<p>Excerpt: "Nowadays, classically influenced singer-songwriters are no longer a rare  commodity, even when they can play the harpsichord. In these musically  undefined times, any given artist’s influences hardly hold any merit on  their own. Which is why it’s not Liam Singer’s diverse musical pallet  alone makes this album worth listening to, many times over; it’s the  unique and beautiful picture he chooses to paint with it. “Dislocatia”  is, by definition, not about a location, a specific mood, but the exact  opposite. Setting the tone for forty minutes of eternal searching and  never-quite-feeling-at-home, it opens with a deceptive instrumental  statement; what starts off as a simple Beethovenesque prelude soon turns  into an entirely unexpected mélange, fusing an operatic Soprano with  several more keyboard instruments, drifting away to nowhere in  particular—but sticking together, in a semi-organized form, like a flock  of birds in the wind.... while that sense of musical  cohesion is prevalent almost in every song, it doesn’t imply a unified  sound throughout the entire album. About a quarter of the songs are  instrumentals, so whenever you hear a song for the first time, you’re  not entirely sure what exactly is going to happen.... But the vast majority of the songs  are evocative, appealing, and surprisingly approachable at first  listening; while not pertaining to any particular place or time, Dislocatia feels oddly familiar, like walking into an unknown house and finding a welcoming, half-forgotten face."<a href="http://www.groovemine.com/rantsraves_review_liam-singer_dislocatia"><br />
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<p><a href="http://www.groovemine.com/rantsraves_review_liam-singer_dislocatia">Groovemine</a></p>
