Excerpt: "So you know, <em>“Dislocatia”</em>, a word used as the title to Liam Singer’s  latest release, is in fact not a word at all, but its connotations  certainly explain what is contained behind the paper sleeve. Singer is  certainly not one to mingle in the standards; he’s the kind of guy who  co-founds a 20-piece kazoo orchestra if you want an example of his past.  <em>Dislocatia</em> is no exception to this, and while there may be no kazoos scooting on this record, dislocation from the norm is rife.... Contemporary arrangements mix together all sorts of piano playing as <em>Dislocatia</em> plays out – beginning with the mystical tinkering and moving to  everything from booming dominance to disjointed madness. It moves  between the soundtrack of a classic fairytale to that of a madman’s  nightmarish imagination. The addition of Wendy Allen’s vocals beside Singer’s own is worthwhile  and a saving grace. The female counterpart adds strong variety and  enhances the album’s positive moments greatly. When the two harmonise,  such as on the minimalistic ‘ <em>Winter Weeds’, </em>you can’t help but feel as though things are going right – the pair really do complement one another well.... It feels as though it should be something  magical, but in the end it stands alone as a wonderfully bizarre product that is hard to place."

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