r\n\r\n- <strong><a title=\"Velvet Independent\" href=\"http://velvetindependent.com/2014/10/27/todd-tobias-impossible-cities/\" target=\"_blank\">Velvet Independent</a></strong>','Todd Tobias \"Impossible Cities\" Reviewed at Velvet Independent','','inherit','closed','closed','','11138-revision-v1','','','2014-10-28 11:32:57','2014-10-28 03:32:57','',11138,'http://www.hiddenshoal.com/11138-revision-v1/',0,'revision','',0),(11140,1,'2014-10-28 13:53:36','2014-10-28 05:53:36','<a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> is a songwriting force to be reckoned with. Not necessarily the most obvious way to introduce her gorgeous and delicate music, but more appropriate than it would seem on the surface. March\'s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. There is no better testament to this than on the forthcoming re-release of her album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a> (4th November 2014), which inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic. March embraces all these influences to create an album full of poetic, emotionally charged and intensely atmospheric songs. It is a thing to behold.\r\n\r\nSo without further adoration we ask Chloë to reach into the bag and pull out three questions.\r\n<h5>Why make music?</h5>\r\nIt’s so all-encompassing, it engages my brain, my body and my heart all at the same time, which is probably why it feels so good when it’s going well and so awful when it isn’t. I really hope that my music can engage with all or some of those parts of the people who are into it – there’s nothing quite like knowing that you’ve managed to make that connection.\r\n<h5>If you were writing a soundtrack/score, what director would you most want to work with?</h5>\r\nMy dream job would have been scoring Cary Fukunaga’s film of ‘Jane Eyre’ with Michael Fassbender and Mia Wasikowska. It’s one of my favourite books and such a brooding, spacious film with gorgeous bleakly epic melancholy landscapes, fantastic actors and so many undercurrents of passion to score. I also think it would be wonderful to work with the director Joe Wright. His use of music reminds me a bit of Anthony Minghella’s – there’s such a big impact made with the score in his films, it’s really given this wonderful amount of space which must be amazingly rewarding for a composer.\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nAt the moment that would be seeing Goldfrapp for the first time earlier this year. They were playing in the grounds of Greenwich Naval College in London so the setting was fantastic, flanked by these venerable old buildings with the Thames and the lights of the city twinkling in the distance. It was freezing and raining but I was so excited to be finally hearing them live I went into a kind of trance. The musicians were brilliant and I’ve always been blown away by Alison Goldfrapp’s voice but I am now seriously in awe of her technique – she was very relaxed and free despite the cold, her range is phenomenal and her velvety tone is so gorgeous, she makes it all sound so easy. I love her performing style too, this sexy mix of confidence, shyness and wit. It was a beautiful show, really emotional and some great dancing at the end – I’m going again in November to hear the whole of ‘Tales of Us’ done live, so I suspect that might be the new best show!','Three Questions With Chloe March','','inherit','closed','closed','','11123-revision-v1','','','2014-10-28 13:53:36','2014-10-28 05:53:36','',11123,'http://www.hiddenshoal.com/11123-revision-v1/',0,'revision','',0),(11141,1,'2014-10-28 13:54:14','2014-10-28 05:54:14','<a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignleft size-medium wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"300\" height=\"172\" />Chloë March</a> is a songwriting force to be reckoned with. Not necessarily the most obvious way to introduce her gorgeous and delicate music, but more appropriate than it would seem on the surface. March\'s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. There is no better testament to this than on the forthcoming re-release of her album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a> (4th November 2014), which inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic. March embraces all these influences to create an album full of poetic, emotionally charged and intensely atmospheric songs. It is a thing to behold.\r\n\r\nSo without further adoration we ask Chloë to reach into the bag and pull out three questions.\r\n<h5>Why make music?</h5>\r\nIt’s so all-encompassing, it engages my brain, my body and my heart all at the same time, which is probably why it feels so good when it’s going well and so awful when it isn’t. I really hope that my music can engage with all or some of those parts of the people who are into it – there’s nothing quite like knowing that you’ve managed to make that connection.\r\n<h5>If you were writing a soundtrack/score, what director would you most want to work with?</h5>\r\nMy dream job would have been scoring Cary Fukunaga’s film of ‘Jane Eyre’ with Michael Fassbender and Mia Wasikowska. It’s one of my favourite books and such a brooding, spacious film with gorgeous bleakly epic melancholy landscapes, fantastic actors and so many undercurrents of passion to score. I also think it would be wonderful to work with the director Joe Wright. His use of music reminds me a bit of Anthony Minghella’s – there’s such a big impact made with the score in his films, it’s really given this wonderful amount of space which must be amazingly rewarding for a composer.\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nAt the moment that would be seeing Goldfrapp for the first time earlier this year. They were playing in the grounds of Greenwich Naval College in London so the setting was fantastic, flanked by these venerable old buildings with the Thames and the lights of the city twinkling in the distance. It was freezing and raining but I was so excited to be finally hearing them live I went into a kind of trance. The musicians were brilliant and I’ve always been blown away by Alison Goldfrapp’s voice but I am now seriously in awe of her technique – she was very relaxed and free despite the cold, her range is phenomenal and her velvety tone is so gorgeous, she makes it all sound so easy. I love her performing style too, this sexy mix of confidence, shyness and wit. It was a beautiful show, really emotional and some great dancing at the end – I’m going again in November to hear the whole of ‘Tales of Us’ done live, so I suspect that might be the new best show!','Three Questions With Chloe March','','inherit','closed','closed','','11123-revision-v1','','','2014-10-28 13:54:14','2014-10-28 05:54:14','',11123,'http://www.hiddenshoal.com/11123-revision-v1/',0,'revision','',0),(11142,1,'2014-10-28 13:54:47','2014-10-28 05:54:47','<a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignleft  wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"291\" height=\"167\" />Chloë March</a> is a songwriting force to be reckoned with. Not necessarily the most obvious way to introduce her gorgeous and delicate music, but more appropriate than it would seem on the surface. March\'s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. There is no better testament to this than on the forthcoming re-release of her album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a> (4th November 2014), which inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic. March embraces all these influences to create an album full of poetic, emotionally charged and intensely atmospheric songs. It is a thing to behold.\r\n\r\nSo without further adoration we ask Chloë to reach into the bag and pull out three questions.\r\n<h5>Why make music?</h5>\r\nIt’s so all-encompassing, it engages my brain, my body and my heart all at the same time, which is probably why it feels so good when it’s going well and so awful when it isn’t. I really hope that my music can engage with all or some of those parts of the people who are into it – there’s nothing quite like knowing that you’ve managed to make that connection.\r\n<h5>If you were writing a soundtrack/score, what director would you most want to work with?</h5>\r\nMy dream job would have been scoring Cary Fukunaga’s film of ‘Jane Eyre’ with Michael Fassbender and Mia Wasikowska. It’s one of my favourite books and such a brooding, spacious film with gorgeous bleakly epic melancholy landscapes, fantastic actors and so many undercurrents of passion to score. I also think it would be wonderful to work with the director Joe Wright. His use of music reminds me a bit of Anthony Minghella’s – there’s such a big impact made with the score in his films, it’s really given this wonderful amount of space which must be amazingly rewarding for a composer.\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nAt the moment that would be seeing Goldfrapp for the first time earlier this year. They were playing in the grounds of Greenwich Naval College in London so the setting was fantastic, flanked by these venerable old buildings with the Thames and the lights of the city twinkling in the distance. It was freezing and raining but I was so excited to be finally hearing them live I went into a kind of trance. The musicians were brilliant and I’ve always been blown away by Alison Goldfrapp’s voice but I am now seriously in awe of her technique – she was very relaxed and free despite the cold, her range is phenomenal and her velvety tone is so gorgeous, she makes it all sound so easy. I love her performing style too, this sexy mix of confidence, shyness and wit. It was a beautiful show, really emotional and some great dancing at the end – I’m going again in November to hear the whole of ‘Tales of Us’ done live, so I suspect that might be the new best show!','Three Questions With Chloe March','','inherit','closed','closed','','11123-revision-v1','','','2014-10-28 13:54:47','2014-10-28 05:54:47','',11123,'http://www.hiddenshoal.com/11123-revision-v1/',0,'revision','',0),(11143,1,'2014-10-28 13:55:00','2014-10-28 05:55:00','<a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignleft  wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"307\" height=\"176\" />Chloë March</a> is a songwriting force to be reckoned with. Not necessarily the most obvious way to introduce her gorgeous and delicate music, but more appropriate than it would seem on the surface. March\'s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. There is no better testament to this than on the forthcoming re-release of her album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a> (4th November 2014), which inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic. March embraces all these influences to create an album full of poetic, emotionally charged and intensely atmospheric songs. It is a thing to behold.\r\n\r\nSo without further adoration we ask Chloë to reach into the bag and pull out three questions.\r\n<h5>Why make music?</h5>\r\nIt’s so all-encompassing, it engages my brain, my body and my heart all at the same time, which is probably why it feels so good when it’s going well and so awful when it isn’t. I really hope that my music can engage with all or some of those parts of the people who are into it – there’s nothing quite like knowing that you’ve managed to make that connection.\r\n<h5>If you were writing a soundtrack/score, what director would you most want to work with?</h5>\r\nMy dream job would have been scoring Cary Fukunaga’s film of ‘Jane Eyre’ with Michael Fassbender and Mia Wasikowska. It’s one of my favourite books and such a brooding, spacious film with gorgeous bleakly epic melancholy landscapes, fantastic actors and so many undercurrents of passion to score. I also think it would be wonderful to work with the director Joe Wright. His use of music reminds me a bit of Anthony Minghella’s – there’s such a big impact made with the score in his films, it’s really given this wonderful amount of space which must be amazingly rewarding for a composer.\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nAt the moment that would be seeing Goldfrapp for the first time earlier this year. They were playing in the grounds of Greenwich Naval College in London so the setting was fantastic, flanked by these venerable old buildings with the Thames and the lights of the city twinkling in the distance. It was freezing and raining but I was so excited to be finally hearing them live I went into a kind of trance. The musicians were brilliant and I’ve always been blown away by Alison Goldfrapp’s voice but I am now seriously in awe of her technique – she was very relaxed and free despite the cold, her range is phenomenal and her velvety tone is so gorgeous, she makes it all sound so easy. I love her performing style too, this sexy mix of confidence, shyness and wit. It was a beautiful show, really emotional and some great dancing at the end – I’m going again in November to hear the whole of ‘Tales of Us’ done live, so I suspect that might be the new best show!','Three Questions With Chloe March','','inherit','closed','closed','','11123-revision-v1','','','2014-10-28 13:55:00','2014-10-28 05:55:00','',11123,'http://www.hiddenshoal.com/11123-revision-v1/',0,'revision','',0),(11145,1,'2014-10-28 13:57:54','2014-10-28 05:57:54','<a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignleft  wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"251\" height=\"144\" />Chloë March</a> is a songwriting force to be reckoned with. Not necessarily the most obvious way to introduce her gorgeous and delicate music, but more appropriate than it would seem on the surface. March\'s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. There is no better testament to this than on the forthcoming re-release of her album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a> (4th November 2014), which inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic. March embraces all these influences to create an album full of poetic, emotionally charged and intensely atmospheric songs. It is a thing to behold.\r\n\r\nSo without further adoration we ask Chloë to reach into the bag and pull out three questions.\r\n<h5>Why make music?</h5>\r\nIt’s so all-encompassing, it engages my brain, my body and my heart all at the same time, which is probably why it feels so good when it’s going well and so awful when it isn’t. I really hope that my music can engage with all or some of those parts of the people who are into it – there’s nothing quite like knowing that you’ve managed to make that connection.\r\n<h5>If you were writing a soundtrack/score, what director would you most want to work with?</h5>\r\nMy dream job would have been scoring Cary Fukunaga’s film of ‘Jane Eyre’ with Michael Fassbender and Mia Wasikowska. It’s one of my favourite books and such a brooding, spacious film with gorgeous bleakly epic melancholy landscapes, fantastic actors and so many undercurrents of passion to score. I also think it would be wonderful to work with the director Joe Wright. His use of music reminds me a bit of Anthony Minghella’s – there’s such a big impact made with the score in his films, it’s really given this wonderful amount of space which must be amazingly rewarding for a composer.\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nAt the moment that would be seeing Goldfrapp for the first time earlier this year. They were playing in the grounds of Greenwich Naval College in London so the setting was fantastic, flanked by these venerable old buildings with the Thames and the lights of the city twinkling in the distance. It was freezing and raining but I was so excited to be finally hearing them live I went into a kind of trance. The musicians were brilliant and I’ve always been blown away by Alison Goldfrapp’s voice but I am now seriously in awe of her technique – she was very relaxed and free despite the cold, her range is phenomenal and her velvety tone is so gorgeous, she makes it all sound so easy. I love her performing style too, this sexy mix of confidence, shyness and wit. It was a beautiful show, really emotional and some great dancing at the end – I’m going again in November to hear the whole of ‘Tales of Us’ done live, so I suspect that might be the new best show!','Three Questions With Chloe March','','inherit','closed','closed','','11123-revision-v1','','','2014-10-28 13:57:54','2014-10-28 05:57:54','',11123,'http://www.hiddenshoal.com/11123-revision-v1/',0,'revision','',0),(11146,1,'2014-10-28 13:58:23','2014-10-28 05:58:23','<a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignleft  wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"261\" height=\"150\" />Chloë March</a> is a songwriting force to be reckoned with. Not necessarily the most obvious way to introduce her gorgeous and delicate music, but more appropriate than it would seem on the surface. March\'s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. There is no better testament to this than on the forthcoming re-release of her album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a> (4th November 2014), which inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic. March embraces all these influences to create an album full of poetic, emotionally charged and intensely atmospheric songs. It is a thing to behold.\r\n\r\nSo without further adoration we ask Chloë to reach into the bag and pull out three questions.\r\n<h5>Why make music?</h5>\r\nIt’s so all-encompassing, it engages my brain, my body and my heart all at the same time, which is probably why it feels so good when it’s going well and so awful when it isn’t. I really hope that my music can engage with all or some of those parts of the people who are into it – there’s nothing quite like knowing that you’ve managed to make that connection.\r\n<h5>If you were writing a soundtrack/score, what director would you most want to work with?</h5>\r\nMy dream job would have been scoring Cary Fukunaga’s film of ‘Jane Eyre’ with Michael Fassbender and Mia Wasikowska. It’s one of my favourite books and such a brooding, spacious film with gorgeous bleakly epic melancholy landscapes, fantastic actors and so many undercurrents of passion to score. I also think it would be wonderful to work with the director Joe Wright. His use of music reminds me a bit of Anthony Minghella’s – there’s such a big impact made with the score in his films, it’s really given this wonderful amount of space which must be amazingly rewarding for a composer.\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nAt the moment that would be seeing Goldfrapp for the first time earlier this year. They were playing in the grounds of Greenwich Naval College in London so the setting was fantastic, flanked by these venerable old buildings with the Thames and the lights of the city twinkling in the distance. It was freezing and raining but I was so excited to be finally hearing them live I went into a kind of trance. The musicians were brilliant and I’ve always been blown away by Alison Goldfrapp’s voice but I am now seriously in awe of her technique – she was very relaxed and free despite the cold, her range is phenomenal and her velvety tone is so gorgeous, she makes it all sound so easy. I love her performing style too, this sexy mix of confidence, shyness and wit. It was a beautiful show, really emotional and some great dancing at the end – I’m going again in November to hear the whole of ‘Tales of Us’ done live, so I suspect that might be the new best show!','Three Questions With Chloe March','','inherit','closed','closed','','11123-revision-v1','','','2014-10-28 13:58:23','2014-10-28 05:58:23','',11123,'http://www.hiddenshoal.com/11123-revision-v1/',0,'revision','',0),(11147,1,'2014-10-28 13:58:38','2014-10-28 05:58:38','<a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignleft  wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"270\" height=\"155\" />Chloë March</a> is a songwriting force to be reckoned with. Not necessarily the most obvious way to introduce her gorgeous and delicate music, but more appropriate than it would seem on the surface. March\'s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. There is no better testament to this than on the forthcoming re-release of her album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a> (4th November 2014), which inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic. March embraces all these influences to create an album full of poetic, emotionally charged and intensely atmospheric songs. It is a thing to behold.\r\n\r\nSo without further adoration we ask Chloë to reach into the bag and pull out three questions.\r\n<h5>Why make music?</h5>\r\nIt’s so all-encompassing, it engages my brain, my body and my heart all at the same time, which is probably why it feels so good when it’s going well and so awful when it isn’t. I really hope that my music can engage with all or some of those parts of the people who are into it – there’s nothing quite like knowing that you’ve managed to make that connection.\r\n<h5>If you were writing a soundtrack/score, what director would you most want to work with?</h5>\r\nMy dream job would have been scoring Cary Fukunaga’s film of ‘Jane Eyre’ with Michael Fassbender and Mia Wasikowska. It’s one of my favourite books and such a brooding, spacious film with gorgeous bleakly epic melancholy landscapes, fantastic actors and so many undercurrents of passion to score. I also think it would be wonderful to work with the director Joe Wright. His use of music reminds me a bit of Anthony Minghella’s – there’s such a big impact made with the score in his films, it’s really given this wonderful amount of space which must be amazingly rewarding for a composer.\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nAt the moment that would be seeing Goldfrapp for the first time earlier this year. They were playing in the grounds of Greenwich Naval College in London so the setting was fantastic, flanked by these venerable old buildings with the Thames and the lights of the city twinkling in the distance. It was freezing and raining but I was so excited to be finally hearing them live I went into a kind of trance. The musicians were brilliant and I’ve always been blown away by Alison Goldfrapp’s voice but I am now seriously in awe of her technique – she was very relaxed and free despite the cold, her range is phenomenal and her velvety tone is so gorgeous, she makes it all sound so easy. I love her performing style too, this sexy mix of confidence, shyness and wit. It was a beautiful show, really emotional and some great dancing at the end – I’m going again in November to hear the whole of ‘Tales of Us’ done live, so I suspect that might be the new best show!','Three Questions With Chloe March','','inherit','closed','closed','','11123-revision-v1','','','2014-10-28 13:58:38','2014-10-28 05:58:38','',11123,'http://www.hiddenshoal.com/11123-revision-v1/',0,'revision','',0),(11148,1,'2014-10-28 13:59:04','2014-10-28 05:59:04','<a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> is a songwriting force to be reckoned with. Not necessarily the most obvious way to introduce her gorgeous and delicate music, but more appropriate than it would seem on the surface. March\'s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. There is no better testament to this than <img class=\"alignleft  wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"270\" height=\"155\" />on the forthcoming re-release of her album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a> (4th November 2014), which inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic. March embraces all these influences to create an album full of poetic, emotionally charged and intensely atmospheric songs. It is a thing to behold.\r\n\r\nSo without further adoration we ask Chloë to reach into the bag and pull out three questions.\r\n<h5>Why make music?</h5>\r\nIt’s so all-encompassing, it engages my brain, my body and my heart all at the same time, which is probably why it feels so good when it’s going well and so awful when it isn’t. I really hope that my music can engage with all or some of those parts of the people who are into it – there’s nothing quite like knowing that you’ve managed to make that connection.\r\n<h5>If you were writing a soundtrack/score, what director would you most want to work with?</h5>\r\nMy dream job would have been scoring Cary Fukunaga’s film of ‘Jane Eyre’ with Michael Fassbender and Mia Wasikowska. It’s one of my favourite books and such a brooding, spacious film with gorgeous bleakly epic melancholy landscapes, fantastic actors and so many undercurrents of passion to score. I also think it would be wonderful to work with the director Joe Wright. His use of music reminds me a bit of Anthony Minghella’s – there’s such a big impact made with the score in his films, it’s really given this wonderful amount of space which must be amazingly rewarding for a composer.\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nAt the moment that would be seeing Goldfrapp for the first time earlier this year. They were playing in the grounds of Greenwich Naval College in London so the setting was fantastic, flanked by these venerable old buildings with the Thames and the lights of the city twinkling in the distance. It was freezing and raining but I was so excited to be finally hearing them live I went into a kind of trance. The musicians were brilliant and I’ve always been blown away by Alison Goldfrapp’s voice but I am now seriously in awe of her technique – she was very relaxed and free despite the cold, her range is phenomenal and her velvety tone is so gorgeous, she makes it all sound so easy. I love her performing style too, this sexy mix of confidence, shyness and wit. It was a beautiful show, really emotional and some great dancing at the end – I’m going again in November to hear the whole of ‘Tales of Us’ done live, so I suspect that might be the new best show!','Three Questions With Chloe March','','inherit','closed','closed','','11123-revision-v1','','','2014-10-28 13:59:04','2014-10-28 05:59:04','',11123,'http://www.hiddenshoal.com/11123-revision-v1/',0,'revision','',0),(11149,1,'2014-10-28 13:59:21','2014-10-28 05:59:21','<a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> is a songwriting force to be reckoned with. Not necessarily the most obvious way to introduce her gorgeous and delicate music, but more appropriate than it would seem on the surface. March\'s ability as a composer and <img class=\"alignleft  wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"270\" height=\"155\" />producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. There is no better testament to this than on the forthcoming re-release of her album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a> (4th November 2014), which inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic. March embraces all these influences to create an album full of poetic, emotionally charged and intensely atmospheric songs. It is a thing to behold.\r\n\r\nSo without further adoration we ask Chloë to reach into the bag and pull out three questions.\r\n<h5>Why make music?</h5>\r\nIt’s so all-encompassing, it engages my brain, my body and my heart all at the same time, which is probably why it feels so good when it’s going well and so awful when it isn’t. I really hope that my music can engage with all or some of those parts of the people who are into it – there’s nothing quite like knowing that you’ve managed to make that connection.\r\n<h5>If you were writing a soundtrack/score, what director would you most want to work with?</h5>\r\nMy dream job would have been scoring Cary Fukunaga’s film of ‘Jane Eyre’ with Michael Fassbender and Mia Wasikowska. It’s one of my favourite books and such a brooding, spacious film with gorgeous bleakly epic melancholy landscapes, fantastic actors and so many undercurrents of passion to score. I also think it would be wonderful to work with the director Joe Wright. His use of music reminds me a bit of Anthony Minghella’s – there’s such a big impact made with the score in his films, it’s really given this wonderful amount of space which must be amazingly rewarding for a composer.\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nAt the moment that would be seeing Goldfrapp for the first time earlier this year. They were playing in the grounds of Greenwich Naval College in London so the setting was fantastic, flanked by these venerable old buildings with the Thames and the lights of the city twinkling in the distance. It was freezing and raining but I was so excited to be finally hearing them live I went into a kind of trance. The musicians were brilliant and I’ve always been blown away by Alison Goldfrapp’s voice but I am now seriously in awe of her technique – she was very relaxed and free despite the cold, her range is phenomenal and her velvety tone is so gorgeous, she makes it all sound so easy. I love her performing style too, this sexy mix of confidence, shyness and wit. It was a beautiful show, really emotional and some great dancing at the end – I’m going again in November to hear the whole of ‘Tales of Us’ done live, so I suspect that might be the new best show!','Three Questions With Chloe March','','inherit','closed','closed','','11123-revision-v1','','','2014-10-28 13:59:21','2014-10-28 05:59:21','',11123,'http://www.hiddenshoal.com/11123-revision-v1/',0,'revision','',0),(11150,1,'2014-10-28 16:15:08','2014-10-28 08:15:08','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h1>New Releases</h1>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=271738062/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities\">IMPOSSIBLE CITIES by Todd Tobias</a></iframe><br /> <em>Impossible Cities</em><br /> by <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe><br /> <em>Binary Rooms<br /></em>by <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2503571384/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/deconstruction-manual\">Deconstruction Manual by Hidden Shoal</a></iframe><br /> <em>Deconstruction Manual</em><br /> by <a title=\"Deconstruction Manual\" href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\">Various Artists</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe><em><br /> In Between</em><br /> by <a title=\"Kryshe\" href=\"http://www.hiddenshoal.com/project/kryshe/\">Kryshe</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"3\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2014-10-28 16:15:08','2014-10-28 08:15:08','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(11152,1,'2014-10-30 12:08:06','2014-10-30 04:08:06','<img class=\"alignleft  wp-image-8890\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Glassacre_5-300x208.jpg\" alt=\"Glassacre\" width=\"252\" height=\"175\" />This week\'s featured track is a deep cut from our catalogue, delivered by Hidden Shoal\'s Tim Clarke. <a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\">Glassacre</a>\'s debut EP <a title=\"Bandcamp\" href=\"https://glassacre.bandcamp.com/album/slow-attack\" target=\"_blank\"><em>Slow Attack</em></a> was one of Hidden Shoal\'s first releases back in 2006:\r\n\r\n\"The hold that \'Tension Agreement\' has over me is undiminished in the eight years since its release. There\'s a pleasing simplicity to the way all the elements overlap, and Chris\'s understated vocal performance just kills me. It\'s quite hard to write about how deeply this song affects me, but it makes you feel at home in feeling sad, yet suggests expansiveness beyond the horizon of that feeling. Sublime.\"\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/156120625&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Glassacre \'Tension Agreement\'','','inherit','closed','closed','','11151-revision-v1','','','2014-10-30 12:08:06','2014-10-30 04:08:06','',11151,'http://www.hiddenshoal.com/11151-revision-v1/',0,'revision','',0),(11153,1,'2014-10-30 12:09:18','2014-10-30 04:09:18','<img class=\"alignleft  wp-image-8890\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Glassacre_5-300x208.jpg\" alt=\"Glassacre\" width=\"173\" height=\"120\" />This week\'s featured track is a deep cut from our catalogue, delivered by Hidden Shoal\'s Tim Clarke. <a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\">Glassacre</a>\'s debut EP <a title=\"Bandcamp\" href=\"https://glassacre.bandcamp.com/album/slow-attack\" target=\"_blank\"><em>Slow Attack</em></a> was one of Hidden Shoal\'s first releases back in 2006:\r\n\r\n\"The hold that \'Tension Agreement\' has over me is undiminished in the eight years since its release. There\'s a pleasing simplicity to the way all the elements overlap, and Chris\'s understated vocal performance just kills me. It\'s quite hard to write about how deeply this song affects me, but it makes you feel at home in feeling sad, yet suggests expansiveness beyond the horizon of that feeling. Sublime.\"\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/156120625&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Glassacre \'Tension Agreement\'','','inherit','closed','closed','','11151-revision-v1','','','2014-10-30 12:09:18','2014-10-30 04:09:18','',11151,'http://www.hiddenshoal.com/11151-revision-v1/',0,'revision','',0),(11154,1,'2014-10-30 12:09:56','2014-10-30 04:09:56','<img class=\"alignleft  wp-image-8890\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Glassacre_5-300x208.jpg\" alt=\"Glassacre\" width=\"166\" height=\"115\" />This week\'s featured track is a deep cut from our catalogue, delivered by Hidden Shoal\'s Tim Clarke. <a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\">Glassacre</a>\'s debut EP <a title=\"Bandcamp\" href=\"https://glassacre.bandcamp.com/album/slow-attack\" target=\"_blank\"><em>Slow Attack</em></a> was one of Hidden Shoal\'s first releases back in 2006:\r\n\r\n\"The hold that \'Tension Agreement\' has over me is undiminished in the eight years since its release. There\'s a pleasing simplicity to the way all the elements overlap, and Chris\'s understated vocal performance just kills me. It\'s quite hard to write about how deeply this song affects me, but it makes you feel at home in feeling sad, yet suggests expansiveness beyond the horizon of that feeling. Sublime.\"\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/156120625&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Glassacre \'Tension Agreement\'','','inherit','closed','closed','','11151-revision-v1','','','2014-10-30 12:09:56','2014-10-30 04:09:56','',11151,'http://www.hiddenshoal.com/11151-revision-v1/',0,'revision','',0),(11155,1,'2014-10-30 12:11:15','2014-10-30 04:11:15','<img class=\"alignleft wp-image-8880\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Glassacre_1-300x199.jpg\" alt=\"Glassacre\" width=\"240\" height=\"159\" />This week\'s featured track is a deep cut from our catalogue, delivered by Hidden Shoal\'s Tim Clarke. <a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\">Glassacre</a>\'s debut EP <a title=\"Bandcamp\" href=\"https://glassacre.bandcamp.com/album/slow-attack\" target=\"_blank\"><em>Slow Attack</em></a> was one of Hidden Shoal\'s first releases back in 2006:\r\n\r\n\"The hold that \'Tension Agreement\' has over me is undiminished in the eight years since its release. There\'s a pleasing simplicity to the way all the elements overlap, and Chris\'s understated vocal performance just kills me. It\'s quite hard to write about how deeply this song affects me, but it makes you feel at home in feeling sad, yet suggests expansiveness beyond the horizon of that feeling. Sublime.\"\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/156120625&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Glassacre \'Tension Agreement\'','','inherit','closed','closed','','11151-revision-v1','','','2014-10-30 12:11:15','2014-10-30 04:11:15','',11151,'http://www.hiddenshoal.com/11151-revision-v1/',0,'revision','',0),(11156,1,'2014-10-30 12:11:44','2014-10-30 04:11:44','<img class=\"alignright wp-image-8890\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Glassacre_5-300x208.jpg\" alt=\"Glassacre\" width=\"224\" height=\"155\" />This week\'s featured track is a deep cut from our catalogue, delivered by Hidden Shoal\'s Tim Clarke. <a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\">Glassacre</a>\'s debut EP <a title=\"Bandcamp\" href=\"https://glassacre.bandcamp.com/album/slow-attack\" target=\"_blank\"><em>Slow Attack</em></a> was one of Hidden Shoal\'s first releases back in 2006:\r\n\r\n\"The hold that \'Tension Agreement\' has over me is undiminished in the eight years since its release. There\'s a pleasing simplicity to the way all the elements overlap, and Chris\'s understated vocal performance just kills me. It\'s quite hard to write about how deeply this song affects me, but it makes you feel at home in feeling sad, yet suggests expansiveness beyond the horizon of that feeling. Sublime.\"\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/156120625&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Glassacre \'Tension Agreement\'','','inherit','closed','closed','','11151-revision-v1','','','2014-10-30 12:11:44','2014-10-30 04:11:44','',11151,'http://www.hiddenshoal.com/11151-revision-v1/',0,'revision','',0),(11157,1,'2014-10-30 12:12:37','2014-10-30 04:12:37','<p style=\"text-align: justify;\"><img class=\"alignright wp-image-8890\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Glassacre_5-300x208.jpg\" alt=\"Glassacre\" width=\"224\" height=\"155\" />This week\'s featured track is a deep cut from our catalogue, delivered by Hidden Shoal\'s Tim Clarke. <a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\">Glassacre</a>\'s debut EP <a title=\"Bandcamp\" href=\"https://glassacre.bandcamp.com/album/slow-attack\" target=\"_blank\"><em>Slow Attack</em></a> was one of Hidden Shoal\'s first releases back in 2006:</p>\r\n<p style=\"text-align: justify;\">\"The hold that \'Tension Agreement\' has over me is undiminished in the eight years since its release. There\'s a pleasing simplicity to the way all the elements overlap, and Chris\'s understated vocal performance just kills me. It\'s quite hard to write about how deeply this song affects me, but it makes you feel at home in feeling sad, yet suggests expansiveness beyond the horizon of that feeling. Sublime.\"</p>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/156120625&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Glassacre \'Tension Agreement\'','','inherit','closed','closed','','11151-revision-v1','','','2014-10-30 12:12:37','2014-10-30 04:12:37','',11151,'http://www.hiddenshoal.com/11151-revision-v1/',0,'revision','',0),(11158,1,'2014-10-30 12:12:58','2014-10-30 04:12:58','<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-8890\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Glassacre_5-300x208.jpg\" alt=\"Glassacre\" width=\"224\" height=\"155\" />This week\'s featured track is a deep cut from our catalogue, delivered by Hidden Shoal\'s Tim Clarke. <a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\">Glassacre</a>\'s debut EP <a title=\"Bandcamp\" href=\"https://glassacre.bandcamp.com/album/slow-attack\" target=\"_blank\"><em>Slow Attack</em></a> was one of Hidden Shoal\'s first releases back in 2006:</p>\r\n<p style=\"text-align: justify;\">\"The hold that \'Tension Agreement\' has over me is undiminished in the eight years since its release. There\'s a pleasing simplicity to the way all the elements overlap, and Chris\'s understated vocal performance just kills me. It\'s quite hard to write about how deeply this song affects me, but it makes you feel at home in feeling sad, yet suggests expansiveness beyond the horizon of that feeling. Sublime.\"</p>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/156120625&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Glassacre \'Tension Agreement\'','','inherit','closed','closed','','11151-revision-v1','','','2014-10-30 12:12:58','2014-10-30 04:12:58','',11151,'http://www.hiddenshoal.com/11151-revision-v1/',0,'revision','',0),(11159,1,'2014-10-30 14:09:38','2014-10-30 06:09:38','<img class=\"alignleft  wp-image-10524\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM4BioPic-300x300.jpg\" alt=\"Chloë March\" width=\"151\" height=\"151\" />The stunning single, \'<a title=\"Winter Deep Download\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Winter Deep</a>\', from the forthcoming re-release of <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>\'s <em>Nights Bright Days</em> has just been featured on the BBC6 radio show <em><a title=\"BBC6\" href=\"http://www.bbc.co.uk/podcasts/series/trintro\" target=\"_blank\">Tom Robinson Introducing</a>. </em>The episode is available for download for the next 30 days from the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/podcasts/series/trintro\" target=\"_blank\">BBC6 website</a> plus you can read more about Chloë\'s track along with the other featured artists at <a title=\"Tom Robinson\" href=\"http://freshonthenet.co.uk/2014/10/mixtape20141027/\" target=\"_blank\">Tom Robinsons blog</a>.\r\n\r\n<em>Nights Bright Days</em> and it\'s companion bonus EP drops next week on the 4th of November so be sure to keep your ears and eyes out!\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/170143123&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March Featured on BBC6','','publish','closed','closed','','chloe-march-featured-on-bbc6','','','2016-02-03 13:46:07','2016-02-03 05:46:07','',0,'http://www.hiddenshoal.com/?p=11159',0,'post','',0),(11160,1,'2014-10-30 14:07:25','2014-10-30 06:07:25','<img class=\"alignleft  wp-image-10524\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM4BioPic-300x300.jpg\" alt=\"Chloë March\" width=\"137\" height=\"137\" />The stunning single, \'<a title=\"Winter Deep Download\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Winter Deep</a>\', from the forthcoming re-release of <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>\'s <em>Nights Bright Days</em> has just been featured on the BBC6 radio show <em><a title=\"BBC6\" href=\"http://www.bbc.co.uk/podcasts/series/trintro\" target=\"_blank\">Tom Robinson Introducing</a>. </em>The episode is available for download for the next 30 days from the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/podcasts/series/trintro\" target=\"_blank\">BBC6 website</a> plus you can read more about Chloë\'s track along with the other featured artists at <a title=\"Tom Robinson\" href=\"http://freshonthenet.co.uk/2014/10/mixtape20141027/\" target=\"_blank\">Tom Robinsons blog</a>.\r\n\r\n<em>Nights Bright Days</em> and it\'s companion bonus EP drops next week on the 4th of November so be sure to keep your ears and eyes out!\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/170143123&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March Featured on BBC6','','inherit','closed','closed','','11159-revision-v1','','','2014-10-30 14:07:25','2014-10-30 06:07:25','',11159,'http://www.hiddenshoal.com/11159-revision-v1/',0,'revision','',0),(11161,1,'2014-10-30 14:08:44','2014-10-30 06:08:44','<img class=\"alignleft  wp-image-10524\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM4BioPic-300x300.jpg\" alt=\"Chloë March\" width=\"144\" height=\"144\" />The stunning single, \'<a title=\"Winter Deep Download\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Winter Deep</a>\', from the forthcoming re-release of <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>\'s <em>Nights Bright Days</em> has just been featured on the BBC6 radio show <em><a title=\"BBC6\" href=\"http://www.bbc.co.uk/podcasts/series/trintro\" target=\"_blank\">Tom Robinson Introducing</a>. </em>The episode is available for download for the next 30 days from the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/podcasts/series/trintro\" target=\"_blank\">BBC6 website</a> plus you can read more about Chloë\'s track along with the other featured artists at <a title=\"Tom Robinson\" href=\"http://freshonthenet.co.uk/2014/10/mixtape20141027/\" target=\"_blank\">Tom Robinsons blog</a>.\r\n\r\n<em>Nights Bright Days</em> and it\'s companion bonus EP drops next week on the 4th of November so be sure to keep your ears and eyes out!\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/170143123&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March Featured on BBC6','','inherit','closed','closed','','11159-revision-v1','','','2014-10-30 14:08:44','2014-10-30 06:08:44','',11159,'http://www.hiddenshoal.com/11159-revision-v1/',0,'revision','',0),(11162,1,'2014-10-30 14:09:06','2014-10-30 06:09:06','<img class=\"alignleft  wp-image-10524\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM4BioPic-300x300.jpg\" alt=\"Chloë March\" width=\"151\" height=\"151\" />The stunning single, \'<a title=\"Winter Deep Download\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Winter Deep</a>\', from the forthcoming re-release of <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>\'s <em>Nights Bright Days</em> has just been featured on the BBC6 radio show <em><a title=\"BBC6\" href=\"http://www.bbc.co.uk/podcasts/series/trintro\" target=\"_blank\">Tom Robinson Introducing</a>. </em>The episode is available for download for the next 30 days from the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/podcasts/series/trintro\" target=\"_blank\">BBC6 website</a> plus you can read more about Chloë\'s track along with the other featured artists at <a title=\"Tom Robinson\" href=\"http://freshonthenet.co.uk/2014/10/mixtape20141027/\" target=\"_blank\">Tom Robinsons blog</a>.\r\n\r\n<em>Nights Bright Days</em> and it\'s companion bonus EP drops next week on the 4th of November so be sure to keep your ears and eyes out!\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/170143123&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March Featured on BBC6','','inherit','closed','closed','','11159-revision-v1','','','2014-10-30 14:09:06','2014-10-30 06:09:06','',11159,'http://www.hiddenshoal.com/11159-revision-v1/',0,'revision','',0),(11163,1,'2014-11-03 10:52:42','2014-11-03 02:52:42','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>perth</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Remixed.jpg\"><img class=\"alignleft  wp-image-9095\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Perth_3-300x225.jpg\" alt=\"perth\" width=\"296\" height=\"222\" /></a><em>“Every part of this record coalesces together strangely, perfectly. And even among the towering, cinematic instrumentals – <i>perth</i> still craft a weird sense of sparseness that makes this sound like a bunch of opiate-swilling krautrock kings running down a sand dune.”</em> –<strong> Who The Hell<br /> </strong></p><p>Australian outfit perth shift effortlessly between psychedelic pop, folk-laced electronica and shoegaze, melding these disparate genres into a beautifully cohesive statement. The band’s magic lies in their ability to refract the individual members’ unique sensibilities through an experimental lens.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/perthband\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>    <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/perth\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Where\'s My Dystopia?</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4283625682/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/wheres-my-dystopia\">Where\'s My Dystopia? by perth</a></iframe><br /> May 2014</p><div> </div><p><em>Where’s My Dystopia?</em> by Australian outfit perth, comprises remixes of tracks from the band’s acclaimed second album <em>What’s Your Utopia?</em> What’s most startling about <em>Where’s My Dystopia?</em> is not only how beautifully it complements the original album, but also how well the remixes work together as an integrated whole. This is a reimagined journey through the musical landscape of the original album rather than a collection of disparate snapshots. <em>Where’s My Dystopia?</em> includes the single ‘Drank, Kites And Tomorrow’ remixed by GUM (Tame Impala and Pond’s Jay Watson) alongside radical reworkings by Seams, Filter Beds, Water Graves, Mei Saraswati, Valerio Cosi, Usurper of Modern Medicine, No. 9, Ghost Drums and Mental Powers.</p><div> </div><div> </div><h4>What\'s Your Utopia?</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1996143844/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/whats-your-utopia\">What\'s Your Utopia? by perth</a></iframe><br /> November 2013</p><div> </div><p>Australian experimental pop outfit perth deliver their sophomore album <em>What’s Your Utopia?</em>. The band have managed to meld psychedelic pop, folk-laced electronica and shoegaze into a beautifully cohesive statement – a tribute to the idea of a fond place, or utopia, quietly residing in ‘no place’, beyond ourselves. The band’s magic lies in their ability to refract the individual members’ unique sensibilities through an experimental lens; kaleidoscopic sound design is matched by the band’s songwriting dexterity throughout the album’s nine tracks.</p><p>Single and opening salvo ‘Drank and Kites and Tomorrow’ summons forth glowing brass arrangements, reverb-drenched vocals and skittering breakbeats crafted from found sounds, building into a krautrock jam reminiscent of Neu! and Caribou. The gorgeous ‘Saw Promenade’ reimagines the shimmering vibes of prime Tortoise on an Australian beach, while ‘Greasy Moon’ is an echoing, disorientating, addictive stomp. Finale ‘Viewmaster’ mutates from brittle, spectral space-folk into a heartbreaking robot waltz, before dissolving then regrouping into a delirious droning coda.</p><div> </div><div> </div><h4>Babes, Water, Waves</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3083775937/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://perth.bandcamp.com/album/babes-water-waves\">Babes, Water, Waves. by perth</a></iframe><br /> February 2012</p><div> </div><p>The debut album from Australian outfit perth.  Combines elements of post-rock, electronica and psych into a beautifully coherent and mesmerising whole.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Spawning from intercontinental collaboration, perth’s 2012 debut LP, <em>Babes, Water, Waves</em>, was born in many locations other than their eponymous hometown. However, geographical separation failed to distance the musical sentiments shared between three members of Apricot Rail (Matthew Saville, Justin Manzano and Jack Quirk) and songwriter Michael Dolan. A dual sense of triumph and melancholy permeated <em>Babes, Water, Waves</em>, conveyed through combining traditional instrumentation and pop structure with warbling organic samples, hissing analogue keys, found sounds and woozy vocal harmonies.</p><p>The band’s second album, w<em>hat’s your utopia?</em>, takes an eclectic approach to organic electronic music while evolving its scope and clarity. Recorded in a variety of locations, from a desolate cabin perched upon the surly south-west Australian coast to the glow of Studio 373 in Perth, the album was then mixed by the band’s Justin Manzano before being mastered by Simon Struthers (Mukaizake, Umpire) of Forensic Audio.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=perth-news content=yes pagination=no title_tag=h4 title_class=lcp_title]<p style=\"text-align: right;\"><a title=\"perth News\" href=\"http://www.hiddenshoal.com/category/news/perth-news/\"><strong>More News</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=perth-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<p style=\"text-align: right;\"><strong><a title=\"perth Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/perth-reviews/\">More Reviews</a></strong></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/perth-Wheres_My_Dystopia_Press_Release.pdf\"><em>Where’s My Dystopia?</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Perth-Drank_and_Kites_and_Tomorrow_GUM_Remix.pdf\">‘Drank and Kites and Tomorrow (GUM Remix)’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Perth-Whats_Your_Utopia.pdf\"><em>What’s Your Utopia?</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Perth-Greasy_Moon.pdf\">‘Greasy Moon’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-perth-Dranks_and_Kites_and_Tomorrow.pdf\">‘Drank and Kites and Tomorrow’ Single Release</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"9100,9101,9102,9103\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/ep6EpVZtJzE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>perth\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','perth','','inherit','closed','closed','','9077-revision-v1','','','2014-11-03 10:52:42','2014-11-03 02:52:42','',9077,'http://www.hiddenshoal.com/9077-revision-v1/',0,'revision','',0),(11164,1,'2014-11-03 11:43:12','2014-11-03 03:43:12','[Translated from the French via Google Translate. Read the original French version <a title=\"A decouvrir absolument\" href=\"http://www.adecouvrirabsolument.com/spip.php?article5666\" target=\"_blank\">here</a>.]\r\n\r\n\"For a year, maybe a little more, or less, it\'s been a year, say, I discovered that sixth sense, that we are all looking for, he was there to calm us, perched on our watches clocks, is sixth sense that rocks and caress childhood. Each sound escaped from the smooth material on this disc makes chips fireflies and streams with minnows, I find the color of a metal toy, the shape of the controller, the infinity of lego. Each small tale of heart wood, I folds little notes where I noted the names of those who watched monsters under the bed, I\'m sailboats, I make words. At every little syllable, I turn into the glass of water that watercolor brush and found the wise shades intimate landscapes, as in childhood, the colors were never the same, I play in the liquid to rediscover on these beaches family vacation on slabs presqu\'effacée this house from my memory. Been a year since beauty is lying quietly on litters Kramies and my emotions have deciphered a fun time, read and reread until the minute, and read not to lose any drop of this mint water waltzed into my mouth yesterday and today to echo these strings vibrating guitars are fresh laughter of children on strikes, was basking in the sun pictures, and songs are the relics open jar of holy images, stolen kisses and caresses first, eyes that look inward, when there was no wall of shame, when there was nothing but a look. Kramies is a silky provocative exhibitionist linen and cotton, blurred images of dreams drunk eyes and stars, which stirs the fires of nostalgia flights beautiful words, a Peter Pan, the child has the inert core, the clock was broken, so we envy her generosity gave us flashbacks constantly on red lollipops, kites and the scent of our mothers, the skin that covers our hearts, not really protect but avoiding coldness tomorrow trifles the same day. So here\'s the big secret from us, here is the lost sense of childhood, naive, ingenuous, and so powerful before being realistic fantasy, here in the heart wood, playmobil cottage, this cottage build a thirty pieces of wood fit for less than fifty years, heart to live, where the childlike life tomorrow too, and many, many thank you for this Kramies, thank you so much for our bags of marbles, so thank you our innocence.\r\n\r\nThank you for this gift, to offer this small little world we misled by here and there, thank you for giving us back what Wooden heart without light.\"\r\n\r\n<strong>- <a title=\"A decouvrir absolument\" href=\"http://www.adecouvrirabsolument.com/spip.php?article5666\" target=\"_blank\">A Decouvrir Absolument</a></strong>','Kramies \"The Wooden Heart\" reviewed at A Decouvrir Absolument','','publish','closed','closed','','kramies-the-wooden-heart-reviewed-at-a-decouvrir-absolument-2','','','2014-11-03 11:43:12','2014-11-03 03:43:12','',0,'http://www.hiddenshoal.com/?p=11164',0,'post','',0),(11165,1,'2014-11-03 11:43:12','2014-11-03 03:43:12','[Translated from the French via Google Translate. Read the original French version <a title=\"A decouvrir absolument\" href=\"http://www.adecouvrirabsolument.com/spip.php?article5666\" target=\"_blank\">here</a>.]\r\n\r\n\"For a year, maybe a little more, or less, it\'s been a year, say, I discovered that sixth sense, that we are all looking for, he was there to calm us, perched on our watches clocks, is sixth sense that rocks and caress childhood. Each sound escaped from the smooth material on this disc makes chips fireflies and streams with minnows, I find the color of a metal toy, the shape of the controller, the infinity of lego. Each small tale of heart wood, I folds little notes where I noted the names of those who watched monsters under the bed, I\'m sailboats, I make words. At every little syllable, I turn into the glass of water that watercolor brush and found the wise shades intimate landscapes, as in childhood, the colors were never the same, I play in the liquid to rediscover on these beaches family vacation on slabs presqu\'effacée this house from my memory. Been a year since beauty is lying quietly on litters Kramies and my emotions have deciphered a fun time, read and reread until the minute, and read not to lose any drop of this mint water waltzed into my mouth yesterday and today to echo these strings vibrating guitars are fresh laughter of children on strikes, was basking in the sun pictures, and songs are the relics open jar of holy images, stolen kisses and caresses first, eyes that look inward, when there was no wall of shame, when there was nothing but a look. Kramies is a silky provocative exhibitionist linen and cotton, blurred images of dreams drunk eyes and stars, which stirs the fires of nostalgia flights beautiful words, a Peter Pan, the child has the inert core, the clock was broken, so we envy her generosity gave us flashbacks constantly on red lollipops, kites and the scent of our mothers, the skin that covers our hearts, not really protect but avoiding coldness tomorrow trifles the same day. So here\'s the big secret from us, here is the lost sense of childhood, naive, ingenuous, and so powerful before being realistic fantasy, here in the heart wood, playmobil cottage, this cottage build a thirty pieces of wood fit for less than fifty years, heart to live, where the childlike life tomorrow too, and many, many thank you for this Kramies, thank you so much for our bags of marbles, so thank you our innocence.\r\n\r\nThank you for this gift, to offer this small little world we misled by here and there, thank you for giving us back what Wooden heart without light.\"\r\n\r\n<strong>- <a title=\"A decouvrir absolument\" href=\"http://www.adecouvrirabsolument.com/spip.php?article5666\" target=\"_blank\">A Decouvrir Absolument</a></strong>','Kramies \"The Wooden Heart\" reviewed at A Decouvrir Absolument','','inherit','closed','closed','','11164-revision-v1','','','2014-11-03 11:43:12','2014-11-03 03:43:12','',11164,'http://www.hiddenshoal.com/11164-revision-v1/',0,'revision','',0),(11166,1,'2014-11-03 15:02:30','2014-11-03 07:02:30','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Elisa Luu</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong></p><p>Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.</p><p><a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Enchanting Gaze</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2683447859/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://labelnetlabel.bandcamp.com/album/enchanting-gaze\">Enchanting Gaze by Elisa Luu</a></iframe><br /> November 2014</p><div> </div><p>On <em>Enchanting Gaze</em>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <em>Enchanting Gaze</em> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu discography.</p><div> </div><div> </div><h4>Un Giorno Sospeso</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 405px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe><br /> July 2012</p><div> </div><p><em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display. Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.</p><div> </div><div> </div><h4>Chromatic Sigh</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 440px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe> September 2009</p><div> </div><p>Though digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative. The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.</p><div> </div><div> </div><h4>Unreleased</h4><div> </div><p><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/52927332&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"500\" height=\"400\" frameborder=\"no\" scrolling=\"no\"></iframe></p><div> </div><p>A collection of previously unreleased tracks from Elisa Luu. All available for licensing as part of the Hidden Shoal Publishing catalogue.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Elisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.</p><p>In 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.</p><p>In 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.</p><p>Accompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title]<p style=\"text-align: right;\"><a title=\"Elisa Luu News\" href=\"http://www.hiddenshoal.com/category/news/elisa-luu/\"><strong>More News</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Chromatic_Sigh.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8822,8823,8820\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p>No videos yet, sorry.</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Elisa Luu\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','closed','closed','','8817-revision-v1','','','2014-11-03 15:02:30','2014-11-03 07:02:30','',8817,'http://www.hiddenshoal.com/8817-revision-v1/',0,'revision','',0),(11167,1,'2014-11-03 15:20:32','2014-11-03 07:20:32','<img class=\"alignleft  wp-image-11168\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Enchanting-Gaze-cover_small.jpg\" alt=\"Enchanting Gaze\" width=\"258\" height=\"192\" />We\'re excited to announce the release of the stunning new mini-album <i>Enchanting Gaze</i> by Italian ambient electronica artist <a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">Elisa Luu</a>.  The album is available on CD and Digital through <a title=\"La bel\" href=\"http://labelnetlabel.com/\" target=\"_blank\">La bel</a> netlabel in collaboration with Hidden Shoal via La bel\'s <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/album/enchanting-gaze\" target=\"_blank\">Bandcamp</a>. Don\'t forget to grab the free download of the first single ‘Shebeen’ <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/track/shebeen\" target=\"_blank\">here</a>.\r\n\r\nOn <i>Enchanting Gaze</i>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <i>Enchanting Gaze</i> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu <a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">discography</a>.\r\n\r\n<i>“You could make a film or a slideshow of your life or your art to go with it and no matter what, this soundscape would pull your story toward cool, disciplined discoveries. 9/10”</i> – <strong>SSG</strong>\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/171310666&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Elisa Luu\'s \"Enchanting Gaze\" Mini-Album Out Now!','','publish','closed','closed','','elisa-luus-enchanting-gaze-mini-album-out-now','','','2016-02-03 16:48:13','2016-02-03 08:48:13','',0,'http://www.hiddenshoal.com/?p=11167',0,'post','',0),(11168,1,'2014-11-03 15:16:49','2014-11-03 07:16:49','','Enchanting Gaze','','inherit','closed','closed','','enchanting-gaze-cover_small','','','2014-11-03 15:16:49','2014-11-03 07:16:49','',11167,'http://www.hiddenshoal.com/wp-content/uploads/2014/11/Enchanting-Gaze-cover_small.jpg',0,'attachment','image/jpeg',0),(11169,1,'2014-11-03 15:17:34','2014-11-03 07:17:34','<img class=\"alignleft size-full wp-image-11168\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Enchanting-Gaze-cover_small.jpg\" alt=\"Enchanting Gaze\" width=\"300\" height=\"224\" />We\'re excited to anounce the release of the stunning new mini-album <i>Enchanting Gaze</i> by Italian ambient electronica artist <a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">Elisa Luu</a>.  The album is available on CD and Digital through <a title=\"La bel\" href=\"http://labelnetlabel.com/\" target=\"_blank\">La bel</a> netlabel in collaboration with Hidden Shoal via La bel\'s <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/album/enchanting-gaze\" target=\"_blank\">Bandcamp</a>. Don\'t forget to grab the free download of the first single ‘Shebeen’ <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/track/shebeen\" target=\"_blank\">here</a>.\r\n\r\nOn <i>Enchanting Gaze</i>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <i>Enchanting Gaze</i> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu discography.\r\n\r\n<i>“You could make a film or a slideshow of your life or your art to go with it and no matter what, this soundscape would pull your story toward cool, disciplined discoveries. 9/10”</i> – <strong>SSG</strong>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/171310666&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Elisa Luu\'s \"Enchanting Gaze\" Mini-Album Out Now!','','inherit','closed','closed','','11167-revision-v1','','','2014-11-03 15:17:34','2014-11-03 07:17:34','',11167,'http://www.hiddenshoal.com/11167-revision-v1/',0,'revision','',0),(11170,1,'2014-11-03 15:19:47','2014-11-03 07:19:47','<img class=\"alignleft  wp-image-11168\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Enchanting-Gaze-cover_small.jpg\" alt=\"Enchanting Gaze\" width=\"271\" height=\"202\" />We\'re excited to anounce the release of the stunning new mini-album <i>Enchanting Gaze</i> by Italian ambient electronica artist <a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">Elisa Luu</a>.  The album is available on CD and Digital through <a title=\"La bel\" href=\"http://labelnetlabel.com/\" target=\"_blank\">La bel</a> netlabel in collaboration with Hidden Shoal via La bel\'s <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/album/enchanting-gaze\" target=\"_blank\">Bandcamp</a>. Don\'t forget to grab the free download of the first single ‘Shebeen’ <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/track/shebeen\" target=\"_blank\">here</a>.\r\n\r\nOn <i>Enchanting Gaze</i>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <i>Enchanting Gaze</i> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu discography.\r\n\r\n<i>“You could make a film or a slideshow of your life or your art to go with it and no matter what, this soundscape would pull your story toward cool, disciplined discoveries. 9/10”</i> – <strong>SSG</strong>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/171310666&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Elisa Luu\'s \"Enchanting Gaze\" Mini-Album Out Now!','','inherit','closed','closed','','11167-revision-v1','','','2014-11-03 15:19:47','2014-11-03 07:19:47','',11167,'http://www.hiddenshoal.com/11167-revision-v1/',0,'revision','',0),(11171,1,'2014-11-03 15:21:25','2014-11-03 07:21:25','<img class=\"alignleft  wp-image-11168\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Enchanting-Gaze-cover_small.jpg\" alt=\"Enchanting Gaze\" width=\"271\" height=\"202\" />We\'re excited to anounce the release of the stunning new mini-album <i>Enchanting Gaze</i> by Italian ambient electronica artist <a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">Elisa Luu</a>.  The album is available on CD and Digital through <a title=\"La bel\" href=\"http://labelnetlabel.com/\" target=\"_blank\">La bel</a> netlabel in collaboration with Hidden Shoal via La bel\'s <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/album/enchanting-gaze\" target=\"_blank\">Bandcamp</a>. Don\'t forget to grab the free download of the first single ‘Shebeen’ <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/track/shebeen\" target=\"_blank\">here</a>.\r\n\r\nOn <i>Enchanting Gaze</i>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <i>Enchanting Gaze</i> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu <a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">discography</a>.\r\n\r\n<i>“You could make a film or a slideshow of your life or your art to go with it and no matter what, this soundscape would pull your story toward cool, disciplined discoveries. 9/10”</i> – <strong>SSG</strong>\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/171310666&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Elisa Luu\'s \"Enchanting Gaze\" Mini-Album Out Now!','','inherit','closed','closed','','11167-revision-v1','','','2014-11-03 15:21:25','2014-11-03 07:21:25','',11167,'http://www.hiddenshoal.com/11167-revision-v1/',0,'revision','',0),(11172,1,'2014-11-03 15:53:42','2014-11-03 07:53:42','<img class=\"alignleft  wp-image-11168\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Enchanting-Gaze-cover_small.jpg\" alt=\"Enchanting Gaze\" width=\"263\" height=\"196\" />We\'re excited to anounce the release of the stunning new mini-album <i>Enchanting Gaze</i> by Italian ambient electronica artist <a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">Elisa Luu</a>.  The album is available on CD and Digital through <a title=\"La bel\" href=\"http://labelnetlabel.com/\" target=\"_blank\">La bel</a> netlabel in collaboration with Hidden Shoal via La bel\'s <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/album/enchanting-gaze\" target=\"_blank\">Bandcamp</a>. Don\'t forget to grab the free download of the first single ‘Shebeen’ <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/track/shebeen\" target=\"_blank\">here</a>.\r\n\r\nOn <i>Enchanting Gaze</i>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <i>Enchanting Gaze</i> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu <a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">discography</a>.\r\n\r\n<i>“You could make a film or a slideshow of your life or your art to go with it and no matter what, this soundscape would pull your story toward cool, disciplined discoveries. 9/10”</i> – <strong>SSG</strong>\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/171310666&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Elisa Luu\'s \"Enchanting Gaze\" Mini-Album Out Now!','','inherit','closed','closed','','11167-revision-v1','','','2014-11-03 15:53:42','2014-11-03 07:53:42','',11167,'http://www.hiddenshoal.com/11167-revision-v1/',0,'revision','',0),(11173,1,'2014-11-03 15:55:11','2014-11-03 07:55:11','<img class=\"alignleft  wp-image-11168\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Enchanting-Gaze-cover_small.jpg\" alt=\"Enchanting Gaze\" width=\"263\" height=\"196\" />We\'re excited to announce the release of the stunning new mini-album <i>Enchanting Gaze</i> by Italian ambient electronica artist <a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">Elisa Luu</a>.  The album is available on CD and Digital through <a title=\"La bel\" href=\"http://labelnetlabel.com/\" target=\"_blank\">La bel</a> netlabel in collaboration with Hidden Shoal via La bel\'s <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/album/enchanting-gaze\" target=\"_blank\">Bandcamp</a>. Don\'t forget to grab the free download of the first single ‘Shebeen’ <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/track/shebeen\" target=\"_blank\">here</a>.\n\nOn <i>Enchanting Gaze</i>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <i>Enchanting Gaze</i> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu <a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">discography</a>.\n\n<i>“You could make a film or a slideshow of your life or your art to go with it and no matter what, this soundscape would pull your story toward cool, disciplined discoveries. 9/10”</i> – <strong>SSG</strong>\n\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/171310666&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Elisa Luu\'s \"Enchanting Gaze\" Mini-Album Out Now!','','inherit','closed','closed','','11167-autosave-v1','','','2014-11-03 15:55:11','2014-11-03 07:55:11','',11167,'http://www.hiddenshoal.com/11167-autosave-v1/',0,'revision','',0),(11174,1,'2014-11-03 15:58:41','2014-11-03 07:58:41','<img class=\"alignleft  wp-image-11168\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Enchanting-Gaze-cover_small.jpg\" alt=\"Enchanting Gaze\" width=\"263\" height=\"196\" />We\'re excited to announce the release of the stunning new mini-album <i>Enchanting Gaze</i> by Italian ambient electronica artist <a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">Elisa Luu</a>.  The album is available on CD and Digital through <a title=\"La bel\" href=\"http://labelnetlabel.com/\" target=\"_blank\">La bel</a> netlabel in collaboration with Hidden Shoal via La bel\'s <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/album/enchanting-gaze\" target=\"_blank\">Bandcamp</a>. Don\'t forget to grab the free download of the first single ‘Shebeen’ <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/track/shebeen\" target=\"_blank\">here</a>.\r\n\r\nOn <i>Enchanting Gaze</i>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <i>Enchanting Gaze</i> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu <a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">discography</a>.\r\n\r\n<i>“You could make a film or a slideshow of your life or your art to go with it and no matter what, this soundscape would pull your story toward cool, disciplined discoveries. 9/10”</i> – <strong>SSG</strong>\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/171310666&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Elisa Luu\'s \"Enchanting Gaze\" Mini-Album Out Now!','','inherit','closed','closed','','11167-revision-v1','','','2014-11-03 15:58:41','2014-11-03 07:58:41','',11167,'http://www.hiddenshoal.com/11167-revision-v1/',0,'revision','',0),(11175,1,'2014-11-03 15:59:47','2014-11-03 07:59:47','<img class=\"alignleft  wp-image-11168\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Enchanting-Gaze-cover_small.jpg\" alt=\"Enchanting Gaze\" width=\"258\" height=\"192\" />We\'re excited to announce the release of the stunning new mini-album <i>Enchanting Gaze</i> by Italian ambient electronica artist <a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">Elisa Luu</a>.  The album is available on CD and Digital through <a title=\"La bel\" href=\"http://labelnetlabel.com/\" target=\"_blank\">La bel</a> netlabel in collaboration with Hidden Shoal via La bel\'s <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/album/enchanting-gaze\" target=\"_blank\">Bandcamp</a>. Don\'t forget to grab the free download of the first single ‘Shebeen’ <a title=\"La bel Bandcamp\" href=\"https://labelnetlabel.bandcamp.com/track/shebeen\" target=\"_blank\">here</a>.\r\n\r\nOn <i>Enchanting Gaze</i>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <i>Enchanting Gaze</i> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu <a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">discography</a>.\r\n\r\n<i>“You could make a film or a slideshow of your life or your art to go with it and no matter what, this soundscape would pull your story toward cool, disciplined discoveries. 9/10”</i> – <strong>SSG</strong>\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/171310666&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Elisa Luu\'s \"Enchanting Gaze\" Mini-Album Out Now!','','inherit','closed','closed','','11167-revision-v1','','','2014-11-03 15:59:47','2014-11-03 07:59:47','',11167,'http://www.hiddenshoal.com/11167-revision-v1/',0,'revision','',0),(11176,1,'2014-11-04 12:55:18','2014-11-04 04:55:18','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Chloë March</h1><p><img class=\"alignleft wp-image-10520 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM3BioPic-300x300.jpg\" alt=\"Chloë March\" width=\"300\" height=\"300\" /><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong></p><p>Oft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Nights Bright Days</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe><br /> November 2014</p><div> </div><p>Although often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds.</p><p>Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.</p><div> </div><div> </div><h4>Under The Day</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe><br /> November 2014</p><div> </div><p>A set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’.</p><p>The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.</p><div> </div><div> </div><h4>Politik</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe><br /> July 2012</p><div> </div><p>Chloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.</p><div> </div><div> </div><h4>Garden On The Boulevard</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe><br /> November 2009</p><div> </div><p><em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.</p><div> </div><div> </div><h4>Divining</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe><br /> November 2008</p><div> </div><p>Chloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.</p><div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div><div> </div><h4>Snowdrop</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe><br /> November 2004</p><div> </div><p>Chloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds.</p><p><em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong></p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Chloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.</p><p>Inspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p>No press releases yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery columns=\"2\" ids=\"10523,10524,10525,10526\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p>No videos yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Chloë March\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2014-11-04 12:55:18','2014-11-04 04:55:18','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(11181,1,'2014-11-04 13:11:57','2014-11-04 05:11:57','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h1>New Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe><em><br /> Nights Bright Days</em><br /> by <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=271738062/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities\">IMPOSSIBLE CITIES by Todd Tobias</a></iframe><br /> <em>Impossible Cities</em><br /> by <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe><br /> <em>Binary Rooms<br /></em>by <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2503571384/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/deconstruction-manual\">Deconstruction Manual by Hidden Shoal</a></iframe><br /> <em>Deconstruction Manual</em><br /> by <a title=\"Deconstruction Manual\" href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\">Various Artists</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"3\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2014-11-04 13:11:57','2014-11-04 05:11:57','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(11182,1,'2014-11-04 13:14:21','2014-11-04 05:14:21','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h1>New Releases</h1>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe><em><br /> Nights Bright Days</em><br /> by <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=271738062/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities\">IMPOSSIBLE CITIES by Todd Tobias</a></iframe><br /> <em>Impossible Cities</em><br /> by <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe><br /> <em>Binary Rooms<br /></em>by <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2503571384/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/deconstruction-manual\">Deconstruction Manual by Hidden Shoal</a></iframe><br /> <em>Deconstruction Manual</em><br /> by <a title=\"Deconstruction Manual\" href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\">Various Artists</a></h4>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]<h1>Latest News &amp; Features</h1>[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]<h1>Featured Videos</h1>[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"3\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2014-11-04 13:14:21','2014-11-04 05:14:21','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(11183,1,'2014-11-04 16:33:21','2014-11-04 08:33:21','<img class=\"alignleft  wp-image-10884\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Chloe-March-250px.jpg\" alt=\"Chloe-March-250px\" width=\"219\" height=\"219\" />Hidden Shoal\'s re-release of the breathtakingly beautiful <a title=\"Nights Bright Days\" href=\"https://chloemarch.bandcamp.com/album/nights-bright-days\" target=\"_blank\"><em>Nights Bright Days</em></a> by <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> has finally landed. To co-incide with the re-release the companion digital EP <em><a title=\"Under The Day\" href=\"https://chloemarch.bandcamp.com/album/under-the-day\" target=\"_blank\">Under The Day</a>,</em> which features six previously un-released tracks, is available for free download. Head to Chloë\'s <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/\" target=\"_blank\">Bandcamp</a> to buy the album on CD and digital formats and get your free copy of <em>Under The Day.</em>\r\n\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”</em> – <strong>textura</strong>\r\n\r\nFour years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/175258349&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March\'s \"Nights Bright Days\" + Free EP Now Available','','publish','closed','closed','','chloe-marchs-nights-bright-days-free-ep-now-available','','','2016-02-03 16:48:13','2016-02-03 08:48:13','',0,'http://www.hiddenshoal.com/?p=11183',0,'post','',0),(11184,1,'2014-11-04 13:46:40','2014-11-04 05:46:40','Hidden Shoal\'s re-release of the breathtakingly beautiful <a title=\"Nights Bright Days\" href=\"https://chloemarch.bandcamp.com/album/nights-bright-days\" target=\"_blank\"><em>Nights Bright Days</em></a> by <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> has finally landed. To co-incide with the re-release the companion digital EP <em><a title=\"Under The Day\" href=\"https://chloemarch.bandcamp.com/album/under-the-day\" target=\"_blank\">Under The Day</a>,</em> which features six previously un-released tracks, is available for free download. Head to Chloë\'s <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/\" target=\"_blank\">Bandcamp</a> to buy the album on CD and digital formats and get your free copy of <em>Under The Day.</em>\r\n\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds.\r\n\r\nFour years in the making and originally self-released in 2013, Nights Bright Days is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”</em> – <strong>textura</strong>','Chloe March\'s \"Nights Bright Days\" Re-Release Now Available','','inherit','closed','closed','','11183-revision-v1','','','2014-11-04 13:46:40','2014-11-04 05:46:40','',11183,'http://www.hiddenshoal.com/11183-revision-v1/',0,'revision','',0),(11185,1,'2014-11-04 13:48:23','2014-11-04 05:48:23','<img class=\"alignleft  wp-image-10884\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Chloe-March-250px.jpg\" alt=\"Chloe-March-250px\" width=\"219\" height=\"219\" />Hidden Shoal\'s re-release of the breathtakingly beautiful <a title=\"Nights Bright Days\" href=\"https://chloemarch.bandcamp.com/album/nights-bright-days\" target=\"_blank\"><em>Nights Bright Days</em></a> by <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> has finally landed. To co-incide with the re-release the companion digital EP <em><a title=\"Under The Day\" href=\"https://chloemarch.bandcamp.com/album/under-the-day\" target=\"_blank\">Under The Day</a>,</em> which features six previously un-released tracks, is available for free download. Head to Chloë\'s <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/\" target=\"_blank\">Bandcamp</a> to buy the album on CD and digital formats and get your free copy of <em>Under The Day.</em>\r\n\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds.\r\n\r\nFour years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”</em> – <strong>textura</strong>','Chloe March\'s \"Nights Bright Days\" + Free EP Now Available','','inherit','closed','closed','','11183-revision-v1','','','2014-11-04 13:48:23','2014-11-04 05:48:23','',11183,'http://www.hiddenshoal.com/11183-revision-v1/',0,'revision','',0),(11186,1,'2014-11-04 13:50:02','2014-11-04 05:50:02','<img class=\"alignleft  wp-image-10884\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Chloe-March-250px.jpg\" alt=\"Chloe-March-250px\" width=\"219\" height=\"219\" />Hidden Shoal\'s re-release of the breathtakingly beautiful <a title=\"Nights Bright Days\" href=\"https://chloemarch.bandcamp.com/album/nights-bright-days\" target=\"_blank\"><em>Nights Bright Days</em></a> by <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> has finally landed. To co-incide with the re-release the companion digital EP <em><a title=\"Under The Day\" href=\"https://chloemarch.bandcamp.com/album/under-the-day\" target=\"_blank\">Under The Day</a>,</em> which features six previously un-released tracks, is available for free download. Head to Chloë\'s <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/\" target=\"_blank\">Bandcamp</a> to buy the album on CD and digital formats and get your free copy of <em>Under The Day.</em>\r\n\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”</em> – <strong>textura</strong>\r\n\r\nFour years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.','Chloe March\'s \"Nights Bright Days\" + Free EP Now Available','','inherit','closed','closed','','11183-revision-v1','','','2014-11-04 13:50:02','2014-11-04 05:50:02','',11183,'http://www.hiddenshoal.com/11183-revision-v1/',0,'revision','',0),(11187,1,'2014-11-04 14:13:50','2014-11-04 06:13:50','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Chloë March</h1><p><img class=\"alignleft wp-image-10520 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM3BioPic-300x300.jpg\" alt=\"Chloë March\" width=\"300\" height=\"300\" /><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong></p><p>Oft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Nights Bright Days</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe><br /> November 2014</p><div> </div><p>Although often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds.</p><p>Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.</p><div> </div><div> </div><h4>Under The Day</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe><br /> November 2014</p><div> </div><p>A set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’.</p><p>The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.</p><div> </div><div> </div><h4>Politik</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe><br /> July 2012</p><div> </div><p>Chloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.</p><div> </div><div> </div><h4>Garden On The Boulevard</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe><br /> November 2009</p><div> </div><p><em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.</p><div> </div><div> </div><h4>Divining</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe><br /> November 2008</p><div> </div><p>Chloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.</p><div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div><div> </div><h4>Snowdrop</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe><br /> November 2004</p><div> </div><p>Chloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds.</p><p><em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong></p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Chloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.</p><p>Inspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery columns=\"2\" ids=\"10523,10524,10525,10526\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p>No videos yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Chloë March\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2014-11-04 14:13:50','2014-11-04 06:13:50','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(11382,1,'2014-11-27 10:50:07','2014-11-27 02:50:07','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Todd Tobias</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-9264\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Todd-Tobias-1-Adjusted-222x300.jpg\" alt=\"Todd Tobias\" width=\"183\" height=\"248\" /></a><em>“it’s tribute to Todd Tobias’s skill as a producer and arranger that the pace never slackens and that he’s quite effectively produced the audio equivalent of a graphic novel, one that will keep you listening right up until its cataclysmic final moments.”</em> –<strong> DOA </strong></p><p>After years of producing Guided By Voices and playing in Circus Devils with Robert Pollard, Todd Tobias struck out on his own with his debut solo album M<em>edicine Show</em>. Defiantly unique and vividly realised, Tobias\' debut is a multi-faceted instrumental opus, evoking a shadowy steampunk dystopia.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Todd-Tobias/385101561556685?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.tobias-music.com/id4.html\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><h4>Impossible Cities</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=271738062/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities\">IMPOSSIBLE CITIES by Todd Tobias</a></iframe><br /> October 2014</p><p><em>Impossible Cities</em> is the latest visionary chapter in Todd Tobias’s ongoing exploration of rock’s darkest and most hypnotic realms. Inspired by the Ital Calvino book <em>Invisible Cities</em>, each track is named after an imaginary city, from the glistening exoticism of ‘Lamura’ via the seething murk of ‘Gorgum Reeth’ and ‘Smazbaal’ to the eerie, shimmering grandeur of ‘Akrova’, Tobias’s latest musical universe is vividly rendered, scary, beautiful and utterly immersive. The album comes with the companion mini-album <em>Impossible Cities 2</em>, which comprises 10 haunting vignettes.</p><div> </div><div> </div><h4>Impossible Cities 2</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1146527875/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities-2-ep\">Impossible Cities 2 (EP) by Todd Tobias</a></iframe><br /> October 2014</p><p> <em>Impossible Cities 2, </em>comprising 10 haunting vignettes, is the free companion mini-album to Todd Tobias\'s <em>Impossible Cities.</em></p><div> </div><div> </div><h4>I Razor (featuring Circus Devils)</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 1340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1896803588/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/i-razor\">I RAZOR by Todd Tobias and CIRCUS DEVILS</a></iframe><br /> May 2013</p><div> </div><p><i>I Razor</i>, by Todd Tobias and Circus Devils, is the soundtrack to the no-budget experimental feature film of the same name directed by Todd Tobias. The <i>I Razor</i> soundtrack comprises challenging, playful, twisted, murky and downright beautiful pieces of music by Todd Tobias and Circus Devils, featuring vocals from Robert Pollard (Guided By Voices) as well as instrumental versions of some of the Devil’s existing songs. The album is a cinematic feast within itself, uncompromising, redemptive and always engaging. It weaves lo-fi keyboards through shimmering guitar textures, scatters unsettling rhythms across ethereal synthscapes, and unveils kaleidoscopic new treasures among its 30+ tracks with each listen. Told from the perspective of a former scientist turned wandering telepathic man-child, <i>I Razor</i> is the story of one man’s quest to regain his lost humanity.  <i>I Razor</i> presents its world in hallucinatory visions, reflecting the state of mind of its main character.  The story is told with minimal dialog and an open plot structure, relying instead on visuals and music to carry it’s narratives.</p><div> </div><div> </div><p> </p><h4>Night Above Ground</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3025667975/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/night-above-ground-ep\">NIGHT ABOVE GROUND ep by Todd Tobias</a></iframe><br /> November 2012</p><div> </div><p>In contrast to <em>Medicine Show</em>\'s serpentine construction and intense atmosphere, <em>Night Above Ground</em> is more airy, accessible and playful, bursting into vivid life with the crowd chatter and tumbling noisescapes of ‘Invocation’. Immersive, hypnotic tracks such as ‘Crystal Palace People’ alternate with brief, impressionistic pieces such as ‘Workshop of Spears’ and ‘Ashes and Cream’. The EP’s 17 minutes flow past your third eye like a Dali-esque dream.</p><div> </div><div> </div><p> </p><h4>Medicine Show</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 670px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1386444045/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/medicine-show\">MEDICINE SHOW by Todd Tobias</a></iframe><br /> April 2012</p><div> </div><p>After years of producing Guided By Voices, playing in Circus Devils with Robert Pollard, and helping to create the music for Pollard’s solo albums, Todd Tobias is striking out on his own with his debut solo album. Defiantly unique and vividly realised, <span style=\"font-style: italic;\">Medicine Show</span> is a multi-faceted instrumental opus, evoking a shadowy steampunk dystopia. By turns nightmarish and hauntingly beautiful, the three-dimensional musical universe that Tobias conjures across 40 minutes is totally addictive. From the dark GBV-esque groove of ‘Night of the Club Foot’, through the gaseous synths of ‘Pre-Dawn Visitation’, evoking a hallucinogen-fuelled walk among a misty moon-lit forest, to the visceral lurch of single ‘Manatoc Enters The City / The Long Fall’, <span style=\"font-style: italic;\">Medicine Show</span> plays out like the soundtrack to a Terry Gilliam movie starring Tom Waits, each song a totally immersive scene, leading inexorably into the next.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Todd Tobias and older brother Tim Tobias grew up in Northeast Ohio, USA, where the two played together in a string of bands, culminating in Clouds Forming Crowns and Circus Devils (the latter with fellow Ohioan Robert Pollard of Guided by Voices). Todd has been Robert Pollard’s in-house record producer since 2002, beginning with Guided by Voices’ Matador release <em>Universal Truths and Cycles</em>. Todd has also produced many other indie-rock projects over the years, including the latest release from fellow Hidden Shoal Recordings artist Kramies (<em>The European</em> EP).</p><p>Todd has always been a musical experimentalist. While playing in bands as a drummer or bassist, he continued work on his own with a cassette 4 track, creating soundscapes and his own brand of exotic rock. One of Todd’s basement tapes eventually caught the ear of Robert Pollard, who then asked Todd and brother Tim to form Circus Devils. Following the debut album from Circus Devils in 2001, Todd began to use the band as a showpiece for his unorthodox musical adventures. After nine albums with Circus Devils, and several dozen album productions with Robert Pollard and a variety of other artists, Todd finally birthed his first solo work for Hidden Shoal, <em>Medicine Show</em>.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=todd-tobias-news content=yes pagination=no title_tag=h4 title_class=lcp_title]<p style=\"text-align: right;\"><a title=\"Todd Tobias News\" href=\"http://www.hiddenshoal.com/category/news/todd-tobias-news/\"><strong>More News</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=todd-tobias-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<p style=\"text-align: right;\"><strong><a title=\"Todd Tobias Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/todd-tobias-reviews/\">More Reviews</a></strong></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3>\r\n\r\n<a title=\"Impossible Cities Press Release\" href=\"http://www.hiddenshoal.com/publicity/todd-tobias/Impossible-Cities-1000px.jpg\"><em>Impossible Cities</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-I_Razor_Soundtrack.pdf\"><em>I Razor</em> Soundtrack Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_-_Circus_Devils-All_The_Good_Ones_Are_Gone.pdf\">Circus Devils – ‘All The Good Ones Are Gone’ single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Todd_Tobias_Medicine_Show.pdf\">Todd Tobias – <em>Medicine Show</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Todd_Tobias_Manatoc_Enters_The_City.pdf\">‘Manatoc Enters The City / The Long Fall’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Todd_Tobias_Signing.pdf\">Todd Tobias Signs To Hidden Shoal</a>\r\n\r\n [/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"9266,9267,9268\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3>\r\n\r\n<iframe width=\"560\" height=\"315\" src=\"//www.youtube.com/embed/PaVtMYElhXo?rel=0\" frameborder=\"0\" allowfullscreen></iframe>\r\n\r\n<iframe width=\"560\" height=\"315\" src=\"//www.youtube.com/embed/Ed0Hfh4qs-Y?rel=0\" frameborder=\"0\" allowfullscreen></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/5fuyIu4V26Y?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n\r\n<iframe src=\"//www.youtube.com/embed/EXOYfO_ZoRM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Todd Tobias\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Todd Tobias','','inherit','closed','closed','','9263-revision-v1','','','2014-11-27 10:50:07','2014-11-27 02:50:07','',9263,'http://www.hiddenshoal.com/9263-revision-v1/',0,'revision','',0),(11188,1,'2014-11-04 14:26:01','2014-11-04 06:26:01','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Todd Tobias</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-9264\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Todd-Tobias-1-Adjusted-222x300.jpg\" alt=\"Todd Tobias\" width=\"183\" height=\"248\" /></a><em>“it’s tribute to Todd Tobias’s skill as a producer and arranger that the pace never slackens and that he’s quite effectively produced the audio equivalent of a graphic novel, one that will keep you listening right up until its cataclysmic final moments.”</em> –<strong> DOA </strong></p><p>After years of producing Guided By Voices and playing in Circus Devils with Robert Pollard, Todd Tobias struck out on his own with his debut solo album M<em>edicine Show</em>. Defiantly unique and vividly realised, Tobias\' debut is a multi-faceted instrumental opus, evoking a shadowy steampunk dystopia.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Todd-Tobias/385101561556685?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.tobias-music.com/id4.html\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><h4>Impossible Cities</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=271738062/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities\">IMPOSSIBLE CITIES by Todd Tobias</a></iframe><br /> October 2014</p><p><em>Impossible Cities</em> is the latest visionary chapter in Todd Tobias’s ongoing exploration of rock’s darkest and most hypnotic realms. Inspired by the Ital Calvino book <em>Invisible Cities</em>, each track is named after an imaginary city, from the glistening exoticism of ‘Lamura’ via the seething murk of ‘Gorgum Reeth’ and ‘Smazbaal’ to the eerie, shimmering grandeur of ‘Akrova’, Tobias’s latest musical universe is vividly rendered, scary, beautiful and utterly immersive. The album comes with the companion mini-album <em>Impossible Cities 2</em>, which comprises 10 haunting vignettes.</p><div> </div><div> </div><h4>Impossible Cities 2</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1146527875/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities-2-ep\">Impossible Cities 2 (EP) by Todd Tobias</a></iframe><br /> October 2014</p><p> <em>Impossible Cities 2, </em>comprising 10 haunting vignettes, is the free companion mini-album to Todd Tobias\'s <em>Impossible Cities.</em></p><div> </div><div> </div><h4>I Razor (featuring Circus Devils)</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 1340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1896803588/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/i-razor\">I RAZOR by Todd Tobias and CIRCUS DEVILS</a></iframe><br /> May 2013</p><div> </div><p><i>I Razor</i>, by Todd Tobias and Circus Devils, is the soundtrack to the no-budget experimental feature film of the same name directed by Todd Tobias. The <i>I Razor</i> soundtrack comprises challenging, playful, twisted, murky and downright beautiful pieces of music by Todd Tobias and Circus Devils, featuring vocals from Robert Pollard (Guided By Voices) as well as instrumental versions of some of the Devil’s existing songs. The album is a cinematic feast within itself, uncompromising, redemptive and always engaging. It weaves lo-fi keyboards through shimmering guitar textures, scatters unsettling rhythms across ethereal synthscapes, and unveils kaleidoscopic new treasures among its 30+ tracks with each listen. Told from the perspective of a former scientist turned wandering telepathic man-child, <i>I Razor</i> is the story of one man’s quest to regain his lost humanity.  <i>I Razor</i> presents its world in hallucinatory visions, reflecting the state of mind of its main character.  The story is told with minimal dialog and an open plot structure, relying instead on visuals and music to carry it’s narratives.</p><div> </div><div> </div><p> </p><h4>Night Above Ground</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3025667975/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/night-above-ground-ep\">NIGHT ABOVE GROUND ep by Todd Tobias</a></iframe><br /> November 2012</p><div> </div><p>In contrast to <em>Medicine Show</em>\'s serpentine construction and intense atmosphere, <em>Night Above Ground</em> is more airy, accessible and playful, bursting into vivid life with the crowd chatter and tumbling noisescapes of ‘Invocation’. Immersive, hypnotic tracks such as ‘Crystal Palace People’ alternate with brief, impressionistic pieces such as ‘Workshop of Spears’ and ‘Ashes and Cream’. The EP’s 17 minutes flow past your third eye like a Dali-esque dream.</p><div> </div><div> </div><p> </p><h4>Medicine Show</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 670px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1386444045/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/medicine-show\">MEDICINE SHOW by Todd Tobias</a></iframe><br /> April 2012</p><div> </div><p>After years of producing Guided By Voices, playing in Circus Devils with Robert Pollard, and helping to create the music for Pollard’s solo albums, Todd Tobias is striking out on his own with his debut solo album. Defiantly unique and vividly realised, <span style=\"font-style: italic;\">Medicine Show</span> is a multi-faceted instrumental opus, evoking a shadowy steampunk dystopia. By turns nightmarish and hauntingly beautiful, the three-dimensional musical universe that Tobias conjures across 40 minutes is totally addictive. From the dark GBV-esque groove of ‘Night of the Club Foot’, through the gaseous synths of ‘Pre-Dawn Visitation’, evoking a hallucinogen-fuelled walk among a misty moon-lit forest, to the visceral lurch of single ‘Manatoc Enters The City / The Long Fall’, <span style=\"font-style: italic;\">Medicine Show</span> plays out like the soundtrack to a Terry Gilliam movie starring Tom Waits, each song a totally immersive scene, leading inexorably into the next.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Todd Tobias and older brother Tim Tobias grew up in Northeast Ohio, USA, where the two played together in a string of bands, culminating in Clouds Forming Crowns and Circus Devils (the latter with fellow Ohioan Robert Pollard of Guided by Voices). Todd has been Robert Pollard’s in-house record producer since 2002, beginning with Guided by Voices’ Matador release <em>Universal Truths and Cycles</em>. Todd has also produced many other indie-rock projects over the years, including the latest release from fellow Hidden Shoal Recordings artist Kramies (<em>The European</em> EP).</p><p>Todd has always been a musical experimentalist. While playing in bands as a drummer or bassist, he continued work on his own with a cassette 4 track, creating soundscapes and his own brand of exotic rock. One of Todd’s basement tapes eventually caught the ear of Robert Pollard, who then asked Todd and brother Tim to form Circus Devils. Following the debut album from Circus Devils in 2001, Todd began to use the band as a showpiece for his unorthodox musical adventures. After nine albums with Circus Devils, and several dozen album productions with Robert Pollard and a variety of other artists, Todd finally birthed his first solo work for Hidden Shoal, <em>Medicine Show</em>.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=todd-tobias-news content=yes pagination=no title_tag=h4 title_class=lcp_title]<p style=\"text-align: right;\"><a title=\"Todd Tobias News\" href=\"http://www.hiddenshoal.com/category/news/todd-tobias-news/\"><strong>More News</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=todd-tobias-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<p style=\"text-align: right;\"><strong><a title=\"Todd Tobias Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/todd-tobias-reviews/\">More Reviews</a></strong></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3>\r\n\r\n<a title=\"Impossible Cities Press Release\" href=\"http://www.hiddenshoal.com/publicity/todd-tobias/Impossible-Cities-1000px.jpg\"><em>Impossible Cities</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-I_Razor_Soundtrack.pdf\"><em>I Razor</em> Soundtrack Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_-_Circus_Devils-All_The_Good_Ones_Are_Gone.pdf\">Circus Devils – ‘All The Good Ones Are Gone’ single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Todd_Tobias_Medicine_Show.pdf\">Todd Tobias – <em>Medicine Show</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Todd_Tobias_Manatoc_Enters_The_City.pdf\">‘Manatoc Enters The City / The Long Fall’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Todd_Tobias_Signing.pdf\">Todd Tobias Signs To Hidden Shoal</a>\r\n\r\n&nbsp;[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"9266,9267,9268\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/qTYQfnb71hE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/5fuyIu4V26Y?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/AQbVKD3ACeA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/EXOYfO_ZoRM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/WIA2VpZJ8eo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Todd Tobias\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Todd Tobias','','inherit','closed','closed','','9263-revision-v1','','','2014-11-04 14:26:01','2014-11-04 06:26:01','',9263,'http://www.hiddenshoal.com/9263-revision-v1/',0,'revision','',0),(11189,1,'2014-11-04 15:36:39','2014-11-04 07:36:39','','Nights Bright Days','','inherit','closed','closed','','nights-bright-days-cover-1000px','','','2014-11-04 15:36:39','2014-11-04 07:36:39','',8417,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Nights-Bright-Days-Cover-1000px.jpg',0,'attachment','image/jpeg',0),(11190,1,'2014-11-04 15:39:00','2014-11-04 07:39:00','','Enchanting Gaze','','inherit','closed','closed','','enchanting-gaze-1000px','','','2014-11-04 15:39:00','2014-11-04 07:39:00','',8417,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enchanting-Gaze-1000px.jpg',0,'attachment','image/jpeg',0),(11347,1,'2014-11-24 12:15:55','2014-11-24 04:15:55','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Discography</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"makee\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/makee/\"><img class=\"alignnone wp-image-11088 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Makee-EP-300px.jpg\" alt=\"Makee EP\" width=\"300\" height=\"300\" /></a>\r\nmakee\r\n<em>makee</em> (2014)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Nights Bright Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-11189 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Nights-Bright-Days-Cover-1000px-300x300.jpg\" alt=\"Nights Bright Days\" width=\"300\" height=\"300\" /></a>\r\nChloë March\r\n<em>Nights bright Days</em> (2014)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under The Day\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone size-medium wp-image-11191\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderTheDayCov350-300x300.jpg\" alt=\"Under The Day\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>Under The Day</em> (2014)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Enchanting Gaze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone wp-image-11190 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enchanting-Gaze-1000px-300x300.jpg\" alt=\"Enchanting Gaze\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Enchanting Gaze</em> (2014)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-medium wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities</em> (2014)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities 2\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-11192 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Impossible-Cites-2-1000px-300x300.jpg\" alt=\"Impossible Cites 2\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities 2</em> (2014)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Binary Rooms\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-10985 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Binary Rooms</em> (2014)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deconstruction Manual\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\"><img class=\"alignnone wp-image-10803 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Deconstruction Manual</em> (2014)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"In Between\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-10470 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/In-Between-Cover-1000px-300x300.jpg\" alt=\"Kryshe - In Between\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>In Between</em> (2014)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Revolving Maze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignnone wp-image-10715 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Revolving-Maze-Front-Cover-300x300.jpg\" alt=\"Revolving Maze\" width=\"300\" height=\"300\" /></a>\r\nInvolved\r\n<em>Revolving Maze</em> (2014)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Positive Haywires\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignnone size-medium wp-image-10728\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Positive-Haywires-Front-Cover-1000px-300x300.jpg\" alt=\"Positive Haywires\" width=\"300\" height=\"300\" /></a>\r\nBrother Earth\r\n<em>Positive Haywires</em> (2014)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under Songs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/draliensmith/\"><img class=\"alignnone wp-image-10373 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderSongsCoverArt-300x300.jpg\" alt=\"Under Songs\" width=\"300\" height=\"300\" /></a>\r\nDrAlienSmith\r\n<em>Under Songs</em> (2014)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Cogent Sea</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Growing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-11052 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Growing-Cover-300x300.jpg\" alt=\"Growing\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Growing</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em> The Folklore Sessions</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignleft size-full wp-image-9399\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" />\r\n</a>\r\nperth\r\nWhere\'s Utopia (2013)[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a>\r\nperth\r\n<em>What’s Your Utopia?</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Voices Out There</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Wooden Heart</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Live in Bari</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Let\'s Adjourn To The Garden</em> (2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Bloc4\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9424\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Bloc4_LRG.jpg\" alt=\"Bloc4\" width=\"300\" height=\"300\" /></a>\r\nJumpel\r\n<em>Bloc4</em> (2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias &amp; Circus Devils\r\n<em>I Razor </em>(2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Momentary Mask\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone wp-image-10374 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Momentary-Mask-Cover-300x300.jpg\" alt=\"The Momentary Mask\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>The Momentary Mask </em>(2013)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em>Quarrels</em> (2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Off</em> (2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>East of Monument </em>Re-Issue (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>The Road To The Crater </em>Re-Issue (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>Terrane </em>(2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Laterna Magica</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>On</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Un Giorno Sospeso</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone size-medium wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Dreamland </em>(2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Medicine Show </em>(2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In</em> (2012)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The European</em> (2011)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Remixed</em> (2011)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a>\r\nAntonymes meets Slow Dancing Society\r\n<em><em>We Don’t Look Back For Very Long</em> </em>(2011)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Letters From The Coast </em>(2011)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>A Frame of Reference</em> (2011)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Now We\'re Active</em> (2011)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Lost in Waves of Light </em></em>(2011)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>The Licence To Interpret Dreams </em>(2011)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>The Stones And The Rabbits</em> (2010)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"europa\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9469\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europa_LRG.jpg\" alt=\"Europa\" width=\"300\" height=\"300\" /></a>\r\nJumpel\r\n<em>Europa</em> (2010)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em><em>Under The Sodium Lights </em></em>(2010)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Lava </em>(2010)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>Heresy and Rite</em> (2010)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"machine\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9475\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/machine_LRG1.jpg\" alt=\"Machine Is My Animal\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Machine Is My Animal </em>(2010)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em><em>Unknown Knowns </em></em>(2009)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>I Haven’t Got It In Me</em> (2009)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Chromatic Sigh</em> (2009)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a>\r\nDown Review\r\n<em>From Here, For Anyone</em> (2009)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em><em>Apricot Rail </em></em>(2009)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>That Time</em> (2009)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a>\r\nSleeping Me\r\n<em>Cradlesongs</em> (2009)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deuxième Bureau \" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9485\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bureau_LRG.jpg\" alt=\"Deuxième Bureau \" width=\"300\" height=\"300\" /></a>\r\nJumpel\r\n<em>Deuxième Bureau</em>  (2009)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"spook\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9486\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG1.jpg\" alt=\"The Spook\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em><em>The Spook </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Too Late, The Day</em> (2008)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Priest Lake Circa \'88 </em>(2008)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a>\r\nThe Slow Beings\r\n<em>We Know Why The Earth Moves</em>  (2008)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em><em>Evergreen </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Our Man in Eden Hill</em> (2008)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>September 16th </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Slow And Steady Winter</em>  (2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a>\r\nCheekbone\r\n<em><em>Yesterday </em></em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Samuel\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9497\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/samueljason_LRG.jpg\" alt=\"Samuel Jason Lies On The Beach\" width=\"300\" height=\"300\" /></a>\r\nJumpel\r\n<em>Samuel Jason Lies On The Beach</em> (2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Restless </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Fining</em>  (2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em><em>It\'s Now Or Later </em></em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Sound Of Lights When Dim</em> (2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes &amp; Ponds\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a>\r\nThe Hero Cycle\r\n<em>Lakes and Ponds </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>Golden Days </em>(2006)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a>\r\nEnargeia\r\n<em><em>UFO: Stryker Force </em></em>(2006)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>Slow Attack</em> (2006)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a>\r\nMotor Eye\r\n<em>Motor Eye </em>(2006)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Up Down Up </em>(2006)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em><em>Ideas Are The Answer </em></em>(2006)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a>\r\nWayne Harriss\r\n<em>Aerospace</em> (2006)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','closed','','8417-revision-v1','','','2014-11-24 12:15:55','2014-11-24 04:15:55','',8417,'http://www.hiddenshoal.com/8417-revision-v1/',0,'revision','',0),(11191,1,'2014-11-04 15:44:19','2014-11-04 07:44:19','','Under The Day','','inherit','closed','closed','','underthedaycov350','','','2014-11-04 15:44:19','2014-11-04 07:44:19','',8417,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderTheDayCov350.jpg',0,'attachment','image/jpeg',0),(11192,1,'2014-11-04 15:45:54','2014-11-04 07:45:54','','Impossible Cites 2','','inherit','closed','closed','','impossible-cites-2-1000px','','','2014-11-04 15:45:54','2014-11-04 07:45:54','',8417,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Impossible-Cites-2-1000px.jpg',0,'attachment','image/jpeg',0),(11193,1,'2014-11-04 15:49:17','2014-11-04 07:49:17','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Discography</h1>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Nights Bright Days\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/chloe-march/http://\"><img class=\"alignnone wp-image-11189 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Nights-Bright-Days-Cover-1000px-300x300.jpg\" alt=\"Nights Bright Days\" width=\"300\" height=\"300\" /></a><br />Chloë March <br /> <em>Nights bright Days</em> (2014)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under The Day\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone size-medium wp-image-11191\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderTheDayCov350-300x300.jpg\" alt=\"Under The Day\" width=\"300\" height=\"300\" /></a><br /> Chloe March<br /> <em>Under The Day</em> (2014)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Enchanting Gaze\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone wp-image-11190 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enchanting-Gaze-1000px-300x300.jpg\" alt=\"Enchanting Gaze\" width=\"300\" height=\"300\" /></a><br /> Elisa Luu<br /> <em>Enchanting Gaze</em> (2014)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-medium wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"300\" height=\"300\" /></a><br /> Todd Tobias<br /> <em>Impossible Cities</em> (2014)</p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities 2\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-11192 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Impossible-Cites-2-1000px-300x300.jpg\" alt=\"Impossible Cites 2\" width=\"300\" height=\"300\" /></a><br /> Todd Tobias<br /> <em>Impossible Cities 2</em> (2014)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Binary Rooms\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-10985 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /> <em>Binary Rooms</em> (2014)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deconstruction Manual\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\"><img class=\"alignnone wp-image-10803 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"300\" height=\"300\" /></a><br /> Various Artists<br /> <em>Deconstruction Manual</em> (2014)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"In Between\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-10470 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/In-Between-Cover-1000px-300x300.jpg\" alt=\"Kryshe - In Between\" width=\"300\" height=\"300\" /></a><br /> Kryshe<br /> <em>In Between</em> (2014)</p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Revolving Maze\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignnone wp-image-10715 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Revolving-Maze-Front-Cover-300x300.jpg\" alt=\"Revolving Maze\" width=\"300\" height=\"300\" /></a><br />Involved<br /> <em>Revolving Maze</em> (2014)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Positive Haywires\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignnone size-medium wp-image-10728\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Positive-Haywires-Front-Cover-1000px-300x300.jpg\" alt=\"Positive Haywires\" width=\"300\" height=\"300\" /></a><br /> Brother Earth<br /> <em>Positive Haywires</em> (2014)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under Songs\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/draliensmith/\"><img class=\"alignnone wp-image-10373 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderSongsCoverArt-300x300.jpg\" alt=\"Under Songs\" width=\"300\" height=\"300\" /></a><br /> DrAlienSmith<br /> <em>Under Songs</em> (2014)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a><br /> Slow Dancing Society<br /> <em>The Cogent Sea</em> (2014)</p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Growing\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-11052 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Growing-Cover-300x300.jpg\" alt=\"Growing\" width=\"300\" height=\"300\" /></a><br /> Kryshe<br /> <em>Growing</em> (2014)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a><br /> Kramies<br /> <em> The Folklore Sessions</em> (2014)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignleft size-full wp-image-9399\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /><br /> </a><br /> perth<br /> Where\'s Utopia (2013)[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a><br /> Gilded<br /> <em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)</p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a><br />perth <br /><em>What’s Your Utopia?</em> (2013)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a><br />[The] Caseworker <br /><em>Voices Out There</em> (2013)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a><br />Kramies<br /><em>The Wooden Heart</em> (2013)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>Live in Bari</em> (2013)</p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a><br />Tangled Star<br /><em>Let\'s Adjourn To The Garden</em> (2013)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Bloc4\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9424\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Bloc4_LRG.jpg\" alt=\"Bloc4\" width=\"300\" height=\"300\" /></a><br />Jumpel<br /><em>Bloc4</em> (2013)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a><br />Todd Tobias &amp; Circus Devils<br /><em>I Razor </em>(2013)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Momentary Mask\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone wp-image-10374 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Momentary-Mask-Cover-300x300.jpg\" alt=\"The Momentary Mask\" width=\"300\" height=\"300\" /></a><br />City of Satellites<br /><em>The Momentary Mask </em>(2013)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a><br />Apricot Rail<br /><em>Quarrels</em> (2013)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>Off</em> (2013)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a><br />Half Film<br /><em>East of Monument </em>Re-Issue (2012)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a><br />Half Film<br /><em>The Road To The Crater </em>Re-Issue (2012)</p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a><br />Gilded<br /><em>Terrane </em>(2012)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em>Laterna Magica</em> (2012)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>On</em> (2012)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a><br />Elisa Luu<br /><em>Un Giorno Sospeso</em> (2012)</p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a><br />Todd Tobias<br /><em>Medicine Show </em>(2012)</p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>In</em> (2012)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a><br />Kramies<br /><em>The European</em> (2011)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a><br />City of Satellites<br /><em>Remixed</em> (2011)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a><br />Antonymes meets Slow Dancing Society<br /><em><em>We Don’t Look Back For Very Long</em> </em>(2011)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a><br />[The] Caseworker<br /><em>Letters From The Coast </em>(2011)</p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a><br />Salli Lunn<br /><em>A Frame of Reference</em> (2011)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a><br />Umpire<br /><em>Now We\'re Active</em> (2011)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a><br />Antonymes<br /><em><em>Lost in Waves of Light </em></em>(2011)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a><br />Antonymes<br /><em>The Licence To Interpret Dreams </em>(2011)</p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a><br />Toby Richardson<br /><em>The Stones And The Rabbits</em> (2010)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"europa\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9469\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europa_LRG.jpg\" alt=\"Europa\" width=\"300\" height=\"300\" /></a><br />Jumpel<br /><em>Europa</em> (2010)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em><em>Under The Sodium Lights </em></em>(2010)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>Lava </em>(2010)</p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a><br />Salli Lunn<br /><em>Heresy and Rite</em> (2010)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"machine\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9475\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/machine_LRG1.jpg\" alt=\"Machine Is My Animal\" width=\"300\" height=\"300\" /></a><br />City of Satellites<br /><em>Machine Is My Animal </em>(2010)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a><br />Mukaizake<br /><em><em>Unknown Knowns </em></em>(2009)</p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a><br />My Majestic Star<br /><em>I Haven’t Got It In Me</em> (2009)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a><br />Elisa Luu<br /><em>Chromatic Sigh</em> (2009)</p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a><br />Down Review<br /><em>From Here, For Anyone</em> (2009)</p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a><br />Apricot Rail<br /><em><em>Apricot Rail </em></em>(2009)</p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a><br />Tangled Star<br /><em>That Time</em> (2009)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a><br />Sleeping Me<br /><em>Cradlesongs</em> (2009)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deuxième Bureau \" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9485\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bureau_LRG.jpg\" alt=\"Deuxième Bureau \" width=\"300\" height=\"300\" /></a><br />Jumpel<br /><em>Deuxième Bureau</em>  (2009)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"spook\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9486\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG1.jpg\" alt=\"The Spook\" width=\"300\" height=\"300\" /></a><br />City of Satellites<br /><em><em>The Spook </em></em>(2008)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a><br />My Majestic Star<br /><em>Too Late, The Day</em> (2008)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em>Priest Lake Circa \'88 </em>(2008)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a><br />The Slow Beings<br /><em>We Know Why The Earth Moves</em>  (2008)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a><br />Toby Richardson<br /><em><em>Evergreen </em></em>(2008)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a><br />Tangled Star<br /><em>Our Man in Eden Hill</em> (2008)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a><br />Glassacre<br /><em>September 16th </em>(2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em>The Slow And Steady Winter</em>  (2007)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a><br />Cheekbone<br /><em><em>Yesterday </em></em>(2007)</p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Samuel\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9497\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/samueljason_LRG.jpg\" alt=\"Samuel Jason Lies On The Beach\" width=\"300\" height=\"300\" /></a><br />Jumpel<br /><em>Samuel Jason Lies On The Beach</em> (2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a><br />Chris Mason<br /><em>Restless </em>(2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a><br />My Majestic Star<br /><em>Fining</em>  (2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a><br />Tangled Star<br /><em><em>It\'s Now Or Later </em></em>(2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em>The Sound Of Lights When Dim</em> (2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes &amp; Ponds\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a><br />The Hero Cycle<br /><em>Lakes and Ponds </em>(2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a><br />Toby Richardson<br /><em>Golden Days </em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a><br />Enargeia<br /><em><em>UFO: Stryker Force </em></em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a><br />Glassacre<br /><em>Slow Attack</em> (2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a><br />Motor Eye<br /><em>Motor Eye </em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a><br />Chris Mason<br /><em>Up Down Up </em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a><br />My Majestic Star<br /><em><em>Ideas Are The Answer </em></em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a><br />Wayne Harriss<br /><em>Aerospace</em> (2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','closed','','8417-revision-v1','','','2014-11-04 15:49:17','2014-11-04 07:49:17','',8417,'http://www.hiddenshoal.com/8417-revision-v1/',0,'revision','',0),(11194,1,'2014-11-04 16:32:06','2014-11-04 08:32:06','<img class=\"alignleft  wp-image-10884\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Chloe-March-250px.jpg\" alt=\"Chloe-March-250px\" width=\"219\" height=\"219\" />Hidden Shoal\'s re-release of the breathtakingly beautiful <a title=\"Nights Bright Days\" href=\"https://chloemarch.bandcamp.com/album/nights-bright-days\" target=\"_blank\"><em>Nights Bright Days</em></a> by <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> has finally landed. To co-incide with the re-release the companion digital EP <em><a title=\"Under The Day\" href=\"https://chloemarch.bandcamp.com/album/under-the-day\" target=\"_blank\">Under The Day</a>,</em> which features six previously un-released tracks, is available for free download. Head to Chloë\'s <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/\" target=\"_blank\">Bandcamp</a> to buy the album on CD and digital formats and get your free copy of <em>Under The Day.</em>\r\n\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”</em> – <strong>textura</strong>\r\n\r\nFour years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.\r\n\r\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/175258349&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\"></iframe>','Chloe March\'s \"Nights Bright Days\" + Free EP Now Available','','inherit','closed','closed','','11183-revision-v1','','','2014-11-04 16:32:06','2014-11-04 08:32:06','',11183,'http://www.hiddenshoal.com/11183-revision-v1/',0,'revision','',0),(11195,1,'2014-11-04 16:32:15','2014-11-04 08:32:15','<img class=\"alignleft  wp-image-10884\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Chloe-March-250px.jpg\" alt=\"Chloe-March-250px\" width=\"219\" height=\"219\" />Hidden Shoal\'s re-release of the breathtakingly beautiful <a title=\"Nights Bright Days\" href=\"https://chloemarch.bandcamp.com/album/nights-bright-days\" target=\"_blank\"><em>Nights Bright Days</em></a> by <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> has finally landed. To co-incide with the re-release the companion digital EP <em><a title=\"Under The Day\" href=\"https://chloemarch.bandcamp.com/album/under-the-day\" target=\"_blank\">Under The Day</a>,</em> which features six previously un-released tracks, is available for free download. Head to Chloë\'s <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/\" target=\"_blank\">Bandcamp</a> to buy the album on CD and digital formats and get your free copy of <em>Under The Day.</em>\r\n\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”</em> – <strong>textura</strong>\r\n\r\nFour years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/175258349&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Chloe March\'s \"Nights Bright Days\" + Free EP Now Available','','inherit','closed','closed','','11183-revision-v1','','','2014-11-04 16:32:15','2014-11-04 08:32:15','',11183,'http://www.hiddenshoal.com/11183-revision-v1/',0,'revision','',0),(11243,1,'2014-11-13 16:13:12','0000-00-00 00:00:00','Spotify recently published their playlist \"<a title=\"Spotify\" href=\"https://open.spotify.com/user/spotify_uk_/playlist/6y3CuT7MDDoPNXaD69frug\" target=\"_blank\">The Most Beautiful Songs In The World</a>\" which featured artists such as Camera Obscura, A Winged Victory for The Sullen, Fennesz, Goldfrapp and our very own Antonymes with his track \'301210\'. As you may have read, the piece recently joined the Hidden Shoal publishing and licensing catalogue\n<iframe src=\"https://embed.spotify.com/?uri=spotify:user:spotify_uk_:playlist:6y3CuT7MDDoPNXaD69frug\" width=\"300\" height=\"380\" frameborder=\"0\"></iframe>','Antonymes \"The Most Beautiful Songs In The World\"','','draft','closed','closed','','','','','2014-11-13 16:13:12','2014-11-13 08:13:12','',0,'http://www.hiddenshoal.com/?p=11243',0,'post','',0),(11197,1,'2014-11-05 21:55:36','2014-11-05 13:55:36','\"Germany-based multi-instrumentalist and sound designer, Markus Mehr began to work under his own name after several years spent under the moniker of Aroma. He is firstly known to the audience thanks to his various sound-art installations in the context of European festivals (Media Art Festival, DokFestival, L’étrange Festival) and for being among the leading musical personalities whose material is signed on the independent label Hidden Shoal Recordings. In this new album suggestively titled Binary Rooms, Markus Mehr articulates his musical discourse around a sonic continuum made of process drone sequences and fractal electroacoustic dynamics.\r\n\r\nThe stylistic expression is at the border of minimal abstract ambient music and the formal expression is kind of conceptual, derived from advanced psychoacoustic researches about temporality and the perceptual phenomena. The axiomatic electronic waves, the field recordings and the disruptive micro-events are sometimes intertwined with delicately harmonious acoustic timbres taken from piano detached notes (“In the Palm of your Hand,” “Basin of the Lost”) and what seems to be heavily manipulated acoustic sound textures as in the beautifully glitch-looped ambient “Blackbox.” “Gymnasium Swarms” delivers a psych-acoustically intense and complex drone hypnosis built on layered sounds and micro-sonic assaults. After a first immersion, those “Binary Rooms” seem to reveal an impossible cross between the hauntingly mnemonic turntablism experiments of someone like Philip Jeck, the various conceptual electro-researches from institutes and laboratories (GRM, Tape Music Center et al) and the subtly evocative property of glitch ambient. A real curiosity which is well advised for opened listeners.\"\r\n\r\n<strong>- <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/markus-mehr-binary-rooms-hidden-shoal\" target=\"_blank\">Igloo Mag</a></strong>','Markus Mehr \"Binary Rooms\" Reviewed at Igloo Mag','','publish','closed','closed','','markus-mehr-binary-rooms-reviewed-at-igloo-mag','','','2014-11-05 21:55:36','2014-11-05 13:55:36','',0,'http://www.hiddenshoal.com/?p=11197',0,'post','',0),(11198,1,'2014-11-05 21:55:36','2014-11-05 13:55:36','\"Germany-based multi-instrumentalist and sound designer, Markus Mehr began to work under his own name after several years spent under the moniker of Aroma. He is firstly known to the audience thanks to his various sound-art installations in the context of European festivals (Media Art Festival, DokFestival, L’étrange Festival) and for being among the leading musical personalities whose material is signed on the independent label Hidden Shoal Recordings. In this new album suggestively titled Binary Rooms, Markus Mehr articulates his musical discourse around a sonic continuum made of process drone sequences and fractal electroacoustic dynamics.\r\n\r\nThe stylistic expression is at the border of minimal abstract ambient music and the formal expression is kind of conceptual, derived from advanced psychoacoustic researches about temporality and the perceptual phenomena. The axiomatic electronic waves, the field recordings and the disruptive micro-events are sometimes intertwined with delicately harmonious acoustic timbres taken from piano detached notes (“In the Palm of your Hand,” “Basin of the Lost”) and what seems to be heavily manipulated acoustic sound textures as in the beautifully glitch-looped ambient “Blackbox.” “Gymnasium Swarms” delivers a psych-acoustically intense and complex drone hypnosis built on layered sounds and micro-sonic assaults. After a first immersion, those “Binary Rooms” seem to reveal an impossible cross between the hauntingly mnemonic turntablism experiments of someone like Philip Jeck, the various conceptual electro-researches from institutes and laboratories (GRM, Tape Music Center et al) and the subtly evocative property of glitch ambient. A real curiosity which is well advised for opened listeners.\"\r\n\r\n<strong>- <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/markus-mehr-binary-rooms-hidden-shoal\" target=\"_blank\">Igloo Mag</a></strong>','Markus Mehr \"Binary Rooms\" Reviewed at Igloo Mag','','inherit','closed','closed','','11197-revision-v1','','','2014-11-05 21:55:36','2014-11-05 13:55:36','',11197,'http://www.hiddenshoal.com/11197-revision-v1/',0,'revision','',0),(11463,1,'2014-12-11 09:40:49','2014-12-11 01:40:49','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Umpire</h1>\r\n<img class=\"alignleft size-full wp-image-9304\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Umpire-Band-Photo-350px.jpg\" alt=\"Umpire\" width=\"350\" height=\"306\" /><em>“manages to completely avoid every current trend being flogged at the moment to approach a timelessness that rewards upon repeated listens”</em> –<strong> The Vine </strong>\r\n\r\nUmpire are Perth’s widescreen indie-rock craftsmen, combining sprawling rock sounds with reflective melancholy, expertly wielding massive sun-drenched melodies, serpentine guitar parts and soaring vocals to spectacular effect. Australian audiences first became familiar with the band via with their debut single ‘Streamers’, which achieved widespread critical acclaim, national airplay and won WAM Song of the Year in 2009.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/UMPIRE/33345133221?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/#!/umpiremusic\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a> <a title=\"Website\" href=\"http://www.umpiremusic.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Now We\'re Active</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1405546206/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://umpire.bandcamp.com/album/now-were-active\">Now We\'re Active by Umpire</a></iframe>\r\nJuly 2011\r\n\r\n<span style=\"font-style: italic;\">Now We’re Active</span> is the debut album by Perth’s (Australia) widescreen indie-rock craftsmen Umpire. On <span style=\"font-style: italic;\">Now We’re Active</span>, Umpire combine sprawling indie-rock sounds with reflective melancholy, expertly wielding massive sun-drenched melodies, serpentine guitar parts and soaring vocals to spectacular effect. From lead single ‘Green Light District’ through the chiming guitar surge of ‘The Canyon’ to gorgeous finale ‘Cyclones Into Sunshowers’, <span style=\"font-style: italic;\">Now We’re Active</span> is a stunning release, as expansive as it is propulsive, as heartbreaking as it is life-affirming. Immaculately produced by bassist Simon Struthers at Forensic Audio, the album’s ten tracks bring progressive rock influences, indie-pop sensibilities and shades of math-rock into explosive collision, then shape them into songs that are at once epic and intimate. After the last song fades you’re left with a lump in your throat and admiration of how Umpire’s songcraft and sonics are so consistently elegant, melodic and widescreen. <span style=\"font-style: italic;\">Now We’re Active</span> is much more than a collection of tracks – it’s an album that blossoms beautifully on repeat plays.\r\n<h4>Umpire</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 373px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2990620748/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://umpire.bandcamp.com/album/umpire\">Umpire by Umpire</a></iframe>\r\nNovember 2009\r\nUmpire\'s brilliant self-titled debut release, featuring the standout track \'Streamers\'. \'Streamers\' received rave reviews and widespread high-rotation airplay on both Triple J and community radio, as well as taking out the grand prize in the WAM Song of the Year in 2009. The <em>Umpire</em> EP presented a beautiful progression from three of the band members\' amazing work as Mukaizake, while moving into more accessible yet equally complex songcraft.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nBased in Perth, Western Australia, Umpire was formed in 2006 as a studio songwriting and recording project, where Simon Struthers, Geoff Symons and Michael Lake had the opportunity to utilise the studio as an instrument, developing their songs without the pressures of playing as live band. The band released their first self-titled EP in 2009, which featured the standout track ‘Streamers’. ‘Streamers’ received rave reviews and achieved widespread high rotation airplay on both Triple J and community radio, as well as taking out the grand prize in the WAM Song of the Year in 2009.\r\n\r\nThe founding members of Umpire (Geoff Symons, Simon Struthers and Michael Lake) have a long history in the Perth music scene, playing in many seminal progressive indie-rock bands, including Adam Said Galore, O and Hidden Shoal’s very own Mukaizake, so it was a natural progression for the band to develop their live show by adding drummer, Josh Watkins. Performing the songs live has allowed the band to tour Australia and play with many of their musical heroes, including Stephen Malkmus, Built to Spill, Paul Dempsey, The Jezebels, Sugar Army, Jebediah, Love Of Diagrams, Dan Kelly, Bob Log III and Tame Impala.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=umpire-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=umpire-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Umpire-Supply_Chins_Single.pdf\">‘Supply Chins’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Umpire-Now_Were_Active.pdf\"><em>Now We’re Active</em> Australian Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Umpire-Green_Light_District.pdf\">‘Green Light District’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9295,9296,9297\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/w8Ii0yu1UjU?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/APlcOr6r8qE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nUmpire\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Umpire','','inherit','closed','closed','','9278-revision-v1','','','2014-12-11 09:40:49','2014-12-11 01:40:49','',9278,'http://www.hiddenshoal.com/9278-revision-v1/',0,'revision','',0),(11461,1,'2014-12-11 09:36:53','2014-12-11 01:36:53','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Umpire</h1>\r\n<img class=\"alignleft size-full wp-image-9304\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Umpire-Band-Photo-350px.jpg\" alt=\"Umpire\" width=\"350\" height=\"306\" /><em>“manages to completely avoid every current trend being flogged at the moment to approach a timelessness that rewards upon repeated listens”</em> –<strong> The Vine </strong>\r\n\r\nUmpire are Perth’s widescreen indie-rock craftsmen, combining sprawling rock sounds with reflective melancholy, expertly wielding massive sun-drenched melodies, serpentine guitar parts and soaring vocals to spectacular effect. Australian audiences first became familiar with the band via with their debut single ‘Streamers’, which achieved widespread critical acclaim, national airplay and won WAM Song of the Year in 2009.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/UMPIRE/33345133221?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/#!/umpiremusic\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a> <a title=\"Website\" href=\"http://www.umpiremusic.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Now We\'re Active</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1405546206/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://umpire.bandcamp.com/album/now-were-active\">Now We\'re Active by Umpire</a></iframe> July 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">Now We’re Active</span> is the debut album by Perth’s (Australia) widescreen indie-rock craftsmen Umpire. On <span style=\"font-style: italic;\">Now We’re Active</span>, Umpire combine sprawling indie-rock sounds with reflective melancholy, expertly wielding massive sun-drenched melodies, serpentine guitar parts and soaring vocals to spectacular effect. From lead single ‘Green Light District’ through the chiming guitar surge of ‘The Canyon’ to gorgeous finale ‘Cyclones Into Sunshowers’, <span style=\"font-style: italic;\">Now We’re Active</span> is a stunning release, as expansive as it is propulsive, as heartbreaking as it is life-affirming. Immaculately produced by bassist Simon Struthers at Forensic Audio, the album’s ten tracks bring progressive rock influences, indie-pop sensibilities and shades of math-rock into explosive collision, then shape them into songs that are at once epic and intimate. After the last song fades you’re left with a lump in your throat and admiration of how Umpire’s songcraft and sonics are so consistently elegant, melodic and widescreen. <span style=\"font-style: italic;\">Now We’re Active</span> is much more than a collection of tracks – it’s an album that blossoms beautifully on repeat plays.\r\n<div></div>\r\n<div></div>\r\n<h4>Umpire</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 373px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2990620748/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://umpire.bandcamp.com/album/umpire\">Umpire by Umpire</a></iframe> November 2009\r\n<div></div>\r\nUmpire\'s brilliant self-titled debut release, featuring the standout track \'Streamers\'. \'Streamers\' received rave reviews and widespread high-rotation airplay on both Triple J and community radio, as well as taking out the grand prize in the WAM Song of the Year in 2009. The <em>Umpire</em> EP presented a beautiful progression from three of the band members\' amazing work as Mukaizake, while moving into more accessible yet equally complex songcraft.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nBased in Perth, Western Australia, Umpire was formed in 2006 as a studio songwriting and recording project, where Simon Struthers, Geoff Symons and Michael Lake had the opportunity to utilise the studio as an instrument, developing their songs without the pressures of playing as live band. The band released their first self-titled EP in 2009, which featured the standout track ‘Streamers’. ‘Streamers’ received rave reviews and achieved widespread high rotation airplay on both Triple J and community radio, as well as taking out the grand prize in the WAM Song of the Year in 2009.\r\n\r\nThe founding members of Umpire (Geoff Symons, Simon Struthers and Michael Lake) have a long history in the Perth music scene, playing in many seminal progressive indie-rock bands, including Adam Said Galore, O and Hidden Shoal’s very own Mukaizake, so it was a natural progression for the band to develop their live show by adding drummer, Josh Watkins. Performing the songs live has allowed the band to tour Australia and play with many of their musical heroes, including Stephen Malkmus, Built to Spill, Paul Dempsey, The Jezebels, Sugar Army, Jebediah, Love Of Diagrams, Dan Kelly, Bob Log III and Tame Impala.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=umpire-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=umpire-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Umpire-Supply_Chins_Single.pdf\">‘Supply Chins’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Umpire-Now_Were_Active.pdf\"><em>Now We’re Active</em> Australian Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Umpire-Green_Light_District.pdf\">‘Green Light District’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9295,9296,9297\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/w8Ii0yu1UjU?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/APlcOr6r8qE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nUmpire\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Umpire','','inherit','closed','closed','','9278-revision-v1','','','2014-12-11 09:36:53','2014-12-11 01:36:53','',9278,'http://www.hiddenshoal.com/9278-revision-v1/',0,'revision','',0),(11457,1,'2014-12-10 17:23:13','2014-12-10 09:23:13','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Umpire</h1>\r\n<img class=\"alignleft size-full wp-image-9304\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Umpire-Band-Photo-350px.jpg\" alt=\"Umpire\" width=\"350\" height=\"306\" /><em>“manages to completely avoid every current trend being flogged at the moment to approach a timelessness that rewards upon repeated listens”</em> –<strong> The Vine </strong>\r\n\r\nUmpire are Perth’s widescreen indie-rock craftsmen, combining sprawling rock sounds with reflective melancholy, expertly wielding massive sun-drenched melodies, serpentine guitar parts and soaring vocals to spectacular effect. Australian audiences first became familiar with the band via with their debut single ‘Streamers’, which achieved widespread critical acclaim, national airplay and won WAM Song of the Year in 2009.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/UMPIRE/33345133221?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/#!/umpiremusic\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a> <a title=\"Website\" href=\"http://www.umpiremusic.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Now We\'re Active</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1405546206/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://umpire.bandcamp.com/album/now-were-active\">Now We\'re Active by Umpire</a></iframe>\r\nJuly 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">Now We’re Active</span> is the debut album by Perth’s (Australia) widescreen indie-rock craftsmen Umpire. On <span style=\"font-style: italic;\">Now We’re Active</span>, Umpire combine sprawling indie-rock sounds with reflective melancholy, expertly wielding massive sun-drenched melodies, serpentine guitar parts and soaring vocals to spectacular effect. From lead single ‘Green Light District’ through the chiming guitar surge of ‘The Canyon’ to gorgeous finale ‘Cyclones Into Sunshowers’, <span style=\"font-style: italic;\">Now We’re Active</span> is a stunning release, as expansive as it is propulsive, as heartbreaking as it is life-affirming.\r\n\r\nImmaculately produced by bassist Simon Struthers at Forensic Audio, the album’s ten tracks bring progressive rock influences, indie-pop sensibilities and shades of math-rock into explosive collision, then shape them into songs that are at once epic and intimate. After the last song fades you’re left with a lump in your throat and admiration of how Umpire’s songcraft and sonics are so consistently elegant, melodic and widescreen. <span style=\"font-style: italic;\">Now We’re Active</span> is much more than a collection of tracks – it’s an album that blossoms beautifully on repeat plays.\r\n<div></div>\r\n<div></div>\r\n<h4>Umpire</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 373px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2990620748/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://umpire.bandcamp.com/album/umpire\">Umpire by Umpire</a></iframe>\r\nNovember 2009\r\n<div></div>\r\nUmpire\'s brilliant self-titled debut release, featuring the standout track ‘Streamers’. ‘Streamers’ received rave reviews and achieved widespread high rotation airplay on both Triple J and community radio, as well as taking out the grand prize in the WAM Song of the Year in 2009. The <em>Umpire</em> EP presented a beautiful progression from the amazing work done as Mukaizake (three of the band members\' heritage) into a more accessible yet equally complex songcraft.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nBased in Perth, Western Australia, Umpire was formed in 2006 as a studio songwriting and recording project, where Simon Struthers, Geoff Symons and Michael Lake had the opportunity to utilise the studio as an instrument, developing their songs without the pressures of playing as live band. The band released their first self-titled EP in 2009, which featured the standout track ‘Streamers’. ‘Streamers’ received rave reviews and achieved widespread high rotation airplay on both Triple J and community radio, as well as taking out the grand prize in the WAM Song of the Year in 2009.\r\n\r\nThe founding members of Umpire (Geoff Symons, Simon Struthers and Michael Lake) have a long history in the Perth music scene, playing in many seminal progressive indie-rock bands, including Adam Said Galore, O and Hidden Shoal’s very own Mukaizake, so it was a natural progression for the band to develop their live show by adding drummer, Josh Watkins. Performing the songs live has allowed the band to tour Australia and play with many of their musical heroes, including Stephen Malkmus, Built to Spill, Paul Dempsey, The Jezebels, Sugar Army, Jebediah, Love Of Diagrams, Dan Kelly, Bob Log III and Tame Impala.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=umpire-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=umpire-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Umpire-Supply_Chins_Single.pdf\">‘Supply Chins’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Umpire-Now_Were_Active.pdf\"><em>Now We’re Active</em> Australian Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Umpire-Green_Light_District.pdf\">‘Green Light District’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9295,9296,9297\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/w8Ii0yu1UjU?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/APlcOr6r8qE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nUmpire\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Umpire','','inherit','closed','closed','','9278-revision-v1','','','2014-12-10 17:23:13','2014-12-10 09:23:13','',9278,'http://www.hiddenshoal.com/9278-revision-v1/',0,'revision','',0),(11199,1,'2014-11-05 22:01:02','2014-11-05 14:01:02','<p>[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]</p><h1>Umpire</h1><p><img class=\"alignleft size-full wp-image-9304\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Umpire-Band-Photo-350px.jpg\" alt=\"Umpire\" width=\"350\" height=\"306\" /><em>“manages to completely avoid every current trend being flogged at the moment to approach a timelessness that rewards upon repeated listens”</em> –<strong> The Vine </strong></p><p>Umpire are Perth’s widescreen indie-rock craftsmen, combining sprawling rock sounds with reflective melancholy, expertly wielding massive sun-drenched melodies, serpentine guitar parts and soaring vocals to spectacular effect. Australian audiences first became familiar with the band via with their debut single ‘Streamers’, which achieved widespread critical acclaim, national airplay and won WAM Song of the Year in 2009.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/UMPIRE/33345133221?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/#!/umpiremusic\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a> <a title=\"Website\" href=\"http://www.umpiremusic.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p><p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]</p><h3>Discography</h3><div> </div><div> </div><h4>Now We\'re Active</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1405546206/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://umpire.bandcamp.com/album/now-were-active\">Now We\'re Active by Umpire</a></iframe><br /> July 2011</p><div> </div><p><span style=\"font-style: italic;\">Now We’re Active</span> is the debut album by Perth’s (Australia) widescreen indie-rock craftsmen Umpire. On <span style=\"font-style: italic;\">Now We’re Active</span>, Umpire combine sprawling indie-rock sounds with reflective melancholy, expertly wielding massive sun-drenched melodies, serpentine guitar parts and soaring vocals to spectacular effect. From lead single ‘Green Light District’ through the chiming guitar surge of ‘The Canyon’ to gorgeous finale ‘Cyclones Into Sunshowers’, <span style=\"font-style: italic;\">Now We’re Active</span> is a stunning release, as expansive as it is propulsive, as heartbreaking as it is life-affirming.</p><p>Immaculately produced by bassist Simon Struthers at Forensic Audio, the album’s ten tracks bring progressive rock influences, indie-pop sensibilities and shades of math-rock into explosive collision, then shape them into songs that are at once epic and intimate. After the last song fades you’re left with a lump in your throat and admiration of how Umpire’s songcraft and sonics are so consistently elegant, melodic and widescreen. <span style=\"font-style: italic;\">Now We’re Active</span> is much more than a collection of tracks – it’s an album that blossoms beautifully on repeat plays.</p><p> </p><p>[/et_pb_tab][et_pb_tab title=\"Bio\"]</p><h3>Biography</h3><p>Based in Perth, Western Australia, Umpire was formed in 2006 as a studio songwriting and recording project, where Simon Struthers, Geoff Symons and Michael Lake had the opportunity to utilise the studio as an instrument, developing their songs without the pressures of playing as live band. The band released their first self-titled EP in 2009, which featured the standout track ‘Streamers’. ‘Streamers’ received rave reviews and achieved widespread high rotation airplay on both Triple J and community radio, as well as taking out the grand prize in the WAM Song of the Year in 2009.</p><p>The founding members of Umpire (Geoff Symons, Simon Struthers and Michael Lake) have a long history in the Perth music scene, playing in many seminal progressive indie-rock bands, including Adam Said Galore, O and Hidden Shoal’s very own Mukaizake, so it was a natural progression for the band to develop their live show by adding drummer, Josh Watkins. Performing the songs live has allowed the band to tour Australia and play with many of their musical heroes, including Stephen Malkmus, Built to Spill, Paul Dempsey, The Jezebels, Sugar Army, Jebediah, Love Of Diagrams, Dan Kelly, Bob Log III and Tame Impala.</p><p>[/et_pb_tab][et_pb_tab title=\"News\"]</p><h3>News</h3><p>[catlist name=umpire-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]</p><h2>Reviews</h2><p>[catlist name=umpire-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]</p><h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Umpire-Supply_Chins_Single.pdf\">‘Supply Chins’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Umpire-Now_Were_Active.pdf\"><em>Now We’re Active</em> Australian Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Umpire-Green_Light_District.pdf\">‘Green Light District’ Single Release</a></p><p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]</p><h3>Artist Photos</h3><p> </p><div class=\"wpview-wrap wpview-type-gallery\" contenteditable=\"false\" data-wpview-text=\"%5Bgallery%20ids%3D%229295%2C9296%2C9297%22%5D\" data-wpview-type=\"gallery\"><div class=\"toolbar\"> </div><div class=\"gallery gallery-columns-3\"><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Umpire_11-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Umpire_2-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Umpire_3-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl></div><ins data-wpview-end=\"1\"></ins></div><p>[/et_pb_tab][et_pb_tab title=\"Video\"]</p><h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/w8Ii0yu1UjU?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/APlcOr6r8qE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]</p><h3>Licensing</h3><p>Umpire\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p><p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]</p>','Umpire','','inherit','closed','closed','','9278-revision-v1','','','2014-11-05 22:01:02','2014-11-05 14:01:02','',9278,'http://www.hiddenshoal.com/9278-revision-v1/',0,'revision','',0),(11200,1,'2014-11-05 22:05:37','2014-11-05 14:05:37','<p>[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]</p><h1>Down Review</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft size-medium wp-image-9375\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Down_Review-300x200.jpg\" alt=\"Down Review\" width=\"300\" height=\"200\" /></a><em>“<em>The EP </em>rattles as much as it hums. It prods the subconscious with an array of sounds at once. For those who find Four Tet’s stuff a little tough on the melodies, you should know Down Review manages to escape that fate with an EP rich with color and promise.”</em> –<strong> PopMatters</strong></p><p>Medard Fischer (Arc Lab) and Tim Arndt (Near The Parenthesis) have never met nor even spoken. But from their online musical collaboration comes Down Review, melding their unique sensibilities to create a delicious hybrid – warm, human electronica for alienating times.</p><p><strong>       </strong></p><p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]</p><h3>Discography</h3><div> </div><div> </div><h4>From Here, For Anyone</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1629740408/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://downreview.bandcamp.com/album/from-here-for-anyone\">From Here, For Anyone by Down Review</a></iframe><br /> April 2009</p><div> </div><p>Down Review is the new collaboration between Arc Lab and Near The Parenthesis. Their debut EP, <em>From Here, For Anyone</em>, is a captivating travelogue of luscious sprawl and purpose. The EP kicks off with the single \'Anything Is Everything\', a post-midnight drive through a flaking neon city. Crisp programmed drums, warm synths and surging bass weave through a mist of skittering textures and falling light particles. Then, there’s the urgent phasing science of \'Archive\', the outer planetary dub of \'Always Enough\', and the creeping, insistent epic \'All In\'. It’s the kind of glowing electronica that could loop endlessly, such is the allure of its ebullient, cyclical melodies.</p><p>[/et_pb_tab][et_pb_tab title=\"Bio\"]</p><h3>Biography</h3><p>US-based electronic producers Tim Arndt (Near The Parenthesis) and Medard Fischer (Arc Lab) formed Down Review in 2007. They ‘met’ online for the first time through their debut label, Toronto-based MMBP, and developed immediate respect and admiration for each other’s work.</p><p>Down Review’s initial collaboration was featured on Near the Parenthesis’ album Of Soft Construction (n5MD, 2007). Their work on the track ‘Sitting in a Room’ was clearly a departure from the typical NTP aesthetic, situating Medard’s drum-programming wizardry and signature basslines beneath Arndt’s more ethereal creations. The result was arguably the album’s stand-out track, which “rather anomalously adds bass-heavy funkiness to the sparkling flow” (Textura).</p><p>In addition to releasing their debut EP <em>From Here, For Anyone</em> through Hidden Shoal (11th August, 2009), Down Review have submitted two tracks to the Sutemos net-label, one a remix of Leon Somov’s ‘Mano’ (featuring Jazzu), and a new track for the upcoming compilation Intelligent Toys 6.</p><p> </p><p>[/et_pb_tab][et_pb_tab title=\"News\"]</p><h3>News</h3><p>[catlist name=down-review content=yes pagination=no title_tag=h4 title_class=lcp_title]<br /> [/et_pb_tab][et_pb_tab title=\"Reviews\"]</p><h2>Reviews</h2><p>[catlist name=down-review-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<br /> [/et_pb_tab][et_pb_tab title=\"Press Releases\"]</p><h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Down_Review_From_Here_For_Anyone.pdf\"><em>From Here, For Anyone</em> EP Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release_-_Down_Review_Single.pdf\">Down Review Debut Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Down_Review_Signing.pdf\">Down Review Sign to Hidden Shoal Recordings </a><br /> [/et_pb_tab][et_pb_tab title=\"Gallery\"]</p><h3>Artist Photos</h3><p> </p><div class=\"wpview-wrap wpview-type-gallery\" contenteditable=\"false\" data-wpview-text=\"%5Bgallery%20ids%3D%229378%22%5D\" data-wpview-type=\"gallery\"><div class=\"toolbar\"> </div><div class=\"gallery gallery-columns-3\"><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Down_Review1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl></div><p> </p></div><p>[/et_pb_tab][et_pb_tab title=\"Video\"]</p><h3>Music Videos</h3><p>No videos yet, sorry!</p><p> </p><p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]</p><h3>Licensing</h3><p>Down Review\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p><p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]</p>','Down Review','','inherit','closed','closed','','9374-revision-v1','','','2014-11-05 22:05:37','2014-11-05 14:05:37','',9374,'http://www.hiddenshoal.com/9374-revision-v1/',0,'revision','',0),(11201,1,'2014-11-06 11:24:57','2014-11-06 03:24:57','<img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"175\" height=\"175\" />Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) plays an important role in the Perth music community. Over the last 15 years he\'s worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion, as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <a title=\"Under Songs\" href=\"http://www.hiddenshoal.com/project/draliensmith/\"><em>Under Songs</em></a>, is testament not only to Smith\'s mastery of the studio, but also his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em>\' monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, but rather than alienating the listener, they put you in the driver\'s seat and ask you to grip the wheel because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings, we ask Al to reach into the bag and pull out three questions...\r\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\r\nThat would have to be <em>New Hope For The Dead</em> by Sydney band Kiss My Poodles Donkey. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend. This album contains the best cover of a Prince song ever, and that\'s saying a lot because I can\'t stand Prince!\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nThe first Perth Big Day Out in \'93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth (my heroes at the time), and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDOs, which topped 30,000). It was an amazing and inspiring day.\r\n<h5>Build your own dream supergroup.</h5>\r\nTom Waits on vocals, Dave Lombardo on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','publish','closed','closed','','three-questions-with-draliensmith','','','2014-11-06 12:10:22','2014-11-06 04:10:22','',0,'http://www.hiddenshoal.com/?p=11201',0,'post','',0),(11202,1,'2014-11-06 10:45:22','2014-11-06 02:45:22','<img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"215\" height=\"215\" />Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) is an incredibly important part of the Perth musical landscape. Over the last 15 years he has worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <em>Under Songs</em>, is testament not only to Smith\'s mastery of the studio but also of his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em> monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, yet they never alienate, rather they situate you in the drivers seat and kindly ask you to grip onto something because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings we ask Al to reach into the bag and pull out three questions.','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-revision-v1','','','2014-11-06 10:45:22','2014-11-06 02:45:22','',11201,'http://www.hiddenshoal.com/11201-revision-v1/',0,'revision','',0),(11203,1,'2014-11-06 10:46:59','2014-11-06 02:46:59','<img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"215\" height=\"215\" />Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) is an incredibly important part of the Perth musical landscape. Over the last 15 years he has worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <em>Under Songs</em>, is testament not only to Smith\'s mastery of the studio but also of his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em> monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, yet they never alienate, rather they situate you in the drivers seat and kindly ask you to grip onto something because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings we ask Al to reach into the bag and pull out three questions.\r\n\r\n&nbsp;\r\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\r\nThat would have to be \'New Hope For The Dead\' by Sydney band \'Kiss My Poodles Donkey\'. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend, lol. This album contains the best cover of a Prince song ever, and thats saying alot because I can\'t stand Prince!\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nThe first Perth Big Day Out in 93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth my heros at the time and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDO\'s which topped 30000), it was an amazing and inspiring day.\r\n<h5>Build your own dream supergroup.</h5>\r\nTom Waits on vocals, Dave Lombado on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-revision-v1','','','2014-11-06 10:46:59','2014-11-06 02:46:59','',11201,'http://www.hiddenshoal.com/11201-revision-v1/',0,'revision','',0),(11204,1,'2014-11-06 10:47:43','2014-11-06 02:47:43','<img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"215\" height=\"215\" />Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) is an incredibly important part of the Perth musical landscape. Over the last 15 years he has worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <em>Under Songs</em>, is testament not only to Smith\'s mastery of the studio but also of his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em> monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, yet they never alienate, rather they situate you in the drivers seat and kindly ask you to grip onto something because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings we ask Al to reach into the bag and pull out three questions.\r\n\r\n&nbsp;\r\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\r\nThat would have to be <em>New Hope For The Dead</em> by Sydney band Kiss My Poodles Donkey. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend, lol. This album contains the best cover of a Prince song ever, and thats saying alot because I can\'t stand Prince!\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nThe first Perth Big Day Out in 93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth my heros at the time and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDO\'s which topped 30000), it was an amazing and inspiring day.\r\n<h5>Build your own dream supergroup.</h5>\r\nTom Waits on vocals, Dave Lombado on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-revision-v1','','','2014-11-06 10:47:43','2014-11-06 02:47:43','',11201,'http://www.hiddenshoal.com/11201-revision-v1/',0,'revision','',0),(11205,1,'2014-11-06 10:54:04','2014-11-06 02:54:04','<img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"215\" height=\"215\" />Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) plays an important role in the Perth music community. Over the last 15 years he\'s worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion, as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <a title=\"Under Songs\" href=\"http://www.hiddenshoal.com/project/draliensmith/\"><em>Under Songs</em></a>, is testament not only to Smith\'s mastery of the studio, but also his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em>\' monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, but rather than alienating the listener, they put you in the drivers seat and ask you to grip the wheel because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings, we ask Al to reach into the bag and pull out three questions...\r\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\r\nThat would have to be <em>New Hope For The Dead</em> by Sydney band Kiss My Poodles Donkey. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend, lol. This album contains the best cover of a Prince song ever, and thats saying alot because I can\'t stand Prince!\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nThe first Perth Big Day Out in 93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth my heros at the time and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDO\'s which topped 30000), it was an amazing and inspiring day.\r\n<h5>Build your own dream supergroup.</h5>\r\nTom Waits on vocals, Dave Lombado on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-revision-v1','','','2014-11-06 10:54:04','2014-11-06 02:54:04','',11201,'http://www.hiddenshoal.com/11201-revision-v1/',0,'revision','',0),(11206,1,'2014-11-06 10:55:27','2014-11-06 02:55:27','<img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"215\" height=\"215\" />Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) plays an important role in the Perth music community. Over the last 15 years he\'s worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion, as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <a title=\"Under Songs\" href=\"http://www.hiddenshoal.com/project/draliensmith/\"><em>Under Songs</em></a>, is testament not only to Smith\'s mastery of the studio, but also his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em>\' monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, but rather than alienating the listener, they put you in the driver\'s seat and ask you to grip the wheel because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings, we ask Al to reach into the bag and pull out three questions...\r\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\r\nThat would have to be <em>New Hope For The Dead</em> by Sydney band Kiss My Poodles Donkey. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend, lol. This album contains the best cover of a Prince song ever, and thats saying alot because I can\'t stand Prince!\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nThe first Perth Big Day Out in 93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth my heros at the time and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDO\'s which topped 30000), it was an amazing and inspiring day.\r\n<h5>Build your own dream supergroup.</h5>\r\nTom Waits on vocals, Dave Lombado on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-revision-v1','','','2014-11-06 10:55:27','2014-11-06 02:55:27','',11201,'http://www.hiddenshoal.com/11201-revision-v1/',0,'revision','',0),(11207,1,'2014-11-06 11:05:19','2014-11-06 03:05:19','<img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"208\" height=\"208\" />Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) plays an important role in the Perth music community. Over the last 15 years he\'s worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion, as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <a title=\"Under Songs\" href=\"http://www.hiddenshoal.com/project/draliensmith/\"><em>Under Songs</em></a>, is testament not only to Smith\'s mastery of the studio, but also his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em>\' monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, but rather than alienating the listener, they put you in the driver\'s seat and ask you to grip the wheel because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings, we ask Al to reach into the bag and pull out three questions...\r\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\r\nThat would have to be <em>New Hope For The Dead</em> by Sydney band Kiss My Poodles Donkey. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend, lol. This album contains the best cover of a Prince song ever, and thats saying alot because I can\'t stand Prince!\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nThe first Perth Big Day Out in 93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth my heros at the time and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDO\'s which topped 30000), it was an amazing and inspiring day.\r\n<h5>Build your own dream supergroup.</h5>\r\nTom Waits on vocals, Dave Lombado on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-revision-v1','','','2014-11-06 11:05:19','2014-11-06 03:05:19','',11201,'http://www.hiddenshoal.com/11201-revision-v1/',0,'revision','',0),(11208,1,'2014-11-06 11:05:41','2014-11-06 03:05:41','<img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"191\" height=\"191\" />Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) plays an important role in the Perth music community. Over the last 15 years he\'s worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion, as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <a title=\"Under Songs\" href=\"http://www.hiddenshoal.com/project/draliensmith/\"><em>Under Songs</em></a>, is testament not only to Smith\'s mastery of the studio, but also his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em>\' monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, but rather than alienating the listener, they put you in the driver\'s seat and ask you to grip the wheel because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings, we ask Al to reach into the bag and pull out three questions...\r\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\r\nThat would have to be <em>New Hope For The Dead</em> by Sydney band Kiss My Poodles Donkey. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend, lol. This album contains the best cover of a Prince song ever, and thats saying alot because I can\'t stand Prince!\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nThe first Perth Big Day Out in 93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth my heros at the time and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDO\'s which topped 30000), it was an amazing and inspiring day.\r\n<h5>Build your own dream supergroup.</h5>\r\nTom Waits on vocals, Dave Lombado on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-revision-v1','','','2014-11-06 11:05:41','2014-11-06 03:05:41','',11201,'http://www.hiddenshoal.com/11201-revision-v1/',0,'revision','',0),(11209,1,'2014-11-06 11:19:47','2014-11-06 03:19:47','Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) plays an important role in the Perth music community. Over the last 15 years he\'s worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits <img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"191\" height=\"191\" />such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion, as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <a title=\"Under Songs\" href=\"http://www.hiddenshoal.com/project/draliensmith/\"><em>Under Songs</em></a>, is testament not only to Smith\'s mastery of the studio, but also his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em>\' monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, but rather than alienating the listener, they put you in the driver\'s seat and ask you to grip the wheel because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings, we ask Al to reach into the bag and pull out three questions...\r\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\r\nThat would have to be <em>New Hope For The Dead</em> by Sydney band Kiss My Poodles Donkey. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend, lol. This album contains the best cover of a Prince song ever, and thats saying alot because I can\'t stand Prince!\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nThe first Perth Big Day Out in 93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth my heros at the time and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDO\'s which topped 30000), it was an amazing and inspiring day.\r\n<h5>Build your own dream supergroup.</h5>\r\nTom Waits on vocals, Dave Lombado on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-revision-v1','','','2014-11-06 11:19:47','2014-11-06 03:19:47','',11201,'http://www.hiddenshoal.com/11201-revision-v1/',0,'revision','',0),(11210,1,'2014-11-06 11:20:07','2014-11-06 03:20:07','Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) plays an important role in the Perth music community. Over the last 15 years he\'s worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits <img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"172\" height=\"172\" />such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion, as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <a title=\"Under Songs\" href=\"http://www.hiddenshoal.com/project/draliensmith/\"><em>Under Songs</em></a>, is testament not only to Smith\'s mastery of the studio, but also his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em>\' monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, but rather than alienating the listener, they put you in the driver\'s seat and ask you to grip the wheel because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings, we ask Al to reach into the bag and pull out three questions...\r\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\r\nThat would have to be <em>New Hope For The Dead</em> by Sydney band Kiss My Poodles Donkey. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend, lol. This album contains the best cover of a Prince song ever, and thats saying alot because I can\'t stand Prince!\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nThe first Perth Big Day Out in 93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth my heros at the time and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDO\'s which topped 30000), it was an amazing and inspiring day.\r\n<h5>Build your own dream supergroup.</h5>\r\nTom Waits on vocals, Dave Lombado on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-revision-v1','','','2014-11-06 11:20:07','2014-11-06 03:20:07','',11201,'http://www.hiddenshoal.com/11201-revision-v1/',0,'revision','',0),(11211,1,'2014-11-06 11:20:22','2014-11-06 03:20:22','Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) plays an important role in the Perth music community. Over the last 15 years he\'s worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits <img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"175\" height=\"175\" />such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion, as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <a title=\"Under Songs\" href=\"http://www.hiddenshoal.com/project/draliensmith/\"><em>Under Songs</em></a>, is testament not only to Smith\'s mastery of the studio, but also his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em>\' monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, but rather than alienating the listener, they put you in the driver\'s seat and ask you to grip the wheel because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings, we ask Al to reach into the bag and pull out three questions...\r\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\r\nThat would have to be <em>New Hope For The Dead</em> by Sydney band Kiss My Poodles Donkey. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend, lol. This album contains the best cover of a Prince song ever, and thats saying alot because I can\'t stand Prince!\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nThe first Perth Big Day Out in 93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth my heros at the time and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDO\'s which topped 30000), it was an amazing and inspiring day.\r\n<h5>Build your own dream supergroup.</h5>\r\nTom Waits on vocals, Dave Lombado on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-revision-v1','','','2014-11-06 11:20:22','2014-11-06 03:20:22','',11201,'http://www.hiddenshoal.com/11201-revision-v1/',0,'revision','',0),(11212,1,'2014-11-06 11:21:09','2014-11-06 03:21:09','Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) plays an important role in the Perth music community. Over the last 15 years he\'s worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion, as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this i<img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"175\" height=\"175\" />mpressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <a title=\"Under Songs\" href=\"http://www.hiddenshoal.com/project/draliensmith/\"><em>Under Songs</em></a>, is testament not only to Smith\'s mastery of the studio, but also his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em>\' monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, but rather than alienating the listener, they put you in the driver\'s seat and ask you to grip the wheel because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings, we ask Al to reach into the bag and pull out three questions...\r\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\r\nThat would have to be <em>New Hope For The Dead</em> by Sydney band Kiss My Poodles Donkey. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend, lol. This album contains the best cover of a Prince song ever, and thats saying alot because I can\'t stand Prince!\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nThe first Perth Big Day Out in 93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth my heros at the time and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDO\'s which topped 30000), it was an amazing and inspiring day.\r\n<h5>Build your own dream supergroup.</h5>\r\nTom Waits on vocals, Dave Lombado on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-revision-v1','','','2014-11-06 11:21:09','2014-11-06 03:21:09','',11201,'http://www.hiddenshoal.com/11201-revision-v1/',0,'revision','',0),(11213,1,'2014-11-06 11:21:26','2014-11-06 03:21:26','<img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"175\" height=\"175\" />Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) plays an important role in the Perth music community. Over the last 15 years he\'s worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion, as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <a title=\"Under Songs\" href=\"http://www.hiddenshoal.com/project/draliensmith/\"><em>Under Songs</em></a>, is testament not only to Smith\'s mastery of the studio, but also his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em>\' monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, but rather than alienating the listener, they put you in the driver\'s seat and ask you to grip the wheel because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings, we ask Al to reach into the bag and pull out three questions...\r\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\r\nThat would have to be <em>New Hope For The Dead</em> by Sydney band Kiss My Poodles Donkey. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend, lol. This album contains the best cover of a Prince song ever, and thats saying alot because I can\'t stand Prince!\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nThe first Perth Big Day Out in 93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth my heros at the time and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDO\'s which topped 30000), it was an amazing and inspiring day.\r\n<h5>Build your own dream supergroup.</h5>\r\nTom Waits on vocals, Dave Lombado on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-revision-v1','','','2014-11-06 11:21:26','2014-11-06 03:21:26','',11201,'http://www.hiddenshoal.com/11201-revision-v1/',0,'revision','',0),(11214,1,'2014-11-06 11:29:16','2014-11-06 03:29:16','<img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"175\" height=\"175\" />Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) plays an important role in the Perth music community. Over the last 15 years he\'s worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion, as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <a title=\"Under Songs\" href=\"http://www.hiddenshoal.com/project/draliensmith/\"><em>Under Songs</em></a>, is testament not only to Smith\'s mastery of the studio, but also his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em>\' monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, but rather than alienating the listener, they put you in the driver\'s seat and ask you to grip the wheel because it\'s a long, long way to the ground. Powerful stuff!\n\nSo without further metaphorical musings, we ask Al to reach into the bag and pull out three questions...\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\nThat would have to be <em>New Hope For The Dead</em> by Sydney band Kiss My Poodles Donkey. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend. This album contains the best cover of a Prince song ever, and that\'s saying a lot because I can\'t stand Prince!\n<h5>What\'s the best show you\'ve ever been to?</h5>\nThe first Perth Big Day Out in \'93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth my heroes at the time and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDO\'s which topped 30000), it was an amazing and inspiring day.\n<h5>Build your own dream supergroup.</h5>\nTom Waits on vocals, Dave Lombado on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-autosave-v1','','','2014-11-06 11:29:16','2014-11-06 03:29:16','',11201,'http://www.hiddenshoal.com/11201-autosave-v1/',0,'revision','',0),(11215,1,'2014-11-06 11:29:29','2014-11-06 03:29:29','<img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"175\" height=\"175\" />Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) plays an important role in the Perth music community. Over the last 15 years he\'s worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion, as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <a title=\"Under Songs\" href=\"http://www.hiddenshoal.com/project/draliensmith/\"><em>Under Songs</em></a>, is testament not only to Smith\'s mastery of the studio, but also his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em>\' monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, but rather than alienating the listener, they put you in the driver\'s seat and ask you to grip the wheel because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings, we ask Al to reach into the bag and pull out three questions...\r\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\r\nThat would have to be <em>New Hope For The Dead</em> by Sydney band Kiss My Poodles Donkey. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend. This album contains the best cover of a Prince song ever, and that\'s saying a lot because I can\'t stand Prince!\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nThe first Perth Big Day Out in \'93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth (my heroes at the time), and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDOs, which topped 30,000). It was an amazing and inspiring day.\r\n<h5>Build your own dream supergroup.</h5>\r\nTom Waits on vocals, Dave Lombado on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-revision-v1','','','2014-11-06 11:29:29','2014-11-06 03:29:29','',11201,'http://www.hiddenshoal.com/11201-revision-v1/',0,'revision','',0),(11216,1,'2014-11-06 12:09:59','2014-11-06 04:09:59','<img class=\"alignleft wp-image-10318 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/DrAlienSmithplasterheadshot-300x300.jpg\" alt=\"DrAlienSmith\" width=\"175\" height=\"175\" />Al Smith (aka <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a>) plays an important role in the Perth music community. Over the last 15 years he\'s worked with more than 300 bands at his Bergerk! Studios, including pivotal Perth outfits such as The Devil Rides Out, Drowning Horse, Abbe May, Eleventh He Reaches London, Claim The Throne and Extortion, as well as Hidden Shoal’s own <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a> and <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a>. To add to this impressive list is Smith\'s own work under the moniker DrAlienSmith. His debut EP, <a title=\"Under Songs\" href=\"http://www.hiddenshoal.com/project/draliensmith/\"><em>Under Songs</em></a>, is testament not only to Smith\'s mastery of the studio, but also his wonderful sense of texture, atmosphere and melody. <em>Under Songs</em>\' monolithic compositions move at a glacial pace and feel like they are shifting the earth under your feet, but rather than alienating the listener, they put you in the driver\'s seat and ask you to grip the wheel because it\'s a long, long way to the ground. Powerful stuff!\r\n\r\nSo without further metaphorical musings, we ask Al to reach into the bag and pull out three questions...\r\n<h5>What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?</h5>\r\nThat would have to be <em>New Hope For The Dead</em> by Sydney band Kiss My Poodles Donkey. I saw this album in a record store mid 90\'s and bought it on the basis of the band name alone. One of those lucky flukes because at the time this album became like a bible to me. It was full of pretty amazing weirdo rock grooves with crazy production and killer lyrics. After a bit of research I found out that the main man behind this band was Chris Townend, a studio producer and engineer who ran Big Jesus Burger studios. He recorded all his own projects in between his other studio jobs and at the time I was a fresh faced studio geek looking to set up my own studio, so this guy was a legend. This album contains the best cover of a Prince song ever, and that\'s saying a lot because I can\'t stand Prince!\r\n<h5>What\'s the best show you\'ve ever been to?</h5>\r\nThe first Perth Big Day Out in \'93. My first proper festival ticket with Iggy Pop at the top of his game, Bjork and band on fire, Sonic Youth (my heroes at the time), and then bands like Mudhoney and Nick Cave. All that with only 6000 people (not like the following BDOs, which topped 30,000). It was an amazing and inspiring day.\r\n<h5>Build your own dream supergroup.</h5>\r\nTom Waits on vocals, Dave Lombardo on drums, Kim Gordon on bass, Marnie Stern and Tony Iommi on guitar :)','Three Questions With DrAlienSmith','','inherit','closed','closed','','11201-revision-v1','','','2014-11-06 12:09:59','2014-11-06 04:09:59','',11201,'http://www.hiddenshoal.com/11201-revision-v1/',0,'revision','',0),(11281,1,'2014-11-17 16:57:18','2014-11-17 08:57:18','\"Shebeen is the first single from Rome residing Elisabetta Luciani`s brand new album Enchanting Gaze. The single consists of manipulated sonic effects, catchy repeated folk chords, exuberant electronic hovers and ambient loaded panoramas. Undoubtedly she is an outstanding artist. For instance, I can remember for her album The time of waiting (2010, La bèl) which was a tumultuous but organic mix of spherical electronic music, spectral sound art, experimental rock influences and (modern) classical music. In a word, get her new album and enjoy it!\"\r\n\r\n<strong>- <a title=\"Recent Music Heroes\" href=\"http://agier.blogspot.com.au/2014/11/elisa-luu-shebeen-2014.html\" target=\"_blank\">Recent Music Heroes</a></strong>','Elisa Luu \'Shebeen\' Reviewed at Recent Music Heroes','','publish','closed','closed','','elisa-luu-shebeen-reviewed-at-recent-music-heroes','','','2014-11-17 16:57:18','2014-11-17 08:57:18','',0,'http://www.hiddenshoal.com/?p=11281',0,'post','',0),(11219,1,'2014-11-07 13:45:51','2014-11-07 05:45:51','<img class=\"alignleft wp-image-9086 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Profile-300x218.jpg\" alt=\"perth\" width=\"224\" height=\"163\" />This is a track from an <a title=\"What\'s Your Utopia?\" href=\"http://www.hiddenshoal.com/project/perth/\">album</a> with nothing but great tracks, but in some ways it\'s one of the more immediately unassuming little numbers. As with so many great songs, it expands over multiple listens, and in this case becomes an incredibly affecting and moving piece of ambient-electronica. Whether it\'s on big psych-pop builders like single \'Drank Kites and Tomorrow\' or intimate little memory boxes like our featured track \'Sunday Stroll\', <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a> invest their music with a wonderful sense of melody, atmosphere and structure. In one light, \'Sunday Stroll\' could be described as sounding like Plaid making love to Boards of Canada, but in its fullness it\'s uniquely, inimitably <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a>. This is a song to soundtrack your memories.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/158217180&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - perth \'Sunday Stroll\'','','publish','closed','closed','','featured-track-perth-sunday-stroll','','','2016-06-20 10:42:01','2016-06-20 02:42:01','',0,'http://www.hiddenshoal.com/?p=11219',0,'post','',0),(11220,1,'2014-11-07 10:07:11','2014-11-07 02:07:11','This is a track from an album of great tracks and in some ways it\'s one of the more immediately unassuming little numbers. However as with so many great songs, it expands over multiple listens and becomes an incredibly affecting and moving piece of ambient-electronica. Whether it be on big psych pop builders like \'Drank Kites and Tomorrow\' or intimate little memory boxes like our featured track \'Sunday Stroll\', PERTH have a wonderful sense of melody, atmosphere and structure across their music. In one light \'Sunday Stroll\' is like Plaid making love to the Boards of Canada but in it\'s fullness it\'s uniquely PERTH. This is a song to soundtrack your memories.','Featured Track - PERTH \'Sunday Stroll\'','','inherit','closed','closed','','11219-revision-v1','','','2014-11-07 10:07:11','2014-11-07 02:07:11','',11219,'http://www.hiddenshoal.com/11219-revision-v1/',0,'revision','',0),(11221,1,'2014-11-07 10:11:58','2014-11-07 02:11:58','<img class=\"alignleft wp-image-9086 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Profile-300x218.jpg\" alt=\"perth\" width=\"222\" height=\"161\" />This is a track from an <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">album of great tracks</a> and in some ways it\'s one of the more immediately unassuming little numbers. However as with so many great songs, it expands over multiple listens and becomes an incredibly affecting and moving piece of ambient-electronica. Whether it be on big psych pop builders like \'Drank Kites and Tomorrow\' or intimate little memory boxes like our featured track \'Sunday Stroll\', <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">PERTH</a> have a wonderful sense of melody, atmosphere and structure across their music. In one light \'Sunday Stroll\' is like Plaid making love to the Boards of Canada but in it\'s fullness it\'s uniquely PERTH. This is a song to soundtrack your memories.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/158217180&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - PERTH \'Sunday Stroll\'','','inherit','closed','closed','','11219-revision-v1','','','2014-11-07 10:11:58','2014-11-07 02:11:58','',11219,'http://www.hiddenshoal.com/11219-revision-v1/',0,'revision','',0),(11222,1,'2014-11-07 10:17:45','2014-11-07 02:17:45','<img class=\"alignleft wp-image-9086 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Profile-300x218.jpg\" alt=\"perth\" width=\"237\" height=\"172\" />This is a track from an <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">album of great tracks</a> and in some ways it\'s one of the more immediately unassuming little numbers. However as with so many great songs, it expands over multiple listens and becomes an incredibly affecting and moving piece of ambient-electronica. Whether it be on big psych pop builders like \'Drank Kites and Tomorrow\' or intimate little memory boxes like our featured track \'Sunday Stroll\', <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">PERTH</a> have a wonderful sense of melody, atmosphere and structure across their music. In one light \'Sunday Stroll\' is like Plaid making love to the Boards of Canada but in it\'s fullness it\'s uniquely PERTH. This is a song to soundtrack your memories.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/158217180&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - PERTH \'Sunday Stroll\'','','inherit','closed','closed','','11219-revision-v1','','','2014-11-07 10:17:45','2014-11-07 02:17:45','',11219,'http://www.hiddenshoal.com/11219-revision-v1/',0,'revision','',0),(11223,1,'2014-11-07 10:20:50','2014-11-07 02:20:50','<img class=\"alignleft wp-image-9086 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Profile-300x218.jpg\" alt=\"perth\" width=\"245\" height=\"178\" />This is a track from an <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">album of great tracks</a> and in some ways it\'s one of the more immediately unassuming little numbers. However as with so many great songs, it expands over multiple listens and becomes an incredibly affecting and moving piece of ambient-electronica. Whether it be on big psych pop builders like \'Drank Kites and Tomorrow\' or intimate little memory boxes like our featured track \'Sunday Stroll\', <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">PERTH</a> have a wonderful sense of melody, atmosphere and structure across their music. In one light \'Sunday Stroll\' is like Plaid making love to the Boards of Canada but in it\'s fullness it\'s uniquely PERTH. This is a song to soundtrack your memories.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/158217180&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - PERTH \'Sunday Stroll\'','','inherit','closed','closed','','11219-revision-v1','','','2014-11-07 10:20:50','2014-11-07 02:20:50','',11219,'http://www.hiddenshoal.com/11219-revision-v1/',0,'revision','',0),(11224,1,'2014-11-07 10:22:35','2014-11-07 02:22:35','<img class=\"alignleft wp-image-9086 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Profile-300x218.jpg\" alt=\"perth\" width=\"257\" height=\"187\" />This is a track from an <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">album of great tracks</a> and in some ways it\'s one of the more immediately unassuming little numbers. However as with so many great songs, it expands over multiple listens and becomes an incredibly affecting and moving piece of ambient-electronica. Whether it be on big psych pop builders like \'Drank Kites and Tomorrow\' or intimate little memory boxes like our featured track \'Sunday Stroll\', <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">PERTH</a> have a wonderful sense of melody, atmosphere and structure across their music. In one light \'Sunday Stroll\' is like Plaid making love to the Boards of Canada but in it\'s fullness it\'s uniquely PERTH. This is a song to soundtrack your memories.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/158217180&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - PERTH \'Sunday Stroll\'','','inherit','closed','closed','','11219-revision-v1','','','2014-11-07 10:22:35','2014-11-07 02:22:35','',11219,'http://www.hiddenshoal.com/11219-revision-v1/',0,'revision','',0),(11225,1,'2014-11-07 13:30:21','2014-11-07 05:30:21','<img class=\"alignleft wp-image-9086 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Profile-300x218.jpg\" alt=\"perth\" width=\"257\" height=\"187\" />This is a track from an <a title=\"What\'s Your Utopia?\" href=\"http://www.hiddenshoal.com/project/perth/\">album</a> with nothing but great tracks, but in some ways it\'s one of the more immediately unassuming little numbers. As with so many great songs, it expands over multiple listens, and in this case becomes an incredibly affecting and moving piece of ambient-electronica. Whether it\'s on big psych-pop builders like single \'Drank Kites and Tomorrow\' or intimate little memory boxes like our featured track \'Sunday Stroll\', <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a> invest their music with a wonderful sense of melody, atmosphere and structure. In one light, \'Sunday Stroll\' could be described as sounding like Plaid making love to Boards of Canada, but in its fullness it\'s uniquely, inimitably <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a>. This is a song to soundtrack your memories.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/158217180&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - PERTH \'Sunday Stroll\'','','inherit','closed','closed','','11219-revision-v1','','','2014-11-07 13:30:21','2014-11-07 05:30:21','',11219,'http://www.hiddenshoal.com/11219-revision-v1/',0,'revision','',0),(11226,1,'2014-11-07 13:33:11','2014-11-07 05:33:11','<img class=\"alignleft wp-image-9086 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Profile-300x218.jpg\" alt=\"perth\" width=\"242\" height=\"176\" />This is a track from an <a title=\"What\'s Your Utopia?\" href=\"http://www.hiddenshoal.com/project/perth/\">album</a> with nothing but great tracks, but in some ways it\'s one of the more immediately unassuming little numbers. As with so many great songs, it expands over multiple listens, and in this case becomes an incredibly affecting and moving piece of ambient-electronica. Whether it\'s on big psych-pop builders like single \'Drank Kites and Tomorrow\' or intimate little memory boxes like our featured track \'Sunday Stroll\', <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a> invest their music with a wonderful sense of melody, atmosphere and structure. In one light, \'Sunday Stroll\' could be described as sounding like Plaid making love to Boards of Canada, but in its fullness it\'s uniquely, inimitably <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a>. This is a song to soundtrack your memories.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/158217180&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - PERTH \'Sunday Stroll\'','','inherit','closed','closed','','11219-revision-v1','','','2014-11-07 13:33:11','2014-11-07 05:33:11','',11219,'http://www.hiddenshoal.com/11219-revision-v1/',0,'revision','',0),(11227,1,'2014-11-07 13:33:27','2014-11-07 05:33:27','<img class=\"alignleft wp-image-9086 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Profile-300x218.jpg\" alt=\"perth\" width=\"234\" height=\"170\" />This is a track from an <a title=\"What\'s Your Utopia?\" href=\"http://www.hiddenshoal.com/project/perth/\">album</a> with nothing but great tracks, but in some ways it\'s one of the more immediately unassuming little numbers. As with so many great songs, it expands over multiple listens, and in this case becomes an incredibly affecting and moving piece of ambient-electronica. Whether it\'s on big psych-pop builders like single \'Drank Kites and Tomorrow\' or intimate little memory boxes like our featured track \'Sunday Stroll\', <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a> invest their music with a wonderful sense of melody, atmosphere and structure. In one light, \'Sunday Stroll\' could be described as sounding like Plaid making love to Boards of Canada, but in its fullness it\'s uniquely, inimitably <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a>. This is a song to soundtrack your memories.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/158217180&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - PERTH \'Sunday Stroll\'','','inherit','closed','closed','','11219-revision-v1','','','2014-11-07 13:33:27','2014-11-07 05:33:27','',11219,'http://www.hiddenshoal.com/11219-revision-v1/',0,'revision','',0),(11228,1,'2014-11-07 13:33:41','2014-11-07 05:33:41','<img class=\"alignleft wp-image-9086 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Profile-300x218.jpg\" alt=\"perth\" width=\"224\" height=\"163\" />This is a track from an <a title=\"What\'s Your Utopia?\" href=\"http://www.hiddenshoal.com/project/perth/\">album</a> with nothing but great tracks, but in some ways it\'s one of the more immediately unassuming little numbers. As with so many great songs, it expands over multiple listens, and in this case becomes an incredibly affecting and moving piece of ambient-electronica. Whether it\'s on big psych-pop builders like single \'Drank Kites and Tomorrow\' or intimate little memory boxes like our featured track \'Sunday Stroll\', <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a> invest their music with a wonderful sense of melody, atmosphere and structure. In one light, \'Sunday Stroll\' could be described as sounding like Plaid making love to Boards of Canada, but in its fullness it\'s uniquely, inimitably <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a>. This is a song to soundtrack your memories.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/158217180&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - PERTH \'Sunday Stroll\'','','inherit','closed','closed','','11219-revision-v1','','','2014-11-07 13:33:41','2014-11-07 05:33:41','',11219,'http://www.hiddenshoal.com/11219-revision-v1/',0,'revision','',0),(11229,1,'2014-11-07 13:45:51','2014-11-07 05:45:51','<img class=\"alignleft wp-image-9086 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Profile-300x218.jpg\" alt=\"perth\" width=\"224\" height=\"163\" />This is a track from an <a title=\"What\'s Your Utopia?\" href=\"http://www.hiddenshoal.com/project/perth/\">album</a> with nothing but great tracks, but in some ways it\'s one of the more immediately unassuming little numbers. As with so many great songs, it expands over multiple listens, and in this case becomes an incredibly affecting and moving piece of ambient-electronica. Whether it\'s on big psych-pop builders like single \'Drank Kites and Tomorrow\' or intimate little memory boxes like our featured track \'Sunday Stroll\', <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a> invest their music with a wonderful sense of melody, atmosphere and structure. In one light, \'Sunday Stroll\' could be described as sounding like Plaid making love to Boards of Canada, but in its fullness it\'s uniquely, inimitably <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a>. This is a song to soundtrack your memories.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/158217180&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - perth \'Sunday Stroll\'','','inherit','closed','closed','','11219-revision-v1','','','2014-11-07 13:45:51','2014-11-07 05:45:51','',11219,'http://www.hiddenshoal.com/11219-revision-v1/',0,'revision','',0),(11569,1,'2014-12-26 08:56:35','2014-12-26 00:56:35','','Hidden Shoal','','inherit','closed','closed','','hs_logo_only_black-3','','','2016-05-05 17:13:17','2016-05-05 09:13:17','',14412,'http://www.hiddenshoal.com/wp-content/uploads/2014/12/HS_Logo_Only_White_107x200.jpg',0,'attachment','image/jpeg',0),(11231,1,'2014-11-07 16:08:45','2014-11-07 08:08:45','\"Sixteen blissful, piano fused tracks, that remain pure and maintained throughout this smooth, piano focused LP.\r\n\r\nA re-issue under March’s new label Hidden Shoals (previously released last year in November), Nights Bright Days creates an artistic balance, between the isolation and admiration found in pop and piano based music.\r\n\r\nThe essence of isolation feels more apparent on March’s piano based track, yet feels oddly inclusive and warming. We are welcomed into March’s own isolation, her habitual abyss for anyone to becomingly gaze upon her poignant work.\r\n\r\nMarch’s vocals carry this admirable isolation in between soaring gracefully, no louder than the glow of the morning sun, retaining consistently high pitch and focus, while remaining simple and charming, to then becoming as smooth as a bottle of aged whiskey, with an ever so slight husk in her tone, that resonates a stroke of jazz into her calming performances.\r\n\r\nCollectively, Nights Bright Days becomes a piano based album at heart, with some notable turns to the recognisable fixations of most singer songwriters, on leading track Winter Deep as well as Boho Night, Orpheus Head and Dream Swim, all finding their own fixation of fusing pop with classical piano.\r\n\r\nWithin Nights Bright Days opener, Winter Deep, broken folk melodies combine with March’s similarly themed vocals for an unassumingly misguiding opener. When placed in comparison with most of Nights Bright Days; the elegant piano tones found on most of the LP’s tracks, become buried underneath a wave of ambience from confusing contemporary folk, altered by the progressive styles of singer songwriter influences, and minute pop intrusions.\r\n\r\nWelcoming N-B-D as a contemporary move on ambient, folk-pop quickly becomes dismissed by the following two tracks Café Des Poètes and Boho Night, whose focus on ambient synth pop, rather than the introduced folk pop, feels more apparent than the latter, Boho Night especially.\r\n\r\nFeeling more lucid and tangible, with dreamy synth tones flowing simultaneously with March’s vocal layering and electrolysed drum beats, a neo-pop flare that’s not to far from the likes of Michael Flynn’s latest LP, becomes illuminated and enticing to hear. This synth, neo-pop flare can be felt throughout most of N-B-D, almost in perfect unison with March’s more intricate, piano pieces.\r\n\r\nThe latest single from N-B-D, Ember is the prime example of March’s ability to cast aside the bright eyed feel of her pop influenced tracks, for more endearing, beautifully executed piano tracks that grow like the warming fire on a cold Winter’s night. Similarly on Orpheus At Sea, a soft glow can be felt from the piano keys struck in ready precision, as the growing intensity feels controlled and comforting.\r\n\r\nThe thought of a controlled growth is necessarily essential for March’s Nights Bright Days. On a first note, seeing sixteen tracks feels ambiguous, splitting people into two groups of keen, enticed listeners, and those who may deem the LP a challenge to complete. The idea of N-B-D being a challenge rather than a pleasure may take a few attempts to defeat, but once March’s vocals and piano skill become welcomed, N-B-D will quickly become a lucrative edition to your minds music bank.\"\r\n\r\n- <a title=\"Velvet Independent\" href=\"http://velvetindependent.com/2014/11/04/chloe-march-nights-bright-days/\" target=\"_blank\"><strong>Velvet Independent</strong></a>','Chloe March \"Nights Bright Days\" Reviewed at Velvet Independent','','publish','closed','closed','','chloe-march-nights-bright-days-reviewed-at-velvet-independent','','','2014-11-07 17:09:08','2014-11-07 09:09:08','',0,'http://www.hiddenshoal.com/?p=11231',0,'post','',0),(11232,1,'2014-11-07 16:08:45','2014-11-07 08:08:45','\"Sixteen blissful, piano fused tracks, that remain pure and maintained throughout this smooth, piano focused LP.\r\n\r\nA re-issue under March’s new label Hidden Shoals (previously released last year in November), Nights Bright Days creates an artistic balance, between the isolation and admiration found in pop and piano based music.\r\n\r\nThe essence of isolation feels more apparent on March’s piano based track, yet feels oddly inclusive and warming. We are welcomed into March’s own isolation, her habitual abyss for anyone to becomingly gaze upon her poignant work.\r\n\r\nMarch’s vocals carry this admirable isolation in between soaring gracefully, no louder than the glow of the morning sun, retaining consistently high pitch and focus, while remaining simple and charming, to then becoming as smooth as a bottle of aged whiskey, with an ever so slight husk in her tone, that resonates a stroke of jazz into her calming performances.\r\n\r\nCollectively, Nights Bright Days becomes a piano based album at heart, with some notable turns to the recognisable fixations of most singer songwriters, on leading track Winter Deep as well as Boho Night, Orpheus Head and Dream Swim, all finding their own fixation of fusing pop with classical piano.\r\n\r\nWithin Nights Bright Days opener, Winter Deep, broken folk melodies combine with March’s similarly themed vocals for an unassumingly misguiding opener. When placed in comparison with most of Nights Bright Days; the elegant piano tones found on most of the LP’s tracks, become buried underneath a wave of ambience from confusing contemporary folk, altered by the progressive styles of singer songwriter influences, and minute pop intrusions.\r\n\r\nWelcoming N-B-D as a contemporary move on ambient, folk-pop quickly becomes dismissed by the following two tracks Café Des Poètes and Boho Night, whose focus on ambient synth pop, rather than the introduced folk pop, feels more apparent than the latter, Boho Night especially.\r\n\r\nFeeling more lucid and tangible, with dreamy synth tones flowing simultaneously with March’s vocal layering and electrolysed drum beats, a neo-pop flare that’s not to far from the likes of Michael Flynn’s latest LP, becomes illuminated and enticing to hear. This synth, neo-pop flare can be felt throughout most of N-B-D, almost in perfect unison with March’s more intricate, piano pieces.\r\n\r\nThe latest single from N-B-D, Ember is the prime example of March’s ability to cast aside the bright eyed feel of her pop influenced tracks, for more endearing, beautifully executed piano tracks that grow like the warming fire on a cold Winter’s night. Similarly on Orpheus At Sea, a soft glow can be felt from the piano keys struck in ready precision, as the growing intensity feels controlled and comforting.\r\n\r\nThe thought of a controlled growth is necessarily essential for March’s Nights Bright Days. On a first note, seeing sixteen tracks feels ambiguous, splitting people into two groups of keen, enticed listeners, and those who may deem the LP a challenge to complete. The idea of N-B-D being a challenge rather than a pleasure may take a few attempts to defeat, but once March’s vocals and piano skill become welcomed, N-B-D will quickly become a lucrative edition to your minds music bank.\"\r\n\r\n- <a title=\"Velvet Independent\" href=\"http://velvetindependent.com/2014/11/04/chloe-march-nights-bright-days/\" target=\"_blank\"><strong>Velvet Independent</strong></a>','Chloe March \"Nights Bright Days\" Reviewed at Velvet Independent','','inherit','closed','closed','','11231-revision-v1','','','2014-11-07 16:08:45','2014-11-07 08:08:45','',11231,'http://www.hiddenshoal.com/11231-revision-v1/',0,'revision','',0),