(8869,1,'2014-06-26 05:30:49','2014-06-26 05:30:49','<p>[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]</p><h1>Gilded</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\"><img class=\"alignleft  wp-image-8860\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\" alt=\"Gilded\" width=\"343\" height=\"236\" /></a><em>\"Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong></p><p>Gilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.</p><p><a title=\"Twitter\" href=\"http://www.facebook.com/gildedmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]</p><p> </p><h3>Discography</h3><div> </div><div> </div><h4>A Smooth Sea Never Made A Skilful Sailor</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1181900658/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/a-smooth-sea-never-made-a-skilful-sailor\">A Smooth Sea Never Made A Skilful Sailor by Gilded</a></iframe></p><div> </div><p>Following on from the release of their critically acclaimed debut album Terrane and its accompanying national tour, Gilded’s new EP A Smooth Sea Never Made A Skilful Sailor brings together three previously unreleased and essential new tracks. ‘38 Degrees (Live at The Bird)’ is a beautiful live improvised guitar-based work, rich in textural details, contrasting markedly with the more piano-focused pieces on Terrane. Shoeb Ahmad (of Canberra outfit Spartak) remixes 2012 single ‘Cluttered Room’, dissecting the bassline, banjo and melodica and tethering them to an itchy breakbeat, surrounding the mix with an otherworldly vocal. Hidden Shoal’s very own perth also take on ‘Cluttered Room’ in their own inimitable style, creating an ebbing electro-acoustic micro-environment set adrift in clouds of reverb.</p><div> </div><div> </div><h4>Terrane</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 450px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=108070273/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/terrane\">Terrane by Gilded</a></iframe></p><div> </div><p>Gilded brings together the similar but distinct musical directions of West Australian experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction. The title of Gilded’s debut album Terrane comes from a geological formation that has become dislocated from its original position and sutured onto a new landscape. It retains its own distinctive form and contrasts against those around it, whilst also finding a new place, a new home. The compositions that make up this record strike at the heart of how it feels to be in a period of transition, of watching a subtle change, a shift in texture. There are moments of quietude and reflection – held together by the austere and alternately punctuated by shifts toward the uplifting and revelatory. Terrane deftly operates around the intersections of melody and texture, movement and pause.</p><p>[/et_pb_tab][et_pb_tab title=\"Bio\"]</p><h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p><p>[/et_pb_tab][et_pb_tab title=\"News\"]</p><h3>News</h3><p>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]</p><h2>Reviews</h2><p>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]</p><h3>Press Releases</h3><p> </p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p><p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]</p><h3>Artist Photos</h3><p> </p><div class=\"wpview-wrap wpview-type-gallery\" contenteditable=\"false\" data-wpview-text=\"%5Bgallery%20ids%3D%228222%2C8221%2C8220%2C8219%22%5D\" data-wpview-type=\"gallery\"><div class=\"toolbar\"> </div><div class=\"gallery gallery-columns-3\"><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_4-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_3-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_2-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl><br style=\"clear: both;\" /><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl></div><ins data-wpview-end=\"1\"></ins></div><p>[/et_pb_tab][et_pb_tab title=\"Video\"]</p><h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]</p><h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p><p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]</p>','Gilded','','inherit','open','open','','8850-autosave-v1','','','2014-06-26 05:30:49','2014-06-26 05:30:49','',8850,'http://hiddenshoalpublishing.onesmallcloud.com/8850-autosave-v1/',0,'revision','',0),(8866,1,'2014-06-26 03:54:42','2014-06-26 03:54:42','<a href=\"http://slowdancingsociety.bandcamp.com/\"><img class=\"alignleft  wp-image-8719\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Cogent-Sea-Artwork-300px.jpg\" alt=\"The Cogent Sea\" width=\"234\" height=\"234\" /></a>We\'re incredibly excited to announce the official release of <a href=\"http://slowdancingsociety.bandcamp.com/\">Slow Dancing Society</a>’s 6<sup>th</sup> album, <i><a title=\"BandCamp\" href=\"http://slowdancingsociety.bandcamp.com/\" target=\"_blank\">The Cogent Sea</a>. </i>This is yet is another absorbing progression in Drew Sullivan’s mesmerising discography. The album continues the submersed exploration of Sullivan’s ’80s influences while also drawing upon an incredibly focused and cinematic ambient minimalism. There are trademark elements from across Slow Dancing Society’s stunning, critically acclaimed back catalogue, but rather than being throwbacks they present a continuity of narrative that is rarely found over such a large body of work. On single ‘A Clearing’, gently overlapping waves of synthesizer are suspended amid sustained tones, holding the listener transfixed before Sullivan’s trademark guitar sound gently brings the listener back down to earth, transformed. Second single ‘Pull’ is aptly titled, its droning radiance, warm piano chords and magnetic guitar figures pulling the listener irresistibly into its enveloping glow. This is Slow Dancing Society at his masterful, immersive best.\r\n\r\nThe album is available in CD and digital formats via Slow Dancing Society\'s <a title=\"BandCamp\" href=\"http://slowdancingsociety.bandcamp.com/\" target=\"_blank\">BandCamp</a>. For a limited time CD orders through Bandcamp also include a copy of <em>Laterna Magica, </em>Slow Dancing Society\'s previous album. The album is also available digitally via iTunes, eMusic, Google Play, Amazon along with a range of other digital stores.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/151198781&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Slow Dancing Society\'s \"The Cogent Sea\" Out Now!','','inherit','open','open','','8864-autosave-v1','','','2014-06-26 03:54:42','2014-06-26 03:54:42','',8864,'http://hiddenshoalpublishing.onesmallcloud.com/8864-autosave-v1/',0,'revision','',0),(8867,1,'2014-06-26 04:21:15','2014-06-26 04:21:15','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<br />\r\n<h1>Enargeia</h1>\r\n<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8839 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enargeia-800px-300x300.jpg\" alt=\"Enargeia\" width=\"161\" height=\"161\" /></a>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo originally working out of Perth Western Australia. Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p>\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>UFO: Stryker Force</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=369311426/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" seamless><a href=\"http://hiddenshoal.bandcamp.com/album/ufo-stryker-force\">UFO: Stryker Force by Enargeia</a></iframe>\r\n<div></div>\r\nIndustrial ambient pioneers, Enargeia release their long awaited first album with Hidden Shoal Recordings. Stretching out like a dark cloud to the horizon, this work is a long range map, acting both as navigator and vehicle. Abduction has never been so engaging.\r\n<div></div>\r\n&nbsp;[/et_pb_tab][et_pb_tab title=\"Bio\"]<br />\r\n<h3>Biography</h3>\r\n<p>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo working out of Perth Western Australia.</p>\r\n<p>Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p>\r\n<p> </p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]<br />\r\n<h3>News</h3>\r\n[catlist name=enargeia content=yes pagination=no title_tag=h4 title_class=lcp_title]<br /> [/et_pb_tab][et_pb_tab title=\"Reviews\"]<br />\r\n<h2>Reviews</h2>\r\n[catlist name=enargeia-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<br />\r\n<h3>Press Releases</h3>\r\n<p> </p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release_8th_June.pdf\">Label sampler album release, Enargeia “UFO: Stryker Force” release and Glassacre “Slow Attack” release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release_24th_Oct.pdf\">Enargeia “Gulag! 25.9.98″ live release</a></p>\r\n<p> [/et_pb_tab][et_pb_tab title=\"Gallery\"]<br />\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8842\"]\r\n<p> [/et_pb_tab][et_pb_tab title=\"Video\"]<br />\r\n<h3>Music Videos</h3>\r\n<p> </p>\r\n<p>No videos yet, sorry!</p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]<br />\r\n<h3>Licensing</h3>\r\n<p>AntonyEnargeia\'s mes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Enargeia','','inherit','open','open','','8834-revision-v1','','','2014-06-26 04:21:15','2014-06-26 04:21:15','',8834,'http://hiddenshoalpublishing.onesmallcloud.com/8834-revision-v1/',0,'revision','',0),(8475,1,'2014-06-15 02:35:31','2014-06-15 02:35:31','[et_pb_section background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"3_4\"][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"10\" include_categories=\"5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"et_pb_widget_area_1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','News','','inherit','open','open','','8280-revision-v1','','','2014-06-15 02:35:31','2014-06-15 02:35:31','',8280,'http://hiddenshoalpublishing.onesmallcloud.com/8280-revision-v1/',0,'revision','',0),(8476,1,'2014-06-16 01:49:27','2014-06-16 01:49:27','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149905855/size=large/bgcol=000000/linkcol=333333/minimal=true/transparent=true/\" width=\"350\" height=\"350\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/not-of-silver-nor-of-coral\">Not of Silver Nor of Coral by Hidden Shoal Recordings</a></iframe> <em>Not of Silver Nor of Coral </em>Various Artists</h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4283625682/size=large/bgcol=000000/linkcol=333333/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/wheres-my-dystopia\">Where\'s My Dystopia? by perth</a></iframe><em>Where\'s My Dystopia?</em>\r\nby perth</h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=ffffff/linkcol=333333/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe>\r\n<em>The Folklore Sessions</em><em>\r\n</em>by Kramies<em>\r\n</em></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1320365364/size=large/bgcol=ffffff/linkcol=333333/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<em>The Licence to Interpret Dreams</em>\r\nby Antonymes</h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"9\" include_categories=\"47\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Landing Page','','inherit','open','open','','7982-revision-v1','','','2014-06-16 01:49:27','2014-06-16 01:49:27','',7982,'http://hiddenshoalpublishing.onesmallcloud.com/7982-revision-v1/',0,'revision','',0),(8784,1,'2014-06-24 07:37:21','2014-06-24 07:37:21','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Antonymes</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2><a id=\"#start\">Reviews</a></h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] <a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 07:37:21','2014-06-24 07:37:21','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8480,1,'2014-06-17 14:45:39','2014-06-17 14:45:39','[et_pb_section background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"3_4\"][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"10\" include_categories=\"5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','News','','inherit','open','open','','8280-revision-v1','','','2014-06-17 14:45:39','2014-06-17 14:45:39','',8280,'http://hiddenshoalpublishing.onesmallcloud.com/8280-revision-v1/',0,'revision','',0),(8870,1,'2014-06-26 04:30:55','2014-06-26 04:30:55','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<br />\r\n<h1>Gilded</h1>\r\n<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\"><img class=\"alignleft  wp-image-8860\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\" alt=\"Gilded\" width=\"343\" height=\"236\" /></a><em>\"Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong></p>\r\n<p>Gilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.</p>\r\n<p><a title=\"Twitter\" href=\"http://www.facebook.com/gildedmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>A Smooth Sea Never Made A Skilful Sailor</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1181900658/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/a-smooth-sea-never-made-a-skilful-sailor\">A Smooth Sea Never Made A Skilful Sailor by Gilded</a></iframe></p><div> </div><p>Following on from the release of their critically acclaimed debut album Terrane and its accompanying national tour, Gilded’s new EP A Smooth Sea Never Made A Skilful Sailor brings together three previously unreleased and essential new tracks. ‘38 Degrees (Live at The Bird)’ is a beautiful live improvised guitar-based work, rich in textural details, contrasting markedly with the more piano-focused pieces on Terrane. Shoeb Ahmad (of Canberra outfit Spartak) remixes 2012 single ‘Cluttered Room’, dissecting the bassline, banjo and melodica and tethering them to an itchy breakbeat, surrounding the mix with an otherworldly vocal. Hidden Shoal’s very own perth also take on ‘Cluttered Room’ in their own inimitable style, creating an ebbing electro-acoustic micro-environment set adrift in clouds of reverb.</p><div> </div><div> </div><h4>Terrane</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=108070273/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/terrane\">Terrane by Gilded</a></iframe></p><div> </div><p>Gilded brings together the similar but distinct musical directions of West Australian experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.</p><p>The title of Gilded’s debut album Terrane comes from a geological formation that has become dislocated from its original position and sutured onto a new landscape. It retains its own distinctive form and contrasts against those around it, whilst also finding a new place, a new home. The compositions that make up this record strike at the heart of how it feels to be in a period of transition, of watching a subtle change, a shift in texture. There are moments of quietude and reflection – held together by the austere and alternately punctuated by shifts toward the uplifting and revelatory. Terrane deftly operates around the intersections of melody and texture, movement and pause.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p>\r\n<p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p> </p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n<p> [/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','inherit','open','open','','8850-revision-v1','','','2014-06-26 04:30:55','2014-06-26 04:30:55','',8850,'http://hiddenshoalpublishing.onesmallcloud.com/8850-revision-v1/',0,'revision','',0),(8863,1,'2014-06-25 08:09:30','2014-06-25 08:09:30','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Gilded</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\"><img class=\"alignleft  wp-image-8860\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\" alt=\"Gilded\" width=\"343\" height=\"236\" /></a><em>\"Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong>\r\n\r\nGilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.\r\n\r\n<a title=\"Twitter\" href=\"http://www.facebook.com/gildedmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div> </div>\r\n<div> </div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div> </div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div> </div>\r\n<div> </div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div> </div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div> </div>\r\n<div> </div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div> </div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p>\r\n<p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p> </p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n<p> [/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','inherit','open','open','','8850-revision-v1','','','2014-06-25 08:09:30','2014-06-25 08:09:30','',8850,'http://hiddenshoalpublishing.onesmallcloud.com/8850-revision-v1/',0,'revision','',0),(8861,1,'2014-06-25 08:00:02','2014-06-25 08:00:02','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Gilded</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\"><img class=\"alignleft size-medium wp-image-8860\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile-300x206.jpg\" alt=\"Gilded\" width=\"300\" height=\"206\" /></a><em>\"Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong></p><p>Gilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.</p><p><a title=\"Twitter\" href=\"http://www.facebook.com/gildedmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div> </div>\r\n<div> </div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div> </div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div> </div>\r\n<div> </div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div> </div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div> </div>\r\n<div> </div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div> </div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p>\r\n<p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p> </p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n<p> [/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','inherit','open','open','','8850-revision-v1','','','2014-06-25 08:00:02','2014-06-25 08:00:02','',8850,'http://hiddenshoalpublishing.onesmallcloud.com/8850-revision-v1/',0,'revision','',0),(8482,1,'2014-06-18 00:30:08','2014-06-18 00:30:08','<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149905855/size=large/bgcol=ffffff/linkcol=333333/tracklist=false/transparent=true/\" seamless><a href=\"http://hiddenshoal.bandcamp.com/album/not-of-silver-nor-of-coral\">Not of Silver Nor of Coral by Hidden Shoal Recordings</a></iframe>','New Album Feature Template','','inherit','open','open','','8298-revision-v1','','','2014-06-18 00:30:08','2014-06-18 00:30:08','',8298,'http://hiddenshoalpublishing.onesmallcloud.com/8298-revision-v1/',0,'revision','',0),(8864,1,'2014-06-26 03:54:13','2014-06-26 03:54:13','<a href=\"http://slowdancingsociety.bandcamp.com/\"><img class=\"alignleft  wp-image-8719\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Cogent-Sea-Artwork-300px.jpg\" alt=\"The Cogent Sea\" width=\"234\" height=\"234\" /></a>We\'re incredibly excited to announce the official release of <a href=\"http://slowdancingsociety.bandcamp.com/\">Slow Dancing Society</a>’s 6<sup>th</sup> album, <i><a title=\"BandCamp\" href=\"http://slowdancingsociety.bandcamp.com/\" target=\"_blank\">The Cogent Sea</a>. </i>This is yet is another absorbing progression in Drew Sullivan’s mesmerising discography. The album continues the submersed exploration of Sullivan’s ’80s influences while also drawing upon an incredibly focused and cinematic ambient minimalism. There are trademark elements from across Slow Dancing Society’s stunning, critically acclaimed back catalogue, but rather than being throwbacks they present a continuity of narrative that is rarely found over such a large body of work. On single ‘A Clearing’, gently overlapping waves of synthesizer are suspended amid sustained tones, holding the listener transfixed before Sullivan’s trademark guitar sound gently brings the listener back down to earth, transformed. Second single ‘Pull’ is aptly titled, its droning radiance, warm piano chords and magnetic guitar figures pulling the listener irresistibly into its enveloping glow. This is Slow Dancing Society at his masterful, immersive best.\r\n\r\nThe album is available in CD and digital formats via Slow Dancing Society\'s <a title=\"BandCamp\" href=\"http://slowdancingsociety.bandcamp.com/\" target=\"_blank\">BandCamp</a>. For a limited time CD orders through Bandcamp also include a copy of <em>Laterna Magica, </em>Slow Dancing Society\'s previous album. The album is also available digitally via iTunes, eMusic, Google Play, Amazon along with a range of other digital stores.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/151198781&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Slow Dancing Society\'s \"The Cogent Sea\" Out Now!','','publish','open','open','','slow-dancing-societys-the-cogent-sea-out-now','','','2016-02-03 16:12:44','2016-02-03 08:12:44','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?p=8864',0,'post','',0),(8865,1,'2014-06-26 03:54:13','2014-06-26 03:54:13','<a href=\"http://slowdancingsociety.bandcamp.com/\"><img class=\"alignleft  wp-image-8719\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Cogent-Sea-Artwork-300px.jpg\" alt=\"The Cogent Sea\" width=\"234\" height=\"234\" /></a>We\'re incredibly excited to announce the official release of <a href=\"http://slowdancingsociety.bandcamp.com/\">Slow Dancing Society</a>’s 6<sup>th</sup> album, <i><a title=\"BandCamp\" href=\"http://slowdancingsociety.bandcamp.com/\" target=\"_blank\">The Cogent Sea</a>. </i>This is yet is another absorbing progression in Drew Sullivan’s mesmerising discography. The album continues the submersed exploration of Sullivan’s ’80s influences while also drawing upon an incredibly focused and cinematic ambient minimalism. There are trademark elements from across Slow Dancing Society’s stunning, critically acclaimed back catalogue, but rather than being throwbacks they present a continuity of narrative that is rarely found over such a large body of work. On single ‘A Clearing’, gently overlapping waves of synthesizer are suspended amid sustained tones, holding the listener transfixed before Sullivan’s trademark guitar sound gently brings the listener back down to earth, transformed. Second single ‘Pull’ is aptly titled, its droning radiance, warm piano chords and magnetic guitar figures pulling the listener irresistibly into its enveloping glow. This is Slow Dancing Society at his masterful, immersive best.\r\n\r\nThe album is available in CD and digital formats via Slow Dancing Society\'s <a title=\"BandCamp\" href=\"http://slowdancingsociety.bandcamp.com/\" target=\"_blank\">BandCamp</a>. For a limited time CD orders through Bandcamp also include a copy of <em>Laterna Magica, </em>Slow Dancing Society\'s previous album. The album is also available digitally via iTunes, eMusic, Google Play, Amazon along with a range of other digital stores.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/151198781&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Slow Dancing Society\'s \"The Cogent Sea\" Out Now!','','inherit','open','open','','8864-revision-v1','','','2014-06-26 03:54:13','2014-06-26 03:54:13','',8864,'http://hiddenshoalpublishing.onesmallcloud.com/8864-revision-v1/',0,'revision','',0),(8862,1,'2014-06-25 08:03:26','2014-06-25 08:03:26','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Gilded</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\"><img class=\"alignleft  wp-image-8860\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\" alt=\"Gilded\" width=\"323\" height=\"222\" /></a><em>\"Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong></p><p>Gilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.</p><p><a title=\"Twitter\" href=\"http://www.facebook.com/gildedmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div> </div>\r\n<div> </div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div> </div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div> </div>\r\n<div> </div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div> </div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div> </div>\r\n<div> </div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div> </div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p>\r\n<p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p> </p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n<p> [/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','inherit','open','open','','8850-revision-v1','','','2014-06-25 08:03:26','2014-06-25 08:03:26','',8850,'http://hiddenshoalpublishing.onesmallcloud.com/8850-revision-v1/',0,'revision','',0),(8860,1,'2014-06-25 07:59:38','2014-06-25 07:59:38','','Gilded','','inherit','open','open','','gilded-profile','','','2014-06-25 07:59:38','2014-06-25 07:59:38','',8850,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg',0,'attachment','image/jpeg',0),(8772,1,'2014-06-24 06:39:49','2014-06-24 06:39:49','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1><a href=\"#start\">Antonymes</a></h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it. <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Antonymes Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] <a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 06:39:49','2014-06-24 06:39:49','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8787,1,'2014-06-24 07:40:41','2014-06-24 07:40:41','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Antonymes</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 07:40:41','2014-06-24 07:40:41','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8773,1,'2014-06-24 06:43:02','2014-06-24 06:43:02','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1><a href=\"#start\">Antonymes</a></h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it. <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3><p>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title]</p><p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2><p>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]</p><p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 06:43:02','2014-06-24 06:43:02','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8494,1,'2014-06-18 09:05:11','2014-06-18 09:05:11','','Tumblr','','inherit','open','open','','tumblr','','','2014-06-18 09:05:11','2014-06-18 09:05:11','',0,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Tumblr.png',0,'attachment','image/png',0),(8774,1,'2014-06-24 06:43:39','2014-06-24 06:43:39','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1><a href=\"#start\">Antonymes</a></h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 06:43:39','2014-06-24 06:43:39','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8775,1,'2014-06-24 07:26:29','2014-06-24 07:26:29','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1><a href=\"#start\">Antonymes</a></h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 07:26:29','2014-06-24 07:26:29','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8776,1,'2014-06-24 07:29:22','2014-06-24 07:29:22','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1><a href=\"#start\">Antonymes</a></h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n<a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 07:29:22','2014-06-24 07:29:22','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8777,1,'2014-06-24 07:30:06','2014-06-24 07:30:06','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1><a id=\"#start\">Antonymes</a></h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it. <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n<a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 07:30:06','2014-06-24 07:30:06','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8786,1,'2014-06-24 07:40:00','2014-06-24 07:40:00','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Antonymes</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<a id=\"#start\"><h3>News</h3></a>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n<a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 07:40:00','2014-06-24 07:40:00','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8778,1,'2014-06-24 07:30:38','2014-06-24 07:30:38','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1><a id=\"#start\">Antonymes</a></h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it. <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n<a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 07:30:38','2014-06-24 07:30:38','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8783,1,'2014-06-24 07:35:48','2014-06-24 07:35:48','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Antonymes</h1>\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong> <a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2><a id=\"#start\">Reviews</a></h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n<a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 07:35:48','2014-06-24 07:35:48','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8779,1,'2014-06-24 07:31:16','2014-06-24 07:31:16','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1><a id=\"#start\"></a>Antonymes</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.</p><p> </p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n<a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 07:31:16','2014-06-24 07:31:16','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8782,1,'2014-06-24 07:33:49','2014-06-24 07:33:49','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<a id=\"#start\"></a><h1>Antonymes</h1>\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.<strong>\r\n</strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 07:33:49','2014-06-24 07:33:49','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8781,1,'2014-06-24 07:33:03','2014-06-24 07:33:03','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1><a id=\"#start\"></a>Antonymes</h1><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.<strong> <br /></strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 07:33:03','2014-06-24 07:33:03','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8780,1,'2014-06-24 07:32:04','2014-06-24 07:32:04','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1><a id=\"#start\"></a>Antonymes</h1><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.</p><p> </p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<p><a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 07:32:04','2014-06-24 07:32:04','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8771,1,'2014-06-24 06:38:59','2014-06-24 06:38:59','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Antonymes</h1><a href=\"#start\"> </a>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a href=\"https://twitter.com/Antonymes\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://soundcloud.com/antonymes\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.antonymes.co.uk/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Antonymes Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] <a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 06:38:59','2014-06-24 06:38:59','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8762,1,'2014-06-24 06:31:50','2014-06-24 06:31:50','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<p> </p><h1>Apricot Rail</h1><p><img class=\"alignleft wp-image-8576 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1-300x202.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"202\" /><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face.”</em><strong> – Love Is My Velocity</strong> Most instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\">Facebook</a></strong></p>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<h4>Quarrels</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=153203644/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/quarrels\">Quarrels by Apricot Rail</a></iframe></p>\r\n<div></div>\r\n<p>Almost four years after the release of their acclaimed self-titled debut album, Perth-based multi-instrumental pop sextet Apricot Rail return with their sophomore album <em>Quarrels</em>, which features the singles ‘Basket Press’ and ‘Surry Hills’. A foray into more experimental territory, <em>Quarrels</em> features lusher, denser instrumentation, is rich in ideas yet toys with new levels of restraint. The band’s trademark harmonic guitar passages and syncopation sit beneath languid brass and woodwind, balanced by glitchy electronica, dramatic crescendos and opium-infused oriental explorations; slow, meandering waltzes give way to moments of ethereal lightness and beauty. This music transcends fads and trends to appeal to anyone drawn to beautiful, supple songcraft. The majority of <em>Quarrels</em> was recorded over a four-day period during January 2012 in an isolated farmhouse in Western Australia’s bleak Central Wheatbelt. Instruments were sprawled across a lounge room and picked up at will by the players and in turn by microphones placed in different corners of the room. Back in Perth the real work began, with Justin Manzano going through the recordings, making adjustments and adding the odd track to the collection. Towards the end of 2012, the album was mixed by indie producer extraordinaire Scott Solter and mastered by Simon Struthers (Umpire, Muzaizake).</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Surry Hills EP</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=40892357/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/surry-hills-bonus-ep\">Surry Hills (Bonus EP) by Apricot Rail</a></iframe></p>\r\n<div></div>\r\n<p>Features exclusive bonus tracks previously only available on a limited run cd-r available at the \'Surry Hills\' launch show. ‘Surry Hills’ is a stunning new song from the much-beloved Apricot Rail that gradually blooms from a shimmering haze of harmonics and ride cymbal into a delicious interweave of resonant guitars and woodwind melodies. The song’s restraint becomes its strength as the hairs on the back of your neck slowly rise. Inhabiting a similar sonic space to Sweden’s marvellous trio Tape, ‘Surry Hills’ is destined to garner a fresh new raft of fans for Apricot Rail’s addictive brand of melodic instrumental pop. After the success of their debut album, ideas for new Apricot Rail songs, including ‘Surry Hills’, were formulated during the band’s extended break late in 2009, after which the songs were road-tested live. While ‘Surry Hills’ maintains a minimalist, restrained and rustic feel typical of Apricot Rail’s debut album, the track also represents a shift in instrumental duties for the band, with new member (number 6!) Justin Manzano (Tin Man) playing guitar, Matt Saville moving from drums to glockenspiel, Daniel Burt moving from bass to percussion, and Jack Quirk moving from guitar to keyboards/electronics, along with Ambrose Nock on guitar and Mayuka Juber on flute.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Apricot Rail (Self Titled)</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=110748402/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/apricot-rail\">Apricot Rail by Apricot Rail</a></iframe></p>\r\n<div></div>\r\n<p>Apricot Rail produce some of the most discretely charming, lush instrumental pop music you’re likely to hear all year. Delicate, bell-like arpeggiated guitars weave around snaking clarinet and flute, while the beautifully held back yet sanguine rhythm section drives the whole thing into a blurred, sun-soaked horizon. Their debut album features the wonderfully received single ‘Pouring Milk Out The Window’, an anthem without ever having to be anthemic, a melancholic reverie that never resorts to the emotional ease of sadness. ‘If You Can’t Join Them, Beat Them’, which featured on the 2009 Spunk Singles Club compilation album, is another chiming standout. And gorgeous closing track ‘Halfway House’ weaves in bubbling electronics as the band lead the listener through glowing landscapes and light-drenched vistas.</p>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>One day, after his star sign promised a ‘dynamic’ afternoon, Ambrose Nock (guitar) decided it was the right time to form a band known as Apricot Rail. He was soon joined by Jack Quirk (guitar), Matthew Saville (drums) and Daniel Burt (bass). The premise of the band was simple: music based on unique guitar tunings, the use of natural harmonics, and very open ideas about other instruments, electronica and song structure. After a debut gig at the Hyde Park Hotel in March 2008 with four members and as many songs, the band soon added a fifth in Mayuka Juber (clarinet/flute), redefining the balance of guitars with the addition of beautiful woodwind melodies.</p>\r\n<p>The band’s debut recording was a DIY affair, with members heading off to a rural property near Yorkrakine, 220km north-east of Perth in WA’s Central Wheatbelt. In the following months, the resulting demo got regular rotation on Perth’s RTRFM, and though unreleased, was rated by the station’s Homegrown presenter Chris Wheeldon as his second-favourite local outing of 2008. In the second half of the year, Apricot Rail chalked up some serious gig mileage, along the way supporting the likes of Holly Throsby, Charge Group and Adam Said Galore and finding refuge among Perth’s emerging post-rock/experimental scene.</p>\r\n<p>In November 2008 the band headed into Kingdom studios under the guidance of Simon Struthers (Umpire, Adam Said Galore, Mukaizake) where the band recorded their soon to be released self-titled debut long player. Australian fans got a chance to taste some of the new album’s sublime wares when the Apricot Rail track ‘If You Can’t Join Them, Beat Them’ was released on the prestigious Spunk Singles Club compilation album along with the likes of Leader Cheetah, The Dead Sea and The Middle East. The band was also recently nominated for Favourite Newcomer in the 2009 Western Australian Music Industry Awards.</p>\r\n<p>Apricot Rail are:<br />\r\nJack Quirk – Guitar, Glock, Trumpet, Electronica, Voice<br />\r\nDaniel Burt – Bass guitar, Saxophone<br />\r\nMatt Saville – Drum Kit/Percussion<br />\r\nMayuka Juber – Clarinet, Flute, Keyboard, Melodica, Voice<br />\r\nAmbrose Nock – Guitar, Glock, Keyboard<br />\r\nJustin Manzano – Guitar, Electronics</p>\r\n<p>&nbsp;</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=apricot-rail-news content=yes pagination=yes title_tag=h4 title_class=lcp_title]\r\n<p><a href=\"#start\"><strong>Back</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h3>Reviews</h3>\r\n[catlist name=apricot-rail-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title] <a href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Dore_Strauch.pdf\">‘Dore Strauch’ Single + Video Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Quarrels.pdf\"><em>Quarrels</em> Album Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Surry_Hills_Single.pdf\">‘Surry Hills’ Single Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Tin_Man_Remix.pdf\">Apricot Rail ‘Pouring Milk Out The Window (Tin Man Spilt Milk Remix)’ Single</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Album.pdf\">Apricot Rail Self-Titled Debut Album </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail ‘Pouring Milk Out The Window’ Single </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail Sign to Hidden Shoal Recordings</a><br />\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n[gallery columns=\"4\" link=\"file\" ids=\"8576,8584,8585,8586,8587,8588,8589,8590,8591\"]<br />\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/hBYJ6sdcvLo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p>&nbsp;</p>\r\n<p><iframe src=\"//www.youtube.com/embed/VeTN3QNo2Ck?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p>&nbsp;</p>\r\n<p><iframe src=\"//www.youtube.com/embed/puWnzmHCPxA?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Apricot Rail\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','inherit','open','open','','8574-revision-v1','','','2014-06-24 06:31:50','2014-06-24 06:31:50','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-revision-v1/',0,'revision','',0),(8763,1,'2014-06-24 06:33:33','2014-06-24 06:33:33','','Facebook','','inherit','open','open','','facebook','','','2014-06-24 06:33:33','2014-06-24 06:33:33','',8574,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png',0,'attachment','image/png',0),(8764,1,'2014-06-24 06:33:34','2014-06-24 06:33:34','','SoundCloud','','inherit','open','open','','soundcloud','','','2014-06-24 06:33:34','2014-06-24 06:33:34','',8574,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png',0,'attachment','image/png',0),(8765,1,'2014-06-24 06:33:35','2014-06-24 06:33:35','','Tumblr','','inherit','open','open','','tumblr-2','','','2014-06-24 06:33:35','2014-06-24 06:33:35','',8574,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Tumblr1.png',0,'attachment','image/png',0),(8766,1,'2014-06-24 06:33:36','2014-06-24 06:33:36','','Twitter','','inherit','open','open','','twitter','','','2014-06-24 06:33:36','2014-06-24 06:33:36','',8574,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png',0,'attachment','image/png',0),(8767,1,'2014-06-24 06:33:37','2014-06-24 06:33:37','','Website','','inherit','open','open','','website','','','2014-06-24 06:33:37','2014-06-24 06:33:37','',8574,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png',0,'attachment','image/png',0),(8795,1,'2014-06-24 07:48:51','2014-06-24 07:48:51','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Apricot Rail</h1>\r\n<img class=\"alignleft wp-image-8576 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1-300x202.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"202\" /><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face.”</em><strong> – Love Is My Velocity</strong> Most instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\"> <img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a></strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<h4>Quarrels</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=153203644/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/quarrels\">Quarrels by Apricot Rail</a></iframe>\r\n<div></div>\r\nAlmost four years after the release of their acclaimed self-titled debut album, Perth-based multi-instrumental pop sextet Apricot Rail return with their sophomore album <em>Quarrels</em>, which features the singles ‘Basket Press’ and ‘Surry Hills’. A foray into more experimental territory, <em>Quarrels</em> features lusher, denser instrumentation, is rich in ideas yet toys with new levels of restraint. The band’s trademark harmonic guitar passages and syncopation sit beneath languid brass and woodwind, balanced by glitchy electronica, dramatic crescendos and opium-infused oriental explorations; slow, meandering waltzes give way to moments of ethereal lightness and beauty. This music transcends fads and trends to appeal to anyone drawn to beautiful, supple songcraft. The majority of <em>Quarrels</em> was recorded over a four-day period during January 2012 in an isolated farmhouse in Western Australia’s bleak Central Wheatbelt. Instruments were sprawled across a lounge room and picked up at will by the players and in turn by microphones placed in different corners of the room. Back in Perth the real work began, with Justin Manzano going through the recordings, making adjustments and adding the odd track to the collection. Towards the end of 2012, the album was mixed by indie producer extraordinaire Scott Solter and mastered by Simon Struthers (Umpire, Muzaizake).\r\n<div></div>\r\n<div></div>\r\n<h4>Surry Hills EP</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=40892357/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/surry-hills-bonus-ep\">Surry Hills (Bonus EP) by Apricot Rail</a></iframe>\r\n<div></div>\r\nFeatures exclusive bonus tracks previously only available on a limited run cd-r available at the \'Surry Hills\' launch show. ‘Surry Hills’ is a stunning new song from the much-beloved Apricot Rail that gradually blooms from a shimmering haze of harmonics and ride cymbal into a delicious interweave of resonant guitars and woodwind melodies. The song’s restraint becomes its strength as the hairs on the back of your neck slowly rise. Inhabiting a similar sonic space to Sweden’s marvellous trio Tape, ‘Surry Hills’ is destined to garner a fresh new raft of fans for Apricot Rail’s addictive brand of melodic instrumental pop. After the success of their debut album, ideas for new Apricot Rail songs, including ‘Surry Hills’, were formulated during the band’s extended break late in 2009, after which the songs were road-tested live. While ‘Surry Hills’ maintains a minimalist, restrained and rustic feel typical of Apricot Rail’s debut album, the track also represents a shift in instrumental duties for the band, with new member (number 6!) Justin Manzano (Tin Man) playing guitar, Matt Saville moving from drums to glockenspiel, Daniel Burt moving from bass to percussion, and Jack Quirk moving from guitar to keyboards/electronics, along with Ambrose Nock on guitar and Mayuka Juber on flute.\r\n<div></div>\r\n<div></div>\r\n<h4>Apricot Rail (Self Titled)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=110748402/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/apricot-rail\">Apricot Rail by Apricot Rail</a></iframe>\r\n<div></div>\r\nApricot Rail produce some of the most discretely charming, lush instrumental pop music you’re likely to hear all year. Delicate, bell-like arpeggiated guitars weave around snaking clarinet and flute, while the beautifully held back yet sanguine rhythm section drives the whole thing into a blurred, sun-soaked horizon. Their debut album features the wonderfully received single ‘Pouring Milk Out The Window’, an anthem without ever having to be anthemic, a melancholic reverie that never resorts to the emotional ease of sadness. ‘If You Can’t Join Them, Beat Them’, which featured on the 2009 Spunk Singles Club compilation album, is another chiming standout. And gorgeous closing track ‘Halfway House’ weaves in bubbling electronics as the band lead the listener through glowing landscapes and light-drenched vistas.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nOne day, after his star sign promised a ‘dynamic’ afternoon, Ambrose Nock (guitar) decided it was the right time to form a band known as Apricot Rail. He was soon joined by Jack Quirk (guitar), Matthew Saville (drums) and Daniel Burt (bass). The premise of the band was simple: music based on unique guitar tunings, the use of natural harmonics, and very open ideas about other instruments, electronica and song structure. After a debut gig at the Hyde Park Hotel in March 2008 with four members and as many songs, the band soon added a fifth in Mayuka Juber (clarinet/flute), redefining the balance of guitars with the addition of beautiful woodwind melodies.\r\n\r\nThe band’s debut recording was a DIY affair, with members heading off to a rural property near Yorkrakine, 220km north-east of Perth in WA’s Central Wheatbelt. In the following months, the resulting demo got regular rotation on Perth’s RTRFM, and though unreleased, was rated by the station’s Homegrown presenter Chris Wheeldon as his second-favourite local outing of 2008. In the second half of the year, Apricot Rail chalked up some serious gig mileage, along the way supporting the likes of Holly Throsby, Charge Group and Adam Said Galore and finding refuge among Perth’s emerging post-rock/experimental scene.\r\n\r\nIn November 2008 the band headed into Kingdom studios under the guidance of Simon Struthers (Umpire, Adam Said Galore, Mukaizake) where the band recorded their soon to be released self-titled debut long player. Australian fans got a chance to taste some of the new album’s sublime wares when the Apricot Rail track ‘If You Can’t Join Them, Beat Them’ was released on the prestigious Spunk Singles Club compilation album along with the likes of Leader Cheetah, The Dead Sea and The Middle East. The band was also recently nominated for Favourite Newcomer in the 2009 Western Australian Music Industry Awards.\r\n\r\nApricot Rail are:\r\nJack Quirk – Guitar, Glock, Trumpet, Electronica, Voice\r\nDaniel Burt – Bass guitar, Saxophone\r\nMatt Saville – Drum Kit/Percussion\r\nMayuka Juber – Clarinet, Flute, Keyboard, Melodica, Voice\r\nAmbrose Nock – Guitar, Glock, Keyboard\r\nJustin Manzano – Guitar, Electronics\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=apricot-rail-news content=yes pagination=yes title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h3>Reviews</h3>\r\n[catlist name=apricot-rail-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Dore_Strauch.pdf\">‘Dore Strauch’ Single + Video Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Quarrels.pdf\"><em>Quarrels</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Surry_Hills_Single.pdf\">‘Surry Hills’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Tin_Man_Remix.pdf\">Apricot Rail ‘Pouring Milk Out The Window (Tin Man Spilt Milk Remix)’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Album.pdf\">Apricot Rail Self-Titled Debut Album </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail ‘Pouring Milk Out The Window’ Single </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail Sign to Hidden Shoal Recordings</a>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"4\" link=\"file\" ids=\"8576,8584,8585,8586,8587,8588,8589,8590,8591\"]\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/hBYJ6sdcvLo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/VeTN3QNo2Ck?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/puWnzmHCPxA?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nApricot Rail\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','inherit','open','open','','8574-revision-v1','','','2014-06-24 07:48:51','2014-06-24 07:48:51','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-revision-v1/',0,'revision','',0),(8789,1,'2014-06-24 07:42:50','2014-06-24 07:42:50','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Apricot Rail</h1>\r\n<img class=\"alignleft wp-image-8576 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1-300x202.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"202\" /><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face.”</em><strong> – Love Is My Velocity</strong> Most instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\"> <img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a></strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<h4>Quarrels</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=153203644/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/quarrels\">Quarrels by Apricot Rail</a></iframe></p>\r\n<div></div>\r\n<p>Almost four years after the release of their acclaimed self-titled debut album, Perth-based multi-instrumental pop sextet Apricot Rail return with their sophomore album <em>Quarrels</em>, which features the singles ‘Basket Press’ and ‘Surry Hills’. A foray into more experimental territory, <em>Quarrels</em> features lusher, denser instrumentation, is rich in ideas yet toys with new levels of restraint. The band’s trademark harmonic guitar passages and syncopation sit beneath languid brass and woodwind, balanced by glitchy electronica, dramatic crescendos and opium-infused oriental explorations; slow, meandering waltzes give way to moments of ethereal lightness and beauty. This music transcends fads and trends to appeal to anyone drawn to beautiful, supple songcraft. The majority of <em>Quarrels</em> was recorded over a four-day period during January 2012 in an isolated farmhouse in Western Australia’s bleak Central Wheatbelt. Instruments were sprawled across a lounge room and picked up at will by the players and in turn by microphones placed in different corners of the room. Back in Perth the real work began, with Justin Manzano going through the recordings, making adjustments and adding the odd track to the collection. Towards the end of 2012, the album was mixed by indie producer extraordinaire Scott Solter and mastered by Simon Struthers (Umpire, Muzaizake).</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Surry Hills EP</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=40892357/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/surry-hills-bonus-ep\">Surry Hills (Bonus EP) by Apricot Rail</a></iframe></p>\r\n<div></div>\r\n<p>Features exclusive bonus tracks previously only available on a limited run cd-r available at the \'Surry Hills\' launch show. ‘Surry Hills’ is a stunning new song from the much-beloved Apricot Rail that gradually blooms from a shimmering haze of harmonics and ride cymbal into a delicious interweave of resonant guitars and woodwind melodies. The song’s restraint becomes its strength as the hairs on the back of your neck slowly rise. Inhabiting a similar sonic space to Sweden’s marvellous trio Tape, ‘Surry Hills’ is destined to garner a fresh new raft of fans for Apricot Rail’s addictive brand of melodic instrumental pop. After the success of their debut album, ideas for new Apricot Rail songs, including ‘Surry Hills’, were formulated during the band’s extended break late in 2009, after which the songs were road-tested live. While ‘Surry Hills’ maintains a minimalist, restrained and rustic feel typical of Apricot Rail’s debut album, the track also represents a shift in instrumental duties for the band, with new member (number 6!) Justin Manzano (Tin Man) playing guitar, Matt Saville moving from drums to glockenspiel, Daniel Burt moving from bass to percussion, and Jack Quirk moving from guitar to keyboards/electronics, along with Ambrose Nock on guitar and Mayuka Juber on flute.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Apricot Rail (Self Titled)</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=110748402/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/apricot-rail\">Apricot Rail by Apricot Rail</a></iframe></p>\r\n<div></div>\r\n<p>Apricot Rail produce some of the most discretely charming, lush instrumental pop music you’re likely to hear all year. Delicate, bell-like arpeggiated guitars weave around snaking clarinet and flute, while the beautifully held back yet sanguine rhythm section drives the whole thing into a blurred, sun-soaked horizon. Their debut album features the wonderfully received single ‘Pouring Milk Out The Window’, an anthem without ever having to be anthemic, a melancholic reverie that never resorts to the emotional ease of sadness. ‘If You Can’t Join Them, Beat Them’, which featured on the 2009 Spunk Singles Club compilation album, is another chiming standout. And gorgeous closing track ‘Halfway House’ weaves in bubbling electronics as the band lead the listener through glowing landscapes and light-drenched vistas.</p>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>One day, after his star sign promised a ‘dynamic’ afternoon, Ambrose Nock (guitar) decided it was the right time to form a band known as Apricot Rail. He was soon joined by Jack Quirk (guitar), Matthew Saville (drums) and Daniel Burt (bass). The premise of the band was simple: music based on unique guitar tunings, the use of natural harmonics, and very open ideas about other instruments, electronica and song structure. After a debut gig at the Hyde Park Hotel in March 2008 with four members and as many songs, the band soon added a fifth in Mayuka Juber (clarinet/flute), redefining the balance of guitars with the addition of beautiful woodwind melodies.</p>\r\n<p>The band’s debut recording was a DIY affair, with members heading off to a rural property near Yorkrakine, 220km north-east of Perth in WA’s Central Wheatbelt. In the following months, the resulting demo got regular rotation on Perth’s RTRFM, and though unreleased, was rated by the station’s Homegrown presenter Chris Wheeldon as his second-favourite local outing of 2008. In the second half of the year, Apricot Rail chalked up some serious gig mileage, along the way supporting the likes of Holly Throsby, Charge Group and Adam Said Galore and finding refuge among Perth’s emerging post-rock/experimental scene.</p>\r\n<p>In November 2008 the band headed into Kingdom studios under the guidance of Simon Struthers (Umpire, Adam Said Galore, Mukaizake) where the band recorded their soon to be released self-titled debut long player. Australian fans got a chance to taste some of the new album’s sublime wares when the Apricot Rail track ‘If You Can’t Join Them, Beat Them’ was released on the prestigious Spunk Singles Club compilation album along with the likes of Leader Cheetah, The Dead Sea and The Middle East. The band was also recently nominated for Favourite Newcomer in the 2009 Western Australian Music Industry Awards.</p>\r\n<p>Apricot Rail are:<br />\r\nJack Quirk – Guitar, Glock, Trumpet, Electronica, Voice<br />\r\nDaniel Burt – Bass guitar, Saxophone<br />\r\nMatt Saville – Drum Kit/Percussion<br />\r\nMayuka Juber – Clarinet, Flute, Keyboard, Melodica, Voice<br />\r\nAmbrose Nock – Guitar, Glock, Keyboard<br />\r\nJustin Manzano – Guitar, Electronics</p>\r\n<p> </p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3><p>[catlist name=apricot-rail-news content=yes pagination=yes title_tag=h4 title_class=lcp_title]</p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h3>Reviews</h3><p>[catlist name=apricot-rail-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title]</p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Dore_Strauch.pdf\">‘Dore Strauch’ Single + Video Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Quarrels.pdf\"><em>Quarrels</em> Album Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Surry_Hills_Single.pdf\">‘Surry Hills’ Single Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Tin_Man_Remix.pdf\">Apricot Rail ‘Pouring Milk Out The Window (Tin Man Spilt Milk Remix)’ Single</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Album.pdf\">Apricot Rail Self-Titled Debut Album </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail ‘Pouring Milk Out The Window’ Single </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail Sign to Hidden Shoal Recordings</a><br />\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery columns=\"4\" link=\"file\" ids=\"8576,8584,8585,8586,8587,8588,8589,8590,8591\"]<br />\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/hBYJ6sdcvLo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p> </p>\r\n<p><iframe src=\"//www.youtube.com/embed/VeTN3QNo2Ck?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p> </p>\r\n<p><iframe src=\"//www.youtube.com/embed/puWnzmHCPxA?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Apricot Rail\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','inherit','open','open','','8574-revision-v1','','','2014-06-24 07:42:50','2014-06-24 07:42:50','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-revision-v1/',0,'revision','',0),(8768,1,'2014-06-24 06:34:20','2014-06-24 06:34:20','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Apricot Rail</h1><p><br /> <img class=\"alignleft wp-image-8576 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1-300x202.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"202\" /><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face.”</em><strong> – Love Is My Velocity</strong> Most instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\"> <img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a></strong></p>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<h4>Quarrels</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=153203644/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/quarrels\">Quarrels by Apricot Rail</a></iframe></p>\r\n<div></div>\r\n<p>Almost four years after the release of their acclaimed self-titled debut album, Perth-based multi-instrumental pop sextet Apricot Rail return with their sophomore album <em>Quarrels</em>, which features the singles ‘Basket Press’ and ‘Surry Hills’. A foray into more experimental territory, <em>Quarrels</em> features lusher, denser instrumentation, is rich in ideas yet toys with new levels of restraint. The band’s trademark harmonic guitar passages and syncopation sit beneath languid brass and woodwind, balanced by glitchy electronica, dramatic crescendos and opium-infused oriental explorations; slow, meandering waltzes give way to moments of ethereal lightness and beauty. This music transcends fads and trends to appeal to anyone drawn to beautiful, supple songcraft. The majority of <em>Quarrels</em> was recorded over a four-day period during January 2012 in an isolated farmhouse in Western Australia’s bleak Central Wheatbelt. Instruments were sprawled across a lounge room and picked up at will by the players and in turn by microphones placed in different corners of the room. Back in Perth the real work began, with Justin Manzano going through the recordings, making adjustments and adding the odd track to the collection. Towards the end of 2012, the album was mixed by indie producer extraordinaire Scott Solter and mastered by Simon Struthers (Umpire, Muzaizake).</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Surry Hills EP</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=40892357/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/surry-hills-bonus-ep\">Surry Hills (Bonus EP) by Apricot Rail</a></iframe></p>\r\n<div></div>\r\n<p>Features exclusive bonus tracks previously only available on a limited run cd-r available at the \'Surry Hills\' launch show. ‘Surry Hills’ is a stunning new song from the much-beloved Apricot Rail that gradually blooms from a shimmering haze of harmonics and ride cymbal into a delicious interweave of resonant guitars and woodwind melodies. The song’s restraint becomes its strength as the hairs on the back of your neck slowly rise. Inhabiting a similar sonic space to Sweden’s marvellous trio Tape, ‘Surry Hills’ is destined to garner a fresh new raft of fans for Apricot Rail’s addictive brand of melodic instrumental pop. After the success of their debut album, ideas for new Apricot Rail songs, including ‘Surry Hills’, were formulated during the band’s extended break late in 2009, after which the songs were road-tested live. While ‘Surry Hills’ maintains a minimalist, restrained and rustic feel typical of Apricot Rail’s debut album, the track also represents a shift in instrumental duties for the band, with new member (number 6!) Justin Manzano (Tin Man) playing guitar, Matt Saville moving from drums to glockenspiel, Daniel Burt moving from bass to percussion, and Jack Quirk moving from guitar to keyboards/electronics, along with Ambrose Nock on guitar and Mayuka Juber on flute.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Apricot Rail (Self Titled)</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=110748402/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/apricot-rail\">Apricot Rail by Apricot Rail</a></iframe></p>\r\n<div></div>\r\n<p>Apricot Rail produce some of the most discretely charming, lush instrumental pop music you’re likely to hear all year. Delicate, bell-like arpeggiated guitars weave around snaking clarinet and flute, while the beautifully held back yet sanguine rhythm section drives the whole thing into a blurred, sun-soaked horizon. Their debut album features the wonderfully received single ‘Pouring Milk Out The Window’, an anthem without ever having to be anthemic, a melancholic reverie that never resorts to the emotional ease of sadness. ‘If You Can’t Join Them, Beat Them’, which featured on the 2009 Spunk Singles Club compilation album, is another chiming standout. And gorgeous closing track ‘Halfway House’ weaves in bubbling electronics as the band lead the listener through glowing landscapes and light-drenched vistas.</p>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>One day, after his star sign promised a ‘dynamic’ afternoon, Ambrose Nock (guitar) decided it was the right time to form a band known as Apricot Rail. He was soon joined by Jack Quirk (guitar), Matthew Saville (drums) and Daniel Burt (bass). The premise of the band was simple: music based on unique guitar tunings, the use of natural harmonics, and very open ideas about other instruments, electronica and song structure. After a debut gig at the Hyde Park Hotel in March 2008 with four members and as many songs, the band soon added a fifth in Mayuka Juber (clarinet/flute), redefining the balance of guitars with the addition of beautiful woodwind melodies.</p>\r\n<p>The band’s debut recording was a DIY affair, with members heading off to a rural property near Yorkrakine, 220km north-east of Perth in WA’s Central Wheatbelt. In the following months, the resulting demo got regular rotation on Perth’s RTRFM, and though unreleased, was rated by the station’s Homegrown presenter Chris Wheeldon as his second-favourite local outing of 2008. In the second half of the year, Apricot Rail chalked up some serious gig mileage, along the way supporting the likes of Holly Throsby, Charge Group and Adam Said Galore and finding refuge among Perth’s emerging post-rock/experimental scene.</p>\r\n<p>In November 2008 the band headed into Kingdom studios under the guidance of Simon Struthers (Umpire, Adam Said Galore, Mukaizake) where the band recorded their soon to be released self-titled debut long player. Australian fans got a chance to taste some of the new album’s sublime wares when the Apricot Rail track ‘If You Can’t Join Them, Beat Them’ was released on the prestigious Spunk Singles Club compilation album along with the likes of Leader Cheetah, The Dead Sea and The Middle East. The band was also recently nominated for Favourite Newcomer in the 2009 Western Australian Music Industry Awards.</p>\r\n<p>Apricot Rail are:<br />\r\nJack Quirk – Guitar, Glock, Trumpet, Electronica, Voice<br />\r\nDaniel Burt – Bass guitar, Saxophone<br />\r\nMatt Saville – Drum Kit/Percussion<br />\r\nMayuka Juber – Clarinet, Flute, Keyboard, Melodica, Voice<br />\r\nAmbrose Nock – Guitar, Glock, Keyboard<br />\r\nJustin Manzano – Guitar, Electronics</p>\r\n<p>&nbsp;</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=apricot-rail-news content=yes pagination=yes title_tag=h4 title_class=lcp_title]\r\n<p><a href=\"#start\"><strong>Back</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h3>Reviews</h3>\r\n[catlist name=apricot-rail-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title] <a href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Dore_Strauch.pdf\">‘Dore Strauch’ Single + Video Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Quarrels.pdf\"><em>Quarrels</em> Album Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Surry_Hills_Single.pdf\">‘Surry Hills’ Single Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Tin_Man_Remix.pdf\">Apricot Rail ‘Pouring Milk Out The Window (Tin Man Spilt Milk Remix)’ Single</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Album.pdf\">Apricot Rail Self-Titled Debut Album </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail ‘Pouring Milk Out The Window’ Single </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail Sign to Hidden Shoal Recordings</a><br />\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n[gallery columns=\"4\" link=\"file\" ids=\"8576,8584,8585,8586,8587,8588,8589,8590,8591\"]<br />\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/hBYJ6sdcvLo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p>&nbsp;</p>\r\n<p><iframe src=\"//www.youtube.com/embed/VeTN3QNo2Ck?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p>&nbsp;</p>\r\n<p><iframe src=\"//www.youtube.com/embed/puWnzmHCPxA?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Apricot Rail\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','inherit','open','open','','8574-revision-v1','','','2014-06-24 06:34:20','2014-06-24 06:34:20','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-revision-v1/',0,'revision','',0),(10368,1,'2014-08-18 02:53:28','2014-08-18 02:53:28','<a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignleft wp-image-10365 size-thumbnail\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Machiavella-Cover-Art-150x150.jpg\" alt=\"Machiavella\" width=\"150\" height=\"150\" /></a>The beautiful lead single from <a title=\"Involved\" href=\"http://www.hiddenshoal.com/project/involved/\">Involved</a>\'s forthcoming debut album <em>Revolving Maze</em> is upon us! On ‘Machiavella’, Involved open the curtains to a widescreen electronic classic. One part ’90s IDM gravitas, one part cosmic electronica, one part driving sci-fi soundtrack, the song pulses with drama and ambience across its five-and-a-half-minute run time.\r\n\r\nDownload the single via  <a title=\"Bandcamp\" href=\"http://involved.bandcamp.com/album/machiavella-single\" target=\"_blank\">Bandcamp</a> or stream it at <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/involved-machiavella\" target=\"_blank\">SoundCloud</a>. Involved\'s stunning debut, <em>Revolving Maze,</em> drops on the 19th September.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/163091843&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Involved Single - Stream + Download','','inherit','closed','closed','','10364-revision-v1','','','2014-08-18 02:53:28','2014-08-18 02:53:28','',10364,'http://www.hiddenshoal.com/10364-revision-v1/',0,'revision','',0),(10369,1,'2014-08-18 02:56:04','2014-08-18 02:56:04','<a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignleft wp-image-10365 size-thumbnail\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Machiavella-Cover-Art-150x150.jpg\" alt=\"Machiavella\" width=\"150\" height=\"150\" /></a>The beautiful lead single from <a title=\"Involved\" href=\"http://www.hiddenshoal.com/project/involved/\">Involved</a>\'s forthcoming debut album <em>Revolving Maze</em> is upon us! On ‘Machiavella’, Involved open the curtains to a widescreen electronic classic. One part ’90s IDM gravitas, one part cosmic electronica, one part driving sci-fi soundtrack, the song pulses with drama and ambience across its five-and-a-half-minute run time.\r\n\r\nDownload the single via  <a title=\"Bandcamp\" href=\"http://involved.bandcamp.com/album/machiavella-single\" target=\"_blank\">Bandcamp</a> or stream it at <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/involved-machiavella\" target=\"_blank\">SoundCloud</a>. Involved\'s stunning debut, <em>Revolving Maze,</em> drops on the 19th September.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/163091843&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Involved Single - Stream + Download','','inherit','closed','closed','','10364-revision-v1','','','2014-08-18 02:56:04','2014-08-18 02:56:04','',10364,'http://www.hiddenshoal.com/10364-revision-v1/',0,'revision','',0),(10782,1,'2014-09-25 06:24:28','2014-09-25 06:24:28','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024572785/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kryshe.bandcamp.com/album/in-between\">In Between by Kryshe</a></iframe><em><br /> In Between</em><br /> by <a title=\"Kryshe\" href=\"http://www.hiddenshoal.com/project/kryshe/\">Kryshe</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=393710886/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://involved.bandcamp.com/album/revolving-maze\">REVOLVING MAZE by Involved</a></iframe><br /> <em>Revolving Maze</em><br /> by <a title=\"Involved\" href=\"http://www.hiddenshoal.com/project/involved/\">Involved</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3845305232/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://brotherearth.bandcamp.com/album/positive-haywires\">POSITIVE HAYWIRES by Brother Earth</a></iframe><br /> <em>Positive Haywires</em><em><br /> </em>by <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\">Brother Earth</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=932115624/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-cogent-sea\">The Cogent Sea by Slow Dancing Society</a></iframe><br />\r\n<em>The Cogent Sea<br />\r\n</em>by <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"3\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2014-09-25 06:24:28','2014-09-25 06:24:28','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(10734,1,'2014-09-22 03:07:44','2014-09-22 03:07:44','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=393710886/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://involved.bandcamp.com/album/revolving-maze\">REVOLVING MAZE by Involved</a></iframe><br /> <em>Revolving Maze</em><br /> by <a title=\"Involved\" href=\"http://www.hiddenshoal.com/project/involved/\">Involved</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3845305232/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://brotherearth.bandcamp.com/album/positive-haywires\">POSITIVE HAYWIRES by Brother Earth</a></iframe><br /> <em>Positive Haywires</em><em><br /> </em>by <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\">Brother Earth</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=932115624/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-cogent-sea\">The Cogent Sea by Slow Dancing Society</a></iframe><br />\r\n<em>The Cogent Sea<br />\r\n</em>by <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1996143844/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/whats-your-utopia\">What\'s Your Utopia? by perth</a></iframe><em><br />\r\nWhat\'s Your Utopia?</em><br />\r\nby <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"3\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2014-09-22 03:07:44','2014-09-22 03:07:44','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(10372,1,'2014-08-18 03:17:20','2014-08-18 03:17:20','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=932115624/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-cogent-sea\">The Cogent Sea by Slow Dancing Society</a></iframe><br /> <em>The Cogent Sea<br /> </em>by <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1996143844/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/whats-your-utopia\">What\'s Your Utopia? by perth</a></iframe><em><br /> What\'s Your Utopia?</em><br /> by <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4096233157/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe><br /> <em>The Wooden Heart</em><em><br /> </em>by <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies<em><br /> </em></a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2649323669/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://draliensmith.bandcamp.com/album/under-songs\">Under Songs by DrAlienSmith</a></iframe><br /> <em>Under Songs</em><br /> by <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a></h4>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"9\" include_categories=\"47\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2014-08-18 03:17:20','2014-08-18 03:17:20','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(10371,1,'2014-08-18 03:14:44','2014-08-18 03:14:44','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=932115624/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-cogent-sea\">The Cogent Sea by Slow Dancing Society</a></iframe><br /> <em>The Cogent Sea<br /> </em>by <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1996143844/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/whats-your-utopia\">What\'s Your Utopia? by perth</a></iframe><em><br /> What\'s Your Utopia?</em><br /> by <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4096233157/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe><br /> <em>The Wooden Heart</em><em><br /> </em>by <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies<em><br /> </em></a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<p> </p><h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2649323669/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://draliensmith.bandcamp.com/album/under-songs\">Under Songs by DrAlienSmith</a></iframe><br /> <em>Under Songs</em><br /> by <a title=\"DrAlienSmith\" href=\"http://www.hiddenshoal.com/project/draliensmith/\">DrAlienSmith</a></h4>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"9\" include_categories=\"47\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2014-08-18 03:14:44','2014-08-18 03:14:44','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(8760,1,'2014-06-24 06:29:25','2014-06-24 06:29:25','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Apricot Rail</h1><p> </p><p><a id=\"start\"></a><br /> <img class=\"alignleft wp-image-8576 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1-300x202.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"202\" /><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face.”</em><strong> – Love Is My Velocity</strong> Most instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\">Facebook</a></strong></p>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<h4>Quarrels</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=153203644/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/quarrels\">Quarrels by Apricot Rail</a></iframe></p>\r\n<div></div>\r\n<p>Almost four years after the release of their acclaimed self-titled debut album, Perth-based multi-instrumental pop sextet Apricot Rail return with their sophomore album <em>Quarrels</em>, which features the singles ‘Basket Press’ and ‘Surry Hills’. A foray into more experimental territory, <em>Quarrels</em> features lusher, denser instrumentation, is rich in ideas yet toys with new levels of restraint. The band’s trademark harmonic guitar passages and syncopation sit beneath languid brass and woodwind, balanced by glitchy electronica, dramatic crescendos and opium-infused oriental explorations; slow, meandering waltzes give way to moments of ethereal lightness and beauty. This music transcends fads and trends to appeal to anyone drawn to beautiful, supple songcraft. The majority of <em>Quarrels</em> was recorded over a four-day period during January 2012 in an isolated farmhouse in Western Australia’s bleak Central Wheatbelt. Instruments were sprawled across a lounge room and picked up at will by the players and in turn by microphones placed in different corners of the room. Back in Perth the real work began, with Justin Manzano going through the recordings, making adjustments and adding the odd track to the collection. Towards the end of 2012, the album was mixed by indie producer extraordinaire Scott Solter and mastered by Simon Struthers (Umpire, Muzaizake).</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Surry Hills EP</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=40892357/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/surry-hills-bonus-ep\">Surry Hills (Bonus EP) by Apricot Rail</a></iframe></p>\r\n<div></div>\r\n<p>Features exclusive bonus tracks previously only available on a limited run cd-r available at the \'Surry Hills\' launch show. ‘Surry Hills’ is a stunning new song from the much-beloved Apricot Rail that gradually blooms from a shimmering haze of harmonics and ride cymbal into a delicious interweave of resonant guitars and woodwind melodies. The song’s restraint becomes its strength as the hairs on the back of your neck slowly rise. Inhabiting a similar sonic space to Sweden’s marvellous trio Tape, ‘Surry Hills’ is destined to garner a fresh new raft of fans for Apricot Rail’s addictive brand of melodic instrumental pop. After the success of their debut album, ideas for new Apricot Rail songs, including ‘Surry Hills’, were formulated during the band’s extended break late in 2009, after which the songs were road-tested live. While ‘Surry Hills’ maintains a minimalist, restrained and rustic feel typical of Apricot Rail’s debut album, the track also represents a shift in instrumental duties for the band, with new member (number 6!) Justin Manzano (Tin Man) playing guitar, Matt Saville moving from drums to glockenspiel, Daniel Burt moving from bass to percussion, and Jack Quirk moving from guitar to keyboards/electronics, along with Ambrose Nock on guitar and Mayuka Juber on flute.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Apricot Rail (Self Titled)</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=110748402/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/apricot-rail\">Apricot Rail by Apricot Rail</a></iframe></p>\r\n<div></div>\r\n<p>Apricot Rail produce some of the most discretely charming, lush instrumental pop music you’re likely to hear all year. Delicate, bell-like arpeggiated guitars weave around snaking clarinet and flute, while the beautifully held back yet sanguine rhythm section drives the whole thing into a blurred, sun-soaked horizon. Their debut album features the wonderfully received single ‘Pouring Milk Out The Window’, an anthem without ever having to be anthemic, a melancholic reverie that never resorts to the emotional ease of sadness. ‘If You Can’t Join Them, Beat Them’, which featured on the 2009 Spunk Singles Club compilation album, is another chiming standout. And gorgeous closing track ‘Halfway House’ weaves in bubbling electronics as the band lead the listener through glowing landscapes and light-drenched vistas.</p>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>One day, after his star sign promised a ‘dynamic’ afternoon, Ambrose Nock (guitar) decided it was the right time to form a band known as Apricot Rail. He was soon joined by Jack Quirk (guitar), Matthew Saville (drums) and Daniel Burt (bass). The premise of the band was simple: music based on unique guitar tunings, the use of natural harmonics, and very open ideas about other instruments, electronica and song structure. After a debut gig at the Hyde Park Hotel in March 2008 with four members and as many songs, the band soon added a fifth in Mayuka Juber (clarinet/flute), redefining the balance of guitars with the addition of beautiful woodwind melodies.</p>\r\n<p>The band’s debut recording was a DIY affair, with members heading off to a rural property near Yorkrakine, 220km north-east of Perth in WA’s Central Wheatbelt. In the following months, the resulting demo got regular rotation on Perth’s RTRFM, and though unreleased, was rated by the station’s Homegrown presenter Chris Wheeldon as his second-favourite local outing of 2008. In the second half of the year, Apricot Rail chalked up some serious gig mileage, along the way supporting the likes of Holly Throsby, Charge Group and Adam Said Galore and finding refuge among Perth’s emerging post-rock/experimental scene.</p>\r\n<p>In November 2008 the band headed into Kingdom studios under the guidance of Simon Struthers (Umpire, Adam Said Galore, Mukaizake) where the band recorded their soon to be released self-titled debut long player. Australian fans got a chance to taste some of the new album’s sublime wares when the Apricot Rail track ‘If You Can’t Join Them, Beat Them’ was released on the prestigious Spunk Singles Club compilation album along with the likes of Leader Cheetah, The Dead Sea and The Middle East. The band was also recently nominated for Favourite Newcomer in the 2009 Western Australian Music Industry Awards.</p>\r\n<p>Apricot Rail are:<br />\r\nJack Quirk – Guitar, Glock, Trumpet, Electronica, Voice<br />\r\nDaniel Burt – Bass guitar, Saxophone<br />\r\nMatt Saville – Drum Kit/Percussion<br />\r\nMayuka Juber – Clarinet, Flute, Keyboard, Melodica, Voice<br />\r\nAmbrose Nock – Guitar, Glock, Keyboard<br />\r\nJustin Manzano – Guitar, Electronics</p>\r\n<p>&nbsp;</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=apricot-rail-news content=yes pagination=yes title_tag=h4 title_class=lcp_title]\r\n<p><a href=\"#start\"><strong>Back</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h3>Reviews</h3>\r\n[catlist name=apricot-rail-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title] <a href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Dore_Strauch.pdf\">‘Dore Strauch’ Single + Video Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Quarrels.pdf\"><em>Quarrels</em> Album Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Surry_Hills_Single.pdf\">‘Surry Hills’ Single Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Tin_Man_Remix.pdf\">Apricot Rail ‘Pouring Milk Out The Window (Tin Man Spilt Milk Remix)’ Single</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Album.pdf\">Apricot Rail Self-Titled Debut Album </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail ‘Pouring Milk Out The Window’ Single </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail Sign to Hidden Shoal Recordings</a><br />\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n[gallery columns=\"4\" link=\"file\" ids=\"8576,8584,8585,8586,8587,8588,8589,8590,8591\"]\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/hBYJ6sdcvLo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p>&nbsp;</p>\r\n<p><iframe src=\"//www.youtube.com/embed/VeTN3QNo2Ck?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p>&nbsp;</p>\r\n<p><iframe src=\"//www.youtube.com/embed/puWnzmHCPxA?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Apricot Rail\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','inherit','open','open','','8574-revision-v1','','','2014-06-24 06:29:25','2014-06-24 06:29:25','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-revision-v1/',0,'revision','',0),(8859,1,'2014-06-25 07:56:33','2014-06-25 07:56:33','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Gilded</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded_1.jpg\"><img class=\"alignleft size-medium wp-image-8851\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded_1-300x198.jpg\" alt=\"Gilded\" width=\"300\" height=\"198\" /></a><em>\"Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong></p><p>Gilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.</p><p> </p><p><a title=\"Twitter\" href=\"http://www.facebook.com/gildedmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<br />\r\n<h3>Discography</h3>\r\n<div> </div>\r\n<div> </div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div> </div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div> </div>\r\n<div> </div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div> </div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div> </div>\r\n<div> </div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div> </div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<br />\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p>\r\n<p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]<br />\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<br />\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<br />\r\n<h3>Press Releases</h3>\r\n<p> </p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]<br />\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n<p> [/et_pb_tab][et_pb_tab title=\"Video\"]<br />\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]<br />\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','inherit','open','open','','8850-revision-v1','','','2014-06-25 07:56:33','2014-06-25 07:56:33','',8850,'http://hiddenshoalpublishing.onesmallcloud.com/8850-revision-v1/',0,'revision','',0),(8857,1,'2014-06-25 06:37:01','2014-06-25 06:37:01','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Gilded</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded_1.jpg\"><img class=\"alignleft size-medium wp-image-8851\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded_1-300x198.jpg\" alt=\"Gilded\" width=\"300\" height=\"198\" /></a><em>\"Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong> Gilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction. <a title=\"Twitter\" href=\"http://www.facebook.com/gildedmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div></div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p>\r\n<p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p>&nbsp;</p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n[gallery ids=\"8222,8221,8220,8219\"]<br />\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','inherit','open','open','','8850-revision-v1','','','2014-06-25 06:37:01','2014-06-25 06:37:01','',8850,'http://hiddenshoalpublishing.onesmallcloud.com/8850-revision-v1/',0,'revision','',0),(8834,1,'2014-06-24 13:52:02','2014-06-24 13:52:02','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Enargeia</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8839 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enargeia-800px-300x300.jpg\" alt=\"Enargeia\" width=\"161\" height=\"161\" /></a>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo originally working out of Perth Western Australia. Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>UFO: Stryker Force</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=369311426/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/ufo-stryker-force\">UFO: Stryker Force by Enargeia</a></iframe>\r\nJune 2006\r\n<div></div>\r\nIndustrial ambient pioneers, Enargeia release their long awaited first album with Hidden Shoal Recordings. Stretching out like a dark cloud to the horizon, this work is a long range map, acting both as navigator and vehicle. Abduction has never been so engaging.\r\n<div></div>\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAmbient industrial soundscape artists Enargeia are a performance based improvisational duo working out of Perth Western Australia.\r\n\r\nHaving formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=enargeia content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=enargeia-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n&nbsp;\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_8th_June.pdf\">Label sampler album release, Enargeia “UFO: Stryker Force” release and Glassacre “Slow Attack” release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_24th_Oct.pdf\">Enargeia “Gulag! 25.9.98″ live release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8842\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n&nbsp;\r\n\r\nNo videos yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonyEnargeia\'s mes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Enargeia','','publish','open','open','','enargeia','','','2014-12-27 00:04:43','2014-12-26 16:04:43','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?post_type=project&#038;p=8834',0,'project','',0),(8835,1,'2014-06-24 13:52:02','2014-06-24 13:52:02','','Enargeia','','inherit','open','open','','8834-revision-v1','','','2014-06-24 13:52:02','2014-06-24 13:52:02','',8834,'http://hiddenshoalpublishing.onesmallcloud.com/8834-revision-v1/',0,'revision','',0),(8836,1,'2014-06-25 02:25:15','2014-06-25 02:25:15','<p>[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]</p><h1>Enargeia</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8839 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enargeia-800px-300x300.jpg\" alt=\"Enargeia\" width=\"300\" height=\"300\" /></a>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo originally working out of Perth Western Australia.</p><p>Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p><p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]</p><h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]</p><h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p><p>[/et_pb_tab][et_pb_tab title=\"News\"]</p><h3>News</h3><p>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]</p><h2>Reviews</h2><p>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]</p><h3>Press Releases</h3><p> </p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p><p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]</p><h3>Artist Photos</h3><p> </p><div class=\"wpview-wrap wpview-type-gallery\" contenteditable=\"false\" data-wpview-text=\"%5Bgallery%20ids%3D%228222%2C8221%2C8220%2C8219%22%5D\" data-wpview-type=\"gallery\"><div class=\"toolbar\"> </div><div class=\"gallery gallery-columns-3\"><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_4-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_3-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_2-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl><br style=\"clear: both;\" /><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl></div><ins data-wpview-end=\"1\"></ins></div><p>[/et_pb_tab][et_pb_tab title=\"Video\"]</p><h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]</p><h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p><p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]</p>','Enargeia','','inherit','open','open','','8834-autosave-v1','','','2014-06-25 02:25:15','2014-06-25 02:25:15','',8834,'http://hiddenshoalpublishing.onesmallcloud.com/8834-autosave-v1/',0,'revision','',0),(8837,1,'2014-06-24 14:28:08','2014-06-24 14:28:08','[et_pb_section][et_pb_row][/et_pb_row][/et_pb_section]','Enargeia','','inherit','open','open','','8834-revision-v1','','','2014-06-24 14:28:08','2014-06-24 14:28:08','',8834,'http://hiddenshoalpublishing.onesmallcloud.com/8834-revision-v1/',0,'revision','',0),(8839,1,'2014-06-24 14:38:37','2014-06-24 14:38:37','','Enargeia','','inherit','open','open','','enargeia-gulag-indd','','','2014-06-24 14:38:37','2014-06-24 14:38:37','',8834,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enargeia-800px.jpg',0,'attachment','image/jpeg',0),(8849,1,'2014-06-25 05:42:50','2014-06-25 05:42:50','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Enargeia</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8839 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enargeia-800px-300x300.jpg\" alt=\"Enargeia\" width=\"161\" height=\"161\" /></a>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo originally working out of Perth Western Australia. Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>UFO: Stryker Force</h4><div> </div><p>Preview Coming Soon!</p><div> </div><p>Industrial ambient pioneers, Enargeia release their long awaited first album with Hidden Shoal Recordings. Stretching out like a dark cloud to the horizon, this work is a long range map, acting both as navigator and vehicle. Abduction has never been so engaging.</p><div> </div><p> </p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo working out of Perth Western Australia.</p><p>Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p><p> </p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=enargeia content=yes pagination=no title_tag=h4 title_class=lcp_title]<br /> [/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=enargeia-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3>\r\n&nbsp;\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_8th_June.pdf\">Label sampler album release, Enargeia “UFO: Stryker Force” release and Glassacre “Slow Attack” release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_24th_Oct.pdf\">Enargeia “Gulag! 25.9.98″ live release</a>\r\n\r\n&nbsp;[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8842\"]<p><br /> [/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> </p><p>No videos yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>AntonyEnargeia\'s mes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Enargeia','','inherit','open','open','','8834-revision-v1','','','2014-06-25 05:42:50','2014-06-25 05:42:50','',8834,'http://hiddenshoalpublishing.onesmallcloud.com/8834-revision-v1/',0,'revision','',0),(8844,1,'2014-06-25 03:47:15','2014-06-25 03:47:15','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Enargeia</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8839 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enargeia-800px-300x300.jpg\" alt=\"Enargeia\" width=\"300\" height=\"300\" /></a>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo originally working out of Perth Western Australia.</p><p>Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>UFO: Stryker Force</h4><div> </div><p>Preview Coming Soon!</p><div> </div><p>Industrial ambient pioneers, Enargeia release their long awaited first album with Hidden Shoal Recordings. Stretching out like a dark cloud to the horizon, this work is a long range map, acting both as navigator and vehicle. Abduction has never been so engaging.</p><div> </div><p> </p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo working out of Perth Western Australia.</p><p>Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p><p> </p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3><p>[catlist name=enargeia content=yes pagination=no title_tag=h4 title_class=lcp_title]</p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=enargeia-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p> </p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8842\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> </p><p>No videos yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>AntonyEnargeia\'s mes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Enargeia','','inherit','open','open','','8834-revision-v1','','','2014-06-25 03:47:15','2014-06-25 03:47:15','',8834,'http://hiddenshoalpublishing.onesmallcloud.com/8834-revision-v1/',0,'revision','',0),(8843,1,'2014-06-25 03:30:18','2014-06-25 03:30:18','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<br />\r\n<h1>Enargeia</h1>\r\n<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8839 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enargeia-800px-300x300.jpg\" alt=\"Enargeia\" width=\"300\" height=\"300\" /></a>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo originally working out of Perth Western Australia.</p>\r\n<p>Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p>\r\n<p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>UFO: Stryker Force</h4><div> </div><p>Preview Coming Soon!</p><div> </div><p>Industrial ambient pioneers, Enargeia release their long awaited first album with Hidden Shoal Recordings. Stretching out like a dark cloud to the horizon, this work is a long range map, acting both as navigator and vehicle. Abduction has never been so engaging.</p><div> </div><p> </p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo working out of Perth Western Australia.</p><p>Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p><p> </p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3><p>[catlist name=enargeia-news content=yes pagination=no title_tag=h4 title_class=lcp_title]</p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2><p>[catlist name=enargeia-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]</p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p> </p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p><p>[gallery ids=\"8842\"]</p>[/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> </p><p>No videos yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>AntonyEnargeia\'s mes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Enargeia','','inherit','open','open','','8834-revision-v1','','','2014-06-25 03:30:18','2014-06-25 03:30:18','',8834,'http://hiddenshoalpublishing.onesmallcloud.com/8834-revision-v1/',0,'revision','',0),(8840,1,'2014-06-24 15:27:29','2014-06-24 15:27:29','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Enargeia</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8839 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enargeia-800px-300x300.jpg\" alt=\"Enargeia\" width=\"300\" height=\"300\" /></a>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo originally working out of Perth Western Australia.</p><p>Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n&nbsp;\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Enargeia','','inherit','open','open','','8834-revision-v1','','','2014-06-24 15:27:29','2014-06-24 15:27:29','',8834,'http://hiddenshoalpublishing.onesmallcloud.com/8834-revision-v1/',0,'revision','',0),(8841,1,'2014-06-25 01:24:33','2014-06-25 01:24:33','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Cheekbone</h1>\r\n<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8714 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cheekbone_3-300x300.jpg\" alt=\"Cheekbone\" width=\"300\" height=\"300\" /></a><em>\"...expertly sequenced; short soundscapes drift and merge into one another, while intricate beats, deft samples, and obscured field recordings are woven into the mix… <em>Yesterday</em> acts as a poignant snapshot of nostalgic (and often forgotten) memories amidst the hustle and bustle of everyday life. ”</em> –<strong> Sonic Frontiers </strong></p>\r\n<p>A drifting, organic space in which to lose yourself completely, Cheekbone’s masterful ambient electronica is guaranteed to appeal to anyone with an interest in the possibilities of synthesized sound.</p>\r\n<p>Luscious, disorientating and utterly enchanting, Cheekbone\'s debut EP<em> Yesterday</em> is essential listening.</p>\r\n<p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Cheekbone/128913593851252?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Tumblr\" href=\"http://cheekbone-log.tumblr.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8765\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Tumblr1.png\" alt=\"Tumblr\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/cheekbone\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Yesterday</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 373px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1595345254/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/yesterday\">Yesterday by Cheekbone</a></iframe></p><div> </div><p>Cheekbone’s agile, amorphous brand of ambient electronica is constantly transforming, evoking the growth of nature and the decay of light across space, agitated by human activity and the background chatter and clang of everyday life. <span style=\"font-style: italic;\">Yesterday</span> expresses an aching sense of nostalgic melancholy, pining for something that only exists as memory and imagination. The EP\'s experimentation with melody and texture work to create luminous new soundscapes evoking seminal British electronic acts such as Aphex Twin, Plaid and Boards of Canada whilst carving its own unique space.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Inspired by psychedelic German rock, Kouichi Moriuchi began making music in the mid-’90s using guitar, organ, theremin and tapes. From these initial explorations, the luscious three-dimensional soundworld of Cheekbone began to take shape. In 2002, Kouichi began using a laptop, stirring in a whole host of sounds and influences, ranging from early favourites such as Neu, Cluster and Tangerine Dream, to noisemakers Sonic Youth and My Bloody Valentine, and ambient pioneer Brian Eno.</p>\r\n<p>Cheekbone’s agile, amorphous brand of ambient electronica is constantly transforming, evoking the growth of nature and the decay of light across space, agitated by human activity and the background chatter and clang of everyday life. But rather than being inspired by real world events, this music expresses an aching sense of nostalgic melancholy, pining for something that only exists as memory and imagination.</p>\r\n<p>Kuoichi’s experimentation with melody and texture to create luminous new soundscapes evokes seminal British electronic acts such as Aphex Twin, Plaid and Boards of Canada whilst carving his own unique space. He has recently remixed a track by Italian band Port-Royal, and improvises live with laptop and synthesizer in his hometown of Nara, Japan.</p>\r\n<p> </p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h2>News</h2>\r\n[catlist name=cheekbone content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=cheekbone-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Cheekbone_EP_Release.pdf\" target=\"_blank\">Yesterday EP Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Jumpel_and_Cheekbone_Signings.pdf\" target=\"_blank\">Cheekbone Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8723,8724,8725\"]\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p>No videos yet.</p>\r\n<p> </p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Cheekbone\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Cheekbone','','inherit','open','open','','8713-revision-v1','','','2014-06-25 01:24:33','2014-06-25 01:24:33','',8713,'http://hiddenshoalpublishing.onesmallcloud.com/8713-revision-v1/',0,'revision','',0),(8842,1,'2014-06-25 03:29:27','2014-06-25 03:29:27','','Enargeia','','inherit','open','open','','enargeia-gulag-indd-2','','','2014-06-25 03:29:27','2014-06-25 03:29:27','',8834,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enargeia-800px1.jpg',0,'attachment','image/jpeg',0),(8845,1,'2014-06-25 03:49:54','2014-06-25 03:49:54','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Enargeia</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8839 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enargeia-800px-300x300.jpg\" alt=\"Enargeia\" width=\"300\" height=\"300\" /></a>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo originally working out of Perth Western Australia.\r\n\r\nHaving formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>UFO: Stryker Force</h4>\r\n<div></div>\r\nPreview Coming Soon!\r\n<div></div>\r\nIndustrial ambient pioneers, Enargeia release their long awaited first album with Hidden Shoal Recordings. Stretching out like a dark cloud to the horizon, this work is a long range map, acting both as navigator and vehicle. Abduction has never been so engaging.\r\n<div></div>\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAmbient industrial soundscape artists Enargeia are a performance based improvisational duo working out of Perth Western Australia.\r\n\r\nHaving formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=enargeia content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=enargeia-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n&nbsp;\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8842\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n&nbsp;\r\n\r\nNo videos yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonyEnargeia\'s mes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Enargeia','','inherit','open','open','','8834-revision-v1','','','2014-06-25 03:49:54','2014-06-25 03:49:54','',8834,'http://hiddenshoalpublishing.onesmallcloud.com/8834-revision-v1/',0,'revision','',0),(8847,1,'2014-06-25 05:09:45','2014-06-25 05:09:45','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Enargeia</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8839 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enargeia-800px-300x300.jpg\" alt=\"Enargeia\" width=\"216\" height=\"216\" /></a>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo originally working out of Perth Western Australia.\r\n\r\nHaving formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>UFO: Stryker Force</h4>\r\n<div></div>\r\n<p>Preview Coming Soon!</p>\r\n<div></div>\r\n<p>Industrial ambient pioneers, Enargeia release their long awaited first album with Hidden Shoal Recordings. Stretching out like a dark cloud to the horizon, this work is a long range map, acting both as navigator and vehicle. Abduction has never been so engaging.</p>\r\n<div></div>\r\n<p>&nbsp;</p>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo working out of Perth Western Australia.</p>\r\n<p>Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p>\r\n<p>&nbsp;</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=enargeia content=yes pagination=no title_tag=h4 title_class=lcp_title]<br />\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=enargeia-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p>&nbsp;</p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n[gallery ids=\"8842\"]<br />\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p>&nbsp;</p>\r\n<p>No videos yet, sorry!</p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>AntonyEnargeia\'s mes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Enargeia','','inherit','open','open','','8834-revision-v1','','','2014-06-25 05:09:45','2014-06-25 05:09:45','',8834,'http://hiddenshoalpublishing.onesmallcloud.com/8834-revision-v1/',0,'revision','',0),(8846,1,'2014-06-25 03:50:15','2014-06-25 03:50:15','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Enargeia</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8839 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enargeia-800px-300x300.jpg\" alt=\"Enargeia\" width=\"216\" height=\"216\" /></a>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo originally working out of Perth Western Australia.</p><p>Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>UFO: Stryker Force</h4>\r\n<div></div>\r\n<p>Preview Coming Soon!</p>\r\n<div></div>\r\n<p>Industrial ambient pioneers, Enargeia release their long awaited first album with Hidden Shoal Recordings. Stretching out like a dark cloud to the horizon, this work is a long range map, acting both as navigator and vehicle. Abduction has never been so engaging.</p>\r\n<div></div>\r\n<p>&nbsp;</p>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo working out of Perth Western Australia.</p>\r\n<p>Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p>\r\n<p>&nbsp;</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=enargeia content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=enargeia-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p>&nbsp;</p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n[gallery ids=\"8842\"]\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p>&nbsp;</p>\r\n<p>No videos yet, sorry!</p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>AntonyEnargeia\'s mes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Enargeia','','inherit','open','open','','8834-revision-v1','','','2014-06-25 03:50:15','2014-06-25 03:50:15','',8834,'http://hiddenshoalpublishing.onesmallcloud.com/8834-revision-v1/',0,'revision','',0),(8848,1,'2014-06-25 05:10:26','2014-06-25 05:10:26','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Enargeia</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8839 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enargeia-800px-300x300.jpg\" alt=\"Enargeia\" width=\"161\" height=\"161\" /></a>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo originally working out of Perth Western Australia. Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>UFO: Stryker Force</h4>\r\n<div></div>\r\n<p>Preview Coming Soon!</p>\r\n<div></div>\r\n<p>Industrial ambient pioneers, Enargeia release their long awaited first album with Hidden Shoal Recordings. Stretching out like a dark cloud to the horizon, this work is a long range map, acting both as navigator and vehicle. Abduction has never been so engaging.</p>\r\n<div></div>\r\n<p>&nbsp;</p>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo working out of Perth Western Australia.</p>\r\n<p>Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.</p>\r\n<p>&nbsp;</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=enargeia content=yes pagination=no title_tag=h4 title_class=lcp_title]<br />\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=enargeia-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p>&nbsp;</p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n[gallery ids=\"8842\"]<br />\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p>&nbsp;</p>\r\n<p>No videos yet, sorry!</p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>AntonyEnargeia\'s mes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Enargeia','','inherit','open','open','','8834-revision-v1','','','2014-06-25 05:10:26','2014-06-25 05:10:26','',8834,'http://hiddenshoalpublishing.onesmallcloud.com/8834-revision-v1/',0,'revision','',0),(8850,1,'2014-06-25 06:27:04','2014-06-25 06:27:04','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Gilded</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\"><img class=\"alignleft  wp-image-8860\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\" alt=\"Gilded\" width=\"343\" height=\"236\" /></a><em>\"Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong>\r\n\r\nGilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.\r\n\r\n<a title=\"Twitter\" href=\"http://www.facebook.com/gildedmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a> [/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>A Smooth Sea Never Made A Skilful Sailor</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1340611547/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://gilded.bandcamp.com/album/a-smooth-sea-never-made-a-skilful-sailor\">A Smooth Sea Never Made A Skilful Sailor by Gilded</a></iframe>\r\nFebruary 2014\r\n<div></div>\r\nFollowing on from the release of their critically acclaimed debut album Terrane and its accompanying national tour, Gilded’s new EP A Smooth Sea Never Made A Skilful Sailor brings together three previously unreleased and essential new tracks. ‘38 Degrees (Live at The Bird)’ is a beautiful live improvised guitar-based work, rich in textural details, contrasting markedly with the more piano-focused pieces on Terrane. Shoeb Ahmad (of Canberra outfit Spartak) remixes 2012 single ‘Cluttered Room’, dissecting the bassline, banjo and melodica and tethering them to an itchy breakbeat, surrounding the mix with an otherworldly vocal. Hidden Shoal’s very own perth also take on ‘Cluttered Room’ in their own inimitable style, creating an ebbing electro-acoustic micro-environment set adrift in clouds of reverb.\r\n<div></div>\r\n<div></div>\r\n<h4>Terrane</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1510351731/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://gilded.bandcamp.com/album/terrane\">Terrane by Gilded</a></iframe>\r\nOctober 2012\r\n<div></div>\r\nGilded brings together the similar but distinct musical directions of West Australian experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction. The title of Gilded’s debut album Terrane comes from a geological formation that has become dislocated from its original position and sutured onto a new landscape. It retains its own distinctive form and contrasts against those around it, whilst also finding a new place, a new home. The compositions that make up this record strike at the heart of how it feels to be in a period of transition, of watching a subtle change, a shift in texture. There are moments of quietude and reflection – held together by the austere and alternately punctuated by shifts toward the uplifting and revelatory. Terrane deftly operates around the intersections of melody and texture, movement and pause.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGilded is a new musical project featuring West Australian experimental musicians Matt Rösner and Adam Trainer. Matt Rösner is arguably one of Western Australia’s most renowned experimental musicians. Based in Myalup in the South West, Matt has released music on labels as diverse as Room40, 12K, Apestaartje, Meupe and Miatera, with a musical focus on guitar and field recordings. Adam Trainer was a founding member of Perth post-rock outfit Radarmaker, and has also played in experimental projects such as Polaroid Ghost and the Ghost of 29 Megacycles. In solo guise he has released music on labels such as hellosQuare, New Weird Australia, Phantom Channel and Feral Media. Adam’s solo work has sought to locate textural nuance alongside dislocated melody.\r\n\r\nThe title of Gilded’s debut album <em>Terrane</em> comes from a geological formation that has become dislocated from its original position and sutured onto a new landscape. It retains its own distinctive form and contrasts against those around it, whilst also finding a new place, a new home. The album was conceived during two consecutive autumns in Western Australia. The compositions that make up this record strike at the heart of how it feels to be in a period of transition, of watching a subtle change, a shift in texture. There are moments of quietude and reflection held together by the austere and alternately punctuated by shifts toward the uplifting and revelatory. One thing is certain: change is inevitable. We leave traces and will not return.\r\n\r\nThe inception of the record occurred in March 2010, with the recording of a 50-minute piano improvisation in a room overlooking Perth’s skyline. The piano recording sat on the shelf for 12 months: a period of contemplation. It would later become the backbone of five of the nine tracks on the record. Convening in autumn 2011 in Matt’s home studio at Myalup Beach, layers of instrumental melodies, percussion, vocals and field recordings were set against the original piano sketches, turning what was once improvised into a structured cinematic whole. The sessions in Myalup also gave rise to four new works inspired by the surroundings, and complementing the record’s textural theme. These new pieces often contrasted the unbound structure of the original compositions with rhythm and repetition. They brought a sense of focus and precision to the record’s preoccupation with texture, and directed its melodic tendencies towards more structured and restrained forms. The resulting record is one of contrasts the liquidity of thought against the permanence of physicality, changing landscapes against the constancy of creative purpose.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=gilded-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=gilded-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Gilded-A_Smooth_Sea.pdf\"><em>A Smooth Sea Never Made A Skilful Sailor</em> EP Release</a>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Gilded_Terrane.pdf\"><em>Terrane</em> Album Release</a>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Gilded-Cluttered_Room.pdf\">‘Cluttered Room’ Single Release</a>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Gilded_Signing.pdf\">Gilded Sign To Hidden Shoal</a>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8875,8876\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/S145puK6OZc?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nGilded\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','publish','open','open','','gilded','','','2016-10-26 11:58:34','2016-10-26 03:58:34','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?post_type=project&#038;p=8850',0,'project','',0),(15116,1,'2016-10-26 11:58:34','2016-10-26 03:58:34','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Gilded</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\"><img class=\"alignleft  wp-image-8860\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\" alt=\"Gilded\" width=\"343\" height=\"236\" /></a><em>\"Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong>\r\n\r\nGilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.\r\n\r\n<a title=\"Twitter\" href=\"http://www.facebook.com/gildedmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a> [/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>A Smooth Sea Never Made A Skilful Sailor</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 241px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1340611547/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://gilded.bandcamp.com/album/a-smooth-sea-never-made-a-skilful-sailor\">A Smooth Sea Never Made A Skilful Sailor by Gilded</a></iframe>\r\nFebruary 2014\r\n<div></div>\r\nFollowing on from the release of their critically acclaimed debut album Terrane and its accompanying national tour, Gilded’s new EP A Smooth Sea Never Made A Skilful Sailor brings together three previously unreleased and essential new tracks. ‘38 Degrees (Live at The Bird)’ is a beautiful live improvised guitar-based work, rich in textural details, contrasting markedly with the more piano-focused pieces on Terrane. Shoeb Ahmad (of Canberra outfit Spartak) remixes 2012 single ‘Cluttered Room’, dissecting the bassline, banjo and melodica and tethering them to an itchy breakbeat, surrounding the mix with an otherworldly vocal. Hidden Shoal’s very own perth also take on ‘Cluttered Room’ in their own inimitable style, creating an ebbing electro-acoustic micro-environment set adrift in clouds of reverb.\r\n<div></div>\r\n<div></div>\r\n<h4>Terrane</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1510351731/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://gilded.bandcamp.com/album/terrane\">Terrane by Gilded</a></iframe>\r\nOctober 2012\r\n<div></div>\r\nGilded brings together the similar but distinct musical directions of West Australian experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction. The title of Gilded’s debut album Terrane comes from a geological formation that has become dislocated from its original position and sutured onto a new landscape. It retains its own distinctive form and contrasts against those around it, whilst also finding a new place, a new home. The compositions that make up this record strike at the heart of how it feels to be in a period of transition, of watching a subtle change, a shift in texture. There are moments of quietude and reflection – held together by the austere and alternately punctuated by shifts toward the uplifting and revelatory. Terrane deftly operates around the intersections of melody and texture, movement and pause.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGilded is a new musical project featuring West Australian experimental musicians Matt Rösner and Adam Trainer. Matt Rösner is arguably one of Western Australia’s most renowned experimental musicians. Based in Myalup in the South West, Matt has released music on labels as diverse as Room40, 12K, Apestaartje, Meupe and Miatera, with a musical focus on guitar and field recordings. Adam Trainer was a founding member of Perth post-rock outfit Radarmaker, and has also played in experimental projects such as Polaroid Ghost and the Ghost of 29 Megacycles. In solo guise he has released music on labels such as hellosQuare, New Weird Australia, Phantom Channel and Feral Media. Adam’s solo work has sought to locate textural nuance alongside dislocated melody.\r\n\r\nThe title of Gilded’s debut album <em>Terrane</em> comes from a geological formation that has become dislocated from its original position and sutured onto a new landscape. It retains its own distinctive form and contrasts against those around it, whilst also finding a new place, a new home. The album was conceived during two consecutive autumns in Western Australia. The compositions that make up this record strike at the heart of how it feels to be in a period of transition, of watching a subtle change, a shift in texture. There are moments of quietude and reflection held together by the austere and alternately punctuated by shifts toward the uplifting and revelatory. One thing is certain: change is inevitable. We leave traces and will not return.\r\n\r\nThe inception of the record occurred in March 2010, with the recording of a 50-minute piano improvisation in a room overlooking Perth’s skyline. The piano recording sat on the shelf for 12 months: a period of contemplation. It would later become the backbone of five of the nine tracks on the record. Convening in autumn 2011 in Matt’s home studio at Myalup Beach, layers of instrumental melodies, percussion, vocals and field recordings were set against the original piano sketches, turning what was once improvised into a structured cinematic whole. The sessions in Myalup also gave rise to four new works inspired by the surroundings, and complementing the record’s textural theme. These new pieces often contrasted the unbound structure of the original compositions with rhythm and repetition. They brought a sense of focus and precision to the record’s preoccupation with texture, and directed its melodic tendencies towards more structured and restrained forms. The resulting record is one of contrasts the liquidity of thought against the permanence of physicality, changing landscapes against the constancy of creative purpose.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=gilded-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=gilded-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Gilded-A_Smooth_Sea.pdf\"><em>A Smooth Sea Never Made A Skilful Sailor</em> EP Release</a>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Gilded_Terrane.pdf\"><em>Terrane</em> Album Release</a>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Gilded-Cluttered_Room.pdf\">‘Cluttered Room’ Single Release</a>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Gilded_Signing.pdf\">Gilded Sign To Hidden Shoal</a>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8875,8876\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/S145puK6OZc?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nGilded\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','inherit','closed','closed','','8850-revision-v1','','','2016-10-26 11:58:34','2016-10-26 03:58:34','',8850,'http://www.hiddenshoal.com/8850-revision-v1/',0,'revision','',0),(8871,1,'2014-06-26 04:32:12','2014-06-26 04:32:12','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Gilded</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\"><img class=\"alignleft  wp-image-8860\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded-Profile.jpg\" alt=\"Gilded\" width=\"343\" height=\"236\" /></a><em>\"Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong></p><p>Gilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.</p><p><a title=\"Twitter\" href=\"http://www.facebook.com/gildedmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>A Smooth Sea Never Made A Skilful Sailor</h4><div> </div><p><iframe style=\"border: 0; width: 540px; height: 241px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1181900658/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/a-smooth-sea-never-made-a-skilful-sailor\">A Smooth Sea Never Made A Skilful Sailor by Gilded</a></iframe></p><div> </div><p>Following on from the release of their critically acclaimed debut album Terrane and its accompanying national tour, Gilded’s new EP A Smooth Sea Never Made A Skilful Sailor brings together three previously unreleased and essential new tracks. ‘38 Degrees (Live at The Bird)’ is a beautiful live improvised guitar-based work, rich in textural details, contrasting markedly with the more piano-focused pieces on Terrane. Shoeb Ahmad (of Canberra outfit Spartak) remixes 2012 single ‘Cluttered Room’, dissecting the bassline, banjo and melodica and tethering them to an itchy breakbeat, surrounding the mix with an otherworldly vocal. Hidden Shoal’s very own perth also take on ‘Cluttered Room’ in their own inimitable style, creating an ebbing electro-acoustic micro-environment set adrift in clouds of reverb.</p><div> </div><div> </div><h4>Terrane</h4><div> </div><p><iframe style=\"border: 0; width: 540px; height: 209px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=108070273/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/terrane\">Terrane by Gilded</a></iframe></p><div> </div><p>Gilded brings together the similar but distinct musical directions of West Australian experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.</p><p>The title of Gilded’s debut album Terrane comes from a geological formation that has become dislocated from its original position and sutured onto a new landscape. It retains its own distinctive form and contrasts against those around it, whilst also finding a new place, a new home. The compositions that make up this record strike at the heart of how it feels to be in a period of transition, of watching a subtle change, a shift in texture. There are moments of quietude and reflection – held together by the austere and alternately punctuated by shifts toward the uplifting and revelatory. Terrane deftly operates around the intersections of melody and texture, movement and pause.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p> </p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','inherit','open','open','','8850-revision-v1','','','2014-06-26 04:32:12','2014-06-26 04:32:12','',8850,'http://hiddenshoalpublishing.onesmallcloud.com/8850-revision-v1/',0,'revision','',0),(8858,1,'2014-06-25 06:37:36','2014-06-25 06:37:36','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Gilded</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded_1.jpg\"><img class=\"alignleft size-medium wp-image-8851\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded_1-300x198.jpg\" alt=\"Gilded\" width=\"300\" height=\"198\" /></a><em>\"Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong></p><p>Gilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.</p><p><a title=\"Twitter\" href=\"http://www.facebook.com/gildedmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p> </p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"]<p><br /> [/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','inherit','open','open','','8850-revision-v1','','','2014-06-25 06:37:36','2014-06-25 06:37:36','',8850,'http://hiddenshoalpublishing.onesmallcloud.com/8850-revision-v1/',0,'revision','',0),(8852,1,'2014-06-25 06:27:04','2014-06-25 06:27:04','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Gilded</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8851 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded_1-300x198.jpg\" alt=\"Gilded\" width=\"306\" height=\"202\" /></a><em>\"There are worlds in here, in this record. Microscopic examinations of simple figures and patterns, that could fill whole sides; a focus and determination that wraps everything up in 45 minutes. Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year. Highly recommended!\" </em> - <strong>Fluid Radio</strong></p><p>Gilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.</p><p><strong>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>     </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n&nbsp;\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','inherit','open','open','','8850-revision-v1','','','2014-06-25 06:27:04','2014-06-25 06:27:04','',8850,'http://hiddenshoalpublishing.onesmallcloud.com/8850-revision-v1/',0,'revision','',0),(8851,1,'2014-06-25 06:23:27','2014-06-25 06:23:27','','Gilded','','inherit','open','open','','gilded_1-2','','','2014-06-25 06:23:27','2014-06-25 06:23:27','',8850,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded_1.jpg',0,'attachment','image/jpeg',0),(8854,1,'2014-06-25 06:28:52','2014-06-25 06:28:52','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Gilded</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8851 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded_1-300x198.jpg\" alt=\"Gilded\" width=\"300\" height=\"198\" /></a><em>\"Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong></p><p>Gilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction. <strong>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>     </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div></div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p>\r\n<p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p>&nbsp;</p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','inherit','open','open','','8850-revision-v1','','','2014-06-25 06:28:52','2014-06-25 06:28:52','',8850,'http://hiddenshoalpublishing.onesmallcloud.com/8850-revision-v1/',0,'revision','',0),(8853,1,'2014-06-25 06:28:11','2014-06-25 06:28:11','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Gilded</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8851 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded_1-300x198.jpg\" alt=\"Gilded\" width=\"300\" height=\"198\" /></a><em>\"There are worlds in here, in this record. Microscopic examinations of simple figures and patterns, that could fill whole sides; a focus and determination that wraps everything up in 45 minutes. Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong>\r\n\r\nGilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.\r\n\r\n<strong>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>     </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div></div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p>\r\n<p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p>&nbsp;</p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','inherit','open','open','','8850-revision-v1','','','2014-06-25 06:28:11','2014-06-25 06:28:11','',8850,'http://hiddenshoalpublishing.onesmallcloud.com/8850-revision-v1/',0,'revision','',0),(8855,1,'2014-06-25 06:31:30','2014-06-25 06:31:30','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Gilded</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8851 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded_1-300x198.jpg\" alt=\"Gilded\" width=\"300\" height=\"198\" /></a><em>\"Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong></p><p>Gilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.<br /> <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a> </p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div></div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p>\r\n<p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p>&nbsp;</p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n[gallery ids=\"8222,8221,8220,8219\"]<br />\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','inherit','open','open','','8850-revision-v1','','','2014-06-25 06:31:30','2014-06-25 06:31:30','',8850,'http://hiddenshoalpublishing.onesmallcloud.com/8850-revision-v1/',0,'revision','',0),(8856,1,'2014-06-25 06:34:45','2014-06-25 06:34:45','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Gilded</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8851 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Gilded_1-300x198.jpg\" alt=\"Gilded\" width=\"315\" height=\"208\" /></a><em>\"Beautiful, simple, deep, Terrane is simply one of the best albums you’ll hear this year.\" </em> - <strong>Fluid Radio</strong>\r\n\r\nGilded operates around the intersections of melody and texture, movement and pause. The project brings together the similar but distinct musical directions of experimental musicians Matt Rösner and Adam Trainer, forging a new approach to composition and sound creation that is based as much around rhythm and repetition as it is around drone and abstraction.\r\n<a title=\"Twitter\" href=\"http://www.facebook.com/gildedmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div></div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p>\r\n<p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p>&nbsp;</p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n[gallery ids=\"8222,8221,8220,8219\"]<br />\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Gilded','','inherit','open','open','','8850-revision-v1','','','2014-06-25 06:34:45','2014-06-25 06:34:45','',8850,'http://hiddenshoalpublishing.onesmallcloud.com/8850-revision-v1/',0,'revision','',0),(8832,1,'2014-06-24 09:11:35','2014-06-24 09:11:35','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Elisa Luu</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong></p><p>Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.</p><p><a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Un Giorno Sospeso</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 405px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe></p><div> </div><p><em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display.</p><p>Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.</p><div> </div><div> </div><h4>Chromatic Sigh</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 435px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe></p><div> </div><p>Though digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative.</p><p>The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Elisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.</p><p>In 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.</p><p>In 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.</p><p>Accompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a></p><p><a href=\"../../publicity/publicity/press-releases/HSR%20Press%20Release-Elisa_Luu-Come.pdf\">‘Come’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Sankt_Otten_Morgen_wieder_lustig_Pre-Release.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8822,8823,8820\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No videos yet, sorry.</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Elisa Luu\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','open','open','','8817-revision-v1','','','2014-06-24 09:11:35','2014-06-24 09:11:35','',8817,'http://hiddenshoalpublishing.onesmallcloud.com/8817-revision-v1/',0,'revision','',0),(8833,1,'2014-06-24 13:50:04','2014-06-24 13:50:04','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Elisa Luu</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong></p><p>Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.</p><p><a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Un Giorno Sospeso</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 405px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe></p><div> </div><p><em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display.</p><p>Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.</p><div> </div><div> </div><h4>Chromatic Sigh</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 440px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe></p><div> </div><p>Though digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative.</p><p>The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Elisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.</p><p>In 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.</p><p>In 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.</p><p>Accompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a></p><p><a href=\"../../publicity/publicity/press-releases/HSR%20Press%20Release-Elisa_Luu-Come.pdf\">‘Come’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Sankt_Otten_Morgen_wieder_lustig_Pre-Release.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8822,8823,8820\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No videos yet, sorry.</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Elisa Luu\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','open','open','','8817-revision-v1','','','2014-06-24 13:50:04','2014-06-24 13:50:04','',8817,'http://hiddenshoalpublishing.onesmallcloud.com/8817-revision-v1/',0,'revision','',0);
