Excerpt: "... at once   understated and painted with many different sounds.... In  some  cases the piano carries the songs going from powerful to lilting  within  the course of a single song. The harpsichord in particular  creates a  otherworldly effect on the listener that may be more used to  an engaging  piano or guitar. This is not to say anything sounds  particularly alien  on this album, but it does go a long way to create a  very beautiful  effect on the songs. The vocals in themselves  are something of an  unexpected source of beauty. From song to song they  alternate between  Liam’s singing voice and a female choir of sorts.  The choir creates a  classical feeling that propels the songs skyward.  Giving what may  otherwise be a normal piano based song to a classically  leaning piece.  The real surprise here is Singer’s own voice. What  comes as a voice  sounding similar to Elliot Smith carries a great  calmness and melody to  each song it is used on. Each style is used in a  variety of ways to make  each song move with its own rhythm. This  is an album that  exists well beyond the sum of it’s parts. It makes  the listener feel  enveloped in the songs. Everything in the songs fits  perfectly together  never giving too much space to the piano or slight  drumbeat that may  exist. The vocals are truly the guide to each song  giving the  instrumentals further depth. This album is a great  continuation of Liam  Singer’s talents in music. You would be doing  yourself a disservice to  ignore something that is played with this much  finesse."

<a href="http://www.scenepointblank.com/reviews/liam-singer/dislocatia" target="_blank">Scene Point Blank</a>