The music of Antonymes (Ian M. Hazeldine) has always reverberated with an inherent sadness, graced by a tinge of holiness.  On his newest effort, this yearning tone is reflected by the title, a reference to the 13th Chapter of Corinthians:  for now we see through a glass dimly, but then face to face.  The passage refers to the sea of the unknown: questions unanswered, secrets unrevealed.  An alternate translation reads a mirror darkly, referring to the imperfect, oxidized images of ancient glass.  In short: if we cannot see ourselves clearly, how shall we manage to grasp the eternal?