a:13:{s:32:"aioseop_opengraph_settings_title";s:48:"Slow Motion Cinema - An Interview with Half Film";s:31:"aioseop_opengraph_settings_desc";s:890:"Half Film plays trance music. Not the mindless beat-driven sort you find in sweaty clubs, but the kind of sounds that put you into a deeply meditative state where you confront your deepest fears and converse with your truest self. What little writing I can find about them dubbed them slowcore, a sub-genre which, like most things branded with the unfortunate –core suffix, barely scratches the surface of defining an aesthetic. They’re slow in the way evolution is slow, their music unfolding at a snail’s piece, substituting traditional song structure and climaxes for a measured burn of emotion. Perhaps more than anything they’re cinematic, carefully crafting scenes with repeated motifs, scenes unfolding like blooming flowers as Eimer Devlin, Conor Devlin and Jason Lakis narrate what feels like the end of the world over brooding textures and measured, haunting guitar lines.";s:32:"aioseop_opengraph_settings_image";s:67:"http://www.hiddenshoal.com/wp-content/uploads/2014/07/half-film.jpg";s:36:"aioseop_opengraph_settings_customimg";s:0:"";s:37:"aioseop_opengraph_settings_imagewidth";s:0:"";s:38:"aioseop_opengraph_settings_imageheight";s:0:"";s:32:"aioseop_opengraph_settings_video";s:0:"";s:37:"aioseop_opengraph_settings_videowidth";s:0:"";s:38:"aioseop_opengraph_settings_videoheight";s:0:"";s:35:"aioseop_opengraph_settings_category";s:7:"article";s:34:"aioseop_opengraph_settings_section";s:0:"";s:30:"aioseop_opengraph_settings_tag";s:143:"Half Film, slowcore, Matt Tomich, San Francisco, interview, Conor Devlin, Eimer Devlin, Jason Lakis, indie, licensing, film, tv, music industry";s:34:"aioseop_opengraph_settings_setcard";s:7:"summary";}