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It might say something like this:\n\n<blockquote>Hi there! I\'m a bike messenger by day, aspiring actor by night, and this is my blog. I live in Los Angeles, have a great dog named Jack, and I like pi&#241;a coladas. (And gettin\' caught in the rain.)</blockquote>\n\n...or something like this:\n\n<blockquote>The XYZ Doohickey Company was founded in 1971, and has been providing quality doohickeys to the public ever since. Located in Gotham City, XYZ employs over 2,000 people and does all kinds of awesome things for the Gotham community.</blockquote>\n\nAs a new WordPress user, you should go to <a href=\"http://www.hiddenshoal.com/wp-admin/\">your dashboard</a> to delete this page and create new pages for your content. Have fun!','Sample Page','','draft','open','open','','sample-page','','','2014-07-25 02:53:37','2014-07-25 02:53:37','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?page_id=2',0,'page','',0),(8193,1,'2014-06-03 09:19:47','2014-06-03 09:19:47','[et_pb_section fullwidth=\"off\" specialty=\"on\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<p>Artists bio/intro text -</p><p><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong></p><p>The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.</p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Releases</h1>[/et_pb_text][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"1_2\"][et_pb_text admin_label=\"Releases\" background_layout=\"light\" text_orientation=\"left\"]<em><strong>The Folkore Sessions</strong> </em>[Buy: <a title=\"Bandcamp\" href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">Bandcamp </a>| iTunes] <iframe style=\"border: 0; width: 400px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=ffffff/linkcol=333333/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe>[/et_pb_text][et_pb_text admin_label=\"Releases\" background_layout=\"light\" text_orientation=\"left\"]<em><strong>The Folkore Sessions</strong> </em>[Buy: <a title=\"Bandcamp\" href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">Bandcamp </a>| iTunes] <iframe style=\"border: 0; width: 480px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=ffffff/linkcol=333333/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe>[/et_pb_text][/et_pb_column_inner][et_pb_column_inner type=\"1_2\"][et_pb_text admin_label=\"Releases\" background_layout=\"light\" text_orientation=\"left\"]<em><strong>The Folkore Sessions</strong> </em>[Buy: <a title=\"Bandcamp\" href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">Bandcamp </a>| iTunes] <iframe style=\"border: 0; width: 480px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=ffffff/linkcol=333333/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe>[/et_pb_text][et_pb_text admin_label=\"Releases\" background_layout=\"light\" text_orientation=\"left\"]<em><strong>The Folkore Sessions</strong> </em>[Buy: <a title=\"Bandcamp\" href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">Bandcamp </a>| iTunes] <iframe style=\"border: 0; width: 480px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=ffffff/linkcol=333333/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe>[/et_pb_text][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"0\" include_categories=\"55\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"light\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_signup admin_label=\"Subscribe\" provider=\"mailchimp\" mailchimp_list=\"none\" aweber_list=\"none\" title=\"Subscribe\" use_background_color=\"on\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"left\" /][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_section]','Artist Profile Template','','inherit','open','open','','8097-revision-v1','','','2014-06-03 09:19:47','2014-06-03 09:19:47','',8097,'http://hiddenshoalpublishing.onesmallcloud.com/8097-revision-v1/',0,'revision','',0),(8465,1,'2014-06-11 01:13:19','2014-06-11 01:13:19','[et_pb_section background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<p class=\"MsoNormal\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/hsr_office.jpg\" alt=\"\" align=\"middle\" /></p><p class=\"MsoNormal\"><strong>The Heart</strong></p><p class=\"MsoNormal\">Perth\'s mythic isolation is oft romanticised. The most isolated city in the world according to popular media. Whilst there is a thread in this romanticism that rings true, we think there is a more interesting notion of distance at play with our artists. Over the last 10 years we have witnessed a minor retreat from the stage to the home studio amongst our musical kin. It is this inner space and padding from the outside that has nurtured a purposeful and useful remoteness. A space where unresolved aesthetics gambol with an unrestrained playfulness. We embrace this space, as do our artists; each in their unique voice.</p><p>So much aural wonder lay around us and reached no further than one hundred people. \"Lets make a device to hurtle our work into the world\", \"sure….sure……yeh…..lets do that.\" and thus Hidden Shoal Recordings was born early 2006 in Perth, Western Australia.</p><p class=\"MsoNormal\">Just <a>listen</a> from a distance to the distance. Work it out later.</p><p class=\"MsoNormal\"><strong>The Body<br /> </strong></p><p>Hidden Shoal Recordings’ current catalogue includes releases that slip between the edges of experimental ambient work, shoegazing pop, post-rock and indie rock. The label has earned a reputation for releasing exciting and engaging new independent music unbound by genre or style. Hidden Shoal Recordings was recently chosen as one of the top ten favourite labels of 2007 by Textura magazine and has been dubbed “This generations 4AD” by prominent New York radio host DJ Mojo.</p><p>The Hidden Shoal Team</p>[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Who We Are','','inherit','open','open','','4-revision-v1','','','2014-06-11 01:13:19','2014-06-11 01:13:19','',4,'http://hiddenshoalpublishing.onesmallcloud.com/4-revision-v1/',0,'revision','',0),(8367,1,'2014-06-10 01:57:38','2014-06-10 01:57:38','<p class=\"MsoNormal\">Want to talk to someone at HSR? We’d love to hear from you. 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05:11:43','',7678,'http://www.hiddenshoal.com/wp-content/uploads/2014/02/Outstation-at-Jims-001.jpg',0,'attachment','image/jpeg',0),(7680,1,'2014-02-06 05:14:25','2014-02-06 05:14:25','','Outstation','','inherit','closed','open','','outstation-300px','','','2014-02-06 05:14:25','2014-02-06 05:14:25','',7678,'http://www.hiddenshoal.com/wp-content/uploads/2014/02/Outstation-300px.jpg',0,'attachment','image/jpeg',0),(7681,1,'2005-12-09 03:36:03','2005-12-09 03:36:03','<p> </p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p> </p>\n<p> </p>\n<div align=\"center\"><embed width=\"500\" height=\"100\" type=\"application/x-shockwave-flash\" pluginspage=\"http://www.macromedia.com/go/getflashplayer\" src=\"http://www.hiddenshoal.com/UserFiles/Flash/cloud_anim.swf\" scale=\"showall\" loop=\"false\" menu=\"false\"></embed></div>','Flash title','','draft','closed','closed','','flash','','','2014-07-25 03:00:05','2014-07-25 03:00:05','',0,'http://music.hiddenshoal.com/?page_id=3',0,'page','',0),(12007,1,'2015-02-18 12:06:08','2015-02-18 04:06:08','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_3.jpg\"><img class=\"alignleft  wp-image-8221\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_3-300x300.jpg\" alt=\"Antonymes\" width=\"264\" height=\"264\" /></a>The ridiculously talented Ian Hazeldine (aka <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>) has produced a stunning mixtape for <a title=\"Headphone Commute\" href=\"http://reviews.headphonecommute.com/\" target=\"_blank\">Headphone Commute</a> entitled <a title=\"Antonymes Mix\" href=\"https://www.mixcloud.com/HeadphoneCommute/antonymes-the-spaces-between-seconds/\" target=\"_blank\"><em>The Spaces Between Seconds</em></a>. Let\'s hand it over to the man himself to explain,\r\n\r\n<em>\"When Headphone Commute asked me to produce a mix I was truly honoured. I wanted to deliver something very different to any mix I’d done before. I’d been listening to a lot of jazz and wanted it to be a focus. The starting point was Jimmy Scott’s astonishing vocal on “Sycamore Tree”. For this reason it sits in the exact centre of the mix. I’ve included pieces by long admired artists and dear friends. Music is a special, powerful thing. I’ve been on magical, spiritual journey since my first musical awakening in 1967. Listen, appreciate and enjoy. This mix is dedicated to my dearly missed mother. \"</em> - <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><strong>Antonymes</strong></a>\r\n\r\nCheck out the mix below and listen to the entire Antonymes catalogue <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">here.</a>\r\n\r\n<iframe src=\"https://www.mixcloud.com/widget/iframe/?feed=https%3A%2F%2Fwww.mixcloud.com%2FHeadphoneCommute%2Fantonymes-the-spaces-between-seconds%2F&amp;embed_uuid=825300b6-c4a3-4f30-b7ae-713680f0e9ec&amp;replace=0&amp;hide_cover=1&amp;embed_type=widget_standard\" width=\"660\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: 652px;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: 652px;\"><a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/HeadphoneCommute/antonymes-the-spaces-between-seconds/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=resource_link\" target=\"_blank\">Antonymes - The Spaces Between Seconds</a> by <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/HeadphoneCommute/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=profile_link\" target=\"_blank\">Headphone Commute</a> on <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','Antonymes Guest Mix at Headphone Commute','','inherit','closed','closed','','12002-revision-v1','','','2015-02-18 12:06:08','2015-02-18 04:06:08','',12002,'http://www.hiddenshoal.com/12002-revision-v1/',0,'revision','',0),(12002,1,'2015-02-18 12:04:15','2015-02-18 04:04:15','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_3.jpg\"><img class=\"alignleft  wp-image-8221\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes_3-300x300.jpg\" alt=\"Antonymes\" width=\"264\" height=\"264\" /></a>The ridiculously talented Ian Hazeldine (aka <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>) has produced a stunning mixtape for <a title=\"Headphone Commute\" href=\"http://reviews.headphonecommute.com/\" target=\"_blank\">Headphone Commute</a> entitled <a title=\"Antonymes Mix\" href=\"https://www.mixcloud.com/HeadphoneCommute/antonymes-the-spaces-between-seconds/\" target=\"_blank\"><em>The Spaces Between Seconds</em></a>. Let\'s hand it over to the man himself to explain,\r\n\r\n<em>\"When Headphone Commute asked me to produce a mix I was truly honoured. I wanted to deliver something very different to any mix I’d done before. I’d been listening to a lot of jazz and wanted it to be a focus. The starting point was Jimmy Scott’s astonishing vocal on “Sycamore Tree”. For this reason it sits in the exact centre of the mix. I’ve included pieces by long admired artists and dear friends. Music is a special, powerful thing. I’ve been on magical, spiritual journey since my first musical awakening in 1967. Listen, appreciate and enjoy. This mix is dedicated to my dearly missed mother. \"</em> - <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><strong>Antonymes</strong></a>\r\n\r\nCheck out the mix below and listen to the entire Antonymes catalogue <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">here.</a>\r\n\r\n<iframe src=\"https://www.mixcloud.com/widget/iframe/?feed=https%3A%2F%2Fwww.mixcloud.com%2FHeadphoneCommute%2Fantonymes-the-spaces-between-seconds%2F&amp;embed_uuid=825300b6-c4a3-4f30-b7ae-713680f0e9ec&amp;replace=0&amp;hide_cover=1&amp;embed_type=widget_standard\" width=\"660\" height=\"360\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: 652px;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: 652px;\"><a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/HeadphoneCommute/antonymes-the-spaces-between-seconds/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=resource_link\" target=\"_blank\">Antonymes - The Spaces Between Seconds</a> by <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/HeadphoneCommute/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=profile_link\" target=\"_blank\">Headphone Commute</a> on <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','Antonymes Guest Mix at Headphone Commute','','publish','closed','closed','','antonymes-guest-mix-headphone-commute','','','2016-08-23 17:37:10','2016-08-23 09:37:10','',0,'http://www.hiddenshoal.com/?p=12002',0,'post','',0),(11915,1,'2015-02-09 12:29:18','2015-02-09 04:29:18','<img class=\"alignleft wp-image-11916 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/OHCov350-300x300.jpg\" alt=\"Chloe March \'Orpheus Head\'\" width=\"207\" height=\"207\" />We\'re excited to announce the gorgeous new single and music video for the <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> song ‘Orpheus Head’ taken from the 2014 re-release of her album <a title=\"Nights Bright Days\" href=\"http://www.hiddenshoal.com/project/chloe-march/\"><i>Nights Bright Days</i></a><i>.</i> ‘Orpheus Head’ is pure, sensual dream-pop. Its hypnotic pulsing rhythm, arpeggiated keyboards and swelling synths provide the perfect backdrop for March’s stunning vocals. <a title=\"Textura\" href=\"http://textura.org/\" target=\"_blank\">Textura Magazine</a> could not have summarised her voice’s magnetic appeal any better:\r\n\r\n<i>“a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore.”</i>\r\n\r\nThe music video for ‘Orpheus Head’ is available for viewing at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=UDmvHmMWV6o\" target=\"_blank\">YouTube</a> and <a title=\"Vimeo\" href=\"https://vimeo.com/118883878\" target=\"_blank\">Vimeo</a> and the song can be download for free via <a title=\"Chloe March Bandcamp\" href=\"https://chloemarch.bandcamp.com/track/orpheus-head\" target=\"_blank\">Bandcamp</a> and streamed via <a title=\"Orpheus Head at SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head\" target=\"_blank\">SoundCloud</a>. You can also stream <em>Nights Bright Days</em> and Chloe\'s other releases via her <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">artist profile</a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/UDmvHmMWV6o?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','New Chloe March Single and Video!','','publish','closed','closed','','new-chloe-march-single-video','','','2016-02-03 13:46:07','2016-02-03 05:46:07','',0,'http://www.hiddenshoal.com/?p=11915',0,'post','',0),(11916,1,'2015-02-09 10:46:53','2015-02-09 02:46:53','','Chloe March \'Orpheus Head\'','','inherit','closed','closed','','ohcov350','','','2015-02-09 10:47:11','2015-02-09 02:47:11','',11915,'http://www.hiddenshoal.com/wp-content/uploads/2015/02/OHCov350.jpg',0,'attachment','image/jpeg',0),(11917,1,'2015-02-09 10:49:06','2015-02-09 02:49:06','<img class=\"alignleft wp-image-11916 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/OHCov350-300x300.jpg\" alt=\"Chloe March \'Orpheus Head\'\" width=\"207\" height=\"207\" />We\'re excited to announce the gorgeous new single and music video for the <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a> song ‘Orpheus Head’ taken from the 2014 re-release of her album <i>Nights Bright Days</i><i>.</i> ‘Orpheus Head’ is pure, sensual dream-pop. Its hypnotic pulsing rhythm, arpeggiated keyboards and swelling synths provide the perfect backdrop for March’s stunning vocals. Textura Magazine could not have summarised her voice’s magnetic appeal any better:\r\n\r\n<i>“a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore.”</i>\r\n\r\nThe music video for ‘Orpheus Head’ is available for viewing at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=UDmvHmMWV6o\" target=\"_blank\">YouTube</a> and <a title=\"Vimeo\" href=\"https://vimeo.com/118883878\" target=\"_blank\">Vimeo</a> and the song can be download for free via <a title=\"Chloe March Bandcamp\" href=\"https://chloemarch.bandcamp.com/track/orpheus-head\" target=\"_blank\">Bandcamp</a> and streamed via <a title=\"Orpheus Head at SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head\" target=\"_blank\">SoundCloud</a>.','New Chloe March Single and Video!','','inherit','closed','closed','','11915-revision-v1','','','2015-02-09 10:49:06','2015-02-09 02:49:06','',11915,'http://www.hiddenshoal.com/11915-revision-v1/',0,'revision','',0),(1342,1,'2014-07-25 03:02:36','0000-00-00 00:00:00','\"The perfect soundtrack to some time-lapse Belgian art-house film about clouds or migrating ducks” - Xpress','Apricot Rail Live - Xpress','','draft','closed','open','','','','','2014-07-25 03:02:36','2014-07-25 03:02:36','',0,'http://music.hiddenshoal.com/',0,'page','',0),(1344,1,'2014-07-25 03:02:37','0000-00-00 00:00:00','Excerpt: \"The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face. That\'s how I like my monumental arms of guitar served up - gigantic but also tiny\"\n\nFrom the Love Is My Velocity Cookbook','Apricot Rail - Love Is My Velocity','','draft','closed','open','','','','','2014-07-25 03:02:37','2014-07-25 03:02:37','',0,'http://music.hiddenshoal.com/',0,'page','',0),(9843,1,'2014-07-28 08:16:59','2014-07-28 08:16:59','The startling opening track to Markus Mehr\'s <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><em>On </em></a>was recently placed in the short video documenting a new work by the brilliant Australian visual artist <a title=\"Kyle Hughes-Odgers\" href=\"http://kylehughesodgers.com\" target=\"_blank\">Kyle Hughes-Odgers, </a><em>The Giants View</em>. \'I\'m Gonna Make You Love Me\' by Mehr sits beautifully against the wonderful moving image work of <a title=\"Chad Peacock\" href=\"http://www.peacockvisuals.com/\" target=\"_blank\">Chad Peacock</a> who directed the piece for Odger-Hughes. Check out the video below and be sure to hit full screen.\r\n\r\n<iframe src=\"//player.vimeo.com/video/99965071?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\" width=\"500\" height=\"156\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<a href=\"http://vimeo.com/99965071\">The Giant\'s View</a> from <a href=\"http://vimeo.com/chadpeacock\">Chad Peacock</a> on <a href=\"https://vimeo.com\">Vimeo</a>.','Markus Mehr Soundtracks Kyle Hughes-Odgers Video','','inherit','closed','closed','','9842-revision-v1','','','2014-07-28 08:16:59','2014-07-28 08:16:59','',9842,'http://www.hiddenshoal.com/9842-revision-v1/',0,'revision','',0),(9844,1,'2014-07-28 08:21:46','2014-07-28 08:21:46','The startling opening track to Markus Mehr\'s <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><em>On </em></a>was recently placed in a short video documenting a new work by the brilliant Australian visual artist <a title=\"Kyle Hughes-Odgers\" href=\"http://kylehughesodgers.com\" target=\"_blank\">Kyle Hughes-Odgers, </a><em>The Giants View</em>. \'I\'m Gonna Make You Love Me\' by Mehr sits beautifully against the wonderful moving image work of <a title=\"Chad Peacock\" href=\"http://www.peacockvisuals.com/\" target=\"_blank\">Chad Peacock</a> who directed the piece for Odger-Hughes. Check out the video below and be sure to hit full screen.\r\n\r\n<iframe src=\"//player.vimeo.com/video/99965071?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\" width=\"500\" height=\"156\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<a href=\"http://vimeo.com/99965071\">The Giant\'s View</a> from <a href=\"http://vimeo.com/chadpeacock\">Chad Peacock</a> on <a href=\"https://vimeo.com\">Vimeo</a>.','Markus Mehr Soundtracks Kyle Hughes-Odgers Video','','inherit','closed','closed','','9842-revision-v1','','','2014-07-28 08:21:46','2014-07-28 08:21:46','',9842,'http://www.hiddenshoal.com/9842-revision-v1/',0,'revision','',0),(11637,1,'2015-01-14 10:33:54','2015-01-14 02:33:54','<img class=\"alignleft wp-image-10525 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"300\" height=\"172\" />Chloë March’s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. March\'s music inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic and there is no better testament to this than on her recently re-released album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a>. She has an innate ability to not only create music that is alive with atmosphere and narrative but to also deftly create room in each work for the listener to posit themselves and become part of the musical tapestry. It\'s no wonder then she has been called upon to soundtrack a number of British theatrical works. As part of our ongoing <a title=\"Sound and Scene\" href=\"http://www.hiddenshoal.com/features/sound-scene/\" target=\"_blank\">Sound and Scene</a> series Hidden Shoal\'s Cam Merton sat down with Chloë to talk about her favourite film soundtracks.\r\n\r\n&nbsp;\r\n<h4><strong>John Harle: <em>A History of Britain</em> by Simon Schama</strong></h4>\r\n<strong>Chloë:</strong> I was blown away by this score when I first saw the series in 2000. <a title=\"John Harle\" href=\"http://www.johnharle.com/\" target=\"_blank\">John Harle</a> is a brilliant saxophonist and his score features his playing and also includes evocative arrangements of British folksongs performed by singers including <a title=\"Emma Kirkby\" href=\"http://www.emmakirkby.com/\" target=\"_blank\">Emma Kirkby</a>. This music made a deep impression on me and just seemed to work so well with the material and <a title=\"Simon Schama at Wikipedia\" href=\"http://en.wikipedia.org/wiki/Simon_Schama\" target=\"_blank\">Schama</a>’s dramatic storytelling style. There’s a lot of symbolism used in the imagery, rather than full-on historical re-enactments and the music works in the same way, with older instruments like pipes, flutes, harp and the fragments of folksong, conjuring these lost worlds and tapping into a kind of communal musical memory. Harle is great at drama, at one point his screeching sax underscoring shots of fires during the passages about the burning of heretics – it’s very eerie! The sheer variety of tone he can get from the sax too is phenomenal and he really plays with that across the series. Another thing I love about this soundtrack is the space in it – the programmes often have silence, both in the presentation and in the score itself – so there’s space to take in the narrative, the facts, the imagery, the emotion of the past.\r\n\r\n<strong>Cam:</strong> Your mention of space here is key to any discussion on film scoring. It is an art and almost an alchemical process to be able to support and grow the narrative and vision with sound and music.\r\n\r\n<strong>Chloë: </strong>Yes – it must be so tempting to do too much and try to impose your own style, when what’s needed is something completely different or even nothing at all. I guess the composer needs to be incredibly sensitive about supporting that vision.\r\n\r\nHarle used to work in the National Theatre Music Department early on in his career and I think I can hear that theatre music vibe. A lot of the music that I heard growing up was theatre music being practised by my parents, who were both musicians at the Royal Shakespeare Theatre in Stratford, so I was hearing composers like Howard Blake, Ilona Sekacz and Stephen Warbeck a lot! I got used to hearing music and wondering what scene it was for, what atmosphere it was creating and how it was doing it. Musicians had to adapt to the demands of the productions, like my dad playing fanfares on animal horns instead of trumpets, and my mum, a classical pianist, having to learn the accordion, get her head around the Yamaha DX7 synth and, most entertainingly for the rest of us, the theremin. When I eventually studied drama at uni I wrote a lot of music for productions and really enjoyed that challenge of having to create a particular atmosphere in a very short time. Sometimes I find it’s great to be given instrumental constraints and very short time-frames to compose in, especially if the dramatic/visual material you have is powerful.\r\n\r\n<strong>Cam:</strong> That’s a really interesting point as I think that challenge has drawn a number of artists into crossing over into scoring for film. I can’t help but think of <a title=\"Clint Mansell\" href=\"http://www.clintmansell.com/\" target=\"_blank\">Clint Mansell</a> in this regard, who went from the chaotic pop maximalism of Pop Will Eat Itself to producing the gorgeous, restrained score to <a title=\"Moon\" href=\"https://www.youtube.com/watch?v=twuScTcDP_Q\" target=\"_blank\"><em>Moon </em></a>(amongst others, of course).\r\n\r\n<strong>Chloë: </strong>Yes, it seems like limitations often bring out amazing and surprising creative results. I wonder if some artists are so drawn to film because as well as the challenge of it and wanting to develop as writers, there’s also this common discipline in some pop music of creating intense imagery and atmosphere. Not that other composers don’t do that, just that in pop you learn to do it within a very short time-frame, so to a pop artist being given a 90-minute film to score would seem like a luxuriously long amount of time to work with, but each cue has to create immediate atmosphere, so it also has that familiar discipline. But maybe also it’s easier in pop to put artists into boxes and not expect them to change what they do too much, so film-scoring would be incredibly liberating in that way too for someone who felt frustrated by that. It’s great also to discover that you can actually compose to a deadline if you’re used to spending years on an album like I am! That sense of urgency can sometimes generate wonderful creativity too.\r\n\r\nHarle has also described himself as ‘a romantic, both as a player and a composer’ and I think that’s a big part of why I’m so drawn to his music. There’s a strong modal component to this score, with the plainchant, the folksongs and the sax playing what sometimes sound like virtuosic jazz improvisations – and I’m very drawn to that modality too, it’s how I write my own songs. He uses a lot of pure tones, both with his sax playing and with the early music vocalists who use hardly any vibrato, and I’m really interested in the juxtaposition of these tones put together with lush, jazz-influenced harmony. I also have a strong classical foundation and love jazz harmony and folk melody, so it’s probably inevitable that I love Harle’s music! I didn’t think to try working with saxophone myself until my latest album, when Ted Watson, a superb musician, offered to play for me – so I was finally able to experiment with writing for and singing with soprano sax, which was just fantastic and a lovely new direction for me.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/141504756&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n<span style=\"color: #ffffff;\"><strong>Gabriel Yared: <em>The English Patient</em></strong></span>\r\n\r\n<strong>Chloë: </strong>I was a fan of <a title=\"Gabriel Yared\" href=\"http://www.gabrielyared.com\" target=\"_blank\">Gabriel Yared</a> before seeing this film as I’d fallen in love with the soundtrack he wrote for <a title=\"Betty Blue\" href=\"http://www.imdb.com/title/tt0090563/\" target=\"_blank\"><em>Betty Blue</em></a>, which I listened to for years before actually seeing the film. I think maybe the chemistry of Yared’s creative partnership with <a title=\"Anthony Minghella\" href=\"http://www.imdb.com/name/nm0005237/\" target=\"_blank\">Anthony Minghella</a> is a vital part of the magic of this score. When I discovered that Yared had been part of the filmmaking process right from the start it really made sense – there’s just a feeling that the music and the film developed together in a really organic way and that it’s all intensely driven by the emotion that’s at the heart of the film. Minghella said afterwards, ‘There was a sense of us being unusually connected’. He was a musician himself and also said that he approached his filmmaking ‘as much from musical form as conventional storytelling’ – which is really interesting. It was Minghella who suggested that Yared use the Aria from the Bach Goldberg Variations and also the incredibly beautiful, haunting Hungarian folksong sung by <a title=\"Márta Sebestyén Singing in The English Patient\" href=\"https://www.youtube.com/watch?v=rAUJgjxNGd8\" target=\"_blank\">Márta Sebestyén</a>.\r\n\r\n<strong>Cam:</strong> That kind of partnership between the creative drivers of vision and sound in films seems to be so natural and right it’s almost disappointing that it isn’t de rigueur in the film-making process. That’s not to say most directors wouldn’t have a pure vision (!) for the sonic and musical elements needed for the film, but having that collaborative partnership up front could sometimes bring so much more.\r\n\r\n<strong>Chloë: </strong>I totally agree. It’s been so interesting doing this feature finding that most of the soundtracks I really love have emerged from these partnerships. <a title=\"Joe Wright\" href=\"http://www.imdb.com/name/nm0942504/\" target=\"_blank\">Joe Wright</a> and <a title=\"Dario Marianelli (Pride and Prejudice Soundtrack)\" href=\"https://www.youtube.com/watch?v=TBT0VLFzaYo\" target=\"_blank\">Dario Marianelli </a>is another wonderful one. His score for <em>Pride and Prejudice</em> had to begin even before shooting started and ended up being a phenomenally successful soundtrack. I just don’t understand why music is sometimes added during the last few weeks of editing. Maybe it works for some films and for some composers who thrive on that challenge, but it seems like a wasted opportunity to me.\r\n\r\nI love the way that Yared uses the Bach, orchestrating it, and writing the most beautiful pastiche that adds a deeply romantic lushness, without sentimentalising it or sounding naff. A lot of my early learning of the piano involved playing Bach, so I feel like that music is an old friend. I’m really interested in pastiche and the difference between writing say a baroque-sounding piece or a piece that reminds you of baroque but also takes you somewhere else. When I was commissioned to compose a score for a re-working of a ballet by Kurt Jooss from the 1930s, the choreographer asked for a contemporary score that would still hark back to that era. I really wanted to evoke an atmosphere that hinted at the 1930s rather than write full-on pastiche, so I tried to get a sense of composers like Weill and Walton into the music by using certain rhythms and instrumentation and then actually used a few chords from Stravinsky’s ‘Petrushka’ – I knew I could never compose like Stravinsky, but using his chords really pushed me to write music that I never thought I could and definitely took me right out of my comfort zone.\r\n\r\n<strong>Cam:</strong> Have you found that this need to conceptualise when approaching score work is something that feeds back into your work as an artist, or is it something innate in the way you approach music as a whole?\r\n\r\n<strong>Chloë: </strong>I’m not sure if it feeds back, or if that’s just how I am – it’s mostly ideas that make me feel creative, so yeah, it probably is the way I approach my music. Except for improvising, when I play the piano to express something immediately and for as long as I want! I’m much more aware of what I’m doing as a songwriter now, but sometimes I’ll write and finish a song in a few hours, and sometimes in months, so it’s a different process every time. I do usually like to have an idea to form the music around though. Usually it’s an idea that comes packed with powerful emotion or imagery and that resonates with what I’m feeling and wanting to express. What I love is to create these self-contained little worlds and atmospheres, so I’m drawn to vivid symbolism and imagery and stories.\r\n\r\nIt feels to me that Juliette Binoche is the heart of this film and it’s her character who has the Bach theme – I think it makes her character’s experience feel timeless, as well as redemptive because Bach has that spiritual link to church music, but it’s also timeless in its humanity and beauty too. There’s so much suffering and tragedy in the different narratives, but hers has this gorgeous lightness and hope to it. The scene in the church where her lover Kip transports her around the walls on a rope to look at the frescoes with a flaming torch is just so beautiful. At the moment when Kip lifts her off the ground Yared uses pizzicato strings and then brings in his beautiful Bach pastiche in the bowed strings with harp gliss as well, and it’s just perfect for the scene. There’s such joy in that music, but there is also melancholy there and this heartbreaking fragility and lightness, so you know her joy is probably temporary and that it’s come after so much devastating loss. All the strands of creativity going on – the music, Binoche’s utterly beautiful acting, the way we lift off with her and the timing of the scene within the whole film – it just really gets me every time!\r\n\r\n<iframe src=\"//www.youtube.com/embed/aniXbKM3ez8?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n<h4><strong>Hans Zimmer: <em>Interstellar</em> (contains spoilers)</strong></h4>\r\n<strong>Chloë: </strong>I’m quite surprised to find myself talking about <a title=\"Hans Zimmer\" href=\"http://www.hans-zimmer.com/\" target=\"_blank\">Hans Zimmer</a>. I wouldn’t really have put him as one of my top favourite film composers before, but this soundtrack did really take me over during the film and I found it very powerful stuff. It’s a combination of electronic elements with orchestra/choir/organ and piano. He had no less than six orchestrators working with him on this score and it really does sound like a massive team effort. I felt like I was just taken captive by this film and manipulated and spun off into all sorts of different emotional states – and the music was a huge part of that. It’s fantastically epic but also has a lot of tension and meditative space in it too and underpins the emotional core of the father/daughter relationship with its long separation, sense of loss and also deep love and connectedness. This theme is beautiful I think, a combination of quite cold, slightly threatening soundscape with what becomes a melancholy piano/organ piece. Apparently Zimmer composed the score over a period of two years alongside the director <a title=\"Christopher Nolan\" href=\"http://www.imdb.com/name/nm0634240/\" target=\"_blank\">Christopher Nolan</a> shooting/scripting the movie, so it sounds like another case of a strong emotional, creative connectedness between director and composer.\r\n\r\n<strong>Cam:</strong> Considering the scope of this film it seems fitting to have such an involved and long-range approach to the score. You can’t help but appreciate the kind of nuances that can be afforded with such a long-term involvement in the musical and sonic aspects of the film.\r\n\r\n<strong>Chloë: </strong>Absolutely. I wonder if this kind of long-term involvement happens more in TV music where composers are on board for long series and really get to have that intense collaborative process – like <a title=\"Bear McCreary\" href=\"http://www.bearmccreary.com/\" target=\"_blank\">Bear McCreary</a> with <em>Battlestar</em>, or <a title=\"Jeff Beal\" href=\"http://www.jeffbeal.com/\" target=\"_blank\">Jeff Beal</a> with <em>House of Cards</em>. I really love both those soundtracks and also <a title=\"Frans Bak\" href=\"http://fransbak.com/\" target=\"_blank\">Frans Bak</a>’s score for <em>The Killing</em>. Even though they’re having to write extremely quickly, these composers are developing music alongside the show with this long development arc – it must be great to do.\r\n\r\nThe moment in the cinema when I thought ‘this music is just brilliant’ was the scene where Matthew McConaughey’s character is driving his car through the fields on his way to fly the spaceship and the music just rachets up notch by notch until it actually sounds like rocket-launching music while he’s still driving the car – it’s such a clever moment and just got me totally emotionally involved with the film from that point on. I love repetitive patterns in music, used a lot in film scores, and this one is one of the best examples of that kind of rhythmic instrumentation in the style of Reich or Glass, being built on and lushed out, that I’ve heard in a while.\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/125268635&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n&nbsp;\r\n<h4><strong>Anthony Gonzalez from M83/Joseph Trapanese: <em>Oblivion</em> </strong></h4>\r\nAnother sci-fi, but I reckon this film is all about nostalgia and I think that’s probably why I really liked the soundtrack by <a title=\"M83\" href=\"http://ilovem83.com/\" target=\"_blank\">M83</a> and <a title=\"Joseph Trapanese\" href=\"http://joecomposer.com/\" target=\"_blank\">Joseph Trapanese</a>. There is beautifully futuristic imagery in this film, but the overall feel is one of almost unbearable melancholy and nostalgia I found. It’s partly the fact that it’s Tom Cruise in the lead, occasionally on a motorbike, giving this nostalgic tilt towards his movies of the ’80s, but it also made me think of <em>Blade Runner</em>. The soundtrack also triggers these references, as it’s so reminiscent of <a title=\"Tangerine Dream\" href=\"http://www.tangerinedream.org/\" target=\"_blank\">Tangerine Dream</a> and <a title=\"Vangelis\" href=\"http://elsew.com/\" target=\"_blank\">Vangelis</a>. There’s pastoralism too, as Cruise’s character goes back to his cabin by a lake on a pristine bit of Earth – it’s this gorgeous contrast with the post-apocalyptic bleakness of the destroyed land and the sharp shiny minimalist sky-pods they live in. Of course, when he goes back to his cabin it has his collection of vinyl records of Tangerine Dream and Blue Oyster Cult and he lies by the lake listening to Led Zeppelin and Procol Harum. It’s not just a yearning in the context of the film for a pre-war Earth-home, it feels like a heartfelt yearning of now for 20/30 years ago.\r\n\r\n<strong>Cam:</strong> Perhaps the Tangerine Dream vinyl was a nod to the <em>Risky Business</em> soundtrack! The temporal mis-match of Cruise’s character’s nostalgic musical yearning is interesting – this would have been the music of his great great great grandparents, I assume. Yet the film-maker makes a choice to work with the audience’s collective musical notions of nostalgia. I guess it’s all part of the beautiful trickery that is cinema.\r\n\r\n<strong>Chloë: </strong>Ah yes, I hadn’t thought of that! It definitely worked on me, anyway! Nostalgia and music is so intriguing – seems that sometimes it’s within the music itself and sometimes triggered by it and all the cultural memories around it. I often actually feel nostalgic for eras and places I never even knew or went to, just through music – which is very strange! It happens when I hear film soundtracks from the ’50s and ’60s, for instance, or even jazz from the ’40s. I don’t really know what’s going on there, maybe that’s a common thing – I’m not sure!\r\n\r\nI’m really interested in the way that this synth-driven soundtrack is used as a kind of humanising element in the film – there is a lot of orchestration and piano motifs, but it’s when the synths have full rein that you feel really connected to Cruise’s character I think. Maybe it’s because we now have this long history of synth-centred music and it’s actually a warm familiar genre now and a communal memory for us, rather than the futuristic-seeming sound it was in the ’70s and ’80s. Now maybe it’s associated with a kind of technological innocence, which is a pretty strange thing. When I listened to Tangerine Dream as a teenager I just found it completely hypnotic, exciting and all-enveloping. The first time I actually played a synth was when I was 15 and my sister’s boyfriend left one in our house for a few weeks. I composed this soundtrack inspired by a sculpture that an artist in residence had made at school. It was a fantastic feeling to be able to access all the different pads and multi-track and get these really deep evocative sounds and I think that’s where my love-affair with making electronic music started.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/81935741&amp;color=ff5500&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Sound and Scene with Chloe March','','inherit','closed','closed','','11620-revision-v1','','','2015-01-14 10:33:54','2015-01-14 02:33:54','',11620,'http://www.hiddenshoal.com/11620-revision-v1/',0,'revision','',0),(7711,1,'2014-02-06 08:36:30','2014-02-06 08:36:30','','All Downhill From Here','','inherit','closed','open','','spb_book','','','2014-02-06 08:36:30','2014-02-06 08:36:30','',7709,'http://www.hiddenshoal.com/wp-content/uploads/2014/02/SPB_Book.png',0,'attachment','image/png',0),(7786,1,'2014-03-06 02:40:52','2014-03-06 02:40:52','','Wooden Heart Essay by Guillaume Mazel','','inherit','closed','open','','wooden-heart-essay-by-guillaume-mazel','','','2014-03-06 02:40:52','2014-03-06 02:40:52','',7782,'http://www.hiddenshoal.com/wp-content/uploads/2014/03/Wooden-Heart-Essay-by-Guillaume-Mazel.pdf',0,'attachment','application/pdf',0),(7812,1,'2014-03-20 01:53:06','2014-03-20 01:53:06','','Perth_3','perth','inherit','closed','open','','perth_3','','','2014-03-20 01:53:06','2014-03-20 01:53:06','',91,'http://www.hiddenshoal.com/wp-content/uploads/2014/03/Perth_3.jpg',0,'attachment','image/jpeg',0),(7843,1,'2014-03-27 04:02:52','2014-03-27 04:02:52','','Clocks-Screen-Grab-Small','','inherit','closed','open','','clocks-screen-grab-small','','','2014-03-27 04:02:52','2014-03-27 04:02:52','',7837,'http://www.hiddenshoal.com/wp-content/uploads/2014/03/Clocks-Screen-Grab-Small.jpg',0,'attachment','image/jpeg',0),(7916,1,'2014-04-28 14:45:46','2014-04-28 14:45:46','','ALH_Fire','','inherit','closed','open','','alh_fire','','','2014-04-28 14:45:46','2014-04-28 14:45:46','',0,'http://www.hiddenshoal.com/wp-content/uploads/2014/04/ALH_Fire.jpg',0,'attachment','image/jpeg',0),(7926,1,'2014-05-01 02:11:31','2014-05-01 02:11:31','','dystopia_MED','','inherit','closed','open','','dystopia_med','','','2014-05-01 02:11:31','2014-05-01 02:11:31','',7922,'http://www.hiddenshoal.com/wp-content/uploads/2014/05/dystopia_MED.jpg',0,'attachment','image/jpeg',0),(7939,1,'2014-05-07 03:34:07','2014-05-07 03:34:07','','Hidden Shoal','','inherit','closed','open','','black-logo-transparent','','','2014-12-17 13:37:12','2014-12-17 05:37:12','',11517,'http://www.hiddenshoal.com/wp-content/uploads/2014/05/Black-Logo-Transparent.png',0,'attachment','image/png',0),(7943,1,'2014-05-07 03:50:32','2014-05-07 03:50:32','','HSR Logo','','inherit','closed','open','','hsr_logo_only_colour2-5','','','2014-05-07 03:50:32','2014-05-07 03:50:32','',0,'http://www.hiddenshoal.com/wp-content/uploads/2014/05/HSR_Logo_only_colour13.jpg',0,'attachment','image/jpeg',0),(4,1,'2014-07-15 03:36:54','2014-07-15 03:36:54','[et_pb_section background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Who We Are</h1>\r\nHidden Shoal is an Australia-based independent label and music licensing agency founded in 2006. Our core label team have extensive backgrounds in the Australian and international music scenes, and more importantly have an intense passion for good music, no matter the style. Our approach has earned us a reputation for releasing exciting and engaging new independent music that is not bound by genre.\r\n\r\nHidden Shoal was dubbed “this generation’s 4AD” by New York radio host DJ Mojo, and was described by The Mountain Goats’ John Darnielle as “one of the great wonders of our age.”\r\n\r\nSince the label’s inception, we have prided ourselves on a diverse and lovingly curated catalogue of music. The artists we work with constantly inspire and surprise us. We only work with the music we love - the kind of music we fervently listen to as fans.\r\n\r\nWe provide a co-operative support framework for our artists to release their work, while allowing them to retain 100% of their retail sales and all backend publishing royalties. We act as licensing agents for our artists and pursue licensing opportunities on their behalf, constantly looking for new ways to telescope our artists\' music into new arenas.\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Who We Are','Hidden Shoal was dubbed “this generation’s 4AD” by New York radio host DJ Mojo, and was described by The Mountain Goats’ John Darnielle as “one of the great wonders of our age.”\r\n\r\nSince the label’s inception, we have prided ourselves on a diverse and lovingly curated catalogue of music. The artists we work with constantly inspire and surprise us. We only work with the music we love - the kind of music we fervently listen to as fans.','publish','closed','open','','who-we-are','','','2017-03-14 13:52:03','2017-03-14 05:52:03','',0,'http://music.hiddenshoal.com/?page_id=4',0,'page','',0),(7944,1,'2005-12-09 03:37:48','2005-12-09 03:37:48','[et_pb_section][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Contact Us</h1>\r\nWant to talk to someone at Hidden Shoal? We’d love to hear from you! If you\'re inquiring about licensing some of our wonderful music then please provide some basic details about your project and the track(s) you wish to use. We\'re also always happy to pitch music if you don\'t have any specific tracks in mind as yet.  We\'ll be sure to get back to you straight away and can turn licenses around as quickly as your project requires.\r\n\r\nSame thing goes for media and general enquiries - hit us up below and we\'ll hit you back!\r\n\r\nWe are currently listening to demos so please feel free to send us some music.  We do ask that you consider the kinds of music we release and that you also understand <a title=\"Who We Are\" href=\"http://www.hiddenshoal.com/who-we-are/\" target=\"_blank\">who we are and how we work</a>. Please be sure to include a download link as well as a streaming option. We prefer to listen to whole releases rather than select songs. We do try to listen to everything we get sent but sadly we cannot get back to everyone who sends us music (not without inventing new hours in the day).\r\n\r\n&nbsp;\r\n\r\n[si-contact-form form=\'1\']\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Contact Us','','publish','closed','open','','contact-us','','','2017-03-14 17:36:43','2017-03-14 09:36:43','',0,'http://music.hiddenshoal.com/?page_id=5',0,'page','',0),(8,1,'2005-12-11 10:59:10','2005-12-11 10:59:10','Join the Hidden Shoal Mailing List and be informed of new releases, free downloads and other cool happenings. No spam and we\'ll only bother you when we have amazing music to share.\n\n<!-- Begin MailChimp Signup Form -->\n<div id=\"mc_embed_signup\">\n<form action=\"http://hiddenshoal.us5.list-manage.com/subscribe/post?u=aa75062b82585efce0c6d851d&amp;id=57ee0408fa\" method=\"post\" id=\"mc-embedded-subscribe-form\" name=\"mc-embedded-subscribe-form\" class=\"validate\" target=\"_blank\" novalidate>\n	<h2>Subscription Details</h2>\n<div class=\"indicates-required\"><span class=\"asterisk\">*</span> indicates required</div>\n<div class=\"mc-field-group\">\n	<label for=\"mce-EMAIL\">Email Address  <span class=\"asterisk\">*</span>\n</label>\n	<input type=\"email\" value=\"\" name=\"EMAIL\" class=\"required email\" id=\"mce-EMAIL\">\n</div>\n<div class=\"mc-field-group input-group\">\n    <strong>Email Format </strong>\n    <ul><li><input type=\"radio\" value=\"html\" name=\"EMAILTYPE\" id=\"mce-EMAILTYPE-0\"><label for=\"mce-EMAILTYPE-0\">html</label></li>\n<li><input type=\"radio\" value=\"text\" name=\"EMAILTYPE\" id=\"mce-EMAILTYPE-1\"><label for=\"mce-EMAILTYPE-1\">text</label></li>\n<li><input type=\"radio\" value=\"mobile\" name=\"EMAILTYPE\" id=\"mce-EMAILTYPE-2\"><label for=\"mce-EMAILTYPE-2\">mobile</label></li>\n</ul>\n</div>\n	<div id=\"mce-responses\" class=\"clear\">\n		<div class=\"response\" id=\"mce-error-response\" style=\"display:none\"></div>\n		<div class=\"response\" id=\"mce-success-response\" style=\"display:none\"></div>\n	</div>	<div class=\"clear\"><input type=\"submit\" value=\"Subscribe\" name=\"subscribe\" id=\"mc-embedded-subscribe\" class=\"button\"></div>\n</form>\n</div>\n\n<!--End mc_embed_signup-->','Get on the Shoal Train','','draft','closed','open','','mailng-list','','','2014-07-25 03:00:04','2014-07-25 03:00:04','',0,'http://music.hiddenshoal.com/?page_id=8',0,'page','',0),(16,1,'2005-12-12 03:46:39','2005-12-12 03:46:39','Sit back, relax and listen to a mix of our artists current releases as well as the occasional live track and some sneak previews of future releases thrown in for good measure. The playlist is updated regularly so remember to come back and get a fresh mix of the delectations we have on offer.\n\n<iframe width=\"450\" height=\"150\" src=\"http://www.youtube.com/embed/videoseries?list=PLC2BB82525CCBFF47&amp;hl=en_US\" frameborder=\"0\" allowfullscreen></iframe>\n\nHit the share button to embed this on your various web hidey holes or to grab the YouTube mp3 playlist url.','HSR Radio','','draft','closed','open','','hidden-shoal-radio-player','','','2014-07-25 02:58:04','2014-07-25 02:58:04','',0,'http://music.hiddenshoal.com/?page_id=16',0,'page','',0),(83,1,'2006-02-26 06:57:20','2006-02-26 06:57:20','<p>[productspage] </p>','Music Downloads','','draft','closed','open','','products-page','','','2014-07-25 02:54:56','2014-07-25 02:54:56','',0,'http://music.hiddenshoal.com/index.php/products-page/',0,'page','',0),(84,1,'2006-02-26 06:59:34','2006-02-26 06:59:34','[shoppingcart]','Shopping cart','','draft','closed','open','','shopping-cart','','','2014-07-25 02:53:37','2014-07-25 02:53:37','',0,'http://music.hiddenshoal.com/index.php/shopping-cart/',0,'page','',0),(86,1,'2006-02-26 07:02:08','2006-02-26 07:02:08','[transactionresults]','Transaction results','','draft','closed','open','','transaction-results','','','2014-07-25 02:51:05','2014-07-25 02:51:05','',0,'http://music.hiddenshoal.com/index.php/transaction-results/',0,'page','',0),(88,1,'2006-02-26 19:40:21','2006-02-26 19:40:21','<p align=\"left\">Hello and welcome to the Hidden Shoal Recordings independent music label based in Perth, Western Australia. We are an independent label that distributes online.</p>\n<p align=\"left\">We have a fairly busy release schedule for the year so be sure to check in and see whats coming out. While you are here have a listen to HSR Radio for a selection of our artists tracks and then pop into the HSR Store and buy the ones you like!</p>\n<p align=\"left\"><strong>NEW</strong> - Hidden Shoal Recordings have released a free label sampler album, \"The Least Vestige of Land\". Download it in the <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&products_id=23\">HSR Store</a>.</p>\n<p align=\"left\">Thanks for stopping by,</p>\n<p align=\"left\">The Hidden Shoal Team</p>','Welcome','','publish','closed','open','','welcome','','','2006-02-26 19:40:21','2006-02-26 19:40:21','',0,'http://music.hiddenshoal.com/?page_id=88',0,'page','',0),(91,1,'2006-03-02 10:59:52','2006-03-02 10:59:52','','Artists','','publish','closed','open','','artists','','','2006-03-02 10:59:52','2006-03-02 10:59:52','',0,'http://music.hiddenshoal.com/?page_id=91',0,'page','',0),(11635,1,'2015-01-14 10:31:24','2015-01-14 02:31:24','<img class=\"alignleft wp-image-10525 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"300\" height=\"172\" />Chloë March’s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. March\'s music inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic and there is no better testament to this than on her recently re-released album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a>. She has an innate ability to not only create music that is alive with atmosphere and narrative but to also deftly create room in each work for the listener to posit themselves and become part of the musical tapestry. It\'s no wonder then she has been called upon to soundtrack a number of British theatrical works. As part of our ongoing <a title=\"Sound and Scene\" href=\"http://www.hiddenshoal.com/features/sound-scene/\" target=\"_blank\">Sound and Scene</a> series Hidden Shoal\'s Cam Merton sat down with Chloë to talk about her favourite film soundtracks.\r\n\r\n&nbsp;\r\n<h4><strong>John Harle: <em>A History of Britain</em> by Simon Schama</strong></h4>\r\n<strong>Chloë:</strong> I was blown away by this score when I first saw the series in 2000. <a title=\"John Harle\" href=\"http://www.johnharle.com/\" target=\"_blank\">John Harle</a> is a brilliant saxophonist and his score features his playing and also includes evocative arrangements of British folksongs performed by singers including <a title=\"Emma Kirkby\" href=\"http://www.emmakirkby.com/\" target=\"_blank\">Emma Kirkby</a>. This music made a deep impression on me and just seemed to work so well with the material and <a title=\"Simon Schama at Wikipedia\" href=\"http://en.wikipedia.org/wiki/Simon_Schama\" target=\"_blank\">Schama</a>’s dramatic storytelling style. There’s a lot of symbolism used in the imagery, rather than full-on historical re-enactments and the music works in the same way, with older instruments like pipes, flutes, harp and the fragments of folksong, conjuring these lost worlds and tapping into a kind of communal musical memory. Harle is great at drama, at one point his screeching sax underscoring shots of fires during the passages about the burning of heretics – it’s very eerie! The sheer variety of tone he can get from the sax too is phenomenal and he really plays with that across the series. Another thing I love about this soundtrack is the space in it – the programmes often have silence, both in the presentation and in the score itself – so there’s space to take in the narrative, the facts, the imagery, the emotion of the past.\r\n\r\n<strong>Cam:</strong> Your mention of space here is key to any discussion on film scoring. It is an art and almost an alchemical process to be able to support and grow the narrative and vision with sound and music.\r\n\r\n<strong>Chloë: </strong>Yes – it must be so tempting to do too much and try to impose your own style, when what’s needed is something completely different or even nothing at all. I guess the composer needs to be incredibly sensitive about supporting that vision.\r\n\r\nHarle used to work in the National Theatre Music Department early on in his career and I think I can hear that theatre music vibe. A lot of the music that I heard growing up was theatre music being practised by my parents, who were both musicians at the Royal Shakespeare Theatre in Stratford, so I was hearing composers like Howard Blake, Ilona Sekacz and Stephen Warbeck a lot! I got used to hearing music and wondering what scene it was for, what atmosphere it was creating and how it was doing it. Musicians had to adapt to the demands of the productions, like my dad playing fanfares on animal horns instead of trumpets, and my mum, a classical pianist, having to learn the accordion, get her head around the Yamaha DX7 synth and, most entertainingly for the rest of us, the theremin. When I eventually studied drama at uni I wrote a lot of music for productions and really enjoyed that challenge of having to create a particular atmosphere in a very short time. Sometimes I find it’s great to be given instrumental constraints and very short time-frames to compose in, especially if the dramatic/visual material you have is powerful.\r\n\r\n<strong>Cam:</strong> That’s a really interesting point as I think that challenge has drawn a number of artists into crossing over into scoring for film. I can’t help but think of <a title=\"Clint Mansell\" href=\"http://www.clintmansell.com/\" target=\"_blank\">Clint Mansell</a> in this regard, who went from the chaotic pop maximalism of Pop Will Eat Itself to producing the gorgeous, restrained score to <a title=\"Moon\" href=\"https://www.youtube.com/watch?v=twuScTcDP_Q\" target=\"_blank\"><em>Moon </em></a>(amongst others, of course).\r\n\r\n<strong>Chloë: </strong>Yes, it seems like limitations often bring out amazing and surprising creative results. I wonder if some artists are so drawn to film because as well as the challenge of it and wanting to develop as writers, there’s also this common discipline in some pop music of creating intense imagery and atmosphere. Not that other composers don’t do that, just that in pop you learn to do it within a very short time-frame, so to a pop artist being given a 90-minute film to score would seem like a luxuriously long amount of time to work with, but each cue has to create immediate atmosphere, so it also has that familiar discipline. But maybe also it’s easier in pop to put artists into boxes and not expect them to change what they do too much, so film-scoring would be incredibly liberating in that way too for someone who felt frustrated by that. It’s great also to discover that you can actually compose to a deadline if you’re used to spending years on an album like I am! That sense of urgency can sometimes generate wonderful creativity too.\r\n\r\nHarle has also described himself as ‘a romantic, both as a player and a composer’ and I think that’s a big part of why I’m so drawn to his music. There’s a strong modal component to this score, with the plainchant, the folksongs and the sax playing what sometimes sound like virtuosic jazz improvisations – and I’m very drawn to that modality too, it’s how I write my own songs. He uses a lot of pure tones, both with his sax playing and with the early music vocalists who use hardly any vibrato, and I’m really interested in the juxtaposition of these tones put together with lush, jazz-influenced harmony. I also have a strong classical foundation and love jazz harmony and folk melody, so it’s probably inevitable that I love Harle’s music! I didn’t think to try working with saxophone myself until my latest album, when Ted Watson, a superb musician, offered to play for me – so I was finally able to experiment with writing for and singing with soprano sax, which was just fantastic and a lovely new direction for me.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/141504756&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n<span style=\"color: #ffffff;\"><strong>Gabriel Yared: <em>The English Patient</em></strong></span>\r\n\r\n<strong>Chloë: </strong>I was a fan of <a title=\"Gabriel Yared\" href=\"http://www.gabrielyared.com\" target=\"_blank\">Gabriel Yared</a> before seeing this film as I’d fallen in love with the soundtrack he wrote for <a title=\"Betty Blue\" href=\"http://www.imdb.com/title/tt0090563/\" target=\"_blank\"><em>Betty Blue</em></a>, which I listened to for years before actually seeing the film. I think maybe the chemistry of Yared’s creative partnership with <a title=\"Anthony Minghella\" href=\"http://www.imdb.com/name/nm0005237/\" target=\"_blank\">Anthony Minghella</a> is a vital part of the magic of this score. When I discovered that Yared had been part of the filmmaking process right from the start it really made sense – there’s just a feeling that the music and the film developed together in a really organic way and that it’s all intensely driven by the emotion that’s at the heart of the film. Minghella said afterwards, ‘There was a sense of us being unusually connected’. He was a musician himself and also said that he approached his filmmaking ‘as much from musical form as conventional storytelling’ – which is really interesting. It was Minghella who suggested that Yared use the Aria from the Bach Goldberg Variations and also the incredibly beautiful, haunting Hungarian folksong sung by <a title=\"Márta Sebestyén Singing in The English Patient\" href=\"https://www.youtube.com/watch?v=rAUJgjxNGd8\" target=\"_blank\">Márta Sebestyén</a>.\r\n\r\n<strong>Cam:</strong> That kind of partnership between the creative drivers of vision and sound in films seems to be so natural and right it’s almost disappointing that it isn’t de rigueur in the film-making process. That’s not to say most directors wouldn’t have a pure vision (!) for the sonic and musical elements needed for the film, but having that collaborative partnership up front could sometimes bring so much more.\r\n\r\n<strong>Chloë: </strong>I totally agree. It’s been so interesting doing this feature finding that most of the soundtracks I really love have emerged from these partnerships. <a title=\"Joe Wright\" href=\"http://www.imdb.com/name/nm0942504/\" target=\"_blank\">Joe Wright</a> and <a title=\"Dario Marianelli (Pride and Prejudice Soundtrack)\" href=\"https://www.youtube.com/watch?v=TBT0VLFzaYo\" target=\"_blank\">Dario Marianelli </a>is another wonderful one. His score for <em>Pride and Prejudice</em> had to begin even before shooting started and ended up being a phenomenally successful soundtrack. I just don’t understand why music is sometimes added during the last few weeks of editing. Maybe it works for some films and for some composers who thrive on that challenge, but it seems like a wasted opportunity to me.\r\n\r\nI love the way that Yared uses the Bach, orchestrating it, and writing the most beautiful pastiche that adds a deeply romantic lushness, without sentimentalising it or sounding naff. A lot of my early learning of the piano involved playing Bach, so I feel like that music is an old friend. I’m really interested in pastiche and the difference between writing say a baroque-sounding piece or a piece that reminds you of baroque but also takes you somewhere else. When I was commissioned to compose a score for a re-working of a ballet by Kurt Jooss from the 1930s, the choreographer asked for a contemporary score that would still hark back to that era. I really wanted to evoke an atmosphere that hinted at the 1930s rather than write full-on pastiche, so I tried to get a sense of composers like Weill and Walton into the music by using certain rhythms and instrumentation and then actually used a few chords from Stravinsky’s ‘Petrushka’ – I knew I could never compose like Stravinsky, but using his chords really pushed me to write music that I never thought I could and definitely took me right out of my comfort zone.\r\n\r\n<strong>Cam:</strong> Have you found that this need to conceptualise when approaching score work is something that feeds back into your work as an artist, or is it something innate in the way you approach music as a whole?\r\n\r\n<strong>Chloë: </strong>I’m not sure if it feeds back, or if that’s just how I am – it’s mostly ideas that make me feel creative, so yeah, it probably is the way I approach my music. Except for improvising, when I play the piano to express something immediately and for as long as I want! I’m much more aware of what I’m doing as a songwriter now, but sometimes I’ll write and finish a song in a few hours, and sometimes in months, so it’s a different process every time. I do usually like to have an idea to form the music around though. Usually it’s an idea that comes packed with powerful emotion or imagery and that resonates with what I’m feeling and wanting to express. What I love is to create these self-contained little worlds and atmospheres, so I’m drawn to vivid symbolism and imagery and stories.\r\n\r\nIt feels to me that Juliette Binoche is the heart of this film and it’s her character who has the Bach theme – I think it makes her character’s experience feel timeless, as well as redemptive because Bach has that spiritual link to church music, but it’s also timeless in its humanity and beauty too. There’s so much suffering and tragedy in the different narratives, but hers has this gorgeous lightness and hope to it. The scene in the church where her lover Kip transports her around the walls on a rope to look at the frescoes with a flaming torch is just so beautiful. At the moment when Kip lifts her off the ground Yared uses pizzicato strings and then brings in his beautiful Bach pastiche in the bowed strings with harp gliss as well, and it’s just perfect for the scene. There’s such joy in that music, but there is also melancholy there and this heartbreaking fragility and lightness, so you know her joy is probably temporary and that it’s come after so much devastating loss. All the strands of creativity going on – the music, Binoche’s utterly beautiful acting, the way we lift off with her and the timing of the scene within the whole film – it just really gets me every time!\r\n\r\n<iframe src=\"//www.youtube.com/embed/aniXbKM3ez8?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n<h4><strong>Hans Zimmer: <em>Interstellar</em> (contains spoilers)</strong></h4>\r\n<strong>Chloë: </strong>I’m quite surprised to find myself talking about <a title=\"Hans Zimmer\" href=\"http://www.hans-zimmer.com/\" target=\"_blank\">Hans Zimmer</a>. I wouldn’t really have put him as one of my top favourite film composers before, but this soundtrack did really take me over during the film and I found it very powerful stuff. It’s a combination of electronic elements with orchestra/choir/organ and piano. He had no less than six orchestrators working with him on this score and it really does sound like a massive team effort. I felt like I was just taken captive by this film and manipulated and spun off into all sorts of different emotional states – and the music was a huge part of that. It’s fantastically epic but also has a lot of tension and meditative space in it too and underpins the emotional core of the father/daughter relationship with its long separation, sense of loss and also deep love and connectedness. This theme is beautiful I think, a combination of quite cold, slightly threatening soundscape with what becomes a melancholy piano/organ piece. Apparently Zimmer composed the score over a period of two years alongside the director <a title=\"Christopher Nolan\" href=\"http://www.imdb.com/name/nm0634240/\" target=\"_blank\">Christopher Nolan</a> shooting/scripting the movie, so it sounds like another case of a strong emotional, creative connectedness between director and composer.\r\n\r\n<strong>Cam:</strong> Considering the scope of this film it seems fitting to have such an involved and long-range approach to the score. You can’t help but appreciate the kind of nuances that can be afforded with such a long-term involvement in the musical and sonic aspects of the film.\r\n\r\n<strong>Chloë: </strong>Absolutely. I wonder if this kind of long-term involvement happens more in TV music where composers are on board for long series and really get to have that intense collaborative process – like <a title=\"Bear McCreary\" href=\"http://www.bearmccreary.com/\" target=\"_blank\">Bear McCreary</a> with <em>Battlestar</em>, or <a title=\"Jeff Beal\" href=\"http://www.jeffbeal.com/\" target=\"_blank\">Jeff Beal</a> with <em>House of Cards</em>. I really love both those soundtracks and also <a title=\"Frans Bak\" href=\"http://fransbak.com/\" target=\"_blank\">Frans Bak</a>’s score for <em>The Killing</em>. Even though they’re having to write extremely quickly, these composers are developing music alongside the show with this long development arc – it must be great to do.\r\n\r\nThe moment in the cinema when I thought ‘this music is just brilliant’ was the scene where Matthew McConaughey’s character is driving his car through the fields on his way to fly the spaceship and the music just rachets up notch by notch until it actually sounds like rocket-launching music while he’s still driving the car – it’s such a clever moment and just got me totally emotionally involved with the film from that point on. I love repetitive patterns in music, used a lot in film scores, and this one is one of the best examples of that kind of rhythmic instrumentation in the style of Reich or Glass, being built on and lushed out, that I’ve heard in a while.\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/125268635&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n&nbsp;\r\n<h4><strong>M83/Joseph Trapanese: <em>Oblivion</em> </strong></h4>\r\nAnother sci-fi, but I reckon this film is all about nostalgia and I think that’s probably why I really liked the soundtrack by <a title=\"M83\" href=\"http://ilovem83.com/\" target=\"_blank\">M83</a> and <a title=\"Joseph Trapanese\" href=\"http://joecomposer.com/\" target=\"_blank\">Joseph Trapanese</a>. There is beautifully futuristic imagery in this film, but the overall feel is one of almost unbearable melancholy and nostalgia I found. It’s partly the fact that it’s Tom Cruise in the lead, occasionally on a motorbike, giving this nostalgic tilt towards his movies of the ’80s, but it also made me think of <em>Blade Runner</em>. The soundtrack also triggers these references, as it’s so reminiscent of <a title=\"Tangerine Dream\" href=\"http://www.tangerinedream.org/\" target=\"_blank\">Tangerine Dream</a> and <a title=\"Vangelis\" href=\"http://elsew.com/\" target=\"_blank\">Vangelis</a>. There’s pastoralism too, as Cruise’s character goes back to his cabin by a lake on a pristine bit of Earth – it’s this gorgeous contrast with the post-apocalyptic bleakness of the destroyed land and the sharp shiny minimalist sky-pods they live in. Of course, when he goes back to his cabin it has his collection of vinyl records of Tangerine Dream and Blue Oyster Cult and he lies by the lake listening to Led Zeppelin and Procol Harum. It’s not just a yearning in the context of the film for a pre-war Earth-home, it feels like a heartfelt yearning of now for 20/30 years ago.\r\n\r\n<strong>Cam:</strong> Perhaps the Tangerine Dream vinyl was a nod to the <em>Risky Business</em> soundtrack! The temporal mis-match of Cruise’s character’s nostalgic musical yearning is interesting – this would have been the music of his great great great grandparents, I assume. Yet the film-maker makes a choice to work with the audience’s collective musical notions of nostalgia. I guess it’s all part of the beautiful trickery that is cinema.\r\n\r\n<strong>Chloë: </strong>Ah yes, I hadn’t thought of that! It definitely worked on me, anyway! Nostalgia and music is so intriguing – seems that sometimes it’s within the music itself and sometimes triggered by it and all the cultural memories around it. I often actually feel nostalgic for eras and places I never even knew or went to, just through music – which is very strange! It happens when I hear film soundtracks from the ’50s and ’60s, for instance, or even jazz from the ’40s. I don’t really know what’s going on there, maybe that’s a common thing – I’m not sure!\r\n\r\nI’m really interested in the way that this synth-driven soundtrack is used as a kind of humanising element in the film – there is a lot of orchestration and piano motifs, but it’s when the synths have full rein that you feel really connected to Cruise’s character I think. Maybe it’s because we now have this long history of synth-centred music and it’s actually a warm familiar genre now and a communal memory for us, rather than the futuristic-seeming sound it was in the ’70s and ’80s. Now maybe it’s associated with a kind of technological innocence, which is a pretty strange thing. When I listened to Tangerine Dream as a teenager I just found it completely hypnotic, exciting and all-enveloping. The first time I actually played a synth was when I was 15 and my sister’s boyfriend left one in our house for a few weeks. I composed this soundtrack inspired by a sculpture that an artist in residence had made at school. It was a fantastic feeling to be able to access all the different pads and multi-track and get these really deep evocative sounds and I think that’s where my love-affair with making electronic music started.','Sound and Scene with Chloe March','','inherit','closed','closed','','11620-revision-v1','','','2015-01-14 10:31:24','2015-01-14 02:31:24','',11620,'http://www.hiddenshoal.com/11620-revision-v1/',0,'revision','',0),(94,1,'2006-03-05 08:08:47','2006-03-05 08:08:47','<img width=\"180\" height=\"236\" align=\"right\" alt=\"CSR\" id=\"artist-img\" src=\"/wp-content/uploads/File/csr/shady_island.jpg\" />\n<ul>\n	<li>About</li>\n	<li><a href=\"/cat/news/csr/\">News</a></li>\n	<li><a href=\"/artists/csr/csr-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/csr-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/csr/csr-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/csr/csr-press\">Press Kits</a></li>\n	<li><a href=\"/artists/csr/csr-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/csr/csr-music\">Buy Music Releases</a></li>\n</ul>\nEarly 90\'s, a kerosene heater, an 8 track, a bottle of Green Ginger Wine. \"Shady Island\" - Rick\'s shed turned studio. Five days a week, like a job, but real. Improvising and editing. Performing ambient noise gigs in pubs that should have known better. People coming into the shed, leaving their traces for us to paint with.\n\nThe Giant Chocolate Corpse and the time I reminded Rick of George Hadlings mother. Wailing cats living in delay pedals and  an assisted session called \"Harvesting the Afterlife\". Dat tape and cassette tapes piling, nothing released, everything kept except compilations for friends. Sonic accompaniment to experimental films, performed and recorded.\n\nNow the return. Edit and mix all sixteen years. Start the next one. Open the door a little wider.\n<h3>Releases:</h3>\n\"<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&cPath=2&products_id=19\">Serpents Sleep</a>\"  Single, 2006 - <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&cPath=2&products_id=19\"><strong>Listen</strong></a><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&cPath=2&products_id=19\"><img align=\"middle\" alt=\" \" title=\" \" src=\"/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" /></a>','CSR','','draft','closed','open','','csr','','','2014-07-25 03:01:17','2014-07-25 03:01:17','',91,'http://music.hiddenshoal.com/?page_id=94',0,'page','',0),(11634,1,'2015-01-13 14:42:07','2015-01-13 06:42:07','<img class=\"alignleft wp-image-10525 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"300\" height=\"172\" />Chloë March’s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. March\'s music inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic and there is no better testament to this than on her recently re-released album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a>. She has an innate ability to not only create music that is alive atmosphere and narrative but to also deftly create room in each work for the listener to posit themselves and become part of the musical tapestry. It\'s no wonder then she has been called upon to soundtrack a number of theatrical works across London. As part of our ongoing <a title=\"Sound and Scene\" href=\"http://www.hiddenshoal.com/features/sound-scene/\" target=\"_blank\">Sound and Scene</a> series Hidden Shoal\'s Cam Merton sat down with Chloë to talk about her favourite film soundtracks.\r\n\r\n&nbsp;\r\n<h4><strong>John Harle: <em>A History of Britain</em> by Simon Schama</strong></h4>\r\n\r\n<strong>Chloë:</strong> I was blown away by this score when I first saw the series in 2000. <a title=\"John Harle\" href=\"http://www.johnharle.com/\" target=\"_blank\">John Harle</a> is a brilliant saxophonist and his score features his playing and also includes evocative arrangements of British folksongs performed by singers including <a title=\"Emma Kirkby\" href=\"http://www.emmakirkby.com/\" target=\"_blank\">Emma Kirkby</a>. This music made a deep impression on me and just seemed to work so well with the material and <a title=\"Simon Schama at Wikipedia\" href=\"http://en.wikipedia.org/wiki/Simon_Schama\" target=\"_blank\">Schama</a>’s dramatic storytelling style. There’s a lot of symbolism used in the imagery, rather than full-on historical re-enactments and the music works in the same way, with older instruments like pipes, flutes, harp and the fragments of folksong, conjuring these lost worlds and tapping into a kind of communal musical memory. Harle is great at drama, at one point his screeching sax underscoring shots of fires during the passages about the burning of heretics – it’s very eerie! The sheer variety of tone he can get from the sax too is phenomenal and he really plays with that across the series. Another thing I love about this soundtrack is the space in it – the programmes often have silence, both in the presentation and in the score itself – so there’s space to take in the narrative, the facts, the imagery, the emotion of the past.\r\n\r\n<strong>Cam:</strong> Your mention of space here is key to any discussion on film scoring. It is an art and almost an alchemical process to be able to support and grow the narrative and vision with sound and music.\r\n\r\n<strong>Chloë: </strong>Yes – it must be so tempting to do too much and try to impose your own style, when what’s needed is something completely different or even nothing at all. I guess the composer needs to be incredibly sensitive about supporting that vision.\r\n\r\nHarle used to work in the National Theatre Music Department early on in his career and I think I can hear that theatre music vibe. A lot of the music that I heard growing up was theatre music being practised by my parents, who were both musicians at the Royal Shakespeare Theatre in Stratford, so I was hearing composers like Howard Blake, Ilona Sekacz and Stephen Warbeck a lot! I got used to hearing music and wondering what scene it was for, what atmosphere it was creating and how it was doing it. Musicians had to adapt to the demands of the productions, like my dad playing fanfares on animal horns instead of trumpets, and my mum, a classical pianist, having to learn the accordion, get her head around the Yamaha DX7 synth and, most entertainingly for the rest of us, the theremin. When I eventually studied drama at uni I wrote a lot of music for productions and really enjoyed that challenge of having to create a particular atmosphere in a very short time. Sometimes I find it’s great to be given instrumental constraints and very short time-frames to compose in, especially if the dramatic/visual material you have is powerful.\r\n\r\n<strong>Cam:</strong> That’s a really interesting point as I think that challenge has drawn a number of artists into crossing over into scoring for film. I can’t help but think of <a title=\"Clint Mansell\" href=\"http://www.clintmansell.com/\" target=\"_blank\">Clint Mansell</a> in this regard, who went from the chaotic pop maximalism of Pop Will Eat Itself to producing the gorgeous, restrained score to <a title=\"Moon\" href=\"https://www.youtube.com/watch?v=twuScTcDP_Q\" target=\"_blank\"><em>Moon </em></a>(amongst others, of course).\r\n\r\n<strong>Chloë: </strong>Yes, it seems like limitations often bring out amazing and surprising creative results. I wonder if some artists are so drawn to film because as well as the challenge of it and wanting to develop as writers, there’s also this common discipline in some pop music of creating intense imagery and atmosphere. Not that other composers don’t do that, just that in pop you learn to do it within a very short time-frame, so to a pop artist being given a 90-minute film to score would seem like a luxuriously long amount of time to work with, but each cue has to create immediate atmosphere, so it also has that familiar discipline. But maybe also it’s easier in pop to put artists into boxes and not expect them to change what they do too much, so film-scoring would be incredibly liberating in that way too for someone who felt frustrated by that. It’s great also to discover that you can actually compose to a deadline if you’re used to spending years on an album like I am! That sense of urgency can sometimes generate wonderful creativity too.\r\n\r\nHarle has also described himself as ‘a romantic, both as a player and a composer’ and I think that’s a big part of why I’m so drawn to his music. There’s a strong modal component to this score, with the plainchant, the folksongs and the sax playing what sometimes sound like virtuosic jazz improvisations – and I’m very drawn to that modality too, it’s how I write my own songs. He uses a lot of pure tones, both with his sax playing and with the early music vocalists who use hardly any vibrato, and I’m really interested in the juxtaposition of these tones put together with lush, jazz-influenced harmony. I also have a strong classical foundation and love jazz harmony and folk melody, so it’s probably inevitable that I love Harle’s music! I didn’t think to try working with saxophone myself until my latest album, when Ted Watson, a superb musician, offered to play for me – so I was finally able to experiment with writing for and singing with soprano sax, which was just fantastic and a lovely new direction for me.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/141504756&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n<span style=\"color: #ffffff;\"><strong>Gabriel Yared: <em>The English Patient</em></strong></span>\r\n\r\n<strong>Chloë: </strong>I was a fan of <a title=\"Gabriel Yared\" href=\"http://www.gabrielyared.com\" target=\"_blank\">Gabriel Yared</a> before seeing this film as I’d fallen in love with the soundtrack he wrote for <a title=\"Betty Blue\" href=\"http://www.imdb.com/title/tt0090563/\" target=\"_blank\"><em>Betty Blue</em></a>, which I listened to for years before actually seeing the film. I think maybe the chemistry of Yared’s creative partnership with <a title=\"Anthony Minghella\" href=\"http://www.imdb.com/name/nm0005237/\" target=\"_blank\">Anthony Minghella</a> is a vital part of the magic of this score. When I discovered that Yared had been part of the filmmaking process right from the start it really made sense – there’s just a feeling that the music and the film developed together in a really organic way and that it’s all intensely driven by the emotion that’s at the heart of the film. Minghella said afterwards, ‘There was a sense of us being unusually connected’. He was a musician himself and also said that he approached his filmmaking ‘as much from musical form as conventional storytelling’ – which is really interesting. It was Minghella who suggested that Yared use the Aria from the Bach Goldberg Variations and also the incredibly beautiful, haunting Hungarian folksong sung by <a title=\"Márta Sebestyén Singing in The English Patient\" href=\"https://www.youtube.com/watch?v=rAUJgjxNGd8\" target=\"_blank\">Márta Sebestyén</a>.\r\n\r\n<strong>Cam:</strong> That kind of partnership between the creative drivers of vision and sound in films seems to be so natural and right it’s almost disappointing that it isn’t de rigueur in the film-making process. That’s not to say most directors wouldn’t have a pure vision (!) for the sonic and musical elements needed for the film, but having that collaborative partnership up front could sometimes bring so much more.\r\n\r\n<strong>Chloë: </strong>I totally agree. It’s been so interesting doing this feature finding that most of the soundtracks I really love have emerged from these partnerships. <a title=\"Joe Wright\" href=\"http://www.imdb.com/name/nm0942504/\" target=\"_blank\">Joe Wright</a> and <a title=\"Dario Marianelli (Pride and Prejudice Soundtrack)\" href=\"https://www.youtube.com/watch?v=TBT0VLFzaYo\" target=\"_blank\">Dario Marianelli </a>is another wonderful one. His score for <em>Pride and Prejudice</em> had to begin even before shooting started and ended up being a phenomenally successful soundtrack. I just don’t understand why music is sometimes added during the last few weeks of editing. Maybe it works for some films and for some composers who thrive on that challenge, but it seems like a wasted opportunity to me.\r\n\r\nI love the way that Yared uses the Bach, orchestrating it, and writing the most beautiful pastiche that adds a deeply romantic lushness, without sentimentalising it or sounding naff. A lot of my early learning of the piano involved playing Bach, so I feel like that music is an old friend. I’m really interested in pastiche and the difference between writing say a baroque-sounding piece or a piece that reminds you of baroque but also takes you somewhere else. When I was commissioned to compose a score for a re-working of a ballet by Kurt Jooss from the 1930s, the choreographer asked for a contemporary score that would still hark back to that era. I really wanted to evoke an atmosphere that hinted at the 1930s rather than write full-on pastiche, so I tried to get a sense of composers like Weill and Walton into the music by using certain rhythms and instrumentation and then actually used a few chords from Stravinsky’s ‘Petrushka’ – I knew I could never compose like Stravinsky, but using his chords really pushed me to write music that I never thought I could and definitely took me right out of my comfort zone.\r\n\r\n<strong>Cam:</strong> Have you found that this need to conceptualise when approaching score work is something that feeds back into your work as an artist, or is it something innate in the way you approach music as a whole?\r\n\r\n<strong>Chloë: </strong>I’m not sure if it feeds back, or if that’s just how I am – it’s mostly ideas that make me feel creative, so yeah, it probably is the way I approach my music. Except for improvising, when I play the piano to express something immediately and for as long as I want! I’m much more aware of what I’m doing as a songwriter now, but sometimes I’ll write and finish a song in a few hours, and sometimes in months, so it’s a different process every time. I do usually like to have an idea to form the music around though. Usually it’s an idea that comes packed with powerful emotion or imagery and that resonates with what I’m feeling and wanting to express. What I love is to create these self-contained little worlds and atmospheres, so I’m drawn to vivid symbolism and imagery and stories.\r\n\r\nIt feels to me that Juliette Binoche is the heart of this film and it’s her character who has the Bach theme – I think it makes her character’s experience feel timeless, as well as redemptive because Bach has that spiritual link to church music, but it’s also timeless in its humanity and beauty too. There’s so much suffering and tragedy in the different narratives, but hers has this gorgeous lightness and hope to it. The scene in the church where her lover Kip transports her around the walls on a rope to look at the frescoes with a flaming torch is just so beautiful. At the moment when Kip lifts her off the ground Yared uses pizzicato strings and then brings in his beautiful Bach pastiche in the bowed strings with harp gliss as well, and it’s just perfect for the scene. There’s such joy in that music, but there is also melancholy there and this heartbreaking fragility and lightness, so you know her joy is probably temporary and that it’s come after so much devastating loss. All the strands of creativity going on – the music, Binoche’s utterly beautiful acting, the way we lift off with her and the timing of the scene within the whole film – it just really gets me every time!\r\n\r\n<iframe src=\"//www.youtube.com/embed/aniXbKM3ez8?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n<h4><strong>Hans Zimmer: <em>Interstellar</em> (contains spoilers)</strong></h4>\r\n<strong>Chloë: </strong>I’m quite surprised to find myself talking about <a title=\"Hans Zimmer\" href=\"http://www.hans-zimmer.com/\" target=\"_blank\">Hans Zimmer</a>. I wouldn’t really have put him as one of my top favourite film composers before, but this soundtrack did really take me over during the film and I found it very powerful stuff. It’s a combination of electronic elements with orchestra/choir/organ and piano. He had no less than six orchestrators working with him on this score and it really does sound like a massive team effort. I felt like I was just taken captive by this film and manipulated and spun off into all sorts of different emotional states – and the music was a huge part of that. It’s fantastically epic but also has a lot of tension and meditative space in it too and underpins the emotional core of the father/daughter relationship with its long separation, sense of loss and also deep love and connectedness. This theme is beautiful I think, a combination of quite cold, slightly threatening soundscape with what becomes a melancholy piano/organ piece. Apparently Zimmer composed the score over a period of two years alongside the director <a title=\"Christopher Nolan\" href=\"http://www.imdb.com/name/nm0634240/\" target=\"_blank\">Christopher Nolan</a> shooting/scripting the movie, so it sounds like another case of a strong emotional, creative connectedness between director and composer.\r\n\r\n<strong>Cam:</strong> Considering the scope of this film it seems fitting to have such an involved and long-range approach to the score. You can’t help but appreciate the kind of nuances that can be afforded with such a long-term involvement in the musical and sonic aspects of the film.\r\n\r\n<strong>Chloë: </strong>Absolutely. I wonder if this kind of long-term involvement happens more in TV music where composers are on board for long series and really get to have that intense collaborative process – like <a title=\"Bear McCreary\" href=\"http://www.bearmccreary.com/\" target=\"_blank\">Bear McCreary</a> with <em>Battlestar</em>, or <a title=\"Jeff Beal\" href=\"http://www.jeffbeal.com/\" target=\"_blank\">Jeff Beal</a> with <em>House of Cards</em>. I really love both those soundtracks and also <a title=\"Frans Bak\" href=\"http://fransbak.com/\" target=\"_blank\">Frans Bak</a>’s score for <em>The Killing</em>. Even though they’re having to write extremely quickly, these composers are developing music alongside the show with this long development arc – it must be great to do.\r\n\r\nThe moment in the cinema when I thought ‘this music is just brilliant’ was the scene where Matthew McConaughey’s character is driving his car through the fields on his way to fly the spaceship and the music just rachets up notch by notch until it actually sounds like rocket-launching music while he’s still driving the car – it’s such a clever moment and just got me totally emotionally involved with the film from that point on. I love repetitive patterns in music, used a lot in film scores, and this one is one of the best examples of that kind of rhythmic instrumentation in the style of Reich or Glass, being built on and lushed out, that I’ve heard in a while.\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/125268635&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n&nbsp;\r\n<h4><strong>M83/Joseph Trapanese: <em>Oblivion</em> </strong></h4>\r\nAnother sci-fi, but I reckon this film is all about nostalgia and I think that’s probably why I really liked the soundtrack by <a title=\"M83\" href=\"http://ilovem83.com/\" target=\"_blank\">M83</a> and <a title=\"Joseph Trapanese\" href=\"http://joecomposer.com/\" target=\"_blank\">Joseph Trapanese</a>. There is beautifully futuristic imagery in this film, but the overall feel is one of almost unbearable melancholy and nostalgia I found. It’s partly the fact that it’s Tom Cruise in the lead, occasionally on a motorbike, giving this nostalgic tilt towards his movies of the ’80s, but it also made me think of <em>Blade Runner</em>. The soundtrack also triggers these references, as it’s so reminiscent of <a title=\"Tangerine Dream\" href=\"http://www.tangerinedream.org/\" target=\"_blank\">Tangerine Dream</a> and <a title=\"Vangelis\" href=\"http://elsew.com/\" target=\"_blank\">Vangelis</a>. There’s pastoralism too, as Cruise’s character goes back to his cabin by a lake on a pristine bit of Earth – it’s this gorgeous contrast with the post-apocalyptic bleakness of the destroyed land and the sharp shiny minimalist sky-pods they live in. Of course, when he goes back to his cabin it has his collection of vinyl records of Tangerine Dream and Blue Oyster Cult and he lies by the lake listening to Led Zeppelin and Procol Harum. It’s not just a yearning in the context of the film for a pre-war Earth-home, it feels like a heartfelt yearning of now for 20/30 years ago.\r\n\r\n<strong>Cam:</strong> Perhaps the Tangerine Dream vinyl was a nod to the <em>Risky Business</em> soundtrack! The temporal mis-match of Cruise’s character’s nostalgic musical yearning is interesting – this would have been the music of his great great great grandparents, I assume. Yet the film-maker makes a choice to work with the audience’s collective musical notions of nostalgia. I guess it’s all part of the beautiful trickery that is cinema.\r\n\r\n<strong>Chloë: </strong>Ah yes, I hadn’t thought of that! It definitely worked on me, anyway! Nostalgia and music is so intriguing – seems that sometimes it’s within the music itself and sometimes triggered by it and all the cultural memories around it. I often actually feel nostalgic for eras and places I never even knew or went to, just through music – which is very strange! It happens when I hear film soundtracks from the ’50s and ’60s, for instance, or even jazz from the ’40s. I don’t really know what’s going on there, maybe that’s a common thing – I’m not sure!\r\n\r\nI’m really interested in the way that this synth-driven soundtrack is used as a kind of humanising element in the film – there is a lot of orchestration and piano motifs, but it’s when the synths have full rein that you feel really connected to Cruise’s character I think. Maybe it’s because we now have this long history of synth-centred music and it’s actually a warm familiar genre now and a communal memory for us, rather than the futuristic-seeming sound it was in the ’70s and ’80s. Now maybe it’s associated with a kind of technological innocence, which is a pretty strange thing. When I listened to Tangerine Dream as a teenager I just found it completely hypnotic, exciting and all-enveloping. The first time I actually played a synth was when I was 15 and my sister’s boyfriend left one in our house for a few weeks. I composed this soundtrack inspired by a sculpture that an artist in residence had made at school. It was a fantastic feeling to be able to access all the different pads and multi-track and get these really deep evocative sounds and I think that’s where my love-affair with making electronic music started.','Sound and Scene with Chloe March','','inherit','closed','closed','','11620-revision-v1','','','2015-01-13 14:42:07','2015-01-13 06:42:07','',11620,'http://www.hiddenshoal.com/11620-revision-v1/',0,'revision','',0),(96,1,'2006-03-07 21:05:35','2006-03-08 02:05:35','[checkout]','Enter Your Details','','draft','open','open','','enter-details','','','2014-07-25 03:00:05','2014-07-25 03:00:05','',0,'http://music.hiddenshoal.com/?page_id=96',0,'page','',0),(11613,1,'2015-01-12 11:43:33','2015-01-12 03:43:33','','Liminal Drifter','','inherit','closed','closed','','dr-liminal-1','','','2015-01-12 11:44:05','2015-01-12 03:44:05','',11606,'http://www.hiddenshoal.com/wp-content/uploads/2015/01/Dr-Liminal-1.jpg',0,'attachment','image/jpeg',0),(11614,1,'2015-01-12 11:43:41','2015-01-12 03:43:41','','Liminal Drifter','','inherit','closed','closed','','dr-liminal-3','','','2015-01-12 11:44:08','2015-01-12 03:44:08','',11606,'http://www.hiddenshoal.com/wp-content/uploads/2015/01/Dr-Liminal-3.jpg',0,'attachment','image/jpeg',0),(11615,1,'2015-01-12 11:43:47','2015-01-12 03:43:47','','Liminal Drifter','','inherit','closed','closed','','dr-liminal-5','','','2015-01-12 11:44:11','2015-01-12 03:44:11','',11606,'http://www.hiddenshoal.com/wp-content/uploads/2015/01/Dr-Liminal-5.jpg',0,'attachment','image/jpeg',0),(11616,1,'2015-01-12 11:43:54','2015-01-12 03:43:54','','Liminal Drifter','','inherit','closed','closed','','dr-liminal-7','','','2015-01-12 11:44:14','2015-01-12 03:44:14','',11606,'http://www.hiddenshoal.com/wp-content/uploads/2015/01/Dr-Liminal-7.jpg',0,'attachment','image/jpeg',0),(11617,1,'2015-01-12 11:43:59','2015-01-12 03:43:59','','Liminal Drifter','','inherit','closed','closed','','dr-liminal-8-2','','','2015-01-12 11:44:20','2015-01-12 03:44:20','',11606,'http://www.hiddenshoal.com/wp-content/uploads/2015/01/Dr-Liminal-81.jpg',0,'attachment','image/jpeg',0),(11622,1,'2015-01-13 13:42:05','2015-01-13 05:42:05','<img class=\"alignleft wp-image-10525 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"300\" height=\"172\" />Chloe March’s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. March\'s music inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic and there is no better testament to this than on her recently re-released album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a>. She has an innate ability to not only create music that is alive atmosphere and narrative but to also deftly create room in each work for the listener to posit themselves and become part of the musicaltapestry. It\'s no wonder then she has been called upon to soundtrack a number of theatrical works across London. As part of our ongoing <a title=\"Sound and Scene\" href=\"http://www.hiddenshoal.com/features/sound-scene/\" target=\"_blank\">Sound and Scene</a> series Hidden Shoal\'s Cam Merton spoke with March about her favourite film soundtracks.','Sound and Scene with Chloe March','','inherit','closed','closed','','11620-revision-v1','','','2015-01-13 13:42:05','2015-01-13 05:42:05','',11620,'http://www.hiddenshoal.com/11620-revision-v1/',0,'revision','',0),(11623,1,'2015-01-13 13:42:35','2015-01-13 05:42:35','<img class=\"alignleft wp-image-10525 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"300\" height=\"172\" />Chloe March’s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. March\'s music inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic and there is no better testament to this than on her recently re-released album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a>. She has an innate ability to not only create music that is alive atmosphere and narrative but to also deftly create room in each work for the listener to posit themselves and become part of the musicaltapestry. It\'s no wonder then she has been called upon to soundtrack a number of theatrical works across London. As part of our ongoing <a title=\"Sound and Scene\" href=\"http://www.hiddenshoal.com/features/sound-scene/\" target=\"_blank\">Sound and Scene</a> series Hidden Shoal\'s Cam Merton sat down with March to explored her favourite film soundtracks.','Sound and Scene with Chloe March','','inherit','closed','closed','','11620-revision-v1','','','2015-01-13 13:42:35','2015-01-13 05:42:35','',11620,'http://www.hiddenshoal.com/11620-revision-v1/',0,'revision','',0),(11624,1,'2015-01-13 13:44:50','2015-01-13 05:44:50','<img class=\"alignleft wp-image-10525 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"300\" height=\"172\" />Chloë March’s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. March\'s music inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic and there is no better testament to this than on her recently re-released album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a>. She has an innate ability to not only create music that is alive atmosphere and narrative but to also deftly create room in each work for the listener to posit themselves and become part of the musicaltapestry. It\'s no wonder then she has been called upon to soundtrack a number of theatrical works across London. As part of our ongoing <a title=\"Sound and Scene\" href=\"http://www.hiddenshoal.com/features/sound-scene/\" target=\"_blank\">Sound and Scene</a> series Hidden Shoal\'s Cam Merton sat down with Chloë to talk about her favourite film soundtracks.\r\n\r\n&nbsp;\r\n\r\n<strong>John Harle: <em>A History of Britain</em> by Simon Schama</strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë:</strong> I was blown away by this score when I first saw the series in 2000. John Harle is a brilliant saxophonist and his score features his playing and also includes evocative arrangements of British folksongs performed by singers including Emma Kirkby. This music made a deep impression on me and just seemed to work so well with the material and Schama’s dramatic storytelling style. There’s a lot of symbolism used in the imagery, rather than full-on historical re-enactments and the music works in the same way, with older instruments like pipes, flutes, harp and the fragments of folksong, conjuring these lost worlds and tapping into a kind of communal musical memory. Harle is great at drama, at one point his screeching sax underscoring shots of fires during the passages about the burning of heretics – it’s very eerie! The sheer variety of tone he can get from the sax too is phenomenal and he really plays with that across the series. Another thing I love about this soundtrack is the space in it – the programmes often have silence, both in the presentation and in the score itself – so there’s space to take in the narrative, the facts, the imagery, the emotion of the past.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Your mention of space here is key to any discussion on film scoring. It is an art and almost an alchemical process to be able to support and grow the narrative and vision with sound and music.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Yes – it must be so tempting to do too much and try to impose your own style, when what’s needed is something completely different or even nothing at all. I guess the composer needs to be incredibly sensitive about supporting that vision.\r\n\r\n&nbsp;\r\n\r\nHarle used to work in the National Theatre Music Department early on in his career and I think I can hear that theatre music vibe. A lot of the music that I heard growing up was theatre music being practised by my parents, who were both musicians at the Royal Shakespeare Theatre in Stratford, so I was hearing composers like Howard Blake, Ilona Sekacz and Stephen Warbeck a lot! I got used to hearing music and wondering what scene it was for, what atmosphere it was creating and how it was doing it. Musicians had to adapt to the demands of the productions, like my dad playing fanfares on animal horns instead of trumpets, and my mum, a classical pianist, having to learn the accordion, get her head around the Yamaha DX7 synth and, most entertainingly for the rest of us, the theremin. When I eventually studied drama at uni I wrote a lot of music for productions and really enjoyed that challenge of having to create a particular atmosphere in a very short time. Sometimes I find it’s great to be given instrumental constraints and very short time-frames to compose in, especially if the dramatic/visual material you have is powerful.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> That’s a really interesting point as I think that challenge has drawn a number of artists into crossing over into scoring for film. I can’t help but think of Clint Mansell in this regard, who went from the chaotic pop maximalism of Pop Will Eat Itself to producing the gorgeous, restrained score to <em>Moon </em>(amongst others, of course).\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Yes, it seems like limitations often bring out amazing and surprising creative results. I wonder if some artists are so drawn to film because as well as the challenge of it and wanting to develop as writers, there’s also this common discipline in some pop music of creating intense imagery and atmosphere. Not that other composers don’t do that, just that in pop you learn to do it within a very short time-frame, so to a pop artist being given a 90-minute film to score would seem like a luxuriously long amount of time to work with, but each cue has to create immediate atmosphere, so it also has that familiar discipline. But maybe also it’s easier in pop to put artists into boxes and not expect them to change what they do too much, so film-scoring would be incredibly liberating in that way too for someone who felt frustrated by that. It’s great also to discover that you can actually compose to a deadline if you’re used to spending years on an album like I am! That sense of urgency can sometimes generate wonderful creativity too.\r\n\r\n&nbsp;\r\n\r\nHarle has also described himself as ‘a romantic, both as a player and a composer’ and I think that’s a big part of why I’m so drawn to his music. There’s a strong modal component to this score, with the plainchant, the folksongs and the sax playing what sometimes sound like virtuosic jazz improvisations – and I’m very drawn to that modality too, it’s how I write my own songs. He uses a lot of pure tones, both with his sax playing and with the early music vocalists who use hardly any vibrato, and I’m really interested in the juxtaposition of these tones put together with lush, jazz-influenced harmony. I also have a strong classical foundation and love jazz harmony and folk melody, so it’s probably inevitable that I love Harle’s music! I didn’t think to try working with saxophone myself until my latest album, when Ted Watson, a superb musician, offered to play for me – so I was finally able to experiment with writing for and singing with soprano sax, which was just fantastic and a lovely new direction for me.\r\n\r\n&nbsp;\r\n\r\n<a href=\"https://soundcloud.com/johnharle/terror-and-magnifence-three\">https://soundcloud.com/johnharle/terror-and-magnifence-three</a>\r\n\r\n<strong>Gabriel Yared: <em>The English Patient</em></strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I was a fan of Gabriel Yared before seeing this film as I’d fallen in love with the soundtrack he wrote for <em>Betty Blue</em>, which I listened to for years before actually seeing the film. I think maybe the chemistry of Yared’s creative partnership with Anthony Minghella is a vital part of the magic of this score. When I discovered that Yared had been part of the filmmaking process right from the start it really made sense – there’s just a feeling that the music and the film developed together in a really organic way and that it’s all intensely driven by the emotion that’s at the heart of the film. Minghella said afterwards, ‘There was a sense of us being unusually connected’. He was a musician himself and also said that he approached his filmmaking ‘as much from musical form as conventional storytelling’ – which is really interesting. It was Minghella who suggested that Yared use the Aria from the Bach Goldberg Variations and also the incredibly beautiful, haunting Hungarian folksong sung by Márta Sebestyén.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> That kind of partnership between the creative drivers of vision and sound in films seems to be so natural and right it’s almost disappointing that it isn’t de rigueur in the film-making process. That’s not to say most directors wouldn’t have a pure vision (!) for the sonic and musical elements needed for the film, but having that collaborative partnership up front could sometimes bring so much more.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I totally agree. It’s been so interesting doing this feature finding that most of the soundtracks I really love have emerged from these partnerships. Joe Wright and Dario Marianelli is another wonderful one. His score for <em>Pride and Prejudice</em> had to begin even before shooting started and ended up being a phenomenally successful soundtrack. I just don’t understand why music is sometimes added during the last few weeks of editing. Maybe it works for some films and for some composers who thrive on that challenge, but it seems like a wasted opportunity to me.\r\n\r\n&nbsp;\r\n\r\nI love the way that Yared uses the Bach, orchestrating it, and writing the most beautiful pastiche that adds a deeply romantic lushness, without sentimentalising it or sounding naff. A lot of my early learning of the piano involved playing Bach, so I feel like that music is an old friend. I’m really interested in pastiche and the difference between writing say a baroque-sounding piece or a piece that reminds you of baroque but also takes you somewhere else. When I was commissioned to compose a score for a re-working of a ballet by Kurt Jooss from the 1930s, the choreographer asked for a contemporary score that would still hark back to that era. I really wanted to evoke an atmosphere that hinted at the 1930s rather than write full-on pastiche, so I tried to get a sense of composers like Weill and Walton into the music by using certain rhythms and instrumentation and then actually used a few chords from Stravinsky’s ‘Petrushka’ – I knew I could never compose like Stravinsky, but using his chords really pushed me to write music that I never thought I could and definitely took me right out of my comfort zone.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Have you found that this need to conceptualise when approaching score work is something that feeds back into your work as an artist, or is it something innate in the way you approach music as a whole?\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I’m not sure if it feeds back, or if that’s just how I am – it’s mostly ideas that make me feel creative, so yeah, it probably is the way I approach my music. Except for improvising, when I play the piano to express something immediately and for as long as I want! I’m much more aware of what I’m doing as a songwriter now, but sometimes I’ll write and finish a song in a few hours, and sometimes in months, so it’s a different process every time. I do usually like to have an idea to form the music around though. Usually it’s an idea that comes packed with powerful emotion or imagery and that resonates with what I’m feeling and wanting to express. What I love is to create these self-contained little worlds and atmospheres, so I’m drawn to vivid symbolism and imagery and stories.\r\n\r\n&nbsp;\r\n\r\nIt feels to me that Juliette Binoche is the heart of this film and it’s her character who has the Bach theme – I think it makes her character’s experience feel timeless, as well as redemptive because Bach has that spiritual link to church music, but it’s also timeless in its humanity and beauty too. There’s so much suffering and tragedy in the different narratives, but hers has this gorgeous lightness and hope to it. The scene in the church where her lover Kip transports her around the walls on a rope to look at the frescoes with a flaming torch is just so beautiful. At the moment when Kip lifts her off the ground Yared uses pizzicato strings and then brings in his beautiful Bach pastiche in the bowed strings with harp gliss as well, and it’s just perfect for the scene. There’s such joy in that music, but there is also melancholy there and this heartbreaking fragility and lightness, so you know her joy is probably temporary and that it’s come after so much devastating loss. All the strands of creativity going on – the music, Binoche’s utterly beautiful acting, the way we lift off with her and the timing of the scene within the whole film – it just really gets me every time!\r\n\r\n&nbsp;\r\n\r\n<a href=\"https://www.youtube.com/watch?v=aniXbKM3ez8\">https://www.youtube.com/watch?v=aniXbKM3ez8</a>\r\n\r\n<strong>Hans Zimmer: <em>Interstellar</em> (contains spoilers)</strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I’m quite surprised to find myself talking about Hans Zimmer. I wouldn’t really have put him as one of my top favourite film composers before, but this soundtrack did really take me over during the film and I found it very powerful stuff. It’s a combination of electronic elements with orchestra/choir/organ and piano. He had no less than six orchestrators working with him on this score and it really does sound like a massive team effort. I felt like I was just taken captive by this film and manipulated and spun off into all sorts of different emotional states – and the music was a huge part of that. It’s fantastically epic but also has a lot of tension and meditative space in it too and underpins the emotional core of the father/daughter relationship with its long separation, sense of loss and also deep love and connectedness. This theme is beautiful I think, a combination of quite cold, slightly threatening soundscape with what becomes a melancholy piano/organ piece. Apparently Zimmer composed the score over a period of two years alongside the director Christopher Nolan shooting/scripting the movie, so it sounds like another case of a strong emotional, creative connectedness between director and composer.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Considering the scope of this film it seems fitting to have such an involved and long-range approach to the score. You can’t help but appreciate the kind of nuances that can be afforded with such a long-term involvement in the musical and sonic aspects of the film.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Absolutely. I wonder if this kind of long-term involvement happens more in TV music where composers are on board for long series and really get to have that intense collaborative process – like Bear McCreary with <em>Battlestar</em>, or Jeff Beal with <em>House of Cards</em>. I really love both those soundtracks and also Frans Bak’s score for <em>The Killing</em>. Even though they’re having to write extremely quickly, these composers are developing music alongside the show with this long development arc – it must be great to do.\r\n\r\n&nbsp;\r\n\r\nThe moment in the cinema when I thought ‘this music is just brilliant’ was the scene where Matthew McConaughey’s character is driving his car through the fields on his way to fly the spaceship and the music just rachets up notch by notch until it actually sounds like rocket-launching music while he’s still driving the car – it’s such a clever moment and just got me totally emotionally involved with the film from that point on. I love repetitive patterns in music, used a lot in film scores, and this one is one of the best examples of that kind of rhythmic instrumentation in the style of Reich or Glass, being built on and lushed out, that I’ve heard in a while.\r\n\r\n&nbsp;\r\n\r\nhttps://soundcloud.com/zimmer-fans/hans-zimmer-our-destiny-lies\r\n\r\n&nbsp;\r\n\r\n<strong>M83/Joseph Trapanese: <em>Oblivion</em> </strong>\r\n\r\n&nbsp;\r\n\r\nAnother sci-fi, but I reckon this film is all about nostalgia and I think that’s probably why I really liked the soundtrack. There is beautifully futuristic imagery in this film, but the overall feel is one of almost unbearable melancholy and nostalgia I found. It’s partly the fact that it’s Tom Cruise in the lead, occasionally on a motorbike, giving this nostalgic tilt towards his movies of the ’80s, but it also made me think of <em>Blade Runner</em>. The soundtrack also triggers these references, as it’s so reminiscent of Tangerine Dream and Vangelis. There’s pastoralism too, as Cruise’s character goes back to his cabin by a lake on a pristine bit of Earth – it’s this gorgeous contrast with the post-apocalyptic bleakness of the destroyed land and the sharp shiny minimalist sky-pods they live in. Of course, when he goes back to his cabin it has his collection of vinyl records of Tangerine Dream and Blue Oyster Cult and he lies by the lake listening to Led Zeppelin and Procol Harum. It’s not just a yearning in the context of the film for a pre-war Earth-home, it feels like a heartfelt yearning of now for 20/30 years ago.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Perhaps the Tangerine Dream vinyl was a nod to the <em>Risky Business</em> soundtrack! The temporal mis-match of Cruise’s character’s nostalgic musical yearning is interesting – this would have been the music of his great great great grandparents, I assume. Yet the film-maker makes a choice to work with the audience’s collective musical notions of nostalgia. I guess it’s all part of the beautiful trickery that is cinema.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Ah yes, I hadn’t thought of that! It definitely worked on me, anyway! Nostalgia and music is so intriguing – seems that sometimes it’s within the music itself and sometimes triggered by it and all the cultural memories around it. I often actually feel nostalgic for eras and places I never even knew or went to, just through music – which is very strange! It happens when I hear film soundtracks from the ’50s and ’60s, for instance, or even jazz from the ’40s. I don’t really know what’s going on there, maybe that’s a common thing – I’m not sure!\r\n\r\n&nbsp;\r\n\r\nI’m really interested in the way that this synth-driven soundtrack is used as a kind of humanising element in the film – there is a lot of orchestration and piano motifs, but it’s when the synths have full rein that you feel really connected to Cruise’s character I think. Maybe it’s because we now have this long history of synth-centred music and it’s actually a warm familiar genre now and a communal memory for us, rather than the futuristic-seeming sound it was in the ’70s and ’80s. Now maybe it’s associated with a kind of technological innocence, which is a pretty strange thing. When I listened to Tangerine Dream as a teenager I just found it completely hypnotic, exciting and all-enveloping. The first time I actually played a synth was when I was 15 and my sister’s boyfriend left one in our house for a few weeks. I composed this soundtrack inspired by a sculpture that an artist in residence had made at school. It was a fantastic feeling to be able to access all the different pads and multi-track and get these really deep evocative sounds and I think that’s where my love-affair with making electronic music started.\r\n\r\n&nbsp;','Sound and Scene with Chloe March','','inherit','closed','closed','','11620-revision-v1','','','2015-01-13 13:44:50','2015-01-13 05:44:50','',11620,'http://www.hiddenshoal.com/11620-revision-v1/',0,'revision','',0),(109,1,'2006-04-25 18:25:32','2006-04-25 18:25:32','<!-- BEGIN Help Center Live Code, Copyright © 2005 UberTec Ltd. All Rights Reserved --> <div><a href=\"javascript:Live.initiate_accept();\"><img src=\"http://an-archos.com/help/templates/Bliss/images/initiate.gif\" /></a><br /> <a href=\"javascript:Live.initiate_decline();\"><img src=\"http://an-archos.com/help/templates/Bliss/images/initiate_close.gif\" /></a></div> <!-- END Help Center Live Code, Copyright © 2005 UberTec Ltd. All Rights Reserved -->','Talk','','draft','closed','open','','talk','','','2014-07-25 02:52:55','2014-07-25 02:52:55','',0,'http://music.hiddenshoal.com/talk/',0,'page','',0),(126,1,'2006-05-25 10:33:06','2006-05-25 10:33:06','<img width=\"180\" height=\"135\" align=\"right\" alt=\"Low Budget Invaders\" id=\"artist-img\" src=\"/wp-content/uploads/Image/2006/09/Picture%2011.jpg\" />\n<ul>\n	<li>About</li>\n	<li><a href=\"/cat/news/low-budget-invaders-news/\">News</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/low-budget-invaders-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-press\">Press</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-music\">Buy Music Releases</a></li>\n</ul>\n<h3>Who are the Low Budget Invaders?</h3>\nTwo colonial cast offs, sucking the government dry and stealing valuable Australian funds that you could be using to finance invasions of your own.\n\n<strong>Jeremy David Osborne Hicks</strong>, yes he is related to all of them, invaded from New Zealand with his pet sheep Fanny in 1990.Genius of love and all things fuzzy, Jeremy has been on a one-man crusade for the last fifteen years trying to destroy the Australian music industry. You may remember him from such drunken episodes as Thou Gideon, Enargeia, Moongoat and the French Rockets. Jeremy now resides with his partner Sarah Turvey in the cosy right wing Hamlet of York where he is.\n\n<strong>Sarah Turvey</strong> invaded from England in 1980 and shortly afterward attempted to populate the free world with lots of screaming tiny clones of herself. The failure of this exercise saw the clones turn on her and she becoming their slave for the next decade. Having recently been released back into society she is finding joy in self medication and shoplifting.','Low Budget Invaders','','draft','open','open','','low-budget-invaders','','','2014-07-25 02:56:38','2014-07-25 02:56:38','',91,'http://music.hiddenshoal.com/artists/low-budget-invaders/',0,'page','',0),(152,1,'2006-08-24 16:44:18','2006-08-24 16:44:18','','Links','','draft','open','closed','','links','','','2014-07-25 02:56:38','2014-07-25 02:56:38','',0,'http://music.hiddenshoal.com/links/',0,'page','',0),(162,1,'2006-10-04 06:12:14','2006-10-04 06:12:14','<img width=\"180\" height=\"134\" align=\"right\" id=\"artist-img\" alt=\"Moongoat\" src=\"/wp-content/uploads/moongoat.jpg\" />\n<ul>\n	<li>About</li>\n	<li><a href=\"/cat/news/moongoat/\">News</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/moongoat-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-press\">Press</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-music\">Buy Music Releases</a></li>\n</ul>\n<span style=\"width: 100%\" id=\"ctl00_ctl00_phBodyMain_BodyPlaceHolder_lmViewer_SecondZone_container\" />\n\n“the kind of music that makes wading through hours of experimental electronic  ambient worthwhile… Different and worth your attention” – Ambient Music  Guide\n\nMoongoat’s debut EP is deliciously immersive and wonderfully  unsettling. Playing out like a distant memory, each track describes an unfolding  atmosphere that slowly becomes whole as it fills the room like a gas.\n<h3>Releases:</h3>\n“<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&products_id=31\">Moongoat</a>” EP, 2006. Cat#: HSR013 - <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&products_id=31\"><strong>Listen</strong></a><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&products_id=31\"><img align=\"middle\" alt=\" \" title=\" \" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" /></a>','Moongoat','','draft','closed','closed','','moongoat','','','2014-07-25 02:55:20','2014-07-25 02:55:20','',91,'http://music.hiddenshoal.com/artists/moongoat/',0,'page','',0),(169,1,'2006-11-01 11:29:00','2006-11-01 11:29:00','<img align=\"right\" title=\"Dilatazione\" id=\"artist-img\" alt=\"Dilatazione\" src=\"/wp-content/uploads/dilatazionethumbnail.jpg\" />\n<ul>\n	<li>About</li>\n	<li><a href=\"/cat/news/dilatazione-news/\">News</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/dilatazione-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-press\">Press Kits</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-music\">Buy Music Releases</a></li>\n</ul>\n\"Dilatazione have composed an incredibly coloured debut that does nothing but  improve with multiple listens” - FakeJazz\n\nThat seems to be the key with  this Italian instrumental quartet. Patience to allow the chiming guitar and bass  lines to weave their melodic magic. Patience to absorb the complex, articulate  rhythms. Patience to allow these masterful song-stories to tell their tale. You  won\'t be disappointed.\n\n<strong>Releases</strong><strong>:</strong>\n\n“<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&cPath=14&products_id=28\">Solo in una strada affollata</a>” Single, 2006. - <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&cPath=14&products_id=28\"><strong>Listen</strong></a><strong> </strong><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&cPath=14&products_id=28\"><img align=\"middle\" alt=\" \" title=\" \" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" /></a>\n“<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&cPath=14&products_id=27\">Too Emotional For Maths</a>” Album, 2006. <font face=\"Verdana, Arial, Helvetica, sans-serif\">Cat #: HSR011 -   <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&cPath=14&products_id=27\"><strong>Listen</strong></a><strong> </strong><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&cPath=14&products_id=27\"><img align=\"middle\" title=\" \" alt=\" \" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" /></a></font>','Dilatazione','','draft','closed','open','','dilatazione','','','2014-07-25 03:00:32','2014-07-25 03:00:32','',91,'http://music.hiddenshoal.com/artists/dilatazione/',0,'page','',0),(176,1,'2006-11-04 14:26:33','2006-11-04 14:26:33','<h3>Press Releases</h3>\n<strong>(PDF Format)</strong>\n<ul id=\"reverse_numbering\">\n<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">May22, 2014</a> Kramies <em>The Folklore Sessions</em> EP Release.</li>\n<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/perth-Wheres_My_Dystopia_Press_Release.pdf\">May 1, 2014</a> perth <em>Where’s My Dystopia?</em> Album Release.</li>\n<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-A_Clearing.pdf\">April 3, 2014</a> Slow Dancing Society \'A Clearing\' Single.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Perth-Drank_and_Kites_and_Tomorrow_GUM_Remix.pdf\">March 20, 2014</a> perth \'Drank and Kites and Tomorrow (GUM Remix)\' Single.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Gilded-A_Smooth_Sea.pdf\">February 26, 2014</a> <em>A Smooth Sea Never Made A Skilful Sailor</em> EP Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Perth-Whats_Your_Utopia.pdf\">November 14, 2013</a> <em>What\'s Your Utopia?</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Perth-Greasy_Moon.pdf\">October 31, 2013</a> perth \'Greasy Moon\' Single.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Caseworker-Voices_Out_There_Album.pdf\">October 24, 2013</a> [The] Caseworker <em>Voices Out There</em> Album.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Liam_Singer-Unhand_Me_You_Horrid_Thing.pdf\">October 18, 2013</a> Liam Singer \'Unhand Me (You Horrid Thing)\' Single.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">October 17, 2013</a> Kramies <em>The Wooden Heart</em> EP Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Caseworker-Voices_Out_There_Single.pdf\">October 8, 2013</a> [The] Caseworker \'Voices Out There\' Single + Music Video Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-perth-Dranks_and_Kites_and_Tomorrow.pdf\">September 26, 2013</a> perth \'Dranks and Kites and Tomorrow\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Apricot_Rail-Dore_Strauch.pdf\">September 12, 2013</a> Apricot Rail \'Dore Strauch\' Single and Music Video Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart(Single).pdf\">September 5, 2013</a> Kramies \'The Wooden Heart\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Caseworker-Dependence_Day.pdf\">August 29, 2013</a> [The] Caseworker \'Dependence Day\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Markus_Mehr-Live_In_Bari.pdf\">July 18, 2013</a> Markus Mehr <em>Live in Bari</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Liam_Singer-Arc_Iris.pdf\">July 11, 2013</a> Liam Singer <em>Arc Iris</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Liam_Singer-Nine_Ten.pdf\">June 25, 2013</a> - Liam Singer - \'Nine Ten\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Tangled_Star-Lets_Adjourn.pdf\">June 18, 2013</a> Tangled Star<em>Let\'s Adjourn To The Garden</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Jumpel-Bloc4.pdf\">June 11, 2013</a> Jumpel <em>Bloc4</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Monocle-Plastic_Beach.pdf\">May 28, 2013</a> - Monocle - \'Plastic Beach\' Single + Bonus Tracks Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Jumpel-Flight.pdf\">May 23, 2013</a> - Jumpel - \'Flight\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Tangled_Star-Head_in_the_Sand.pdf\">May 9, 2013</a> - Tangled Star - \'Head In The Sand\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-I_Razor_Soundtrack.pdf\">May 16, 2013</a> <em>I Razor</em> Soundtrack Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Monocle-Transpacific_Sound_Paradise.pdf\">May 1, 2013</a> - Monocle <em>Transpacific Sound Paradise</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Jumpel-Blue_Ceiling.pdf\">April 2, 2013</a> - Jumpel \'Blue Ceiling\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_-_Circus_Devils-All_The_Good_Ones_Are_Gone.pdf\">March 14, 2013</a> - Circus Devils \'All The Good Ones Are Gone\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Liam_Singer-Stranger_I_Know.pdf\">March 7, 2013</a> - Liam Singer \'Stranger I Know\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Monocle-Chances_Glide.pdf\">February 28, 2013</a> - Monocle \'Chances Glide\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Apricot_Rail_Quarrels.pdf\">February 25, 2013</a> - Apricot Rail <em>Quarrels</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Markus_Mehr-Off.pdf\">January 24, 2013</a> - Markus Mehr <em>Off</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Apricot_Rail_Basket_Press_Single.pdf\">January 11, 2013</a> - Apricot Rail \'Basket Press\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Caseworker_Makee_Remix.pdf\">November 28, 2012</a> - [The] Caseworker \'Hold On To The Road (Makee Remix)\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Half_Film_Album_Reissues.pdf\">October 31, 2012</a> - Half Film <em>East of Monument</em> and <em>Road To The Crater</em> Reissues.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wizards_of_Time-Benjamin.pdf\">October 26, 2012</a> - Wizards of Time \'Benjamin\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Markus_Mehr-Duck_Became_Swan.pdf\">October 11, 2012</a> - Markus Mehr \'Duck Became Swan\' Single Release and Music Video.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Gilded_Terrane.pdf\">October 8, 2012</a> - Gilded <em>Terrane</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Laterna_Magica.pdf\">September 18, 2012</a> - Slow Dancing Society <em>Laterna Magica</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Half_Film_Single.pdf\">September 6, 2012</a> - Half Film \'Machines, Hawks And The Perfect Equation\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Gilded-Cluttered_Room.pdf\">August 31, 2012</a> - Gilded \'Cluttered Room\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Gilded_Signing.pdf\">July 27, 2012</a> - Gilded Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wizards_of_Time-Soft_Curse.pdf\">July 26, 2012</a> - Wizards of Time <em>Will The Soft Curse Plague On?</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Markus_Mehr-On.pdf\">July 17, 2012</a> - Markus Mehr <em>On</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\">July 6, 2012</a> - Elisa Luu <em>Un Giorno Sospeso</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Ill_Leave_a_Light_On.pdf\">July 4, 2012</a> - Slow Dancing Society \'I\'ll Leave a Light On\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Triangulating_Nature_Sampler_Album.pdf\">May 22, 2012</a> <em> Triangulating Nature</em> Label Sampler Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Markus_Mehr-Flaming_Youth.pdf\">May 18, 2012</a> - Markus Mehr - \'Flaming Youth\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wizards_of_Time-Littles_Jingle.pdf\">May 2, 2012</a> - Wizards of Time - \'Little\'s Single\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Todd_Tobias_Medicine_Show.pdf\">April 26, 2012</a> - Todd Tobias - <em>Medicine Show</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wes_Willenbring-Weapons.pdf\">April 12, 2012</a> - Wes Willenbring - <em>Weapons Reference Manual</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">April 10, 2012</a> - Elisa Luu - \'Se fosse per me\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wizards_of_Time_Signing.pdf\">March 20, 2012</a> - Wizards Of Time Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Todd_Tobias_Manatoc_Enters_The_City.pdf\">March 16, 2012</a> - Todd Tobias - \'Manatoc Enters The City / The Long Fall\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wes_Willenbring-Consequences.pdf\">March 9, 2012</a> - Wes Willenbring - \'Consequences of Recklessness\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Todd_Tobias_Signing.pdf\">March 5, 2012</a> - Todd Tobias Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Salli_Lunn-50_Kisses.pdf\">March 5, 2012</a> - Salli Lunn - \'50 Kisses (TV-Baby Remix)\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Caseworker-Sea_Years.pdf\">February 10, 2012</a> - The Caseworker - \'Sea Years\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Markus_Mehr-In.pdf\">January 26, 2012</a> - Markus Mehr - <em>In</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society_Single.pdf\">December 20, 2011</a> - Antonymes meets Slow Dancing Society - \'The Colour Of Long Days\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Umpire-Supply_Chins_Single.pdf\">December 16, 2011</a> - Umpire - \'Supply Chins\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">November 22, 2011</a> - Kramies - <em>The European</em> EP Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-City_of_Satellites-Remixed.pdf\">October 27, 2011</a> - City of Satellites - <em>Remixed</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">October 20, 2011</a> - Antonymes meets Slow Dancing Society - <em>We Don\'t Look Back For Very Long</em> EP Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">October 19, 2011</a> - Kramies - \'Coal Miners Executive Club\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-City_of_Satellites-MIMA_Remix.pdf\">October 6, 2011</a> - City of Satellites - \'Machine Is My Animal (Tin Manzano Remix)\' Single Release and Music Video.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Scott%20Solter-One_River.pdf\">September 29, 2011</a> - Scott Solter - <em>One River</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Caseworker-Letters_From_The_Coast.pdf\">September 22, 2011</a> - [The] Caseworker - <em>Letters From The Coast</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Salli_Lunn-A_Frame_of_Reference.pdf\">September 8, 2011</a> - Salli Lunn - <em>A Frame Of Reference</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Scott_Solter-The_Great_Cold.pdf\">August 25, 2011</a> - Scott Solter - \'The Great Cold\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Caseworker-National_Runner.pdf\">August 18, 2011</a> - [The] Caseworker - \'National Runner\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Salli_Lunn_Mirror_Girl_Remix.pdf\">June 28, 2011</a> -Salli Lunn - \'Mirror Girl (Scott Solter Remix)\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Apricot_Rail-Surry_Hills_Single.pdf\">July 21, 2011</a> - Apricot Rail \'Surry Hills\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Umpire-Now_Were_Active_US.pdf\">July 14, 2011</a> - Umpire <em>Now We\'re Active</em> US/International Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Liam_Singer-Words_Make_the_Master.pdf\">June 23, 2011</a> - Liam Singer \'Words Make the Master\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Umpire-Now_Were_Active.pdf\">June 2, 2011</a> - Umpire <em>Now We\'re Active</em> Australian Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Iretsu_Single_Sexy_No.pdf\">May 18th, 2011</a> - Iretsu - \'Sexy, No?\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">May 5th, 2011</a> - Antonymes \'Lost In Waves Of Light\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Antonymes-The_Licence_To_Interpret_Dreams.pdf\">April 21st, 2011</a> - Antonymes <em>The Licence To Interpret Dreams </em>Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Umpire-Green_Light_District.pdf\">April 19th, 2011</a> - Umpire \'Green Light District\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">March 10th, 2011</a> - Antonymes \'Endlessly\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Rich_Bennett-Wild_Ride.pdf\">March 7th, 2011</a> - Rich Bennett \'Wild Ride\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Hotels-On_The_Casino_Floor.pdf\">February 23rd, 2011</a> - Hotels <em>On The Casino Floor </em>Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Liam_Singer-The_Brief_Encounter.pdf\">February 10th, 2011</a> - Liam Singer \'The Brief Encounter\' Single.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">February 4th, 2011</a> - Antonymes Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Hotels-The_Bat_Watusi.pdf\">January 20th, 2011</a> - Hotels \'The Bat Watusi\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Toby_Richardson-The_Stones_And_The_Rabbits.pdf\">December 2nd, 2010</a> - Toby Richardson <em>The Stones And The Rabbits </em>EP Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Jumpel-Europa.pdf\">November 25th, 2010</a> - Jumpel <em>Europa </em>Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Markus_Mehr_Cousteau.pdf\">November 4th, 2010</a> - Markus Mehr \'Cousteau\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Jumpel-Edinburgh.pdf\">October 28th, 2010</a> - Jumpel \'Edinburgh\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Toby_Richardson-King_Of_All_The_Moves.pdf\">October 14th, 2010</a> - Toby Richardson \'King Of All The Moves\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Liam_Singer-Dislocatia.pdf\">October 5th, 2010</a> - Liam Singer <em>Dislocatia</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-City_of_Satellites-BMX_Single_and_Music_Video.pdf\">September 23rd, 2010</a> - City of Satellites \'BMX\' Single and Music Video Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Under_The_Sodium_Lights.pdf\">August 25th, 2010</a> - Slow Dancing Society <em>Under The Sodium Lights</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Salli_Lunn_The_First_Cause.pdf\">August 19th, 2010</a> - Salli Lunn \'The First Cause\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Liam_Singer-Winter_Weeds_Single.pdf\">August 11th, 2010</a> - Liam Singer \'Winter Weeds\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Markus_Mehr_Lava_CD_Release.pdf\">August 4th, 2010</a> - Markus Mehr <em>Lava</em> Album CD Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Rich_Bennett-On_Holiday_Release.pdf\">July 29th, 2010</a> - Rich Bennett <em>On Holiday</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR Press Release-Elisa_Luu-Come.pdf\">July 16th, 2010</a> - Elisa Luu \'Come\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Sankt_Otten_Mein_Freund_aus_Koln_Single.pdf\">July 8th, 2010</a> - Sankt Otten \'Mein Freund aus Köln\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Salli_Lunn-Heresy_and_Rite.pdf\">July 6th, 2010</a> - Salli Lunn <em>Heresy and Rite</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Rich_Bennett-On_Holiday.pdf\">July 1st, 2010</a> - Rich Bennett <em>On Holiday</em> Album Pre-Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-and_to_the_dust_we_shall_remain.pdf\">June 23rd, 2010</a> - Slow Dancing Society ‘…and to the dust we shall return’ Single and Video Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Markus_Mehr_Lava_Digital_Release.pdf\">June 15th, 2010</a> - Markus Mehr <em>Lava</em> Album Digital Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Boxharp_The_Green_Album_Official.pdf\">June 2nd, 2010</a> - Boxharp <em>The Green</em> Album Official Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Iretsu_Fang.pdf\">May 27th, 2010</a> - Iretsu <em>Fang </em>Released.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Liam_Singer_Signing.pdf\">May 25th, 2010</a> - Liam Singer Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_ Press_Release-Rich_Bennett-Misty_Valley.pdf\">May 20th, 2010</a> - Rich Bennett \'Misty Valley\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Boxharp_The_Green_Album.pdf\">May 4th, 2010</a> - Boxharp <em>The Green</em> Album Digital Pre-Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Salli_Lunn-Parachutes_Forever_Single.pdf\">April 29th, 2010</a> - Salli Lunn \'Parachutes Forever\' Single.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Salli_Lunn_Signing.pdf\">April 21st, 2010</a> - Salli Lunn Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Markus_Mehr_Hubble_Single.pdf\">April 9th, 2010</a> - Markus Mehr \'Hubble\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Iretsu_Humbuzzer_Single.pdf\">March 31st, 2010</a> - Iretsu \'Humbuzzer\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Boxharp_The_Green_Single.pdf\">March 25th, 2010</a> - Boxharp \'The Green\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Markus_Mehr_Signing.pdf\">March 22nd, 2010</a> - Markus Mehr Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Hotels-The_Heart_That_Hears_Like_A_Bat.pdf\">March 11th, 2010</a> - Hotels \'The Heart That Hears Like A Bat\' Single and Remixes Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Stray_Ghost_Nothing_But_Death.pdf\">March 4th, 2010</a> - Stray Ghost <em>Nothing, But Death</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Boxharp_Loam_Arcane_EP.pdf\">February 25th, 2010</a> - Boxharp <em>Loam Arcane</em> Digital EP Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-City_of_Satellites-Machine_is_My_Animal_CD_Release.pdf\">January 21st, 2010</a> - City of Satellites <em>Machine Is My Animal</em> Album Official CD Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Stray_Ghost_Part_4_Single.pdf\">December 18th, 2009</a> - Stray Ghost \'Part 4\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-A_Million_Square_Miles_Australian_Release.pdf\">December 15th, 2009</a> - <em>A Million Square Miles</em> Western Australian Compilation Album - Australian Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Mukaizake_Unknown_Knowns_Australia.pdf\">December 11th, 2009</a> - Mukaizake <em>Unknown Knowns</em> Australian CD Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Boxharp%20_Rainbirds_Single.pdf\">December 1st, 2009</a> - Boxharp \'Rainbirds\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-My_Majestic_Star-I%20Havent_Got_It_In_Me.pdf\">November 28th, 2009</a> -My Majestic Star <em>I Haven\'t Got It In Me</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Boxharp_Signing.pdf\">November 26th, 2009</a> - Boxharp Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Mukaizake_Unknown_Knowns_US.pdf\">November 17th, 2009</a> - Mukaizake <em>Unknown Knowns</em> US and Worldwide Digital Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wes_Willenbring-Close_But_Not_Too_Close%20_Official_Release.pdf\">November 12th, 2009</a> - Wes Willenbring <em>Close, But Not Too Close</em> Album Official Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-City_of_Satellites-Machine_Is_My_Animal_Pre-Release.pdf\">November 3rd, 2009</a> - City of Satellites <em>Machine Is My Animal</em> Album Digital Pre-Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Stray_Ghost-Each_Paradise_Is_A_Lost_Paradise.pdf\">October 29th, 2009</a> - Stray Ghost <em>Each Paradise is a Lost Paradise</em> Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-A_Million_Square_Miles.pdf\">October 26th, 2009</a> - <em>A Million Square Miles</em> Western Australian Compilation Album - US CD and Digital Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wes_Willenbring-Close_But_Not_Too_Close_Pre-Release.pdf\">October 20th, 2009</a> - Wes Willenbring <em>Close, But Not Too Close</em> Album Digital Pre-Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Stray_Ghost_Signing.pdf\">October 9th, 2009</a> - Stray Ghost Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Mukaizake_Single.pdf\">October 6th, 2009</a> - Mukaizake \'The Yeah Conditioner\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-City_of_Satellites-Stranger_Than_Fiction_Single.pdf\">October 1st, 2009</a> - City Of Satellites \'Stranger Than Fiction\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Elisa_Luu_Chromatic_Sigh_Official_CD_Release.pdf\">September 29th, 2009</a> - Elisa Luu <em>Chromatic Sigh</em> Album Official CD Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Apricot_Rail_Tin_Man_Remix.pdf\">September 28th, 2009</a> - Apricot Rail ‘Pouring Milk Out The Window (Tin Man Spilt Milk Remix)’ Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wes_Willenbring-Oh_Most_Single.pdf\">September 25th, 2009</a> - Wes Willenbring \'Oh, Most\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Sankt_Otten_Morgen_wieder_lustig_CD_Release.pdf\">September 22nd, 2009</a> - Sankt Otten <em>Morgen wieder lustig</em> Album Official CD Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Mukaizake_Signing.pdf\">September 17th, 2009</a> - Mukaizake Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-My_Majestic_Star-Crampling.pdf\">September 15th, 2009</a> - My Majestic Star \'Crampling\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Sankt_Otten_Morgen_wieder_lustig_Pre-Release.pdf\">September 10th, 2009</a> - Elisa Luu <em>Chromatic Sigh</em> Album Digital Pre-Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Sankt_Otten_Morgen_wieder_lustig_Pre-Release.pdf\">September 1st, 2009</a> - Sankt Otten <em>Morgen wieder lustig</em> Album Digital Pre-Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Down_Review_From_Here_For_Anyone.pdf\">August 11th, 2009</a> - Down Review <em>From Here, For Anyone</em> EP Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">August 5th, 2009</a> - Elisa Luu \'The Garden\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Sankt_Otten_Lustig_lustig_demain_encore_lustig.pdf\">July 30th, 2009</a> - Sankt Otten \'Lustig, lustig demain encore lustig\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_-_Tarcutta_Debut_Album_CD_Release.pdf\">July 23rd, 2009</a> - Tarcutta Self-Titled Album Official Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\">July 21st, 2009</a> - Elisa Luu Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_-_Down_Review_Single.pdf\">July 9th, 2009</a> - Down Review Debut Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Apricot_Rail_Album.pdf\">July 4th, 2009</a> - Apricot Rail Debut Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Down_Review_Signing.pdf\">June 30th, 2009</a> - Down Review Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Tarcutta_Debut_Album.pdf\">June 23rd, 2009</a> - Tarcutta Self-Titled Album Digital Pre-Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Tangled_Star_That_Time_EP.pdf\">June 11th, 2009</a> - Tangled Star <em>That Time</em> EP Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Apricot_Rail_Single.pdf\">June 2nd, 2009</a> - Apricot Rail \'Pouring Milk Out The Window\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Sleeping_Me_Cradlesongs_Release.pdf\">May 26th, 2009</a> - Sleeping Me <em>Cradlesongs </em>Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Tarcutta_Single.pdf\">May 19th, 2009</a> - Tarcutta ‘You’ve Gotta Crawl Before You Walk Before You Waltz’ Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">May 18th, 2009</a> - Apricot Rail Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Tangled_Star_seabirdtown_Single.pdf\">May 14th, 2009</a> - Tangled Star \'seabirdtown\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-HSR_Turns_3.pdf\">May 5th, 2009</a> - Hidden Shoal Recordings Third Birthday.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Sleeping_Me_Single_Release.pdf\">April 28th, 2009</a> - Sleeping Me \'Legs Like Gravestone\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Tangled_Star-Our_Man_in_Eden_Hill_CD_Re-Issue.pdf\">April 22nd, 2009</a> - Tangled Star <em>Our Man in Eden Hill</em> EP CD Re-Issue.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Caribbean_EP_Release.pdf\">April 2nd, 2009</a> - The Caribbean <em>Scott Solter Re-Populates The Caribbean</em> EP Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-HC-B_Official_CD_Release.pdf\">March 27th, 2009</a> - HC-B <em>Soundcheck for a Missing Movie</em> Official CD Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Tarcutta_Signing.pdf\">March 16th, 2009</a> - Tarcutta Signing</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-HC-B_Album_Digital_Pre-Release.pdf\">March 3rd, 2009</a> - HC-B <em>Soundcheck for a Missing Movie</em> Digital Pre-Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Caribbean_Single.pdf\">February 26th, 2009</a> - The Caribbean Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Caribbean_Forthcoming_EP.pdf\">February 21st, 2009</a> - The Caribbean Remix EP Announced.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Hotels-Where_Hearts_Go_Broke.pdf\">February 14th, 2009</a> - Hotels\' <em>Where Hearts Go Broke</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Jumpel-Deuxième_Bureau_CD_Release.pdf\">February 13th, 2009</a> - Jumpel\'s <em>Deuxième Bureau</em> Official CD Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_HC-B_Single.pdf\">February 5th, 2009</a> - HC-B Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Sleeping_Me_Signing.pdf\">January 30th, 2009</a> - Sleeping Me Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Jumpel-Deuxième_Bureau.pdf\">January 27th, 2009</a> - Jumpel\'s <em>Deuxième Bureau</em> Digital Pre-Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Hotels_Hydra_Single.pdf\">January 16th, 2009</a> - Hotels\' \'Hydra\' Single Release<em>.</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Hotels_Signing.pdf\">December 22nd, 2008</a> - Hotels Signing<em>.</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-East-West_Section_Label_Sampler.pdf\">December 20th, 2008</a> - HSR 4th Label Sampler Album East-West Section Release<em>.</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Jumpel-Quicken_Belts_Single.pdf\">December 17th, 2008</a> - Jumpel \'Quicken Belts\' Single Release<em>.</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Pres_%20Release-Ghost_In_The_Water-Cardinal_Red_EP.pdf\">December 16th, 2008</a> - Ghost In The Water Cardinal Red EP Release<em>.</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Sankt_Otten_Tiefgang_EP.pdf\">December 11th, 2008</a> - Sankt Otten Tiefgang EP Release<em>.</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-HC-B_Signing.pdf\">December 4th, 2008</a> - HC-B Signing<em>.</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Slow_Beings-Nil_By_Rote_Single.pdf\">December 3rd, 2008</a> - The Slow Beings \'Nil By Rote\' Single Release<em>.</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-City_Of_Satellites_EP.pdf\">November 25th, 2008</a> - City Of Satellites <em>The Spook</em> EP Release<em>.</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Fall_Electric_Measure_And_Step.pdf\">November 11th, 2008</a> - Fall Electric <em>Measure And Step </em>Album Release<em>.</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-RLVL_Album.pdf\">October 30th, 2008</a> - RL/VL <em>Chagrin </em>Album Release<em>.</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-City_Of_Satellites_Single.pdf\">October 23rd, 2008</a> - City Of Satellites \'Moon In The Sea\' single Release<em>.</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Fall_Electric_Single.pdf\">October 14th, 2008</a> - Fall Electric \'Faithless Friend\' single Release<em>.</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-RLVL_Single_Release.pdf\">October 1st, 2008</a> - RL/VL \'Kweens\' single Release<em>.</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Sankt_Otten_Eine_Kleine_Traurigkeit.pdf\">September 23rd, 2008</a> - Sankt Otten <em>Eine Kleine Traurigkeit</em> Album Re-Release<em>.\n</em></li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-City_Of_Satellites_Signing.pdf\">September 12th, 2008</a> - City Of Satellites Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Rich_Bennett_Music_for_Underwater_Supermarkets.pdf\">September 9th, 2008</a> - Rich Bennett <em>Music For Underwater Supermarkets</em> Mini Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-RLVL_Signing.pdf\">September 1st, 2008</a> - RL/VL Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-My_Majetsic_Star_Too_Late_The_Day_Album.pdf\">August 26th, 2008</a>- My Majestic Star <em>Too Late, The Day</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Sankt_Otten_Single.pdf\">August 19th, 2008</a>- Sankt Otten ‘Fernfahrer’ Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Rich_Bennet_Single.pdf\">August 12th, 2008</a>- Rich Bennett \'Aisle 8: The Underwater Supermarket\' single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-My_Majestic_Star_Single_Release.pdf\">July 31st, 2008</a>- My Majestic Star \'and having a reason why\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Fall_Electric_Signing.pdf\">July 29th, 2008</a>- Fall Electric Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Priest_Lake_Circa_88.pdf\">July 22nd, 2008</a>- Slow Dancing Society <em>Priest Lake Circa \'88</em> Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Iretsu_EP_Release.pdf\">July 8th, 2008</a>- Iretsu <em>Name our Numbers, Numbers</em> EP Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Slow_Beings_CD_Release.pdf\">June 26th, 2008</a>- The Slow Beings <em>We Know Why The Earth Moves</em> CD Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Sankt_Otten_US_CD_Release.pdf\">June 20th, 2008</a>- Sankt Otten <em>Wunden Gibt Es Immer Wieder</em> US CD Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society_Single.pdf\">June 17th, 2008</a>- Slow Dancing Society \'A Warm Glow\' single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Iretsu_Single_Release.pdf\">June 5th, 2008</a>- Iretsu \'Name our Numbers, Numbers\' single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Slow_Beings_Debut_Album_Pre-Release.pdf\">May 20th, 2008</a> - The Slow Beings Album \'We Know Why The Earth Moves\' Digital Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Slow_Beings_Single.pdf\">April 22nd, 2008</a> - The Slow Beings \'I Waste The Sea\' single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Ghost_In_The_Water_Album.pdf\">April 8th, 2008</a> - Ghost In The Water <em>Tooth</em> Released.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Monocle_Outer_Sunset_Tonevendor_Distribution.pdf\">April 8th, 2008</a> - Monocle\'s <em>Outer Sunset</em> Tonevendor distribution.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Slow_Beings_Signing.pdf\">March 28th, 2008</a> - The Slow Beings Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Toby_Richardson_Evergreen.pdf\">March 11th, 2008</a> - Toby Richardson <em>Evergreen </em>Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-New_Jumpel_Music_Video.pdf\">March 6th, 2008</a> - Jumpel \'Cleo\' Music Video Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Colour_Kane_Music_Video.pdf\">March 4th, 2008</a> - Colour Kane \'Broken\' Music Video Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Ghost_In_The_Water_Single.pdf\">February 28th, 2008</a> - Ghost In The Water \'Clean Sinks and Folded Laundry\' Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_Tangled_Star-Our_Man_in_Eden_Hill.pdf\">February 26th, 2008</a> - Tangled Star <em>Our Man in Eden Hill</em> EP Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Ghost_in_the_Water_Signing.pdf\">February 22th, 2008</a> - Ghost In The Water Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Monocle_Outer_Sunset_CD_Release.pdf\">January 18th, 2008</a> - Monocle <em>Outer Sunset</em> CD Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-New_Tangled_Star_Single.pdf\">December 13th, 2007</a> - Tangled Star <em>tosleepingpeople</em> Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-New_Sankt_Otten_Album.pdf\">December 11th, 2007</a> - Sankt Otten Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Retail_Sectors_Mini_Album.pdf\">December 4th, 2007</a> - The Retail Sectors Mini Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Monocle_Outer_Sunset_Release.pdf\">November 27th, 2007</a> - Monocle Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Glassacre_Single.pdf\">November 22nd, 2007</a> - Glassacre Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Toby_Richardson_Single.pdf\">November 20th, 2007</a> - Toby Richardson Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-New_Slow_Dancing_Society_Album.pdf\">November 6th, 2007</a> - Slow Dancing Society Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Bury_the_Sound_and_Glassacre_CD_Re-Releases.pdf\">November 1st, 2007</a> - Bury the Sound and Glassacre US CD Re-Releases.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-New_Sankt_Otten_Single_and_Video_Release.pdf\">October 30th, 2007</a> - Sankt Otten Single and Video Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Retail_Sectors_Signing.pdf\">October 20th, 2007</a> - The Retail Sectors Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Iretsu_Album_Release.pdf\">October 9th, 2007</a> - Iretsu Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Iretsu_Signing.pdf\">September 18th, 2007</a> - Iretsu Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-HSR_Exclusive_CD_Re-Releases.pdf\">September 10th, 2007</a> - HSR Exclusive US CD Re-Releases.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Beautiful_Lunar_Landscape_EP.pdf\">September 4th, 2007</a> - Beautiful Lunar Landscape EP Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Cheekbone_EP_Release.pdf\">August 21st, 2007</a> - Cheekbone EP Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Monocle_Signing.pdf\">August 17th, 2007</a> - Monocle Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Jumpel_Album.pdf\">August 7th, 2007</a> - Jumpel Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press-Release-Beautiful_Lunar_Landscape_Signing.pdf\">July 24th, 2007</a> - Beautiful Lunar Landscape Signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Chris_Mason_Restless_Album_Release.pdf\">July 17th, 2007</a> - Chris Mason Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Jumpel_and_Cheekbone_Signings.pdf\">July 9th, 2007</a> - Jumpel and Cheekbone Signings.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Chris_Mason_Single.pdf\">July 6th, 2007</a> - Chris Mason Single Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Bury_the_Sound_EP_Release.pdf\">July 3rd, 2007</a> - Bury the Sound EP Official Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Bury_the_Sound_EP_Pre-Release.pdf\">June 21st, 2007</a> - Bury the Sound EP Pre-Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Bury_The_Sound_Signing.pdf\">May 16th, 2007</a> - Bury the Sound label signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-HSR_Turns_1.pdf\">May 1st, 2007</a> - HSR 1st Birthday and 2nd Sampler Album Release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Colour_Kane_Official_AlbumRelease.pdf\">Apr 24th, 2007</a> - Colour Kane album official release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wes_Willenbring_Official%20_Album_Release.pdf\">Mar 27th, 2007</a> - Wes Willenbring album official release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Colour_Kane_Album_Pre-Release.pdf\">Mar 20th, 2007</a> - Colour Kane album pre-release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wes_Willenbring_PreRelease.pdf\">Feb 26th, 2007</a> - Wes Willenbring album pre-release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-My_Majestic_Star_EP_Release.pdf\">Feb 15th, 2007</a> - My Majestic Star official ep release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wes_Willenbring_Signing.pdf\">Feb 12th, 2007</a> - Wes Willenbring label signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Sank_Otten_Album_Official_Release.pdf\">Feb 6th, 2007</a> - Sankt Otten official album release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Tangled_Star_Mini_Album.pdf\">Feb 1st, 2007</a> - Tangled Star official album release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Colour_Kane_Single.pdf\">Jan 30th, 2007</a> - Colour Kane single release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Dilatazione_Album.pdf\">Jan 26th, 2007</a> - Dilatazione official album release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Colour_Kane_Signing.pdf\">Jan 26th, 2007</a> - Colour Kane label signing.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society_Album.pdf\">Jan 22nd, 2007</a> - Slow Dancing Society official album release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Hero_Cycle_EP.pdf\">Jan 16th, 2007</a> - The Hero Cycle ep release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Pre-Release_Sank_Otten_Album.pdf\">Jan 10th, 2007</a> - Sankt Otten album pre-release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_15th_Dec.pdf\">Dec 15th, 2006</a> - The Hero Cycle single release.</li>\n	<li><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_12th_Dec.pdf\">Dec 12th, 2006</a> - The Hero Cycle label signing.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_6th_Dec.pdf\" target=\"_blank\">Dec 6th, 2006</a> - Sankt Otten single release.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_4th_Dec.pdf\" target=\"_blank\">Dec 4th, 2006</a> - My Majestic Star ep pre-release.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_27th_Nov.pdf\" target=\"_blank\">Nov 27th, 2006</a> - Moongoat ep pre-release.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_23rd_Nov.pdf\" target=\"_blank\">Nov 23rd, 2006</a> - Sankt Otten label signing.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_20th_Nov.pdf\" target=\"_blank\">Nov 20th, 2006</a> - Tangled Star \"It\'s Now or Later\" pre-release.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_14th_Nov.pdf\" target=\"_blank\">Nov 14th, 2006</a> - Moongoat label signing.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_11th_Nov.pdf\" target=\"_blank\">Nov 11th, 2006</a> - Dilatazione \"Too Emotional For Maths\" pre-release.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_8th_Nov.pdf\" target=\"_blank\">Nov 8th, 2006</a> - Tangled Star label signing.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_6th_Nov.pdf\" target=\"_blank\">Nov 6th, 2006</a> - Slow Dancing Society \"The Sound Of Lights When Dim\" pre-release.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_3rd_Nov.pdf\" target=\"_blank\">Nov 3rd, 2006</a> - Dilatazione label signing.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_26th_Oct.pdf\" target=\"_blank\">October 26th, 2006</a> - Slow Dancing Society label signing.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_24th_Oct.pdf\" target=\"_blank\">October 24th, 2006</a> - Enargeia \"Gulag! 25.9.98\" live release.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_18th_July.pdf\" target=\"_blank\">July 18th, 2006</a> - Toby Richardson \"Golden Days\" ep release and Itunes distribution deal.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_8th_June.pdf\" target=\"_blank\">June 8th, 2006</a> - Label sampler album release, Enargeia \"UFO: Stryker Force\" release and Glassacre \"Slow Attack\" release.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_9th_May.pdf\" target=\"_blank\">May 9th, 2006</a> - Holding Pattern \"Motor Eye\" release, Chris Mason \"Up Down Up\" release.</li>\n	<li><a title=\"PressRelease\" href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_2_May.pdf\" target=\"_blank\">May 2nd, 2006</a> - Label launch, Wayne Harriss \"Aerospace\" release and My Majestic Star \"Ideas Are The Answer\" release.</li>\n</ul>','HSR Press Releases','','draft','closed','open','','press','','','2014-07-25 02:58:04','2014-07-25 02:58:04','',0,'http://music.hiddenshoal.com/press/',0,'page','',0),(186,1,'2006-11-19 13:30:54','2006-11-19 13:30:54','So how about we divide this up into website sections? As in:\n<table width=\"100%\" cellpadding=\"4\" border=\"0\">\n<tr>\n<td>\n<h2>HSP</h2>\n</td>\n<td><strong> Date started</strong></td>\n<td><strong>Due Date</strong></td>\n<td><strong> Status</strong></td>\n<td><strong>Führer</strong></td>\n</tr>\n<tr>\n<td valign=\"top\">Develop Smart Drop Down XPSF Playlist System</td>\n<td valign=\"top\">asap</td>\n<td valign=\"top\">December</td>\n<td valign=\"top\"></td>\n<td>mal/cam</td>\n</tr>\n<tr>\n<td>\n<h2>Recordings</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td>Write xspf player embeds as js + revamp graphics</td>\n<td>asap</td>\n<td>Late nov</td>\n<td>Pending</td>\n<td>mal/stu</td>\n</tr>\n<tr>\n<td>Look at Email Subscription - Create Email List as opposed to Wp System and send weekly/monthly newsletters</td>\n<td>asap</td>\n<td>Late Nov</td>\n<td>&nbsp;</td>\n<td>mal/cam</td>\n</tr>\n<tr>\n<td>Create Email Subscribe Banner for HSR Myspace</td>\n<td>asap</td>\n<td>Late Nov</td>\n<td>&nbsp;</td>\n<td>cam/mal</td>\n</tr>\n<tr>\n<td>\n<h2>Artists</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td valign=\"top\">Links page swap pics for banner pics</td>\n<td valign=\"top\">asap</td>\n<td>Early dec</td>\n<td valign=\"top\"><font color=\"#00cc00\">Done</font></td>\n<td valign=\"top\">mal/stu</td>\n</tr>\n<tr>\n<td>\n<h2>Store</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td valign=\"top\"></td>\n<td valign=\"top\"></td>\n<td valign=\"top\"></td>\n<td valign=\"top\"></td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td>\n<h2>eZine</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td>Update Mu server to full version 1.0 (will include writing a few bug fixes tho)</td>\n<td valign=\"top\">--</td>\n<td valign=\"top\">xmas/ny</td>\n<td valign=\"top\">Pending</td>\n<td valign=\"top\">mal</td>\n</tr>\n<tr>\n<td>Install/trial global categories plugin</td>\n<td>--</td>\n<td>xmas/ny</td>\n<td>Pending</td>\n<td valign=\"top\">mal</td>\n</tr>\n<tr>\n<td>Install Mu Friends plugin</td>\n<td>--</td>\n<td>xmas/ny</td>\n<td>Pending</td>\n<td valign=\"top\">mal</td>\n</tr>\n<tr>\n<td>Reconfigure eZine front page layout - zine style</td>\n<td>asap</td>\n<td>Early Dec</td>\n<td>Pending</td>\n<td valign=\"top\">mal</td>\n</tr>\n<tr>\n<td>\n<h2>Forums</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td valign=\"top\">Either upgrade BBPress to use Mu userbase or install/trial Mu RsDiscuss</td>\n<td valign=\"top\">--</td>\n<td valign=\"top\">xmas/ny</td>\n<td valign=\"top\">Pending</td>\n<td valign=\"top\">mal</td>\n</tr>\n<tr>\n<td>\n<h2>Wiki</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td valign=\"top\"></td>\n<td valign=\"top\"></td>\n<td valign=\"top\"></td>\n<td valign=\"top\"></td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td>\n<h2>Friends</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td>Patch Friends page into HSR page template (add links via HSR WP page editor)</td>\n<td>--</td>\n<td>xmas/ny</td>\n<td>Pending</td>\n<td>mal</td>\n</tr>\n<tr>\n<td>\n<h2>Server</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td valign=\"top\">VPS purchase - start one month transition from shared host\n<ol>\n	<li>Configure nameservers</li>\n	<li>Install/secure firewall</li>\n	<li>Install Apache mod_security & gzip</li>\n	<li>Install eAccelerator</li>\n	<li>Install gd (add to php.ini)</li>\n	<li>Add wildcard dns</li>\n	<li>Add Apache wildcards</li>\n	<li>Start transfering WHM accounts</li>\n</ol>\n</td>\n<td valign=\"top\">Late jan</td>\n<td valign=\"top\">End feb</td>\n<td valign=\"top\">Pending</td>\n<td valign=\"top\">mal</td>\n</tr>\n</table>','ToDo','','draft','closed','closed','zeug#cambler@hsr','todo','','','2014-07-25 02:51:05','2014-07-25 02:51:05','',0,'http://music.hiddenshoal.com/todo/',0,'page','',0),(193,1,'2006-11-23 14:31:47','2006-11-23 14:31:47','Instructions for posting Imixes in other Itunes countries stores:\n<ol>\n	<li><span class=\"593145704-19102006\">Switch your store in Itunes to the Australian store (as the Imixes below are originally published in the Australian Itunes store).</span></li>\n	<li><span class=\"593145704-19102006\">Make  a new empty playlist in Itunes and give it the same name as the Imix you are about to publish (see list below).</span><span class=\"593145704-19102006\">\n</span></li>\n	<li><span class=\"593145704-19102006\">Clicked on  the link to the Imix below.</span></li>\n	<li><span class=\"593145704-19102006\">The Imix should come up in Itunes</span></li>\n	<li><span class=\"593145704-19102006\"><span class=\"593145704-19102006\">Select all the tracks  in the Imix and drag them into the empty playlist.</span></span></li>\n	<li><span class=\"593145704-19102006\">Change back  to the Itunes store country that you are in and log in as a customer</span></li>\n	<li><span class=\"593145704-19102006\">Then publish the Imix\nVoila!</span></li>\n</ol>\n<div><span class=\"593145704-19102006\">The only trouble you might have is if one or more of the tracks may not be available in the countries store you are trying to publish within. In that case you just need to replace that track with a similar one (your choice!).</span></div>\n<strong>The Imixes:</strong>\n\n<span style=\"font-weight: bold\">Australian Store</span>\n\n<a target=\"_blank\" href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=186228991&s=143460\">Indietronica </a>\n\n<a target=\"_blank\" href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=198434277&s=143460\">Acoustic Melancholia</a>\n\n<a target=\"_blank\" href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=194302049&s=143460\">Instrumental Post Rock</a>\n\n<a target=\"_blank\" href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=200764435&s=143460\">Alien Terrains</a>\n\n<a target=\"_blank\" href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=194053730&s=143460\">Indie Dreaming</a>\n\n<a target=\"_blank\" href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=200894467&s=143460\">Daydream Beats</a>\n\n<a target=\"_blank\" href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=176830344&s=143460\">Lofi Joy</a>\n\n<a target=\"_blank\" href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=205677546&s=143460\">guitars, machines and music</a>\n\n<a target=\"_blank\" href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=200373665&s=143460\">Bliss Pop</a>\n\n<a target=\"_blank\" href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=204301184&s=143460\">Indie Rock Road Movie</a>\n\n<a target=\"_blank\" href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=206612516&s=143460\">Invisible FIlms</a>\n\n<a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=204810589&s=143460\">New Dreampop Gazers</a>\n\n<a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=198294689&s=143460\">Dreaming Myself Awake</a>\n\n<a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=203423753&s=143460\">A Head Full Of Autumn </a>\n\n<a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=204301184&s=143460\">Indie Rock Road Movie</a>\n\n<a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=206502882&s=143460\">Best New Indie Pop</a>\n\n<a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=207323949&s=143460\">Sunday Morning Beats</a>\n\n<a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=205710385&s=143460\">English Summer Pop</a>\n\n<a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewIMix?id=204520091&s=143460\">Hot New Beats</a>\n\n<strong>Voting: </strong>','HSR Imixes','','draft','closed','open','','hsr-imixes','','','2014-07-25 02:58:04','2014-07-25 02:58:04','',0,'http://music.hiddenshoal.com/hsr-imixes/',0,'page','',0),(224,1,'2007-01-25 17:40:26','2007-01-25 17:40:26','<img src=\"http://www.hiddenshoal.com/wp-content/uploads/2007/01/colourkane_sml.jpg\" id=\"artist-img\" alt=\"Colour Kane\" width=\"180\" align=\"right\" height=\"135\" />\n<ul>\n	<li>About</li>\n	<li><a href=\"/cat/news/colour-kane-news/\">News</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/colour-kane-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-press\">Press Kits</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-sites\">Artist Sites</a></li>\n	<li><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=19\">Buy Music Releases</a></li>\n</ul>\n<p align=\"justify\">&nbsp;</p>\n“as magnificent a sampling of dream-pop as you’re likely to hear in this  lifetime” - Textura\n\nBelgian trio Colour Kane are a new breed of dream  popsters. Lush, cascading guitars and sweet soaring vocals are propelled by  driving bass and electronic beats as Colour Kane’s music draws a wonderful arc  that both defines and divides melancholy and bliss. Where so much dream pop is  described through aesthetic alone, their debut album <em>A Taste Of</em>  radiates atmosphere and shifting emotion, wrapped in jewelled blankets and honey  gauze.\n<h3>Releases:</h3>\n“<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=37\">Too Late (Glorybox Remix)</a>” Single, 2007. - <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=37\"><strong>Listen</strong></a><strong> </strong><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=37\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" alt=\" \" title=\" \" align=\"middle\" /></a>\n\n“<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=39\">A Taste Of</a>” Album, 2007. <font face=\"Verdana, Arial, Helvetica, sans-serif\">Cat #: HSR017</font>. - <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=39\"><strong>Listen</strong></a><strong> </strong><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=39\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" alt=\" \" title=\" \" align=\"middle\" /></a>','Colour Kane','','draft','closed','open','','colour-kane','','','2014-07-25 03:01:17','2014-07-25 03:01:17','',91,'http://music.hiddenshoal.com/colour-kane/',0,'page','',0),(231,1,'2007-02-01 13:28:54','2007-02-01 13:28:54','<img id=\"artist-img\" title=\"Wes Willenbring\" src=\"/wp-content/uploads/wesprofile.jpg\" alt=\"Wes Willenbring\" align=\"right\" />\n<ul>\n	<li>About</li>\n	<li><a href=\"/cat/news/wes-willenbring/\">News</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/wes-willenbring-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-press\">Press</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-sites\">Artist Sites</a></li>\n	<li><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=20\">Buy Music Releases</a></li>\n</ul>\n\"Absolutely gorgeous. Dreamy dark meandering melancholia for fans of Stars Of The Lid, Eluvium, Dead Texan, Tim Hecker, Godspeed and other purveyors of darkly dramatic, abstract moody minimalism…\" – Aquarius Records\n\nWes Willenbring\'s songs revolve around the primary elements of guitar and piano, the sounds expertly disassembled, reconstructed and manipulated to create minimalist atmospheres that draw equally from the sounds and moods of Leonard Cohen, Erik Satie, Earth, Brian Eno, Coil, and others.\n<h3>Releases:</h3>\n\"<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&cPath=20&products_id=199\">Weapons Reference Manual</a>\" Album, 2012. Cat #: HSR086 -<strong> <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&cPath=20&products_id=199\"><strong>Listen</strong></a><strong> </strong><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&cPath=20&products_id=199\"><img title=\" \" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" alt=\" \" align=\"middle\" /></a>\n\n\'<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=20&amp;products_id=195\">\'Consequences of Recklessness\'</a> Single, 2012 - <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=20&amp;products_id=195\"> <strong> Listen</strong></a><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=20&amp;products_id=195\"><img title=\" \" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" alt=\" \" align=\"middle\" /></a>\n\n\"<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=20&amp;products_id=125\">Close, But Not Too Close</a>\" Album, 2009. Cat #: HSR058 -<strong> <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=20&amp;products_id=125\"><strong>Listen</strong></a><strong> </strong><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=20&amp;products_id=125\"><img title=\" \" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" alt=\" \" align=\"middle\" /></a></strong>\n\n\'<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=20&amp;products_id=120\">Oh, Most\'</a> Single, 2009 - <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=20&amp;products_id=120\"> <strong> Listen</strong></a><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=20&amp;products_id=120\"><img title=\" \" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" alt=\" \" align=\"middle\" /></a>\n\n“<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=38\">Somewhere Someone Else</a>” Album, 2007. Cat #: HSR018 -<strong> <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=38\"><strong>Listen</strong></a><strong> </strong><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=38\"><img title=\" \" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" alt=\" \" align=\"middle\" /></a></strong>','Wes Willenbring','','draft','closed','closed','','wes-willenbring','','','2014-07-25 02:49:12','2014-07-25 02:49:12','',91,'http://music.hiddenshoal.com/artists/wes-willenbring/',0,'page','',0),(239,1,'2007-02-14 14:32:14','2007-02-14 14:32:14','<!--lazy-k-gallery-->','Galleries','','draft','closed','closed','','galleries','','','2014-07-25 03:00:05','2014-07-25 03:00:05','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?page_id=239',0,'page','',0),(242,1,'2007-02-14 15:18:07','2007-02-14 15:18:07','list artists bio links','Biographies','','draft','closed','open','','biographies','','','2014-07-25 03:01:56','2014-07-25 03:01:56','',0,'http://music.hiddenshoal.com/biographies/',0,'page','',0),(281,1,'2007-04-25 18:41:43','2007-04-25 18:41:43','<strong><a href=\"http://music.hiddenshoal.com\">Hidden Shoal Recordings Radio</a>. <a href=\"http://www.myspace.com/hiddenshoal\">Get this player</a>.</strong><object width=\"400\" height=\"210\" align=\"middle\" type=\"application/x-shockwave-flash\" data=\"http://www.hiddenshoal.com/wp-content/plugins/xspf_player/myspace_hsr_free_radio.swf?autoload=true&amp;autoplay=false&amp;repeat_playlist=true&amp;playlist_url=http://www.hiddenshoal.com/wp-content/plugins/xspf_player/playlist.php?cat=14\">\n<param name=\"allowScriptAccess\" value=\"never\" />\n<param name=\"allowNetworking\" value=\"internal\" />\n<param name=\"movie\" value=\"http://www.hiddenshoal.com/wp-content/plugins/xspf_player/myspace_hsr_free_radio.swf?autoload=true&amp;autoplay=false&amp;repeat_playlist=true&amp;playlist_url=http://www.hiddenshoal.com/wp-content/plugins/xspf_player/playlist.php?cat=14\" /></object></p>','Temp Dev','','draft','closed','open','','temp-dev','','','2014-07-25 02:52:55','2014-07-25 02:52:55','',0,'http://music.hiddenshoal.com/temp-dev/',0,'page','',0),(294,1,'2007-04-28 14:20:14','2007-04-28 14:20:14','<img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/chris%20_mason/bnr1web_ready.jpg\" alt=\"Chris Mason\" id=\"artist-img\" align=\"right\" height=\"139\" width=\"181\" />\n<ul>\n	<li><a href=\"/artists/chris-mason\">About</a></li>\n	<li><a href=\"/cat/news/chris-mason/\">News</a></li>\n	<li><a href=\"/artists/chris-mason/chris-mason-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/chris-mason-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/chris-mason/chris-mason-gallery/\">Gallery</a></li>\n	<li>Press Kits</li>\n	<li><a href=\"/artists/chris-mason/chris-mason-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/chris-mason/chris-mason-music\">Buy Music Releases</a></li>\n</ul>\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Chris_Mason_Single.pdf\" target=\"_blank\">Fast and Furious Single Release</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Chris_Mason_Restless_Album_Release.pdf\" target=\"_blank\">Restless Album Release</a>','Chris Mason Press','','draft','closed','open','','chris-mason-press','','','2014-07-25 03:01:56','2014-07-25 03:01:56','',91,'http://music.hiddenshoal.com/artists/chris-mason/chris-mason-press/',0,'page','',0),(295,1,'2007-04-28 14:21:29','2007-04-28 14:21:29','<img width=\"181\" height=\"139\" align=\"right\" alt=\"Chris Mason\" id=\"artist-img\" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/chris%20_mason/bnr1web_ready.jpg\" />\n<ul>\n	<li><a href=\"/artists/chris-mason\">About</a></li>\n	<li><a href=\"/cat/news/chris-mason/\">News</a></li>\n	<li><a href=\"/artists/chris-mason/chris-mason-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/chris-mason-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/chris-mason/chris-mason-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/chris-mason/chris-mason-press\">Press Kits\n</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"/artists/chris-mason/chris-mason-music\">Buy Music Releases</a></li>\n</ul>\n<font color=\"#000000\">.</font>\n\n<strong>You can also find Chris Mason at the following sites:</strong>\n<table border=\"0\">\n<tr>\n<td><a target=\"_blank\" title=\"Chris Mason at Myspace\" href=\"http://www.myspace.com/chrismasonimplosion\"><img alt=\"Chris Mason at Myspace\" title=\"Chris Mason at Myspace\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" /></a></td>\n<td><a title=\"Chris Mason at Imeem\" target=\"_blank\" href=\"http://chrismason.imeem.com/\"><img alt=\"Chris Mason at Imeem\" title=\"Chris Mason at Imeem\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/imeem.jpg\" /></a></td>\n<td><a title=\"Chris Mason at Bebo\" target=\"_blank\" href=\"http://chrismasonimplosion.bebo.com\"><img alt=\"Chris Mason at Bebo\" title=\"Chris Mason at Bebo\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/bebo.gif\" /></a></td>\n</tr>\n<tr>\n<td><a title=\"Chris Mason at Tagworld\" target=\"_blank\" href=\"http://www.tagworld.com/chrismason\"><img alt=\"Chris Mason at Tagworld\" title=\"Chris Mason at Tagworld\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/TagWorldBanner.gif\" /></a></td>\n<td><a target=\"_blank\" title=\"Chris Mason at Last FM\" href=\"http://www.last.fm/music/Chris+Mason\"><img alt=\"Chris Mason at Last FM\" title=\"Chris Mason at Last FM\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/lastfm.gif\" /></a></td>\n<td>&nbsp;</td>\n</tr>\n</table>','Chris Mason Sites','','draft','closed','open','','chris-mason-sites','','','2014-07-25 03:01:17','2014-07-25 03:01:17','',91,'http://music.hiddenshoal.com/artists/chris-mason/chris-mason-sites/',0,'page','',0),(321,1,'2007-04-28 16:40:34','2007-04-28 16:40:34','<img width=\"180\" height=\"135\" align=\"right\" id=\"artist-img\" alt=\"Colour Kane\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2007/01/colourkane_sml.jpg\" />\n<ul>\n	<li><a href=\"/artists/colour-kane\">About</a></li>\n	<li><a href=\"/cat/news/colour-kane-news/\">News</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/colour-kane-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-press\">Press Kits</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-sites\">Artist Sites</a></li>\n	<li>Buy Music Releases</li>\n</ul>\n<h3>Buy Colour Kane Releases at the following stores:</h3>\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&cPath=19\"> <img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/hsr_store.jpg\" /></a><a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=218427097\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/itunes.jpg\" /></a><a href=\"http://www.emusic.com/artist/11766/11766876.html\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/emusic.gif\" /></a> <a target=\"_blank\" href=\"http://musicstore.connect.com/artist/277/Colour-Kane/30157549.html\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/Sony.gif\" /> </a><a href=\"http://www.rhapsody.com/colourkane\"><img vspace=\"0\" hspace=\"0\" border=\"0\" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/rhapsody.jpg\" /></a>','Colour Kane Music','','draft','closed','open','','colour-kane-music','','','2014-07-25 03:01:17','2014-07-25 03:01:17','',224,'http://music.hiddenshoal.com/artists/colour-kane/colour-kane-music/',0,'page','',0),(322,1,'2007-04-28 16:41:51','2007-04-28 16:41:51','<img src=\"http://www.hiddenshoal.com/wp-content/uploads/2007/01/colourkane_sml.jpg\" id=\"artist-img\" alt=\"Colour Kane\" width=\"180\" align=\"right\" height=\"135\" />\n<ul>\n	<li><a href=\"/artists/colour-kane\">About</a></li>\n	<li><a href=\"/cat/news/colour-kane-news/\">News</a></li>\n	<li>Bio</li>\n	<li><a href=\"/cat/reviews/colour-kane-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-press\">Press Kits</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-sites\">Artist Sites</a></li>\n	<li><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=19\">Buy Music Releases</a></li>\n</ul>\nColour Kane developed from the seeds of Abricot, comprising Belgian music scene  veterans Bruno Kimpe and Joeri Gydé. The pair teamed up with vocalist Marjan  Snykers, and Colour Kane was born. The band’s music soon found legendary Cocteau  Twin Robin Guthrie, who offered his support, ultimately leading to the band  supporting Robin during his Lumière shows in Belgium.\n\nColour Kane’s debut  album <em>A Taste Of</em> features a Robin Guthrie remixed track,  ‘Seaside Dream’, and the single \'Too Late\', remixed by Swedish producer and  driving force behind Glorybox, Fredrik Johansson. Laden with honey-coated,  magisterial guitars, sweeping electronics and lush vocals, <em>A Taste Of</em>  finds that unique emotive space where sonic majesty and melodic craftsmanship  paint the sky with a rich and immersive melancholy.\n<h3></h3>','Colour Kane Bio','','draft','closed','open','','colour-kane-bio','','','2014-07-25 03:01:17','2014-07-25 03:01:17','',224,'http://music.hiddenshoal.com/artists/colour-kane/colour-kane-bio/',0,'page','',0),(323,1,'2007-04-28 16:44:23','2007-04-28 16:44:23','<img src=\"http://www.hiddenshoal.com/wp-content/uploads/2007/01/colourkane_sml.jpg\" alt=\"Colour Kane\" id=\"artist-img\" width=\"180\" align=\"right\" height=\"135\" />\n<ul>\n	<li><a href=\"/artists/colour-kane\">About</a></li>\n	<li><a href=\"/cat/news/colour-kane-news/\">News</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/colour-kane-reviews/\">Reviews</a></li>\n	<li>Gallery</li>\n	<li><a href=\"/artists/colour-kane/colour-kane-press\">Press Kits</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-sites\">Artist Sites</a></li>\n	<li><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=19\">Buy Music Releases</a></li>\n</ul>\n<!--lazy-k-gallery:subgallery=Colour Kane-->','Colour Kane Gallery','','draft','closed','open','','colour-kane-gallery','','','2014-07-25 03:01:17','2014-07-25 03:01:17','',224,'http://music.hiddenshoal.com/artists/colour-kane/colour-kane-gallery/',0,'page','',0),(324,1,'2007-04-28 16:46:36','2007-04-28 16:46:36','<img src=\"http://www.hiddenshoal.com/wp-content/uploads/2007/01/colourkane_sml.jpg\" id=\"artist-img\" alt=\"Colour Kane\" width=\"180\" align=\"right\" height=\"135\" />\n<ul>\n	<li><a href=\"/artists/colour-kane\">About</a></li>\n	<li><a href=\"/cat/news/colour-kane-news/\">News</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/colour-kane-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-gallery/\">Gallery</a></li>\n	<li>Press Kits</li>\n	<li><a href=\"/artists/colour-kane/colour-kane-sites\">Artist Sites</a></li>\n	<li><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=19\">Buy Music Releases</a></li>\n</ul>\n<font color=\"#000000\">.</font>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Colour_Kane_Signing.pdf\" target=\"_blank\"><strong>Press Releases (PDF Format)</strong></a>\n<blockquote><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Colour_Kane_Signing.pdf\" target=\"_blank\">Colour Kane Signing</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Colour_Kane_Single.pdf\" target=\"_blank\">Too Late Single Release</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Colour_Kane_Official_AlbumRelease.pdf\" target=\"_blank\">A Taste Of Album Release</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Colour_Kane_Music_Video.pdf\" target=\"_blank\">Broken Music Video Release</a></blockquote>','Colour Kane Press','','draft','closed','open','','colour-kane-press','','','2014-07-25 03:01:17','2014-07-25 03:01:17','',224,'http://music.hiddenshoal.com/artists/colour-kane/colour-kane-press/',0,'page','',0),(325,1,'2007-04-28 16:48:27','2007-04-28 16:48:27','<img src=\"http://www.hiddenshoal.com/wp-content/uploads/2007/01/colourkane_sml.jpg\" id=\"artist-img\" alt=\"Colour Kane\" width=\"180\" align=\"right\" height=\"135\" />\n<ul>\n	<li><a href=\"/artists/colour-kane\">About</a></li>\n	<li><a href=\"/cat/news/colour-kane-news/\">News</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/colour-kane-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/colour-kane/colour-kane-press\">Press Kits</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=19\">Buy Music Releases</a></li>\n</ul>\n<font color=\"#000000\">.</font>\n\n<strong>You can also find Colour Kane at the following sites:</strong>\n<table border=\"0\">\n<tr>\n<td><a href=\"http://colourkane.com/\" title=\"Colour Kane Websiite\" target=\"_blank\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/ckweb.gif\" title=\"Colour Kane Website\" alt=\"Colour Kane Website\" /></a></td>\n<td><a href=\"http://www.myspace.com/colourkane\" title=\"Colour Kane at Myspace\" target=\"_blank\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" title=\"Myspace\" alt=\"Myspace\" /></a></td>\n<td><a href=\"http://colourkane.bebo.com\" target=\"_blank\" title=\"Colour Kane at Bebo\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/bebo.gif\" title=\"Bebo\" alt=\"Bebo\" /></a></td>\n</tr>\n<tr>\n<td><a href=\"http://colourkane.imeem.com\" target=\"_blank\" title=\"Colour Kane at Imeem\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/imeem.jpg\" title=\"Imeem\" alt=\"Imeem\" /></a></td>\n<td><a href=\"http://www.last.fm/music/colour+kane\" title=\"Last FM\" target=\"_blank\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/lastfm.gif\" alt=\"Last FM\" /></a></td>\n<td></td>\n</tr>\n</table>','Colour Kane Sites','','draft','closed','open','','colour-kane-sites','','','2014-07-25 03:01:17','2014-07-25 03:01:17','',224,'http://music.hiddenshoal.com/artists/colour-kane/colour-kane-sites/',0,'page','',0),(326,1,'2007-04-28 16:59:13','2007-04-28 16:59:13','<img width=\"180\" height=\"236\" align=\"right\" id=\"artist-img\" alt=\"CSR\" src=\"/wp-content/uploads/File/csr/shady_island.jpg\" />\n<ul>\n	<li><a href=\"/artists/csr\">About</a></li>\n	<li><a href=\"/cat/news/csr/\">News</a></li>\n	<li><a href=\"/artists/csr/csr-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/csr-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/csr/csr-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/csr/csr-press\">Press Kits</a></li>\n	<li><a href=\"/artists/csr/csr-sites\">Artist Sites</a></li>\n	<li>Buy Music Releases</li>\n</ul>\n<h3>Buy CSR Releases at the following stores:</h3>\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&cPath=2\"> <img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/hsr_store.jpg\" /></a>','CSR Music','','draft','closed','open','','csr-music','','','2014-07-25 03:01:17','2014-07-25 03:01:17','',94,'http://music.hiddenshoal.com/artists/csr/csr-music/',0,'page','',0),(327,1,'2007-04-28 17:00:30','2007-04-28 17:00:30','<img width=\"180\" height=\"236\" align=\"right\" alt=\"CSR\" id=\"artist-img\" src=\"/wp-content/uploads/File/csr/shady_island.jpg\" />\n<ul>\n	<li><a href=\"/artists/csr\">About</a></li>\n	<li><a href=\"/cat/news/csr/\">News</a></li>\n	<li>Bio</li>\n	<li><a href=\"/cat/reviews/csr-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/csr/csr-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/csr/csr-press\">Press Kits</a></li>\n	<li><a href=\"/artists/csr/csr-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/csr/csr-music\">Buy Music Releases</a></li>\n</ul>\nThe early ’90s. A kerosene heater, an 8-track, a bottle of Green Ginger Wine.  ‘Shady Island’ – Rick’s shed turned studio – five days a week, like a job, but  real. Improvising and editing, performing ambient noise gigs in pubs that should  have known better. People coming into the shed, leaving their traces for us to  paint with.\n\nThe Giant Chocolate Corpse and the time I reminded Rick of  George Hadling’s mother. Wailing cats living in delay pedals and an assisted  session called ‘Harvesting the Afterlife’. DAT tape and cassette tapes piling,  nothing released. Everything kept except compilations for friends. Sonic  accompaniment to experimental films, performed and recorded.\n\nNow the  return. Edit and mix all sixteen years. Start the next one. Open the door a  little wider.','CSR Bio','','draft','closed','open','','csr-bio','','','2014-07-25 03:01:17','2014-07-25 03:01:17','',94,'http://music.hiddenshoal.com/artists/csr/csr-bio/',0,'page','',0),(350,1,'2007-04-29 05:39:26','2007-04-29 05:39:26','<img width=\"180\" height=\"236\" align=\"right\" id=\"artist-img\" alt=\"CSR\" src=\"/wp-content/uploads/File/csr/shady_island.jpg\" />\n<ul>\n	<li><a href=\"/artists/csr\">About</a></li>\n	<li><a href=\"/cat/news/csr/\">News</a></li>\n	<li><a href=\"/artists/csr/csr-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/csr-reviews/\">Reviews</a></li>\n	<li>Gallery</li>\n	<li><a href=\"/artists/csr/csr-press\">Press Kits</a></li>\n	<li><a href=\"/artists/csr/csr-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/csr/csr-music\">Buy Music Releases</a></li>\n</ul>\n<!--lazy-k-gallery:subgallery=CSR-->','CSR Gallery','','draft','closed','open','','csr-gallery','','','2014-07-25 03:01:17','2014-07-25 03:01:17','',94,'http://music.hiddenshoal.com/artists/csr/csr-gallery/',0,'page','',0),(351,1,'2007-04-29 05:40:57','2007-04-29 05:40:57','<img width=\"180\" height=\"236\" align=\"right\" alt=\"CSR\" id=\"artist-img\" src=\"/wp-content/uploads/File/csr/shady_island.jpg\" />\n<ul>\n	<li><a href=\"/artists/csr\">About</a></li>\n	<li><a href=\"/cat/news/csr/\">News</a></li>\n	<li><a href=\"/artists/csr/csr-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/csr-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/csr/csr-gallery/\">Gallery</a></li>\n	<li>Press Kits</li>\n	<li><a href=\"/artists/csr/csr-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/csr/csr-music\">Buy Music Releases</a></li>\n</ul>\n<h3>Downloadable Press Kits Coming Soon!</h3>','CSR Press','','draft','closed','open','','csr-press','','','2014-07-25 03:01:17','2014-07-25 03:01:17','',94,'http://music.hiddenshoal.com/artists/csr/csr-press/',0,'page','',0),(352,1,'2007-04-29 05:42:25','2007-04-29 05:42:25','<img width=\"180\" height=\"236\" align=\"right\" id=\"artist-img\" alt=\"CSR\" src=\"/wp-content/uploads/File/csr/shady_island.jpg\" />\n<ul>\n	<li><a href=\"/artists/csr\">About</a></li>\n	<li><a href=\"/cat/news/csr/\">News</a></li>\n	<li><a href=\"/artists/csr/csr-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/csr-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/csr/csr-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/csr/csr-press\">Press Kits</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"/artists/csr/csr-music\">Buy Music Releases</a></li>\n</ul>\n<font color=\"#000000\">.</font>\n\n<font color=\"#000000\">.</font>\n\n<strong>You can also find CSR at the following sites:</strong>\n<table border=\"0\">\n<tr>\n<td><a target=\"_blank\" title=\"Myspace\" href=\"http://www.myspace.com/csrtheband\"><img alt=\"Myspace\" title=\"Myspace\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" /></a></td>\n<td><a title=\"Bebo\" target=\"_blank\" href=\"http://csr0.bebo.com\"><img alt=\"Bebo\" title=\"Bebo\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/bebo.gif\" /></a></td>\n<td><a title=\"Imeem\" target=\"_blank\" href=\"http://c-s-r.imeem.com/\"><img alt=\"Imeem\" title=\"Imeem\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/imeem.jpg\" /></a></td>\n</tr>\n<tr>\n<td><a title=\"Tagworld\" target=\"_blank\" href=\"http://www.tagworld.com/csr1\"><img alt=\"Tagworld\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/TagWorldBanner.gif\" /></a></td>\n<td><a target=\"_blank\" title=\"Last FM\" href=\"http://www.last.fm/music/CSR\"><img alt=\"Last FM\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/lastfm.gif\" /></a></td>\n<td>&nbsp;</td>\n</tr>\n</table>','CSR Sites','','draft','closed','open','','csr-sites','','','2014-07-25 03:01:17','2014-07-25 03:01:17','',94,'http://music.hiddenshoal.com/artists/csr/csr-sites/',0,'page','',0),(353,1,'2007-04-29 05:53:07','2007-04-29 05:53:07','<img width=\"180\" height=\"113\" align=\"right\" alt=\"Dilatazione\" id=\"artist-img\" src=\"/wp-content/uploads/dilatazionethumbnail.jpg\" />\n<ul>\n	<li><a href=\"/artists/dilatazione\">About</a></li>\n	<li><a href=\"/cat/news/dilatazione-news/\">News</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/dilatazione-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-press\">Press Kits</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-sites\">Artist Sites</a></li>\n	<li>Buy Music Releases</li>\n</ul>\n<h3>Buy Dilatazione Releases at the following stores:</h3>\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&cPath=14\"> <img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/hsr_store.jpg\" /></a><a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=172025400\"> </a><a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=206322973\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/itunes.jpg\" /></a><a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=172025400\"> </a><a target=\"_blank\" href=\"http://www.emusic.com/artist/11728/11728251.html\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/emusic.gif\" /></a> <a target=\"_blank\" href=\"http://musicstore.connect.com/artist/675/Dilatazione/30123232.html\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/Sony.gif\" /> </a><a href=\"http://www.rhapsody.com/dilatazione\"><img vspace=\"0\" hspace=\"0\" border=\"0\" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/rhapsody.jpg\" /></a>','Dilatazione Music','','draft','closed','open','','dilatazione-music','','','2014-07-25 03:00:32','2014-07-25 03:00:32','',169,'http://music.hiddenshoal.com/artists/dilatazione/dilatazione-music/',0,'page','',0),(354,1,'2007-04-29 05:54:36','2007-04-29 05:54:36','<img width=\"180\" height=\"113\" align=\"right\" alt=\"Dilatazione\" id=\"artist-img\" src=\"/wp-content/uploads/dilatazionethumbnail.jpg\" />\n<ul>\n	<li><a href=\"/artists/dilatazione\">About</a></li>\n	<li><a href=\"/cat/news/dilatazione-news/\">News</a></li>\n	<li>Bio</li>\n	<li><a href=\"/cat/reviews/dilatazione-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-press\">Press Kits</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-music\">Buy Music Releases</a></li>\n</ul>\nDilatazione was born in Italy in 1999 from a trio of instrumental cinephile  rockers. In 2002 their third demo, <em>Fotogrammi</em>, received enthusiastic  reviews from Italian newspapers, and fanzines like Blow up, Rockit, Sodapop, and  Movimenta. In 2003 a second guitarist joined the group, collaborating in the  composition of new songs and fleshing out their melodically complex  sound.\n\nThe band have played hundreds of concerts across Italy, developing  a formidable live reputation and integrating their performances with video. Over  the last two years, Dilatazione have also played at national and international  festivals like Sete Sois Sete Luas, No Silenz Fest, Cinema Blast, and Rockcalvi.\n\nDilatazione’s new album <em>Too Emotional For Maths</em>, released in  collaboration with Italian label Slowmotionpenguino, was recorded and mixed in  October 2005 at Alpha Dept Studio in Bologna by Amaury Cambuzat (Ulan  Bator/Faust) and Francesco Donadello (Giardini di Miro). Dilatazione’s Alessio  Gioffredi is now also the new drummer of Ulan Bator.','Dilatazione Bio','','draft','closed','open','','dilatazione-bio','','','2014-07-25 03:00:32','2014-07-25 03:00:32','',169,'http://music.hiddenshoal.com/artists/dilatazione/dilatazione-bio/',0,'page','',0),(355,1,'2007-04-29 05:55:51','2007-04-29 05:55:51','<img align=\"right\" title=\"Dilatazione\" id=\"artist-img\" alt=\"Dilatazione\" src=\"/wp-content/uploads/dilatazionethumbnail.jpg\" />\n<ul>\n	<li><a href=\"/artists/dilatazione\">About</a></li>\n	<li><a href=\"/cat/news/dilatazione-news/\">News</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/dilatazione-reviews/\">Reviews</a></li>\n	<li>Gallery</li>\n	<li><a href=\"/artists/dilatazione/dilatazione-press\">Press Kits</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-music\">Buy Music Releases</a></li>\n</ul>\n<!--lazy-k-gallery:subgallery=Dilatazione-->','Dilatazione Gallery','','draft','closed','open','','dilatazione-gallery','','','2014-07-25 03:00:32','2014-07-25 03:00:32','',169,'http://music.hiddenshoal.com/artists/dilatazione/dilatazione-gallery/',0,'page','',0),(356,1,'2007-04-29 05:57:05','2007-04-29 05:57:05','<img src=\"/wp-content/uploads/dilatazionethumbnail.jpg\" id=\"artist-img\" alt=\"Dilatazione\" align=\"right\" height=\"113\" width=\"180\" />\n<ul>\n	<li><a href=\"/artists/dilatazione\">About</a></li>\n	<li><a href=\"/cat/news/dilatazione-news/\">News</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/dilatazione-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-gallery/\">Gallery</a></li>\n	<li>Press Kits</li>\n	<li><a href=\"/artists/dilatazione/dilatazione-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-music\">Buy Music Releases</a></li>\n</ul>\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Dilatazione_Album.pdf\" target=\"_blank\">Too Emotional For Maths Album Release</a>','Dilatazione Press','','draft','closed','open','','dilatazione-press','','','2014-07-25 03:00:32','2014-07-25 03:00:32','',169,'http://music.hiddenshoal.com/artists/dilatazione/dilatazione-press/',0,'page','',0),(357,1,'2007-04-29 05:58:26','2007-04-29 05:58:26','<img align=\"right\" title=\"Dilatazione\" alt=\"Dilatazione\" id=\"artist-img\" src=\"/wp-content/uploads/dilatazionethumbnail.jpg\" />\n<ul>\n	<li><a href=\"/artists/dilatazione\">About</a></li>\n	<li><a href=\"/cat/news/dilatazione-news/\">News</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/dilatazione-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/dilatazione/dilatazione-press\">Press Kits</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"/artists/dilatazione/dilatazione-music\">Buy Music Releases</a></li>\n</ul>\n<font color=\"#000000\">.</font>\n\n<strong>You can also find Dilatazione at the following sites:</strong>\n<table border=\"0\">\n<tr>\n<td><a target=\"_blank\" title=\"Dilatazione Website\" href=\"http://www.dilatazione.org/\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/dilatazioneweb.gif\" /></a></td>\n<td><a title=\"Myspace\" target=\"_blank\" href=\"http://www.myspace.com/dilatazione\"><img title=\"Myspace\" alt=\"Myspace\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" /></a></td>\n<td><a target=\"_blank\" title=\"Bebo\" href=\"http://dilatazione.bebo.com/\"><img title=\"Bebo\" alt=\"Bebo\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/bebo.gif\" /></a></td>\n</tr>\n<tr>\n<td><a target=\"_blank\" title=\"Imeem\" href=\"http://dilatazione.imeem.com/\"><img title=\"Imeem\" alt=\"Imeem\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/imeem.jpg\" /></a></td>\n<td><a target=\"_blank\" title=\"Tagworld\" href=\"http://dilatazione.bebo.com/\"><img alt=\"Tagworld\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/TagWorldBanner.gif\" /></a></td>\n<td><a target=\"_blank\" title=\"Last FM\" href=\"http://www.last.fm/music/Dilatazione\"><img alt=\"Last FM\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/lastfm.gif\" /></a></td>\n</tr>\n</table>','Dilatazione Sites','','draft','closed','open','','dilatazione-sites','','','2014-07-25 03:00:32','2014-07-25 03:00:32','',169,'http://music.hiddenshoal.com/artists/dilatazione/dilatazione-sites/',0,'page','',0),(11630,1,'2015-01-13 14:19:10','2015-01-13 06:19:10','<img class=\"alignleft wp-image-10525 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"300\" height=\"172\" />Chloë March’s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. March\'s music inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic and there is no better testament to this than on her recently re-released album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a>. She has an innate ability to not only create music that is alive atmosphere and narrative but to also deftly create room in each work for the listener to posit themselves and become part of the musical tapestry. It\'s no wonder then she has been called upon to soundtrack a number of theatrical works across London. As part of our ongoing <a title=\"Sound and Scene\" href=\"http://www.hiddenshoal.com/features/sound-scene/\" target=\"_blank\">Sound and Scene</a> series Hidden Shoal\'s Cam Merton sat down with Chloë to talk about her favourite film soundtracks.\r\n\r\n&nbsp;\r\n\r\n<span style=\"color: #ffffff;\"><strong>John Harle: <em>A History of Britain</em> by Simon Schama</strong></span>\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë:</strong> I was blown away by this score when I first saw the series in 2000. <a title=\"John Harle\" href=\"http://www.johnharle.com/\" target=\"_blank\">John Harle</a> is a brilliant saxophonist and his score features his playing and also includes evocative arrangements of British folksongs performed by singers including <a title=\"Emma Kirkby\" href=\"http://www.emmakirkby.com/\" target=\"_blank\">Emma Kirkby</a>. This music made a deep impression on me and just seemed to work so well with the material and <a title=\"Simon Schama at Wikipedia\" href=\"http://en.wikipedia.org/wiki/Simon_Schama\" target=\"_blank\">Schama</a>’s dramatic storytelling style. There’s a lot of symbolism used in the imagery, rather than full-on historical re-enactments and the music works in the same way, with older instruments like pipes, flutes, harp and the fragments of folksong, conjuring these lost worlds and tapping into a kind of communal musical memory. Harle is great at drama, at one point his screeching sax underscoring shots of fires during the passages about the burning of heretics – it’s very eerie! The sheer variety of tone he can get from the sax too is phenomenal and he really plays with that across the series. Another thing I love about this soundtrack is the space in it – the programmes often have silence, both in the presentation and in the score itself – so there’s space to take in the narrative, the facts, the imagery, the emotion of the past.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Your mention of space here is key to any discussion on film scoring. It is an art and almost an alchemical process to be able to support and grow the narrative and vision with sound and music.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Yes – it must be so tempting to do too much and try to impose your own style, when what’s needed is something completely different or even nothing at all. I guess the composer needs to be incredibly sensitive about supporting that vision.\r\n\r\n&nbsp;\r\n\r\nHarle used to work in the National Theatre Music Department early on in his career and I think I can hear that theatre music vibe. A lot of the music that I heard growing up was theatre music being practised by my parents, who were both musicians at the Royal Shakespeare Theatre in Stratford, so I was hearing composers like Howard Blake, Ilona Sekacz and Stephen Warbeck a lot! I got used to hearing music and wondering what scene it was for, what atmosphere it was creating and how it was doing it. Musicians had to adapt to the demands of the productions, like my dad playing fanfares on animal horns instead of trumpets, and my mum, a classical pianist, having to learn the accordion, get her head around the Yamaha DX7 synth and, most entertainingly for the rest of us, the theremin. When I eventually studied drama at uni I wrote a lot of music for productions and really enjoyed that challenge of having to create a particular atmosphere in a very short time. Sometimes I find it’s great to be given instrumental constraints and very short time-frames to compose in, especially if the dramatic/visual material you have is powerful.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> That’s a really interesting point as I think that challenge has drawn a number of artists into crossing over into scoring for film. I can’t help but think of <a title=\"Clint Mansell\" href=\"http://www.clintmansell.com/\" target=\"_blank\">Clint Mansell</a> in this regard, who went from the chaotic pop maximalism of Pop Will Eat Itself to producing the gorgeous, restrained score to <a title=\"Moon\" href=\"https://www.youtube.com/watch?v=twuScTcDP_Q\" target=\"_blank\"><em>Moon </em></a>(amongst others, of course).\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Yes, it seems like limitations often bring out amazing and surprising creative results. I wonder if some artists are so drawn to film because as well as the challenge of it and wanting to develop as writers, there’s also this common discipline in some pop music of creating intense imagery and atmosphere. Not that other composers don’t do that, just that in pop you learn to do it within a very short time-frame, so to a pop artist being given a 90-minute film to score would seem like a luxuriously long amount of time to work with, but each cue has to create immediate atmosphere, so it also has that familiar discipline. But maybe also it’s easier in pop to put artists into boxes and not expect them to change what they do too much, so film-scoring would be incredibly liberating in that way too for someone who felt frustrated by that. It’s great also to discover that you can actually compose to a deadline if you’re used to spending years on an album like I am! That sense of urgency can sometimes generate wonderful creativity too.\r\n\r\n&nbsp;\r\n\r\nHarle has also described himself as ‘a romantic, both as a player and a composer’ and I think that’s a big part of why I’m so drawn to his music. There’s a strong modal component to this score, with the plainchant, the folksongs and the sax playing what sometimes sound like virtuosic jazz improvisations – and I’m very drawn to that modality too, it’s how I write my own songs. He uses a lot of pure tones, both with his sax playing and with the early music vocalists who use hardly any vibrato, and I’m really interested in the juxtaposition of these tones put together with lush, jazz-influenced harmony. I also have a strong classical foundation and love jazz harmony and folk melody, so it’s probably inevitable that I love Harle’s music! I didn’t think to try working with saxophone myself until my latest album, when Ted Watson, a superb musician, offered to play for me – so I was finally able to experiment with writing for and singing with soprano sax, which was just fantastic and a lovely new direction for me.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/141504756&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<h4><span style=\"color: #ffffff;\"><strong>Gabriel Yared: <em>The English Patient</em></strong></span></h4>\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I was a fan of <a title=\"Gabriel Yared\" href=\"http://www.gabrielyared.com\" target=\"_blank\">Gabriel Yared</a> before seeing this film as I’d fallen in love with the soundtrack he wrote for <a title=\"Betty Blue\" href=\"http://www.imdb.com/title/tt0090563/\" target=\"_blank\"><em>Betty Blue</em></a>, which I listened to for years before actually seeing the film. I think maybe the chemistry of Yared’s creative partnership with <a title=\"Anthony Minghella\" href=\"http://www.imdb.com/name/nm0005237/\" target=\"_blank\">Anthony Minghella</a> is a vital part of the magic of this score. When I discovered that Yared had been part of the filmmaking process right from the start it really made sense – there’s just a feeling that the music and the film developed together in a really organic way and that it’s all intensely driven by the emotion that’s at the heart of the film. Minghella said afterwards, ‘There was a sense of us being unusually connected’. He was a musician himself and also said that he approached his filmmaking ‘as much from musical form as conventional storytelling’ – which is really interesting. It was Minghella who suggested that Yared use the Aria from the Bach Goldberg Variations and also the incredibly beautiful, haunting Hungarian folksong sung by <a title=\"Márta Sebestyén Singing in The English Patient\" href=\"https://www.youtube.com/watch?v=rAUJgjxNGd8\" target=\"_blank\">Márta Sebestyén</a>.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> That kind of partnership between the creative drivers of vision and sound in films seems to be so natural and right it’s almost disappointing that it isn’t de rigueur in the film-making process. That’s not to say most directors wouldn’t have a pure vision (!) for the sonic and musical elements needed for the film, but having that collaborative partnership up front could sometimes bring so much more.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I totally agree. It’s been so interesting doing this feature finding that most of the soundtracks I really love have emerged from these partnerships. <a title=\"Joe Wright\" href=\"http://www.imdb.com/name/nm0942504/\" target=\"_blank\">Joe Wright</a> and <a title=\"Dario Marianelli (Pride and Prejudice Soundtrack)\" href=\"https://www.youtube.com/watch?v=TBT0VLFzaYo\" target=\"_blank\">Dario Marianelli </a>is another wonderful one. His score for <em>Pride and Prejudice</em> had to begin even before shooting started and ended up being a phenomenally successful soundtrack. I just don’t understand why music is sometimes added during the last few weeks of editing. Maybe it works for some films and for some composers who thrive on that challenge, but it seems like a wasted opportunity to me.\r\n\r\n&nbsp;\r\n\r\nI love the way that Yared uses the Bach, orchestrating it, and writing the most beautiful pastiche that adds a deeply romantic lushness, without sentimentalising it or sounding naff. A lot of my early learning of the piano involved playing Bach, so I feel like that music is an old friend. I’m really interested in pastiche and the difference between writing say a baroque-sounding piece or a piece that reminds you of baroque but also takes you somewhere else. When I was commissioned to compose a score for a re-working of a ballet by Kurt Jooss from the 1930s, the choreographer asked for a contemporary score that would still hark back to that era. I really wanted to evoke an atmosphere that hinted at the 1930s rather than write full-on pastiche, so I tried to get a sense of composers like Weill and Walton into the music by using certain rhythms and instrumentation and then actually used a few chords from Stravinsky’s ‘Petrushka’ – I knew I could never compose like Stravinsky, but using his chords really pushed me to write music that I never thought I could and definitely took me right out of my comfort zone.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Have you found that this need to conceptualise when approaching score work is something that feeds back into your work as an artist, or is it something innate in the way you approach music as a whole?\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I’m not sure if it feeds back, or if that’s just how I am – it’s mostly ideas that make me feel creative, so yeah, it probably is the way I approach my music. Except for improvising, when I play the piano to express something immediately and for as long as I want! I’m much more aware of what I’m doing as a songwriter now, but sometimes I’ll write and finish a song in a few hours, and sometimes in months, so it’s a different process every time. I do usually like to have an idea to form the music around though. Usually it’s an idea that comes packed with powerful emotion or imagery and that resonates with what I’m feeling and wanting to express. What I love is to create these self-contained little worlds and atmospheres, so I’m drawn to vivid symbolism and imagery and stories.\r\n\r\n&nbsp;\r\n\r\nIt feels to me that Juliette Binoche is the heart of this film and it’s her character who has the Bach theme – I think it makes her character’s experience feel timeless, as well as redemptive because Bach has that spiritual link to church music, but it’s also timeless in its humanity and beauty too. There’s so much suffering and tragedy in the different narratives, but hers has this gorgeous lightness and hope to it. The scene in the church where her lover Kip transports her around the walls on a rope to look at the frescoes with a flaming torch is just so beautiful. At the moment when Kip lifts her off the ground Yared uses pizzicato strings and then brings in his beautiful Bach pastiche in the bowed strings with harp gliss as well, and it’s just perfect for the scene. There’s such joy in that music, but there is also melancholy there and this heartbreaking fragility and lightness, so you know her joy is probably temporary and that it’s come after so much devastating loss. All the strands of creativity going on – the music, Binoche’s utterly beautiful acting, the way we lift off with her and the timing of the scene within the whole film – it just really gets me every time!\r\n<iframe src=\"//www.youtube.com/embed/aniXbKM3ez8?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n<h4><span style=\"color: #ffffff;\"><strong>Hans Zimmer: <em>Interstellar</em> (contains spoilers)</strong></span></h4>\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I’m quite surprised to find myself talking about <a title=\"Hans Zimmer\" href=\"http://www.hans-zimmer.com/\" target=\"_blank\">Hans Zimmer</a>. I wouldn’t really have put him as one of my top favourite film composers before, but this soundtrack did really take me over during the film and I found it very powerful stuff. It’s a combination of electronic elements with orchestra/choir/organ and piano. He had no less than six orchestrators working with him on this score and it really does sound like a massive team effort. I felt like I was just taken captive by this film and manipulated and spun off into all sorts of different emotional states – and the music was a huge part of that. It’s fantastically epic but also has a lot of tension and meditative space in it too and underpins the emotional core of the father/daughter relationship with its long separation, sense of loss and also deep love and connectedness. This theme is beautiful I think, a combination of quite cold, slightly threatening soundscape with what becomes a melancholy piano/organ piece. Apparently Zimmer composed the score over a period of two years alongside the director <a title=\"Christopher Nolan\" href=\"http://www.imdb.com/name/nm0634240/\" target=\"_blank\">Christopher Nolan</a> shooting/scripting the movie, so it sounds like another case of a strong emotional, creative connectedness between director and composer.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Considering the scope of this film it seems fitting to have such an involved and long-range approach to the score. You can’t help but appreciate the kind of nuances that can be afforded with such a long-term involvement in the musical and sonic aspects of the film.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Absolutely. I wonder if this kind of long-term involvement happens more in TV music where composers are on board for long series and really get to have that intense collaborative process – like <a title=\"Bear McCreary\" href=\"http://www.bearmccreary.com/\" target=\"_blank\">Bear McCreary</a> with <em>Battlestar</em>, or <a title=\"Jeff Beal\" href=\"http://www.jeffbeal.com/\" target=\"_blank\">Jeff Beal</a> with <em>House of Cards</em>. I really love both those soundtracks and also <a title=\"Frans Bak\" href=\"http://fransbak.com/\" target=\"_blank\">Frans Bak</a>’s score for <em>The Killing</em>. Even though they’re having to write extremely quickly, these composers are developing music alongside the show with this long development arc – it must be great to do.\r\n\r\n&nbsp;\r\n\r\nThe moment in the cinema when I thought ‘this music is just brilliant’ was the scene where Matthew McConaughey’s character is driving his car through the fields on his way to fly the spaceship and the music just rachets up notch by notch until it actually sounds like rocket-launching music while he’s still driving the car – it’s such a clever moment and just got me totally emotionally involved with the film from that point on. I love repetitive patterns in music, used a lot in film scores, and this one is one of the best examples of that kind of rhythmic instrumentation in the style of Reich or Glass, being built on and lushed out, that I’ve heard in a while.\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/125268635&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n&nbsp;\r\n<h4><span style=\"color: #ffffff;\"><strong>M83/Joseph Trapanese: <em>Oblivion</em> </strong></span></h4>\r\n&nbsp;\r\n\r\nAnother sci-fi, but I reckon this film is all about nostalgia and I think that’s probably why I really liked the soundtrack by <a title=\"M83\" href=\"http://ilovem83.com/\" target=\"_blank\">M83</a> and <a title=\"Joseph Trapanese\" href=\"http://joecomposer.com/\" target=\"_blank\">Joseph Trapanese</a>. There is beautifully futuristic imagery in this film, but the overall feel is one of almost unbearable melancholy and nostalgia I found. It’s partly the fact that it’s Tom Cruise in the lead, occasionally on a motorbike, giving this nostalgic tilt towards his movies of the ’80s, but it also made me think of <em>Blade Runner</em>. The soundtrack also triggers these references, as it’s so reminiscent of <a title=\"Tangerine Dream\" href=\"http://www.tangerinedream.org/\" target=\"_blank\">Tangerine Dream</a> and <a title=\"Vangelis\" href=\"http://elsew.com/\" target=\"_blank\">Vangelis</a>. There’s pastoralism too, as Cruise’s character goes back to his cabin by a lake on a pristine bit of Earth – it’s this gorgeous contrast with the post-apocalyptic bleakness of the destroyed land and the sharp shiny minimalist sky-pods they live in. Of course, when he goes back to his cabin it has his collection of vinyl records of Tangerine Dream and Blue Oyster Cult and he lies by the lake listening to Led Zeppelin and Procol Harum. It’s not just a yearning in the context of the film for a pre-war Earth-home, it feels like a heartfelt yearning of now for 20/30 years ago.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Perhaps the Tangerine Dream vinyl was a nod to the <em>Risky Business</em> soundtrack! The temporal mis-match of Cruise’s character’s nostalgic musical yearning is interesting – this would have been the music of his great great great grandparents, I assume. Yet the film-maker makes a choice to work with the audience’s collective musical notions of nostalgia. I guess it’s all part of the beautiful trickery that is cinema.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Ah yes, I hadn’t thought of that! It definitely worked on me, anyway! Nostalgia and music is so intriguing – seems that sometimes it’s within the music itself and sometimes triggered by it and all the cultural memories around it. I often actually feel nostalgic for eras and places I never even knew or went to, just through music – which is very strange! It happens when I hear film soundtracks from the ’50s and ’60s, for instance, or even jazz from the ’40s. I don’t really know what’s going on there, maybe that’s a common thing – I’m not sure!\r\n\r\n&nbsp;\r\n\r\nI’m really interested in the way that this synth-driven soundtrack is used as a kind of humanising element in the film – there is a lot of orchestration and piano motifs, but it’s when the synths have full rein that you feel really connected to Cruise’s character I think. Maybe it’s because we now have this long history of synth-centred music and it’s actually a warm familiar genre now and a communal memory for us, rather than the futuristic-seeming sound it was in the ’70s and ’80s. Now maybe it’s associated with a kind of technological innocence, which is a pretty strange thing. When I listened to Tangerine Dream as a teenager I just found it completely hypnotic, exciting and all-enveloping. The first time I actually played a synth was when I was 15 and my sister’s boyfriend left one in our house for a few weeks. I composed this soundtrack inspired by a sculpture that an artist in residence had made at school. It was a fantastic feeling to be able to access all the different pads and multi-track and get these really deep evocative sounds and I think that’s where my love-affair with making electronic music started.\r\n\r\n&nbsp;','Sound and Scene with Chloe March','','inherit','closed','closed','','11620-revision-v1','','','2015-01-13 14:19:10','2015-01-13 06:19:10','',11620,'http://www.hiddenshoal.com/11620-revision-v1/',0,'revision','',0),(367,1,'2007-04-29 06:57:46','2007-04-29 06:57:46','<p><img width=\"180\" height=\"154\" align=\"right\" alt=\"Holding Pattern\" id=\"artist-img\" src=\"/wp-content/uploads/File/holding_pattern/wayne_stu.jpg\" /></p>\n<ul>\n<li><a href=\"/artists/holding-pattern\">About</a></li>\n<li><a href=\"/cat/news/holding-pattern/\">News</a></li>\n<li><a href=\"/artists/holding-pattern/holding-pattern-bio\">Bio</a></li>\n<li><a href=\"/cat/reviews/holding-pattern-reviews/\">Reviews</a></li>\n<li><a href=\"/artists/holding-pattern/holding-pattern-gallery/\">Gallery</a></li>\n<li>Press</li>\n<li><a href=\"/artists/holding-pattern/holding-pattern-sites\">Artist Sites</a></li>\n<li><a href=\"/artists/holding-pattern/holding-pattern-music\">Buy Music Releases</a></li>\n</ul>\n<h3>Downloadable Pres Kits Coming Soon!</h3>\n','Motor Eye Press','','draft','closed','open','','holding-pattern-press','','','2014-07-25 02:55:20','2014-07-25 02:55:20','',91,'http://music.hiddenshoal.com/artists/holding-pattern/holding-pattern-press/',0,'page','',0),(368,1,'2007-04-29 06:58:49','2007-04-29 06:58:49','<img width=\"180\" height=\"154\" align=\"right\" id=\"artist-img\" alt=\"Holding Pattern\" src=\"/wp-content/uploads/File/holding_pattern/wayne_stu.jpg\" />\n<ul>\n	<li><a href=\"/artists/holding-pattern\">About</a></li>\n	<li><a href=\"/cat/news/holding-pattern/\">News</a></li>\n	<li><a href=\"/artists/holding-pattern/holding-pattern-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/holding-pattern-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/holding-pattern/holding-pattern-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/holding-pattern/holding-pattern-press\">Press</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"/artists/holding-pattern/holding-pattern-music\">Buy Music Releases</a></li>\n</ul>\n<font color=\"#000000\">.</font>\n\n<strong>You can also find Motor Eye at the following sites:</strong>\n<table border=\"0\">\n<tr>\n<td><a title=\"Myspace\" target=\"_blank\" href=\"http://www.myspace.com/holdingpatternproject\"><img title=\"Myspace\" alt=\"Myspace\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" /></a></td>\n<td><a target=\"_blank\" title=\"Bebo\" href=\"http://motoreye.bebo.com\"><img title=\"Bebo\" alt=\"Bebo\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/bebo.gif\" /></a></td>\n<td><a target=\"_blank\" title=\"Imeem\" href=\"http://holdingpattern.imeem.com/\"><img title=\"Imeem\" alt=\"Imeem\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/imeem.jpg\" /></a></td>\n</tr>\n<tr>\n<td><a target=\"_blank\" title=\"Tagworld\" href=\"http://www.tagworld.com/holdingpattern\"><img alt=\"Tagworld\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/TagWorldBanner.gif\" /></a></td>\n<td><a target=\"_blank\" title=\"Last FM\" href=\"http://www.last.fm/music/Holding+Pattern\"><img alt=\"Last FM\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/lastfm.gif\" /></a></td>\n<td>&nbsp;</td>\n</tr>\n</table>','Motor Eye Sites','','draft','closed','open','','holding-pattern-sites','','','2014-07-25 02:55:20','2014-07-25 02:55:20','',91,'http://music.hiddenshoal.com/artists/holding-pattern/holding-pattern-sites/',0,'page','',0),(369,1,'2007-04-29 07:05:03','2007-04-29 07:05:03','<img width=\"180\" height=\"135\" align=\"right\" id=\"artist-img\" alt=\"Low Budget Invaders\" src=\"/wp-content/uploads/Image/2006/09/Picture%2011.jpg\" />\n<ul>\n	<li><a href=\"/artists/low-budget-invaders\">About</a></li>\n	<li><a href=\"/cat/news/low-budget-invaders-news/\">News</a></li>\n	<li>Bio</li>\n	<li><a href=\"/cat/reviews/low-budget-invaders-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-press\">Press</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-music\">Buy Music Releases</a></li>\n</ul>\n<h3>Coming Soon!</h3>','Low Budget Invaders Bio','','draft','closed','open','','low-budget-invaders-bio','','','2014-07-25 02:56:38','2014-07-25 02:56:38','',126,'http://music.hiddenshoal.com/artists/low-budget-invaders/low-budget-invaders-bio/',0,'page','',0),(370,1,'2007-04-29 07:06:14','2007-04-29 07:06:14','<img width=\"180\" height=\"135\" align=\"right\" id=\"artist-img\" alt=\"Low Budget Invaders\" src=\"/wp-content/uploads/Image/2006/09/Picture%2011.jpg\" />\n<ul>\n	<li><a href=\"/artists/low-budget-invaders\">About</a></li>\n	<li><a href=\"/cat/news/low-budget-invaders-news/\">News</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/low-budget-invaders-reviews/\">Reviews</a></li>\n	<li>Gallery</li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-press\">Press</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-music\">Buy Music Releases</a></li>\n</ul>\n<!--lazy-k-gallery:subgallery=Low Budget Invaders-->','Low Budget Invaders Gallery','','draft','closed','open','','low-budget-invaders-gallery','','','2014-07-25 02:56:38','2014-07-25 02:56:38','',126,'http://music.hiddenshoal.com/artists/low-budget-invaders/low-budget-invaders-gallery/',0,'page','',0),(371,1,'2007-04-29 07:07:50','2007-04-29 07:07:50','<img width=\"180\" height=\"135\" align=\"right\" alt=\"Low Budget Invaders\" id=\"artist-img\" src=\"/wp-content/uploads/Image/2006/09/Picture%2011.jpg\" />\n<ul>\n	<li><a href=\"/artists/low-budget-invaders\">About</a></li>\n	<li><a href=\"/cat/news/low-budget-invaders-news/\">News</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/low-budget-invaders-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-gallery/\">Gallery</a></li>\n	<li>Press</li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-music\">Buy Music Releases</a></li>\n</ul>\n<h3>Downloadable Press Kits Coming Soon!</h3>','Low Budget Invaders Press','','draft','closed','open','','low-budget-invaders-press','','','2014-07-25 02:56:38','2014-07-25 02:56:38','',126,'http://music.hiddenshoal.com/artists/low-budget-invaders/low-budget-invaders-press/',0,'page','',0),(372,1,'2007-04-29 07:09:07','2007-04-29 07:09:07','<img width=\"180\" height=\"135\" align=\"right\" id=\"artist-img\" alt=\"Low Budget Invaders\" src=\"/wp-content/uploads/Image/2006/09/Picture%2011.jpg\" />\n<ul>\n	<li><a href=\"/artists/low-budget-invaders\">About</a></li>\n	<li><a href=\"/cat/news/low-budget-invaders-news/\">News</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/low-budget-invaders-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-press\">Press</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-music\">Buy Music Releases</a></li>\n</ul>\n<font color=\"#000000\">.</font>\n\n<strong>You can also find Low Budget Invaders at the following sites:</strong>\n<table border=\"0\">\n<tr>\n<td><a target=\"_blank\" title=\"Myspace\" href=\"http://www.myspace.com/lowbudgetinvaders\"><img alt=\"Myspace\" title=\"Myspace\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" /></a></td>\n<td><a title=\"Last FM\" target=\"_blank\" href=\"http://www.last.fm/music/Low+Budget+Invaders/\"><img alt=\"Last FM\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/lastfm.gif\" /></a></td>\n<td><a title=\"Imeem\" target=\"_blank\" href=\"http://holdingpattern.imeem.com/\">\n</a></td>\n</tr>\n<tr>\n<td><a title=\"Tagworld\" target=\"_blank\" href=\"http://www.tagworld.com/holdingpattern\">\n</a></td>\n<td>&nbsp;</td>\n<td></td>\n</tr>\n</table>','Low Budget Invaders Sites','','draft','closed','open','','low-budget-invaders-sites','','','2014-07-25 02:56:38','2014-07-25 02:56:38','',126,'http://music.hiddenshoal.com/artists/low-budget-invaders/low-budget-invaders-sites/',0,'page','',0),(373,1,'2007-04-29 07:10:01','2007-04-29 07:10:01','<img width=\"180\" height=\"135\" align=\"right\" alt=\"Low Budget Invaders\" id=\"artist-img\" src=\"/wp-content/uploads/Image/2006/09/Picture%2011.jpg\" />\n<ul>\n	<li><a href=\"/artists/low-budget-invaders\">About</a></li>\n	<li><a href=\"/cat/news/low-budget-invaders-news/\">News</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/low-budget-invaders-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-press\">Press</a></li>\n	<li><a href=\"/artists/low-budget-invaders/low-budget-invaders-sites\">Artist Sites</a></li>\n	<li>Buy Music Releases</li>\n</ul>\n<h3>Coming Soon!</h3>','Low Budget Invaders Music','','draft','closed','open','','low-budget-invaders-music','','','2014-07-25 02:56:38','2014-07-25 02:56:38','',126,'http://music.hiddenshoal.com/artists/low-budget-invaders/low-budget-invaders-music/',0,'page','',0),(374,1,'2007-04-29 07:19:39','2007-04-29 07:19:39','<img width=\"180\" height=\"134\" align=\"right\" alt=\"Moongoat\" id=\"artist-img\" src=\"/wp-content/uploads/moongoat.jpg\" />\n<ul>\n	<li><a href=\"/artists/moongoat\">About</a></li>\n	<li><a href=\"/cat/news/moongoat/\">News</a></li>\n	<li>Bio</li>\n	<li><a href=\"/cat/reviews/moongoat-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-press\">Press</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-music\">Buy Music Releases</a></li>\n</ul>\nMoongoat is Jeremy Hicks (Thou Gideon, Enargeia, Low Budget Invaders) and Simon  Bennett (Wiggle, Kurrel the Raven, Kwook!).\n\nMoongoat was convened to  provide a soundtrack for the fashion event Bamboozle in 2002 in collaboration  with Ivan Bannon (FAD, Elvis Penis). Live jams at the Studio Concours D’Elegance  between February and October 2002 ranged from trippy beat-based electronic music  to dense essays in atmosphere.\n\nPerhaps as an unconscious response to  Eno’s experiments with music for imaginary films, this is music <em>as</em> film.  Following in the slipstream of modern ambient luminaries Stars of the Lid,  Moongoat work to create something larger than the drone. These compositions are  deceptively complex and chart a hidden trajectory that is never quite apparent  until their end.','Moongoat Bio','','draft','closed','open','','moongoat-bio','','','2014-07-25 02:55:20','2014-07-25 02:55:20','',162,'http://music.hiddenshoal.com/artists/moongoat/moongoat-bio/',0,'page','',0),(375,1,'2007-04-29 07:21:23','2007-04-29 07:21:23','<img width=\"180\" height=\"134\" align=\"right\" id=\"artist-img\" alt=\"Moongoat\" src=\"/wp-content/uploads/moongoat.jpg\" />\n<ul>\n	<li><a href=\"/artists/moongoat\">About</a></li>\n	<li><a href=\"/cat/news/moongoat/\">News</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/moongoat-reviews/\">Reviews</a></li>\n	<li>Gallery</li>\n	<li><a href=\"/artists/moongoat/moongoat-press\">Press</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-music\">Buy Music Releases</a></li>\n</ul>\n<!--lazy-k-gallery:subgallery=Moongoat-->','Moongoat Gallery','','draft','closed','open','','moongoat-gallery','','','2014-07-25 02:55:20','2014-07-25 02:55:20','',162,'http://music.hiddenshoal.com/artists/moongoat/moongoat-gallery/',0,'page','',0),(376,1,'2007-04-29 07:23:18','2007-04-29 07:23:18','<img width=\"180\" height=\"134\" align=\"right\" id=\"artist-img\" alt=\"Moongoat\" src=\"/wp-content/uploads/moongoat.jpg\" />\n<ul>\n	<li><a href=\"/artists/moongoat\">About</a></li>\n	<li><a href=\"/cat/news/moongoat/\">News</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/moongoat-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-gallery/\">Gallery</a></li>\n	<li>Press</li>\n	<li><a href=\"/artists/moongoat/moongoat-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-music\">Buy Music Releases</a></li>\n</ul>\n<h3>Downloadable Press Kits Coming Soon!</h3>','Moongoat Press','','draft','closed','open','','moongoat-press','','','2014-07-25 02:55:20','2014-07-25 02:55:20','',162,'http://music.hiddenshoal.com/artists/moongoat/moon-press/',0,'page','',0),(377,1,'2007-04-29 07:26:14','2007-04-29 07:26:14','<img width=\"180\" height=\"134\" align=\"right\" alt=\"Moongoat\" id=\"artist-img\" src=\"/wp-content/uploads/moongoat.jpg\" />\n<ul>\n	<li><a href=\"/artists/moongoat\">About</a></li>\n	<li><a href=\"/cat/news/moongoat/\">News</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/moongoat-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-press\">Press</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"/artists/moongoat/moongoat-music\">Buy Music Releases</a></li>\n</ul>\n<font color=\"#000000\">.</font>\n\n<strong>You can also find Moongoat at the following sites:</strong>\n<table border=\"0\">\n<tr>\n<td><a title=\"Myspace\" target=\"_blank\" href=\"http://www.myspace.com/moongoat1\"><img title=\"Myspace\" alt=\"Myspace\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" /></a></td>\n<td><a target=\"_blank\" title=\"Bebo\" href=\"http://mooongoat.bebo.com\"><img title=\"Bebo\" alt=\"Bebo\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/bebo.gif\" /></a></td>\n<td><a target=\"_blank\" title=\"Imeem\" href=\"http://moongoat.imeem.com/\"><img title=\"Imeem\" alt=\"Imeem\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/imeem.jpg\" /></a></td>\n</tr>\n<tr>\n<td><a target=\"_blank\" title=\"Tagworld\" href=\"http://www.tagworld.com/moongoat1\"><img alt=\"Tagworld\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/TagWorldBanner.gif\" /></a></td>\n<td><a target=\"_blank\" title=\"Last FM\" href=\"http://www.last.fm/music/Moongoat\"><img alt=\"Last FM\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/lastfm.gif\" /></a></td>\n<td></td>\n</tr>\n</table>','Moongoat Sites','','draft','closed','open','','moongoat-sites','','','2014-07-25 02:55:20','2014-07-25 02:55:20','',162,'http://music.hiddenshoal.com/artists/moongoat/moongoat-sites/',0,'page','',0),(378,1,'2007-04-29 07:27:13','2007-04-29 07:27:13','<img width=\"180\" height=\"134\" align=\"right\" id=\"artist-img\" alt=\"Moongoat\" src=\"/wp-content/uploads/moongoat.jpg\" />\n<ul>\n	<li><a href=\"/artists/moongoat\">About</a></li>\n	<li><a href=\"/cat/news/moongoat/\">News</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/moongoat-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-press\">Press</a></li>\n	<li><a href=\"/artists/moongoat/moongoat-sites\">Artist Sites</a></li>\n	<li>Buy Music Releases</li>\n</ul>\n<h3>Buy Moongoat Releases at the following stores:</h3>\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&cPath=16\"> <img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/hsr_store.jpg\" /></a><a target=\"_blank\" href=\"http://www.emusic.com/artist/11731/11731693.html\"> </a><a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=207448977\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/itunes.jpg\" /></a> <a href=\"http://www.emusic.com/artist/11731/11731693.html\"><img vspace=\"0\" hspace=\"0\" border=\"0\" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/emusic.gif\" /></a> <a href=\"http://musicstore.connect.com/artist/294/Moongoat/30124064.html\"><img vspace=\"0\" hspace=\"0\" border=\"0\" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/Sony.gif\" /> </a><a href=\"http://www.rhapsody.com/moongoat\"><img vspace=\"0\" hspace=\"0\" border=\"0\" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/rhapsody.jpg\" /></a><a href=\"http://musicstore.connect.com/artist/294/Moongoat/30124064.html\" /><a target=\"_blank\" href=\"http://www.emusic.com/artist/11731/11731693.html\"> </a><a target=\"_blank\" href=\"http://musicstore.connect.com/artist/116/My-Majestic-Star/30084182.html\"> </a>','Moongoat Music','','draft','closed','open','','moongoat-music','','','2014-07-25 02:55:20','2014-07-25 02:55:20','',162,'http://music.hiddenshoal.com/artists/moongoat/moongoat-music/',0,'page','',0),(381,1,'2007-04-29 07:37:26','2007-04-29 07:37:26','<img src=\"/wp-content/uploads/File/mms/mms_web_ready.jpg\" alt=\"My Majestic Star\" id=\"artist-img\" align=\"right\" />\n<ul>\n	<li><a href=\"/artists/my-majestic-star\">About</a></li>\n	<li><a href=\"/cat/news/my-majestic-star-news/\">News</a></li>\n	<li><a href=\"/artists/my-majestic-star/my-majestic-star-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/my-majestic-star-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/my-majestic-star/my-majestic-star-gallery/\">Gallery</a></li>\n	<li>Press</li>\n	<li><a href=\"/artists/my-majestic-star/my-majestic-star-sites\">Artist Sites</a></li>\n	<li><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=6\">Buy Music Releases</a></li>\n</ul>\n<font color=\"#000000\">.</font>\n<strong>Press Releases (PDF Format)\n</strong>\n<blockquote><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-My_Majestic_Star-I%20Havent_Got_It_In_Me.pdf\">My Majestic Star <em>I Haven\'t Got It In Me</em> Album Release</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-My_Majestic_Star-Crampling.pdf\">My Majestic Star ‘Crampling’ Single Release</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-My_Majetsic_Star_Too_Late_The_Day_Album.pdf\">My Majestic Star <em>Too Late, The Day</em> Album release</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-My_Majestic_Star_Single_Release.pdf\">My Majestic Star ‘and having a reason why’ single release</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-My_Majestic_Star_EP_Release.pdf\">My Majestic Star Fining EP release</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_2_May.pdf\">Label launch, Wayne Harriss “Aerospace” release and My Majestic Star “Ideas Are The Answer” release</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-My_Majestic_Star_Single_Release.pdf\">\n</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-My_Majetsic_Star_Too_Late_The_Day_Album.pdf\">\n</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release_2_May.pdf\">\n</a></blockquote>','My Majestic Star Press','','draft','closed','open','','my-majestic-star-press','','','2014-07-25 02:54:56','2014-07-25 02:54:56','',91,'http://music.hiddenshoal.com/artists/my-majestic-star/my-majestic-star-press/',0,'page','',0),(382,1,'2007-04-29 07:38:38','2007-04-29 07:38:38','<img src=\"/wp-content/uploads/File/mms/mms_web_ready.jpg\" alt=\"My Majestic Star\" id=\"artist-img\" align=\"right\" />\n<ul>\n	<li><a href=\"/artists/my-majestic-star\">About</a></li>\n	<li><a href=\"/cat/news/my-majestic-star-news/\">News</a></li>\n	<li><a href=\"/artists/my-majestic-star/my-majestic-star-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/my-majestic-star-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/my-majestic-star/my-majestic-star-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/my-majestic-star/my-majestic-star-press\">Press</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=6\">Buy Music Releases</a></li>\n</ul>\n<font color=\"#000000\">.</font>\n\n<strong>You can also find My Majestic Star at the following sites:</strong>\n<table border=\"0\">\n<tr>\n<td><a href=\"http://www.myspace.com/mymajesticstar\" title=\"Myspace\" target=\"_blank\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" title=\"Myspace\" alt=\"Myspace\" /></a></td>\n<td><a href=\"http://www.last.fm/music/My+Majestic+Star\" target=\"_blank\" title=\"Last FM\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/lastfm.gif\" alt=\"Last FM\" /></a></td>\n<td><a href=\"http://mymajesticstar.imeem.com/\" target=\"_blank\" title=\"Imeem\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/imeem.jpg\" title=\"Imeem\" alt=\"Imeem\" /></a></td>\n</tr>\n<tr>\n<td><a href=\"http://www.tagworld.com/mymajesticstar\" target=\"_blank\" title=\"Tagworld\">\n</a></td>\n<td></td>\n<td>&nbsp;</td>\n</tr>\n</table>','My Majestic Star Sites','','draft','closed','open','','my-majestic-star-sites','','','2014-07-25 02:54:56','2014-07-25 02:54:56','',91,'http://music.hiddenshoal.com/artists/my-majestic-star/my-majestic-star-sites/',0,'page','',0),(11629,1,'2015-01-13 14:18:36','2015-01-13 06:18:36','<img class=\"alignleft wp-image-10525 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"300\" height=\"172\" />Chloë March’s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. March\'s music inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic and there is no better testament to this than on her recently re-released album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a>. She has an innate ability to not only create music that is alive atmosphere and narrative but to also deftly create room in each work for the listener to posit themselves and become part of the musical tapestry. It\'s no wonder then she has been called upon to soundtrack a number of theatrical works across London. As part of our ongoing <a title=\"Sound and Scene\" href=\"http://www.hiddenshoal.com/features/sound-scene/\" target=\"_blank\">Sound and Scene</a> series Hidden Shoal\'s Cam Merton sat down with Chloë to talk about her favourite film soundtracks.\r\n\r\n&nbsp;\r\n\r\n<span style=\"color: #ffffff;\"><strong>John Harle: <em>A History of Britain</em> by Simon Schama</strong></span>\r\n\r\n&nbsp;\r\n\r\n<span style=\"color: #ffffff;\"><strong>Chloë:</strong></span> I was blown away by this score when I first saw the series in 2000. <a title=\"John Harle\" href=\"http://www.johnharle.com/\" target=\"_blank\">John Harle</a> is a brilliant saxophonist and his score features his playing and also includes evocative arrangements of British folksongs performed by singers including <a title=\"Emma Kirkby\" href=\"http://www.emmakirkby.com/\" target=\"_blank\">Emma Kirkby</a>. This music made a deep impression on me and just seemed to work so well with the material and <a title=\"Simon Schama at Wikipedia\" href=\"http://en.wikipedia.org/wiki/Simon_Schama\" target=\"_blank\">Schama</a>’s dramatic storytelling style. There’s a lot of symbolism used in the imagery, rather than full-on historical re-enactments and the music works in the same way, with older instruments like pipes, flutes, harp and the fragments of folksong, conjuring these lost worlds and tapping into a kind of communal musical memory. Harle is great at drama, at one point his screeching sax underscoring shots of fires during the passages about the burning of heretics – it’s very eerie! The sheer variety of tone he can get from the sax too is phenomenal and he really plays with that across the series. Another thing I love about this soundtrack is the space in it – the programmes often have silence, both in the presentation and in the score itself – so there’s space to take in the narrative, the facts, the imagery, the emotion of the past.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Your mention of space here is key to any discussion on film scoring. It is an art and almost an alchemical process to be able to support and grow the narrative and vision with sound and music.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Yes – it must be so tempting to do too much and try to impose your own style, when what’s needed is something completely different or even nothing at all. I guess the composer needs to be incredibly sensitive about supporting that vision.\r\n\r\n&nbsp;\r\n\r\nHarle used to work in the National Theatre Music Department early on in his career and I think I can hear that theatre music vibe. A lot of the music that I heard growing up was theatre music being practised by my parents, who were both musicians at the Royal Shakespeare Theatre in Stratford, so I was hearing composers like Howard Blake, Ilona Sekacz and Stephen Warbeck a lot! I got used to hearing music and wondering what scene it was for, what atmosphere it was creating and how it was doing it. Musicians had to adapt to the demands of the productions, like my dad playing fanfares on animal horns instead of trumpets, and my mum, a classical pianist, having to learn the accordion, get her head around the Yamaha DX7 synth and, most entertainingly for the rest of us, the theremin. When I eventually studied drama at uni I wrote a lot of music for productions and really enjoyed that challenge of having to create a particular atmosphere in a very short time. Sometimes I find it’s great to be given instrumental constraints and very short time-frames to compose in, especially if the dramatic/visual material you have is powerful.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> That’s a really interesting point as I think that challenge has drawn a number of artists into crossing over into scoring for film. I can’t help but think of <a title=\"Clint Mansell\" href=\"http://www.clintmansell.com/\" target=\"_blank\">Clint Mansell</a> in this regard, who went from the chaotic pop maximalism of Pop Will Eat Itself to producing the gorgeous, restrained score to <a title=\"Moon\" href=\"https://www.youtube.com/watch?v=twuScTcDP_Q\" target=\"_blank\"><em>Moon </em></a>(amongst others, of course).\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Yes, it seems like limitations often bring out amazing and surprising creative results. I wonder if some artists are so drawn to film because as well as the challenge of it and wanting to develop as writers, there’s also this common discipline in some pop music of creating intense imagery and atmosphere. Not that other composers don’t do that, just that in pop you learn to do it within a very short time-frame, so to a pop artist being given a 90-minute film to score would seem like a luxuriously long amount of time to work with, but each cue has to create immediate atmosphere, so it also has that familiar discipline. But maybe also it’s easier in pop to put artists into boxes and not expect them to change what they do too much, so film-scoring would be incredibly liberating in that way too for someone who felt frustrated by that. It’s great also to discover that you can actually compose to a deadline if you’re used to spending years on an album like I am! That sense of urgency can sometimes generate wonderful creativity too.\r\n\r\n&nbsp;\r\n\r\nHarle has also described himself as ‘a romantic, both as a player and a composer’ and I think that’s a big part of why I’m so drawn to his music. There’s a strong modal component to this score, with the plainchant, the folksongs and the sax playing what sometimes sound like virtuosic jazz improvisations – and I’m very drawn to that modality too, it’s how I write my own songs. He uses a lot of pure tones, both with his sax playing and with the early music vocalists who use hardly any vibrato, and I’m really interested in the juxtaposition of these tones put together with lush, jazz-influenced harmony. I also have a strong classical foundation and love jazz harmony and folk melody, so it’s probably inevitable that I love Harle’s music! I didn’t think to try working with saxophone myself until my latest album, when Ted Watson, a superb musician, offered to play for me – so I was finally able to experiment with writing for and singing with soprano sax, which was just fantastic and a lovely new direction for me.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/141504756&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<h4><span style=\"color: #ffffff;\"><strong>Gabriel Yared: <em>The English Patient</em></strong></span></h4>\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I was a fan of <a title=\"Gabriel Yared\" href=\"http://www.gabrielyared.com\" target=\"_blank\">Gabriel Yared</a> before seeing this film as I’d fallen in love with the soundtrack he wrote for <a title=\"Betty Blue\" href=\"http://www.imdb.com/title/tt0090563/\" target=\"_blank\"><em>Betty Blue</em></a>, which I listened to for years before actually seeing the film. I think maybe the chemistry of Yared’s creative partnership with <a title=\"Anthony Minghella\" href=\"http://www.imdb.com/name/nm0005237/\" target=\"_blank\">Anthony Minghella</a> is a vital part of the magic of this score. When I discovered that Yared had been part of the filmmaking process right from the start it really made sense – there’s just a feeling that the music and the film developed together in a really organic way and that it’s all intensely driven by the emotion that’s at the heart of the film. Minghella said afterwards, ‘There was a sense of us being unusually connected’. He was a musician himself and also said that he approached his filmmaking ‘as much from musical form as conventional storytelling’ – which is really interesting. It was Minghella who suggested that Yared use the Aria from the Bach Goldberg Variations and also the incredibly beautiful, haunting Hungarian folksong sung by <a title=\"Márta Sebestyén Singing in The English Patient\" href=\"https://www.youtube.com/watch?v=rAUJgjxNGd8\" target=\"_blank\">Márta Sebestyén</a>.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> That kind of partnership between the creative drivers of vision and sound in films seems to be so natural and right it’s almost disappointing that it isn’t de rigueur in the film-making process. That’s not to say most directors wouldn’t have a pure vision (!) for the sonic and musical elements needed for the film, but having that collaborative partnership up front could sometimes bring so much more.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I totally agree. It’s been so interesting doing this feature finding that most of the soundtracks I really love have emerged from these partnerships. <a title=\"Joe Wright\" href=\"http://www.imdb.com/name/nm0942504/\" target=\"_blank\">Joe Wright</a> and <a title=\"Dario Marianelli (Pride and Prejudice Soundtrack)\" href=\"https://www.youtube.com/watch?v=TBT0VLFzaYo\" target=\"_blank\">Dario Marianelli </a>is another wonderful one. His score for <em>Pride and Prejudice</em> had to begin even before shooting started and ended up being a phenomenally successful soundtrack. I just don’t understand why music is sometimes added during the last few weeks of editing. Maybe it works for some films and for some composers who thrive on that challenge, but it seems like a wasted opportunity to me.\r\n\r\n&nbsp;\r\n\r\nI love the way that Yared uses the Bach, orchestrating it, and writing the most beautiful pastiche that adds a deeply romantic lushness, without sentimentalising it or sounding naff. A lot of my early learning of the piano involved playing Bach, so I feel like that music is an old friend. I’m really interested in pastiche and the difference between writing say a baroque-sounding piece or a piece that reminds you of baroque but also takes you somewhere else. When I was commissioned to compose a score for a re-working of a ballet by Kurt Jooss from the 1930s, the choreographer asked for a contemporary score that would still hark back to that era. I really wanted to evoke an atmosphere that hinted at the 1930s rather than write full-on pastiche, so I tried to get a sense of composers like Weill and Walton into the music by using certain rhythms and instrumentation and then actually used a few chords from Stravinsky’s ‘Petrushka’ – I knew I could never compose like Stravinsky, but using his chords really pushed me to write music that I never thought I could and definitely took me right out of my comfort zone.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Have you found that this need to conceptualise when approaching score work is something that feeds back into your work as an artist, or is it something innate in the way you approach music as a whole?\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I’m not sure if it feeds back, or if that’s just how I am – it’s mostly ideas that make me feel creative, so yeah, it probably is the way I approach my music. Except for improvising, when I play the piano to express something immediately and for as long as I want! I’m much more aware of what I’m doing as a songwriter now, but sometimes I’ll write and finish a song in a few hours, and sometimes in months, so it’s a different process every time. I do usually like to have an idea to form the music around though. Usually it’s an idea that comes packed with powerful emotion or imagery and that resonates with what I’m feeling and wanting to express. What I love is to create these self-contained little worlds and atmospheres, so I’m drawn to vivid symbolism and imagery and stories.\r\n\r\n&nbsp;\r\n\r\nIt feels to me that Juliette Binoche is the heart of this film and it’s her character who has the Bach theme – I think it makes her character’s experience feel timeless, as well as redemptive because Bach has that spiritual link to church music, but it’s also timeless in its humanity and beauty too. There’s so much suffering and tragedy in the different narratives, but hers has this gorgeous lightness and hope to it. The scene in the church where her lover Kip transports her around the walls on a rope to look at the frescoes with a flaming torch is just so beautiful. At the moment when Kip lifts her off the ground Yared uses pizzicato strings and then brings in his beautiful Bach pastiche in the bowed strings with harp gliss as well, and it’s just perfect for the scene. There’s such joy in that music, but there is also melancholy there and this heartbreaking fragility and lightness, so you know her joy is probably temporary and that it’s come after so much devastating loss. All the strands of creativity going on – the music, Binoche’s utterly beautiful acting, the way we lift off with her and the timing of the scene within the whole film – it just really gets me every time!\r\n<iframe src=\"//www.youtube.com/embed/aniXbKM3ez8?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n<h4><span style=\"color: #ffffff;\"><strong>Hans Zimmer: <em>Interstellar</em> (contains spoilers)</strong></span></h4>\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I’m quite surprised to find myself talking about <a title=\"Hans Zimmer\" href=\"http://www.hans-zimmer.com/\" target=\"_blank\">Hans Zimmer</a>. I wouldn’t really have put him as one of my top favourite film composers before, but this soundtrack did really take me over during the film and I found it very powerful stuff. It’s a combination of electronic elements with orchestra/choir/organ and piano. He had no less than six orchestrators working with him on this score and it really does sound like a massive team effort. I felt like I was just taken captive by this film and manipulated and spun off into all sorts of different emotional states – and the music was a huge part of that. It’s fantastically epic but also has a lot of tension and meditative space in it too and underpins the emotional core of the father/daughter relationship with its long separation, sense of loss and also deep love and connectedness. This theme is beautiful I think, a combination of quite cold, slightly threatening soundscape with what becomes a melancholy piano/organ piece. Apparently Zimmer composed the score over a period of two years alongside the director <a title=\"Christopher Nolan\" href=\"http://www.imdb.com/name/nm0634240/\" target=\"_blank\">Christopher Nolan</a> shooting/scripting the movie, so it sounds like another case of a strong emotional, creative connectedness between director and composer.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Considering the scope of this film it seems fitting to have such an involved and long-range approach to the score. You can’t help but appreciate the kind of nuances that can be afforded with such a long-term involvement in the musical and sonic aspects of the film.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Absolutely. I wonder if this kind of long-term involvement happens more in TV music where composers are on board for long series and really get to have that intense collaborative process – like <a title=\"Bear McCreary\" href=\"http://www.bearmccreary.com/\" target=\"_blank\">Bear McCreary</a> with <em>Battlestar</em>, or <a title=\"Jeff Beal\" href=\"http://www.jeffbeal.com/\" target=\"_blank\">Jeff Beal</a> with <em>House of Cards</em>. I really love both those soundtracks and also <a title=\"Frans Bak\" href=\"http://fransbak.com/\" target=\"_blank\">Frans Bak</a>’s score for <em>The Killing</em>. Even though they’re having to write extremely quickly, these composers are developing music alongside the show with this long development arc – it must be great to do.\r\n\r\n&nbsp;\r\n\r\nThe moment in the cinema when I thought ‘this music is just brilliant’ was the scene where Matthew McConaughey’s character is driving his car through the fields on his way to fly the spaceship and the music just rachets up notch by notch until it actually sounds like rocket-launching music while he’s still driving the car – it’s such a clever moment and just got me totally emotionally involved with the film from that point on. I love repetitive patterns in music, used a lot in film scores, and this one is one of the best examples of that kind of rhythmic instrumentation in the style of Reich or Glass, being built on and lushed out, that I’ve heard in a while.\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/125268635&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n&nbsp;\r\n<h4><span style=\"color: #ffffff;\"><strong>M83/Joseph Trapanese: <em>Oblivion</em> </strong></span></h4>\r\n&nbsp;\r\n\r\nAnother sci-fi, but I reckon this film is all about nostalgia and I think that’s probably why I really liked the soundtrack by <a title=\"M83\" href=\"http://ilovem83.com/\" target=\"_blank\">M83</a> and <a title=\"Joseph Trapanese\" href=\"http://joecomposer.com/\" target=\"_blank\">Joseph Trapanese</a>. There is beautifully futuristic imagery in this film, but the overall feel is one of almost unbearable melancholy and nostalgia I found. It’s partly the fact that it’s Tom Cruise in the lead, occasionally on a motorbike, giving this nostalgic tilt towards his movies of the ’80s, but it also made me think of <em>Blade Runner</em>. The soundtrack also triggers these references, as it’s so reminiscent of <a title=\"Tangerine Dream\" href=\"http://www.tangerinedream.org/\" target=\"_blank\">Tangerine Dream</a> and <a title=\"Vangelis\" href=\"http://elsew.com/\" target=\"_blank\">Vangelis</a>. There’s pastoralism too, as Cruise’s character goes back to his cabin by a lake on a pristine bit of Earth – it’s this gorgeous contrast with the post-apocalyptic bleakness of the destroyed land and the sharp shiny minimalist sky-pods they live in. Of course, when he goes back to his cabin it has his collection of vinyl records of Tangerine Dream and Blue Oyster Cult and he lies by the lake listening to Led Zeppelin and Procol Harum. It’s not just a yearning in the context of the film for a pre-war Earth-home, it feels like a heartfelt yearning of now for 20/30 years ago.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Perhaps the Tangerine Dream vinyl was a nod to the <em>Risky Business</em> soundtrack! The temporal mis-match of Cruise’s character’s nostalgic musical yearning is interesting – this would have been the music of his great great great grandparents, I assume. Yet the film-maker makes a choice to work with the audience’s collective musical notions of nostalgia. I guess it’s all part of the beautiful trickery that is cinema.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Ah yes, I hadn’t thought of that! It definitely worked on me, anyway! Nostalgia and music is so intriguing – seems that sometimes it’s within the music itself and sometimes triggered by it and all the cultural memories around it. I often actually feel nostalgic for eras and places I never even knew or went to, just through music – which is very strange! It happens when I hear film soundtracks from the ’50s and ’60s, for instance, or even jazz from the ’40s. I don’t really know what’s going on there, maybe that’s a common thing – I’m not sure!\r\n\r\n&nbsp;\r\n\r\nI’m really interested in the way that this synth-driven soundtrack is used as a kind of humanising element in the film – there is a lot of orchestration and piano motifs, but it’s when the synths have full rein that you feel really connected to Cruise’s character I think. Maybe it’s because we now have this long history of synth-centred music and it’s actually a warm familiar genre now and a communal memory for us, rather than the futuristic-seeming sound it was in the ’70s and ’80s. Now maybe it’s associated with a kind of technological innocence, which is a pretty strange thing. When I listened to Tangerine Dream as a teenager I just found it completely hypnotic, exciting and all-enveloping. The first time I actually played a synth was when I was 15 and my sister’s boyfriend left one in our house for a few weeks. I composed this soundtrack inspired by a sculpture that an artist in residence had made at school. It was a fantastic feeling to be able to access all the different pads and multi-track and get these really deep evocative sounds and I think that’s where my love-affair with making electronic music started.\r\n\r\n&nbsp;','Sound and Scene with Chloe March','','inherit','closed','closed','','11620-revision-v1','','','2015-01-13 14:18:36','2015-01-13 06:18:36','',11620,'http://www.hiddenshoal.com/11620-revision-v1/',0,'revision','',0),(391,1,'2007-04-29 08:27:59','2007-04-29 08:27:59','<img id=\"artist-img\" src=\"/wp-content/uploads/File/slowdance/perfectslitudesm.jpg\" alt=\"Slow Dancing Society\" align=\"right\" />\n<ul>\n	<li><a href=\"/artists/slow-dancing-society\">About</a></li>\n	<li><a href=\"/cat/news/slow-dancing-society/\">News</a></li>\n	<li><a href=\"/artists/slow-dancing-society/slow-dancing-society-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/slow-dancing-society-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/slow-dancing-society/slow-dancing-society-gallery/\">Gallery</a></li>\n	<li>Press</li>\n	<li><a href=\"/artists/slow-dancing-society/slow-dancing-society-sites\">Artist Sites</a></li>\n	<li><a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Buy Music Releases</a></li>\n</ul>\n<strong>Press Releases (PDF Format)</strong>\n<p style=\"padding-left: 30px;\"><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-A_Clearing.pdf\">\'A Clearing\' Single Release</a></p>\n<p style=\"padding-left: 30px;\"><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Laterna_Magica.pdf\"><em>Laterna Magica</em> Album Release</a></p>\n<p style=\"padding-left: 30px;\"><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Ill_Leave_a_Light_On.pdf\">\'I\'ll Leave a Light On\' Single Release</a></p>\n<p style=\"padding-left: 30px;\"><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Under_The_Sodium_Lights.pdf\"> <em>Under The Sodium Lights</em> Album Release</a></p>\n<p style=\"padding-left: 30px;\"><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-and_to_the_dust_we_shall_remain.pdf\">‘…and to the dust we shall return’ Single and Video Release</a></p>\n<p style=\"padding-left: 30px;\"><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Priest_Lake_Circa_88.pdf\" target=\"_blank\">Priest Lake Circa \'88 Album Release </a></p>\n<p style=\"padding-left: 30px;\"><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society_Single.pdf\" target=\"_blank\">A Warm Glow Single Release</a></p>\n<p style=\"padding-left: 30px;\"><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-New_Slow_Dancing_Society_Album.pdf\">The Slow and Steady Winter Album Release</a></p>\n<p style=\"padding-left: 30px;\"><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society_Album.pdf\" target=\"_blank\">The Sounds Of Lights When Dim Album Release </a></p>\n<p style=\"padding-left: 30px;\"></p>','Slow Dancing Society Press','','draft','closed','open','','slow-dancing-society-press','','','2014-07-25 02:53:37','2014-07-25 02:53:37','',91,'http://music.hiddenshoal.com/artists/slow-dancing-society/slow-dancing-society-press/',0,'page','',0),(392,1,'2007-04-29 08:29:26','2007-04-29 08:29:26','<img id=\"artist-img\" src=\"/wp-content/uploads/File/slowdance/perfectslitudesm.jpg\" alt=\"Slow Dancing Society\" align=\"right\" />\n<ul>\n	<li><a href=\"/artists/slow-dancing-society\">About</a></li>\n	<li><a href=\"/cat/news/slow-dancing-society/\">News</a></li>\n	<li><a href=\"/artists/slow-dancing-society/slow-dancing-society-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/slow-dancing-society-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/slow-dancing-society/slow-dancing-society-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/slow-dancing-society/slow-dancing-society-press\">Press</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&cPath=13\">Buy Music Releases</a></li>\n</ul>\n<span style=\"color: #000000;\">.</span>\n\n<span style=\"color: #000000;\">.</span>\n\n<span style=\"color: #000000;\">.</span>\n\n<strong>You can also find Slow Dancing Society at the following sites:</strong>\n<table border=\"0\">\n<tbody>\n<tr>\n<td><a title=\"Myspace\" href=\"http://www.myspace.com/slowdancingsociety\" target=\"_blank\"><img title=\"Myspace\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" alt=\"Myspace\" /></a><a href=\"http://www.sanktotten.de\" target=\"_blank\"> </a></td>\n<td><a title=\"Last FM\" href=\"http://www.last.fm/music/Slow+Dancing+Society\" target=\"_blank\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/lastfm.gif\" alt=\"Last  FM\" /></a></td>\n<td></td>\n</tr>\n<tr>\n<td></td>\n<td></td>\n<td></td>\n</tr>\n</tbody>\n</table>','Slow Dancing Society Sites','','draft','closed','open','','slow-dancing-society-sites','','','2014-07-25 02:53:37','2014-07-25 02:53:37','',91,'http://music.hiddenshoal.com/artists/slow-dancing-society/slow-dancing-society-sites/',0,'page','',0),(11627,1,'2015-01-13 14:17:39','2015-01-13 06:17:39','<img class=\"alignleft wp-image-10525 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"300\" height=\"172\" />Chloë March’s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. March\'s music inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic and there is no better testament to this than on her recently re-released album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a>. She has an innate ability to not only create music that is alive atmosphere and narrative but to also deftly create room in each work for the listener to posit themselves and become part of the musical tapestry. It\'s no wonder then she has been called upon to soundtrack a number of theatrical works across London. As part of our ongoing <a title=\"Sound and Scene\" href=\"http://www.hiddenshoal.com/features/sound-scene/\" target=\"_blank\">Sound and Scene</a> series Hidden Shoal\'s Cam Merton sat down with Chloë to talk about her favourite film soundtracks.\r\n\r\n&nbsp;\r\n\r\n<span style=\"color: #ffffff;\"><strong>John Harle: <em>A History of Britain</em> by Simon Schama</strong></span>\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë:</strong> I was blown away by this score when I first saw the series in 2000. <a title=\"John Harle\" href=\"http://www.johnharle.com/\" target=\"_blank\">John Harle</a> is a brilliant saxophonist and his score features his playing and also includes evocative arrangements of British folksongs performed by singers including <a title=\"Emma Kirkby\" href=\"http://www.emmakirkby.com/\" target=\"_blank\">Emma Kirkby</a>. This music made a deep impression on me and just seemed to work so well with the material and <a title=\"Simon Schama at Wikipedia\" href=\"http://en.wikipedia.org/wiki/Simon_Schama\" target=\"_blank\">Schama</a>’s dramatic storytelling style. There’s a lot of symbolism used in the imagery, rather than full-on historical re-enactments and the music works in the same way, with older instruments like pipes, flutes, harp and the fragments of folksong, conjuring these lost worlds and tapping into a kind of communal musical memory. Harle is great at drama, at one point his screeching sax underscoring shots of fires during the passages about the burning of heretics – it’s very eerie! The sheer variety of tone he can get from the sax too is phenomenal and he really plays with that across the series. Another thing I love about this soundtrack is the space in it – the programmes often have silence, both in the presentation and in the score itself – so there’s space to take in the narrative, the facts, the imagery, the emotion of the past.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Your mention of space here is key to any discussion on film scoring. It is an art and almost an alchemical process to be able to support and grow the narrative and vision with sound and music.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Yes – it must be so tempting to do too much and try to impose your own style, when what’s needed is something completely different or even nothing at all. I guess the composer needs to be incredibly sensitive about supporting that vision.\r\n\r\n&nbsp;\r\n\r\nHarle used to work in the National Theatre Music Department early on in his career and I think I can hear that theatre music vibe. A lot of the music that I heard growing up was theatre music being practised by my parents, who were both musicians at the Royal Shakespeare Theatre in Stratford, so I was hearing composers like Howard Blake, Ilona Sekacz and Stephen Warbeck a lot! I got used to hearing music and wondering what scene it was for, what atmosphere it was creating and how it was doing it. Musicians had to adapt to the demands of the productions, like my dad playing fanfares on animal horns instead of trumpets, and my mum, a classical pianist, having to learn the accordion, get her head around the Yamaha DX7 synth and, most entertainingly for the rest of us, the theremin. When I eventually studied drama at uni I wrote a lot of music for productions and really enjoyed that challenge of having to create a particular atmosphere in a very short time. Sometimes I find it’s great to be given instrumental constraints and very short time-frames to compose in, especially if the dramatic/visual material you have is powerful.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> That’s a really interesting point as I think that challenge has drawn a number of artists into crossing over into scoring for film. I can’t help but think of <a title=\"Clint Mansell\" href=\"http://www.clintmansell.com/\" target=\"_blank\">Clint Mansell</a> in this regard, who went from the chaotic pop maximalism of Pop Will Eat Itself to producing the gorgeous, restrained score to <a title=\"Moon\" href=\"https://www.youtube.com/watch?v=twuScTcDP_Q\" target=\"_blank\"><em>Moon </em></a>(amongst others, of course).\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Yes, it seems like limitations often bring out amazing and surprising creative results. I wonder if some artists are so drawn to film because as well as the challenge of it and wanting to develop as writers, there’s also this common discipline in some pop music of creating intense imagery and atmosphere. Not that other composers don’t do that, just that in pop you learn to do it within a very short time-frame, so to a pop artist being given a 90-minute film to score would seem like a luxuriously long amount of time to work with, but each cue has to create immediate atmosphere, so it also has that familiar discipline. But maybe also it’s easier in pop to put artists into boxes and not expect them to change what they do too much, so film-scoring would be incredibly liberating in that way too for someone who felt frustrated by that. It’s great also to discover that you can actually compose to a deadline if you’re used to spending years on an album like I am! That sense of urgency can sometimes generate wonderful creativity too.\r\n\r\n&nbsp;\r\n\r\nHarle has also described himself as ‘a romantic, both as a player and a composer’ and I think that’s a big part of why I’m so drawn to his music. There’s a strong modal component to this score, with the plainchant, the folksongs and the sax playing what sometimes sound like virtuosic jazz improvisations – and I’m very drawn to that modality too, it’s how I write my own songs. He uses a lot of pure tones, both with his sax playing and with the early music vocalists who use hardly any vibrato, and I’m really interested in the juxtaposition of these tones put together with lush, jazz-influenced harmony. I also have a strong classical foundation and love jazz harmony and folk melody, so it’s probably inevitable that I love Harle’s music! I didn’t think to try working with saxophone myself until my latest album, when Ted Watson, a superb musician, offered to play for me – so I was finally able to experiment with writing for and singing with soprano sax, which was just fantastic and a lovely new direction for me.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/141504756&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<h4><span style=\"color: #ffffff;\"><strong>Gabriel Yared: <em>The English Patient</em></strong></span></h4>\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I was a fan of <a title=\"Gabriel Yared\" href=\"http://www.gabrielyared.com\" target=\"_blank\">Gabriel Yared</a> before seeing this film as I’d fallen in love with the soundtrack he wrote for <a title=\"Betty Blue\" href=\"http://www.imdb.com/title/tt0090563/\" target=\"_blank\"><em>Betty Blue</em></a>, which I listened to for years before actually seeing the film. I think maybe the chemistry of Yared’s creative partnership with <a title=\"Anthony Minghella\" href=\"http://www.imdb.com/name/nm0005237/\" target=\"_blank\">Anthony Minghella</a> is a vital part of the magic of this score. When I discovered that Yared had been part of the filmmaking process right from the start it really made sense – there’s just a feeling that the music and the film developed together in a really organic way and that it’s all intensely driven by the emotion that’s at the heart of the film. Minghella said afterwards, ‘There was a sense of us being unusually connected’. He was a musician himself and also said that he approached his filmmaking ‘as much from musical form as conventional storytelling’ – which is really interesting. It was Minghella who suggested that Yared use the Aria from the Bach Goldberg Variations and also the incredibly beautiful, haunting Hungarian folksong sung by <a title=\"Márta Sebestyén Singing in The English Patient\" href=\"https://www.youtube.com/watch?v=rAUJgjxNGd8\" target=\"_blank\">Márta Sebestyén</a>.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> That kind of partnership between the creative drivers of vision and sound in films seems to be so natural and right it’s almost disappointing that it isn’t de rigueur in the film-making process. That’s not to say most directors wouldn’t have a pure vision (!) for the sonic and musical elements needed for the film, but having that collaborative partnership up front could sometimes bring so much more.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I totally agree. It’s been so interesting doing this feature finding that most of the soundtracks I really love have emerged from these partnerships. <a title=\"Joe Wright\" href=\"http://www.imdb.com/name/nm0942504/\" target=\"_blank\">Joe Wright</a> and <a title=\"Dario Marianelli (Pride and Prejudice Soundtrack)\" href=\"https://www.youtube.com/watch?v=TBT0VLFzaYo\" target=\"_blank\">Dario Marianelli </a>is another wonderful one. His score for <em>Pride and Prejudice</em> had to begin even before shooting started and ended up being a phenomenally successful soundtrack. I just don’t understand why music is sometimes added during the last few weeks of editing. Maybe it works for some films and for some composers who thrive on that challenge, but it seems like a wasted opportunity to me.\r\n\r\n&nbsp;\r\n\r\nI love the way that Yared uses the Bach, orchestrating it, and writing the most beautiful pastiche that adds a deeply romantic lushness, without sentimentalising it or sounding naff. A lot of my early learning of the piano involved playing Bach, so I feel like that music is an old friend. I’m really interested in pastiche and the difference between writing say a baroque-sounding piece or a piece that reminds you of baroque but also takes you somewhere else. When I was commissioned to compose a score for a re-working of a ballet by Kurt Jooss from the 1930s, the choreographer asked for a contemporary score that would still hark back to that era. I really wanted to evoke an atmosphere that hinted at the 1930s rather than write full-on pastiche, so I tried to get a sense of composers like Weill and Walton into the music by using certain rhythms and instrumentation and then actually used a few chords from Stravinsky’s ‘Petrushka’ – I knew I could never compose like Stravinsky, but using his chords really pushed me to write music that I never thought I could and definitely took me right out of my comfort zone.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Have you found that this need to conceptualise when approaching score work is something that feeds back into your work as an artist, or is it something innate in the way you approach music as a whole?\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I’m not sure if it feeds back, or if that’s just how I am – it’s mostly ideas that make me feel creative, so yeah, it probably is the way I approach my music. Except for improvising, when I play the piano to express something immediately and for as long as I want! I’m much more aware of what I’m doing as a songwriter now, but sometimes I’ll write and finish a song in a few hours, and sometimes in months, so it’s a different process every time. I do usually like to have an idea to form the music around though. Usually it’s an idea that comes packed with powerful emotion or imagery and that resonates with what I’m feeling and wanting to express. What I love is to create these self-contained little worlds and atmospheres, so I’m drawn to vivid symbolism and imagery and stories.\r\n\r\n&nbsp;\r\n\r\nIt feels to me that Juliette Binoche is the heart of this film and it’s her character who has the Bach theme – I think it makes her character’s experience feel timeless, as well as redemptive because Bach has that spiritual link to church music, but it’s also timeless in its humanity and beauty too. There’s so much suffering and tragedy in the different narratives, but hers has this gorgeous lightness and hope to it. The scene in the church where her lover Kip transports her around the walls on a rope to look at the frescoes with a flaming torch is just so beautiful. At the moment when Kip lifts her off the ground Yared uses pizzicato strings and then brings in his beautiful Bach pastiche in the bowed strings with harp gliss as well, and it’s just perfect for the scene. There’s such joy in that music, but there is also melancholy there and this heartbreaking fragility and lightness, so you know her joy is probably temporary and that it’s come after so much devastating loss. All the strands of creativity going on – the music, Binoche’s utterly beautiful acting, the way we lift off with her and the timing of the scene within the whole film – it just really gets me every time!\r\n<iframe src=\"//www.youtube.com/embed/aniXbKM3ez8?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n<h4><span style=\"color: #ffffff;\"><strong>Hans Zimmer: <em>Interstellar</em> (contains spoilers)</strong></span></h4>\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I’m quite surprised to find myself talking about <a title=\"Hans Zimmer\" href=\"http://www.hans-zimmer.com/\" target=\"_blank\">Hans Zimmer</a>. I wouldn’t really have put him as one of my top favourite film composers before, but this soundtrack did really take me over during the film and I found it very powerful stuff. It’s a combination of electronic elements with orchestra/choir/organ and piano. He had no less than six orchestrators working with him on this score and it really does sound like a massive team effort. I felt like I was just taken captive by this film and manipulated and spun off into all sorts of different emotional states – and the music was a huge part of that. It’s fantastically epic but also has a lot of tension and meditative space in it too and underpins the emotional core of the father/daughter relationship with its long separation, sense of loss and also deep love and connectedness. This theme is beautiful I think, a combination of quite cold, slightly threatening soundscape with what becomes a melancholy piano/organ piece. Apparently Zimmer composed the score over a period of two years alongside the director <a title=\"Christopher Nolan\" href=\"http://www.imdb.com/name/nm0634240/\" target=\"_blank\">Christopher Nolan</a> shooting/scripting the movie, so it sounds like another case of a strong emotional, creative connectedness between director and composer.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Considering the scope of this film it seems fitting to have such an involved and long-range approach to the score. You can’t help but appreciate the kind of nuances that can be afforded with such a long-term involvement in the musical and sonic aspects of the film.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Absolutely. I wonder if this kind of long-term involvement happens more in TV music where composers are on board for long series and really get to have that intense collaborative process – like <a title=\"Bear McCreary\" href=\"http://www.bearmccreary.com/\" target=\"_blank\">Bear McCreary</a> with <em>Battlestar</em>, or <a title=\"Jeff Beal\" href=\"http://www.jeffbeal.com/\" target=\"_blank\">Jeff Beal</a> with <em>House of Cards</em>. I really love both those soundtracks and also <a title=\"Frans Bak\" href=\"http://fransbak.com/\" target=\"_blank\">Frans Bak</a>’s score for <em>The Killing</em>. Even though they’re having to write extremely quickly, these composers are developing music alongside the show with this long development arc – it must be great to do.\r\n\r\n&nbsp;\r\n\r\nThe moment in the cinema when I thought ‘this music is just brilliant’ was the scene where Matthew McConaughey’s character is driving his car through the fields on his way to fly the spaceship and the music just rachets up notch by notch until it actually sounds like rocket-launching music while he’s still driving the car – it’s such a clever moment and just got me totally emotionally involved with the film from that point on. I love repetitive patterns in music, used a lot in film scores, and this one is one of the best examples of that kind of rhythmic instrumentation in the style of Reich or Glass, being built on and lushed out, that I’ve heard in a while.\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/125268635&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n&nbsp;\r\n<h4><span style=\"color: #ffffff;\"><strong>M83/Joseph Trapanese: <em>Oblivion</em> </strong></span></h4>\r\n&nbsp;\r\n\r\nAnother sci-fi, but I reckon this film is all about nostalgia and I think that’s probably why I really liked the soundtrack by <a title=\"M83\" href=\"http://ilovem83.com/\" target=\"_blank\">M83</a> and <a title=\"Joseph Trapanese\" href=\"http://joecomposer.com/\" target=\"_blank\">Joseph Trapanese</a>. There is beautifully futuristic imagery in this film, but the overall feel is one of almost unbearable melancholy and nostalgia I found. It’s partly the fact that it’s Tom Cruise in the lead, occasionally on a motorbike, giving this nostalgic tilt towards his movies of the ’80s, but it also made me think of <em>Blade Runner</em>. The soundtrack also triggers these references, as it’s so reminiscent of <a title=\"Tangerine Dream\" href=\"http://www.tangerinedream.org/\" target=\"_blank\">Tangerine Dream</a> and <a title=\"Vangelis\" href=\"http://elsew.com/\" target=\"_blank\">Vangelis</a>. There’s pastoralism too, as Cruise’s character goes back to his cabin by a lake on a pristine bit of Earth – it’s this gorgeous contrast with the post-apocalyptic bleakness of the destroyed land and the sharp shiny minimalist sky-pods they live in. Of course, when he goes back to his cabin it has his collection of vinyl records of Tangerine Dream and Blue Oyster Cult and he lies by the lake listening to Led Zeppelin and Procol Harum. It’s not just a yearning in the context of the film for a pre-war Earth-home, it feels like a heartfelt yearning of now for 20/30 years ago.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Perhaps the Tangerine Dream vinyl was a nod to the <em>Risky Business</em> soundtrack! The temporal mis-match of Cruise’s character’s nostalgic musical yearning is interesting – this would have been the music of his great great great grandparents, I assume. Yet the film-maker makes a choice to work with the audience’s collective musical notions of nostalgia. I guess it’s all part of the beautiful trickery that is cinema.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Ah yes, I hadn’t thought of that! It definitely worked on me, anyway! Nostalgia and music is so intriguing – seems that sometimes it’s within the music itself and sometimes triggered by it and all the cultural memories around it. I often actually feel nostalgic for eras and places I never even knew or went to, just through music – which is very strange! It happens when I hear film soundtracks from the ’50s and ’60s, for instance, or even jazz from the ’40s. I don’t really know what’s going on there, maybe that’s a common thing – I’m not sure!\r\n\r\n&nbsp;\r\n\r\nI’m really interested in the way that this synth-driven soundtrack is used as a kind of humanising element in the film – there is a lot of orchestration and piano motifs, but it’s when the synths have full rein that you feel really connected to Cruise’s character I think. Maybe it’s because we now have this long history of synth-centred music and it’s actually a warm familiar genre now and a communal memory for us, rather than the futuristic-seeming sound it was in the ’70s and ’80s. Now maybe it’s associated with a kind of technological innocence, which is a pretty strange thing. When I listened to Tangerine Dream as a teenager I just found it completely hypnotic, exciting and all-enveloping. The first time I actually played a synth was when I was 15 and my sister’s boyfriend left one in our house for a few weeks. I composed this soundtrack inspired by a sculpture that an artist in residence had made at school. It was a fantastic feeling to be able to access all the different pads and multi-track and get these really deep evocative sounds and I think that’s where my love-affair with making electronic music started.\r\n\r\n&nbsp;','Sound and Scene with Chloe March','','inherit','closed','closed','','11620-revision-v1','','','2015-01-13 14:17:39','2015-01-13 06:17:39','',11620,'http://www.hiddenshoal.com/11620-revision-v1/',0,'revision','',0),(396,1,'2007-04-29 08:44:23','2007-04-29 08:44:23','<img id=\"artist-img\" src=\"/wp-content/uploads/File/tangledstar/treepeople.jpg\" alt=\"Tangled Star\" width=\"180\" height=\"125\" align=\"right\" />\n<ul>\n	<li><a href=\"/artists/tangledstar\">About</a></li>\n	<li><a href=\"/cat/news/tangled-star-news/\">News</a></li>\n	<li><a href=\"/artists/tangledstar/tangled-star-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/tangled-star-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/tangledstar/tangled-star-gallery/\">Gallery</a></li>\n	<li>Press</li>\n	<li><a href=\"/artists/tangledstar/tangled-star-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/tangledstar/tangled-star-music\">Buy Music Releases</a></li>\n</ul>\n&nbsp;\n\nPress Releases\n<p style=\"padding-left: 30px;\">\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Tangled_Star-Lets_Adjourn.pdf\"><em>Let\'s Adjourn To The Garden</em> Album Release</a> </p>\n\n<p style=\"padding-left: 30px;\"><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Tangled_Star-Head_in_the_Sand.pdf\">\'Head In The Sand\' Single Release</a></p>\n\n<p style=\"padding-left: 30px;\"><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Tangled_Star_That_Time_EP.pdf\"><em>That Time</em> EP</a></p>\n\n<p style=\"padding-left: 30px;\"><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Tangled_Star-Our_Man_in_Eden_Hill_CD_Re-Issue.pdf\"><em>Our Man In Eden Hill</em> EP</a></p>\n\n<p style=\"padding-left: 30px;\"><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Tangled_Star_Mini_Album.pdf\" target=\"_blank\"><em>It\'s Now Or Later</em> Mini-Album Release</a></p>','Tangled Star Press','','draft','closed','open','','tangled-star-press','','','2014-07-25 02:52:55','2014-07-25 02:52:55','',91,'http://music.hiddenshoal.com/artists/tangledstar/tangled-star-press/',0,'page','',0),(397,1,'2007-04-29 08:45:28','2007-04-29 08:45:28','<img width=\"180\" height=\"125\" align=\"right\" alt=\"Tangled Star\" id=\"artist-img\" src=\"/wp-content/uploads/File/tangledstar/treepeople.jpg\" />\n<ul>\n	<li><a href=\"/artists/tangledstar\">About</a></li>\n	<li><a href=\"/cat/news/tangled-star-news/\">News</a></li>\n	<li><a href=\"/artists/tangledstar/tangled-star-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/tangled-star-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/tangledstar/tangled-star-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/tangledstar/tangled-star-press\">Press</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"/artists/tangledstar/tangled-star-music\">Buy Music Releases</a></li>\n</ul>\n<font color=\"#000000\">.</font>\n\n<strong>You can also find Tangled Star at the following sites:</strong>\n<table border=\"0\">\n<tr>\n<td><a title=\"Myspace\" target=\"_blank\" href=\"http://www.myspace.com/tangledstar\"><img title=\"Myspace\" alt=\"Myspace\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" /></a><a target=\"_blank\" href=\"http://www.sanktotten.de\"> </a></td>\n<td><a target=\"_blank\" title=\"Imeem\" href=\"http://tangledstar.imeem.com/\"><img title=\"Imeem\" alt=\"Imeem\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/imeem.jpg\" /></a></td>\n<td><a target=\"_blank\" title=\"Bebo\" href=\"http://tangledstar.bebo.com/\"><img title=\"Bebo\" alt=\"Bebo\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/bebo.gif\" /></a></td>\n</tr>\n<tr>\n<td><a target=\"_blank\" title=\"Tagworld\" href=\"http://www.tagworld.com/tangledstar\"><img alt=\"Tagworld\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/TagWorldBanner.gif\" /></a></td>\n<td><a target=\"_blank\" title=\"Last FM\" href=\"http://www.last.fm/music/Tangled+Star\"><img alt=\"Last FM\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/lastfm.gif\" /></a></td>\n<td></td>\n</tr>\n</table>','Tangled Star Sites','','draft','closed','open','','tangled-star-sites','','','2014-07-25 02:52:55','2014-07-25 02:52:55','',91,'http://music.hiddenshoal.com/artists/tangledstar/tangled-star-sites/',0,'page','',0),(11626,1,'2015-01-13 14:15:43','2015-01-13 06:15:43','<img class=\"alignleft wp-image-10525 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"300\" height=\"172\" />Chloë March’s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. March\'s music inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic and there is no better testament to this than on her recently re-released album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a>. She has an innate ability to not only create music that is alive atmosphere and narrative but to also deftly create room in each work for the listener to posit themselves and become part of the musical tapestry. It\'s no wonder then she has been called upon to soundtrack a number of theatrical works across London. As part of our ongoing <a title=\"Sound and Scene\" href=\"http://www.hiddenshoal.com/features/sound-scene/\" target=\"_blank\">Sound and Scene</a> series Hidden Shoal\'s Cam Merton sat down with Chloë to talk about her favourite film soundtracks.\r\n\r\n&nbsp;\r\n\r\n<strong>John Harle: <em>A History of Britain</em> by Simon Schama</strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë:</strong> I was blown away by this score when I first saw the series in 2000. <a title=\"John Harle\" href=\"http://www.johnharle.com/\" target=\"_blank\">John Harle</a> is a brilliant saxophonist and his score features his playing and also includes evocative arrangements of British folksongs performed by singers including <a title=\"Emma Kirkby\" href=\"http://www.emmakirkby.com/\" target=\"_blank\">Emma Kirkby</a>. This music made a deep impression on me and just seemed to work so well with the material and <a title=\"Simon Schama at Wikipedia\" href=\"http://en.wikipedia.org/wiki/Simon_Schama\" target=\"_blank\">Schama</a>’s dramatic storytelling style. There’s a lot of symbolism used in the imagery, rather than full-on historical re-enactments and the music works in the same way, with older instruments like pipes, flutes, harp and the fragments of folksong, conjuring these lost worlds and tapping into a kind of communal musical memory. Harle is great at drama, at one point his screeching sax underscoring shots of fires during the passages about the burning of heretics – it’s very eerie! The sheer variety of tone he can get from the sax too is phenomenal and he really plays with that across the series. Another thing I love about this soundtrack is the space in it – the programmes often have silence, both in the presentation and in the score itself – so there’s space to take in the narrative, the facts, the imagery, the emotion of the past.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Your mention of space here is key to any discussion on film scoring. It is an art and almost an alchemical process to be able to support and grow the narrative and vision with sound and music.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Yes – it must be so tempting to do too much and try to impose your own style, when what’s needed is something completely different or even nothing at all. I guess the composer needs to be incredibly sensitive about supporting that vision.\r\n\r\n&nbsp;\r\n\r\nHarle used to work in the National Theatre Music Department early on in his career and I think I can hear that theatre music vibe. A lot of the music that I heard growing up was theatre music being practised by my parents, who were both musicians at the Royal Shakespeare Theatre in Stratford, so I was hearing composers like Howard Blake, Ilona Sekacz and Stephen Warbeck a lot! I got used to hearing music and wondering what scene it was for, what atmosphere it was creating and how it was doing it. Musicians had to adapt to the demands of the productions, like my dad playing fanfares on animal horns instead of trumpets, and my mum, a classical pianist, having to learn the accordion, get her head around the Yamaha DX7 synth and, most entertainingly for the rest of us, the theremin. When I eventually studied drama at uni I wrote a lot of music for productions and really enjoyed that challenge of having to create a particular atmosphere in a very short time. Sometimes I find it’s great to be given instrumental constraints and very short time-frames to compose in, especially if the dramatic/visual material you have is powerful.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> That’s a really interesting point as I think that challenge has drawn a number of artists into crossing over into scoring for film. I can’t help but think of <a title=\"Clint Mansell\" href=\"http://www.clintmansell.com/\" target=\"_blank\">Clint Mansell</a> in this regard, who went from the chaotic pop maximalism of Pop Will Eat Itself to producing the gorgeous, restrained score to <a title=\"Moon\" href=\"https://www.youtube.com/watch?v=twuScTcDP_Q\" target=\"_blank\"><em>Moon </em></a>(amongst others, of course).\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Yes, it seems like limitations often bring out amazing and surprising creative results. I wonder if some artists are so drawn to film because as well as the challenge of it and wanting to develop as writers, there’s also this common discipline in some pop music of creating intense imagery and atmosphere. Not that other composers don’t do that, just that in pop you learn to do it within a very short time-frame, so to a pop artist being given a 90-minute film to score would seem like a luxuriously long amount of time to work with, but each cue has to create immediate atmosphere, so it also has that familiar discipline. But maybe also it’s easier in pop to put artists into boxes and not expect them to change what they do too much, so film-scoring would be incredibly liberating in that way too for someone who felt frustrated by that. It’s great also to discover that you can actually compose to a deadline if you’re used to spending years on an album like I am! That sense of urgency can sometimes generate wonderful creativity too.\r\n\r\n&nbsp;\r\n\r\nHarle has also described himself as ‘a romantic, both as a player and a composer’ and I think that’s a big part of why I’m so drawn to his music. There’s a strong modal component to this score, with the plainchant, the folksongs and the sax playing what sometimes sound like virtuosic jazz improvisations – and I’m very drawn to that modality too, it’s how I write my own songs. He uses a lot of pure tones, both with his sax playing and with the early music vocalists who use hardly any vibrato, and I’m really interested in the juxtaposition of these tones put together with lush, jazz-influenced harmony. I also have a strong classical foundation and love jazz harmony and folk melody, so it’s probably inevitable that I love Harle’s music! I didn’t think to try working with saxophone myself until my latest album, when Ted Watson, a superb musician, offered to play for me – so I was finally able to experiment with writing for and singing with soprano sax, which was just fantastic and a lovely new direction for me.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/141504756&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<h4><strong>Gabriel Yared: <em>The English Patient</em></strong></h4>\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I was a fan of <a title=\"Gabriel Yared\" href=\"http://www.gabrielyared.com\" target=\"_blank\">Gabriel Yared</a> before seeing this film as I’d fallen in love with the soundtrack he wrote for <a title=\"Betty Blue\" href=\"http://www.imdb.com/title/tt0090563/\" target=\"_blank\"><em>Betty Blue</em></a>, which I listened to for years before actually seeing the film. I think maybe the chemistry of Yared’s creative partnership with <a title=\"Anthony Minghella\" href=\"http://www.imdb.com/name/nm0005237/\" target=\"_blank\">Anthony Minghella</a> is a vital part of the magic of this score. When I discovered that Yared had been part of the filmmaking process right from the start it really made sense – there’s just a feeling that the music and the film developed together in a really organic way and that it’s all intensely driven by the emotion that’s at the heart of the film. Minghella said afterwards, ‘There was a sense of us being unusually connected’. He was a musician himself and also said that he approached his filmmaking ‘as much from musical form as conventional storytelling’ – which is really interesting. It was Minghella who suggested that Yared use the Aria from the Bach Goldberg Variations and also the incredibly beautiful, haunting Hungarian folksong sung by <a title=\"Márta Sebestyén Singing in The English Patient\" href=\"https://www.youtube.com/watch?v=rAUJgjxNGd8\" target=\"_blank\">Márta Sebestyén</a>.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> That kind of partnership between the creative drivers of vision and sound in films seems to be so natural and right it’s almost disappointing that it isn’t de rigueur in the film-making process. That’s not to say most directors wouldn’t have a pure vision (!) for the sonic and musical elements needed for the film, but having that collaborative partnership up front could sometimes bring so much more.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I totally agree. It’s been so interesting doing this feature finding that most of the soundtracks I really love have emerged from these partnerships. <a title=\"Joe Wright\" href=\"http://www.imdb.com/name/nm0942504/\" target=\"_blank\">Joe Wright</a> and <a title=\"Dario Marianelli (Pride and Prejudice Soundtrack)\" href=\"https://www.youtube.com/watch?v=TBT0VLFzaYo\" target=\"_blank\">Dario Marianelli </a>is another wonderful one. His score for <em>Pride and Prejudice</em> had to begin even before shooting started and ended up being a phenomenally successful soundtrack. I just don’t understand why music is sometimes added during the last few weeks of editing. Maybe it works for some films and for some composers who thrive on that challenge, but it seems like a wasted opportunity to me.\r\n\r\n&nbsp;\r\n\r\nI love the way that Yared uses the Bach, orchestrating it, and writing the most beautiful pastiche that adds a deeply romantic lushness, without sentimentalising it or sounding naff. A lot of my early learning of the piano involved playing Bach, so I feel like that music is an old friend. I’m really interested in pastiche and the difference between writing say a baroque-sounding piece or a piece that reminds you of baroque but also takes you somewhere else. When I was commissioned to compose a score for a re-working of a ballet by Kurt Jooss from the 1930s, the choreographer asked for a contemporary score that would still hark back to that era. I really wanted to evoke an atmosphere that hinted at the 1930s rather than write full-on pastiche, so I tried to get a sense of composers like Weill and Walton into the music by using certain rhythms and instrumentation and then actually used a few chords from Stravinsky’s ‘Petrushka’ – I knew I could never compose like Stravinsky, but using his chords really pushed me to write music that I never thought I could and definitely took me right out of my comfort zone.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Have you found that this need to conceptualise when approaching score work is something that feeds back into your work as an artist, or is it something innate in the way you approach music as a whole?\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I’m not sure if it feeds back, or if that’s just how I am – it’s mostly ideas that make me feel creative, so yeah, it probably is the way I approach my music. Except for improvising, when I play the piano to express something immediately and for as long as I want! I’m much more aware of what I’m doing as a songwriter now, but sometimes I’ll write and finish a song in a few hours, and sometimes in months, so it’s a different process every time. I do usually like to have an idea to form the music around though. Usually it’s an idea that comes packed with powerful emotion or imagery and that resonates with what I’m feeling and wanting to express. What I love is to create these self-contained little worlds and atmospheres, so I’m drawn to vivid symbolism and imagery and stories.\r\n\r\n&nbsp;\r\n\r\nIt feels to me that Juliette Binoche is the heart of this film and it’s her character who has the Bach theme – I think it makes her character’s experience feel timeless, as well as redemptive because Bach has that spiritual link to church music, but it’s also timeless in its humanity and beauty too. There’s so much suffering and tragedy in the different narratives, but hers has this gorgeous lightness and hope to it. The scene in the church where her lover Kip transports her around the walls on a rope to look at the frescoes with a flaming torch is just so beautiful. At the moment when Kip lifts her off the ground Yared uses pizzicato strings and then brings in his beautiful Bach pastiche in the bowed strings with harp gliss as well, and it’s just perfect for the scene. There’s such joy in that music, but there is also melancholy there and this heartbreaking fragility and lightness, so you know her joy is probably temporary and that it’s come after so much devastating loss. All the strands of creativity going on – the music, Binoche’s utterly beautiful acting, the way we lift off with her and the timing of the scene within the whole film – it just really gets me every time!\r\n<iframe src=\"//www.youtube.com/embed/aniXbKM3ez8?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n<h4><strong>Hans Zimmer: <em>Interstellar</em> (contains spoilers)</strong></h4>\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I’m quite surprised to find myself talking about <a title=\"Hans Zimmer\" href=\"http://www.hans-zimmer.com/\" target=\"_blank\">Hans Zimmer</a>. I wouldn’t really have put him as one of my top favourite film composers before, but this soundtrack did really take me over during the film and I found it very powerful stuff. It’s a combination of electronic elements with orchestra/choir/organ and piano. He had no less than six orchestrators working with him on this score and it really does sound like a massive team effort. I felt like I was just taken captive by this film and manipulated and spun off into all sorts of different emotional states – and the music was a huge part of that. It’s fantastically epic but also has a lot of tension and meditative space in it too and underpins the emotional core of the father/daughter relationship with its long separation, sense of loss and also deep love and connectedness. This theme is beautiful I think, a combination of quite cold, slightly threatening soundscape with what becomes a melancholy piano/organ piece. Apparently Zimmer composed the score over a period of two years alongside the director <a title=\"Christopher Nolan\" href=\"http://www.imdb.com/name/nm0634240/\" target=\"_blank\">Christopher Nolan</a> shooting/scripting the movie, so it sounds like another case of a strong emotional, creative connectedness between director and composer.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Considering the scope of this film it seems fitting to have such an involved and long-range approach to the score. You can’t help but appreciate the kind of nuances that can be afforded with such a long-term involvement in the musical and sonic aspects of the film.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Absolutely. I wonder if this kind of long-term involvement happens more in TV music where composers are on board for long series and really get to have that intense collaborative process – like <a title=\"Bear McCreary\" href=\"http://www.bearmccreary.com/\" target=\"_blank\">Bear McCreary</a> with <em>Battlestar</em>, or <a title=\"Jeff Beal\" href=\"http://www.jeffbeal.com/\" target=\"_blank\">Jeff Beal</a> with <em>House of Cards</em>. I really love both those soundtracks and also <a title=\"Frans Bak\" href=\"http://fransbak.com/\" target=\"_blank\">Frans Bak</a>’s score for <em>The Killing</em>. Even though they’re having to write extremely quickly, these composers are developing music alongside the show with this long development arc – it must be great to do.\r\n\r\n&nbsp;\r\n\r\nThe moment in the cinema when I thought ‘this music is just brilliant’ was the scene where Matthew McConaughey’s character is driving his car through the fields on his way to fly the spaceship and the music just rachets up notch by notch until it actually sounds like rocket-launching music while he’s still driving the car – it’s such a clever moment and just got me totally emotionally involved with the film from that point on. I love repetitive patterns in music, used a lot in film scores, and this one is one of the best examples of that kind of rhythmic instrumentation in the style of Reich or Glass, being built on and lushed out, that I’ve heard in a while.\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/125268635&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n&nbsp;\r\n<h4><strong>M83/Joseph Trapanese: <em>Oblivion</em> </strong></h4>\r\n&nbsp;\r\n\r\nAnother sci-fi, but I reckon this film is all about nostalgia and I think that’s probably why I really liked the soundtrack by <a title=\"M83\" href=\"http://ilovem83.com/\" target=\"_blank\">M83</a> and <a title=\"Joseph Trapanese\" href=\"http://joecomposer.com/\" target=\"_blank\">Joseph Trapanese</a>. There is beautifully futuristic imagery in this film, but the overall feel is one of almost unbearable melancholy and nostalgia I found. It’s partly the fact that it’s Tom Cruise in the lead, occasionally on a motorbike, giving this nostalgic tilt towards his movies of the ’80s, but it also made me think of <em>Blade Runner</em>. The soundtrack also triggers these references, as it’s so reminiscent of <a title=\"Tangerine Dream\" href=\"http://www.tangerinedream.org/\" target=\"_blank\">Tangerine Dream</a> and <a title=\"Vangelis\" href=\"http://elsew.com/\" target=\"_blank\">Vangelis</a>. There’s pastoralism too, as Cruise’s character goes back to his cabin by a lake on a pristine bit of Earth – it’s this gorgeous contrast with the post-apocalyptic bleakness of the destroyed land and the sharp shiny minimalist sky-pods they live in. Of course, when he goes back to his cabin it has his collection of vinyl records of Tangerine Dream and Blue Oyster Cult and he lies by the lake listening to Led Zeppelin and Procol Harum. It’s not just a yearning in the context of the film for a pre-war Earth-home, it feels like a heartfelt yearning of now for 20/30 years ago.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Perhaps the Tangerine Dream vinyl was a nod to the <em>Risky Business</em> soundtrack! The temporal mis-match of Cruise’s character’s nostalgic musical yearning is interesting – this would have been the music of his great great great grandparents, I assume. Yet the film-maker makes a choice to work with the audience’s collective musical notions of nostalgia. I guess it’s all part of the beautiful trickery that is cinema.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Ah yes, I hadn’t thought of that! It definitely worked on me, anyway! Nostalgia and music is so intriguing – seems that sometimes it’s within the music itself and sometimes triggered by it and all the cultural memories around it. I often actually feel nostalgic for eras and places I never even knew or went to, just through music – which is very strange! It happens when I hear film soundtracks from the ’50s and ’60s, for instance, or even jazz from the ’40s. I don’t really know what’s going on there, maybe that’s a common thing – I’m not sure!\r\n\r\n&nbsp;\r\n\r\nI’m really interested in the way that this synth-driven soundtrack is used as a kind of humanising element in the film – there is a lot of orchestration and piano motifs, but it’s when the synths have full rein that you feel really connected to Cruise’s character I think. Maybe it’s because we now have this long history of synth-centred music and it’s actually a warm familiar genre now and a communal memory for us, rather than the futuristic-seeming sound it was in the ’70s and ’80s. Now maybe it’s associated with a kind of technological innocence, which is a pretty strange thing. When I listened to Tangerine Dream as a teenager I just found it completely hypnotic, exciting and all-enveloping. The first time I actually played a synth was when I was 15 and my sister’s boyfriend left one in our house for a few weeks. I composed this soundtrack inspired by a sculpture that an artist in residence had made at school. It was a fantastic feeling to be able to access all the different pads and multi-track and get these really deep evocative sounds and I think that’s where my love-affair with making electronic music started.\r\n\r\n&nbsp;','Sound and Scene with Chloe March','','inherit','closed','closed','','11620-revision-v1','','','2015-01-13 14:15:43','2015-01-13 06:15:43','',11620,'http://www.hiddenshoal.com/11620-revision-v1/',0,'revision','',0),(11625,1,'2015-01-13 13:50:17','2015-01-13 05:50:17','<img class=\"alignleft wp-image-10525 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"300\" height=\"172\" />Chloë March’s ability as a composer and producer sees her create songworlds alive with feeling, shape and colour, and ringing with emotive energy. March\'s music inhabits musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic and there is no better testament to this than on her recently re-released album <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com\" target=\"_blank\"><em>Nights Bright Days</em></a>. She has an innate ability to not only create music that is alive atmosphere and narrative but to also deftly create room in each work for the listener to posit themselves and become part of the musicaltapestry. It\'s no wonder then she has been called upon to soundtrack a number of theatrical works across London. As part of our ongoing <a title=\"Sound and Scene\" href=\"http://www.hiddenshoal.com/features/sound-scene/\" target=\"_blank\">Sound and Scene</a> series Hidden Shoal\'s Cam Merton sat down with Chloë to talk about her favourite film soundtracks.\r\n\r\n&nbsp;\r\n\r\n<strong>John Harle: <em>A History of Britain</em> by Simon Schama</strong>\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë:</strong> I was blown away by this score when I first saw the series in 2000. John Harle is a brilliant saxophonist and his score features his playing and also includes evocative arrangements of British folksongs performed by singers including Emma Kirkby. This music made a deep impression on me and just seemed to work so well with the material and Schama’s dramatic storytelling style. There’s a lot of symbolism used in the imagery, rather than full-on historical re-enactments and the music works in the same way, with older instruments like pipes, flutes, harp and the fragments of folksong, conjuring these lost worlds and tapping into a kind of communal musical memory. Harle is great at drama, at one point his screeching sax underscoring shots of fires during the passages about the burning of heretics – it’s very eerie! The sheer variety of tone he can get from the sax too is phenomenal and he really plays with that across the series. Another thing I love about this soundtrack is the space in it – the programmes often have silence, both in the presentation and in the score itself – so there’s space to take in the narrative, the facts, the imagery, the emotion of the past.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Your mention of space here is key to any discussion on film scoring. It is an art and almost an alchemical process to be able to support and grow the narrative and vision with sound and music.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Yes – it must be so tempting to do too much and try to impose your own style, when what’s needed is something completely different or even nothing at all. I guess the composer needs to be incredibly sensitive about supporting that vision.\r\n\r\n&nbsp;\r\n\r\nHarle used to work in the National Theatre Music Department early on in his career and I think I can hear that theatre music vibe. A lot of the music that I heard growing up was theatre music being practised by my parents, who were both musicians at the Royal Shakespeare Theatre in Stratford, so I was hearing composers like Howard Blake, Ilona Sekacz and Stephen Warbeck a lot! I got used to hearing music and wondering what scene it was for, what atmosphere it was creating and how it was doing it. Musicians had to adapt to the demands of the productions, like my dad playing fanfares on animal horns instead of trumpets, and my mum, a classical pianist, having to learn the accordion, get her head around the Yamaha DX7 synth and, most entertainingly for the rest of us, the theremin. When I eventually studied drama at uni I wrote a lot of music for productions and really enjoyed that challenge of having to create a particular atmosphere in a very short time. Sometimes I find it’s great to be given instrumental constraints and very short time-frames to compose in, especially if the dramatic/visual material you have is powerful.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> That’s a really interesting point as I think that challenge has drawn a number of artists into crossing over into scoring for film. I can’t help but think of Clint Mansell in this regard, who went from the chaotic pop maximalism of Pop Will Eat Itself to producing the gorgeous, restrained score to <em>Moon </em>(amongst others, of course).\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Yes, it seems like limitations often bring out amazing and surprising creative results. I wonder if some artists are so drawn to film because as well as the challenge of it and wanting to develop as writers, there’s also this common discipline in some pop music of creating intense imagery and atmosphere. Not that other composers don’t do that, just that in pop you learn to do it within a very short time-frame, so to a pop artist being given a 90-minute film to score would seem like a luxuriously long amount of time to work with, but each cue has to create immediate atmosphere, so it also has that familiar discipline. But maybe also it’s easier in pop to put artists into boxes and not expect them to change what they do too much, so film-scoring would be incredibly liberating in that way too for someone who felt frustrated by that. It’s great also to discover that you can actually compose to a deadline if you’re used to spending years on an album like I am! That sense of urgency can sometimes generate wonderful creativity too.\r\n\r\n&nbsp;\r\n\r\nHarle has also described himself as ‘a romantic, both as a player and a composer’ and I think that’s a big part of why I’m so drawn to his music. There’s a strong modal component to this score, with the plainchant, the folksongs and the sax playing what sometimes sound like virtuosic jazz improvisations – and I’m very drawn to that modality too, it’s how I write my own songs. He uses a lot of pure tones, both with his sax playing and with the early music vocalists who use hardly any vibrato, and I’m really interested in the juxtaposition of these tones put together with lush, jazz-influenced harmony. I also have a strong classical foundation and love jazz harmony and folk melody, so it’s probably inevitable that I love Harle’s music! I didn’t think to try working with saxophone myself until my latest album, when Ted Watson, a superb musician, offered to play for me – so I was finally able to experiment with writing for and singing with soprano sax, which was just fantastic and a lovely new direction for me.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/141504756&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<h4><strong>Gabriel Yared: <em>The English Patient</em></strong></h4>\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I was a fan of Gabriel Yared before seeing this film as I’d fallen in love with the soundtrack he wrote for <em>Betty Blue</em>, which I listened to for years before actually seeing the film. I think maybe the chemistry of Yared’s creative partnership with Anthony Minghella is a vital part of the magic of this score. When I discovered that Yared had been part of the filmmaking process right from the start it really made sense – there’s just a feeling that the music and the film developed together in a really organic way and that it’s all intensely driven by the emotion that’s at the heart of the film. Minghella said afterwards, ‘There was a sense of us being unusually connected’. He was a musician himself and also said that he approached his filmmaking ‘as much from musical form as conventional storytelling’ – which is really interesting. It was Minghella who suggested that Yared use the Aria from the Bach Goldberg Variations and also the incredibly beautiful, haunting Hungarian folksong sung by Márta Sebestyén.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> That kind of partnership between the creative drivers of vision and sound in films seems to be so natural and right it’s almost disappointing that it isn’t de rigueur in the film-making process. That’s not to say most directors wouldn’t have a pure vision (!) for the sonic and musical elements needed for the film, but having that collaborative partnership up front could sometimes bring so much more.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I totally agree. It’s been so interesting doing this feature finding that most of the soundtracks I really love have emerged from these partnerships. Joe Wright and Dario Marianelli is another wonderful one. His score for <em>Pride and Prejudice</em> had to begin even before shooting started and ended up being a phenomenally successful soundtrack. I just don’t understand why music is sometimes added during the last few weeks of editing. Maybe it works for some films and for some composers who thrive on that challenge, but it seems like a wasted opportunity to me.\r\n\r\n&nbsp;\r\n\r\nI love the way that Yared uses the Bach, orchestrating it, and writing the most beautiful pastiche that adds a deeply romantic lushness, without sentimentalising it or sounding naff. A lot of my early learning of the piano involved playing Bach, so I feel like that music is an old friend. I’m really interested in pastiche and the difference between writing say a baroque-sounding piece or a piece that reminds you of baroque but also takes you somewhere else. When I was commissioned to compose a score for a re-working of a ballet by Kurt Jooss from the 1930s, the choreographer asked for a contemporary score that would still hark back to that era. I really wanted to evoke an atmosphere that hinted at the 1930s rather than write full-on pastiche, so I tried to get a sense of composers like Weill and Walton into the music by using certain rhythms and instrumentation and then actually used a few chords from Stravinsky’s ‘Petrushka’ – I knew I could never compose like Stravinsky, but using his chords really pushed me to write music that I never thought I could and definitely took me right out of my comfort zone.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Have you found that this need to conceptualise when approaching score work is something that feeds back into your work as an artist, or is it something innate in the way you approach music as a whole?\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I’m not sure if it feeds back, or if that’s just how I am – it’s mostly ideas that make me feel creative, so yeah, it probably is the way I approach my music. Except for improvising, when I play the piano to express something immediately and for as long as I want! I’m much more aware of what I’m doing as a songwriter now, but sometimes I’ll write and finish a song in a few hours, and sometimes in months, so it’s a different process every time. I do usually like to have an idea to form the music around though. Usually it’s an idea that comes packed with powerful emotion or imagery and that resonates with what I’m feeling and wanting to express. What I love is to create these self-contained little worlds and atmospheres, so I’m drawn to vivid symbolism and imagery and stories.\r\n\r\n&nbsp;\r\n\r\nIt feels to me that Juliette Binoche is the heart of this film and it’s her character who has the Bach theme – I think it makes her character’s experience feel timeless, as well as redemptive because Bach has that spiritual link to church music, but it’s also timeless in its humanity and beauty too. There’s so much suffering and tragedy in the different narratives, but hers has this gorgeous lightness and hope to it. The scene in the church where her lover Kip transports her around the walls on a rope to look at the frescoes with a flaming torch is just so beautiful. At the moment when Kip lifts her off the ground Yared uses pizzicato strings and then brings in his beautiful Bach pastiche in the bowed strings with harp gliss as well, and it’s just perfect for the scene. There’s such joy in that music, but there is also melancholy there and this heartbreaking fragility and lightness, so you know her joy is probably temporary and that it’s come after so much devastating loss. All the strands of creativity going on – the music, Binoche’s utterly beautiful acting, the way we lift off with her and the timing of the scene within the whole film – it just really gets me every time!\r\n<iframe src=\"//www.youtube.com/embed/aniXbKM3ez8?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n<h4><strong>Hans Zimmer: <em>Interstellar</em> (contains spoilers)</strong></h4>\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>I’m quite surprised to find myself talking about Hans Zimmer. I wouldn’t really have put him as one of my top favourite film composers before, but this soundtrack did really take me over during the film and I found it very powerful stuff. It’s a combination of electronic elements with orchestra/choir/organ and piano. He had no less than six orchestrators working with him on this score and it really does sound like a massive team effort. I felt like I was just taken captive by this film and manipulated and spun off into all sorts of different emotional states – and the music was a huge part of that. It’s fantastically epic but also has a lot of tension and meditative space in it too and underpins the emotional core of the father/daughter relationship with its long separation, sense of loss and also deep love and connectedness. This theme is beautiful I think, a combination of quite cold, slightly threatening soundscape with what becomes a melancholy piano/organ piece. Apparently Zimmer composed the score over a period of two years alongside the director Christopher Nolan shooting/scripting the movie, so it sounds like another case of a strong emotional, creative connectedness between director and composer.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Considering the scope of this film it seems fitting to have such an involved and long-range approach to the score. You can’t help but appreciate the kind of nuances that can be afforded with such a long-term involvement in the musical and sonic aspects of the film.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Absolutely. I wonder if this kind of long-term involvement happens more in TV music where composers are on board for long series and really get to have that intense collaborative process – like Bear McCreary with <em>Battlestar</em>, or Jeff Beal with <em>House of Cards</em>. I really love both those soundtracks and also Frans Bak’s score for <em>The Killing</em>. Even though they’re having to write extremely quickly, these composers are developing music alongside the show with this long development arc – it must be great to do.\r\n\r\n&nbsp;\r\n\r\nThe moment in the cinema when I thought ‘this music is just brilliant’ was the scene where Matthew McConaughey’s character is driving his car through the fields on his way to fly the spaceship and the music just rachets up notch by notch until it actually sounds like rocket-launching music while he’s still driving the car – it’s such a clever moment and just got me totally emotionally involved with the film from that point on. I love repetitive patterns in music, used a lot in film scores, and this one is one of the best examples of that kind of rhythmic instrumentation in the style of Reich or Glass, being built on and lushed out, that I’ve heard in a while.\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/125268635&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n\r\n&nbsp;\r\n<h4><strong>M83/Joseph Trapanese: <em>Oblivion</em> </strong></h4>\r\n&nbsp;\r\n\r\nAnother sci-fi, but I reckon this film is all about nostalgia and I think that’s probably why I really liked the soundtrack. There is beautifully futuristic imagery in this film, but the overall feel is one of almost unbearable melancholy and nostalgia I found. It’s partly the fact that it’s Tom Cruise in the lead, occasionally on a motorbike, giving this nostalgic tilt towards his movies of the ’80s, but it also made me think of <em>Blade Runner</em>. The soundtrack also triggers these references, as it’s so reminiscent of Tangerine Dream and Vangelis. There’s pastoralism too, as Cruise’s character goes back to his cabin by a lake on a pristine bit of Earth – it’s this gorgeous contrast with the post-apocalyptic bleakness of the destroyed land and the sharp shiny minimalist sky-pods they live in. Of course, when he goes back to his cabin it has his collection of vinyl records of Tangerine Dream and Blue Oyster Cult and he lies by the lake listening to Led Zeppelin and Procol Harum. It’s not just a yearning in the context of the film for a pre-war Earth-home, it feels like a heartfelt yearning of now for 20/30 years ago.\r\n\r\n&nbsp;\r\n\r\n<strong>Cam:</strong> Perhaps the Tangerine Dream vinyl was a nod to the <em>Risky Business</em> soundtrack! The temporal mis-match of Cruise’s character’s nostalgic musical yearning is interesting – this would have been the music of his great great great grandparents, I assume. Yet the film-maker makes a choice to work with the audience’s collective musical notions of nostalgia. I guess it’s all part of the beautiful trickery that is cinema.\r\n\r\n&nbsp;\r\n\r\n<strong>Chloë: </strong>Ah yes, I hadn’t thought of that! It definitely worked on me, anyway! Nostalgia and music is so intriguing – seems that sometimes it’s within the music itself and sometimes triggered by it and all the cultural memories around it. I often actually feel nostalgic for eras and places I never even knew or went to, just through music – which is very strange! It happens when I hear film soundtracks from the ’50s and ’60s, for instance, or even jazz from the ’40s. I don’t really know what’s going on there, maybe that’s a common thing – I’m not sure!\r\n\r\n&nbsp;\r\n\r\nI’m really interested in the way that this synth-driven soundtrack is used as a kind of humanising element in the film – there is a lot of orchestration and piano motifs, but it’s when the synths have full rein that you feel really connected to Cruise’s character I think. Maybe it’s because we now have this long history of synth-centred music and it’s actually a warm familiar genre now and a communal memory for us, rather than the futuristic-seeming sound it was in the ’70s and ’80s. Now maybe it’s associated with a kind of technological innocence, which is a pretty strange thing. When I listened to Tangerine Dream as a teenager I just found it completely hypnotic, exciting and all-enveloping. The first time I actually played a synth was when I was 15 and my sister’s boyfriend left one in our house for a few weeks. I composed this soundtrack inspired by a sculpture that an artist in residence had made at school. It was a fantastic feeling to be able to access all the different pads and multi-track and get these really deep evocative sounds and I think that’s where my love-affair with making electronic music started.\r\n\r\n&nbsp;','Sound and Scene with Chloe March','','inherit','closed','closed','','11620-revision-v1','','','2015-01-13 13:50:17','2015-01-13 05:50:17','',11620,'http://www.hiddenshoal.com/11620-revision-v1/',0,'revision','',0),(11607,1,'2015-01-12 11:22:35','2015-01-12 03:22:35','','Liminal Drifter','','inherit','closed','closed','','dr-liminal-8','','','2015-01-12 11:23:54','2015-01-12 03:23:54','',11606,'http://www.hiddenshoal.com/wp-content/uploads/2015/01/Dr-Liminal-8.jpg',0,'attachment','image/jpeg',0),(11605,1,'2015-01-09 00:17:15','2015-01-08 16:17:15','[et_pb_section background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Who We Are</h1>\r\nHidden Shoal is an Australia-based independent publisher and label founded in 2006. Our core label team have extensive backgrounds in the Australian and international music scenes, and more importantly have an intense passion for good music, no matter the style. Our approach has earned us a reputation for releasing exciting and engaging new independent music that is not bound by genre.\r\n\r\nHidden Shoal was dubbed “this generation’s 4AD” by New York radio host DJ Mojo, and was described by The Mountain Goats’ John Darnielle as “one of the great wonders of our age.”\r\n\r\nSince the label’s inception, we have prided ourselves on a diverse and lovingly curated catalogue of music. The artists we work with constantly inspire and surprise us. We only work with the music we love - the kind of music we fervently listen to as fans.\r\n\r\nWe provide a co-operative support framework for our artists to release their work, while allowing them to retain 100% of their retail sales. We act as publishers for our artists and pursue licensing opportunities on their behalf, and we are constantly looking for new ways to telescope our artists\' music into new arenas.\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Who We Are','','inherit','closed','closed','','4-revision-v1','','','2015-01-09 00:17:15','2015-01-08 16:17:15','',4,'http://www.hiddenshoal.com/4-revision-v1/',0,'revision','',0),(11604,1,'2015-01-09 00:12:01','2015-01-08 16:12:01','[et_pb_section][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>MixTapes</h1>\r\nWrap your ears around artist and label curated mixtapes. Expect these mixtapes to cover broad ground as you\'ll see from our inaugural mix from Markus Mehr. Some mixes will focus on the Hidden Shoal catalogue and others will draw from the global pool. Be sure to follow us on <a title=\"MixCloud\" href=\"http://www.mixcloud.com/hiddenshoal/\" target=\"_blank\">MixCloud</a> to keep up with new MixTapes.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"on\" /][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"10\" include_categories=\"2143\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Curated MixTapes','','inherit','closed','closed','','11422-revision-v1','','','2015-01-09 00:12:01','2015-01-08 16:12:01','',11422,'http://www.hiddenshoal.com/11422-revision-v1/',0,'revision','',0),(11602,1,'2015-01-08 23:50:21','2015-01-08 15:50:21','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/HS_Logo_Only_Black.jpg\"><img class=\"alignleft wp-image-11518 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/HS_Logo_Only_Black-160x300.jpg\" alt=\" free YouTube music licensing\" width=\"84\" height=\"158\" /></a>Hidden Shoal is very excited to announce our free <a title=\"YouTube\" href=\"http://www.youtube.com\" target=\"_blank\">YouTube</a> music <a title=\"YouTube Licensing\" href=\"http://www.hiddenshoal.com/licensing/free-youtube-licensing/\" target=\"_blank\">licensing initiative</a>. Tracks from the Hidden Shoal Publishing catalogue are now available for free use within personal (non-commercial) YouTube videos. We openly encourage you to utilise our wonderful catalogue in your YouTube works, whether it be your latest experimental short film, an audio only video/playlist or god forbid, a <a title=\"YouTube Cats\" href=\"https://www.youtube.com/watch?v=Kdgt1ZHkvnM\" target=\"_blank\">cat video</a>. We\'ve got <a title=\"YouTube Licensing\" href=\"http://www.hiddenshoal.com/licensing/free-youtube-licensing/\">a page</a> that covers the details and also provides a small sample of downloadable tracks to get you started. So what are you waiting for?\r\n\r\nAnd as always if you\'re looking for music for film, tv and commercial/budgeted web projects then be sure to <a title=\"Contact Hidden Shoal\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> so we can help you sync some beautiful tracks to  your beautiful vision.','Free YouTube Music Licensing','','inherit','closed','closed','','11559-revision-v1','','','2015-01-08 23:50:21','2015-01-08 15:50:21','',11559,'http://www.hiddenshoal.com/11559-revision-v1/',0,'revision','',0),(11603,1,'2015-01-08 23:51:33','2015-01-08 15:51:33','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/HS_Logo_Only_Black.jpg\"><img class=\"alignleft wp-image-11518 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/HS_Logo_Only_Black-160x300.jpg\" alt=\" free YouTube music licensing\" width=\"84\" height=\"158\" /></a>Hidden Shoal is very excited to announce our free <a title=\"YouTube\" href=\"http://www.youtube.com\" target=\"_blank\">YouTube</a> music <a title=\"YouTube Licensing\" href=\"http://www.hiddenshoal.com/licensing/free-youtube-licensing/\" target=\"_blank\">licensing initiative</a>. Tracks from the Hidden Shoal Publishing catalogue are now available for free use within personal YouTube videos. We openly encourage you to utilise our wonderful catalogue in your YouTube works, whether it be your latest experimental short film, an audio only video/playlist or god forbid, a <a title=\"YouTube Cats\" href=\"https://www.youtube.com/watch?v=Kdgt1ZHkvnM\" target=\"_blank\">cat video</a>. We\'ve got <a title=\"YouTube Licensing\" href=\"http://www.hiddenshoal.com/licensing/free-youtube-licensing/\">a page</a> that covers the details and also provides a small sample of downloadable tracks to get you started. So what are you waiting for?\r\n\r\nAnd as always if you\'re looking for music for film, tv and commercial/budgeted web projects then be sure to <a title=\"Contact Hidden Shoal\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> so we can help you sync some beautiful tracks to  your beautiful vision.','Free YouTube Music Licensing','','inherit','closed','closed','','11559-revision-v1','','','2015-01-08 23:51:33','2015-01-08 15:51:33','',11559,'http://www.hiddenshoal.com/11559-revision-v1/',0,'revision','',0),(414,1,'2007-04-29 09:42:37','2007-04-29 09:42:37','<img id=\"artist-img\" title=\"Wes Willenbring\" src=\"/wp-content/uploads/wesprofile.jpg\" alt=\"Wes Willenbring\" align=\"right\" />\n<ul>\n	<li><a href=\"/artists/wes-willenbring\">About</a></li>\n	<li><a href=\"/cat/news/wes-willenbring/\">News</a></li>\n	<li>Bio</li>\n	<li><a href=\"/cat/reviews/wes-willenbring-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-press\">Press</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-sites\">Artist Sites</a></li>\n	<li><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;amp;cPath=20\">Buy Music Releases</a></li>\n</ul>\nWes Willenbring learned piano at an early age and eventually turned to the guitar as his primary instrument. An interest in recording techniques and the aesthetics of sound soon led to a disturbingly large collection of recording equipment and endless nights of experimentation. After years of writing and recording music both solo and collaboratively in Chicago he now calls San Francisco his home.\n\nHis three albums for Hidden Shoal Recordings, <em><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=20&amp;products_id=38\">Somewhere Someone Else</a> </em>(March 2007), <em><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=20&amp;products_id=125\">Close, But Not Too Close</a> </em>(October 2009) and <em>Weapons Reference Manual </em>(April 2012) are works of muted radiance. Sounds of piano and guitar wash in and out of recognition, providing a kind of dislocated comfort. The albums slowly breathe in and out with an undeniable melancholic warmth, like a sad dream you don’t want to wake from.','Wes Willenbring Bio','','draft','closed','open','','wes-willenbring-bio','','','2014-07-25 02:50:02','2014-07-25 02:50:02','',231,'http://music.hiddenshoal.com/artists/wes-willenbring/wes-willenbring-bio/',0,'page','',0),(415,1,'2007-04-29 09:43:43','2007-04-29 09:43:43','<img src=\"/wp-content/uploads/wesprofile.jpg\" alt=\"Wes Willenbring\" id=\"artist-img\" title=\"Wes Willenbring\" align=\"right\" />\n<ul>\n	<li><a href=\"/artists/wes-willenbring\">About</a></li>\n	<li><a href=\"/cat/news/wes-willenbring/\">News</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/wes-willenbring-reviews/\">Reviews</a></li>\n	<li>Gallery</li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-press\">Press</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-sites\">Artist Sites</a></li>\n	<li><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;amp;cPath=20\">Buy Music Releases</a></li>\n</ul>\n<!--lazy-k-gallery:subgallery=Wes Willenbring-->','Wes Willenbring Gallery','','draft','closed','closed','','wes-willenbring-gallery','','','2014-07-25 02:48:53','2014-07-25 02:48:53','',231,'http://music.hiddenshoal.com/artists/wes-willenbring/wes-willenbring-gallery/',0,'page','',0),(416,1,'2007-04-29 09:45:24','2007-04-29 09:45:24','<img id=\"artist-img\" title=\"Wes Willenbring\" src=\"/wp-content/uploads/wesprofile.jpg\" alt=\"Wes Willenbring\" align=\"right\" />\n<ul>\n	<li><a href=\"/artists/wes-willenbring\">About</a></li>\n	<li><a href=\"/cat/news/wes-willenbring/\">News</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/wes-willenbring-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-gallery/\">Gallery</a></li>\n	<li>Press</li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-sites\">Artist Sites</a></li>\n	<li><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=20\">Buy Music Releases</a></li>\n</ul>\n<strong><span style=\"color: #000000;\">.</span></strong>\n\n<strong>Press Releases (PDF Format)</strong>\n<blockquote><a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wes_Willenbring-Weapons.pdf\"><em>Weapons Reference Manual</em> Album Release</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wes_Willenbring-Consequences.pdf\">\'Consequences of Recklessness\' Single Release</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wes_Willenbring-Close_But_Not_Too_Close%20_Official_Release.pdf\"><em>Close, But Not Too Close</em> Album Official Release</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wes_Willenbring-Oh_Most_Single.pdf\">‘Oh, Most’ Single Release</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wes_Willenbring_Official%20_Album_Release.pdf\" target=\"_blank\">Someone Somewhere Else Album Release</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Wes_Willenbring_Signing.pdf\" target=\"_blank\">Wes Willenbring Signing</a></blockquote>','Wes Willenbring Press','','draft','closed','closed','','wes-willenbring-press','','','2014-07-25 02:48:47','2014-07-25 02:48:47','',231,'http://music.hiddenshoal.com/artists/wes-willenbring/wes-willenbring-press/',0,'page','',0),(417,1,'2007-04-29 09:46:25','2007-04-29 09:46:25','<img src=\"/wp-content/uploads/wesprofile.jpg\" id=\"artist-img\" alt=\"Wes Willenbring\" title=\"Wes Willenbring\" align=\"right\" />\n<ul>\n	<li><a href=\"/artists/wes-willenbring\">About</a></li>\n	<li><a href=\"/cat/news/wes-willenbring/\">News</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/wes-willenbring-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-press\">Press</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=20\">Buy Music Releases</a></li>\n</ul>\n<font color=\"#000000\">.</font>\n\n<font color=\"#000000\">.</font>\n\n<strong>You can also find Wes Willenbring at the following sites:</strong>\n<table border=\"0\">\n<tr>\n<td><a href=\"http://www.hiddenshoal.com/\" target=\"_blank\"> <img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/wes_w_web.jpg\" /></a></td>\n<td><a href=\"http://www.myspace.com/weswillenbring\" target=\"_blank\" title=\"Myspace\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" alt=\"Myspace\" title=\"Myspace\" /></a></td>\n<td><a href=\"http://www.last.fm/music/Wes+Willenbring/\" title=\"Last FM\" target=\"_blank\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/lastfm.gif\" alt=\"Last FM\" /></a></td>\n</tr>\n<tr>\n<td><a href=\"http://www.tagworld.com/weswillenbring\" title=\"Tagworld\" target=\"_blank\">\n</a></td>\n<td>&nbsp;</td>\n<td></td>\n</tr>\n</table>','Wes Willenbring Sites','','draft','closed','closed','','wes-willenbring-sites','','','2014-07-25 02:48:40','2014-07-25 02:48:40','',231,'http://music.hiddenshoal.com/artists/wes-willenbring/wes-willenbring-sites/',0,'page','',0),(418,1,'2007-04-29 09:48:11','2007-04-29 09:48:11','<img align=\"right\" alt=\"Wes Willenbring\" id=\"artist-img\" title=\"Wes Willenbring\" src=\"/wp-content/uploads/wesprofile.jpg\" />\n<ul>\n	<li><a href=\"/artists/wes-willenbring\">About</a></li>\n	<li><a href=\"/cat/news/wes-willenbring/\">News</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/wes-willenbring-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-press\">Press</a></li>\n	<li><a href=\"/artists/wes-willenbring/wes-willenbring-sites\">Artist Sites</a></li>\n	<li>Buy Music Releases</li>\n</ul>\n<h3>Buy Wes Willenbring Releases at the following stores:</h3>\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&cPath=20\"> <img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/hsr_store.jpg\" /> </a><a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=215465815\">   <img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/itunes.jpg\" /> </a> <a target=\"_blank\" href=\"http://www.emusic.com/artist/11756/11756366.html\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/emusic.gif\" /></a> <a target=\"_blank\" href=\"http://musicstore.connect.com/artist/961/Wes-Willenbring/30151203.html\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/Sony.gif\" /> </a><a href=\"http://www.rhapsody.com/weswillenbring\"><img vspace=\"0\" hspace=\"0\" border=\"0\" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/rhapsody.jpg\" /></a>','Wes Willenbring Music','','draft','closed','closed','','wes-willenbring-music','','','2014-07-25 02:48:59','2014-07-25 02:48:59','',231,'http://music.hiddenshoal.com/artists/wes-willenbring/wes-willenbring-music/',0,'page','',0),(10452,1,'2014-09-01 02:17:03','2014-09-01 02:17:03','<img class=\"alignleft  wp-image-10365\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Machiavella-Cover-Art-300x300.jpg\" alt=\"Machiavella\" width=\"203\" height=\"203\" />Involved\'s amazing new single, \'<a title=\"Involved\" href=\"http://www.hiddenshoal.com/project/involved/\">Machiavella</a>\', from their forthcoming debut <em>Revolving Maze </em>(19th September) has recently been posted at the wonderful German blog <a title=\"Schallgrenzen\" href=\"http://www.schallgrenzen.de/heute-lieblingssong-involved-machiavella/\" target=\"_blank\">Schallgrenzen</a> and <a title=\"Fragile or Possibly Extinct\" href=\"http://fragileorpossiblyextinct.com/involved-machiavella/\" target=\"_blank\">Fragile or Possibly Extinct</a> (the lovely folks from The Silent Ballet). Schallgrenzen gave it track of the day status and had this to say,<em>\r\n</em>\r\n\r\n<em>\"Dramatic, sweeping wide-screen electronica and swirling Sci-Fi of Involved. I liked the track \"Machiavella\" from the first note. Exciting inner cinema music. Joseph Dorsey and Reivilo Enoignor are Involved are from Texas and beyond with this enveloping cosmic force from their debut album \"Revolving Maze\" on<em> indie label Hidden Shoal </em>.\" - </em><strong><a title=\"Schallgrenzen\" href=\"http://www.schallgrenzen.de/heute-lieblingssong-involved-machiavella/\" target=\"_blank\">Schallgrenzen</a></strong>\r\n\r\n\'Machiavella\' is available now as a free download via <a title=\"Bandcamp\" href=\"https://involved.bandcamp.com/album/machiavella-single\" target=\"_blank\">Bandcamp</a>. <em>Revolving Maze</em> drops on the 19th September 2014.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/163091843&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Involved at Schallgrenzen & Fragile or Possibly Extinct','','publish','closed','closed','','involved-at-schallgrenzen-fragile-or-possibly-extinct','','','2016-02-03 15:45:38','2016-02-03 07:45:38','',0,'http://www.hiddenshoal.com/?p=10452',0,'post','',0),(10453,1,'2014-09-01 01:19:29','2014-09-01 01:19:29','Involved\'s amazing new single, \'Machiavella\', from their forthcoming debut <em>Revolving Maze</em>','Involved at Schallgrenzen & Fragile or Possibly Extinct','','inherit','closed','closed','','10452-revision-v1','','','2014-09-01 01:19:29','2014-09-01 01:19:29','',10452,'http://www.hiddenshoal.com/10452-revision-v1/',0,'revision','',0),(431,1,'2007-05-01 11:32:13','2007-05-01 11:32:13','<strong>Hidden Shoal Recordings Turns 1</strong>\n\nHidden Shoal Recordings is celebrating a year of wonderful releases, 19 to be exact and even though it’s our birthday we want you to have the presents. Throughout May you can help yourself to some special offers and giveaways. Head to the labels website for all details - <a href=\"http://www.hiddenshoal.com/http//music.hiddenshoal.com\">http//music.hiddenshoal.com</a>.\n\nBest,\nThe HSR Team\n\n<img src=\"http://www.hiddenshoal.com/wp-content/uploads/2007/04/birthday_splash.jpg\" />','tempspace','','draft','closed','open','','tempspace','','','2014-07-25 02:52:54','2014-07-25 02:52:54','',0,'http://music.hiddenshoal.com/tempspace/',0,'page','',0),(437,1,'2007-05-13 08:11:40','2007-05-13 08:11:40','<img align=\"right\" id=\"artist-img\" alt=\"Bury the Sound\" title=\"Bury the Sound\" src=\"/wp-content/wp-images/artists/bts/BTS.jpg\" />\n<ul>\n	<li>About</li>\n	<li><a href=\"/cat/news/bury-the-sound/\">News</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/bury-the-sound-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-press\">Press kits\n</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-music\">Buy Music Releases</a></li>\n</ul>\n\"instrumental shoegaze at its best\" – Music Emissions\n\nThe Melbourne-based instrumental four piece create an emotionally charged musical landscape rich with possibility. Their sound is a compelling blend of lush guitars, delicate piano, melodic basslines and powerhouse drumming. Bury the Sound’s elegant, cinematic songs steadfastly refuse to follow the well-trodden path of hosts of instrumental bands, weaving a rich musical tapestry that draws as much upon ’70s legends Fleetwood Mac and Pink Floyd as it does from contemporary masters such as Do Make Say Think and Tortoise.\n<h3>Releases:</h3>\n“<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&products_id=41\">Autumn Magnets</a>” EP, 2007. <font face=\"Verdana, Arial, Helvetica, sans-serif\">Cat #: HSR020 -   <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&products_id=41\"><strong>Listen</strong></a><strong> </strong><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&products_id=41\"><img align=\"middle\" alt=\" \" title=\" \" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" /></a></font>','Bury the Sound','','draft','closed','open','','bury-the-sound','','','2014-07-25 03:01:56','2014-07-25 03:01:56','',91,'http://music.hiddenshoal.com/artists/bury-the-sound/',0,'page','',0),(438,1,'2007-05-13 08:25:10','2007-05-13 08:25:10','<img width=\"180\" height=\"134\" align=\"right\" id=\"artist-img\" alt=\"Bury the Sound\" src=\"/wp-content/uploads/bury-the-sound.jpg\" />\n<ul>\n	<li><a href=\"/artists/bury-the-sound/\">About</a></li>\n	<li><a href=\"/cat/news/bury-the-sound/\">News</a></li>\n	<li>Bio</li>\n	<li><a href=\"/cat/reviews/bury-the-sound-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-press\">Press Kits\n</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-music\">Buy Music Releases</a></li>\n</ul>\nIn 2004, flame-haired classical pianist Halina Porecki placed an ad in the Melbourne street press, looking to form an instrumental band. Drummer Shannon Hayes had been playing in local band The Fates and collecting a formidable range of tom-toms; bassist Simon Jaunay was fresh from a stint living in England, playing with successful indie-rockers Birdman Rally; and English guitarist Tim Clarke had recently migrated to Australia and was looking to expand upon his usual shoegazey four-track dabblings. All three answered the ad, and the quartet duly convened at the Bakehouse studio in Richmond. During a break at their first rehearsal together in April 2005, Bury the Sound was born, named after an abstruse piece of advice from Erik Satie.\n\nIn July 2005 the band recorded a four-track demo EP that was enthusiastically picked up by community radio. Soon after, they began playing live in venues around the city with a range of Melbourne luminaries such as Radiant  City, One Hundred Years and Tarcutta, establishing a reputation for their intense, moving performances.\n\nTheir sound is a compelling blend of powerhouse drumming, melodic basslines, and washes of effects-drenched guitar and piano. Bury the Sound’s elegant, cinematic songs steadfastly refuse to follow the well-trodden path of hosts of instrumental bands, weaving a rich musical tapestry that draws as much upon ’70s legends Fleetwood Mac and Pink Floyd as contemporary masters like Do Make Say Think.\n\nTheir new Autumn Magnets EP is a masterful three-song suite that exemplifies everything exciting and beautiful about Bury the Sound.','Bury the Sound Bio','','draft','closed','open','','bury-the-sound-bio','','','2014-07-25 03:01:56','2014-07-25 03:01:56','',437,'http://music.hiddenshoal.com/artists/bury-the-sound/bury-the-sound-bio/',0,'page','',0),(439,1,'2007-05-13 08:27:59','2007-05-13 08:27:59','<img width=\"180\" height=\"134\" align=\"right\" alt=\"Bury the Sound\" id=\"artist-img\" src=\"/wp-content/uploads/bury-the-sound.jpg\" />\n<ul>\n	<li><a href=\"/artists/bury-the-sound/\">About</a></li>\n	<li><a href=\"/cat/news/bury-the-sound/\">News</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/bury-the-sound-reviews/\">Reviews</a></li>\n	<li>Gallery</li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-press\">Press Kits\n</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-music\">Buy Music Releases</a></li>\n</ul>\n<!--lazy-k-gallery:subgallery=Bury the Sound-->','Bury the Sound Gallery','','draft','closed','open','','bury-the-sound-gallery','','','2014-07-25 03:01:56','2014-07-25 03:01:56','',437,'http://music.hiddenshoal.com/artists/bury-the-sound/bury-the-sound-gallery/',0,'page','',0),(440,1,'2007-05-13 08:31:35','2007-05-13 08:31:35','<img src=\"/wp-content/uploads/bury-the-sound.jpg\" id=\"artist-img\" alt=\"Bury the Sound\" align=\"right\" height=\"134\" width=\"180\" />\n<ul>\n	<li><a href=\"/artists/bury-the-sound/\">About</a></li>\n	<li><a href=\"/cat/news/bury-the-sound/\">News</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/bury-the-sound-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-gallery/\">Gallery</a></li>\n	<li>Press Kits</li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-music\">Buy Music Releases</a></li>\n</ul>\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Bury_The_Sound_Signing.pdf\" target=\"_blank\">Bury the Sound Signing</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Bury_the_Sound_EP_Release.pdf\" target=\"_blank\">Autumn Magnets EP Release </a>','Bury the Sound Press','','draft','closed','open','','bury-the-sound-press','','','2014-07-25 03:01:56','2014-07-25 03:01:56','',437,'http://music.hiddenshoal.com/artists/bury-the-sound/bury-the-sound-press/',0,'page','',0),(441,1,'2007-05-13 08:36:56','2007-05-13 08:36:56','<img width=\"180\" height=\"134\" align=\"right\" alt=\"Bury the Sound\" id=\"artist-img\" src=\"/wp-content/uploads/bury-the-sound.jpg\" />\n<ul>\n	<li><a href=\"/artists/bury-the-sound/\">About</a></li>\n	<li><a href=\"/cat/news/bury-the-sound/\">News</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/bury-the-sound-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-press\">Press Kits\n</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-music\">Buy Music Releases</a></li>\n</ul>\n<h3><strong>You can also find Bury the Sound at the following sites:</strong></h3>\n<table border=\"0\">\n<tr>\n<td><a target=\"_blank\" title=\"Bury the Sound at Myspace\" href=\"http://www.myspace.com/burythesound\"><img alt=\"Bury the Sound at Myspace\" title=\"Bury the Sound at Myspace\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" /></a></td>\n<td><a title=\"Bury the Sound at Imeem\" target=\"_blank\">\n</a></td>\n<td><a title=\"Bury the Sound at Bebo\" target=\"_blank\" href=\"http://burythesound.bebo.com\">\n</a></td>\n</tr>\n<tr>\n<td><a title=\"Bury the Sound at Tagworld\" target=\"_blank\" href=\"http://www.tagworld.com/burythesound\">\n</a></td>\n<td><a target=\"_blank\" title=\"Bury the Sound at Last FM\" href=\"http://www.last.fm/music/burythesound\">\n</a></td>\n<td>&nbsp;</td>\n</tr>\n</table>','Bury the Sound Sites','','draft','closed','open','','bury-the-sound-sites','','','2014-07-25 03:01:56','2014-07-25 03:01:56','',437,'http://music.hiddenshoal.com/artists/bury-the-sound/bury-the-sound-sites/',0,'page','',0),(442,1,'2007-05-13 08:39:05','2007-05-13 08:39:05','<img width=\"180\" height=\"134\" align=\"right\" alt=\"Bury the Sound\" id=\"artist-img\" src=\"/wp-content/uploads/bury-the-sound.jpg\" />\n<ul>\n	<li><a href=\"/artists/bury-the-sound/\">About</a></li>\n	<li><a href=\"/cat/news/bury-the-sound/\">News</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/bury-the-sound-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-press\">Press Kits\n</a></li>\n	<li><a href=\"/artists/bury-the-sound/bury-the-sound-sites\">Artist Sites</a></li>\n	<li>Buy Music Releases</li>\n</ul>\n<h3>Buy Bury the Sound Releases at the following stores:</h3>\n<p align=\"justify\" class=\"MsoNormal\"></p>\n<a target=\"_blank\" href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&cPath=21\"> <img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/hsr_store.jpg\" /> </a><a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=257924019\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/itunes.jpg\" /> </a> <a target=\"_blank\" href=\"http://www.emusic.com/artist/Bury-the-Sound-MP3-Download/11810620.html\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/emusic.gif\" /></a> <a target=\"_blank\" href=\"http://musicstore.connect.com/artist/732/Bury-the-Sound/30180344.html\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/Sony.gif\" /> </a><a target=\"_blank\" href=\"http://www.rhapsody.com/burythesound\"><img vspace=\"0\" hspace=\"0\" border=\"0\" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/rhapsody.jpg\" /></a><a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=176054763\"> </a>','Bury the Sound Music','','draft','closed','open','','bury-the-sound-music','','','2014-07-25 03:01:56','2014-07-25 03:01:56','',437,'http://music.hiddenshoal.com/artists/bury-the-sound/bury-the-sound-music/',0,'page','',0),(485,1,'2007-07-06 19:43:16','2007-07-06 19:43:16','<img src=\"/wp-content/uploads/cheekbone.jpg\" id=\"artist-img\" alt=\"Bury the Sound\" align=\"right\" height=\"134\" width=\"180\" />\n<ul>\n	<li><a href=\"/artists/cheekbone/\">About</a></li>\n	<li><a href=\"/cat/news/cheekbone/\">News</a></li>\n	<li><a href=\"/artists/cheekbone/cheekbone-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/cheekbone-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/cheekbone/cheekbone-gallery/\">Gallery</a></li>\n	<li>Press Kits</li>\n	<li><a href=\"/artists/cheekbone/cheekbone-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/cheekbone/cheekbone-music\">Buy Music Releases</a></li>\n</ul>\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Jumpel_and_Cheekbone_Signings.pdf\" target=\"_blank\">Cheekbone Signing </a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Cheekbone_EP_Release.pdf\" target=\"_blank\">Yesterday EP Release</a>','Cheekbone Press','','draft','closed','open','','cheekbone-press','','','2014-07-25 03:01:56','2014-07-25 03:01:56','',91,'http://music.hiddenshoal.com/artists/cheekbone/cheekbone-press/',0,'page','',0),(486,1,'2007-07-06 19:44:08','2007-07-06 19:44:08','<img width=\"180\" height=\"134\" align=\"right\" alt=\"Bury the Sound\" id=\"artist-img\" src=\"/wp-content/uploads/cheekbone.jpg\" />\n<ul>\n	<li><a href=\"/artists/cheekbone/\">About</a></li>\n	<li><a href=\"/cat/news/cheekbone/\">News</a></li>\n	<li><a href=\"/artists/cheekbone/cheekbone-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/cheekbone-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/cheekbone/cheekbone-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/cheekbone/cheekbone-press\">Press Kits</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"/artists/cheekbone/cheekbone-music\">Buy Music Releases</a></li>\n</ul>\n<strong>You can also find Cheekbone at the following sites:</strong>\n\n<strong>\n<a target=\"_blank\" title=\"Myspace\" href=\"http://www.myspace.com/cheekbonesspace\"><img alt=\"Myspace\" title=\"Myspace\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" /></a>\n</strong>','Cheekbone Sites','','draft','closed','open','','cheekbone-sites','','','2014-07-25 03:01:56','2014-07-25 03:01:56','',91,'http://music.hiddenshoal.com/artists/cheekbone/cheekbone-sites/',0,'page','',0),(488,1,'2007-07-06 20:45:34','2007-07-06 20:45:34','<img src=\"/wp-content/uploads/beautiful-lunar-landscape.jpg\" title=\"Beautiful Lunar Landscape\" alt=\"Beautiful Lunar Landscape\" id=\"artist-img\" align=\"right\" />\n<ul>\n	<li>About</li>\n	<li><a href=\"/cat/news/beautiful-lunar-landscape/\">News</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/beautiful-lunar-landscape-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-press\">Press Kits</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-music\">Buy Music Releases</a></li>\n</ul>\n\"ever wanted to hear what Portishead would sound like melded with a shoegazer aesthetic?... It is absolutely, spell-bindingly brilliant...you are left mesmerised by the expansive and wide-reaching nature of the sounds BLL can create\" – <strong>Boring Machines Disturbs Sleep</strong>\n\nBeautiful Lunar Landscape’s music is constructed with a cartographer\'s sense of detail and direction. The band\'s songs have a natural dynamism, shifting between haunting ambient pop and all-out bliss rock, at times recalling the shimmering intensity of Ride or The Boo Radleys at their respective peaks, yet managing to transport the listener beyond the familiar.\n<h3>Releases:</h3>\n“<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=47\">Alone in this Dark Romantic Night</a>” EP, 2007. Cat#: HSR024 - <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=47\"><strong>Listen</strong></a><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=47\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" alt=\" \" title=\" \" align=\"middle\" /></a>','Beautiful Lunar Landscape','','draft','closed','open','','beautiful-lunar-landscape','','','2014-07-25 03:02:36','2014-07-25 03:02:36','',91,'http://music.hiddenshoal.com/artists/beautiful-lunar-landscape/',0,'page','',0),(489,1,'2007-07-06 20:46:52','2007-07-06 20:46:52','<img src=\"/wp-content/uploads/beautiful-lunar-landscape.jpg\" id=\"artist-img\" alt=\"Bury the Sound\" align=\"right\" height=\"134\" width=\"180\" />\n<ul>\n	<li><a href=\"/artists/beautiful-lunar-landscape/\">About</a></li>\n	<li><a href=\"/cat/news/beautiful-lunar-landscape/\">News</a></li>\n	<li>Bio</li>\n	<li><a href=\"/cat/reviews/beautiful-lunar-landscape-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-press\">Press Kits</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-music\">Buy Music Releases</a></li>\n</ul>\nWe haven’t been there, but we like to try. Sitting on a rocky lunar outcrop, the best view of the stars, the best view of the world, trying to clear up some unanswered questions. Our favourite music pumping through our space-suits as we open our eyes for the first time to everything in front of us, and we’d like to experience it alone, together...\n\nBeautiful Lunar Landscape formed in October 2003 in Bordeaux, France.\nSince then, Ben Ling (vocals/synths), Benoit Paissard (bass), Manu Georg (drums), Laureline Roux-Eymery (vocals), Arnaud Sigonney (guitar/songwriter), and Julien Sussat (guitar) have released two acclaimed EPs, toured England and France, and received extensive radio play on both sides of the Channel.\n\nOn Beautiful Lunar Landscape\'s <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=24&amp;products_id=47\"><em>Alone in the Dark Romantic Night</em> </a>EP, the four luscious tracks transport the listener across ink-black expanses reverberating with a wonderful sense of drama and mystery. This is twenty-first-century trip-rock.','Beautiful Lunar Landscape Bio','','draft','closed','open','','beautiful-lunar-landscape-bio','','','2014-07-25 03:02:36','2014-07-25 03:02:36','',488,'http://music.hiddenshoal.com/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-bio/',0,'page','',0),(490,1,'2007-07-06 20:47:34','2007-07-06 20:47:34','<img width=\"180\" height=\"134\" align=\"right\" id=\"artist-img\" alt=\"Bury the Sound\" src=\"/wp-content/uploads/beautiful-lunar-landscape.jpg\" />\n<ul>\n	<li><a href=\"/artists/beautiful-lunar-landscape/\">About</a></li>\n	<li><a href=\"/cat/news/beautiful-lunar-landscape/\">News</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/beautiful-lunar-landscape-reviews/\">Reviews</a></li>\n	<li>Gallery</li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-press\">Press Kits</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-music\">Buy Music Releases</a></li>\n</ul>\n<!--lazy-k-gallery:subgallery=Beautiful_Lunar_Landscape-->','Beautiful Lunar Landscape Gallery','','draft','closed','open','','beautiful-lunar-landscape-gallery','','','2014-07-25 03:02:36','2014-07-25 03:02:36','',488,'http://music.hiddenshoal.com/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-gallery/',0,'page','',0),(491,1,'2007-07-06 20:51:40','2007-07-06 20:51:40','<img src=\"/wp-content/uploads/beautiful-lunar-landscape.jpg\" id=\"artist-img\" alt=\"Beautiful Lunar Landscape\" title=\"Beautiful Lunar Landscape\" align=\"right\" />\n<ul>\n	<li><a href=\"/artists/beautiful-lunar-landscape/\">About</a></li>\n	<li><a href=\"/cat/news/beautiful-lunar-landscape/\">News</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/beautiful-lunar-landscape-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-gallery/\">Gallery</a></li>\n	<li>Press Kits</li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-music\">Buy Music Releases</a></li>\n</ul>\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press-Release-Beautiful_Lunar_Landscape_Signing.pdf\" target=\"_blank\">Beautiful Lunar Landscape Signing</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Beautiful_Lunar_Landscape_EP.pdf\" target=\"_blank\">Alone In This Dark Romantic Night EP Release </a>','Beautiful Lunar Landscape Press Kit','','draft','closed','open','','beautiful-lunar-landscape-press','','','2014-07-25 03:01:56','2014-07-25 03:01:56','',488,'http://music.hiddenshoal.com/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-press/',0,'page','',0),(492,1,'2007-07-06 20:52:26','2007-07-06 20:52:26','<img align=\"right\" id=\"artist-img\" alt=\"Beautiful Lunar Landscape\" title=\"Beautiful Lunar Landscape\" src=\"/wp-content/uploads/beautiful-lunar-landscape.jpg\" />\n<ul>\n	<li><a href=\"/artists/beautiful-lunar-landscape/\">About</a></li>\n	<li><a href=\"/cat/news/beautiful-lunar-landscape/\">News</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/beautiful-lunar-landscape-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-press\">Press Kits</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-music\">Buy Music Releases</a></li>\n</ul>\n<font color=\"#000000\">.</font>\n\n<strong>You can also find Beautiful Lunar Landscape at the following sites:</strong>\n<table border=\"0\">\n<tr>\n<td><a target=\"_blank\" title=\"Chris Mason at Myspace\" href=\"http://www.myspace.com/beautifullunarlandscape\"><img alt=\"Beautiful Lunar Landscape at Myspace\" title=\"Beautiful Lunar Landscape at Myspace\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" /></a></td>\n<td><a title=\"Beautiful Lunar Landscape at Imeem\" target=\"_blank\" href=\"http://www.myspace.com/beautifullunarlandscape\"><img alt=\"Beautiful Lunar Landscape at Imeem\" title=\"Beautiful Lunar Landscape at Imeem\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/imeem.jpg\" /></a></td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td><a title=\"Beautiful Lunar Landscape at Bebo\" target=\"_blank\" href=\"http://bebo.com/beautiful-lunar\"><img alt=\"Beautiful Lunar Landscape at Bebo\" title=\"Beautiful Lunar Landscape at Bebo\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/bebo.gif\" /></a></td>\n<td><a target=\"_blank\" title=\"Beautiful Lunar Landscape at Last FM\" href=\"http://www.last.fm/music/Beautiful+Lunar+Landscape\"><img alt=\"Beautiful Lunar Landscape at Last FM\" title=\"Beautiful Lunar Landscape at Last FM\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/lastfm.gif\" /></a></td>\n<td>&nbsp;</td>\n</tr>\n</table>','Beautiful Lunar Landscape Sites','','draft','closed','open','','beautiful-lunar-landscape-sites','','','2014-07-25 03:01:56','2014-07-25 03:01:56','',488,'http://music.hiddenshoal.com/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-sites/',0,'page','',0),(493,1,'2007-07-06 20:53:12','2007-07-06 20:53:12','<img align=\"right\" id=\"artist-img\" alt=\"Beautiful Lunar Landscape\" title=\"Beautiful Lunar Landscape\" src=\"/wp-content/uploads/beautiful-lunar-landscape.jpg\" />\n<ul>\n	<li><a href=\"/artists/beautiful-lunar-landscape/\">About</a></li>\n	<li><a href=\"/cat/news/beautiful-lunar-landscape/\">News</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/beautiful-lunar-landscape-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-press\">Press Kits</a></li>\n	<li><a href=\"/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-sites\">Artist Sites</a></li>\n	<li>Buy Music Releases</li>\n</ul>\n<font color=\"#000000\">.</font>\n<h3>Buy Beautiful Lunar Landscape Releases at the following stores:</h3>\n<p align=\"justify\" class=\"MsoNormal\"></p>\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&cPath=24\"> <img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/hsr_store.jpg\" />  </a><a target=\"_blank\" href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewArtist?id=265997720\">   <img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/itunes.jpg\" /></a> <a href=\"http://www.emusic.com/artist/Beautiful-Lunar-Landscape-MP3-Download/11881708.html\"><img vspace=\"0\" hspace=\"0\" border=\"0\" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/emusic.gif\" /></a> <a target=\"_blank\" href=\"http://www.rhapsody.com/beautifullunarlandscape\"><img vspace=\"0\" hspace=\"0\" border=\"0\" src=\"http://www.hiddenshoal.com/wp-content/uploads/File/rhapsody.jpg\" /></a><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&cPath=24\"></a>','Beautiful Lunar Landscape Music','','draft','closed','open','','beautiful-lunar-landscape-music','','','2014-07-25 03:02:36','2014-07-25 03:02:36','',488,'http://music.hiddenshoal.com/artists/beautiful-lunar-landscape/beautiful-lunar-landscape-music/',0,'page','',0),(10156,1,'2014-08-01 02:34:10','2014-08-01 02:34:10','<a href=\"http://www.hiddenshoal.com/artists/liam-singer\"><img class=\"alignleft\" title=\"Liam Singer\" src=\"http://www.hiddenshoal.com/wp-content/uploads/liam-singer.jpg\" alt=\"Liam Singer\" width=\"180\" height=\"121\" />Liam Singer</a>\'s sublime album of last year, <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=155\"><em>Dislocatia</em></a>, is currently charting at 37 on the <a href=\"http://cjsw.com\" target=\"_blank\">CJSW</a>\'s (awesome Canadian radio station to the uninitiated) Top 50! Keep tuned for more <em>Dislocatia</em> news as a new single off the album will be out soon. In the meanwhile you can stream the album in full at the <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=155\">HSR Store</a>.\n\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/Media/HSR_Radio/Liam_Singer/Dislocatia/12_Words_Make_the_Master.mp3\">Liam Singer - Words Make The Master</a> <em> Liam Singer - Words Make The Master</em>','Liam Singer Charting at CJSW','','inherit','closed','closed','','3289-revision-v1','','','2014-08-01 02:34:10','2014-08-01 02:34:10','',3289,'http://www.hiddenshoal.com/3289-revision-v1/',0,'revision','',0),(10157,1,'2014-08-01 02:34:10','2014-08-01 02:34:10','<img class=\"alignleft\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/dislocatia.jpg\" alt=\"\" width=\"100\" height=\"100\" />Another great review on <a href=\"http://www.popmatters.com/pm/review/132349-liam-singer-dislocatia/\" target=\"_blank\">PopMatters</a> this week for our enigmatic, and sometimes ethereal, chamber-pop composer <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=48&amp;zenid=5b9cdca7ec71dfb6a47db75ff2631446\" target=\"_blank\">Liam Singer</a>. Well worth the read, which you can do <a href=\"http://www.popmatters.com/pm/review/132349-liam-singer-dislocatia/\" target=\"_blank\">here</a>. Singer was also featured on <a href=\"http://www.musicinsideofus.com/2010/11/01/liam-singer-%E2%80%93-dislocatia/\" target=\"_blank\">Music Inside Of Us</a> last week. If you haven\'t already, you can pick up a copy of his debut release <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=155&amp;zenid=5b9cdca7ec71dfb6a47db75ff2631446\" target=\"_blank\"><em>Dislocatia</em></a> <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=155&amp;zenid=5b9cdca7ec71dfb6a47db75ff2631446\" target=\"_blank\">here</a>.\n\n<em><a href=\"../wp-content/uploads/Media/HSR_Radio/Liam_Singer/Dislocatia/05_Winter_Weeds.mp3\" target=\"_self\">Liam Singer - Winter Weeds</a> </em>Liam Singer - <em>Winter Weeds </em>','Liam Singer Reviewed on PopMatters','','inherit','closed','closed','','3089-revision-v1','','','2014-08-01 02:34:10','2014-08-01 02:34:10','',3089,'http://www.hiddenshoal.com/3089-revision-v1/',0,'revision','',0),(10155,1,'2014-08-01 02:34:10','2014-08-01 02:34:10','<img src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/medium/briefencounter_MED.jpg\" alt=\"\" align=\"left\" />Hidden  Shoal Recordings is proud to announce the release of ‘The Brief  Encounter’, the second song to be lifted from critically acclaimed album  <em><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=155\">Dislocatia</a> </em>by Brooklyn-based chamber-pop experimentalist <a href=\"http://www.hiddenshoal.com/artists/liam-singer/\">Liam Singer</a>.  Swooningly beautiful and instantly memorable, ‘The Brief Encounter’  distils the magic of Liam Singer’s music into two minutes of  transportive storytelling. Featuring the angelic backing vocals of <a href=\"http://www.hiddenshoal.com/artists/boxharp/\">Boxharp</a>’s  Wendy Allen and a children’s choir, the song’s piano line canters along  while Liam’s tremulous vocals dance with an aching violin. By the time  the song’s conclusion has brought you back down to Earth, you’re ready  to take flight again.\n\n‘The Brief Encounter’ is taken from Liam Singer’s latest album <em>Dislocatia</em>, one of Textura’s top albums of 2010. Produced by Scott Solter, <em>Dislocatia </em>is  rich in wondrous, resonant details – a truly beguiling song cycle that  contains multitudes. These fantastical song-stories carry the listener  skyward like a clockwork cloud. It’s rare to find such arresting  compositional talent married not only to an innate sense of melody and  emotion, but also to a keen sense of texture and atmosphere. <em>Dislocatia </em>manages  to merge these elements together and, more importantly, blur any lines  that divide them. Liam Singer’s alchemical compositional process  transforms the songs into a whole that transcends simple descriptors. <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=155\"><em>Dislocatia </em></a>is out now through <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=155\">Hidden Shoal Recordings</a>.\n\n<em>“a resplendent song cycle … Dislocatia impresses as a bold and   sumptuous fusion of classical and popular musics with theatrical   flavour”</em> – <strong>Textura </strong>\n\n<em>“a uniquely experimental approach to pop music…. His music has the   stately and cerebral sides of modern composition, not to mention the   beauty and grace, but also an intimacy and directness…. This is very   emotional music that uses all of the tactics at Singer’s disposal, for   greatest impact.… Singer seems determined to find what is around us that   we don’t know about, and to make us feel like we’ve done the same,   participating in an exciting act of discovery”</em> – <strong>PopMatters </strong>\n\n<em>“If the Bedroom Communities roster are the post-romantics, like   Brahms and Rachmoninovs, of 21st century indie-acceptable classical   music, then Liam Singer is the Erik Satie of the group, playing wildly   conceptual music that never quite loses its emotional resonance.”</em> –<strong> Tome To The Weather Machine</strong>\n\n\'The Brief Encounter\' is available as a free download  from the <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=164\">Hidden Shoal Store</a>. Read a full press release <a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Liam_Singer-The_Brief_Encounter.pdf\">here</a>.<em> Dislocatia</em> is available now on CD and in digital formats through Hidden Shoal Recordings, distributed via <a href=\"http://n5mailorder.com\">n5Mailorder</a>. Head to the <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=155\">Hidden Shoal Store</a> for all availability details.\n\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/Media/HSR_Radio/Liam_Singer/Dislocatia/02_The_Brief_Encounter.mp3\">Liam Singer - The Brief Encounter</a> <em>Liam Singer - The Brief Encounter</em>','New Single from Chamber-Pop Experimentalist Liam Singer','','inherit','closed','closed','','3384-revision-v1','','','2014-08-01 02:34:10','2014-08-01 02:34:10','',3384,'http://www.hiddenshoal.com/3384-revision-v1/',0,'revision','',0),(10154,1,'2014-08-01 02:34:09','2014-08-01 02:34:09','<img class=\"alignleft\" src=\"http://opositivefestival.org/book/comp-cd/elements/cd-cover.jpg\" alt=\"\" width=\"119\" height=\"120\" />Last October, <a href=\"http://www.hiddenshoal.com/artists/liam-singer/\" target=\"_blank\">Liam Singer</a> performed at the first <a href=\"http://www.opositivefestival.org/\" target=\"_blank\">O+ Festival</a>, a health and arts festival held in Kingston, New York, wherein  artists barter their contributions directly for medical, dental, and  other wellness services from art-loving health care providers. <a href=\"http://opositivefestival.org/book/comp-cd/\" target=\"_blank\">A book and compilation album</a> has just been released, which features Liam\'s glorious single \'The Brief Encounter\', track 2 on his latest opus <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=155\" target=\"_blank\"><em>Dislocatia</em></a>. Visit the <a href=\"http://opositivefestival.org/book/comp-cd/\" target=\"_blank\">O+ Book and Compilation site</a> to stream the compilation and purchase a copy. And, of course, if you don\'t own it already, visit the <a href=\"http://www.hiddenshoal.com/wp-content/uploads/\" target=\"_blank\">HSR Store</a> to stream and download <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=155\" target=\"_blank\"><em>Dislocatia</em></a>. The second annual O+ will take place this 7, 8 and 9 October 2011 (Columbus Day Weekend).','Liam Singer on O+ Compilation','','inherit','closed','closed','','4096-revision-v1','','','2014-08-01 02:34:09','2014-08-01 02:34:09','',4096,'http://www.hiddenshoal.com/4096-revision-v1/',0,'revision','',0),(10151,1,'2014-08-01 02:34:08','2014-08-01 02:34:08','<img class=\"alignleft\" title=\"Liam Singer\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/liam-singer.jpg\" alt=\"\" width=\"180\" height=\"121\" />Here\'s another glowing review for <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=48\">Liam Singer</a>\'s new single \'Words Make The Master\' . The ever wonderful Nils Hay has written the track up over at his great blog <a href=\"http://reviewedmusic.com/2011/single-review-liam-singer-words-make-the-master/\" target=\"_blank\">ReviewedMusic</a>. Check it out <a href=\"http://reviewedmusic.com/2011/single-review-liam-singer-words-make-the-master/\" target=\"_blank\">here</a> and download the track <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=173\">here</a>.','Liam Singer at ReviewedMusic','','inherit','closed','closed','','4151-revision-v1','','','2014-08-01 02:34:08','2014-08-01 02:34:08','',4151,'http://www.hiddenshoal.com/4151-revision-v1/',0,'revision','',0),(10152,1,'2014-08-01 02:34:08','2014-08-01 02:34:08','<img class=\"alignleft\" title=\"Liam Singer - \'Words Make The Master\'\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/wordsmake.jpg\" alt=\"\" width=\"100\" height=\"100\" />Check out another glowing <a href=\"http://www.beat.com.au/music/liam-singer-words-make-master\">review</a> for<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=48\"> Liam Singer</a> in Mebourne\'s Beat Magazine. His latest single, \'Words Make The Master\' was reviewed in <a href=\"http://www.beat.com.au/music/liam-singer-words-make-master\">last week\'s edition</a> and followed loving reviews of his previous two singles. The track is available now for free download from the <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=173\">Hidden Shoal store</a>.','Liam Singer in Beat Magazine','','inherit','closed','closed','','4149-revision-v1','','','2014-08-01 02:34:08','2014-08-01 02:34:08','',4149,'http://www.hiddenshoal.com/4149-revision-v1/',0,'revision','',0),(10150,1,'2014-08-01 02:34:08','2014-08-01 02:34:08','<img class=\"alignleft\" title=\"Dislocatia\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/dislocatia.jpg\" alt=\"\" width=\"66\" height=\"66\" />Head over to the <a href=\"http://blog.hiddenshoal.com/\">HSR blog</a> to read a wonderful track by track breakdown of Liam Singer\'s 2010 masterpiece <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=155\"><em>Dislocatia </em></a>(by the man himself!). If that wasn\'t enough we\'re also giving away copies of the Dislocatia CD for two lucky folks. Read and win <a href=\"http://blog.hiddenshoal.com/\">here</a>!\n\n<code>[kml_flashembed movie=\"http://www.youtube.com/v/dGgJ2CrE3dM\" width=\"425\" height=\"25\" allowfullscreen=\"true\" fvars=\"fs=1\" /]</code>','Liam Singer CD Giveaway and Album Track by Track','','inherit','closed','closed','','4665-revision-v1','','','2014-08-01 02:34:08','2014-08-01 02:34:08','',4665,'http://www.hiddenshoal.com/4665-revision-v1/',0,'revision','',0),(10144,1,'2014-08-01 02:34:05','2014-08-01 02:34:05','','Liam Singer Shows in UK &amp; Belgium','','inherit','closed','closed','','6625-revision-v1','','','2014-08-01 02:34:05','2014-08-01 02:34:05','',6625,'http://www.hiddenshoal.com/6625-revision-v1/',0,'revision','',0),(520,1,'2007-07-26 07:54:44','2007-07-26 07:54:44','Friends coming soon!','Friends of Hidden Shoal','','draft','closed','open','','friends-of-hidden-shoal','','','2014-07-25 03:00:05','2014-07-25 03:00:05','',0,'http://music.hiddenshoal.com/friends-of-hidden-shoal/',0,'page','',0),(573,1,'2007-09-10 06:58:33','2007-09-10 06:58:33','[et_pb_section background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Hidden Shoal TV</h1>\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]Enjoy a selection of more than 5 hours worth of Hidden Shoal music videos and live performances. Be sure to head to our <a title=\"YouTube\" href=\"https://www.youtube.com/user/hiddenshoal\" target=\"_blank\">YouTube channel</a> and subscribe to keep up to date.\r\n\r\n<iframe src=\"//www.youtube.com/embed/videoseries?list=PLC331131EC8DC434C\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal TV','','publish','closed','open','','hsr-tv','','','2015-01-16 11:58:30','2015-01-16 03:58:30','',0,'http://music.hiddenshoal.com/hsr-tv/',0,'page','',0),(603,1,'2007-10-11 04:37:38','2007-10-11 04:37:38','<img src=\"/wp-content/uploads/the-retail-sectors.jpg\" id=\"artist-img\" alt=\"The Retail Sectors\" title=\"The Retail Sectors\" align=\"right\" />\n<ul>\n	<li>About</li>\n	<li><a href=\"/cat/news/the-retail-sectors/\">News</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/the-retail-sectors-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-press\">Press Kits</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-music\">Buy Music Releases</a></li>\n</ul>\n“Radiohead meets Philip Glass” – Si Begg\n\nLayering manipulated guitars, bass, drums and electronics to create compelling, melodic instrumentals, the music of The Retail Sectors frequently threatens to spiral out of control, holding the listener rapt. From the pounding euphoria of opener \'The First Steps to End the Life\' to the elegiac ‘Beauty of the Depression’, the <em>Foregone Conclusion</em> Mini Album is inventive and utterly engaging instrumental rock.\n<h3>Releases:</h3>\n\"<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=54\">The First Step to End the Life (Si Begg Remix)</a>\" Single, 2007. - <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=54\"><strong>Listen</strong></a><strong> </strong><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=54\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" title=\" \" alt=\" \" align=\"middle\" /></a>\n\n\"<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=58\">Foregone Conclusion</a>\" Mini Album, 2007. Cat#: HSR028 - <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=58\"><strong>Listen</strong></a><strong> </strong><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;products_id=58\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/misc_site_images/HS_ear2.gif\" title=\" \" alt=\" \" align=\"middle\" /></a>','The Retail Sectors','','draft','closed','open','','the-retail-sectors','','','2014-07-25 02:51:37','2014-07-25 02:51:37','',91,'http://music.hiddenshoal.com/the-retail-sectors/',0,'page','',0),(604,1,'2007-10-11 04:41:26','2007-10-11 04:41:26','<img align=\"right\" id=\"artist-img\" alt=\"The Retail Sectors\" src=\"/wp-content/uploads/the-retail-sectors.jpg\" />\n<ul>\n	<li><a href=\"/artists/the-retail-sectors/\">About</a></li>\n	<li><a href=\"/cat/news/the-retail-sectors/\">News</a></li>\n	<li>Bio</li>\n	<li><a href=\"/cat/reviews/the-retail-sectors-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-press\">Press Kits</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-music\">Buy Music Releases</a></li>\n</ul>\n<font color=\"#000000\">.</font>\nInspired by the video game music of Nobuo Uematsu (Final Fantasy) and the movie  soundtracks of Joe Hisaishi, The Retail Sectors is one of the musical projects  of the multi-talented Kentaro Togawa. Born in 1985 in Yamanashi, Japan, Kentaro  has been making music since the age of 15, and also records as The Wholesale  Sectors, covering the work of Nobuo Uematsu.\n\n<em> Kentaro Togawa, guitarist  and aural snake charmer, weaves ten mysterious, fragile, yet ever spiraling webs  of sound, with his axe providing a layered, powerful, even moving set of densely  composed pieces.</em> - Foxy Digitalis\n\nKentaro has so far released two albums,  three EPs, two compilations and a remix, and also runs his own music label,  Symbolic Interaction. His first release through Hidden Shoal Recordings,  Foregone Conclusion, collects the pearls from some of his previous releases,  including collaborations with Si Begg, Maps and Diagrams, and Headphone Science,  as well as a number of previously unreleased tracks.','The Retail Sectors Bio','','draft','closed','open','','the-retail-sectors-bio','','','2014-07-25 02:51:37','2014-07-25 02:51:37','',603,'http://music.hiddenshoal.com/artists/the-retail-sectors/the-retail-sectors-bio/',0,'page','',0),(605,1,'2007-10-11 04:43:38','2007-10-11 04:43:38','<p><img align=\"right\" alt=\"The Retail Sectors\" id=\"artist-img\" src=\"/wp-content/uploads/the-retail-sectors.jpg\" /></p>\n<ul>\n	<li><a href=\"/artists/the-retail-sectors/\">About</a></li>\n	<li><a href=\"/cat/news/the-retail-sectors/\">News</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/the-retail-sectors-reviews/\">Reviews</a></li>\n	<li>Gallery</li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-press\">Press Kits</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-music\">Buy Music Releases</a></li>\n</ul>\n<p><!--lazy-k-gallery:subgallery=The_Retail_Sectors--></p>\n','The Retail Sectors Gallery','','draft','closed','open','','the-retail-sectors-gallery','','','2014-07-25 02:51:37','2014-07-25 02:51:37','',603,'http://music.hiddenshoal.com/artists/the-retail-sectors/the-retail-sectors-gallery/',0,'page','',0),(606,1,'2007-10-11 04:46:30','2007-10-11 04:46:30','<img src=\"/wp-content/uploads/the-retail-sectors.jpg\" alt=\"The Retail Sectors\" id=\"artist-img\" align=\"right\" />\n<ul>\n	<li><a href=\"/artists/the-retail-sectors/\">About</a></li>\n	<li><a href=\"/cat/news/the-retail-sectors/\">News</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/the-retail-sectors-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-gallery/\">Gallery</a></li>\n	<li>Press Kits</li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-music\">Buy Music Releases</a></li>\n</ul>\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Retail_Sectors_Signing.pdf\" target=\"_blank\">The Retail Sectors Signing</a>\n\n<a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-The_Retail_Sectors_Mini_Album.pdf\" target=\"_blank\">Foregone Conclusion Mini-Album Release </a>','The Retail Sectors Press','','draft','closed','open','','the-retail-sectors-press','','','2014-07-25 02:51:37','2014-07-25 02:51:37','',603,'http://music.hiddenshoal.com/artists/the-retail-sectors/the-retail-sectors-press/',0,'page','',0),(607,1,'2007-10-11 04:47:14','2007-10-11 04:47:14','<img align=\"right\" alt=\"The Retail Sectors\" id=\"artist-img\" src=\"/wp-content/uploads/the-retail-sectors.jpg\" />\n<ul>\n	<li><a href=\"/artists/the-retail-sectors/\">About</a></li>\n	<li><a href=\"/cat/news/the-retail-sectors/\">News</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/the-retail-sectors-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-press\">Press Kits</a></li>\n	<li>Artist Sites</li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-music\">Buy Music Releases</a></li>\n</ul>\n<strong>You can also find The Retail Sectors at the following sites:</strong>\n\n<strong>\n</strong>\n<table border=\"0\">\n<tr>\n<td><a target=\"_blank\" title=\"Myspace\" href=\"http://www.myspace.com/holdingpatternproject\"><strong /></a><a target=\"_blank\" href=\"http://www.theretailsectors.com/\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/The_Retail_Sectors_website.jpg\" /></a></td>\n<td><a target=\"_blank\" title=\"Myspace\" href=\"http://www.myspace.com/holdingpatternproject\"><strong /></a><strong><a target=\"_blank\" title=\"Myspace\" href=\"http://www.myspace.com/theretailsectors\"><img alt=\"Myspace\" title=\"Myspace\" src=\"http://www.hiddenshoal.com/wp-content/uploads/Image/othersites/myspace_logo.gif\" /></a></strong></td>\n<td><a title=\"Imeem\" target=\"_blank\" href=\"http://holdingpattern.imeem.com/\">\n</a></td>\n</tr>\n<tr>\n<td><a title=\"Tagworld\" target=\"_blank\" href=\"http://www.tagworld.com/holdingpattern\">\n</a></td>\n<td><a title=\"Last FM\" target=\"_blank\" href=\"http://www.last.fm/music/Holding+Pattern\">\n</a></td>\n<td></td>\n</tr>\n</table>','The Retail Sectors Sitesm','','draft','closed','open','','the-retail-sectors-sites','','','2014-07-25 02:51:37','2014-07-25 02:51:37','',603,'http://music.hiddenshoal.com/artists/the-retail-sectors/the-retail-sectors-sites/',0,'page','',0),(608,1,'2007-10-11 04:47:49','2007-10-11 04:47:49','<img src=\"/wp-content/uploads/the-retail-sectors.jpg\" id=\"artist-img\" alt=\"The Retail Sectors\" align=\"right\" />\n<ul>\n	<li><a href=\"/artists/the-retail-sectors/\">About</a></li>\n	<li><a href=\"/cat/news/the-retail-sectors/\">News</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/the-retail-sectors-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-press\">Press Kits</a></li>\n	<li><a href=\"/artists/the-retail-sectors/the-retail-sectors-sites\">Artist Sites</a></li>\n	<li>Buy Music Releases</li>\n</ul>\n<h3>Buy Retail Sectors Releases at the following stores:</h3>\n<p class=\"MsoNormal\" align=\"justify\">&nbsp;</p>\n<a href=\"http://www.hiddenshoal.com/\"> <img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/hsr_store.jpg\" />  </a><a href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=267973147&amp;s=143441\" target=\"_blank\">   <img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/itunes.jpg\" /></a> <a href=\"http://www.amazon.com/gp/product/B000YC8LCS/ref=dm_dp_adp\" target=\"_blank\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/amazon-logo.jpg\" /></a> <a href=\"http://www.rhapsody.com/theretailsectors\" target=\"_blank\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/File/rhapsody.jpg\" border=\"0\" hspace=\"0\" vspace=\"0\" /></a>','The Retail Sectors Music','','draft','closed','open','','the-retail-sectors-music','','','2014-07-25 02:51:37','2014-07-25 02:51:37','',603,'http://music.hiddenshoal.com/artists/the-retail-sectors/the-retail-sectors-music/',0,'page','',0),(10457,1,'2014-09-01 02:14:27','2014-09-01 02:14:27','<img class=\"alignleft  wp-image-10365\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Machiavella-Cover-Art-300x300.jpg\" alt=\"Machiavella\" width=\"178\" height=\"178\" />Involved\'s amazing new single, \'<a title=\"Involved\" href=\"http://www.hiddenshoal.com/project/involved/\">Machiavella</a>\', from their forthcoming debut <em>Revolving Maze </em>(19th September) has recently been posted at the wonderful German blog <a title=\"Schallgrenzen\" href=\"http://www.schallgrenzen.de/heute-lieblingssong-involved-machiavella/\" target=\"_blank\">Schallgrenzen</a> and <a title=\"Fragile or Possibly Extinct\" href=\"http://fragileorpossiblyextinct.com/involved-machiavella/\" target=\"_blank\">Fragile or Possibly Extinct</a> (the lovely folks from The Silent Ballet). Schallgrenzen gave it track of the day status and had this to say,<em>\r\n</em>\r\n\r\n<em>\"Dramatic, sweeping wide-screen electronica and swirling Sci-Fi of Involved. I liked the track \"Machiavella\" from the first note. Exciting inner cinema music. Joseph Dorsey and Reivilo Enoignor are Involved are from Texas and beyond with this enveloping cosmic force from their debut album \"Revolving Maze\" on<em> indie label Hidden Shoal </em>.\" - </em><strong><a title=\"Schallgrenzen\" href=\"http://www.schallgrenzen.de/heute-lieblingssong-involved-machiavella/\" target=\"_blank\">Schallgrenzen</a></strong>\r\n\r\n\'Machiavella\' is available now as a free download via <a title=\"Bandcamp\" href=\"https://involved.bandcamp.com/album/machiavella-single\" target=\"_blank\">Bandcamp</a>. <em>Revolving Maze</em> drops on the 19th September 2014.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/163091843&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Involved at Schallgrenzen & Fragile or Possibly Extinct','','inherit','closed','closed','','10452-revision-v1','','','2014-09-01 02:14:27','2014-09-01 02:14:27','',10452,'http://www.hiddenshoal.com/10452-revision-v1/',0,'revision','',0),(10458,1,'2014-09-01 02:14:56','2014-09-01 02:14:56','<img class=\"alignleft  wp-image-10365\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/08/Machiavella-Cover-Art-300x300.jpg\" alt=\"Machiavella\" width=\"196\" height=\"196\" />Involved\'s amazing new single, \'<a title=\"Involved\" href=\"http://www.hiddenshoal.com/project/involved/\">Machiavella</a>\', from their forthcoming debut <em>Revolving Maze </em>(19th September) has recently been posted at the wonderful German blog <a title=\"Schallgrenzen\" href=\"http://www.schallgrenzen.de/heute-lieblingssong-involved-machiavella/\" target=\"_blank\">Schallgrenzen</a> and <a title=\"Fragile or Possibly Extinct\" href=\"http://fragileorpossiblyextinct.com/involved-machiavella/\" target=\"_blank\">Fragile or Possibly Extinct</a> (the lovely folks from The Silent Ballet). Schallgrenzen gave it track of the day status and had this to say,<em>\r\n</em>\r\n\r\n<em>\"Dramatic, sweeping wide-screen electronica and swirling Sci-Fi of Involved. I liked the track \"Machiavella\" from the first note. Exciting inner cinema music. Joseph Dorsey and Reivilo Enoignor are Involved are from Texas and beyond with this enveloping cosmic force from their debut album \"Revolving Maze\" on<em> indie label Hidden Shoal </em>.\" - </em><strong><a title=\"Schallgrenzen\" href=\"http://www.schallgrenzen.de/heute-lieblingssong-involved-machiavella/\" target=\"_blank\">Schallgrenzen</a></strong>\r\n\r\n\'Machiavella\' is available now as a free download via <a title=\"Bandcamp\" href=\"https://involved.bandcamp.com/album/machiavella-single\" target=\"_blank\">Bandcamp</a>. <em>Revolving Maze</em> drops on the 19th September 2014.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/163091843&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Involved at Schallgrenzen & Fragile or Possibly Extinct','','inherit','closed','closed','','10452-revision-v1','','','2014-09-01 02:14:56','2014-09-01 02:14:56','',10452,'http://www.hiddenshoal.com/10452-revision-v1/',0,'revision','',0),(10143,1,'2014-08-01 02:30:47','2014-08-01 02:30:47','<img class=\"alignleft\" title=\"Liam Singer\" src=\"http://www.hiddenshoal.com/wp-content/uploads/liam-singer.jpg\" alt=\"\" width=\"180\" height=\"121\" />Hidden Shoal Recordings is proud to announce the signing of <a href=\"http://www.hiddenshoal.com/artists/liam-singer\">Liam Singer</a>. Hidden Shoal will release the Brooklyn-based chamber-pop experimentalist\'s stunning new album <em>Dislocatia </em>in October 2010, preceded by a single in August.\n\nIn Liam Singer’s music, the prosaic and the magical are two sides of the same dusty coin. These fantastical song-stories carry the listener skyward like a clockwork cloud. Produced by Scott Solter, and featuring vocals from Boxharp’s Wendy Allen, upcoming album <em>Dislocatia </em>is a beguiling song cycle, rich in wondrous resonant details.\n\nWho is Liam Singer? Well, for starters he has two previous albums to his name, co-founded a 20-piece kazoo orchestra, played keyboards for The Scientifics (now Eliot Rose) and Nate Ashley, performed with the Kallikak Family, contributed piano to the Balustrade Ensemble album <em>Capsules</em>, is currently playing keyboards for Rob Hampton\'s (ex-Band Of Horses) project Devil Be Gone, occasionally plays piano at Alexander Turnquist’s live shows, is a touring keyboardist with Slow Six and his keyboards feature on <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=45\">Boxharp</a>’s <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=45&amp;products_id=135\"><em>Loam Arcane</em></a> and <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=45&amp;products_id=142\"><em>The Green</em></a> releases. And after you hear <em>Dislocatia</em> his music will be permanently imprinted on your brain\'s musical pleasure centre.\n\nRead a full press release <a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Liam_Singer_Signing.pdf\">here</a>.','Hidden Shoal Signs Liam Singer','','inherit','closed','closed','','2214-revision-v1','','','2014-08-01 02:30:47','2014-08-01 02:30:47','',2214,'http://www.hiddenshoal.com/2214-revision-v1/',0,'revision','',0),(10141,1,'2014-08-01 02:30:47','2014-08-01 02:30:47','<img class=\"alignleft\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/winterweeds.jpg\" alt=\"\" width=\"100\" height=\"100\" />If you\'ve yet to download Liam Singer\'s gorgeous single <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=151\" target=\"_blank\">\'Winter Weeds\'</a>, pop along to the <a href=\"http://www.hiddenshoal.com/wp-content/uploads/\" target=\"_blank\">Hidden Shoal Store</a> and do so now. It\'s ace. Melbourne\'s Beat Magazine gave \'Winter Weeds\' single of the week. Hoorah!\n\n<em>Dislocatia</em>, the stunning album from which \'Winter Weeds\' is taken, is out on 5 October.','Liam Singer is Beat&#039;s Single of the Week','','inherit','closed','closed','','2665-revision-v1','','','2014-08-01 02:30:47','2014-08-01 02:30:47','',2665,'http://www.hiddenshoal.com/2665-revision-v1/',0,'revision','',0),(10142,1,'2014-08-01 02:30:47','2014-08-01 02:30:47','<img class=\"alignleft\" title=\"Liam Singer\" src=\"http://www.hiddenshoal.com/wp-content/uploads/liam-singer.jpg\" alt=\"\" width=\"180\" height=\"121\" />Hidden Shoal Recordings today announced the release of the new single ‘<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=151\">Winter Weeds</a>’ by Brooklyn-based chamber-pop experimentalist <a href=\"http://www.hiddenshoal.com/artists/liam-singer/\">Liam Singer</a>.\n\n‘Winter Weeds’ contains all the ingredients that make Liam Singer’s music so utterly beautiful and unique. With its striking minimalism and melancholic romanticism, the track swoons and sways. Singer’s piano and vocal interweave with the heavenly backing vocals of Boxharp’s Wendy Allen, all topped off with Scott Solter’s masterful production.\n\n‘Winter Weeds’ is a delicious taster of the magic that lies within Liam Singer\'s forthcoming album, <em>Dislocatia</em>, a beguiling song cycle, rich in wondrous, resonant details. Full of fantastical song-stories, the album carries the listener skyward like a clockwork cloud. In Liam Singer’s music, the prosaic and the magical are two sides of the same dusty coin.\n\n<em>\"His hushed, high-pitched whisper recalls the tunefulness and wounded qualities of Elliott Smith and Sufjan Stevens at their most emotive...Our Secret Lies Beneath the Creek is hardly the blissful piano pop album that past songs like “One Day” hinted at, but by venturing farther into the mysterious, Singer has crafted something far more intriguing. And with this kind of talent, he’s plainly making a conscious choice.\"</em> <strong>- Cokemachineglow</strong> <strong> on <em>Singer\'s previous release Our Secret Lies Beneath The Creek.</em></strong>\n\n‘Winter Weeds’ is available for <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=151\">free download</a> from the <a href=\"http://agora.hiddenshoal.com\">Hidden Shoal Store</a> until the release of the album <em>Dislocatia</em> on 5th October 2010. Read a full press release <a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Liam_Singer-Winter_Weeds_Single.pdf\">here</a>.\n\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/Media/HSR_Radio/Liam_Singer/Dislocatia/05_Winter_Weeds.mp3\">Liam Singer - \'Winter Weeds\'</a> <em>Liam Singer - \'Winter Weeds\'</em>','First Single From Liam Singer&#039;s Dislocatia Released','','inherit','closed','closed','','2531-revision-v1','','','2014-08-01 02:30:47','2014-08-01 02:30:47','',2531,'http://www.hiddenshoal.com/2531-revision-v1/',0,'revision','',0),(10139,1,'2014-08-01 02:30:47','2014-08-01 02:30:47','<img class=\"alignleft\" src=\"http://www.hiddenshoal.com/wp-content/uploads/liam-singer.jpg\" alt=\"\" width=\"180\" height=\"121\" /><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=48\">Liam Singer\'s</a> jaw droppingly wondrous  full length <em>Dislocatia </em>has been attracting some fantastic press ahead of its release next week. No less than in one of our new favourite music blogs <a href=\"http://www.tometotheweathermachine.com/\" target=\"_blank\">Tome To The Weather Machine</a>. Tome proves that the word \"intelligent\" can be used in the same sentence as \"music criticism\" - too rare! Check out the review <a href=\"http://www.tometotheweathermachine.com/reviews/2010/09/liam-singer\" target=\"_blank\">here</a>.\n\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/Media/HSR_Radio/Liam_Singer/Dislocatia/05_Winter_Weeds.mp3\">Liam Singer - Winter Weeds</a> <em>Liam Singer - Winter Weeds</em>','Liam Singer Dislocatia on Tome To The Weather Machine','','inherit','closed','closed','','2780-revision-v1','','','2014-08-01 02:30:47','2014-08-01 02:30:47','',2780,'http://www.hiddenshoal.com/2780-revision-v1/',0,'revision','',0),(10140,1,'2014-08-01 02:30:47','2014-08-01 02:30:47','<img class=\"alignleft\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/liam-singer.jpg\" alt=\"\" width=\"180\" height=\"121\" /> <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=48&amp;zenid=101e8ada5ae8138bc7861f2ff8e5fe9c\">Liam Singer</a> will be performing at<a href=\"http://www.opositivefestival.org/music.html\" target=\"_blank\"> O+ Festival</a> this year. Housed in an array of venues across Kingston, New York, it\'s a unique festival for a good cause. Check it out <a href=\"http://www.opositivefestival.org/index.html\" target=\"_blank\">here</a>. Liam Singer\'s single \'<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=151\" target=\"_blank\">Winter Weeds</a>\' is currently available for free download from the <a href=\"http://agora.hiddenshoal.com\" target=\"_blank\">HSR Store</a> until the release of his stunning new album <em>Dislocatia</em> in October.\n\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/Media/HSR_Radio/Liam_Singer/Dislocatia/05_Winter_Weeds.mp3\" target=\"_self\">Liam Singer -</a><em><a href=\"http://www.hiddenshoal.com/wp-content/uploads/Media/HSR_Radio/Liam_Singer/Dislocatia/05_Winter_Weeds.mp3\" target=\"_self\"> Winter Weeds</a> Liam Singer</em> -<em> Winter Weeds</em>','Liam Singer at O+ Festival','','inherit','closed','closed','','2688-revision-v1','','','2014-08-01 02:30:47','2014-08-01 02:30:47','',2688,'http://www.hiddenshoal.com/2688-revision-v1/',0,'revision','',0),(10138,1,'2014-08-01 02:30:47','2014-08-01 02:30:47','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2010/09/Dislocatia-Front-Cover-480.jpg\"><img class=\"alignleft size-thumbnail wp-image-2790\" title=\"Dislocatia Front Cover 480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2010/09/Dislocatia-Front-Cover-480-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>The waiting is nearly over and to help bridge the final gap the wonderful folk at <a href=\"http://n5mailorder.com/release/1051/liam-singer-dislocatia-%5BPREORDER-+-MP3-download%5D\" target=\"_blank\">n5Mailorder</a> now have <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=48\">Liam Singer\'s</a> <em>Dislocatia</em> available for <a href=\"http://n5mailorder.com/release/1051/liam-singer-dislocatia-%5BPREORDER-+-MP3-download%5D\" target=\"_blank\">pre-order</a>. As a bonus all CD orders come bundled with an mp3 version of the album.\n\nThe album is officially released on the 5th of October, available in all good digital stores and distributed on CD through n5Mailorder.','Liam Singer&#039;s Dislocatia Available for Pre-Order','','inherit','closed','closed','','2789-revision-v1','','','2014-08-01 02:30:47','2014-08-01 02:30:47','',2789,'http://www.hiddenshoal.com/2789-revision-v1/',0,'revision','',0),(10136,1,'2014-08-01 02:30:46','2014-08-01 02:30:46','Liam Singer\'s <em>Dislocatia </em>was reviewed by the ever perceptive gentlemen at <a href=\"http://www.groovemine.com/\" target=\"_blank\">Groovemine</a> who, having taken a moment to listen to Singer\'s intoxicating and eclectic chamber pop, wrote a beautiful and insightful review which you can read <a href=\"http://www.groovemine.com/rantsraves_review_liam-singer_dislocatia\" target=\"_blank\">here</a>.','Liam Singer&#039;s &#039;Dislocatia&#039; Reviewed on Groovemine NF','','inherit','closed','closed','','2858-revision-v1','','','2014-08-01 02:30:46','2014-08-01 02:30:46','',2858,'http://www.hiddenshoal.com/2858-revision-v1/',0,'revision','',0),(10137,1,'2014-08-01 02:30:47','2014-08-01 02:30:47','<strong> </strong><img src=\"http://www.hiddenshoal.com/wp-content/uploads/liam-singer.jpg\" alt=\"\" width=\"180\" height=\"121\" align=\"left\" />Hidden Shoal Recordings is proud to announce the release of the new album <em><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=155\">Dislocatia</a> </em>by Brooklyn-based chamber-pop experimentalist <a href=\"../artists/liam-singer\">Liam Singer</a>.\n\n<em>Dislocatia</em> is a truly beguiling song cycle that contains multitudes. In Liam Singer’s music, the prosaic and the magical are two sides of the same dusty coin. Produced by <a href=\"http://www.boxharp.com/scottsolter/\">Scott Solter</a>, and featuring vocals from <a href=\"../artists/boxharp/\">Boxharp’s</a> Wendy Allen, <em>Dislocatia</em> is rich in wondrous, resonant details. These fantastical song-stories carry the listener skyward like a clockwork cloud.\n\nIt’s rare to find such arresting compositional talent married not only to an innate sense of melody and emotion, but also to a keen sense of texture and atmosphere. <em>Dislocatia </em>manages to merge these elements together and, more importantly, blur any lines that divide them. Liam Singer’s alchemical compositional process transforms the songs into a whole that transcends simple descriptors.\n\nThe digital version of the album also includes a wonderful re-working of the Cat Power track \'Cross Bones Style\'.\n\n<em>“If the Bedroom Communities roster are the post-romantics, like Brahms and Rachmoninovs, of 21st century indie-acceptable classical music, then Liam Singer is the Erik Satie of the group, playing wildly conceptual music that never quite loses its emotional resonance. ”</em> – <strong>Tome To The Weather Machine</strong><em> </em>\n\n<em>“With ‘Winter Weeds’, Singer places himself among other artists who understand the delicate nature of human compassion. His capacity for relating such an emotion seems to come easy, making such a forgotten expression in today’s society unbelievably refreshing.” </em><strong>-</strong><strong> Delusions of Adequacy</strong><em>\n</em><strong> </strong>\n<em>Dislocatia</em> is available now on CD and in digital formats through Hidden Shoal Recordings, distributed via <a href=\"http://n5mailorder.com/release/1051/\" target=\"_blank\">n5Mailorder</a>. Head to the <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=155\">Hidden Shoal Store</a> for all availability details and read a full press release <a href=\"../publicity/press-releases/HSR_Press_Release-Liam_Singer-Dislocatia.pdf\">here</a>. For information about the album launch in New York and other live dates including the <a href=\"http://www.opositivefestival.org/\" target=\"_blank\">O+ Festival</a> check <a href=\"http://www.hiddenshoal.com/archive/liam-singer-album-launch/\">here</a>.\n\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/Media/HSR_Radio/Liam_Singer/Dislocatia/12_Words_Make_the_Master.mp3\">Liam Singer - Words Make The Master</a> <em>Liam Singer - Words Make The Master</em>\n\n<em>\n</em><strong><em> </em></strong>','New Album from Chamber-Pop Experimentalist Liam Singer','','inherit','closed','closed','','2823-revision-v1','','','2014-08-01 02:30:47','2014-08-01 02:30:47','',2823,'http://www.hiddenshoal.com/2823-revision-v1/',0,'revision','',0),(10134,1,'2014-08-01 02:30:46','2014-08-01 02:30:46','<img class=\"alignright\" title=\"Liam Singer\" src=\"http://www.hiddenshoal.com/wp-content/uploads/liam-singer.jpg\" alt=\"\" width=\"103\" height=\"69\" />More glowing press for Liam Singer\'s <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=48&amp;products_id=155\"><em>Dislocatia</em></a><a href=\"http://www.textura.org/\" target=\"_blank\"></a>. This time <em>Dislocatia</em> has been reviewed at the wonderful<a href=\"http://www.popmatters.com\" target=\"_blank\"> PopMatters</a>. Read the full review <a href=\"http://www.popmatters.com/pm/review/132349-liam-singer-dislocatia/\" target=\"_blank\">here</a>.','Liam Singer&#039;s Dislocatia Reviewed at PopMatters','','inherit','closed','closed','','2984-revision-v1','','','2014-08-01 02:30:46','2014-08-01 02:30:46','',2984,'http://www.hiddenshoal.com/2984-revision-v1/',0,'revision','',0),