(11233,1,'2014-11-07 17:02:49','2014-11-07 09:02:49','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>New Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe><em>\r\nNights Bright Days</em>\r\nby <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=271738062/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities\">IMPOSSIBLE CITIES by Todd Tobias</a></iframe>\r\n<em>Impossible Cities</em>\r\nby <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe>\r\n<em>Binary Rooms\r\n</em>by <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2503571384/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/deconstruction-manual\">Deconstruction Manual by Hidden Shoal</a></iframe>\r\n<em>Deconstruction Manual</em>\r\nby <a title=\"Deconstruction Manual\" href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\">Various Artists</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"3\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>New Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2014-11-07 17:02:49','2014-11-07 09:02:49','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(11234,1,'2014-11-07 17:05:02','2014-11-07 09:05:02','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>New Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe><em>\r\nNights Bright Days</em>\r\nby <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=271738062/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities\">IMPOSSIBLE CITIES by Todd Tobias</a></iframe>\r\n<em>Impossible Cities</em>\r\nby <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe>\r\n<em>Binary Rooms\r\n</em>by <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2503571384/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/deconstruction-manual\">Deconstruction Manual by Hidden Shoal</a></iframe>\r\n<em>Deconstruction Manual</em>\r\nby <a title=\"Deconstruction Manual\" href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\">Various Artists</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"3\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"New Reviews\" background_layout=\"dark\" text_orientation=\"left\"]<h1>New Reviews</h1>[/et_pb_text][et_pb_blog admin_label=\"New Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2014-11-07 17:05:02','2014-11-07 09:05:02','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(11292,1,'2014-11-19 08:08:57','2014-11-19 00:08:57','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>New Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2377940152/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://makee.bandcamp.com/album/makee\">makee by makee</a></iframe>\r\n<em>Makee</em>\r\nby <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">Makee</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe><em>\r\nNights Bright Days</em>\r\nby <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=271738062/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities\">IMPOSSIBLE CITIES by Todd Tobias</a></iframe>\r\n<em>Impossible Cities</em>\r\nby <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe>\r\n<em>Binary Rooms\r\n</em>by <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"3\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2014-11-19 08:08:57','2014-11-19 00:08:57','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(11235,1,'2014-11-07 18:17:12','2014-11-07 10:17:12','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>New Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe><em>\r\nNights Bright Days</em>\r\nby <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=271738062/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/impossible-cities\">IMPOSSIBLE CITIES by Todd Tobias</a></iframe>\r\n<em>Impossible Cities</em>\r\nby <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe>\r\n<em>Binary Rooms\r\n</em>by <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2503571384/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/deconstruction-manual\">Deconstruction Manual by Hidden Shoal</a></iframe>\r\n<em>Deconstruction Manual</em>\r\nby <a title=\"Deconstruction Manual\" href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\">Various Artists</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"3\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2014-11-07 18:17:12','2014-11-07 10:17:12','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(11236,1,'2014-11-11 15:46:28','2014-11-11 07:46:28','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Free YouTube Music Licensing</h1>\r\n&nbsp;\r\n<h3>How It Works</h3>\r\nWe fully encourage the free use of tracks from the Hidden Shoal Publishing catalogue for personal, non-commercial usage within video works and audio only videos on the <a title=\"YouTube\" href=\"http://www.youtube.com\" target=\"_blank\">YouTube</a> network. Our free YouTube music licenses utilise the YouTube Content ID system (via our partner AdRev) which picks up the use of any of our tracks on the YouTube network, notifies the user that the track is copyright protected and will then enable ads on the specific video. It\'s important to understand that you will not receive a strike against your account, nor will it affect your account or video in any other way. It\'s also important to understand that this process does provide a much needed income stream for our artists, and forms a small part of the financial return they truly deserve. Plus you get to use some amazing tracks from a large catalogue without being hassled!\r\n\r\n<strong>Note :</strong> If you have paid for a commercial license through Hidden Shoal and you are receiving a notification from AdRev then please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> with the video url and we will whitelist it from the system. Easy! Also we are setting up an online, automated licensing system for personal and commercial online video licensing so this process will be made much easier. Expect this in the first quarter of 2015.\r\n<h3>Conditions</h3>\r\n<ol>\r\n	<li>The free of charge use of any tracks from the Hidden Shoal Publishing catalogue is only for use within videos streamed online via the YouTube network. To obtain a license for any other use or if you are not sure if your video falls within those parameters then please <a title=\"Contact Hidden Shoal\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a>.</li>\r\n	<li>Your video may not qualify for free use if it is of an overtly religious or political nature. Hidden Shoal Publishing reserves the right to withdraw the allowed use of the track if it deems it inappropriate. Please note we are not trying to be cultural police here, rather we have understandings with our artists in regards to what is deemed appropriate use for them. Please <a title=\"Contast Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> if you are unsure.</li>\r\n	<li>You must provide a credit for the artist and song within the video description on YouTube. This should be in the form of artist\'s name, track name and a link to the artist\'s profile on the Hidden Shoal website.</li>\r\n	<li>If utilising a track that is not from the sample lists below then please ensure that it is currently part of the Hidden Shoal Publishing catalogue. If you cannot see the track or artist listed on our website then you can be pretty sure it is not under our control. As always please <a title=\"Contast Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">contact us</a> if you are unsure.</li>\r\n</ol>\r\n<h3>Sample Tracks (Download)</h3>\r\nTo give you a head start we\'ve provided a small selection of tracks below. Note that once you have selected a track, just click on the download button at the top right of the SoundCloud player to download it.\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_accordion admin_label=\"Accordion\"][et_pb_accordion_item title=\"Indie Rock, Dreampop, Shoegaze, Singer-Songwriter\"]\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/59154077%3Fsecret_token%3Ds-nw4KJ&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n[/et_pb_accordion_item][et_pb_accordion_item title=\"Electronic\"]\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58890737%3Fsecret_token%3Ds-oY8Gu&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n[/et_pb_accordion_item][et_pb_accordion_item title=\"Neo-Classical, Ambient\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58166666%3Fsecret_token%3Ds-pomy0&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Instrumental Rock and Post-Rock\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58312269%3Fsecret_token%3Ds-3WaUG&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Psychedelic &amp; Oddball\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58848325%3Fsecret_token%3Ds-y0U1C&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][/et_pb_accordion][/et_pb_column][/et_pb_row][/et_pb_section]','Free YouTube Music Licensing','','publish','closed','closed','','free-youtube-licensing','','','2015-03-02 12:41:54','2015-03-02 04:41:54','',8181,'http://www.hiddenshoal.com/?page_id=11236',0,'page','',0),(11237,1,'2014-11-07 22:31:53','2014-11-07 14:31:53','','Free YouTube Licensing ','','inherit','closed','closed','','11236-revision-v1','','','2014-11-07 22:31:53','2014-11-07 14:31:53','',11236,'http://www.hiddenshoal.com/11236-revision-v1/',0,'revision','',0),(11238,1,'2014-11-10 17:07:06','2014-11-10 09:07:06','https://www.youtube.com/watch?v=oM7W6d5frbY\r\n\r\nTaken from the album <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\"><em>Nights Bright Days</em></a>, re-released through Hidden Shoal on 4 November 2014.\r\n\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on Nights Bright Days to create poetic, emotionally charged and atmospheric songs and soundworlds.','Chloe March - \'Winter Deep\'',' ','publish','closed','closed','','chloe-march-winter-deep','','','2015-04-16 15:26:55','2015-04-16 07:26:55','',0,'http://www.hiddenshoal.com/?p=11238',0,'post','',0),(11239,1,'2014-11-10 17:07:06','2014-11-10 09:07:06','https://www.youtube.com/watch?v=oM7W6d5frbY\r\n\r\nTaken from the album <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\"><em>Nights Bright Days</em></a>, re-released through Hidden Shoal on 4 November 2014.\r\n\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on Nights Bright Days to create poetic, emotionally charged and atmospheric songs and soundworlds.','Chloe March - \'Winter Deep\'','','inherit','closed','closed','','11238-revision-v1','','','2014-11-10 17:07:06','2014-11-10 09:07:06','',11238,'http://www.hiddenshoal.com/11238-revision-v1/',0,'revision','',0),(11240,1,'2014-11-11 15:46:28','2014-11-11 07:46:28','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_accordion admin_label=\"Accordion\"][et_pb_accordion_item title=\"Neo-Classical, Ambient\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58166666%3Fsecret_token%3Ds-pomy0&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Instrumental Rock and Post-Rock\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58312269%3Fsecret_token%3Ds-3WaUG&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Psychedelic &amp; Oddball\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58848325%3Fsecret_token%3Ds-y0U1C&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][/et_pb_accordion][/et_pb_column][/et_pb_row][/et_pb_section]','Free YouTube Licensing ','','inherit','closed','closed','','11236-revision-v1','','','2014-11-11 15:46:28','2014-11-11 07:46:28','',11236,'http://www.hiddenshoal.com/11236-revision-v1/',0,'revision','',0),(11241,1,'2014-11-11 17:08:48','2014-11-11 09:08:48','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\nLicensing blurb...\r\n\r\n&nbsp;\r\n\r\nConditions etc...\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_accordion admin_label=\"Accordion\"][et_pb_accordion_item title=\"Neo-Classical, Ambient\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58166666%3Fsecret_token%3Ds-pomy0&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Instrumental Rock and Post-Rock\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58312269%3Fsecret_token%3Ds-3WaUG&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Psychedelic &amp; Oddball\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58848325%3Fsecret_token%3Ds-y0U1C&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][/et_pb_accordion][/et_pb_column][/et_pb_row][/et_pb_section]','Free YouTube Licensing ','','inherit','closed','closed','','11236-revision-v1','','','2014-11-11 17:08:48','2014-11-11 09:08:48','',11236,'http://www.hiddenshoal.com/11236-revision-v1/',0,'revision','',0),(11242,1,'2014-11-11 17:13:41','2014-11-11 09:13:41','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\nLicensing blurb...\r\n\r\n&nbsp;\r\n\r\nConditions etc...\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_accordion admin_label=\"Accordion\"][et_pb_accordion_item title=\"Neo-Classical, Ambient\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58166666%3Fsecret_token%3Ds-pomy0&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Electronic\"]\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58890737%3Fsecret_token%3Ds-oY8Gu&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n[/et_pb_accordion_item][et_pb_accordion_item title=\"Instrumental Rock and Post-Rock\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58312269%3Fsecret_token%3Ds-3WaUG&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][et_pb_accordion_item title=\"Psychedelic &amp; Oddball\"]<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/58848325%3Fsecret_token%3Ds-y0U1C&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>[/et_pb_accordion_item][/et_pb_accordion][/et_pb_column][/et_pb_row][/et_pb_section]','Free YouTube Licensing ','','inherit','closed','closed','','11236-revision-v1','','','2014-11-11 17:13:41','2014-11-11 09:13:41','',11236,'http://www.hiddenshoal.com/11236-revision-v1/',0,'revision','',0),(11245,1,'2014-11-13 16:30:34','2014-11-13 08:30:34','<img class=\"alignleft  wp-image-8221\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_3-300x300.jpg\" alt=\"Antonymes\" width=\"117\" height=\"117\" />Spotify recently published its official \"<a title=\"Spotify\" href=\"http://open.spotify.com/user/spotify_uk_/playlist/6y3CuT7MDDoPNXaD69frug\" target=\"_blank\">Most Beautiful Songs In The World</a>\" playlist which featured artists such as Camera Obscura, Fennesz, Goldfrapp, Bon Iver, Talk Talk, A Winged Victory For The Sullen and also our very own <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> with his gorgeous track \'301210\'. The song, along with the rest of the stunning Antonymes back catalogue was <a title=\"Hidden Shoal Signs Antonymes Back Catalogue\" href=\"http://www.hiddenshoal.com/hidden-shoal-signs-antonymes-back-catalogue/\">recently added</a> to to the Hidden Shoal publishing and licensing catalogue.\r\n<iframe src=\"https://embed.spotify.com/?uri=spotify:user:spotify_uk_:playlist:6y3CuT7MDDoPNXaD69frug\" width=\"250\" height=\"250\" frameborder=\"0\"></iframe>','Antonymes Featured on Spotify\'s \"Most Beautiful Songs In The World\"','','publish','closed','closed','','antonymes-featured-on-spotifys-most-beautiful-songs-in-the-world','','','2016-08-23 17:37:10','2016-08-23 09:37:10','',0,'http://www.hiddenshoal.com/?p=11245',0,'post','',0),(11246,1,'2014-11-13 16:25:30','2014-11-13 08:25:30','<img class=\"alignleft  wp-image-8221\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_3-300x300.jpg\" alt=\"Antonymes\" width=\"176\" height=\"176\" />Spotify recently published its official \"<a title=\"Spotify\" href=\"http://open.spotify.com/user/spotify_uk_/playlist/6y3CuT7MDDoPNXaD69frug\" target=\"_blank\">Most Beautiful Songs In The World</a>\" playlist which featured artists such as Camera Obscura, Fennesz, Goldfrapp, Bon Iver, Talk Talk, A Winged Victor For The Sullen and also our very own <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> with his gorgeous track \'301210\'. The song, along with the rest of the stunning Antonymes back catalogue was <a title=\"Hidden Shoal Signs Antonymes Back Catalogue\" href=\"http://www.hiddenshoal.com/hidden-shoal-signs-antonymes-back-catalogue/\">recently added</a> to to the Hidden Shoal publishing and licensing catalogue.\r\n<iframe src=\"https://embed.spotify.com/?uri=spotify:user:spotify_uk_:playlist:6y3CuT7MDDoPNXaD69frug\" width=\"300\" height=\"380\" frameborder=\"0\"></iframe>','Antonymes Featured on Spotify\'s \"Most Beautiful Songs In The World\"','','inherit','closed','closed','','11245-revision-v1','','','2014-11-13 16:25:30','2014-11-13 08:25:30','',11245,'http://www.hiddenshoal.com/11245-revision-v1/',0,'revision','',0),(11247,1,'2014-11-13 16:27:47','2014-11-13 08:27:47','<img class=\"alignleft  wp-image-8221\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_3-300x300.jpg\" alt=\"Antonymes\" width=\"176\" height=\"176\" />Spotify recently published its official \"<a title=\"Spotify\" href=\"http://open.spotify.com/user/spotify_uk_/playlist/6y3CuT7MDDoPNXaD69frug\" target=\"_blank\">Most Beautiful Songs In The World</a>\" playlist which featured artists such as Camera Obscura, Fennesz, Goldfrapp, Bon Iver, Talk Talk, A Winged Victory For The Sullen and also our very own <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> with his gorgeous track \'301210\'. The song, along with the rest of the stunning Antonymes back catalogue was <a title=\"Hidden Shoal Signs Antonymes Back Catalogue\" href=\"http://www.hiddenshoal.com/hidden-shoal-signs-antonymes-back-catalogue/\">recently added</a> to to the Hidden Shoal publishing and licensing catalogue.\r\n<iframe src=\"https://embed.spotify.com/?uri=spotify:user:spotify_uk_:playlist:6y3CuT7MDDoPNXaD69frug\" width=\"300\" height=\"380\" frameborder=\"0\"></iframe>','Antonymes Featured on Spotify\'s \"Most Beautiful Songs In The World\"','','inherit','closed','closed','','11245-revision-v1','','','2014-11-13 16:27:47','2014-11-13 08:27:47','',11245,'http://www.hiddenshoal.com/11245-revision-v1/',0,'revision','',0),(11248,1,'2014-11-13 16:28:31','2014-11-13 08:28:31','<img class=\"alignleft  wp-image-8221\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_3-300x300.jpg\" alt=\"Antonymes\" width=\"145\" height=\"145\" />Spotify recently published its official \"<a title=\"Spotify\" href=\"http://open.spotify.com/user/spotify_uk_/playlist/6y3CuT7MDDoPNXaD69frug\" target=\"_blank\">Most Beautiful Songs In The World</a>\" playlist which featured artists such as Camera Obscura, Fennesz, Goldfrapp, Bon Iver, Talk Talk, A Winged Victory For The Sullen and also our very own <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> with his gorgeous track \'301210\'. The song, along with the rest of the stunning Antonymes back catalogue was <a title=\"Hidden Shoal Signs Antonymes Back Catalogue\" href=\"http://www.hiddenshoal.com/hidden-shoal-signs-antonymes-back-catalogue/\">recently added</a> to to the Hidden Shoal publishing and licensing catalogue.\r\n<iframe src=\"https://embed.spotify.com/?uri=spotify:user:spotify_uk_:playlist:6y3CuT7MDDoPNXaD69frug\" width=\"450\" height=\"300\" frameborder=\"0\"></iframe>','Antonymes Featured on Spotify\'s \"Most Beautiful Songs In The World\"','','inherit','closed','closed','','11245-revision-v1','','','2014-11-13 16:28:31','2014-11-13 08:28:31','',11245,'http://www.hiddenshoal.com/11245-revision-v1/',0,'revision','',0),(11249,1,'2014-11-13 16:29:01','2014-11-13 08:29:01','<img class=\"alignleft  wp-image-8221\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_3-300x300.jpg\" alt=\"Antonymes\" width=\"145\" height=\"145\" />Spotify recently published its official \"<a title=\"Spotify\" href=\"http://open.spotify.com/user/spotify_uk_/playlist/6y3CuT7MDDoPNXaD69frug\" target=\"_blank\">Most Beautiful Songs In The World</a>\" playlist which featured artists such as Camera Obscura, Fennesz, Goldfrapp, Bon Iver, Talk Talk, A Winged Victory For The Sullen and also our very own <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> with his gorgeous track \'301210\'. The song, along with the rest of the stunning Antonymes back catalogue was <a title=\"Hidden Shoal Signs Antonymes Back Catalogue\" href=\"http://www.hiddenshoal.com/hidden-shoal-signs-antonymes-back-catalogue/\">recently added</a> to to the Hidden Shoal publishing and licensing catalogue.\r\n<iframe src=\"https://embed.spotify.com/?uri=spotify:user:spotify_uk_:playlist:6y3CuT7MDDoPNXaD69frug\" width=\"300\" height=\"300\" frameborder=\"0\"></iframe>','Antonymes Featured on Spotify\'s \"Most Beautiful Songs In The World\"','','inherit','closed','closed','','11245-revision-v1','','','2014-11-13 16:29:01','2014-11-13 08:29:01','',11245,'http://www.hiddenshoal.com/11245-revision-v1/',0,'revision','',0),(11250,1,'2014-11-13 16:29:18','2014-11-13 08:29:18','<img class=\"alignleft  wp-image-8221\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_3-300x300.jpg\" alt=\"Antonymes\" width=\"117\" height=\"117\" />Spotify recently published its official \"<a title=\"Spotify\" href=\"http://open.spotify.com/user/spotify_uk_/playlist/6y3CuT7MDDoPNXaD69frug\" target=\"_blank\">Most Beautiful Songs In The World</a>\" playlist which featured artists such as Camera Obscura, Fennesz, Goldfrapp, Bon Iver, Talk Talk, A Winged Victory For The Sullen and also our very own <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> with his gorgeous track \'301210\'. The song, along with the rest of the stunning Antonymes back catalogue was <a title=\"Hidden Shoal Signs Antonymes Back Catalogue\" href=\"http://www.hiddenshoal.com/hidden-shoal-signs-antonymes-back-catalogue/\">recently added</a> to to the Hidden Shoal publishing and licensing catalogue.\r\n<iframe src=\"https://embed.spotify.com/?uri=spotify:user:spotify_uk_:playlist:6y3CuT7MDDoPNXaD69frug\" width=\"300\" height=\"300\" frameborder=\"0\"></iframe>','Antonymes Featured on Spotify\'s \"Most Beautiful Songs In The World\"','','inherit','closed','closed','','11245-revision-v1','','','2014-11-13 16:29:18','2014-11-13 08:29:18','',11245,'http://www.hiddenshoal.com/11245-revision-v1/',0,'revision','',0),(11251,1,'2014-11-13 16:29:41','2014-11-13 08:29:41','<img class=\"alignleft  wp-image-8221\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_3-300x300.jpg\" alt=\"Antonymes\" width=\"117\" height=\"117\" />Spotify recently published its official \"<a title=\"Spotify\" href=\"http://open.spotify.com/user/spotify_uk_/playlist/6y3CuT7MDDoPNXaD69frug\" target=\"_blank\">Most Beautiful Songs In The World</a>\" playlist which featured artists such as Camera Obscura, Fennesz, Goldfrapp, Bon Iver, Talk Talk, A Winged Victory For The Sullen and also our very own <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> with his gorgeous track \'301210\'. The song, along with the rest of the stunning Antonymes back catalogue was <a title=\"Hidden Shoal Signs Antonymes Back Catalogue\" href=\"http://www.hiddenshoal.com/hidden-shoal-signs-antonymes-back-catalogue/\">recently added</a> to to the Hidden Shoal publishing and licensing catalogue.\r\n<iframe src=\"https://embed.spotify.com/?uri=spotify:user:spotify_uk_:playlist:6y3CuT7MDDoPNXaD69frug\" width=\"250\" height=\"250\" frameborder=\"0\"></iframe>','Antonymes Featured on Spotify\'s \"Most Beautiful Songs In The World\"','','inherit','closed','closed','','11245-revision-v1','','','2014-11-13 16:29:41','2014-11-13 08:29:41','',11245,'http://www.hiddenshoal.com/11245-revision-v1/',0,'revision','',0),(11252,1,'2014-11-13 16:42:49','2014-11-13 08:42:49','\"Chloe March\'s new album is a gorgeously textured effort that harks back to her earlier material. Single \"Winter Deep\" is a lovely song with a mood that\'s ethereal and bright. It\'s almost painfully beautiful. \"Orpheus\' Head\" takes it inspiration from Greek myth, and is a dreamy concoction with sweet vocals. March\'s music hits a high here. \"Eurydice on the Underground\" continues the Greek myth theme and its\'a highly suggestive song. March\'s delivery is absolutely lovely and spot on.\r\n\r\n\"Unit\" ends the masterful album on a good note. March\'s sweet vocals against a neoclassical backdrop that recalls David Sylvian\'s art pop. It\'s one of many great songs on this brilliant album.\"\r\n\r\n<strong>- <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon223/en223.php\" target=\"_blank\">Luna Kafe</a></strong>','Chloe March \"Nights Bright Days\" Reviewed at Luna Kafe','','publish','closed','closed','','chloe-march-nights-bright-days-reviewd-at-luna-kafe','','','2014-11-13 16:47:35','2014-11-13 08:47:35','',0,'http://www.hiddenshoal.com/?p=11252',0,'post','',0),(11253,1,'2014-11-13 16:42:49','2014-11-13 08:42:49','\"Chloe March\'s new album is a gorgeously textured effort that harks back to her earlier material. Single \"Winter Deep\" is a lovely song with a mood that\'s ethereal and bright. It\'s almost painfully beautiful. \"Orpheus\' Head\" takes it inspiration from Greek myth, and is a dreamy concoction with sweet vocals. March\'s music hits a high here. \"Eurydice on the Underground\" continues the Greek myth theme and its\'a highly suggestive song. March\'s delivery is absolutely lovely and spot on.\r\n\r\n\"Unit\" ends the masterful album on a good note. March\'s sweet vocals against a neoclassical backdrop that recalls David Sylvian\'s art pop. It\'s one of many great songs on this brilliant album.\"\r\n\r\n<strong>- <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon223/en223.php\" target=\"_blank\">Luna Kafe</a></strong>','Chloe March \"Nights Bright Days\" Reviewd at Luna Kafe','','inherit','closed','closed','','11252-revision-v1','','','2014-11-13 16:42:49','2014-11-13 08:42:49','',11252,'http://www.hiddenshoal.com/11252-revision-v1/',0,'revision','',0),(11254,1,'2014-11-13 16:46:16','2014-11-13 08:46:16','\"When we checked out Markus Mehr\'s new single, \"Gymnasium/Swarms\", last moonth, I found his new record to be as interesting as his former recordings. Mehr is a \'mensch machine\' because this is the sound of machines, but surely done with some human touch.\r\n\r\nMarkus Mehr\'s been doing his special stuff for some years now. His music hisses, twists, turns, flips and curls. Mehr for sure creates and produces some magic, spellbinding moments. This is a fact on Binary Rooms, Mehr\'s fifth studio album, as well. He operates within the \'ambient-drone\' spaces or quarters of music, and the end result is a quite spellbinding and mind-twisting musical combination. This is like Hidden Shoal describes it to be \'...his most challenging and engaging to date\'. Yes, this is some tough stuff, but it comes out being some really intriguing music. The opening track \"Buoy\" (which is not related to Danny Buoy at all) is the right place to start out, for Mehr. From the very first seconds he finds himself operating from a most electronic and electric place. This continues throughout Binary Rooms, like it is his goal to do so. The whole album is like feeling the soft pulse of some electromagnetic source or current. On top or in the shadows lurks Mehr\'s gentle, soft-spoken piano. The track \"In The Palm Of Your Hand\" is a good example. \"Pedestrians\", \"Gymnasium/Swarms\", the energetic and gently power-laden \"Power Plant\" and the cut\'n\'pasted \"Blacbox\" are examples of Mehr coming at you from a more extreme angle. \"Living On Tape\" is Mehr tricking with some spoken word-type of tracks, as he uses monologue on tape as an effect within his music. However, mind you, all his attacks and angles are most welcome. Some 42-43 minutes in Markus Mehr\'s company for sure is time well spent.\r\n\r\nThis album was released some two weeks before Halloween. I am sure this is a perfect combination of tricks and treats. Here\'s more of the \'...blissful wanderlust\' which is what the site Tome to the Weather Machine describes Mehr\'s music to be. True words. Let us close with another quote from Mehr\'s label, Hidden Shoal: \'...Mehr acts as a fragment hunter, meshing machine-like tones with the discarded elements of humanity; narrative with anti-narrative.\'.\"\r\n\r\n<strong>- <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon223/de223.php\" target=\"_blank\">Luna Kafe</a></strong>','Markus Mehr \"Binary Rooms\" Reviewed at Luna Kafe','','publish','closed','closed','','markus-mehr-binary-rooms-reviewd-at-luna-kafe','','','2014-11-13 16:47:04','2014-11-13 08:47:04','',0,'http://www.hiddenshoal.com/?p=11254',0,'post','',0),(11255,1,'2014-11-13 16:46:16','2014-11-13 08:46:16','\"When we checked out Markus Mehr\'s new single, \"Gymnasium/Swarms\", last moonth, I found his new record to be as interesting as his former recordings. Mehr is a \'mensch machine\' because this is the sound of machines, but surely done with some human touch.\r\n\r\nMarkus Mehr\'s been doing his special stuff for some years now. His music hisses, twists, turns, flips and curls. Mehr for sure creates and produces some magic, spellbinding moments. This is a fact on Binary Rooms, Mehr\'s fifth studio album, as well. He operates within the \'ambient-drone\' spaces or quarters of music, and the end result is a quite spellbinding and mind-twisting musical combination. This is like Hidden Shoal describes it to be \'...his most challenging and engaging to date\'. Yes, this is some tough stuff, but it comes out being some really intriguing music. The opening track \"Buoy\" (which is not related to Danny Buoy at all) is the right place to start out, for Mehr. From the very first seconds he finds himself operating from a most electronic and electric place. This continues throughout Binary Rooms, like it is his goal to do so. The whole album is like feeling the soft pulse of some electromagnetic source or current. On top or in the shadows lurks Mehr\'s gentle, soft-spoken piano. The track \"In The Palm Of Your Hand\" is a good example. \"Pedestrians\", \"Gymnasium/Swarms\", the energetic and gently power-laden \"Power Plant\" and the cut\'n\'pasted \"Blacbox\" are examples of Mehr coming at you from a more extreme angle. \"Living On Tape\" is Mehr tricking with some spoken word-type of tracks, as he uses monologue on tape as an effect within his music. However, mind you, all his attacks and angles are most welcome. Some 42-43 minutes in Markus Mehr\'s company for sure is time well spent.\r\n\r\nThis album was released some two weeks before Halloween. I am sure this is a perfect combination of tricks and treats. Here\'s more of the \'...blissful wanderlust\' which is what the site Tome to the Weather Machine describes Mehr\'s music to be. True words. Let us close with another quote from Mehr\'s label, Hidden Shoal: \'...Mehr acts as a fragment hunter, meshing machine-like tones with the discarded elements of humanity; narrative with anti-narrative.\'.\"\r\n\r\n<strong>- <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon223/de223.php\" target=\"_blank\">Luna Kafe</a></strong>','Markus Mehr \"Binary Rooms\" Reviewd at Luna Kafe','','inherit','closed','closed','','11254-revision-v1','','','2014-11-13 16:46:16','2014-11-13 08:46:16','',11254,'http://www.hiddenshoal.com/11254-revision-v1/',0,'revision','',0),(11256,1,'2014-11-13 16:46:52','2014-11-13 08:46:52','\"When we checked out Markus Mehr\'s new single, \"Gymnasium/Swarms\", last moonth, I found his new record to be as interesting as his former recordings. Mehr is a \'mensch machine\' because this is the sound of machines, but surely done with some human touch.\r\n\r\nMarkus Mehr\'s been doing his special stuff for some years now. His music hisses, twists, turns, flips and curls. Mehr for sure creates and produces some magic, spellbinding moments. This is a fact on Binary Rooms, Mehr\'s fifth studio album, as well. He operates within the \'ambient-drone\' spaces or quarters of music, and the end result is a quite spellbinding and mind-twisting musical combination. This is like Hidden Shoal describes it to be \'...his most challenging and engaging to date\'. Yes, this is some tough stuff, but it comes out being some really intriguing music. The opening track \"Buoy\" (which is not related to Danny Buoy at all) is the right place to start out, for Mehr. From the very first seconds he finds himself operating from a most electronic and electric place. This continues throughout Binary Rooms, like it is his goal to do so. The whole album is like feeling the soft pulse of some electromagnetic source or current. On top or in the shadows lurks Mehr\'s gentle, soft-spoken piano. The track \"In The Palm Of Your Hand\" is a good example. \"Pedestrians\", \"Gymnasium/Swarms\", the energetic and gently power-laden \"Power Plant\" and the cut\'n\'pasted \"Blacbox\" are examples of Mehr coming at you from a more extreme angle. \"Living On Tape\" is Mehr tricking with some spoken word-type of tracks, as he uses monologue on tape as an effect within his music. However, mind you, all his attacks and angles are most welcome. Some 42-43 minutes in Markus Mehr\'s company for sure is time well spent.\r\n\r\nThis album was released some two weeks before Halloween. I am sure this is a perfect combination of tricks and treats. Here\'s more of the \'...blissful wanderlust\' which is what the site Tome to the Weather Machine describes Mehr\'s music to be. True words. Let us close with another quote from Mehr\'s label, Hidden Shoal: \'...Mehr acts as a fragment hunter, meshing machine-like tones with the discarded elements of humanity; narrative with anti-narrative.\'.\"\r\n\r\n<strong>- <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon223/de223.php\" target=\"_blank\">Luna Kafe</a></strong>','Markus Mehr \"Binary Rooms\" Reviewed at Luna Kafe','','inherit','closed','closed','','11254-revision-v1','','','2014-11-13 16:46:52','2014-11-13 08:46:52','',11254,'http://www.hiddenshoal.com/11254-revision-v1/',0,'revision','',0),(11257,1,'2014-11-13 16:47:35','2014-11-13 08:47:35','\"Chloe March\'s new album is a gorgeously textured effort that harks back to her earlier material. Single \"Winter Deep\" is a lovely song with a mood that\'s ethereal and bright. It\'s almost painfully beautiful. \"Orpheus\' Head\" takes it inspiration from Greek myth, and is a dreamy concoction with sweet vocals. March\'s music hits a high here. \"Eurydice on the Underground\" continues the Greek myth theme and its\'a highly suggestive song. March\'s delivery is absolutely lovely and spot on.\r\n\r\n\"Unit\" ends the masterful album on a good note. March\'s sweet vocals against a neoclassical backdrop that recalls David Sylvian\'s art pop. It\'s one of many great songs on this brilliant album.\"\r\n\r\n<strong>- <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon223/en223.php\" target=\"_blank\">Luna Kafe</a></strong>','Chloe March \"Nights Bright Days\" Reviewed at Luna Kafe','','inherit','closed','closed','','11252-revision-v1','','','2014-11-13 16:47:35','2014-11-13 08:47:35','',11252,'http://www.hiddenshoal.com/11252-revision-v1/',0,'revision','',0),(11258,1,'2014-11-13 16:50:29','2014-11-13 08:50:29','\"Some weeks ago Hidden Shoal shared Elisa Luu\'s brand new single, which is a taster lifted from her upcoming EP/mini-album, Enchanting Gaze. The EP is already out here, released through La bel net-label in collaboration with Hidden Shoal. We\'ll get back to it next month.\r\n\r\nElisa Luu (or Elisabetta Luciani) is based in Roma (or Rome) and she sneaks out electronic, ambient music which catch you in its web. Her musical compositions are highly attractive, and so is this new single, \"Shebeen\". It starts quietly, before its chant and power turns upwards. It is a swirling, twisting song, which is indeed gripping and captivating. As well as it keeps the necessary mystery within itself. I am really looking forward to checking out Enchanting Gaze. While you are at it you\'d better check out Luu\'s album from two years ago, Un Giorno Sospeso as well.\"\r\n\r\n<a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon223/it223.php\" target=\"_blank\"><strong>- Luna Kafe</strong></a>','Elisa Luu \'Shebeen\' Reviewed at Luna Kafe','','publish','closed','closed','','elisa-luu-shebeen-reviewed-at-luna-kafe','','','2014-11-13 16:50:29','2014-11-13 08:50:29','',0,'http://www.hiddenshoal.com/?p=11258',0,'post','',0),(11259,1,'2014-11-13 16:50:29','2014-11-13 08:50:29','\"Some weeks ago Hidden Shoal shared Elisa Luu\'s brand new single, which is a taster lifted from her upcoming EP/mini-album, Enchanting Gaze. The EP is already out here, released through La bel net-label in collaboration with Hidden Shoal. We\'ll get back to it next month.\r\n\r\nElisa Luu (or Elisabetta Luciani) is based in Roma (or Rome) and she sneaks out electronic, ambient music which catch you in its web. Her musical compositions are highly attractive, and so is this new single, \"Shebeen\". It starts quietly, before its chant and power turns upwards. It is a swirling, twisting song, which is indeed gripping and captivating. As well as it keeps the necessary mystery within itself. I am really looking forward to checking out Enchanting Gaze. While you are at it you\'d better check out Luu\'s album from two years ago, Un Giorno Sospeso as well.\"\r\n\r\n<a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon223/it223.php\" target=\"_blank\"><strong>- Luna Kafe</strong></a>','Elisa Luu \'Shebeen\' Reviewed at Luna Kafe','','inherit','closed','closed','','11258-revision-v1','','','2014-11-13 16:50:29','2014-11-13 08:50:29','',11258,'http://www.hiddenshoal.com/11258-revision-v1/',0,'revision','',0),(11260,1,'2014-11-13 17:00:31','2014-11-13 09:00:31','[Poorly translated from the Italian via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/11/05/chloe-march-nights-bright-days/\" target=\"_blank\">here</a>.]\r\n\r\n\"Not only the works of underground electronic artists the Australian Hidden Shoal go to search around the world and offers through its increasingly diverse catalog. This time it\'s a persuasive English singer-songwriter by the name of Chloe March, been active for nearly a decade in various forms, including that of a member of the tour the band Cousteau, a composer of music for dance and acting collaborator vocalist of another artist, part of the roster of the same label, aka Joe Dürbeck Jumpel .\r\n\r\nThe broad-expressive March is confirmed by \"Nights Bright Days\" album self-produced last year and now re-released with the addition of an EP containing six previously unreleased tracks which, together with ten of the album, offering a comprehensive overview of the heterogeneous inspired by the English artist. Also, thanks to a rich instrumental system, which supports with a guitar and a calibrated horn section the evocative elegance of his interpretations, Chloe March plays your tunes shades from time to time different, proving to be able to master a wide range of shades ranging from classicism vaguely jazzy piano ballads (\"Eucalyptus Night,\" \"Ember\") in search of a dreamy and lively writing, underpinned by an electronic air time (\"Café Des Poètes\") now distilled into rhythmic iterations by retro-futurist pop (\"Boho Night\").\r\n\r\nThe six bonus tracks, which can be imagined creations that are newer than the original album, focus just on the profile of the locations of the pieces of the March, shaped according to nocturnal rhythms of a minimal trip-hop (\"Owl\") and even reduced enveloping size of a flow of sound ethereal and ghostly (\"Heartsleep\", \"Unlit\"). It is a symbolic signal, not only in view of possible future developments on a larger scale of Chloë March, but above all to define the artistic current, not limited to the elegance of a songwriter is not always crowned by a classical writing and instead combined with a number of suggestions that can cover it every time mysterious charm.\"\r\n\r\n<strong>- <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/11/05/chloe-march-nights-bright-days/\" target=\"_blank\">Music Won\'t Save You</a></strong>','Chloe March \"Nights Bright Days\" Reviewed at Music Won\'t Save You','','publish','closed','closed','','chloe-march-nights-bright-days-reviewed-at-music-wont-save-you','','','2014-11-13 17:00:31','2014-11-13 09:00:31','',0,'http://www.hiddenshoal.com/?p=11260',0,'post','',0),(11261,1,'2014-11-13 17:00:31','2014-11-13 09:00:31','[Poorly translated from the Italian via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/11/05/chloe-march-nights-bright-days/\" target=\"_blank\">here</a>.]\r\n\r\n\"Not only the works of underground electronic artists the Australian Hidden Shoal go to search around the world and offers through its increasingly diverse catalog. This time it\'s a persuasive English singer-songwriter by the name of Chloe March, been active for nearly a decade in various forms, including that of a member of the tour the band Cousteau, a composer of music for dance and acting collaborator vocalist of another artist, part of the roster of the same label, aka Joe Dürbeck Jumpel .\r\n\r\nThe broad-expressive March is confirmed by \"Nights Bright Days\" album self-produced last year and now re-released with the addition of an EP containing six previously unreleased tracks which, together with ten of the album, offering a comprehensive overview of the heterogeneous inspired by the English artist. Also, thanks to a rich instrumental system, which supports with a guitar and a calibrated horn section the evocative elegance of his interpretations, Chloe March plays your tunes shades from time to time different, proving to be able to master a wide range of shades ranging from classicism vaguely jazzy piano ballads (\"Eucalyptus Night,\" \"Ember\") in search of a dreamy and lively writing, underpinned by an electronic air time (\"Café Des Poètes\") now distilled into rhythmic iterations by retro-futurist pop (\"Boho Night\").\r\n\r\nThe six bonus tracks, which can be imagined creations that are newer than the original album, focus just on the profile of the locations of the pieces of the March, shaped according to nocturnal rhythms of a minimal trip-hop (\"Owl\") and even reduced enveloping size of a flow of sound ethereal and ghostly (\"Heartsleep\", \"Unlit\"). It is a symbolic signal, not only in view of possible future developments on a larger scale of Chloë March, but above all to define the artistic current, not limited to the elegance of a songwriter is not always crowned by a classical writing and instead combined with a number of suggestions that can cover it every time mysterious charm.\"\r\n\r\n<strong>- <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/11/05/chloe-march-nights-bright-days/\" target=\"_blank\">Music Won\'t Save You</a></strong>','Chloe March \"Nights Bright Days\" Reviewed at Music Won\'t Save You','','inherit','closed','closed','','11260-revision-v1','','','2014-11-13 17:00:31','2014-11-13 09:00:31','',11260,'http://www.hiddenshoal.com/11260-revision-v1/',0,'revision','',0),(11262,1,'2014-11-13 17:11:09','2014-11-13 09:11:09','[Poorly translated from the Italian via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/10/27/todd-tobias-impossible-cities/http://\" target=\"_blank\">here</a>.]\r\n\r\n\"Fresh from the experience of rebuilding Brother Earth, in which he stars with Steve Five, in the recent \" Positive Haywires , \"Todd Tobias returns to work solo with the ambitious project\" Impossible Cities \", explicitly inspired by\" Invisible Cities \" by Italo Calvino.\r\n\r\nEach of the sixteen tracks concise instrumental work is just one of these sites produced by a fantasy that combines literary language and music; each of them fantastic different aspects, making them sound palette with a heterogeneous, ranging dall\'ambience cosmic opening \"Lamura\" scratch-electric \"Kur\" and \"Pyrrus\" eddies claustrophobic \"Gorgum Reeth\" the progressive hypnosis \"Smazbaal\" hallucinations post-industrial \"Gagark\" the delicacy of auroral \"Epyminion.\"\r\n\r\nAlthough the effect visionary concept underlying the work proves to incarnate the best from passages dilated, in the balance between environmental and landscaping acid synthetic drifts, the numerous passages rougher deconstruction electrical contribute to the mapping of a sound atlas of imaginary places.\"\r\n\r\n<strong>- <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/10/27/todd-tobias-impossible-cities/\" target=\"_blank\">Music Won\'t Save You</a></strong>','Todd Tobias \"Impossible Cities\" Reviewed at Music Won\'t Save You','','publish','closed','closed','','todd-tobias-impossible-cities-reviewed-at-music-wont-save-you','','','2014-11-13 17:11:09','2014-11-13 09:11:09','',0,'http://www.hiddenshoal.com/?p=11262',0,'post','',0),(11263,1,'2014-11-13 17:11:09','2014-11-13 09:11:09','[Poorly translated from the Italian via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/10/27/todd-tobias-impossible-cities/http://\" target=\"_blank\">here</a>.]\r\n\r\n\"Fresh from the experience of rebuilding Brother Earth, in which he stars with Steve Five, in the recent \" Positive Haywires , \"Todd Tobias returns to work solo with the ambitious project\" Impossible Cities \", explicitly inspired by\" Invisible Cities \" by Italo Calvino.\r\n\r\nEach of the sixteen tracks concise instrumental work is just one of these sites produced by a fantasy that combines literary language and music; each of them fantastic different aspects, making them sound palette with a heterogeneous, ranging dall\'ambience cosmic opening \"Lamura\" scratch-electric \"Kur\" and \"Pyrrus\" eddies claustrophobic \"Gorgum Reeth\" the progressive hypnosis \"Smazbaal\" hallucinations post-industrial \"Gagark\" the delicacy of auroral \"Epyminion.\"\r\n\r\nAlthough the effect visionary concept underlying the work proves to incarnate the best from passages dilated, in the balance between environmental and landscaping acid synthetic drifts, the numerous passages rougher deconstruction electrical contribute to the mapping of a sound atlas of imaginary places.\"\r\n\r\n<strong>- <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2014/10/27/todd-tobias-impossible-cities/\" target=\"_blank\">Music Won\'t Save You</a></strong>','Todd Tobias \"Impossible Cities\" Reviewed at Music Won\'t Save You','','inherit','closed','closed','','11262-revision-v1','','','2014-11-13 17:11:09','2014-11-13 09:11:09','',11262,'http://www.hiddenshoal.com/11262-revision-v1/',0,'revision','',0),(11264,1,'2014-11-14 14:26:22','2014-11-14 06:26:22','<img class=\"alignleft  wp-image-11033\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/IMG_1189-300x224.jpg\" alt=\"Elisa Luu\" width=\"182\" height=\"136\" /><a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">Elisa Luu</a>\'s achingly beautiful electronica is a humbling reminder that music made using computers can be just as emotive, if not more so, than music made using more \'conventional\' instruments. On \'Slow Bass Flute\' from her majestic debut Chromatic Sigh, the attention to detail in the synth tone is heart-stopping in itself. But listen to the way it gently unfurls into a gloriously evocative and melancholic melody – it\'s the kind of song you just don\'t want to end.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/176844613&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Elisa Luu \'Slow Bass Flute\'','','publish','closed','closed','','featured-track-elisa-luu-slow-bass-flute','','','2016-06-20 10:42:01','2016-06-20 02:42:01','',0,'http://www.hiddenshoal.com/?p=11264',0,'post','',0),(11265,1,'2014-11-14 12:06:14','2014-11-14 04:06:14','Elisa Luu\'s achingly beautiful electronica is a humbling reminder that music made using computers can be just as emotive, if not more so, than music made using more \'conventional\' instruments. On \'Slow Bass Flute\' from her majestic debut Chromatic Sigh, the attention to detail in the synth tone is heart-stopping in itself. But listen to the way it gently unfurls into a gloriously evocative and melancholic melody – it\'s the kind of song you just don\'t want to end.','Featured Track - Elisa Luu \'Slow Bass Flute\'','','inherit','closed','closed','','11264-revision-v1','','','2014-11-14 12:06:14','2014-11-14 04:06:14','',11264,'http://www.hiddenshoal.com/11264-revision-v1/',0,'revision','',0),(11266,1,'2014-11-14 14:02:00','2014-11-14 06:02:00','<img class=\"alignleft  wp-image-11033\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/IMG_1189-300x224.jpg\" alt=\"Elisa Luu\" width=\"233\" height=\"174\" /><a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">Elisa Luu</a>\'s achingly beautiful electronica is a humbling reminder that music made using computers can be just as emotive, if not more so, than music made using more \'conventional\' instruments. On \'Slow Bass Flute\' from her majestic debut Chromatic Sigh, the attention to detail in the synth tone is heart-stopping in itself. But listen to the way it gently unfurls into a gloriously evocative and melancholic melody – it\'s the kind of song you just don\'t want to end.','Featured Track - Elisa Luu \'Slow Bass Flute\'','','inherit','closed','closed','','11264-revision-v1','','','2014-11-14 14:02:00','2014-11-14 06:02:00','',11264,'http://www.hiddenshoal.com/11264-revision-v1/',0,'revision','',0),(11267,1,'2014-11-14 14:15:05','2014-11-14 06:15:05','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Elisa Luu</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong>\r\n\r\nThough digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.\r\n\r\n<a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Enchanting Gaze</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2683447859/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://labelnetlabel.bandcamp.com/album/enchanting-gaze\">Enchanting Gaze by Elisa Luu</a></iframe>\r\nNovember 2014\r\n<div></div>\r\nOn <em>Enchanting Gaze</em>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <em>Enchanting Gaze</em> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu discography.\r\n<div></div>\r\n<div></div>\r\n<h4>Un Giorno Sospeso</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 405px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe>\r\nJuly 2012\r\n<div></div>\r\n<em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display. Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.\r\n<div></div>\r\n<div></div>\r\n<h4>Chromatic Sigh</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 440px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe>\r\nSeptember 2009\r\n<div></div>\r\nThough digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative. The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.\r\n<div></div>\r\n<div></div>\r\n<h4>Unreleased</h4>\r\n<div></div>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/52927332&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"500\" height=\"400\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<div></div>\r\nA collection of previously unreleased tracks from Elisa Luu. All available for licensing as part of the Hidden Shoal Publishing catalogue.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nElisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.\r\n\r\nIn 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.\r\n\r\nIn 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.\r\n\r\nAccompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Elisa Luu News\" href=\"http://www.hiddenshoal.com/category/news/elisa-luu/\"><strong>More News</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Chromatic_Sigh.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8822,8823,8820\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nElisa Luu\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','closed','closed','','8817-revision-v1','','','2014-11-14 14:15:05','2014-11-14 06:15:05','',8817,'http://www.hiddenshoal.com/8817-revision-v1/',0,'revision','',0),(11268,1,'2014-11-14 14:18:52','2014-11-14 06:18:52','<img class=\"alignleft  wp-image-11033\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/IMG_1189-300x224.jpg\" alt=\"Elisa Luu\" width=\"233\" height=\"174\" /><a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">Elisa Luu</a>\'s achingly beautiful electronica is a humbling reminder that music made using computers can be just as emotive, if not more so, than music made using more \'conventional\' instruments. On \'Slow Bass Flute\' from her majestic debut Chromatic Sigh, the attention to detail in the synth tone is heart-stopping in itself. But listen to the way it gently unfurls into a gloriously evocative and melancholic melody – it\'s the kind of song you just don\'t want to end.\r\n\r\n&nbsp;\r\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/176844613&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\"></iframe>','Featured Track - Elisa Luu \'Slow Bass Flute\'','','inherit','closed','closed','','11264-revision-v1','','','2014-11-14 14:18:52','2014-11-14 06:18:52','',11264,'http://www.hiddenshoal.com/11264-revision-v1/',0,'revision','',0),(11269,1,'2014-11-14 14:19:58','2014-11-14 06:19:58','<img class=\"alignleft  wp-image-11033\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/IMG_1189-300x224.jpg\" alt=\"Elisa Luu\" width=\"213\" height=\"159\" /><a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">Elisa Luu</a>\'s achingly beautiful electronica is a humbling reminder that music made using computers can be just as emotive, if not more so, than music made using more \'conventional\' instruments. On \'Slow Bass Flute\' from her majestic debut Chromatic Sigh, the attention to detail in the synth tone is heart-stopping in itself. But listen to the way it gently unfurls into a gloriously evocative and melancholic melody – it\'s the kind of song you just don\'t want to end.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/176844613&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Elisa Luu \'Slow Bass Flute\'','','inherit','closed','closed','','11264-revision-v1','','','2014-11-14 14:19:58','2014-11-14 06:19:58','',11264,'http://www.hiddenshoal.com/11264-revision-v1/',0,'revision','',0),(11270,1,'2014-11-14 14:21:16','2014-11-14 06:21:16','<img class=\"alignleft  wp-image-11033\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/IMG_1189-300x224.jpg\" alt=\"Elisa Luu\" width=\"198\" height=\"148\" /><a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">Elisa Luu</a>\'s achingly beautiful electronica is a humbling reminder that music made using computers can be just as emotive, if not more so, than music made using more \'conventional\' instruments. On \'Slow Bass Flute\' from her majestic debut Chromatic Sigh, the attention to detail in the synth tone is heart-stopping in itself. But listen to the way it gently unfurls into a gloriously evocative and melancholic melody – it\'s the kind of song you just don\'t want to end.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/176844613&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Elisa Luu \'Slow Bass Flute\'','','inherit','closed','closed','','11264-revision-v1','','','2014-11-14 14:21:16','2014-11-14 06:21:16','',11264,'http://www.hiddenshoal.com/11264-revision-v1/',0,'revision','',0),(11271,1,'2014-11-14 14:21:50','2014-11-14 06:21:50','<img class=\"alignleft  wp-image-11033\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/IMG_1189-300x224.jpg\" alt=\"Elisa Luu\" width=\"182\" height=\"136\" /><a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\">Elisa Luu</a>\'s achingly beautiful electronica is a humbling reminder that music made using computers can be just as emotive, if not more so, than music made using more \'conventional\' instruments. On \'Slow Bass Flute\' from her majestic debut Chromatic Sigh, the attention to detail in the synth tone is heart-stopping in itself. But listen to the way it gently unfurls into a gloriously evocative and melancholic melody – it\'s the kind of song you just don\'t want to end.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/176844613&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Elisa Luu \'Slow Bass Flute\'','','inherit','closed','closed','','11264-revision-v1','','','2014-11-14 14:21:50','2014-11-14 06:21:50','',11264,'http://www.hiddenshoal.com/11264-revision-v1/',0,'revision','',0),(11272,1,'2014-11-14 14:23:26','2014-11-14 06:23:26','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Elisa Luu</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong>\r\n\r\nThough digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.\r\n\r\n<a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Enchanting Gaze</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2683447859/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://labelnetlabel.bandcamp.com/album/enchanting-gaze\">Enchanting Gaze by Elisa Luu</a></iframe> November 2014</p><div> </div><p>On <em>Enchanting Gaze</em>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <em>Enchanting Gaze</em> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu discography.</p><div> </div><div> </div><h4>Un Giorno Sospeso</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 405px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe> July 2012</p><div> </div><p><em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display. Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.</p><div> </div><div> </div><h4>Chromatic Sigh</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 440px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe> September 2009</p><div> </div><p>Though digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative. The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.</p><div> </div><div> </div><h4>Unreleased</h4><div> </div><p><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/52927332&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"500\" height=\"400\" frameborder=\"no\" scrolling=\"no\"></iframe></p><div> </div><p>A collection of previously unreleased tracks from Elisa Luu. All available for licensing as part of the Hidden Shoal Publishing catalogue.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nElisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.\r\n\r\nIn 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.\r\n\r\nIn 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.\r\n\r\nAccompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Elisa Luu News\" href=\"http://www.hiddenshoal.com/category/news/elisa-luu/\"><strong>More News</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Chromatic_Sigh.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery ids=\"8822,8823,8820\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nElisa Luu\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','closed','closed','','8817-revision-v1','','','2014-11-14 14:23:26','2014-11-14 06:23:26','',8817,'http://www.hiddenshoal.com/8817-revision-v1/',0,'revision','',0),(11273,1,'2014-11-14 14:27:31','2014-11-14 06:27:31','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Elisa Luu</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong>\r\n\r\nThough digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.\r\n\r\n<a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Enchanting Gaze</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2683447859/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://labelnetlabel.bandcamp.com/album/enchanting-gaze\">Enchanting Gaze by Elisa Luu</a></iframe>\r\nNovember 2014\r\n<div></div>\r\nOn <em>Enchanting Gaze</em>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <em>Enchanting Gaze</em> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu discography.\r\n<div></div>\r\n<div></div>\r\n<h4>Un Giorno Sospeso</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 405px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe>\r\nJuly 2012\r\n<div></div>\r\n<em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display. Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.\r\n<div></div>\r\n<div></div>\r\n<h4>Chromatic Sigh</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 440px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe>\r\nSeptember 2009\r\n<div></div>\r\nThough digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative. The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.\r\n<div></div>\r\n<div></div>\r\n<h4>Unreleased</h4>\r\n<div></div>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/52927332&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"500\" height=\"400\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<div></div>\r\nA collection of previously unreleased tracks from Elisa Luu. All available for licensing as part of the Hidden Shoal Publishing catalogue.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nElisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.\r\n\r\nIn 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.\r\n\r\nIn 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.\r\n\r\nAccompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Elisa Luu News\" href=\"http://www.hiddenshoal.com/category/news/elisa-luu/\"><strong>More News</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Chromatic_Sigh.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8822,8823,8820\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nElisa Luu\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','closed','closed','','8817-revision-v1','','','2014-11-14 14:27:31','2014-11-14 06:27:31','',8817,'http://www.hiddenshoal.com/8817-revision-v1/',0,'revision','',0),(11274,1,'2014-11-14 14:30:59','2014-11-14 06:30:59','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Elisa Luu</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong>\r\n\r\nThough digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.\r\n\r\n<a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Enchanting Gaze</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2683447859/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://labelnetlabel.bandcamp.com/album/enchanting-gaze\">Enchanting Gaze by Elisa Luu</a></iframe> November 2014\r\n<div></div>\r\nOn <em>Enchanting Gaze</em>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <em>Enchanting Gaze</em> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu discography.\r\n<div></div>\r\n<div></div>\r\n<h4>Un Giorno Sospeso</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 405px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe> July 2012\r\n<div></div>\r\n<em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display. Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.\r\n<div></div>\r\n<div></div>\r\n<h4>Chromatic Sigh</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 440px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe> September 2009\r\n<div></div>\r\nThough digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative. The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.\r\n<div></div>\r\n<div></div>\r\n<h4>Unreleased</h4>\r\n<div></div>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/52927332&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"500\" height=\"400\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<div></div>\r\nA collection of previously unreleased tracks from Elisa Luu. All available for licensing as part of the Hidden Shoal Publishing catalogue.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nElisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.\r\n\r\nIn 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.\r\n\r\nIn 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.\r\n\r\nAccompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Elisa Luu News\" href=\"http://www.hiddenshoal.com/category/news/elisa-luu/\"><strong>More News</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Chromatic_Sigh.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8822,8823,8820\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nElisa Luu\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','closed','closed','','8817-revision-v1','','','2014-11-14 14:30:59','2014-11-14 06:30:59','',8817,'http://www.hiddenshoal.com/8817-revision-v1/',0,'revision','',0),(11275,1,'2014-11-14 14:32:57','2014-11-14 06:32:57','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Elisa Luu</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong>\r\n\r\nThough digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.\r\n\r\n<a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Enchanting Gaze</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2683447859/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://labelnetlabel.bandcamp.com/album/enchanting-gaze\">Enchanting Gaze by Elisa Luu</a></iframe><br />November 2014</p><div> </div><p>On <em>Enchanting Gaze</em>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <em>Enchanting Gaze</em> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu discography.</p><div> </div><div> </div><h4>Un Giorno Sospeso</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 405px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe><br /> July 2012</p><div> </div><p><em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display. Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.</p><div> </div><div> </div><h4>Chromatic Sigh</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 440px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe><br /> September 2009</p><div> </div><p>Though digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative. The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.</p><div> </div><div> </div><h4>Unreleased</h4><div> </div><p><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/52927332&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"500\" height=\"400\" frameborder=\"no\" scrolling=\"no\"></iframe></p><div> </div><p>A collection of previously unreleased tracks from Elisa Luu. All available for licensing as part of the Hidden Shoal Publishing catalogue.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nElisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.\r\n\r\nIn 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.\r\n\r\nIn 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.\r\n\r\nAccompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Elisa Luu News\" href=\"http://www.hiddenshoal.com/category/news/elisa-luu/\"><strong>More News</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Chromatic_Sigh.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery ids=\"8822,8823,8820\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nElisa Luu\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','closed','closed','','8817-revision-v1','','','2014-11-14 14:32:57','2014-11-14 06:32:57','',8817,'http://www.hiddenshoal.com/8817-revision-v1/',0,'revision','',0),(11276,1,'2014-11-14 16:53:34','2014-11-14 08:53:34','<img class=\"alignleft size-medium wp-image-10433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />The wonderful experimental video work \'Duck Became Swan\' by <a title=\"Stefanie Sixt\" href=\"https://vimeo.com/sixtsense\" target=\"_blank\">Stefanie Sixt</a> (visuals) and <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> (sound) has been selected as part of the Venice International video art, experimental dance and performance festival.  The work will screen in Venice in the \"<a title=\"Hidden Rooms\" href=\"http://www.lucacurci.com/artexpo/hidden-rooms-venice.htm\" target=\"_blank\">Hidden Rooms</a>\" program in November (19th-21st).\r\n\r\nIn further Markus Mehr news, the artist has also had a new work selected as part of the David Tudor Memorial 4\'33\" Competition. His work sits alongside a number of wonderful artists including the inimitable Phil Niblock! The works will be exhibited at <a title=\"Galerie Mario Mazzoli\" href=\"http://galeriemazzoli.com/english/homeen.htm\" target=\"_blank\">Galerie Mario Mazzoli</a> (Berlin - 16+21 November) and the Ear Up! Gallery (New York - 16 November).\r\n\r\n<iframe src=\"//player.vimeo.com/video/49295610?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<a href=\"http://vimeo.com/49295610\">DUCK BECAME SWAN</a> from <a href=\"http://vimeo.com/sixtsense\">stefanie sixt, sixt sense</a> on <a href=\"https://vimeo.com\">Vimeo</a>.','Markus Mehr + Stefanie Sixt Featured in Venice International Video Art Exhibition','','publish','closed','closed','','markus-mehr-stefanie-sixt-featured-in-venice-international-video-art-exhibition','','','2016-02-03 15:51:49','2016-02-03 07:51:49','',0,'http://www.hiddenshoal.com/?p=11276',0,'post','',0),(11277,1,'2014-11-14 16:49:02','2014-11-14 08:49:02','<img class=\"alignleft size-medium wp-image-10433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />The wonderful experimental video work \'Duck Became Swan\' by <a title=\"Stefanie Sixt\" href=\"https://vimeo.com/sixtsense\" target=\"_blank\">Stefanie Sixt</a> (visuals) and <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> (sound) has been selected as part of the Venice International video art, experimental dance and performance festival.  The work will screen in Venice in the \"<a title=\"Hidden Rooms\" href=\"http://www.lucacurci.com/artexpo/hidden-rooms-venice.htm\" target=\"_blank\">Hidden Rooms</a>\" program in November (19th-21st).\r\n\r\nIn further Markus Mehr news, the artist has also had a new work selected as part of the David Tudor Memorial 4\'33\" Competition. His work sits alongside a number of wonderful artists including the inimitable Phil Niblock! The works will be exhibited at <a title=\"Galerie Mario Mazzoli\" href=\"http://galeriemazzoli.com/english/homeen.htm\" target=\"_blank\">Galerie Mario Mazzoli</a> (Berlin - 16+21 November) and the Ear Up! Gallery (New York - 16 November).\r\n\r\n&nbsp;','Markus Mehr + Stefanie Sixt Featured in \"Hidden Rooms\" Exhibition','','inherit','closed','closed','','11276-revision-v1','','','2014-11-14 16:49:02','2014-11-14 08:49:02','',11276,'http://www.hiddenshoal.com/11276-revision-v1/',0,'revision','',0),(11278,1,'2014-11-14 16:51:06','2014-11-14 08:51:06','<img class=\"alignleft size-medium wp-image-10433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />The wonderful experimental video work \'Duck Became Swan\' by <a title=\"Stefanie Sixt\" href=\"https://vimeo.com/sixtsense\" target=\"_blank\">Stefanie Sixt</a> (visuals) and <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> (sound) has been selected as part of the Venice International video art, experimental dance and performance festival.  The work will screen in Venice in the \"<a title=\"Hidden Rooms\" href=\"http://www.lucacurci.com/artexpo/hidden-rooms-venice.htm\" target=\"_blank\">Hidden Rooms</a>\" program in November (19th-21st).\r\n\r\nIn further Markus Mehr news, the artist has also had a new work selected as part of the David Tudor Memorial 4\'33\" Competition. His work sits alongside a number of wonderful artists including the inimitable Phil Niblock! The works will be exhibited at <a title=\"Galerie Mario Mazzoli\" href=\"http://galeriemazzoli.com/english/homeen.htm\" target=\"_blank\">Galerie Mario Mazzoli</a> (Berlin - 16+21 November) and the Ear Up! Gallery (New York - 16 November).\r\n\r\n&nbsp;\r\n<iframe src=\"//player.vimeo.com/video/49295610?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> <p><a href=\"http://vimeo.com/49295610\">DUCK BECAME SWAN</a> from <a href=\"http://vimeo.com/sixtsense\">stefanie sixt, sixt sense</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>','Markus Mehr + Stefanie Sixt Featured in \"Hidden Rooms\" Exhibition','','inherit','closed','closed','','11276-revision-v1','','','2014-11-14 16:51:06','2014-11-14 08:51:06','',11276,'http://www.hiddenshoal.com/11276-revision-v1/',0,'revision','',0),(11279,1,'2014-11-14 16:53:34','2014-11-14 08:53:34','<img class=\"alignleft size-medium wp-image-10433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />The wonderful experimental video work \'Duck Became Swan\' by <a title=\"Stefanie Sixt\" href=\"https://vimeo.com/sixtsense\" target=\"_blank\">Stefanie Sixt</a> (visuals) and <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> (sound) has been selected as part of the Venice International video art, experimental dance and performance festival.  The work will screen in Venice in the \"<a title=\"Hidden Rooms\" href=\"http://www.lucacurci.com/artexpo/hidden-rooms-venice.htm\" target=\"_blank\">Hidden Rooms</a>\" program in November (19th-21st).\r\n\r\nIn further Markus Mehr news, the artist has also had a new work selected as part of the David Tudor Memorial 4\'33\" Competition. His work sits alongside a number of wonderful artists including the inimitable Phil Niblock! The works will be exhibited at <a title=\"Galerie Mario Mazzoli\" href=\"http://galeriemazzoli.com/english/homeen.htm\" target=\"_blank\">Galerie Mario Mazzoli</a> (Berlin - 16+21 November) and the Ear Up! Gallery (New York - 16 November).\r\n<iframe src=\"//player.vimeo.com/video/49295610?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<a href=\"http://vimeo.com/49295610\">DUCK BECAME SWAN</a> from <a href=\"http://vimeo.com/sixtsense\">stefanie sixt, sixt sense</a> on <a href=\"https://vimeo.com\">Vimeo</a>.','Markus Mehr + Stefanie Sixt Featured in Venice International Video Art Exhibition','','inherit','closed','closed','','11276-revision-v1','','','2014-11-14 16:53:34','2014-11-14 08:53:34','',11276,'http://www.hiddenshoal.com/11276-revision-v1/',0,'revision','',0),(11282,1,'2014-11-17 16:57:18','2014-11-17 08:57:18','\"Shebeen is the first single from Rome residing Elisabetta Luciani`s brand new album Enchanting Gaze. The single consists of manipulated sonic effects, catchy repeated folk chords, exuberant electronic hovers and ambient loaded panoramas. Undoubtedly she is an outstanding artist. For instance, I can remember for her album The time of waiting (2010, La bèl) which was a tumultuous but organic mix of spherical electronic music, spectral sound art, experimental rock influences and (modern) classical music. In a word, get her new album and enjoy it!\"\r\n\r\n<strong>- <a title=\"Recent Music Heroes\" href=\"http://agier.blogspot.com.au/2014/11/elisa-luu-shebeen-2014.html\" target=\"_blank\">Recent Music Heroes</a></strong>','Elisa Luu \'Shebeen\' Reviewed at Recent Music Heroes','','inherit','closed','closed','','11281-revision-v1','','','2014-11-17 16:57:18','2014-11-17 08:57:18','',11281,'http://www.hiddenshoal.com/11281-revision-v1/',0,'revision','',0),(11304,1,'2014-11-20 11:57:04','2014-11-20 03:57:04','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Kryshe</h1>\r\n<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"243\" height=\"163\" />Kryshe’s exquisitely subtle and detailed ambient work resonates with chilly grandeur. Across spacious vistas reminiscent of the collaborative work of Eno and Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency.\r\n\r\n<strong><a title=\"Facebook\" href=\"http://www.facebook.com/kryshemusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/kryshe\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://kryshe.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>In Between</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe> September 2014\r\n<div></div>\r\nAs its name suggests, <em>In Between</em> lives and breathes in the spaces around each carefully played note. This exquisitely subtle and detailed five-track EP resonates with chilly grandeur and heartening warmth. Across spacious vistas reminiscent of the collaborative work of Brian Eno and Harold Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency. Opening with the shimmering piano melodies and tape-chewed ambience of the majestic title track, with detours via the angelic music-box miniature ‘Iceland’ and the glitch-scarred sustain-scapes of ‘Africa’, and concluding with the achingly melancholic ‘Lullaby’, <em>In Between</em> is a perfectly formed release that announces an understated new ambient craftsman.\r\n<div></div>\r\n<div></div>\r\n<h4>Growing</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=265281379/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/growing\">Growing by Kryshe</a></iframe> June 2013\r\n<div></div>\r\nThis 40 minute live improvisation in 3 sections was recorded in the Summer of 2013. As demonstrated on Kryshe\'s mini-album  \"In Between\", Grothe has a sublime understanding of space and tone. Growing is a delicate, hovering soundworld, pulsing with life yet never leaving a trace of its creator\'s presence.\r\n<div></div>\r\n<div></div>\r\n<h4>Dreamland</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=639533407/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/dreamland\">Dreamland by Kryshe</a></iframe> November 2012\r\n<div></div>\r\nIn contrast to the free-flowing and layered compositions of <em>Growing</em> and <em>In Between</em>, this debut release from Kryshe presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe\'s ability to bring his delicate and affecting songcraft to new and varied musical environs.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s musical explorations began by writing and recordings guitar-based songs at home, and over time his approach has become more experimental in nature. His current productions often evolve from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kryshe-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kryshe-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Kryshe - \" href=\"http://www.hiddenshoal.com/publicity/kryshe/In_Between-Press_Release.pdf\">Kryshe <em>In Between</em> Album Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery link=\"file\" ids=\"10297,10301,10300\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/DcbLFCvLlWY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\nKryshe Liveset at Mimis Osnabrück. September 2013\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/EfheJsHPZwU?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKryshe\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kryshe','','inherit','closed','closed','','10289-revision-v1','','','2014-11-20 11:57:04','2014-11-20 03:57:04','',10289,'http://www.hiddenshoal.com/10289-revision-v1/',0,'revision','',0),(11283,1,'2014-11-18 11:17:27','2014-11-18 03:17:27','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Kryshe</h1>\r\n<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"243\" height=\"163\" />Kryshe’s exquisitely subtle and detailed ambient work resonates with chilly grandeur. Across spacious vistas reminiscent of the collaborative work of Eno and Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency.\r\n\r\n<strong><a title=\"Facebook\" href=\"http://www.facebook.com/kryshemusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/kryshe\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://kryshe.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>In Between</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe>\r\nSeptember 2014\r\n<div></div>\r\nAs its name suggests, <em>In Between</em> lives and breathes in the spaces around each carefully played note. This exquisitely subtle and detailed five-track EP resonates with chilly grandeur and heartening warmth. Across spacious vistas reminiscent of the collaborative work of Brian Eno and Harold Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency.\r\n\r\nOpening with the shimmering piano melodies and tape-chewed ambience of the majestic title track, with detours via the angelic music-box miniature ‘Iceland’ and the glitch-scarred sustain-scapes of ‘Africa’, and concluding with the achingly melancholic ‘Lullaby’, <em>In Between</em> is a perfectly formed release that announces an understated new ambient craftsman.\r\n<div></div>\r\n<div></div>\r\n<h4>Dreamland</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=639533407/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/dreamland\">Dreamland by Kryshe</a></iframe>\r\nMay 2014\r\n<div></div>\r\nIn contrast to the free flowing and layered compositions of Kryshe\'s <em>In Between</em> EP, <em>Dreamland</em> presents a much more grounded and woven sonic tableau. This two piece set showcases Grothe\'s ability to bring his delicate and affecting songcraft to new and varied forms. The songs on <em>Dreamland</em> were originally recorded in 2012 and finalised for release in 2014.\r\n<h4>Growing</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=265281379/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/growing\">Growing by Kryshe</a></iframe>\r\nMay 2014\r\n<div></div>\r\nThe debut release from Kryshe (aka Christian Grothe). This 40 minute live improvisation in 3 sections was recorded in the Summer of 2013. As demonstrated on Kryshe\'s mini-album  \"In Between\", Grothe has a sublime understanding of space and tone. Growing is a delicate, hovering soundworld, pulsing with life yet never leaving a trace of its creator\'s presence.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s musical explorations began by writing and recordings guitar-based songs at home, and over time his approach has become more experimental in nature. His current productions often evolve from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kryshe-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kryshe-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Kryshe - \" href=\"http://www.hiddenshoal.com/publicity/kryshe/In_Between-Press_Release.pdf\">Kryshe <em>In Between</em> Album Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery link=\"file\" ids=\"10297,10301,10300\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/DcbLFCvLlWY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\nKryshe Liveset at Mimis Osnabrück. September 2013\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/EfheJsHPZwU?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKryshe\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kryshe','','inherit','closed','closed','','10289-revision-v1','','','2014-11-18 11:17:27','2014-11-18 03:17:27','',10289,'http://www.hiddenshoal.com/10289-revision-v1/',0,'revision','',0),(11284,1,'2014-11-18 12:07:53','2014-11-18 04:07:53','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Kryshe</h1>\r\n<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"243\" height=\"163\" />Kryshe’s exquisitely subtle and detailed ambient work resonates with chilly grandeur. Across spacious vistas reminiscent of the collaborative work of Eno and Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency.\r\n\r\n<strong><a title=\"Facebook\" href=\"http://www.facebook.com/kryshemusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/kryshe\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://kryshe.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>In Between</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe>\r\nSeptember 2014\r\n<div></div>\r\nAs its name suggests, <em>In Between</em> lives and breathes in the spaces around each carefully played note. This exquisitely subtle and detailed five-track EP resonates with chilly grandeur and heartening warmth. Across spacious vistas reminiscent of the collaborative work of Brian Eno and Harold Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency.\r\n\r\nOpening with the shimmering piano melodies and tape-chewed ambience of the majestic title track, with detours via the angelic music-box miniature ‘Iceland’ and the glitch-scarred sustain-scapes of ‘Africa’, and concluding with the achingly melancholic ‘Lullaby’, <em>In Between</em> is a perfectly formed release that announces an understated new ambient craftsman.\r\n<div></div>\r\n<div></div>\r\n<h4>Dreamland</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=639533407/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/dreamland\">Dreamland by Kryshe</a></iframe>\r\nMay 2014\r\n<div></div>\r\nIn contrast to the free-flowing and layered compositions of Kryshe\'s <em>In Between</em> EP, <em>Dreamland</em> presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe\'s ability to bring his delicate and affecting songcraft to new and varied musical environs. The songs were recorded back in 2012, and released in 2014.\r\n<h4>Growing</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=265281379/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/growing\">Growing by Kryshe</a></iframe>\r\nMay 2014\r\n<div></div>\r\nThe debut release from Kryshe (aka Christian Grothe). This 40 minute live improvisation in 3 sections was recorded in the Summer of 2013. As demonstrated on Kryshe\'s mini-album  \"In Between\", Grothe has a sublime understanding of space and tone. Growing is a delicate, hovering soundworld, pulsing with life yet never leaving a trace of its creator\'s presence.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s musical explorations began by writing and recordings guitar-based songs at home, and over time his approach has become more experimental in nature. His current productions often evolve from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kryshe-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kryshe-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Kryshe - \" href=\"http://www.hiddenshoal.com/publicity/kryshe/In_Between-Press_Release.pdf\">Kryshe <em>In Between</em> Album Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery link=\"file\" ids=\"10297,10301,10300\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/DcbLFCvLlWY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\nKryshe Liveset at Mimis Osnabrück. September 2013\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/EfheJsHPZwU?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKryshe\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kryshe','','inherit','closed','closed','','10289-revision-v1','','','2014-11-18 12:07:53','2014-11-18 04:07:53','',10289,'http://www.hiddenshoal.com/10289-revision-v1/',0,'revision','',0),(11285,1,'2014-11-18 13:36:23','2014-11-18 05:36:23','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Kryshe</h1>\r\n<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"243\" height=\"163\" />Kryshe’s exquisitely subtle and detailed ambient work resonates with chilly grandeur. Across spacious vistas reminiscent of the collaborative work of Eno and Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency.\r\n\r\n<strong><a title=\"Facebook\" href=\"http://www.facebook.com/kryshemusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/kryshe\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://kryshe.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>In Between</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe> September 2014\r\n<div></div>\r\nAs its name suggests, <em>In Between</em> lives and breathes in the spaces around each carefully played note. This exquisitely subtle and detailed five-track EP resonates with chilly grandeur and heartening warmth. Across spacious vistas reminiscent of the collaborative work of Brian Eno and Harold Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency. Opening with the shimmering piano melodies and tape-chewed ambience of the majestic title track, with detours via the angelic music-box miniature ‘Iceland’ and the glitch-scarred sustain-scapes of ‘Africa’, and concluding with the achingly melancholic ‘Lullaby’, <em>In Between</em> is a perfectly formed release that announces an understated new ambient craftsman.\r\n<div></div>\r\n<div></div>\r\n<h4>Dreamland</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=639533407/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/dreamland\">Dreamland by Kryshe</a></iframe> May 2014\r\n<div></div>\r\nIn contrast to the free-flowing and layered compositions of Kryshe\'s <em>In Between</em> EP, <em>Dreamland</em> presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe\'s ability to bring his delicate and affecting songcraft to new and varied musical environs. The songs were recorded back in 2012, and released in 2014.\r\n<h4>Growing</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=265281379/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/growing\">Growing by Kryshe</a></iframe> May 2014\r\n<div></div>\r\nThe debut release from Kryshe (aka Christian Grothe). This 40 minute live improvisation in 3 sections was recorded in the Summer of 2013. As demonstrated on Kryshe\'s mini-album  \"In Between\", Grothe has a sublime understanding of space and tone. Growing is a delicate, hovering soundworld, pulsing with life yet never leaving a trace of its creator\'s presence.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s musical explorations began by writing and recordings guitar-based songs at home, and over time his approach has become more experimental in nature. His current productions often evolve from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kryshe-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kryshe-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Kryshe - \" href=\"http://www.hiddenshoal.com/publicity/kryshe/In_Between-Press_Release.pdf\">Kryshe <em>In Between</em> Album Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery link=\"file\" ids=\"10297,10301,10300\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/DcbLFCvLlWY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\nKryshe Liveset at Mimis Osnabrück. September 2013\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/EfheJsHPZwU?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKryshe\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kryshe','','inherit','closed','closed','','10289-revision-v1','','','2014-11-18 13:36:23','2014-11-18 05:36:23','',10289,'http://www.hiddenshoal.com/10289-revision-v1/',0,'revision','',0),(11286,1,'2014-11-18 13:38:12','2014-11-18 05:38:12','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Kryshe</h1>\r\n<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"243\" height=\"163\" />Kryshe’s exquisitely subtle and detailed ambient work resonates with chilly grandeur. Across spacious vistas reminiscent of the collaborative work of Eno and Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency.\r\n\r\n<strong><a title=\"Facebook\" href=\"http://www.facebook.com/kryshemusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/kryshe\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://kryshe.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>In Between</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe> September 2014</p><div> </div><p>As its name suggests, <em>In Between</em> lives and breathes in the spaces around each carefully played note. This exquisitely subtle and detailed five-track EP resonates with chilly grandeur and heartening warmth. Across spacious vistas reminiscent of the collaborative work of Brian Eno and Harold Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency. Opening with the shimmering piano melodies and tape-chewed ambience of the majestic title track, with detours via the angelic music-box miniature ‘Iceland’ and the glitch-scarred sustain-scapes of ‘Africa’, and concluding with the achingly melancholic ‘Lullaby’, <em>In Between</em> is a perfectly formed release that announces an understated new ambient craftsman.</p><div> </div><div> </div><h4>Dreamland</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=639533407/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/dreamland\">Dreamland by Kryshe</a></iframe> May 2014</p><div> </div><p>In contrast to the free-flowing and layered compositions of Kryshe\'s <em>In Between</em> EP, <em>Dreamland</em> presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe\'s ability to bring his delicate and affecting songcraft to new and varied musical environs. The songs were recorded back in 2012, and released in 2014.</p><h4>Growing</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=265281379/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/growing\">Growing by Kryshe</a></iframe> May 2014</p><div> </div><p>The debut release from Kryshe (aka Christian Grothe). This 40 minute live improvisation in 3 sections was recorded in the Summer of 2013. As demonstrated on Kryshe\'s mini-album  \"In Between\", Grothe has a sublime understanding of space and tone. Growing is a delicate, hovering soundworld, pulsing with life yet never leaving a trace of its creator\'s presence.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s musical explorations began by writing and recordings guitar-based songs at home, and over time his approach has become more experimental in nature. His current productions often evolve from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kryshe-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kryshe-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Kryshe - \" href=\"http://www.hiddenshoal.com/publicity/kryshe/In_Between-Press_Release.pdf\">Kryshe <em>In Between</em> Album Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery link=\"file\" ids=\"10297,10301,10300\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/DcbLFCvLlWY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\nKryshe Liveset at Mimis Osnabrück. September 2013\r\n\r\n \r\n\r\n<iframe src=\"//www.youtube.com/embed/EfheJsHPZwU?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKryshe\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kryshe','','inherit','closed','closed','','10289-revision-v1','','','2014-11-18 13:38:12','2014-11-18 05:38:12','',10289,'http://www.hiddenshoal.com/10289-revision-v1/',0,'revision','',0),(11287,1,'2014-11-18 13:40:51','2014-11-18 05:40:51','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Kryshe</h1>\r\n<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"243\" height=\"163\" />Kryshe’s exquisitely subtle and detailed ambient work resonates with chilly grandeur. Across spacious vistas reminiscent of the collaborative work of Eno and Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency.\r\n\r\n<strong><a title=\"Facebook\" href=\"http://www.facebook.com/kryshemusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/kryshe\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://kryshe.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>In Between</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe>\r\nSeptember 2014\r\n<div></div>\r\nAs its name suggests, <em>In Between</em> lives and breathes in the spaces around each carefully played note. This exquisitely subtle and detailed five-track EP resonates with chilly grandeur and heartening warmth. Across spacious vistas reminiscent of the collaborative work of Brian Eno and Harold Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency. Opening with the shimmering piano melodies and tape-chewed ambience of the majestic title track, with detours via the angelic music-box miniature ‘Iceland’ and the glitch-scarred sustain-scapes of ‘Africa’, and concluding with the achingly melancholic ‘Lullaby’, <em>In Between</em> is a perfectly formed release that announces an understated new ambient craftsman.\r\n<div></div>\r\n<div></div>\r\n<h4>Dreamland</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=639533407/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/dreamland\">Dreamland by Kryshe</a></iframe>\r\nMay 2014\r\n<div></div>\r\nIn contrast to the free-flowing and layered compositions of Kryshe\'s <em>In Between</em> EP, <em>Dreamland</em> presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe\'s ability to bring his delicate and affecting songcraft to new and varied musical environs. The songs were recorded back in 2012, and released in 2014.\r\n<div></div>\r\n<div></div>\r\n<h4>Growing</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=265281379/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/growing\">Growing by Kryshe</a></iframe>\r\nMay 2014\r\n<div></div>\r\nThe debut release from Kryshe (aka Christian Grothe). This 40 minute live improvisation in 3 sections was recorded in the Summer of 2013. As demonstrated on Kryshe\'s mini-album  \"In Between\", Grothe has a sublime understanding of space and tone. Growing is a delicate, hovering soundworld, pulsing with life yet never leaving a trace of its creator\'s presence.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s musical explorations began by writing and recordings guitar-based songs at home, and over time his approach has become more experimental in nature. His current productions often evolve from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kryshe-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kryshe-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Kryshe - \" href=\"http://www.hiddenshoal.com/publicity/kryshe/In_Between-Press_Release.pdf\">Kryshe <em>In Between</em> Album Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery link=\"file\" ids=\"10297,10301,10300\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/DcbLFCvLlWY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\nKryshe Liveset at Mimis Osnabrück. September 2013\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/EfheJsHPZwU?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKryshe\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kryshe','','inherit','closed','closed','','10289-revision-v1','','','2014-11-18 13:40:51','2014-11-18 05:40:51','',10289,'http://www.hiddenshoal.com/10289-revision-v1/',0,'revision','',0),(11288,1,'2014-11-18 13:43:50','2014-11-18 05:43:50','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Kryshe</h1>\r\n<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"243\" height=\"163\" />Kryshe’s exquisitely subtle and detailed ambient work resonates with chilly grandeur. Across spacious vistas reminiscent of the collaborative work of Eno and Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency.\r\n\r\n<strong><a title=\"Facebook\" href=\"http://www.facebook.com/kryshemusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/kryshe\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://kryshe.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>In Between</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe> September 2014\r\n<div></div>\r\nAs its name suggests, <em>In Between</em> lives and breathes in the spaces around each carefully played note. This exquisitely subtle and detailed five-track EP resonates with chilly grandeur and heartening warmth. Across spacious vistas reminiscent of the collaborative work of Brian Eno and Harold Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency. Opening with the shimmering piano melodies and tape-chewed ambience of the majestic title track, with detours via the angelic music-box miniature ‘Iceland’ and the glitch-scarred sustain-scapes of ‘Africa’, and concluding with the achingly melancholic ‘Lullaby’, <em>In Between</em> is a perfectly formed release that announces an understated new ambient craftsman.\r\n<div></div>\r\n<div></div>\r\n<h4>Dreamland</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=639533407/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/dreamland\">Dreamland by Kryshe</a></iframe> May 2014\r\n<div></div>\r\nIn contrast to the free-flowing and layered compositions of Kryshe\'s <em>In Between</em> EP, <em>Dreamland</em> presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe\'s ability to bring his delicate and affecting songcraft to new and varied musical environs. The songs were recorded back in 2012, and released in 2014.\r\n<div></div>\r\n<div></div>\r\n<h4>Growing</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=265281379/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/growing\">Growing by Kryshe</a></iframe> May 2014\r\n<div></div>\r\nThe debut release from Kryshe (aka Christian Grothe). This 40 minute live improvisation in 3 sections was recorded in the Summer of 2013. As demonstrated on Kryshe\'s mini-album  \"In Between\", Grothe has a sublime understanding of space and tone. Growing is a delicate, hovering soundworld, pulsing with life yet never leaving a trace of its creator\'s presence.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s musical explorations began by writing and recordings guitar-based songs at home, and over time his approach has become more experimental in nature. His current productions often evolve from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kryshe-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kryshe-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Kryshe - \" href=\"http://www.hiddenshoal.com/publicity/kryshe/In_Between-Press_Release.pdf\">Kryshe <em>In Between</em> Album Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery link=\"file\" ids=\"10297,10301,10300\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/DcbLFCvLlWY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\nKryshe Liveset at Mimis Osnabrück. September 2013\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/EfheJsHPZwU?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKryshe\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kryshe','','inherit','closed','closed','','10289-revision-v1','','','2014-11-18 13:43:50','2014-11-18 05:43:50','',10289,'http://www.hiddenshoal.com/10289-revision-v1/',0,'revision','',0),(11290,1,'2014-11-18 13:46:00','2014-11-18 05:46:00','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Kryshe</h1>\r\n<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"243\" height=\"163\" />Kryshe’s exquisitely subtle and detailed ambient work resonates with chilly grandeur. Across spacious vistas reminiscent of the collaborative work of Eno and Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency.\r\n\r\n<strong><a title=\"Facebook\" href=\"http://www.facebook.com/kryshemusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/kryshe\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://kryshe.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>In Between</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe>\r\nSeptember 2014\r\n<div></div>\r\nAs its name suggests, <em>In Between</em> lives and breathes in the spaces around each carefully played note. This exquisitely subtle and detailed five-track EP resonates with chilly grandeur and heartening warmth. Across spacious vistas reminiscent of the collaborative work of Brian Eno and Harold Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency. Opening with the shimmering piano melodies and tape-chewed ambience of the majestic title track, with detours via the angelic music-box miniature ‘Iceland’ and the glitch-scarred sustain-scapes of ‘Africa’, and concluding with the achingly melancholic ‘Lullaby’, <em>In Between</em> is a perfectly formed release that announces an understated new ambient craftsman.\r\n<div></div>\r\n<div></div>\r\n<h4>Dreamland</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=639533407/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/dreamland\">Dreamland by Kryshe</a></iframe>\r\nMay 2014\r\n<div></div>\r\nIn contrast to the free-flowing and layered compositions of Kryshe\'s <em>In Between</em> EP, <em>Dreamland</em> presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe\'s ability to bring his delicate and affecting songcraft to new and varied musical environs. The songs were recorded back in 2012, and released in 2014.\r\n<div></div>\r\n<div></div>\r\n<h4>Growing</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=265281379/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/growing\">Growing by Kryshe</a></iframe>\r\nMay 2014\r\n<div></div>\r\nThe debut release from Kryshe (aka Christian Grothe). This 40 minute live improvisation in 3 sections was recorded in the Summer of 2013. As demonstrated on Kryshe\'s mini-album  \"In Between\", Grothe has a sublime understanding of space and tone. Growing is a delicate, hovering soundworld, pulsing with life yet never leaving a trace of its creator\'s presence.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s musical explorations began by writing and recordings guitar-based songs at home, and over time his approach has become more experimental in nature. His current productions often evolve from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kryshe-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kryshe-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Kryshe - \" href=\"http://www.hiddenshoal.com/publicity/kryshe/In_Between-Press_Release.pdf\">Kryshe <em>In Between</em> Album Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery link=\"file\" ids=\"10297,10301,10300\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/DcbLFCvLlWY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\nKryshe Liveset at Mimis Osnabrück. September 2013\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/EfheJsHPZwU?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKryshe\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kryshe','','inherit','closed','closed','','10289-revision-v1','','','2014-11-18 13:46:00','2014-11-18 05:46:00','',10289,'http://www.hiddenshoal.com/10289-revision-v1/',0,'revision','',0),(11289,1,'2014-11-18 13:45:10','2014-11-18 05:45:10','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Kryshe</h1>\r\n<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"243\" height=\"163\" />Kryshe’s exquisitely subtle and detailed ambient work resonates with chilly grandeur. Across spacious vistas reminiscent of the collaborative work of Eno and Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency.\r\n\r\n<strong><a title=\"Facebook\" href=\"http://www.facebook.com/kryshemusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/kryshe\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://kryshe.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>In Between</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe> September 2014</p><div> </div><p>As its name suggests, <em>In Between</em> lives and breathes in the spaces around each carefully played note. This exquisitely subtle and detailed five-track EP resonates with chilly grandeur and heartening warmth. Across spacious vistas reminiscent of the collaborative work of Brian Eno and Harold Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency. Opening with the shimmering piano melodies and tape-chewed ambience of the majestic title track, with detours via the angelic music-box miniature ‘Iceland’ and the glitch-scarred sustain-scapes of ‘Africa’, and concluding with the achingly melancholic ‘Lullaby’, <em>In Between</em> is a perfectly formed release that announces an understated new ambient craftsman.</p><div> </div><div> </div><h4>Dreamland</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=639533407/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/dreamland\">Dreamland by Kryshe</a></iframe> May 2014</p><div> </div><p>In contrast to the free-flowing and layered compositions of Kryshe\'s <em>In Between</em> EP, <em>Dreamland</em> presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe\'s ability to bring his delicate and affecting songcraft to new and varied musical environs. The songs were recorded back in 2012, and released in 2014.</p><div> </div><div> </div><h4>Growing</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=265281379/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/growing\">Growing by Kryshe</a></iframe> May 2014</p><div> </div><p>The debut release from Kryshe (aka Christian Grothe). This 40 minute live improvisation in 3 sections was recorded in the Summer of 2013. As demonstrated on Kryshe\'s mini-album  \"In Between\", Grothe has a sublime understanding of space and tone. Growing is a delicate, hovering soundworld, pulsing with life yet never leaving a trace of its creator\'s presence.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s musical explorations began by writing and recordings guitar-based songs at home, and over time his approach has become more experimental in nature. His current productions often evolve from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kryshe-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kryshe-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Kryshe - \" href=\"http://www.hiddenshoal.com/publicity/kryshe/In_Between-Press_Release.pdf\">Kryshe <em>In Between</em> Album Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery link=\"file\" ids=\"10297,10301,10300\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/DcbLFCvLlWY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\nKryshe Liveset at Mimis Osnabrück. September 2013\r\n\r\n \r\n\r\n<iframe src=\"//www.youtube.com/embed/EfheJsHPZwU?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKryshe\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kryshe','','inherit','closed','closed','','10289-revision-v1','','','2014-11-18 13:45:10','2014-11-18 05:45:10','',10289,'http://www.hiddenshoal.com/10289-revision-v1/',0,'revision','',0),(11383,1,'2014-12-01 11:32:23','2014-12-01 03:32:23','<img class=\"alignright wp-image-9304 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Umpire-Band-Photo-350px-300x262.jpg\" alt=\"Umpire\" width=\"146\" height=\"128\" />On Umpire\'s \'Spotlights\', it\'s all about the slow-burn, the withholding – and the showstopping vocal from Geoff Symons. Minus the full band behind him, Symons and his downtuned SG create a heartbreaking little universe that speaks volumes. (Fun Umpire fact: At one stage, this was to be the opening track of their superb album <em>Now We\'re Active</em>, but was switched to the penultimate spot for maximum impact.)\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/179398928&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Umpire \'Spotlights\'','','publish','closed','closed','','featured-track-umpire-spotlights','','','2016-06-20 10:42:01','2016-06-20 02:42:01','',0,'http://www.hiddenshoal.com/?p=11383',0,'post','',0),(11294,1,'2014-11-19 12:15:50','2014-11-19 04:15:50','<img class=\"alignleft  wp-image-11022\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/IMG_3026-300x225.jpg\" alt=\"Makee\" width=\"188\" height=\"141\" />We\'re excited to announce the official release of the brilliant debut self-titled EP by Perth-based artist <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">Makee</a>. You can grab the EP on CD and in digital formats <a title=\"Bandcamp\" href=\"https://makee.bandcamp.com/album/makee\" target=\"_blank\">here</a> and read more about the artist <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">here</a>.\r\n\r\nMakee’s bright-eyed, beat-driven tracks, as danceable as they are atmospheric, build to create a thoroughly rewarding sonic whole. His debut self-titled EP, self-described as “looped samples of atmospheric nostalgia”, stretches luxuriously across seemingly disparate genres. The fog-laden disco of ‘Bail’ is shot through with a beatific vibe; ‘Stez’ surges relentlessly on motorik rhythms; ‘Tone’ burns with ecstatic, sun-blind intensity; ‘Wake’ is infused with Caribou-esque psychedelia; and finale ‘Bord’ takes a leap into the void with the fervour of prime kosmische that’s been mollified by shoegaze.\r\n\r\n<em>\"For one thing, the detached retro unleashed from the looped up mind of Makee will hypnotise you in double quick time with the post Eurodisco sensibilities of “Bail” easily rendering your ears spellbound even if you’ve never been to Frankfurt. \"</em> - <a title=\"BluesBunny\" href=\"http://www.bluesbunny.com/Reviews/reviewID/2400/xmps/11123\" target=\"_blank\"><strong>BluesBunny</strong></a>\r\n\r\n<iframe src=\"//www.youtube.com/embed/WucocllpuO0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Makee\'s Debut Self-Titled EP Out Now','','publish','closed','closed','','makees-debut-self-titled-ep-out-now','','','2016-02-03 16:48:13','2016-02-03 08:48:13','',0,'http://www.hiddenshoal.com/?p=11294',0,'post','',0),(11295,1,'2014-11-19 11:52:24','2014-11-19 03:52:24','We\'re excited to announce the official release of the debut self-title EP by Perth-based artist Makee. You can grab the EP on CD and in digital formats <a title=\"Bandcamp\" href=\"https://makee.bandcamp.com/album/makee\" target=\"_blank\">here</a> and read more about the artist <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">here</a>.\r\n\r\nMakee’s bright-eyed, beat-driven tracks, as danceable as they are atmospheric, build to create a thoroughly rewarding sonic whole. His debut self-titled EP, self-described as “looped samples of atmospheric nostalgia”, stretches luxuriously across seemingly disparate genres. The fog-laden disco of ‘Bail’ is shot through with a beatific vibe; ‘Stez’ surges relentlessly on motorik rhythms; ‘Tone’ burns with ecstatic, sun-blind intensity; ‘Wake’ is infused with Caribou-esque psychedelia; and finale ‘Bord’ takes a leap into the void with the fervour of prime kosmische that’s been mollified by shoegaze.\r\n\r\n&nbsp;','Makee\'s Debut Self-Titled EP Out Now!','','inherit','closed','closed','','11294-revision-v1','','','2014-11-19 11:52:24','2014-11-19 03:52:24','',11294,'http://www.hiddenshoal.com/11294-revision-v1/',0,'revision','',0),(11296,1,'2014-11-19 11:54:03','2014-11-19 03:54:03','<img class=\"alignleft  wp-image-11022\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/IMG_3026-300x225.jpg\" alt=\"Makee\" width=\"188\" height=\"141\" />We\'re excited to announce the official release of the debut self-title EP by Perth-based artist <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">Makee</a>. You can grab the EP on CD and in digital formats <a title=\"Bandcamp\" href=\"https://makee.bandcamp.com/album/makee\" target=\"_blank\">here</a> and read more about the artist <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">here</a>.\r\n\r\nMakee’s bright-eyed, beat-driven tracks, as danceable as they are atmospheric, build to create a thoroughly rewarding sonic whole. His debut self-titled EP, self-described as “looped samples of atmospheric nostalgia”, stretches luxuriously across seemingly disparate genres. The fog-laden disco of ‘Bail’ is shot through with a beatific vibe; ‘Stez’ surges relentlessly on motorik rhythms; ‘Tone’ burns with ecstatic, sun-blind intensity; ‘Wake’ is infused with Caribou-esque psychedelia; and finale ‘Bord’ takes a leap into the void with the fervour of prime kosmische that’s been mollified by shoegaze.\r\n\r\n&nbsp;','Makee\'s Debut Self-Titled EP Out Now!','','inherit','closed','closed','','11294-revision-v1','','','2014-11-19 11:54:03','2014-11-19 03:54:03','',11294,'http://www.hiddenshoal.com/11294-revision-v1/',0,'revision','',0),(11297,1,'2014-11-19 11:56:05','2014-11-19 03:56:05','<img class=\"alignleft  wp-image-11022\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/IMG_3026-300x225.jpg\" alt=\"Makee\" width=\"188\" height=\"141\" />We\'re excited to announce the official release of the debut self-title EP by Perth-based artist <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">Makee</a>. You can grab the EP on CD and in digital formats <a title=\"Bandcamp\" href=\"https://makee.bandcamp.com/album/makee\" target=\"_blank\">here</a> and read more about the artist <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">here</a>.\r\n\r\nMakee’s bright-eyed, beat-driven tracks, as danceable as they are atmospheric, build to create a thoroughly rewarding sonic whole. His debut self-titled EP, self-described as “looped samples of atmospheric nostalgia”, stretches luxuriously across seemingly disparate genres. The fog-laden disco of ‘Bail’ is shot through with a beatific vibe; ‘Stez’ surges relentlessly on motorik rhythms; ‘Tone’ burns with ecstatic, sun-blind intensity; ‘Wake’ is infused with Caribou-esque psychedelia; and finale ‘Bord’ takes a leap into the void with the fervour of prime kosmische that’s been mollified by shoegaze.\r\n<iframe src=\"//www.youtube.com/embed/WucocllpuO0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Makee\'s Debut Self-Titled EP Out Now!','','inherit','closed','closed','','11294-revision-v1','','','2014-11-19 11:56:05','2014-11-19 03:56:05','',11294,'http://www.hiddenshoal.com/11294-revision-v1/',0,'revision','',0),(11298,1,'2014-11-19 12:13:33','2014-11-19 04:13:33','<img class=\"alignleft  wp-image-11022\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/IMG_3026-300x225.jpg\" alt=\"Makee\" width=\"188\" height=\"141\" />We\'re excited to announce the official release of the debut self-titled EP by Perth-based artist <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">Makee</a>. You can grab the EP on CD and in digital formats <a title=\"Bandcamp\" href=\"https://makee.bandcamp.com/album/makee\" target=\"_blank\">here</a> and read more about the artist <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">here</a>.\r\n\r\nMakee’s bright-eyed, beat-driven tracks, as danceable as they are atmospheric, build to create a thoroughly rewarding sonic whole. His debut self-titled EP, self-described as “looped samples of atmospheric nostalgia”, stretches luxuriously across seemingly disparate genres. The fog-laden disco of ‘Bail’ is shot through with a beatific vibe; ‘Stez’ surges relentlessly on motorik rhythms; ‘Tone’ burns with ecstatic, sun-blind intensity; ‘Wake’ is infused with Caribou-esque psychedelia; and finale ‘Bord’ takes a leap into the void with the fervour of prime kosmische that’s been mollified by shoegaze.\r\n\r\n<em>\"For one thing, the detached retro unleashed from the looped up mind of Makee will hypnotise you in double quick time with the post Eurodisco sensibilities of “Bail” easily rendering your ears spellbound even if you’ve never been to Frankfurt. \"</em> - <a title=\"BluesBunny\" href=\"http://www.bluesbunny.com/Reviews/reviewID/2400/xmps/11123\" target=\"_blank\"><strong>BluesBunny</strong></a>\r\n<iframe src=\"//www.youtube.com/embed/WucocllpuO0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Makee\'s Debut Self-Titled EP Out Now','','inherit','closed','closed','','11294-revision-v1','','','2014-11-19 12:13:33','2014-11-19 04:13:33','',11294,'http://www.hiddenshoal.com/11294-revision-v1/',0,'revision','',0),(11299,1,'2014-11-19 12:15:50','2014-11-19 04:15:50','<img class=\"alignleft  wp-image-11022\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/IMG_3026-300x225.jpg\" alt=\"Makee\" width=\"188\" height=\"141\" />We\'re excited to announce the official release of the brilliant debut self-titled EP by Perth-based artist <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">Makee</a>. You can grab the EP on CD and in digital formats <a title=\"Bandcamp\" href=\"https://makee.bandcamp.com/album/makee\" target=\"_blank\">here</a> and read more about the artist <a title=\"Makee\" href=\"http://www.hiddenshoal.com/project/makee/\">here</a>.\r\n\r\nMakee’s bright-eyed, beat-driven tracks, as danceable as they are atmospheric, build to create a thoroughly rewarding sonic whole. His debut self-titled EP, self-described as “looped samples of atmospheric nostalgia”, stretches luxuriously across seemingly disparate genres. The fog-laden disco of ‘Bail’ is shot through with a beatific vibe; ‘Stez’ surges relentlessly on motorik rhythms; ‘Tone’ burns with ecstatic, sun-blind intensity; ‘Wake’ is infused with Caribou-esque psychedelia; and finale ‘Bord’ takes a leap into the void with the fervour of prime kosmische that’s been mollified by shoegaze.\r\n\r\n<em>\"For one thing, the detached retro unleashed from the looped up mind of Makee will hypnotise you in double quick time with the post Eurodisco sensibilities of “Bail” easily rendering your ears spellbound even if you’ve never been to Frankfurt. \"</em> - <a title=\"BluesBunny\" href=\"http://www.bluesbunny.com/Reviews/reviewID/2400/xmps/11123\" target=\"_blank\"><strong>BluesBunny</strong></a>\r\n\r\n<iframe src=\"//www.youtube.com/embed/WucocllpuO0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Makee\'s Debut Self-Titled EP Out Now','','inherit','closed','closed','','11294-revision-v1','','','2014-11-19 12:15:50','2014-11-19 04:15:50','',11294,'http://www.hiddenshoal.com/11294-revision-v1/',0,'revision','',0),(11300,1,'2014-11-19 13:26:22','2014-11-19 05:26:22','\"Makee is the name given to the hazy beat creations of Dan Cavalli – who in the past was seen drumming in some bygone electronic acts out of Perth like The Transients and Druid Lee Roth. But this is an entirely new transformation.\r\n\r\nFor the past 10 years or so, Cavalli has been quietly dabbling in music production in his bedroom on “four tracks, samplers, sequencers and reel-to-reel tape… and some dodgy sequencing software” to create a five-track collection of sun-drenched, guitar-driven beats that’ll amiably have you drifting off to a place much more idyllic.\r\n\r\nPerhaps hinting at Cavalli’s vast range of influences, this transgresses a whole span of genres, from disco to shoegaze, dreamy pop psychedelia and kosmische musik, all lovingly submerged in some atypical Balearic beats — which thankfully manages to surpass that genre’s cheesy associations.\"\r\n\r\n- <a title=\"Lif is Noise\" href=\"http://lifeisnoise.com/2014/11/14/makee/\" target=\"_blank\"><strong>Life is Noise</strong></a>','Makee \"Makee\" Reviewed at Life is Noise','','publish','closed','closed','','makee-makee-reviewed-at-life-is-noise','','','2014-11-19 13:26:22','2014-11-19 05:26:22','',0,'http://www.hiddenshoal.com/?p=11300',0,'post','',0),(11301,1,'2014-11-19 13:26:22','2014-11-19 05:26:22','\"Makee is the name given to the hazy beat creations of Dan Cavalli – who in the past was seen drumming in some bygone electronic acts out of Perth like The Transients and Druid Lee Roth. But this is an entirely new transformation.\r\n\r\nFor the past 10 years or so, Cavalli has been quietly dabbling in music production in his bedroom on “four tracks, samplers, sequencers and reel-to-reel tape… and some dodgy sequencing software” to create a five-track collection of sun-drenched, guitar-driven beats that’ll amiably have you drifting off to a place much more idyllic.\r\n\r\nPerhaps hinting at Cavalli’s vast range of influences, this transgresses a whole span of genres, from disco to shoegaze, dreamy pop psychedelia and kosmische musik, all lovingly submerged in some atypical Balearic beats — which thankfully manages to surpass that genre’s cheesy associations.\"\r\n\r\n- <a title=\"Lif is Noise\" href=\"http://lifeisnoise.com/2014/11/14/makee/\" target=\"_blank\"><strong>Life is Noise</strong></a>','Makee \"Makee\" Reviewed at Life is Noise','','inherit','closed','closed','','11300-revision-v1','','','2014-11-19 13:26:22','2014-11-19 05:26:22','',11300,'http://www.hiddenshoal.com/11300-revision-v1/',0,'revision','',0),(11302,1,'2014-11-19 13:29:21','2014-11-19 05:29:21','\"I like a bit of mystery. It adds something to the process of musical discovery. Why, for example, are all the songs on Makee’s self-titled EP four letters long? For that matter, is Australia really upside down?\r\n\r\nPondering that kind of thing will make all the blood rush to your head but all that blood rushing to your head does have its advantages. For one thing, the detached retro unleashed from the looped up mind of Makee will hypnotise you in double quick time with the post Eurodisco sensibilities of “Bail” easily rendering your ears spellbound even if you’ve never been to Frankfurt. Looping things - for that is Makee’s musical weapon of choice - together with rather greater vehemence seems the plan for “Stez” as if to provide that vicious counterpoint to the dance floor while “Tone” takes irony to limit in the name of seventies space funk.\r\n\r\n“Wake”, for all its rhythmic predictability, is in clear and present danger of assaulting all that is ambient with the kind of short sharp shock guitar that once made the world safe for Goodbye Mr McKenzie. The longest song, and the most casual in its musical intentions is “Bord” and even that click tracks diligently in search of answers that aren’t actually there.\r\n\r\nThe kind of manic insistence that drives Makee’s music would make these songs ideal for the soundtrack to any cheesy seventies exploitation movie starring Maria de Aragon. The mark of approval is duly given. - 4/5\"\r\n\r\n- <a title=\"BluesBunny\" href=\"http://www.bluesbunny.com/Reviews/reviewID/2400/xmps/11123\" target=\"_blank\"><strong>BluesBunny</strong></a>','Makee \"Makee\" Reviewed at BluesBunny','','publish','closed','closed','','makee-makee-reviewed-at-bluesbunny','','','2014-11-19 13:29:21','2014-11-19 05:29:21','',0,'http://www.hiddenshoal.com/?p=11302',0,'post','',0),(11303,1,'2014-11-19 13:29:21','2014-11-19 05:29:21','\"I like a bit of mystery. It adds something to the process of musical discovery. Why, for example, are all the songs on Makee’s self-titled EP four letters long? For that matter, is Australia really upside down?\r\n\r\nPondering that kind of thing will make all the blood rush to your head but all that blood rushing to your head does have its advantages. For one thing, the detached retro unleashed from the looped up mind of Makee will hypnotise you in double quick time with the post Eurodisco sensibilities of “Bail” easily rendering your ears spellbound even if you’ve never been to Frankfurt. Looping things - for that is Makee’s musical weapon of choice - together with rather greater vehemence seems the plan for “Stez” as if to provide that vicious counterpoint to the dance floor while “Tone” takes irony to limit in the name of seventies space funk.\r\n\r\n“Wake”, for all its rhythmic predictability, is in clear and present danger of assaulting all that is ambient with the kind of short sharp shock guitar that once made the world safe for Goodbye Mr McKenzie. The longest song, and the most casual in its musical intentions is “Bord” and even that click tracks diligently in search of answers that aren’t actually there.\r\n\r\nThe kind of manic insistence that drives Makee’s music would make these songs ideal for the soundtrack to any cheesy seventies exploitation movie starring Maria de Aragon. The mark of approval is duly given. - 4/5\"\r\n\r\n- <a title=\"BluesBunny\" href=\"http://www.bluesbunny.com/Reviews/reviewID/2400/xmps/11123\" target=\"_blank\"><strong>BluesBunny</strong></a>','Makee \"Makee\" Reviewed at BluesBunny','','inherit','closed','closed','','11302-revision-v1','','','2014-11-19 13:29:21','2014-11-19 05:29:21','',11302,'http://www.hiddenshoal.com/11302-revision-v1/',0,'revision','',0),(11583,1,'2014-12-26 11:27:34','2014-12-26 03:27:34','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Kryshe</h1>\r\n<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"243\" height=\"163\" />Kryshe’s exquisitely subtle and detailed ambient work resonates with chilly grandeur. Across spacious vistas reminiscent of the collaborative work of Eno and Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency.\r\n\r\n<strong><a title=\"Facebook\" href=\"http://www.facebook.com/kryshemusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/kryshe\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://kryshe.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>In Between</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe>\r\nSeptember 2014\r\n<div></div>\r\nAs its name suggests, <em>In Between</em> lives and breathes in the spaces around each carefully played note. This exquisitely subtle and detailed five-track EP resonates with chilly grandeur and heartening warmth. Across spacious vistas reminiscent of the collaborative work of Brian Eno and Harold Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency. Opening with the shimmering piano melodies and tape-chewed ambience of the majestic title track, with detours via the angelic music-box miniature ‘Iceland’ and the glitch-scarred sustain-scapes of ‘Africa’, and concluding with the achingly melancholic ‘Lullaby’, <em>In Between</em> is a perfectly formed release that announces an understated new ambient craftsman.\r\n<div></div>\r\n<div></div>\r\n<h4>Growing</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=265281379/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/growing\">Growing by Kryshe</a></iframe>\r\nJune 2013\r\n<div></div>\r\nThis 40 minute live improvisation in 3 sections was recorded in the Summer of 2013. As demonstrated on Kryshe\'s mini-album  \"In Between\", Grothe has a sublime understanding of space and tone. Growing is a delicate, hovering soundworld, pulsing with life yet never leaving a trace of its creator\'s presence.\r\n<div></div>\r\n<div></div>\r\n<h4>Dreamland</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=639533407/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/dreamland\">Dreamland by Kryshe</a></iframe>\r\nNovember 2012\r\n<div></div>\r\nIn contrast to the free-flowing and layered compositions of <em>Growing</em> and <em>In Between</em>, this debut release from Kryshe presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe\'s ability to bring his delicate and affecting songcraft to new and varied musical environs.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s musical explorations began by writing and recordings guitar-based songs at home, and over time his approach has become more experimental in nature. His current productions often evolve from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kryshe-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kryshe-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Kryshe - \" href=\"http://www.hiddenshoal.com/publicity/kryshe/In_Between-Press_Release.pdf\">Kryshe <em>In Between</em> Album Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery link=\"file\" ids=\"10297,10301,10300\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/DcbLFCvLlWY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\nKryshe Liveset at Mimis Osnabrück. September 2013\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/EfheJsHPZwU?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKryshe\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kryshe','','inherit','closed','closed','','10289-revision-v1','','','2014-12-26 11:27:34','2014-12-26 03:27:34','',10289,'http://www.hiddenshoal.com/10289-revision-v1/',0,'revision','',0),(11305,1,'2014-11-20 11:59:52','2014-11-20 03:59:52','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Kryshe</h1>\r\n<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"243\" height=\"163\" />Kryshe’s exquisitely subtle and detailed ambient work resonates with chilly grandeur. Across spacious vistas reminiscent of the collaborative work of Eno and Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency.\r\n\r\n<strong><a title=\"Facebook\" href=\"http://www.facebook.com/kryshemusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/kryshe\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://kryshe.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>In Between</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe> <br />September 2014</p><div> </div><p>As its name suggests, <em>In Between</em> lives and breathes in the spaces around each carefully played note. This exquisitely subtle and detailed five-track EP resonates with chilly grandeur and heartening warmth. Across spacious vistas reminiscent of the collaborative work of Brian Eno and Harold Budd, delicate yet assured melodies unfurl before being subjected to delicate manipulation. This is enveloping, minimal music with a fragility that belies its emotional potency. Opening with the shimmering piano melodies and tape-chewed ambience of the majestic title track, with detours via the angelic music-box miniature ‘Iceland’ and the glitch-scarred sustain-scapes of ‘Africa’, and concluding with the achingly melancholic ‘Lullaby’, <em>In Between</em> is a perfectly formed release that announces an understated new ambient craftsman.</p><div> </div><div> </div><h4>Growing</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=265281379/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/growing\">Growing by Kryshe</a></iframe> <br />June 2013</p><div> </div><p>This 40 minute live improvisation in 3 sections was recorded in the Summer of 2013. As demonstrated on Kryshe\'s mini-album  \"In Between\", Grothe has a sublime understanding of space and tone. Growing is a delicate, hovering soundworld, pulsing with life yet never leaving a trace of its creator\'s presence.</p><div> </div><div> </div><h4>Dreamland</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=639533407/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/dreamland\">Dreamland by Kryshe</a></iframe> <br />November 2012</p><div> </div><p>In contrast to the free-flowing and layered compositions of <em>Growing</em> and <em>In Between</em>, this debut release from Kryshe presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe\'s ability to bring his delicate and affecting songcraft to new and varied musical environs.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nKryshe is the live and studio-based ambient project of German musician Christian Grothe. Grothe’s musical explorations began by writing and recordings guitar-based songs at home, and over time his approach has become more experimental in nature. His current productions often evolve from live improvisation sessions, incorporating sound-manipulation software such as max/msp to develop a richly layered yet spacious sound. Grothe is also a member of the improvisational trio Unland, featuring ambient artist Jonas Meyer and clarinetist Shabnam Pavaresh.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kryshe-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kryshe-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Kryshe - \" href=\"http://www.hiddenshoal.com/publicity/kryshe/In_Between-Press_Release.pdf\">Kryshe <em>In Between</em> Album Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery link=\"file\" ids=\"10297,10301,10300\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/DcbLFCvLlWY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\nKryshe Liveset at Mimis Osnabrück. September 2013\r\n\r\n \r\n\r\n<iframe src=\"//www.youtube.com/embed/EfheJsHPZwU?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKryshe\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kryshe','','inherit','closed','closed','','10289-revision-v1','','','2014-11-20 11:59:52','2014-11-20 03:59:52','',10289,'http://www.hiddenshoal.com/10289-revision-v1/',0,'revision','',0),(11306,1,'2014-11-20 12:50:04','2014-11-20 04:50:04','<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"256\" height=\"171\" />Before his stunning new mini-album <em><a title=\"Kryshe\" href=\"https://kryshe.bandcamp.com/album/in-between\" target=\"_blank\">In Between</a>, </em>Christian Grothe, aka <a href=\"http://www.hiddenshoal.com/project/kryshe/\">Kryshe</a>, released the gorgeous album <em>Growing</em>. Hidden Shoal is excited to now have this beautiful work join its publishing catalogue. <em>Growing </em>is a 40 minute live improvisation in 3 sections, recorded in the Summer of 2013. As demonstrated on <em>In Between</em>, Grothe has a sublime understanding of space and tone. <em>Growing</em> is a delicate, hovering soundworld, pulsing with life yet never leaving a trace of its creator\'s presence.\r\n\r\nThe album, along with <em>In Between</em>, is available via <a title=\"Bandcamp\" href=\"https://kryshe.bandcamp.com\" target=\"_blank\">Kryshe\'s Bandcamp</a> with all tracks available for licensing (master &amp; sync cleared). Don\'t hesitate to <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with any licensing enquiries.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/173115109&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Kryshe\'s 2nd Album Joins the Hidden Shoal Catalogue','','inherit','closed','closed','','11051-revision-v1','','','2014-11-20 12:50:04','2014-11-20 04:50:04','',11051,'http://www.hiddenshoal.com/11051-revision-v1/',0,'revision','',0),(11307,1,'2014-11-20 13:36:25','2014-11-20 05:36:25','<img class=\"alignleft  wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"179\" height=\"179\" />Before his new mini-album <em><a title=\"In Between\" href=\"https://kryshe.bandcamp.com/album/in-between\" target=\"_blank\">In Between</a>, </em>and his previous album <a title=\"Growing\" href=\"https://kryshe.bandcamp.com/album/growing\" target=\"_blank\"><em>Growing,</em></a> Christian Grothe, aka <a href=\"http://www.hiddenshoal.com/project/kryshe/\">Kryshe</a>, released his debut EP <a title=\"Dreamland\" href=\"https://kryshe.bandcamp.com/album/dreamland\" target=\"_blank\"><em>Dreamland</em></a> in 2012. We\'re excited to now have the two beautiful pieces that comprise <em>Dreamland</em> join our publishing and licensing catalogue. In contrast to the free-flowing and layered compositions of <em>Growing</em> and <em>In Between</em>, this debut release from Kryshe presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe’s ability to bring his delicate and affecting songcraft to new and varied musical environs.\r\n\r\nThe EP, along with <em>In Between </em>and<em> Growing</em>, are available via <a title=\"Bandcamp\" href=\"https://kryshe.bandcamp.com\" target=\"_blank\">Kryshe\'s Bandcamp</a> with all tracks available for licensing (master &amp; sync cleared). Don\'t hesitate to <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with any licensing enquiries.\r\n\r\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/177770809&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\"></iframe>','Kryshe\'s Debut EP Joins the Hidden Shoal Publishing Catalogue','','publish','closed','closed','','kryshes-debut-ep-joins-the-hidden-shoal-publishing-catalogue','','','2016-02-03 16:48:13','2016-02-03 08:48:13','',0,'http://www.hiddenshoal.com/?p=11307',0,'post','',0),(11308,1,'2014-11-20 13:06:40','2014-11-20 05:06:40','Before his new mini-album <em><a title=\"In Between\" href=\"https://kryshe.bandcamp.com/album/in-between\" target=\"_blank\">In Between</a>, </em>and his previous album <a title=\"Growing\" href=\"https://kryshe.bandcamp.com/album/growing\" target=\"_blank\"><em>Growing,</em></a> Christian Grothe, aka <a href=\"http://www.hiddenshoal.com/project/kryshe/\">Kryshe</a>, released his debut EP <a title=\"Dreamland\" href=\"https://kryshe.bandcamp.com/album/dreamland\" target=\"_blank\"><em>Dreamland</em></a>. We\'re excited to now have the two beautiful pieces that comprise <em>Dreamland</em> join our publishing and licensing catalogue. In contrast to the free-flowing and layered compositions of <em>Growing</em> and <em>In Between</em>, this debut release from Kryshe presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe’s ability to bring his delicate and affecting songcraft to new and varied musical environs.\r\n\r\nThe EP, along with <em>In Between </em>and<em> Growing</em>, are available via <a title=\"Bandcamp\" href=\"https://kryshe.bandcamp.com\" target=\"_blank\">Kryshe\'s Bandcamp</a> with all tracks available for licensing (master &amp; sync cleared). Don\'t hesitate to <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with any licensing enquiries.','New Kryshe\'s Songs Added to The Publishing Catalogue','','inherit','closed','closed','','11307-revision-v1','','','2014-11-20 13:06:40','2014-11-20 05:06:40','',11307,'http://www.hiddenshoal.com/11307-revision-v1/',0,'revision','',0),(11309,1,'2014-11-20 13:27:22','2014-11-20 05:27:22','','Dreamland','','inherit','closed','closed','','dreamland-artwork','','','2014-11-20 13:27:31','2014-11-20 05:27:31','',11307,'http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork.jpg',0,'attachment','image/jpeg',0),(11310,1,'2014-11-20 13:29:17','2014-11-20 05:29:17','<img class=\"alignleft  wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"179\" height=\"179\" />Before his new mini-album <em><a title=\"In Between\" href=\"https://kryshe.bandcamp.com/album/in-between\" target=\"_blank\">In Between</a>, </em>and his previous album <a title=\"Growing\" href=\"https://kryshe.bandcamp.com/album/growing\" target=\"_blank\"><em>Growing,</em></a> Christian Grothe, aka <a href=\"http://www.hiddenshoal.com/project/kryshe/\">Kryshe</a>, released his debut EP <a title=\"Dreamland\" href=\"https://kryshe.bandcamp.com/album/dreamland\" target=\"_blank\"><em>Dreamland</em></a>. We\'re excited to now have the two beautiful pieces that comprise <em>Dreamland</em> join our publishing and licensing catalogue. In contrast to the free-flowing and layered compositions of <em>Growing</em> and <em>In Between</em>, this debut release from Kryshe presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe’s ability to bring his delicate and affecting songcraft to new and varied musical environs.\r\n\r\nThe EP, along with <em>In Between </em>and<em> Growing</em>, are available via <a title=\"Bandcamp\" href=\"https://kryshe.bandcamp.com\" target=\"_blank\">Kryshe\'s Bandcamp</a> with all tracks available for licensing (master &amp; sync cleared). Don\'t hesitate to <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with any licensing enquiries.','New Kryshe\'s Songs Added to The Publishing Catalogue','','inherit','closed','closed','','11307-revision-v1','','','2014-11-20 13:29:17','2014-11-20 05:29:17','',11307,'http://www.hiddenshoal.com/11307-revision-v1/',0,'revision','',0),(11311,1,'2014-11-20 13:35:35','2014-11-20 05:35:35','<img class=\"alignleft  wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"179\" height=\"179\" />Before his new mini-album <em><a title=\"In Between\" href=\"https://kryshe.bandcamp.com/album/in-between\" target=\"_blank\">In Between</a>, </em>and his previous album <a title=\"Growing\" href=\"https://kryshe.bandcamp.com/album/growing\" target=\"_blank\"><em>Growing,</em></a> Christian Grothe, aka <a href=\"http://www.hiddenshoal.com/project/kryshe/\">Kryshe</a>, released his debut EP <a title=\"Dreamland\" href=\"https://kryshe.bandcamp.com/album/dreamland\" target=\"_blank\"><em>Dreamland</em></a> in 2012. We\'re excited to now have the two beautiful pieces that comprise <em>Dreamland</em> join our publishing and licensing catalogue. In contrast to the free-flowing and layered compositions of <em>Growing</em> and <em>In Between</em>, this debut release from Kryshe presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe’s ability to bring his delicate and affecting songcraft to new and varied musical environs.\r\n\r\nThe EP, along with <em>In Between </em>and<em> Growing</em>, are available via <a title=\"Bandcamp\" href=\"https://kryshe.bandcamp.com\" target=\"_blank\">Kryshe\'s Bandcamp</a> with all tracks available for licensing (master &amp; sync cleared). Don\'t hesitate to <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with any licensing enquiries.','Kryshe\'s Debut EP Joins the Hidden Shoal Publishing Catalogue','','inherit','closed','closed','','11307-revision-v1','','','2014-11-20 13:35:35','2014-11-20 05:35:35','',11307,'http://www.hiddenshoal.com/11307-revision-v1/',0,'revision','',0),(11312,1,'2014-11-20 13:36:19','2014-11-20 05:36:19','<img class=\"alignleft  wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"179\" height=\"179\" />Before his new mini-album <em><a title=\"In Between\" href=\"https://kryshe.bandcamp.com/album/in-between\" target=\"_blank\">In Between</a>, </em>and his previous album <a title=\"Growing\" href=\"https://kryshe.bandcamp.com/album/growing\" target=\"_blank\"><em>Growing,</em></a> Christian Grothe, aka <a href=\"http://www.hiddenshoal.com/project/kryshe/\">Kryshe</a>, released his debut EP <a title=\"Dreamland\" href=\"https://kryshe.bandcamp.com/album/dreamland\" target=\"_blank\"><em>Dreamland</em></a> in 2012. We\'re excited to now have the two beautiful pieces that comprise <em>Dreamland</em> join our publishing and licensing catalogue. In contrast to the free-flowing and layered compositions of <em>Growing</em> and <em>In Between</em>, this debut release from Kryshe presents a much more grounded and densely woven sonic tableau. This two-piece set showcases Grothe’s ability to bring his delicate and affecting songcraft to new and varied musical environs.\r\n\r\nThe EP, along with <em>In Between </em>and<em> Growing</em>, are available via <a title=\"Bandcamp\" href=\"https://kryshe.bandcamp.com\" target=\"_blank\">Kryshe\'s Bandcamp</a> with all tracks available for licensing (master &amp; sync cleared). Don\'t hesitate to <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with any licensing enquiries.\r\n\r\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/177770809&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\"></iframe>','Kryshe\'s Debut EP Joins the Hidden Shoal Publishing Catalogue','','inherit','closed','closed','','11307-revision-v1','','','2014-11-20 13:36:19','2014-11-20 05:36:19','',11307,'http://www.hiddenshoal.com/11307-revision-v1/',0,'revision','',0),(11313,1,'2014-11-20 13:38:08','2014-11-20 05:38:08','<img class=\"alignleft  wp-image-10297\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Kryshe-1-300x201.jpg\" alt=\"Kryshe\" width=\"256\" height=\"171\" />Before his stunning new mini-album <em><a title=\"Kryshe\" href=\"https://kryshe.bandcamp.com/album/in-between\" target=\"_blank\">In Between</a>, </em>Christian Grothe, aka <a href=\"http://www.hiddenshoal.com/project/kryshe/\">Kryshe</a>, released the gorgeous album <em>Growing</em>. Hidden Shoal is excited to now have this beautiful work join its publishing catalogue. <em>Growing </em>is a 40 minute live improvisation in 3 sections, recorded in the Summer of 2013. As demonstrated on <em>In Between</em>, Grothe has a sublime understanding of space and tone. <em>Growing</em> is a delicate, hovering soundworld, pulsing with life yet never leaving a trace of its creator\'s presence.\r\n\r\nThe album, along with <em>In Between</em>, is available via <a title=\"Bandcamp\" href=\"https://kryshe.bandcamp.com\" target=\"_blank\">Kryshe\'s Bandcamp</a> with all tracks available for licensing (master &amp; sync cleared). Don\'t hesitate to <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with any licensing enquiries.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/173115109&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Kryshe\'s \"Growing\" Album Joins the Hidden Shoal Catalogue','','inherit','closed','closed','','11051-revision-v1','','','2014-11-20 13:38:08','2014-11-20 05:38:08','',11051,'http://www.hiddenshoal.com/11051-revision-v1/',0,'revision','',0),(11314,1,'2014-11-20 14:11:13','2014-11-20 06:11:13','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"220\" height=\"220\" />The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/164970723&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','The World On Tape – An Interview with Markus Mehr','','publish','closed','closed','','the-world-on-tape-an-interview-with-markus-mehr','','','2014-11-21 12:58:31','2014-11-21 04:58:31','',0,'http://www.hiddenshoal.com/?p=11314',0,'post','',0),(11315,1,'2014-11-20 13:42:32','2014-11-20 05:42:32','Under his solo moniker, Markus Mehr has made a career out of patterns. Before the release of his fifth record Binary Rooms last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with IN in January 2012, ON 6 months later and concluding with OFF in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on Binary Rooms, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on Binary Rooms began as field recordings.\r\n \r\n“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\r\n \r\n“I’m basically a musician, but on Binary Rooms, most of the time I did non-musical things.  I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”\r\n \r\nThe result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on Binary Rooms offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on Binary Rooms is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.\r\n \r\n“[On Binary Rooms] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.\r\n\r\n\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”\r\n \r\nAt 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.\r\n \r\n“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”\r\n','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 13:42:32','2014-11-20 05:42:32','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11316,1,'2014-11-20 13:45:07','2014-11-20 05:45:07','<em>Hidden Shoal\'s Matthew Tomich spoke with Markus Mehr about his new album Binary Rooms, phonography and the art of sound.</em>\r\n\r\nUnder his solo moniker, Markus Mehr has made a career out of patterns. Before the release of his fifth record Binary Rooms last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with IN in January 2012, ON 6 months later and concluding with OFF in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on Binary Rooms, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on Binary Rooms began as field recordings.\r\n\r\n“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\r\n\r\n“I’m basically a musician, but on Binary Rooms, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”\r\n\r\nThe result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on Binary Rooms offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on Binary Rooms is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.\r\n\r\n“[On Binary Rooms] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.\r\n\r\n\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”\r\n\r\nAt 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.\r\n\r\n“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 13:45:07','2014-11-20 05:45:07','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11317,1,'2014-11-20 13:48:10','2014-11-20 05:48:10','<em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em>\r\n\r\nUnder his solo moniker, Markus Mehr has made a career out of patterns. Before the release of his fifth record <em>Binary Rooms</em> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <em>IN</em> in January 2012, <em>ON</em> 6 months later and concluding with <em>OFF</em> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.\r\n\r\n“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\r\n\r\n“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”\r\n\r\nThe result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.\r\n\r\n“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.\r\n\r\n\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”\r\n\r\nAt 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.\r\n\r\n“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 13:48:10','2014-11-20 05:48:10','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11318,1,'2014-11-20 13:49:58','2014-11-20 05:49:58','<em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em>\r\n\r\n<img class=\"alignright size-medium wp-image-10435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />Under his solo moniker, Markus Mehr has made a career out of patterns. Before the release of his fifth record <em>Binary Rooms</em> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <em>IN</em> in January 2012, <em>ON</em> 6 months later and concluding with <em>OFF</em> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.\r\n\r\n“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\r\n\r\n“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”\r\n\r\nThe result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.\r\n\r\n“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.\r\n\r\n\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”\r\n\r\nAt 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.\r\n\r\n“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 13:49:58','2014-11-20 05:49:58','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11319,1,'2014-11-20 13:51:43','2014-11-20 05:51:43','<em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em>\r\n\r\n<img class=\"alignright size-medium wp-image-10435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.\r\n\r\n“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\r\n\r\n“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”\r\n\r\nThe result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.\r\n\r\n“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.\r\n\r\n\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”\r\n\r\nAt 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.\r\n\r\n“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 13:51:43','2014-11-20 05:51:43','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11320,1,'2014-11-20 13:52:17','2014-11-20 05:52:17','<em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em>\r\n\r\n<img class=\"alignleft wp-image-10435 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.\r\n\r\n“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\r\n\r\n“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”\r\n\r\nThe result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.\r\n\r\n“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.\r\n\r\n\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”\r\n\r\nAt 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.\r\n\r\n“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 13:52:17','2014-11-20 05:52:17','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11321,1,'2014-11-20 13:52:48','2014-11-20 05:52:48','<em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em>\r\n\r\n<img class=\"alignleft wp-image-10435 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.\r\n\r\n“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"\r\n\r\n“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”\r\n\r\nThe result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.\r\n\r\n“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.\r\n\r\n\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”\r\n\r\nAt 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.\r\n\r\n“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 13:52:48','2014-11-20 05:52:48','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11322,1,'2014-11-20 13:59:45','2014-11-20 05:59:45','<em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em>\r\n\r\n<img class=\"alignleft wp-image-10435 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.\r\n\r\n“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"\r\n\r\n“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”\r\n\r\n<img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"179\" height=\"179\" />The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.\r\n\r\n“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.\r\n\r\n\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”\r\n\r\nAt 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.\r\n\r\n“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 13:59:45','2014-11-20 05:59:45','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11323,1,'2014-11-20 14:01:07','2014-11-20 06:01:07','<em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em>\r\n\r\n<img class=\"alignleft wp-image-10435 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.\r\n\r\n“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"\r\n\r\n“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”\r\n\r\n<img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"189\" height=\"189\" />The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.\r\n\r\n“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.\r\n\r\n\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”\r\n\r\nAt 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.\r\n\r\n“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 14:01:07','2014-11-20 06:01:07','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11324,1,'2014-11-20 14:01:30','2014-11-20 06:01:30','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"189\" height=\"189\" />The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 14:01:30','2014-11-20 06:01:30','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11325,1,'2014-11-20 14:01:50','2014-11-20 06:01:50','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"205\" height=\"205\" />The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 14:01:50','2014-11-20 06:01:50','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11326,1,'2014-11-20 14:02:10','2014-11-20 06:02:10','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"217\" height=\"217\" />The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 14:02:10','2014-11-20 06:02:10','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11327,1,'2014-11-20 14:02:33','2014-11-20 06:02:33','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\">The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be <img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"202\" height=\"202\" />doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 14:02:33','2014-11-20 06:02:33','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11328,1,'2014-11-20 14:02:55','2014-11-20 06:02:55','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\">The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during th<img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"202\" height=\"202\" />e editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 14:02:55','2014-11-20 06:02:55','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11329,1,'2014-11-20 14:30:26','2014-11-20 06:30:26','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\">The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the<img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"202\" height=\"202\" /> editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 14:30:26','2014-11-20 06:30:26','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11330,1,'2014-11-20 15:31:47','2014-11-20 07:31:47','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\">The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"202\" height=\"202\" />\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 15:31:47','2014-11-20 07:31:47','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11331,1,'2014-11-20 15:44:35','2014-11-20 07:44:35','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\">The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"202\" height=\"202\" />At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 15:44:35','2014-11-20 07:44:35','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11332,1,'2014-11-20 15:46:23','2014-11-20 07:46:23','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"202\" height=\"202\" />The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 15:46:23','2014-11-20 07:46:23','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11333,1,'2014-11-20 17:29:20','2014-11-20 09:29:20','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"213\" height=\"213\" />The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 17:29:20','2014-11-20 09:29:20','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11334,1,'2014-11-20 17:31:29','2014-11-20 09:31:29','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"220\" height=\"220\" />The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>','The Augsburg Phonographer – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-20 17:31:29','2014-11-20 09:31:29','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11335,1,'2014-11-21 10:39:31','2014-11-21 02:39:31','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"220\" height=\"220\" />The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>','The World On Tape – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-21 10:39:31','2014-11-21 02:39:31','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11336,1,'2014-11-21 11:11:57','2014-11-21 03:11:57','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"220\" height=\"220\" />The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>\r\n<iframe src=\"//player.vimeo.com/video/105644655?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<a href=\"http://vimeo.com/105644655\">Gymnasium / Swarms</a> from <a href=\"http://vimeo.com/sixtsense\">stefanie sixt, sixt sense</a> on <a href=\"https://vimeo.com\">Vimeo</a>.','The World On Tape – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-21 11:11:57','2014-11-21 03:11:57','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11338,1,'2014-11-21 11:14:44','2014-11-21 03:14:44','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"220\" height=\"220\" />The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>\r\n\r\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/164970723&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\"></iframe>','The World On Tape – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-21 11:14:44','2014-11-21 03:14:44','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11337,1,'2014-11-21 11:14:26','2014-11-21 03:14:26','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"220\" height=\"220\" />The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>\r\n<iframe src=\"//player.vimeo.com/video/105644655?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/164970723&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\"></iframe>','The World On Tape – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-21 11:14:26','2014-11-21 03:14:26','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11339,1,'2014-11-21 12:26:06','2014-11-21 04:26:06','\"In Between is the latest release from Germany based ambient composer and sound artist Kryshe via Hidden Shoal. The EP was actually available in September, but was a new discovery to me this week. It is a lovely five track journey featuring crystalline piano blended with electroacoustic touches in a spacious ambient context. I find his work very easy on the ears and suspect you will too.\"\r\n\r\n- <a title=\"Staionary Travels\" href=\"https://stationarytravels.wordpress.com/2014/11/09/travelogue-week-2014-45/\" target=\"_blank\">Stationary Travels</a>','Kryshe \"In Between\" Reviewed at  Stationary Travels','','publish','closed','closed','','kryshe-in-between-reviewed-at-stationary-travels','','','2014-11-21 12:43:48','2014-11-21 04:43:48','',0,'http://www.hiddenshoal.com/?p=11339',0,'post','',0),(11340,1,'2014-11-21 12:26:06','2014-11-21 04:26:06','\"In Between is the latest release from Germany based ambient composer and sound artist Kryshe via Hidden Shoal. The EP was actually available in September, but was a new discovery to me this week. It is a lovely five track journey featuring crystalline piano blended with electroacoustic touches in a spacious ambient context. I find his work very easy on the ears and suspect you will too.\"\r\n\r\n- <a title=\"Staionary Travels\" href=\"https://stationarytravels.wordpress.com/2014/11/09/travelogue-week-2014-45/\" target=\"_blank\">Stationary Travels</a>','Kryshe \"In Between\" Reviewed at  Stationary Travels','','inherit','closed','closed','','11339-revision-v1','','','2014-11-21 12:26:06','2014-11-21 04:26:06','',11339,'http://www.hiddenshoal.com/11339-revision-v1/',0,'revision','',0),(11341,1,'2014-11-21 12:55:10','2014-11-21 04:55:10','<p style=\"text-align: justify;\"><em>Hidden Shoal\'s Matthew Tomich spoke with <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> about his new album <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\">Binary Rooms</a>, phonography and the art of sound.</em></p>\r\n<p style=\"text-align: justify;\"><img class=\"alignleft wp-image-10435 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"314\" height=\"209\" />Under his solo moniker, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> has made a career out of patterns. Before the release of his fifth record <a title=\"Binary Rooms\" href=\"https://markusmehr.bandcamp.com/album/binary-rooms\" target=\"_blank\"><em>Binary Rooms</em></a> last month, his last three albums – a triptych of interconnected ambient/drone records, beginning with <a title=\"In\" href=\"https://markusmehr.bandcamp.com/album/in\" target=\"_blank\"><em>IN</em></a> in January 2012, <a title=\"On\" href=\"https://markusmehr.bandcamp.com/album/on\" target=\"_blank\"><em>ON</em></a> 6 months later and concluding with <a title=\"Off\" href=\"https://markusmehr.bandcamp.com/album/off\" target=\"_blank\"><em>OFF</em></a> in January 2013 – were exercises in sonic ritual, building upon repetitions of harsh electronic noise, warm synths and ethereal sound manipulation. But on <em>Binary Rooms</em>, Mehr’s new preoccupation is with duality and the relationship between opposites: warm and cool, organic and synthetic, reality and fiction. Part of that latter juxtaposition comes because much of the material on <em>Binary Rooms</em> began as field recordings.</p>\r\n<p style=\"text-align: justify;\">“I didn’t sit down and play a piano or play the guitar and see what’s coming out of me,” Mehr tells me over Skype from his home studio in Augsburg, Germany. “So it’s more a collecting kind of thing. Then you start out and play around with things. It’s more that a sound or a recording or a noise attracts me, and I want to find out what is it and what can I do with it. Can I extend it? Can I slice it? Can I trash it or can I refine it? Like everybody who does field recordings I always put my ear on things to find a spectacular sound. It could be a car that drives by my window. It could be my cat. He’s snoring and that\'s a beautiful sound. And after that hunting, a lot of editing and processing follows up.\"</p>\r\n<p style=\"text-align: justify;\">“I’m basically a musician, but on <em>Binary Rooms</em>, most of the time I did non-musical things. I see myself nowadays as more of a phonographer. I look at what’s outside and what’s surrounding me. That’s maybe where the whole thing starts. ‘Gymnasium Swarms’ starts with a sound from my kitchen. So you can hear my heater here. It’s a very spooky sound.”</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright  wp-image-10985\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - &quot;Binary Rooms&quot;\" width=\"220\" height=\"220\" />The result of Mehr’s new found interest in field recordings and found sounds is a record that’s diverse and brimming with aural contradictions. The eight tracks on <em>Binary Rooms</em> offer so much variation that it’s impossible to settle upon a mood for more than a single composition. Opener ‘Buoy’ is 2 minutes of claustrophobic and uneasy listening, littered with sparse and unsettling sounds that sound as though they could be metal scraping against metal, the plucking of an out-of-tune violin or something else entirely. It’s followed by ‘In The Palm Of Your Hand’ which marries pulsating synthetic percussion with a somber piano riff and street ambience, before the harsh glitches of ‘Pedestrians’ strike like an electric shock. What Mehr appears to be doing on <em>Binary Rooms</em> is inhabiting a creative space that situates him somewhere between composer, phonographer and assembler of the aural world around him.</p>\r\n<p style=\"text-align: justify;\">“[On <em>Binary Rooms</em>] I’m doing collages and putting things together to try to arrange new levels and new worlds,” he explains. “I try to redesign realities. I try to redesign reality in itself – maybe from A to B, you make C. To try to bring things together that usually don’t belong together - that\'s exciting.</p>\r\n<p style=\"text-align: justify;\">\"For example, \'Basin of the Lost\' is based on underwater recordings where all these really sad fishes swam in a tank, ready to become a burger or wha ever just a few hours later. And during the editing of the track, I don\'t know why, but I thought a helicopter sound would be great. So in the real world these two audio events don’t belong together, but in the track – I mean, it makes sense somehow, and it keeps the whole thing weird and narrative. That\'s the kind of work that interests me most right now.”</p>\r\n<p style=\"text-align: justify;\">At 86 seconds, the track ‘Blackbox’ feels like an interlude, but buried beneath its oscillating synths is a fascinating subtext. Mehr initially began working on the then-unnamed song in 2013, and found himself applying some finishing touches on July 17, when less than a day’s drive from Augsburg, Malaysia Airlines Flight 17 was downed in Ukraine, killing all passengers on board. Though the title was eventually changed to ‘Blackbox’, Mehr initially named the track ‘MH17’ as a means to force himself to remember the tragedy.</p>\r\n<p style=\"text-align: justify;\">“I had no title for that track,” he says, “and I thought, we have so much news – so many things around our head every day – and if we are honest, that tragedy is almost out of our minds right now. And it was very personal, because I’ve tried to make a mark in my mind that it happened while I was working on that track. There are so many tragedies we have to see on the screen and after two or three days they’re gone. I wanted to make sure that this one doesn’t go out of my mind anymore.”</p>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/164970723&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','The World On Tape – An Interview with Markus Mehr','','inherit','closed','closed','','11314-revision-v1','','','2014-11-21 12:55:10','2014-11-21 04:55:10','',11314,'http://www.hiddenshoal.com/11314-revision-v1/',0,'revision','',0),(11342,1,'2014-11-21 13:39:36','2014-11-21 05:39:36','[Poorly translated from the German via Google. Read the original <a title=\"Schallgrenzen\" href=\"http://www.schallgrenzen.de/loecher-in-die-luft-starren-kramies-the-wooden-heart/\" target=\"_blank\">here</a>.]\r\n\"Recently emerged from a mail Kramies on in the promo box. The Wooden Heart. I stand up and clap applause. The beginning and the end, between four whimsical songs. Melodic folk and atmospheric dream pop. Kramies, behind it hides the Dutch-American singer-songwriter Kramies Windt from Denver, Colorado. Sounds that make us meditate. I stare off into space. Far away. It\'s nice to dive for a few minutes in dreamy folk-pop and a touch of psychedelic. The Jason Lytle (Grandaddy) produced EP \"The Wooden Heart\" was released on the Australian label Hidden Shoal a year ago. Here and now, the music is still beautiful and timeless.\"\r\n\r\n- <a title=\"Schallgrenzen\" href=\"http://www.schallgrenzen.de/loecher-in-die-luft-starren-kramies-the-wooden-heart/\" target=\"_blank\">Schallgrenzen</a>','Kramies \"The Wooden Heart\" Reviewed at Schallgrenzen','\"Recently emerged from a mail Kramies on in the promo box. The Wooden Heart. I stand up and clap applause. The beginning and the end, between four whimsical songs. Melodic folk and atmospheric dream pop. Kramies, behind it hides the Dutch-American singer-songwriter Kramies Windt from Denver, Colorado. Sounds that make us meditate. I stare off into space. Far away. It\'s nice to dive for a few minutes in dreamy folk-pop and a touch of psychedelic. The Jason Lytle (Grandaddy) produced EP \"The Wooden Heart\" was released on the Australian label Hidden Shoal a year ago. Here and now, the music is still beautiful and timeless.\"','publish','closed','closed','','kramies-the-wooden-heart-reviewed-at-schallgrenzen','','','2014-11-21 13:40:30','2014-11-21 05:40:30','',0,'http://www.hiddenshoal.com/?p=11342',0,'post','',0),(11343,1,'2014-11-21 13:39:36','2014-11-21 05:39:36','[Poorly translated from the German via Google. Read the original <a title=\"Schallgrenzen\" href=\"http://www.schallgrenzen.de/loecher-in-die-luft-starren-kramies-the-wooden-heart/\" target=\"_blank\">here</a>.]\r\n\"Recently emerged from a mail Kramies on in the promo box. The Wooden Heart. I stand up and clap applause. The beginning and the end, between four whimsical songs. Melodic folk and atmospheric dream pop. Kramies, behind it hides the Dutch-American singer-songwriter Kramies Windt from Denver, Colorado. Sounds that make us meditate. I stare off into space. Far away. It\'s nice to dive for a few minutes in dreamy folk-pop and a touch of psychedelic. The Jason Lytle (Grandaddy) produced EP \"The Wooden Heart\" was released on the Australian label Hidden Shoal a year ago. Here and now, the music is still beautiful and timeless.\"\r\n\r\n- <a title=\"Schallgrenzen\" href=\"http://www.schallgrenzen.de/loecher-in-die-luft-starren-kramies-the-wooden-heart/\" target=\"_blank\">Schallgrenzen</a>','Kramies \"The Wooden Heart\" Reviewed at Schallgrenzen','Recently emerged from a mail Kramies on in the promo box. The Wooden Heart. I stand up and clap applause. The beginning and the end, between four whimsical songs. Melodic folk and atmospheric dream pop. Kramies, behind it hides the Dutch-American singer-songwriter Kramies Windt from Denver, Colorado. Sounds that make us meditate. I stare off into space. Far away. It\'s nice to dive for a few minutes in dreamy folk-pop and a touch of psychedelic. The Jason Lytle (Grandaddy) produced EP \"The Wooden Heart\" was released on the Australian label Hidden Shoal a year ago. Here and now, the music is still beautiful and timeless.','inherit','closed','closed','','11342-revision-v1','','','2014-11-21 13:39:36','2014-11-21 05:39:36','',11342,'http://www.hiddenshoal.com/11342-revision-v1/',0,'revision','',0),(11344,1,'2014-11-21 13:40:30','2014-11-21 05:40:30','[Poorly translated from the German via Google. Read the original <a title=\"Schallgrenzen\" href=\"http://www.schallgrenzen.de/loecher-in-die-luft-starren-kramies-the-wooden-heart/\" target=\"_blank\">here</a>.]\r\n\"Recently emerged from a mail Kramies on in the promo box. The Wooden Heart. I stand up and clap applause. The beginning and the end, between four whimsical songs. Melodic folk and atmospheric dream pop. Kramies, behind it hides the Dutch-American singer-songwriter Kramies Windt from Denver, Colorado. Sounds that make us meditate. I stare off into space. Far away. It\'s nice to dive for a few minutes in dreamy folk-pop and a touch of psychedelic. The Jason Lytle (Grandaddy) produced EP \"The Wooden Heart\" was released on the Australian label Hidden Shoal a year ago. Here and now, the music is still beautiful and timeless.\"\r\n\r\n- <a title=\"Schallgrenzen\" href=\"http://www.schallgrenzen.de/loecher-in-die-luft-starren-kramies-the-wooden-heart/\" target=\"_blank\">Schallgrenzen</a>','Kramies \"The Wooden Heart\" Reviewed at Schallgrenzen','\"Recently emerged from a mail Kramies on in the promo box. The Wooden Heart. I stand up and clap applause. The beginning and the end, between four whimsical songs. Melodic folk and atmospheric dream pop. Kramies, behind it hides the Dutch-American singer-songwriter Kramies Windt from Denver, Colorado. Sounds that make us meditate. I stare off into space. Far away. It\'s nice to dive for a few minutes in dreamy folk-pop and a touch of psychedelic. The Jason Lytle (Grandaddy) produced EP \"The Wooden Heart\" was released on the Australian label Hidden Shoal a year ago. Here and now, the music is still beautiful and timeless.\"','inherit','closed','closed','','11342-revision-v1','','','2014-11-21 13:40:30','2014-11-21 05:40:30','',11342,'http://www.hiddenshoal.com/11342-revision-v1/',0,'revision','',0),(11345,1,'2014-11-21 13:47:41','2014-11-21 05:47:41','','HS_Header','','inherit','closed','closed','','hs_header-2','','','2014-11-21 13:47:41','2014-11-21 05:47:41','',0,'http://www.hiddenshoal.com/wp-content/uploads/2014/11/HS_Header.jpg',0,'attachment','image/jpeg',0),(11346,1,'2014-11-21 13:49:02','2014-11-21 05:49:02','','H_S_Header','','inherit','closed','closed','','h_s_header','','','2014-11-21 13:49:02','2014-11-21 05:49:02','',0,'http://www.hiddenshoal.com/wp-content/uploads/2014/11/H_S_Header.jpg',0,'attachment','image/jpeg',0),(11348,1,'2014-11-24 17:41:23','2014-11-24 09:41:23','<img class=\"alignright wp-image-10433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"251\" height=\"167\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable German experimentalist <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s and 70\'s pop entitled <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that in 2015. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" Mixtape by Markus Mehr','','publish','closed','closed','','kitsch-before-glitch-mixtape-by-markus-mehr','','','2015-01-23 16:26:16','2015-01-23 08:26:16','',0,'http://www.hiddenshoal.com/?p=11348',0,'post','',0),(11349,1,'2014-11-24 17:15:40','2014-11-24 09:15:40','In this, the very first installment of our MixTape series we have the inimitable Markus Mehr serve us up a glowing slab of 60\'s pop entitle <em>Kitsch Before Glitch.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n<div class=\"cloudcast-description\">\r\n<p class=\"\"><em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong></p>\r\n\r\n</div>','\"Kitsch Before Glitch\" by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:15:40','2014-11-24 09:15:40','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11350,1,'2014-11-24 17:17:20','2014-11-24 09:17:20','In this, the very first installment of our MixTape series we have the inimitable Markus Mehr serve us up a glowing slab of 60\'s pop entitle <em>Kitsch Before Glitch.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=110000&amp;embed_type=widget_standard\" frameborder=\"0\" height=\"360\" width=\"100%\"></iframe><div style=\"clear: both; height: 3px; width: auto;\"></div><p style=\"display: block; font-size: 11px; font-family: &quot;Open Sans&quot;,Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: rgb(153, 153, 153); width: auto;\"><a href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\" style=\"color: rgb(17, 0, 0); font-weight: bold;\">\"Kitsch Before Glitch\" by Markus Mehr</a><span> by </span><a href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\" style=\"color: rgb(17, 0, 0); font-weight: bold;\">Hidden Shoal Recordings</a><span> on </span><a href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\" style=\"color: rgb(17, 0, 0); font-weight: bold;\"> Mixcloud</a></p><div style=\"clear: both; height: 3px; width: auto;\"></div>','\"Kitsch Before Glitch\" by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:17:20','2014-11-24 09:17:20','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11351,1,'2014-11-24 17:19:49','2014-11-24 09:19:49','<img class=\"alignleft wp-image-9021 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus_Mehr_61-199x300.jpg\" alt=\"Markus Mehr\" width=\"199\" height=\"300\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s pop entitle <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=110000&amp;embed_type=widget_standard\" width=\"100%\" height=\"460\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #110000; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #110000; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal Recordings</a> on <a style=\"color: #110000; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:19:49','2014-11-24 09:19:49','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11352,1,'2014-11-24 17:20:37','2014-11-24 09:20:37','<img class=\"alignleft wp-image-10433 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s pop entitle <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=110000&amp;embed_type=widget_standard\" width=\"100%\" height=\"460\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #110000; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #110000; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal Recordings</a> on <a style=\"color: #110000; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:20:37','2014-11-24 09:20:37','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11355,1,'2014-11-24 17:31:23','2014-11-24 09:31:23','<img class=\"alignleft wp-image-10433 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s pop entitle <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:31:23','2014-11-24 09:31:23','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11353,1,'2014-11-24 17:21:40','2014-11-24 09:21:40','<img class=\"alignleft wp-image-10433 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s pop entitle <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" frameborder=\"0\" height=\"360\" width=\"100%\"></iframe><div style=\"clear: both; height: 3px; width: auto;\"></div><p style=\"display: block; font-size: 11px; font-family: &quot;Open Sans&quot;,Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: rgb(153, 153, 153); width: auto;\"><a href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\" style=\"color: rgb(255, 255, 255); font-weight: bold;\">\"Kitsch Before Glitch\" by Markus Mehr</a><span> by </span><a href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\" style=\"color: rgb(255, 255, 255); font-weight: bold;\">Hidden Shoal Recordings</a><span> on </span><a href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\" style=\"color: rgb(255, 255, 255); font-weight: bold;\"> Mixcloud</a></p><div style=\"clear: both; height: 3px; width: auto;\"></div>','\"Kitsch Before Glitch\" by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:21:40','2014-11-24 09:21:40','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11354,1,'2014-11-24 17:22:59','2014-11-24 09:22:59','<img class=\"alignleft wp-image-10433 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s pop entitle <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" frameborder=\"0\" height=\"360\" width=\"100%\"></iframe><div style=\"clear: both; height: 3px; width: auto;\"></div><p style=\"display: block; font-size: 11px; font-family: &quot;Open Sans&quot;,Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: rgb(153, 153, 153); width: auto;\"><a href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\" style=\"color: rgb(255, 255, 255); font-weight: bold;\">\"Kitsch Before Glitch\" by Markus Mehr</a><span> by </span><a href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\" style=\"color: rgb(255, 255, 255); font-weight: bold;\">Hidden Shoal</a><span> on </span><a href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\" style=\"color: rgb(255, 255, 255); font-weight: bold;\"> Mixcloud</a></p><div style=\"clear: both; height: 3px; width: auto;\"></div>','\"Kitsch Before Glitch\" by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:22:59','2014-11-24 09:22:59','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11356,1,'2014-11-24 17:31:33','2014-11-24 09:31:33','<img class=\"alignleft wp-image-10433 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"266\" height=\"177\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s pop entitle <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:31:33','2014-11-24 09:31:33','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11357,1,'2014-11-24 17:31:52','2014-11-24 09:31:52','<img class=\"alignleft wp-image-10433 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"251\" height=\"167\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s pop entitle <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:31:52','2014-11-24 09:31:52','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11358,1,'2014-11-24 17:32:12','2014-11-24 09:32:12','<img class=\"alignleft wp-image-10433 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"289\" height=\"192\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s pop entitle <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:32:12','2014-11-24 09:32:12','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11359,1,'2014-11-24 17:37:05','2014-11-24 09:37:05','<img class=\"alignleft wp-image-10433 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"289\" height=\"192\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s and 70\'s pop entitled <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" Mixtape by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:37:05','2014-11-24 09:37:05','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11360,1,'2014-11-24 17:37:21','2014-11-24 09:37:21','<img class=\"alignleft wp-image-10433 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"313\" height=\"208\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s and 70\'s pop entitled <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" Mixtape by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:37:21','2014-11-24 09:37:21','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11361,1,'2014-11-24 17:37:42','2014-11-24 09:37:42','<img class=\"alignleft wp-image-10433 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"265\" height=\"176\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s and 70\'s pop entitled <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" Mixtape by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:37:42','2014-11-24 09:37:42','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11362,1,'2014-11-24 17:38:20','2014-11-24 09:38:20','<img class=\"alignleft wp-image-10433 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"253\" height=\"168\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s and 70\'s pop entitled <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" Mixtape by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:38:20','2014-11-24 09:38:20','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11367,1,'2014-11-24 17:40:47','2014-11-24 09:40:47','<img class=\"alignright wp-image-10433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"251\" height=\"167\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s and 70\'s pop entitled <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" Mixtape by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:40:47','2014-11-24 09:40:47','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11363,1,'2014-11-24 17:38:33','2014-11-24 09:38:33','<img class=\"alignleft wp-image-10433 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"253\" height=\"168\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s and 70\'s pop entitled <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n&nbsp;\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" Mixtape by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:38:33','2014-11-24 09:38:33','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11364,1,'2014-11-24 17:39:23','2014-11-24 09:39:23','<img class=\"alignleft wp-image-10433 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"239\" height=\"159\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s and 70\'s pop entitled <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n&nbsp;\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" Mixtape by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:39:23','2014-11-24 09:39:23','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11365,1,'2014-11-24 17:40:12','2014-11-24 09:40:12','<img class=\"alignleft wp-image-10433 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"207\" height=\"138\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s and 70\'s pop entitled <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n&nbsp;\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" Mixtape by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:40:12','2014-11-24 09:40:12','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11366,1,'2014-11-24 17:40:31','2014-11-24 09:40:31','<img class=\"alignright wp-image-10433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"251\" height=\"167\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s and 70\'s pop entitled <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n&nbsp;\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" Mixtape by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:40:31','2014-11-24 09:40:31','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11368,1,'2014-11-24 17:41:23','2014-11-24 09:41:23','<img class=\"alignright wp-image-10433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"251\" height=\"167\" />In this, the very first installment of our <a title=\"Mixtapes\" href=\"http://www.hiddenshoal.com/category/features-articles/mixtapes/\">MixTape</a> series we have the inimitable German experimentalist <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> serve us up a glowing slab of 60\'s and 70\'s pop entitled <em><a title=\"Kitsch Before Glitch\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/\" target=\"_blank\">Kitsch Before Glitch</a>.</em> Even better, Markus has a second installment coming which will see the kitsch give way to glitch. Look out for that before the end of the year. For now though let\'s hear what Markus has to say about this collection of songs before we soak them in.\r\n\r\n<em>\"A few years back, together with a friend i ran a small and cosy club (Der Pavian) in my hometown. Once or twice a month we had nights called Las Vegas Ballroom or Farfisa Club were I was putting on records just like these. These nights were packed and it was so much fun to play this timeless music. The guys who wrote, recorded and sang these songs were gods to me. The sonic quality is so unique, they did incredible arrangements for fantastic songs. This music from the sixties and seventies might be a bit over the top here and there but it will always have a special place in my heart, so i hope you enjoy this mixtape just as much as i do.  P.S. and yes, the vinyl-noises are authentic...\"</em> - <strong>Markus Mehr</strong>\r\n\r\n<iframe src=\"//www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fkitsch-before-glitch-by-markus-mehr%2F&amp;embed_uuid=4044a5eb-dde5-493d-b9e7-80e2f0b52dd9&amp;replace=0&amp;hide_cover=1&amp;stylecolor=ffffff&amp;embed_type=widget_standard\" width=\"100%\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/kitsch-before-glitch-by-markus-mehr/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">\"Kitsch Before Glitch\" by Markus Mehr</a> by <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #ffffff; font-weight: bold;\" href=\"http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Kitsch Before Glitch\" Mixtape by Markus Mehr','','inherit','closed','closed','','11348-revision-v1','','','2014-11-24 17:41:23','2014-11-24 09:41:23','',11348,'http://www.hiddenshoal.com/11348-revision-v1/',0,'revision','',0),(11434,1,'2014-12-04 10:59:39','2014-12-04 02:59:39','[et_pb_section][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Features</h1>\r\nEvery few weeks we ask one of the Hidden Shoal artists to choose three questions from a list of many and answer them as they wish. A little bit of fun mixed with a little bit of insight – and a nice preview to the full-length interviews we have lined up throughout the year with all the Hidden Shoal artists.\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"on\" /][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"10\" include_categories=\"2137\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','3 Questions','','inherit','closed','closed','','11426-revision-v1','','','2014-12-04 10:59:39','2014-12-04 02:59:39','',11426,'http://www.hiddenshoal.com/11426-revision-v1/',0,'revision','',0),(11371,1,'2014-11-27 10:14:08','2014-11-27 02:14:08','<a href=\"https://www.youtube.com/watch?v=asGux-DFIW0\"><img class=\"alignleft wp-image-11374 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Sunny-Screen-Grab-Small-300x156.jpg\" alt=\"Sunny Side of the Street\" width=\"267\" height=\"139\" /></a>We\'re excited to present the third single taken from <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\">Brother Earth</a>\'s latest album <em><a title=\"Positive Haywires\" href=\"https://brotherearth.bandcamp.com/album/positive-haywires\" target=\"_blank\">Positive Haywires</a>.</em> In contrast to some of the darker moments on <em>Positive Haywires</em> , \'Sunny Side of the Street\' sees Brother Earth in decidedly upbeat mode. The accompanying playful <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=asGux-DFIW0\" target=\"_blank\">music video</a>, created by Natalie Van Den Dungen and band members Steve Five and Todd Tobias, features puppetry, guns and drugs, all set against a Brooklyn backdrop. A colourful Jim Henson-style character hits the pavement in high spirits, only to rub up against some cantankerous New Yorkers intent on souring his vibe. What’s not to like?!\r\n\r\nBrother Earth brings together the formidable talents of multi-instrumentalist Todd Tobias (Circus Devils) and vocalist Steve Five (The Library is on Fire). On their debut album for Hidden Shoal <em>Positive Haywires</em>, which features singles ‘Out Like A Lion’ and \'City of Gold\', their shadowy, kaleidoscopic music vacillates between brooding textural pieces and exuberant rock-and-roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors. The album’s wonderfully elastic aesthetics shift from dark and broken to sunny and playful in a matter of songs, while maintaining their own warped and beautiful logic.\r\n\r\nCheck out the video below, stream the single at <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/brother-earth-sunny-side-of-the-street\" target=\"_blank\">SoundCloud </a>and buy the album at <a title=\"Bandcamp\" href=\"https://brotherearth.bandcamp.com/album/positive-haywires\" target=\"_blank\">Bandcamp</a> (CD + Digital + Limited Edition Cassette).\r\n\r\n<iframe src=\"//www.youtube.com/embed/asGux-DFIW0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Puppets, Drugs & Guns - A New Music Video from Brother Earth','','publish','closed','closed','','puppets-drugs-guns-a-new-music-video-from-brother-earth','','','2016-02-03 13:51:36','2016-02-03 05:51:36','',0,'http://www.hiddenshoal.com/?p=11371',0,'post','',0),(11372,1,'2014-11-27 10:03:27','2014-11-27 02:03:27','We\'re excited to present the third single taken from Brother Earth\'s latest album <em>Positive Haywires.</em> In contrast to some of the darker moments on <em>Positive Haywires</em> , \'Sunny Side of the Street\' sees Brother Earth in decidedly upbeat mode. The accompanying playful music video, created by Natalie Van Den Dungen and band members Steve Five and Todd Tobias, features puppetry, guns and drugs, all set against a Brooklyn backdrop. A colourful Jim Henson-style character hits the pavement in high spirits, only to rub up against some cantankerous New Yorkers intent on souring his vibe. What’s not to like?!\r\n\r\nBrother Earth brings together the formidable talents of multi-instrumentalist Todd Tobias (Circus Devils) and vocalist Steve Five (The Library is on Fire). On their debut album for Hidden Shoal <em>Positive Haywires</em>, which features singles ‘Out Like A Lion’ and \'City of Gold\', their shadowy, kaleidoscopic music vacillates between brooding textural pieces and exuberant rock-and-roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors. The album’s wonderfully elastic aesthetics shift from dark and broken to sunny and playful in a matter of songs, while maintaining their own warped and beautiful logic.\r\n\r\nCheck out the video below, stream the single at <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/brother-earth-sunny-side-of-the-street\" target=\"_blank\">SoundCloud </a>and buy the album at <a title=\"Bandcamp\" href=\"https://brotherearth.bandcamp.com/album/positive-haywires\" target=\"_blank\">Bandcamp</a> (CD + Digital + Limited Edition Cassette).','Puppets, Drugs & Guns - A New Music Video from Brother Earth','','inherit','closed','closed','','11371-revision-v1','','','2014-11-27 10:03:27','2014-11-27 02:03:27','',11371,'http://www.hiddenshoal.com/11371-revision-v1/',0,'revision','',0),(11373,1,'2014-11-27 10:05:12','2014-11-27 02:05:12','We\'re excited to present the third single taken from <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\">Brother Earth</a>\'s latest album <em><a title=\"Positive Haywires\" href=\"https://brotherearth.bandcamp.com/album/positive-haywires\" target=\"_blank\">Positive Haywires</a>.</em> In contrast to some of the darker moments on <em>Positive Haywires</em> , \'Sunny Side of the Street\' sees Brother Earth in decidedly upbeat mode. The accompanying playful <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=asGux-DFIW0\" target=\"_blank\">music video</a>, created by Natalie Van Den Dungen and band members Steve Five and Todd Tobias, features puppetry, guns and drugs, all set against a Brooklyn backdrop. A colourful Jim Henson-style character hits the pavement in high spirits, only to rub up against some cantankerous New Yorkers intent on souring his vibe. What’s not to like?!\r\n\r\nBrother Earth brings together the formidable talents of multi-instrumentalist Todd Tobias (Circus Devils) and vocalist Steve Five (The Library is on Fire). On their debut album for Hidden Shoal <em>Positive Haywires</em>, which features singles ‘Out Like A Lion’ and \'City of Gold\', their shadowy, kaleidoscopic music vacillates between brooding textural pieces and exuberant rock-and-roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors. The album’s wonderfully elastic aesthetics shift from dark and broken to sunny and playful in a matter of songs, while maintaining their own warped and beautiful logic.\r\n\r\nCheck out the video below, stream the single at <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/brother-earth-sunny-side-of-the-street\" target=\"_blank\">SoundCloud </a>and buy the album at <a title=\"Bandcamp\" href=\"https://brotherearth.bandcamp.com/album/positive-haywires\" target=\"_blank\">Bandcamp</a> (CD + Digital + Limited Edition Cassette).','Puppets, Drugs & Guns - A New Music Video from Brother Earth','','inherit','closed','closed','','11371-revision-v1','','','2014-11-27 10:05:12','2014-11-27 02:05:12','',11371,'http://www.hiddenshoal.com/11371-revision-v1/',0,'revision','',0),(11374,1,'2014-11-27 10:05:43','2014-11-27 02:05:43','','Sunny Side of the Street','','inherit','closed','closed','','sunny-screen-grab-small','','','2014-11-27 10:05:58','2014-11-27 02:05:58','',11371,'http://www.hiddenshoal.com/wp-content/uploads/2014/11/Sunny-Screen-Grab-Small.jpg',0,'attachment','image/jpeg',0),(11375,1,'2014-11-27 10:06:19','2014-11-27 02:06:19','<a href=\"https://www.youtube.com/watch?v=asGux-DFIW0\"><img class=\"alignleft wp-image-11374 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Sunny-Screen-Grab-Small-300x156.jpg\" alt=\"Sunny Side of the Street\" width=\"300\" height=\"156\" /></a>We\'re excited to present the third single taken from <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\">Brother Earth</a>\'s latest album <em><a title=\"Positive Haywires\" href=\"https://brotherearth.bandcamp.com/album/positive-haywires\" target=\"_blank\">Positive Haywires</a>.</em> In contrast to some of the darker moments on <em>Positive Haywires</em> , \'Sunny Side of the Street\' sees Brother Earth in decidedly upbeat mode. The accompanying playful <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=asGux-DFIW0\" target=\"_blank\">music video</a>, created by Natalie Van Den Dungen and band members Steve Five and Todd Tobias, features puppetry, guns and drugs, all set against a Brooklyn backdrop. A colourful Jim Henson-style character hits the pavement in high spirits, only to rub up against some cantankerous New Yorkers intent on souring his vibe. What’s not to like?!\r\n\r\nBrother Earth brings together the formidable talents of multi-instrumentalist Todd Tobias (Circus Devils) and vocalist Steve Five (The Library is on Fire). On their debut album for Hidden Shoal <em>Positive Haywires</em>, which features singles ‘Out Like A Lion’ and \'City of Gold\', their shadowy, kaleidoscopic music vacillates between brooding textural pieces and exuberant rock-and-roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors. The album’s wonderfully elastic aesthetics shift from dark and broken to sunny and playful in a matter of songs, while maintaining their own warped and beautiful logic.\r\n\r\nCheck out the video below, stream the single at <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/brother-earth-sunny-side-of-the-street\" target=\"_blank\">SoundCloud </a>and buy the album at <a title=\"Bandcamp\" href=\"https://brotherearth.bandcamp.com/album/positive-haywires\" target=\"_blank\">Bandcamp</a> (CD + Digital + Limited Edition Cassette).','Puppets, Drugs & Guns - A New Music Video from Brother Earth','','inherit','closed','closed','','11371-revision-v1','','','2014-11-27 10:06:19','2014-11-27 02:06:19','',11371,'http://www.hiddenshoal.com/11371-revision-v1/',0,'revision','',0),(11376,1,'2014-11-27 10:07:33','2014-11-27 02:07:33','<a href=\"https://www.youtube.com/watch?v=asGux-DFIW0\"><img class=\"alignleft wp-image-11374 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Sunny-Screen-Grab-Small-300x156.jpg\" alt=\"Sunny Side of the Street\" width=\"300\" height=\"156\" /></a>We\'re excited to present the third single taken from <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\">Brother Earth</a>\'s latest album <em><a title=\"Positive Haywires\" href=\"https://brotherearth.bandcamp.com/album/positive-haywires\" target=\"_blank\">Positive Haywires</a>.</em> In contrast to some of the darker moments on <em>Positive Haywires</em> , \'Sunny Side of the Street\' sees Brother Earth in decidedly upbeat mode. The accompanying playful <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=asGux-DFIW0\" target=\"_blank\">music video</a>, created by Natalie Van Den Dungen and band members Steve Five and Todd Tobias, features puppetry, guns and drugs, all set against a Brooklyn backdrop. A colourful Jim Henson-style character hits the pavement in high spirits, only to rub up against some cantankerous New Yorkers intent on souring his vibe. What’s not to like?!\r\n\r\nBrother Earth brings together the formidable talents of multi-instrumentalist Todd Tobias (Circus Devils) and vocalist Steve Five (The Library is on Fire). On their debut album for Hidden Shoal <em>Positive Haywires</em>, which features singles ‘Out Like A Lion’ and \'City of Gold\', their shadowy, kaleidoscopic music vacillates between brooding textural pieces and exuberant rock-and-roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors. The album’s wonderfully elastic aesthetics shift from dark and broken to sunny and playful in a matter of songs, while maintaining their own warped and beautiful logic.\r\n\r\nCheck out the video below, stream the single at <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/brother-earth-sunny-side-of-the-street\" target=\"_blank\">SoundCloud </a>and buy the album at <a title=\"Bandcamp\" href=\"https://brotherearth.bandcamp.com/album/positive-haywires\" target=\"_blank\">Bandcamp</a> (CD + Digital + Limited Edition Cassette).\r\n\r\n&nbsp;\r\n<iframe width=\"560\" height=\"315\" src=\"//www.youtube.com/embed/asGux-DFIW0?rel=0\" frameborder=\"0\" allowfullscreen></iframe>','Puppets, Drugs & Guns - A New Music Video from Brother Earth','','inherit','closed','closed','','11371-revision-v1','','','2014-11-27 10:07:33','2014-11-27 02:07:33','',11371,'http://www.hiddenshoal.com/11371-revision-v1/',0,'revision','',0),(11377,1,'2014-11-27 10:12:55','2014-11-27 02:12:55','<a href=\"https://www.youtube.com/watch?v=asGux-DFIW0\"><img class=\"alignleft wp-image-11374 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Sunny-Screen-Grab-Small-300x156.jpg\" alt=\"Sunny Side of the Street\" width=\"267\" height=\"139\" /></a>We\'re excited to present the third single taken from <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\">Brother Earth</a>\'s latest album <em><a title=\"Positive Haywires\" href=\"https://brotherearth.bandcamp.com/album/positive-haywires\" target=\"_blank\">Positive Haywires</a>.</em> In contrast to some of the darker moments on <em>Positive Haywires</em> , \'Sunny Side of the Street\' sees Brother Earth in decidedly upbeat mode. The accompanying playful <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=asGux-DFIW0\" target=\"_blank\">music video</a>, created by Natalie Van Den Dungen and band members Steve Five and Todd Tobias, features puppetry, guns and drugs, all set against a Brooklyn backdrop. A colourful Jim Henson-style character hits the pavement in high spirits, only to rub up against some cantankerous New Yorkers intent on souring his vibe. What’s not to like?!\r\n\r\nBrother Earth brings together the formidable talents of multi-instrumentalist Todd Tobias (Circus Devils) and vocalist Steve Five (The Library is on Fire). On their debut album for Hidden Shoal <em>Positive Haywires</em>, which features singles ‘Out Like A Lion’ and \'City of Gold\', their shadowy, kaleidoscopic music vacillates between brooding textural pieces and exuberant rock-and-roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors. The album’s wonderfully elastic aesthetics shift from dark and broken to sunny and playful in a matter of songs, while maintaining their own warped and beautiful logic.\r\n\r\nCheck out the video below, stream the single at <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/brother-earth-sunny-side-of-the-street\" target=\"_blank\">SoundCloud </a>and buy the album at <a title=\"Bandcamp\" href=\"https://brotherearth.bandcamp.com/album/positive-haywires\" target=\"_blank\">Bandcamp</a> (CD + Digital + Limited Edition Cassette).\r\n<iframe src=\"//www.youtube.com/embed/asGux-DFIW0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Puppets, Drugs & Guns - A New Music Video from Brother Earth','','inherit','closed','closed','','11371-revision-v1','','','2014-11-27 10:12:55','2014-11-27 02:12:55','',11371,'http://www.hiddenshoal.com/11371-revision-v1/',0,'revision','',0),(11378,1,'2014-11-27 10:17:29','2014-11-27 02:17:29','https://www.youtube.com/watch?v=asGux-DFIW0\r\n\r\nIn contrast to some of the darker moments on their latest album <a title=\"Positive Haywires\" href=\"https://brotherearth.bandcamp.com/album/positive-haywires\" target=\"_blank\">Positive Haywires</a>, ‘Sunny Side of the Street’ sees <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\">Brother Earth</a> in decidedly upbeat mode. The accompanying playful music video, created by Natalie Van Den Dungen and band members Steve Five and Todd Tobias, features puppetry, guns and drugs, all set against a Brooklyn backdrop. A colourful Jim Henson-style character hits the pavement in high spirits, only to rub up against some cantankerous New Yorkers intent on souring his vibe. What’s not to like?!','Brother Earth - \'Sunny Side of the Street\'',' ','publish','closed','closed','','brother-earth-sunny-side-of-the-street','','','2015-04-16 15:26:38','2015-04-16 07:26:38','',0,'http://www.hiddenshoal.com/?p=11378',0,'post','',0),(11379,1,'2014-11-27 10:17:29','2014-11-27 02:17:29','https://www.youtube.com/watch?v=asGux-DFIW0\r\n\r\nIn contrast to some of the darker moments on their latest album <a title=\"Positive Haywires\" href=\"https://brotherearth.bandcamp.com/album/positive-haywires\" target=\"_blank\">Positive Haywires</a>, ‘Sunny Side of the Street’ sees <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\">Brother Earth</a> in decidedly upbeat mode. The accompanying playful music video, created by Natalie Van Den Dungen and band members Steve Five and Todd Tobias, features puppetry, guns and drugs, all set against a Brooklyn backdrop. A colourful Jim Henson-style character hits the pavement in high spirits, only to rub up against some cantankerous New Yorkers intent on souring his vibe. What’s not to like?!','Brother Earth - \'Sunny Side of the Street\'',' ','inherit','closed','closed','','11378-revision-v1','','','2014-11-27 10:17:29','2014-11-27 02:17:29','',11378,'http://www.hiddenshoal.com/11378-revision-v1/',0,'revision','',0),(11380,1,'2014-11-27 10:31:30','2014-11-27 02:31:30','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Brother Earth</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-9248\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Brother-Earth-Bio-Shot-300x188.jpg\" alt=\"Brother Earth\" width=\"271\" height=\"170\" /></a>Brother Earth brings together the formidable talents of multi-instrumentalist Todd Tobias (Circus Devils) and vocalist Steve Five (The Library is on Fire). Their shadowy, kaleidoscopic music vacillates between brooding textural pieces and exuberant rock-and-roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors.\r\n\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/ohbrotherearth\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a> <a href=\"http://soundcloud.com/brotherearthmusic\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://tobias-music.com/id29.html\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Positive Haywires</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 670px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3845305232/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://brotherearth.bandcamp.com/album/positive-haywires\">POSITIVE HAYWIRES by Brother Earth</a></iframe>\r\nSeptember 2014\r\n\r\nOn Brother Earth\'s debut album for Hidden Shoal the band\'s shadowy, kaleidoscopic music vacillates between brooding textural pieces and exuberant rock-and-roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors. <em>Positive Haywires\' </em>wonderfully elastic aesthetics shift from dark and broken to sunny and playful in a matter of songs, while maintaining their own warped and beautiful logic.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<h4>\'City of Gold\' (Single)</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3845305232/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/track=3093467678/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://brotherearth.bandcamp.com/album/positive-haywires\">POSITIVE HAYWIRES by Brother Earth</a></iframe>\r\nAugust 2014 (Free Download)\r\n\r\nIf their first single \'Out Like A Lion\' saw Brother Earth creeping around in the darkness weaving mesmerising magic, \'City Of Gold\' sees them breaking into the light as fist-pumping power chords carry the song into the same realm of lo-fi rock classicism as prime GBV. This is epic dream-rock, packed into a running time of just over a minute.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<h4>\'Out Like A Lion\' (Single)</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 170px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3845305232/size=large/bgcol=333333/linkcol=ffffff/artwork=small/track=3551113769/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://brotherearth.bandcamp.com/album/positive-haywires\">POSITIVE HAYWIRES by Brother Earth</a></iframe>\r\nJuly 2014  (Free Download)\r\n\r\nNegotiating the smoky ambience of ‘Out Like A Lion’ feels like squinting into the dark and tiptoeing down a staircase covered in moss. The darkness is pressing in all around you, but the insistence of the percussion and nylon-string guitar tugs you onward, mesmerised by the incantatory vocal. ‘Out Like A Lion’ is taken from the forthcoming Brother Earth album <em>Positive Haywires (16th Sept 2014)</em>, which vacillates between brooding textural pieces and exuberant rock’n’roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nBrother Earth is a collaboration between multi-instrumentalist/producer Todd Tobias and vocalist Steve Five. Todd’s darkly exotic instrumental music has featured on three Hidden Shoal releases to date (<i>Medicine Show</i>, <i>Night Above Ground </i>and <i>I Razor</i>). Todd is also a member of Circus Devils alongside brother Tim Tobias and vocalist Robert Pollard (Guided by Voices). Steve Five is the guitarist/vocalist/songwriter for the Brooklyn-based band The Library is on Fire<i>.</i>\r\n\r\nTodd and Steve first met in 2007 when TLIOF recorded an album with Todd as producer.  During the recording Steve and Todd struck up a friendship, leading to the pair creating backyard music videos for Circus Devils<i>. </i>In the videos Steve played a number of characters, and went on to play the main character in the experimental feature film <i>I Razor</i>, the soundtrack of which was released on Hidden Shoal. In 2008 Steve and Todd decided to begin recording their own songs as Brother Earth. <i>Positive Haywires</i> is a collection of Brother Earth songs recorded between 2008 and 2013.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=brother-earth-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=brother-earth-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9250\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/asGux-DFIW0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/ifa8_ULUrbo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nBrother Earth\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Brother Earth','','inherit','closed','closed','','9244-revision-v1','','','2014-11-27 10:31:30','2014-11-27 02:31:30','',9244,'http://www.hiddenshoal.com/9244-revision-v1/',0,'revision','',0);
