INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (12998,1,'2015-09-17 16:49:29','2015-09-17 08:49:29','<a href=\"http://www.hiddenshoal.com/project/awma/\"><img class=\"alignleft  wp-image-12932\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/AWMA-Bio-Photo-300x300.jpg\" alt=\"AWMA\" width=\"203\" height=\"203\" /></a>We\'re very excited to present ‘<a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/awma-broadcast-history\" target=\"_blank\">Broadcast History</a>’, the first taste of the debut self-titled EP from atmospheric rock trio <a title=\"AWMA\" href=\"http://www.hiddenshoal.com/project/awma/\">AWMA. </a>The track prowls relentlessly around a circular guitar refrain, gradually building in intensity as Jason Lakis’s expansive guitar effects and Conor Devlin’s incantatory vocal colour the stereo field with portent. AWMA take the space, weight and atmosphere of their previous incarnation <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\" target=\"_blank\">Half Film</a>, and inject instrumental details and a gentle shift in tempo from their slowcore origins.\r\n\r\nThe band dynamic that Conor and Eimer Devlin (<a title=\"[the] caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\" target=\"_blank\">[the] caseworker</a>) and Jason Lakis (The Red Thread, Mist and Mast) have cultivated over the years of touring and playing together has been elegantly renewed on their self-titled EP. This melodically charged music, akin to the early pastoral side of Pink Floyd, exudes intensity and emotional resonance.\r\n\r\n\'Broadcast History\' is available for streaming now via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/awma-broadcast-history\" target=\"_blank\">SoundCloud</a>. AWMA\'s self-titled EP sees release on the 14th of October 2015.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/223166722&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Debut AWMA Single - \'Broadcast History\'','','inherit','closed','closed','','12991-revision-v1','','','2015-09-17 16:49:29','2015-09-17 08:49:29','',12991,'http://www.hiddenshoal.com/12991-revision-v1/',0,'revision','',0),(13043,1,'2015-10-16 22:14:10','2015-10-16 14:14:10','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px.jpg\"><img class=\"alignleft  wp-image-12242\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"205\" height=\"205\" /></a>We\'re excited to share the gorgeous new single from Australia via US dream-pop duo <a href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a>, taken from their debut album <em>Axis Swim Scar</em>.  ‘Stolen’ distills Disintegration-era Cure and 80s pop romanticism into a slice of languid, escapist dream-pop. What’s most striking about this track is its restraint, able to hold the listener rapt, even when it strips back to just the soaring guitar of Drew Sullivan (<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>) and the ethereal vocals of Jarrod Manuel (<a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>). The October Solution work within and move beyond familiar tropes to present a defiantly futuristic and progressive vision. Axis Swim Scar resonates with deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\nDownload the song for free via the band\'s <a title=\"Bandcamp\" href=\"https://theoctobersolution.bandcamp.com/track/stolen\" target=\"_blank\">Bandcamp</a> and be sure to check out <em>Axis Swim Scar </em>while you\'re there. \'Stolen\' is also available for streaming via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/the-october-solution-stolen\" target=\"_blank\">SoundCloud</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/228311948&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Gorgeous New Single from The October Solution','','inherit','closed','closed','','13040-revision-v1','','','2015-10-16 22:14:10','2015-10-16 14:14:10','',13040,'http://www.hiddenshoal.com/13040-revision-v1/',0,'revision','',0),(13000,1,'2015-09-18 10:07:16','2015-09-18 02:07:16','<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignleft  wp-image-10523\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM3BioPic1-300x300.jpg\" alt=\"Chloë March\" width=\"190\" height=\"190\" /></a>Hidden Shoal is proud to present the beautiful new <a href=\"https://www.youtube.com/watch?v=p9P5ruVwdN4\">music video</a> for ‘May’ by <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, taken from her <em><a href=\"https://chloemarch.bandcamp.com/album/under-the-day\">Under The Day</a></em> EP.\r\n\r\nThere’s a wistful echo of Satie in Chloë March’s ‘May’. The restraint of the piano performance and March’s sweetly forlorn vocal are accompanied by images of spring blossoms, birds and dappled sunlight, creating a deep sense of beauty and longing. March describes the inspiration behind the track:\r\n\r\n<em>\" \'May\' was partly inspired by the name of a flower: \'Miss Willmott\'s Ghost\'.  I had a powerful image of a woman in a garden, waiting in a beautiful dawn half-light, on the same day every year. I couldn\'t decide if she was a ghost herself, or if she was waiting for a ghost, but I knew I wanted to write a song about her.\"</em> - <strong>Chloe March</strong>\r\n\r\nThe music video for \'May\' is available now via <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=p9P5ruVwdN4\" target=\"_blank\">YouTube</a> and <a title=\"Vimeo\" href=\"https://vimeo.com/139596559\" target=\"_blank\">Vimeo</a> and the track is also available as a free download via <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/track/may\" target=\"_blank\">BandCamp</a>. While you\'re at <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/music\" target=\"_blank\">BandCamp</a> be sure to check out <em>Under The Day</em> along with the rest of Chloe March\'s amazing discography.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Chloe March \'May\' - Music Video and Single','','publish','closed','closed','','chloe-march-may-music-video-and-single','','','2016-02-03 16:47:20','2016-02-03 08:47:20','',0,'http://www.hiddenshoal.com/?p=13000',0,'post','',0),(13001,1,'2015-09-18 09:39:36','2015-09-18 01:39:36','<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignleft  wp-image-10523\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM3BioPic1-300x300.jpg\" alt=\"Chloë March\" width=\"180\" height=\"180\" /></a>Hidden Shoal is proud to announce the beautiful new <a href=\"https://www.youtube.com/watch?v=p9P5ruVwdN4\">music video</a> for ‘May’ by <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, taken from her <em><a href=\"https://chloemarch.bandcamp.com/album/under-the-day\">Under The Day</a></em> EP.\r\n\r\nThere’s a wistful echo of Satie in Chloë March’s ‘May’. The restraint of the piano performance and March’s sweetly forlorn vocal are accompanied by images of spring blossoms, birds and dappled sunlight, creating a deep sense of beauty and longing. March describes the inspiration behind the track:\r\n\r\n\'May\' was partly inspired by the name of a flower: \'Miss Willmott\'s Ghost\'.  I had a powerful image of a woman in a garden, waiting in a beautiful dawn half-light, on the same day every year. I couldn\'t decide if she was a ghost herself, or if she was waiting for a ghost, but I knew I wanted to write a song about her.\r\n\r\nThe music video for \'May\' is available now via <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=p9P5ruVwdN4\" target=\"_blank\">YouTube</a> and <a title=\"Vimeo\" href=\"https://vimeo.com/139596559\" target=\"_blank\">Vimeo</a> and the track is also available as a free download via <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/track/may\" target=\"_blank\">BandCamp</a>. While you\'re at <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/music\" target=\"_blank\">BandCamp</a> be sure to check out Under The Day along with the rest of Chloe March\'s amazing discography.\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Chloe March \'May\' - Music Video and Single','','inherit','closed','closed','','13000-revision-v1','','','2015-09-18 09:39:36','2015-09-18 01:39:36','',13000,'http://www.hiddenshoal.com/13000-revision-v1/',0,'revision','',0),(13002,1,'2015-09-18 10:02:45','2015-09-18 02:02:45','<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignleft  wp-image-10523\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM3BioPic1-300x300.jpg\" alt=\"Chloë March\" width=\"180\" height=\"180\" /></a>Hidden Shoal is proud to announce the beautiful new <a href=\"https://www.youtube.com/watch?v=p9P5ruVwdN4\">music video</a> for ‘May’ by <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, taken from her <em><a href=\"https://chloemarch.bandcamp.com/album/under-the-day\">Under The Day</a></em> EP.\r\n\r\nThere’s a wistful echo of Satie in Chloë March’s ‘May’. The restraint of the piano performance and March’s sweetly forlorn vocal are accompanied by images of spring blossoms, birds and dappled sunlight, creating a deep sense of beauty and longing. March describes the inspiration behind the track:\r\n\r\n<em>\" \'May\' was partly inspired by the name of a flower: \'Miss Willmott\'s Ghost\'.  I had a powerful image of a woman in a garden, waiting in a beautiful dawn half-light, on the same day every year. I couldn\'t decide if she was a ghost herself, or if she was waiting for a ghost, but I knew I wanted to write a song about her.\"</em> - <strong>Chloe March</strong>\r\n\r\nThe music video for \'May\' is available now via <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=p9P5ruVwdN4\" target=\"_blank\">YouTube</a> and <a title=\"Vimeo\" href=\"https://vimeo.com/139596559\" target=\"_blank\">Vimeo</a> and the track is also available as a free download via <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/track/may\" target=\"_blank\">BandCamp</a>. While you\'re at <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/music\" target=\"_blank\">BandCamp</a> be sure to check out <em>Under The Day</em> along with the rest of Chloe March\'s amazing discography.\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Chloe March \'May\' - Music Video and Single','','inherit','closed','closed','','13000-revision-v1','','','2015-09-18 10:02:45','2015-09-18 02:02:45','',13000,'http://www.hiddenshoal.com/13000-revision-v1/',0,'revision','',0),(13003,1,'2015-09-18 10:03:34','2015-09-18 02:03:34','<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignleft  wp-image-10523\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM3BioPic1-300x300.jpg\" alt=\"Chloë March\" width=\"180\" height=\"180\" /></a>Hidden Shoal is proud to present the beautiful new <a href=\"https://www.youtube.com/watch?v=p9P5ruVwdN4\">music video</a> for ‘May’ by <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, taken from her <em><a href=\"https://chloemarch.bandcamp.com/album/under-the-day\">Under The Day</a></em> EP.\r\n\r\nThere’s a wistful echo of Satie in Chloë March’s ‘May’. The restraint of the piano performance and March’s sweetly forlorn vocal are accompanied by images of spring blossoms, birds and dappled sunlight, creating a deep sense of beauty and longing. March describes the inspiration behind the track:\r\n\r\n<em>\" \'May\' was partly inspired by the name of a flower: \'Miss Willmott\'s Ghost\'.  I had a powerful image of a woman in a garden, waiting in a beautiful dawn half-light, on the same day every year. I couldn\'t decide if she was a ghost herself, or if she was waiting for a ghost, but I knew I wanted to write a song about her.\"</em> - <strong>Chloe March</strong>\r\n\r\nThe music video for \'May\' is available now via <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=p9P5ruVwdN4\" target=\"_blank\">YouTube</a> and <a title=\"Vimeo\" href=\"https://vimeo.com/139596559\" target=\"_blank\">Vimeo</a> and the track is also available as a free download via <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/track/may\" target=\"_blank\">BandCamp</a>. While you\'re at <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/music\" target=\"_blank\">BandCamp</a> be sure to check out <em>Under The Day</em> along with the rest of Chloe March\'s amazing discography.\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Chloe March \'May\' - Music Video and Single','','inherit','closed','closed','','13000-revision-v1','','','2015-09-18 10:03:34','2015-09-18 02:03:34','',13000,'http://www.hiddenshoal.com/13000-revision-v1/',0,'revision','',0),(13004,1,'2015-09-18 10:07:51','2015-09-18 02:07:51','<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignleft  wp-image-10523\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM3BioPic1-300x300.jpg\" alt=\"Chloë March\" width=\"190\" height=\"190\" /></a>Hidden Shoal is proud to present the beautiful new <a href=\"https://www.youtube.com/watch?v=p9P5ruVwdN4\">music video</a> for ‘May’ by <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, taken from her <em><a href=\"https://chloemarch.bandcamp.com/album/under-the-day\">Under The Day</a></em> EP.\r\n\r\nThere’s a wistful echo of Satie in Chloë March’s ‘May’. The restraint of the piano performance and March’s sweetly forlorn vocal are accompanied by images of spring blossoms, birds and dappled sunlight, creating a deep sense of beauty and longing. March describes the inspiration behind the track:\r\n\r\n<em>\" \'May\' was partly inspired by the name of a flower: \'Miss Willmott\'s Ghost\'.  I had a powerful image of a woman in a garden, waiting in a beautiful dawn half-light, on the same day every year. I couldn\'t decide if she was a ghost herself, or if she was waiting for a ghost, but I knew I wanted to write a song about her.\"</em> - <strong>Chloe March</strong>\r\n\r\nThe music video for \'May\' is available now via <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=p9P5ruVwdN4\" target=\"_blank\">YouTube</a> and <a title=\"Vimeo\" href=\"https://vimeo.com/139596559\" target=\"_blank\">Vimeo</a> and the track is also available as a free download via <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/track/may\" target=\"_blank\">BandCamp</a>. While you\'re at <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/music\" target=\"_blank\">BandCamp</a> be sure to check out <em>Under The Day</em> along with the rest of Chloe March\'s amazing discography.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Chloe March \'May\' - Music Video and Single','','inherit','closed','closed','','13000-revision-v1','','','2015-09-18 10:07:51','2015-09-18 02:07:51','',13000,'http://www.hiddenshoal.com/13000-revision-v1/',0,'revision','',0),(13005,1,'2015-09-18 10:10:23','2015-09-18 02:10:23','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3799982644/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://medardfischer.bandcamp.com/album/four-songs-for-the-city-of-new-york\">Four Songs for the City of New York by Medard Fischer</a></iframe>\r\n<em>Four Songs for the City of New York</em>\r\nby <a title=\"The Star Department\" href=\"http://www.hiddenshoal.com/project/the-star-department/\">Medard Fischer</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2397808017/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://liminaldrifter.bandcamp.com/album/troubled-mystic\">Troubled Mystic by Liminal Drifter</a></iframe><em>\r\nTroubled Mystic</em>\r\nby <a title=\"Liminal Drifter\" href=\"http://www.hiddenshoal.com/project/liminal-drifter/\">Liminal Drifter</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3158289214/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://rew-music.bandcamp.com/album/olive-skinned-silver-tongued-sirens-sing-swan-songs\">Olive Skinned, Silver Tongued Sirens Sing Swan Songs by REW&lt;&lt;</a></iframe><em>\r\nOlive Skinned, Silver Tongued Sirens Sing Swan Songs</em>\r\nby <a title=\"REW&lt;&lt;\" href=\"http://www.hiddenshoal.com/project/rew/\">REW&lt;&lt;</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3271579377/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/album/hearing-things\">Hearing Things by Erik Nilsson</a></iframe>\r\n<em>Hearing Things</em>\r\nby <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"4\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal Publishing is an Australia-based independent music publisher &amp; label releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2015-09-18 10:10:23','2015-09-18 02:10:23','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(13006,1,'2015-09-18 10:11:13','2015-09-18 02:11:13','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3799982644/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://medardfischer.bandcamp.com/album/four-songs-for-the-city-of-new-york\">Four Songs for the City of New York by Medard Fischer</a></iframe>\r\n<em>Four Songs for the City of New York</em>\r\nby <a title=\"The Star Department\" href=\"http://www.hiddenshoal.com/project/the-star-department/\">Medard Fischer</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2397808017/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://liminaldrifter.bandcamp.com/album/troubled-mystic\">Troubled Mystic by Liminal Drifter</a></iframe><em>\r\nTroubled Mystic</em>\r\nby <a title=\"Liminal Drifter\" href=\"http://www.hiddenshoal.com/project/liminal-drifter/\">Liminal Drifter</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3158289214/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://rew-music.bandcamp.com/album/olive-skinned-silver-tongued-sirens-sing-swan-songs\">Olive Skinned, Silver Tongued Sirens Sing Swan Songs by REW&lt;&lt;</a></iframe><em>\r\nOlive Skinned, Silver Tongued Sirens Sing Swan Songs</em>\r\nby <a title=\"REW&lt;&lt;\" href=\"http://www.hiddenshoal.com/project/rew/\">REW&lt;&lt;</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3271579377/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/album/hearing-things\">Hearing Things by Erik Nilsson</a></iframe>\r\n<em>Hearing Things</em>\r\nby <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal Publishing is an Australia-based independent music publisher &amp; label releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2015-09-18 10:11:13','2015-09-18 02:11:13','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(13007,1,'2015-09-18 10:14:25','2015-09-18 02:14:25','https://www.youtube.com/watch?v=p9P5ruVwdN4\r\n\r\nHidden Shoal is proud to present the beautiful new <a href=\"https://www.youtube.com/watch?v=p9P5ruVwdN4\" data-rel=\"lightbox-video-0\">music video</a> for ‘May’ by <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, taken from her <em><a href=\"https://chloemarch.bandcamp.com/album/under-the-day\">Under The Day</a></em> EP.\r\n\r\nThere’s a wistful echo of Satie in Chloë March’s ‘May’. The restraint of the piano performance and March’s sweetly forlorn vocal are accompanied by images of spring blossoms, birds and dappled sunlight, creating a deep sense of beauty and longing. March describes the inspiration behind the track:\r\n\r\n<em>” ‘May’ was partly inspired by the name of a flower: ‘Miss Willmott’s Ghost’.  I had a powerful image of a woman in a garden, waiting in a beautiful dawn half-light, on the same day every year. I couldn’t decide if she was a ghost herself, or if she was waiting for a ghost, but I knew I wanted to write a song about her.”</em> – <strong>Chloe March</strong>','Chloe March - \'May\'','  ','publish','closed','closed','','chloe-march-may','','','2016-03-17 10:51:33','2016-03-17 02:51:33','',0,'http://www.hiddenshoal.com/?p=13007',0,'post','',0),(13008,1,'2015-09-18 10:14:25','2015-09-18 02:14:25','https://www.youtube.com/watch?v=p9P5ruVwdN4\r\n\r\nHidden Shoal is proud to present the beautiful new <a href=\"https://www.youtube.com/watch?v=p9P5ruVwdN4\" data-rel=\"lightbox-video-0\">music video</a> for ‘May’ by <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, taken from her <em><a href=\"https://chloemarch.bandcamp.com/album/under-the-day\">Under The Day</a></em> EP.\r\n\r\nThere’s a wistful echo of Satie in Chloë March’s ‘May’. The restraint of the piano performance and March’s sweetly forlorn vocal are accompanied by images of spring blossoms, birds and dappled sunlight, creating a deep sense of beauty and longing. March describes the inspiration behind the track:\r\n\r\n<em>” ‘May’ was partly inspired by the name of a flower: ‘Miss Willmott’s Ghost’.  I had a powerful image of a woman in a garden, waiting in a beautiful dawn half-light, on the same day every year. I couldn’t decide if she was a ghost herself, or if she was waiting for a ghost, but I knew I wanted to write a song about her.”</em> – <strong>Chloe March</strong>','Chloe March - \'May\'','  ','inherit','closed','closed','','13007-revision-v1','','','2015-09-18 10:14:25','2015-09-18 02:14:25','',13007,'http://www.hiddenshoal.com/13007-revision-v1/',0,'revision','',0),(13010,1,'2015-09-18 10:29:10','2015-09-18 02:29:10','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Chloë March</h1><p><img class=\"alignleft wp-image-10520 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM3BioPic-300x300.jpg\" alt=\"Chloë March\" width=\"300\" height=\"300\" /><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong> Oft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.<br /> <a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a href=\"https://geo.itunes.apple.com/au/artist/chloe-march/id47255965?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>To Set The River On Fire</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe> February 2015\r\n<div></div>\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<div></div>\r\n<div></div>\r\n<h4>Nights Bright Days</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe> November 2014\r\n<div></div>\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.\r\n<div></div>\r\n<div></div>\r\n<h4>Under The Day</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe> November 2014\r\n<div></div>\r\nA set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.\r\n<div></div>\r\n<div></div>\r\n<h4>Politik</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe> July 2012\r\n<div></div>\r\nChloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.\r\n<div></div>\r\n<div></div>\r\n<h4>Garden On The Boulevard</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe> November 2009\r\n<div></div>\r\n<em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.\r\n<div></div>\r\n<div></div>\r\n<h4>Divining</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe> November 2008\r\n<div></div>\r\nChloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.\r\n<div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div>\r\n<div></div>\r\n<h4>Snowdrop</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe> November 2004\r\n<div></div>\r\nChloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery columns=\"2\" ids=\"10523,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"https://www.youtube.com/embed/UDmvHmMWV6o?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2015-09-18 10:29:10','2015-09-18 02:29:10','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(13012,1,'2015-09-18 10:43:28','2015-09-18 02:43:28','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Chloë March</h1>\r\n<img class=\"alignleft wp-image-10520 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM3BioPic-300x300.jpg\" alt=\"Chloë March\" width=\"271\" height=\"271\" /><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a href=\"https://geo.itunes.apple.com/au/artist/chloe-march/id47255965?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>To Set The River On Fire</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe>\r\nFebruary 2015\r\n\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<h4>Nights Bright Days</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe>\r\nNovember 2014\r\n\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.\r\n<h4>Under The Day</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe>\r\nNovember 2014\r\n\r\nA set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.\r\n<h4>Politik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe>\r\nJuly 2012\r\n\r\nChloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.\r\n<h4>Garden On The Boulevard</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe>\r\nNovember 2009\r\n\r\n<em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.\r\n<h4>Divining</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe>\r\nNovember 2008\r\n\r\nChloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.\r\n<div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div>\r\n&nbsp;\r\n<h4>Snowdrop</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe>\r\nNovember 2004\r\n\r\nChloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"10523,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/UDmvHmMWV6o?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2015-09-18 10:43:28','2015-09-18 02:43:28','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(13011,1,'2015-09-18 10:32:01','2015-09-18 02:32:01','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Chloë March</h1>\r\n<img class=\"alignleft wp-image-10520 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM3BioPic-300x300.jpg\" alt=\"Chloë March\" width=\"271\" height=\"271\" /><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a href=\"https://geo.itunes.apple.com/au/artist/chloe-march/id47255965?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>To Set The River On Fire</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe>\r\nFebruary 2015\r\n<div></div>\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<div></div>\r\n<div></div>\r\n<h4>Nights Bright Days</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe>\r\nNovember 2014\r\n<div></div>\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.\r\n<div></div>\r\n<div></div>\r\n<h4>Under The Day</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe>\r\nNovember 2014\r\n<div></div>\r\nA set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.\r\n<div></div>\r\n<div></div>\r\n<h4>Politik</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe>\r\nJuly 2012\r\n<div></div>\r\nChloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.\r\n<div></div>\r\n<div></div>\r\n<h4>Garden On The Boulevard</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe>\r\nNovember 2009\r\n<div></div>\r\n<em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.\r\n<div></div>\r\n<div></div>\r\n<h4>Divining</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe>\r\nNovember 2008\r\n<div></div>\r\nChloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.\r\n<div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div>\r\n<div></div>\r\n<h4>Snowdrop</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe>\r\nNovember 2004\r\n<div></div>\r\nChloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"10523,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/UDmvHmMWV6o?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2015-09-18 10:32:01','2015-09-18 02:32:01','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(13015,1,'2015-10-08 07:54:57','2015-10-07 23:54:57','The time has come for you all the be consumed by <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\">Battlestations</a> sublime new album <i>The Extent of Damage. </i>\r\n\r\nLike a high-definition camera roving across a ruined world, <i>The Extent of Damage</i> is both unflinchingly bleak and stirringly beautiful. Akin to Ennio Morricone at his most dark and doleful, and Portishead’s majestic self-titled second record, this music’s atmosphere of urban oppression is leavened with passages of sublime, redemptive beauty. Battlestations interweave the subtle with the dramatic, the intimate with the cinematic, the introverted with the bombastic. Across their eclectic and atmospheric instrumental rock, industrial ambience is counterbalanced by beautiful piano melodies, eerie samples and lyrical guitar lines. The result is incredibly evocative music, complex in both its narratives and textural composition.\r\n\r\n<em>“one of those bands that is doing amazing things despite the fact that no one seems to have heard of them… drop whatever it is you are doing and go listen”</em> – <strong>Scene Point Blank</strong>\r\n\r\n<em>The Extent of Damage</em> sees official release on the 8th of October and is available now for <a title=\"The Extent of Damage\" href=\"http://music.battlestations.ws/album/the-extent-of-damage\" target=\"_blank\">pre-order</a>.\r\n\r\nThe music video for the epic 12 minute instrumental<i> </i>‘Necro’ is available for streaming on <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=LV1WIKvccJo\" data-rel=\"lightbox-video-0\">YouTube</a>.','Battlestations \"The Extent of Damage\" Out Now!','','inherit','closed','closed','','13014-revision-v1','','','2015-10-08 07:54:57','2015-10-07 23:54:57','',13014,'http://www.hiddenshoal.com/13014-revision-v1/',0,'revision','',0),(13017,1,'2015-10-08 08:31:20','2015-10-08 00:31:20','The time has come for you all the be consumed by <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\">Battlestations\'</a> sublime new album <i>The Extent of Damage. </i> The album is available now for purchased on CD (limited edition with 12 page booklet) and in digital formats via <a title=\"Bandcamp\" href=\"http://music.battlestations.ws/album/the-extent-of-damage\" target=\"_blank\">Battlestations</a>\' Bandcamp. The music video for the epic 12 minute instrumental<i> </i>‘Necro’ is also available for streaming on <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=LV1WIKvccJo\" data-rel=\"lightbox-video-0\">YouTube</a>.\r\n\r\nLike a high-definition camera roving across a ruined world, <i>The Extent of Damage</i> is both unflinchingly bleak and stirringly beautiful. Akin to Ennio Morricone at his most dark and doleful, and Portishead’s majestic self-titled second record, this music’s atmosphere of urban oppression is leavened with passages of sublime, redemptive beauty. Battlestations interweave the subtle with the dramatic, the intimate with the cinematic, the introverted with the bombastic. Across their eclectic and atmospheric instrumental rock, industrial ambience is counterbalanced by beautiful piano melodies, eerie samples and lyrical guitar lines. The result is incredibly evocative music, complex in both its narratives and textural composition.\r\n\r\n<em>“one of those bands that is doing amazing things despite the fact that no one seems to have heard of them… drop whatever it is you are doing and go listen”</em> – <strong>Scene Point Blank</strong>\r\n<iframe src=\"https://www.youtube.com/embed/LV1WIKvccJo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Battlestations \"The Extent of Damage\" Out Now!','','inherit','closed','closed','','13014-revision-v1','','','2015-10-08 08:31:20','2015-10-08 00:31:20','',13014,'http://www.hiddenshoal.com/13014-revision-v1/',0,'revision','',0),(13016,1,'2015-10-08 08:20:31','2015-10-08 00:20:31','The time has come for you all the be consumed by <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\">Battlestations\'</a> sublime new album <i>The Extent of Damage. </i> The album is available now for purchase on CD and in digital formats via <a title=\"Bandcamp\" href=\"http://music.battlestations.ws/album/the-extent-of-damage\" target=\"_blank\">Battlestations</a>\' Bandcamp. The music video for the epic 12 minute instrumental<i> </i>‘Necro’ is also available for streaming on <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=LV1WIKvccJo\" data-rel=\"lightbox-video-0\">YouTube</a>.\r\n\r\nLike a high-definition camera roving across a ruined world, <i>The Extent of Damage</i> is both unflinchingly bleak and stirringly beautiful. Akin to Ennio Morricone at his most dark and doleful, and Portishead’s majestic self-titled second record, this music’s atmosphere of urban oppression is leavened with passages of sublime, redemptive beauty. Battlestations interweave the subtle with the dramatic, the intimate with the cinematic, the introverted with the bombastic. Across their eclectic and atmospheric instrumental rock, industrial ambience is counterbalanced by beautiful piano melodies, eerie samples and lyrical guitar lines. The result is incredibly evocative music, complex in both its narratives and textural composition.\r\n\r\n<em>“one of those bands that is doing amazing things despite the fact that no one seems to have heard of them… drop whatever it is you are doing and go listen”</em> – <strong>Scene Point Blank</strong>\r\n\r\n<em>The Extent of Damage</em> sees official release on the 8th of October and is available now for <a title=\"The Extent of Damage\" href=\"http://music.battlestations.ws/album/the-extent-of-damage\" target=\"_blank\">pre-order</a>.\r\n\r\n&nbsp;','Battlestations \"The Extent of Damage\" Out Now!','','inherit','closed','closed','','13014-revision-v1','','','2015-10-08 08:20:31','2015-10-08 00:20:31','',13014,'http://www.hiddenshoal.com/13014-revision-v1/',0,'revision','',0),(13018,1,'2015-10-08 08:31:41','2015-10-08 00:31:41','The time has come for you all the be consumed by <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\">Battlestations\'</a> sublime new album <i>The Extent of Damage. </i> The album is available now for purchased on CD (limited edition with 12 page booklet) and in digital formats via <a title=\"Bandcamp\" href=\"http://music.battlestations.ws/album/the-extent-of-damage\" target=\"_blank\">Battlestations</a>\' Bandcamp. The music video for the epic 12 minute instrumental<i> </i>‘Necro’ is also available for streaming on <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=LV1WIKvccJo\" data-rel=\"lightbox-video-0\">YouTube</a>.\r\n\r\nLike a high-definition camera roving across a ruined world, <i>The Extent of Damage</i> is both unflinchingly bleak and stirringly beautiful. Akin to Ennio Morricone at his most dark and doleful, and Portishead’s majestic self-titled second record, this music’s atmosphere of urban oppression is leavened with passages of sublime, redemptive beauty. Battlestations interweave the subtle with the dramatic, the intimate with the cinematic, the introverted with the bombastic. Across their eclectic and atmospheric instrumental rock, industrial ambience is counterbalanced by beautiful piano melodies, eerie samples and lyrical guitar lines. The result is incredibly evocative music, complex in both its narratives and textural composition.\r\n\r\n<em>“one of those bands that is doing amazing things despite the fact that no one seems to have heard of them… drop whatever it is you are doing and go listen”</em> – <strong>Scene Point Blank</strong>\r\n\r\n&nbsp;\r\n<iframe src=\"https://www.youtube.com/embed/LV1WIKvccJo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Battlestations \"The Extent of Damage\" Out Now!','','inherit','closed','closed','','13014-revision-v1','','','2015-10-08 08:31:41','2015-10-08 00:31:41','',13014,'http://www.hiddenshoal.com/13014-revision-v1/',0,'revision','',0),(13019,1,'2015-10-08 08:32:05','2015-10-08 00:32:05','The time has come for you all the be consumed by <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\">Battlestations\'</a> sublime new album <i>The Extent of Damage. </i> The album is available now for purchased on CD (limited edition with 12 page booklet) and in digital formats via <a title=\"Bandcamp\" href=\"http://music.battlestations.ws/album/the-extent-of-damage\" target=\"_blank\">Battlestations</a>\' Bandcamp. The music video for the epic 12 minute instrumental<i> </i>‘Necro’ is also available for streaming on <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=LV1WIKvccJo\" data-rel=\"lightbox-video-0\">YouTube</a>.\r\n\r\nLike a high-definition camera roving across a ruined world, <i>The Extent of Damage</i> is both unflinchingly bleak and stirringly beautiful. Akin to Ennio Morricone at his most dark and doleful, and Portishead’s majestic self-titled second record, this music’s atmosphere of urban oppression is leavened with passages of sublime, redemptive beauty. Battlestations interweave the subtle with the dramatic, the intimate with the cinematic, the introverted with the bombastic. Across their eclectic and atmospheric instrumental rock, industrial ambience is counterbalanced by beautiful piano melodies, eerie samples and lyrical guitar lines. The result is incredibly evocative music, complex in both its narratives and textural composition.\r\n\r\n<em>“one of those bands that is doing amazing things despite the fact that no one seems to have heard of them… drop whatever it is you are doing and go listen”</em> – <strong>Scene Point Blank</strong>\r\n<iframe src=\"https://www.youtube.com/embed/LV1WIKvccJo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Battlestations \"The Extent of Damage\" Out Now!','','inherit','closed','closed','','13014-revision-v1','','','2015-10-08 08:32:05','2015-10-08 00:32:05','',13014,'http://www.hiddenshoal.com/13014-revision-v1/',0,'revision','',0),(13045,1,'2015-10-21 21:53:35','2015-10-21 13:53:35','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4074111254/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in-the-palm-of-your-hand-the-remix-ep\">In The Palm Of Your Hand - The Remix EP by Markus Mehr</a></iframe>\r\n<em>In The Palm Of Your Hand - The Remix EP</em>\r\nby <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2161629676/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://music.battlestations.ws/album/the-extent-of-damage\">The extent of damage by Battlestations</a></iframe>\r\n<em>The Extent of Damage</em>\r\nby <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\">Battlestations</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3799982644/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://medardfischer.bandcamp.com/album/four-songs-for-the-city-of-new-york\">Four Songs for the City of New York by Medard Fischer</a></iframe>\r\n<em>Four Songs for the City of New York</em>\r\nby <a title=\"The Star Department\" href=\"http://www.hiddenshoal.com/project/the-star-department/\">Medard Fischer</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2397808017/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://liminaldrifter.bandcamp.com/album/troubled-mystic\">Troubled Mystic by Liminal Drifter</a></iframe><em>\r\nTroubled Mystic</em>\r\nby <a title=\"Liminal Drifter\" href=\"http://www.hiddenshoal.com/project/liminal-drifter/\">Liminal Drifter</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal Publishing is an Australia-based independent music publisher &amp; label releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2015-10-21 21:53:35','2015-10-21 13:53:35','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(13026,1,'2015-10-14 09:43:16','2015-10-14 01:43:16','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2161629676/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://music.battlestations.ws/album/the-extent-of-damage\">The extent of damage by Battlestations</a></iframe>\r\n<em>The Extent of Damage</em>\r\nby <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\">Battlestations</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3799982644/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://medardfischer.bandcamp.com/album/four-songs-for-the-city-of-new-york\">Four Songs for the City of New York by Medard Fischer</a></iframe>\r\n<em>Four Songs for the City of New York</em>\r\nby <a title=\"The Star Department\" href=\"http://www.hiddenshoal.com/project/the-star-department/\">Medard Fischer</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2397808017/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://liminaldrifter.bandcamp.com/album/troubled-mystic\">Troubled Mystic by Liminal Drifter</a></iframe><em>\r\nTroubled Mystic</em>\r\nby <a title=\"Liminal Drifter\" href=\"http://www.hiddenshoal.com/project/liminal-drifter/\">Liminal Drifter</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3158289214/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://rew-music.bandcamp.com/album/olive-skinned-silver-tongued-sirens-sing-swan-songs\">Olive Skinned, Silver Tongued Sirens Sing Swan Songs by REW&lt;&lt;</a></iframe><em>\r\nOlive Skinned, Silver Tongued Sirens Sing Swan Songs</em>\r\nby <a title=\"REW&lt;&lt;\" href=\"http://www.hiddenshoal.com/project/rew/\">REW&lt;&lt;</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal Publishing is an Australia-based independent music publisher &amp; label releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2015-10-14 09:43:16','2015-10-14 01:43:16','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(13027,1,'2015-10-14 09:52:31','2015-10-14 01:52:31','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Dr-Liminal-2.jpg\"><img class=\"alignleft  wp-image-12293\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Dr-Liminal-2-297x300.jpg\" alt=\"Liminal Drifter\" width=\"176\" height=\"178\" /></a>We have the wonderful interview with <a title=\"Liminal Drifter\" href=\"http://www.hiddenshoal.com/project/liminal-drifter/\">Liminal Drifter</a> (aka Dr Simon Order) by Fred Sims (<a title=\"Artificial Intelligence\" href=\"http://rtrfm.com.au/shows/artificialintelligence/\" target=\"_blank\">Artificial Intelligence</a> on <a title=\"RTRFM\" href=\"http://rtrfm.com.au/\" target=\"_blank\">RTRFM</a>) to share with you. This is the full length version which aired last month and includes songs from the debut Liminal Drifter album <a title=\"Troubled Mystic\" href=\"http://www.hiddenshoal.com/project/liminal-drifter/\"><em>Trouble Mystic</em></a>.  Many thanks to Fred and RTRFM for allowing us to repost this. It really is a great listen - enjoy!\r\n\r\nIn related Liminal Drifter radio news, <em>Troubled Mystic</em> just landed at number 8 in the <a title=\"CJSW\" href=\"http://cjsw.com/\" target=\"_blank\">CJSW</a> electronic charts! Nice.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/228300664&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Liminal Drifter Full RTRFM Interview Stream','','inherit','closed','closed','','13022-revision-v1','','','2015-10-14 09:52:31','2015-10-14 01:52:31','',13022,'http://www.hiddenshoal.com/13022-revision-v1/',0,'revision','',0),(13028,1,'2015-10-14 09:53:25','2015-10-14 01:53:25','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Dr-Liminal-2.jpg\"><img class=\"alignleft  wp-image-12293\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Dr-Liminal-2-297x300.jpg\" alt=\"Liminal Drifter\" width=\"160\" height=\"162\" /></a>We have the wonderful interview with <a title=\"Liminal Drifter\" href=\"http://www.hiddenshoal.com/project/liminal-drifter/\">Liminal Drifter</a> (aka Dr Simon Order) by Fred Sims (<a title=\"Artificial Intelligence\" href=\"http://rtrfm.com.au/shows/artificialintelligence/\" target=\"_blank\">Artificial Intelligence</a> on <a title=\"RTRFM\" href=\"http://rtrfm.com.au/\" target=\"_blank\">RTRFM</a>) to share with you. This is the full length version which aired last month and includes songs from the debut Liminal Drifter album <a title=\"Troubled Mystic\" href=\"http://www.hiddenshoal.com/project/liminal-drifter/\"><em>Trouble Mystic</em></a>.  Many thanks to Fred and RTRFM for allowing us to repost this. It really is a great listen - enjoy!\r\n\r\nIn related Liminal Drifter radio news, <em>Troubled Mystic</em> just landed at number 8 in the <a title=\"CJSW\" href=\"http://cjsw.com/\" target=\"_blank\">CJSW</a> electronic charts! Nice.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/228300664&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Liminal Drifter Full RTRFM Interview Stream','','inherit','closed','closed','','13022-revision-v1','','','2015-10-14 09:53:25','2015-10-14 01:53:25','',13022,'http://www.hiddenshoal.com/13022-revision-v1/',0,'revision','',0),(13029,1,'2015-10-14 09:58:42','2015-10-14 01:58:42','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Dr-Liminal-2.jpg\"><img class=\"alignleft  wp-image-12293\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Dr-Liminal-2-297x300.jpg\" alt=\"Liminal Drifter\" width=\"150\" height=\"152\" /></a>We have the wonderful interview with <a title=\"Liminal Drifter\" href=\"http://www.hiddenshoal.com/project/liminal-drifter/\">Liminal Drifter</a> (aka Dr Simon Order) by Fred Sims (<a title=\"Artificial Intelligence\" href=\"http://rtrfm.com.au/shows/artificialintelligence/\" target=\"_blank\">Artificial Intelligence</a> on <a title=\"RTRFM\" href=\"http://rtrfm.com.au/\" target=\"_blank\">RTRFM</a>) to share with you. This is the full length version which aired last month and includes songs from the debut Liminal Drifter album <a title=\"Troubled Mystic\" href=\"http://www.hiddenshoal.com/project/liminal-drifter/\"><em>Trouble Mystic</em></a>.  Many thanks to Fred and RTRFM for allowing us to repost this. It really is a great listen - enjoy!\r\n\r\nIn related Liminal Drifter radio news, <em>Troubled Mystic</em> just landed at number 8 in the <a title=\"CJSW\" href=\"http://cjsw.com/\" target=\"_blank\">CJSW</a> electronic charts! Nice.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/228300664&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Liminal Drifter Full RTRFM Interview Stream','','inherit','closed','closed','','13022-revision-v1','','','2015-10-14 09:58:42','2015-10-14 01:58:42','',13022,'http://www.hiddenshoal.com/13022-revision-v1/',0,'revision','',0),(13030,1,'2015-10-14 10:03:56','2015-10-14 02:03:56','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Discography</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2015\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2015</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Extent\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/battlestations/\"><img class=\"alignnone wp-image-12955 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/09/The-Extent-of-Damage-Cover-1200px-300x300.jpg\" alt=\"The Extent of Damage\" width=\"300\" height=\"300\" /></a> <br />Battlestations<br /><em>The Extent of Damage </em>(2015)  </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"New York\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/medard-fischer/\"><img class=\"alignnone size-medium wp-image-12847\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Cover-art-300x300.jpg\" alt=\"Four Songs for the City of New York\" width=\"300\" height=\"300\" /></a>\r\nMedard Fischer\r\n<em>Four Songs for the City of New York </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Troubled Mystic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/liminal-drifter/\"><img class=\"alignnone wp-image-12861 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Troubled-Mystic-Album-1000px-300x300.jpg\" alt=\"Liminal Drifter - Troubled Mystic\" width=\"300\" height=\"300\" /></a>\r\nLiminal Drifter\r\n<em>Troubled Mystic </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Olive Skinned\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/rew/\"><img class=\"alignnone wp-image-12249 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Olive-Skinned-Cover-1400x1400-pxl-300x300.jpg\" alt=\"Olive Skinned, Silver Tongued Sirens Sing Swan Songs\" width=\"300\" height=\"300\" /></a>\r\nREW&lt;&lt;\r\n<em>Olive Skinned, Silver Tongued Sirens Sing Swan Songs </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Pea Green\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/the-star-department/\"><img class=\"alignnone wp-image-12312 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Pea-Green-Boat-Cover-Art-1000px-300x300.jpg\" alt=\"The Pea Green Boat\" width=\"300\" height=\"300\" /></a>\r\nThe Star Department\r\n<em>The Pea Green Boat </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearing Things\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><img class=\"alignnone size-medium wp-image-12629\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Hearing-Things-Front-Cover-1000px-300x300.jpg\" alt=\"Erik Nilsson - Hearing Things\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Hearing Things </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Rough\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12669\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Rough-Cover-Art-1400px-300x300.jpg\" alt=\"Rough\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Rough </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Tristes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-12367 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Tristes-Tropiques-Cover-300px.jpg\" alt=\"Todd Tobias - Tristes Tropiques\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Tristes Tropiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"les limbes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/les-limbes/\"><img class=\"alignnone wp-image-12271 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Les-Limbes-EP-Cover-300px.jpg\" alt=\"Les Limbes EP\" width=\"300\" height=\"300\" /></a>\r\nLes Limbes\r\n<em>Les Limbes </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"axis swim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/october-solution/\"><img class=\"alignnone wp-image-12242 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"300\" height=\"300\" /></a>\r\nThe October Solution\r\n<em>Axis Swim Scar</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"fate\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-12109 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/03/Kramies-The-Fate-300px-300x300.jpg\" alt=\"Kramies \'The Fate That Never Favored Us\'\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Fate That Never Favored Us</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"river fire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-12036 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/To-Set-The-River-On-Fire-300px.jpg\" alt=\"To-Set-The-River-On-Fire-300px\" width=\"300\" height=\"300\" /></a>\r\nChloe March vs. Markus Mehr\r\n<em>To Set The River on Fire </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2014\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2014</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"dusk recital\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-11402 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/duskrecital_300.jpg\" alt=\"The Dusk Recital\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Dusk Recital</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"makee\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/makee/\"><img class=\"alignnone wp-image-11088 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Makee-EP-300px.jpg\" alt=\"Makee EP\" width=\"300\" height=\"300\" /></a>\r\nmakee\r\n<em>makee</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Nights Bright Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-11189 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Nights-Bright-Days-Cover-1000px-300x300.jpg\" alt=\"Nights Bright Days\" width=\"300\" height=\"300\" /></a>\r\nChloë March\r\n<em>Nights bright Days</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under The Day\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone size-medium wp-image-11191\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderTheDayCov350-300x300.jpg\" alt=\"Under The Day\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>Under The Day</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Enchanting Gaze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone wp-image-11190 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enchanting-Gaze-1000px-300x300.jpg\" alt=\"Enchanting Gaze\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Enchanting Gaze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-medium wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities 2\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-11192 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Impossible-Cites-2-1000px-300x300.jpg\" alt=\"Impossible Cites 2\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities 2</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Binary Rooms\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-10985 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - \" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Binary Rooms</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deconstruction Manual\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\"><img class=\"alignnone wp-image-10803 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Deconstruction Manual</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"In Between\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-10470 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/In-Between-Cover-1000px-300x300.jpg\" alt=\"Kryshe - In Between\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>In Between</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Revolving Maze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignnone wp-image-10715 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Revolving-Maze-Front-Cover-300x300.jpg\" alt=\"Revolving Maze\" width=\"300\" height=\"300\" /></a>\r\nInvolved\r\n<em>Revolving Maze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Positive Haywires\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignnone size-medium wp-image-10728\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Positive-Haywires-Front-Cover-1000px-300x300.jpg\" alt=\"Positive Haywires\" width=\"300\" height=\"300\" /></a>\r\nBrother Earth\r\n<em>Positive Haywires</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under Songs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/draliensmith/\"><img class=\"alignnone wp-image-10373 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderSongsCoverArt-300x300.jpg\" alt=\"Under Songs\" width=\"300\" height=\"300\" /></a>\r\nDrAlienSmith\r\n<em>Under Songs</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Cogent Sea</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Growing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-11052 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Growing-Cover-300x300.jpg\" alt=\"Growing\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Growing</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em> The Folklore Sessions</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone wp-image-9399 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /></a>\r\nperth\r\nWhere\'s Utopia (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2013\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2013</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a>\r\nperth\r\n<em>What’s Your Utopia?</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"No True Beauty\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/NO-TRUE-BEAUTY-300x300.jpg\" alt=\"There Can Be True Beauty Without Decay\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>There Can Be No True Beauty Without Decay </em></em>(2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Voices Out There</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Wooden Heart</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Live in Bari</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Let\'s Adjourn To The Garden</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope III\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12430 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemacope-III-cover-CMYK-300x300.jpg\" alt=\"Cinemacope III\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope III</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias &amp; Circus Devils\r\n<em>I Razor </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Momentary Mask\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone wp-image-10374 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Momentary-Mask-Cover-300x300.jpg\" alt=\"The Momentary Mask\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>The Momentary Mask </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em>Quarrels</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Off</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2012\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2012</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>East of Monument </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>The Road To The Crater </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope II\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone wp-image-12434 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover1-300x300.jpg\" alt=\"Cinemascope II\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope II</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>Terrane </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Laterna Magica</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>On</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Un Giorno Sospeso</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dreamland\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone size-medium wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Dreamland </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope I\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-12433 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemascope-I-Cover-1000px-300x300.jpg\" alt=\"Cinemascope I\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope I</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Medicine Show </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Light Dispersed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11492\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIGHT-DISPERSED-300x300.jpg\" alt=\"Light Dispersed\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Light Dispersed </em>(2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2011\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2011</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The European</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Remixed</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a>\r\nAntonymes meets Slow Dancing Society\r\n<em><em>We Don’t Look Back For Very Long</em> </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Letters From The Coast </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hong Kong\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone wp-image-12038 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Hong-Kong-Express-Cover-Art-1400px-300x300.jpg\" alt=\"Hong Kong Express\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\n<em>Hong Kong Express </em>(2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Like Rumours\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIKE-RUMOURS-300x300.jpg\" alt=\"Like Rumours Of Hushed Thunder\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Like Rumours Of Hushed Thunder</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>A Frame of Reference</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"casino\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone wp-image-12431 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/On-The-Casino-Floor-Cover-300x300.jpg\" alt=\"On The Casino Floor\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>On The Casino Floor</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Now We\'re Active</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Lost in Waves of Light </em></em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>The Licence To Interpret Dreams </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>The Stones And The Rabbits</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"hears like a bat\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12428 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Heart-That-Hears-Like-A-Bat-Cover-Art-1-300x300.jpg\" alt=\"The Heart That Hears Like A Bat\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>The Heart That Hears Like A Bat</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2010\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2010</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em><em>Under The Sodium Lights </em></em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Lava </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>Heresy and Rite</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Before The Light Fails\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/BEFORE-THE-LIGHT-FAILS-300x300.jpg\" alt=\"31: Before The Light Fails\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>31: Before The Light Fails</em> (2010)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"machine\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9475\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/machine_LRG1.jpg\" alt=\"Machine Is My Animal\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Machine Is My Animal </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2009\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2009</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em><em>Unknown Knowns </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>I Haven’t Got It In Me</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"soundcheck\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12040\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Soundcheck_Mp3-300x300.jpg\" alt=\"Soundcheck For A Missing Movie\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Soundcheck For A Missing Movie</em> (2009)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Umpire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-medium wp-image-11478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Umpire-EP-Cover-Art-1000px-300x300.jpg\" alt=\"Umpire\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Umpire</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Chromatic Sigh</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a>\r\nDown Review\r\n<em>From Here, For Anyone</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em><em>Apricot Rail </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>That Time</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a>\r\nSleeping Me\r\n<em>Cradlesongs</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearts\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/hotels/\"><img class=\"alignnone wp-image-12426 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Where-Hearts-Go-Broke-mp3-300x300.jpg\" alt=\"Where Hearts Go Broke\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Where Hearts Go Broke</em>  (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2008\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2008</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"spook\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9486\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG1.jpg\" alt=\"The Spook\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em><em>The Spook </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Too Late, The Day</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"touch me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone size-medium wp-image-12039\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Touch-Me-Cover-Art-1400px-300x300.jpg\" alt=\"Touch me and i will save you\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\nTouch me and i will save you (2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Priest Lake Circa \'88 </em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a>\r\nThe Slow Beings\r\n<em>We Know Why The Earth Moves</em>  (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em><em>Evergreen </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Our Man in Eden Hill</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2007\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2007</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>September 16th </em>(2007)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Slow And Steady Winter</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a>\r\nCheekbone\r\n<em><em>Yesterday </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Restless </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Fining</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em><em>It\'s Now Or Later </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Sound Of Lights When Dim</em> (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes &amp; Ponds\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a>\r\nThe Hero Cycle\r\n<em>Lakes and Ponds </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2006\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2006</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>Golden Days </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a>\r\nEnargeia\r\n<em><em>UFO: Stryker Force </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a>\r\nMotor Eye\r\n<em>Motor Eye </em>(2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>Slow Attack</em> (2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Up Down Up </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em><em>Ideas Are The Answer </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a>\r\nWayne Harriss\r\n<em>Aerospace</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2005\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2005</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Thank You For Choosing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone wp-image-12424 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover-300x300.jpg\" alt=\"Thank You For Choosing...\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Thank You For Choosing</em> (2005)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2003\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2003</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Mapping the static\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-medium wp-image-11477\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Mapping-The-Static-Cover-Art-1000px-300x300.jpg\" alt=\"Mapping The Static\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em>Mapping The Static</em> (2003)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','closed','','8417-revision-v1','','','2015-10-14 10:03:56','2015-10-14 02:03:56','',8417,'http://www.hiddenshoal.com/8417-revision-v1/',0,'revision','',0),(13031,1,'2015-10-14 16:35:24','2015-10-14 08:35:24','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Dr-Liminal-2.jpg\"><img class=\"alignleft  wp-image-12293\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Dr-Liminal-2-297x300.jpg\" alt=\"Liminal Drifter\" width=\"150\" height=\"152\" /></a>We have the wonderful interview with <a title=\"Liminal Drifter\" href=\"http://www.hiddenshoal.com/project/liminal-drifter/\">Liminal Drifter</a> (aka Dr Simon Order) by Fred Sims (<a title=\"Artificial Intelligence\" href=\"http://rtrfm.com.au/shows/artificialintelligence/\" target=\"_blank\">Artificial Intelligence</a> on <a title=\"RTRFM\" href=\"http://rtrfm.com.au/\" target=\"_blank\">RTRFM</a>) to share with you. This is the full length version which aired last month and includes songs from the debut Liminal Drifter album <a title=\"Troubled Mystic\" href=\"http://www.hiddenshoal.com/project/liminal-drifter/\"><em>Troubled Mystic</em></a>.  Many thanks to Fred and RTRFM for allowing us to repost this. It really is a great listen - enjoy!\r\n\r\nIn related Liminal Drifter radio news, <em>Troubled Mystic</em> just landed at number 8 in the <a title=\"CJSW\" href=\"http://cjsw.com/\" target=\"_blank\">CJSW</a> electronic charts! Nice.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/228300664&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Liminal Drifter Full RTRFM Interview Stream','','inherit','closed','closed','','13022-revision-v1','','','2015-10-14 16:35:24','2015-10-14 08:35:24','',13022,'http://www.hiddenshoal.com/13022-revision-v1/',0,'revision','',0),(13032,1,'2015-10-14 16:41:45','2015-10-14 08:41:45','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>AWMA</h1>\r\n<img class=\"alignleft wp-image-12932\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/AWMA-Bio-Photo-300x300.jpg\" alt=\"AWMA\" width=\"222\" height=\"222\" />AWMA take the space, weight and atmosphere of their previous incarnation <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\" target=\"_blank\">Half Film</a> and inject instrumental details and a gentle shift in tempo from their slowcore origins. The band dynamic that Conor and Eimer Devlin (<a title=\"[the] caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\" target=\"_blank\">[the] caseworker</a>) and Jason Lakis (The Red Thread, Mist and Mast) have cultivated over the years of touring and playing together has been elegantly renewed. This melodically charged music exudes intensity and emotional resonance.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/awmaband\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>      </strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><h4> AWMA</h4><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1200096778/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://awma.bandcamp.com/album/awma\">AWMA by AWMA</a></iframe><br />October 2015</p><p>The band dynamic that Conor and Eimer Devlin (<a title=\"[the] caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\" target=\"_blank\">[the] caseworker</a>) and Jason Lakis (The Red Thread, Mist and Mast) have cultivated over the years of touring and playing together as <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\" target=\"_blank\">Half Film</a> has been elegantly renewed on their self-titled EP. This melodically charged music, akin to the early pastoral side of Pink Floyd, exudes intensity and emotional resonance.</p><p>The EP features the single ‘Broadcast History’, which prowls relentlessly around a circular guitar refrain, gradually building in intensity as Jason Lakis’s expansive guitar effects and Conor Devlin’s incantatory vocal colour the stereo field with portent. AWMA take the space, weight and atmosphere of Half Film, and inject instrumental details and a gentle shift in tempo from their slowcore origins.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAWMA (A Woman My Age) is a new trio made up of ex-members of the San Francisco-based band Half Film: Conor Devlin (vocals, guitar), Eimer Devlin (bass) and Jason Lakis (drums). Half Film recorded and toured from 1998 to 2001, before splitting off into [the] caseworker (Conor and Eimer) and The Red Thread/Mist and Mast (Jason) from 2003 to 2013. AWMA was conceived in 2014 and recording took place in early 2015. This EP represents the first recordings of the trio, who are an active band again after 15 years. A short European tour to support the EP will take place early 2016, with an album to follow later in the year. Jason and Eimer continue to live in the Bay Area, while Conor lives in Switzerland.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=awma-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=awma-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"AWMA EP Press Release\" href=\"http://www.hiddenshoal.com/publicity/AWMA/AWMA-AWMA-Press_Release.pdf\" target=\"_blank\">AWMA s/t EP Press Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery ids=\"12932\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAWMA\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','AWMA','','inherit','closed','closed','','12836-revision-v1','','','2015-10-14 16:41:45','2015-10-14 08:41:45','',12836,'http://www.hiddenshoal.com/12836-revision-v1/',0,'revision','',0),(13033,1,'2015-10-14 16:42:57','2015-10-14 08:42:57','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>AWMA</h1>\r\n<img class=\"alignleft wp-image-12932\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/AWMA-Bio-Photo-300x300.jpg\" alt=\"AWMA\" width=\"222\" height=\"222\" />AWMA take the space, weight and atmosphere of their previous incarnation <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\" target=\"_blank\">Half Film</a> and inject instrumental details and a gentle shift in tempo from their slowcore origins. The band dynamic that Conor and Eimer Devlin (<a title=\"[the] caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\" target=\"_blank\">[the] caseworker</a>) and Jason Lakis (The Red Thread, Mist and Mast) have cultivated over the years of touring and playing together has been elegantly renewed. This melodically charged music exudes intensity and emotional resonance.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/awmaband\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>      </strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<h4> AWMA</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1200096778/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://awma.bandcamp.com/album/awma\">AWMA by AWMA</a></iframe> October 2015 The band dynamic that Conor and Eimer Devlin (<a title=\"[the] caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\" target=\"_blank\">[the] caseworker</a>) and Jason Lakis (The Red Thread, Mist and Mast) have cultivated over the years of touring and playing together as <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\" target=\"_blank\">Half Film</a> has been elegantly renewed on their self-titled EP. This melodically charged music, akin to the early pastoral side of Pink Floyd, exudes intensity and emotional resonance. The EP features the single ‘Broadcast History’, which prowls relentlessly around a circular guitar refrain, gradually building in intensity as Jason Lakis’s expansive guitar effects and Conor Devlin’s incantatory vocal colour the stereo field with portent. AWMA take the space, weight and atmosphere of Half Film, and inject instrumental details and a gentle shift in tempo from their slowcore origins.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAWMA (A Woman My Age) is a new trio made up of ex-members of the San Francisco-based band Half Film: Conor Devlin (vocals, guitar), Eimer Devlin (bass) and Jason Lakis (drums). Half Film recorded and toured from 1998 to 2001, before splitting off into [the] caseworker (Conor and Eimer) and The Red Thread/Mist and Mast (Jason) from 2003 to 2013. AWMA was conceived in 2014 and recording took place in early 2015. This EP represents the first recordings of the trio, who are an active band again after 15 years. A short European tour to support the EP will take place early 2016, with an album to follow later in the year. Jason and Eimer continue to live in the Bay Area, while Conor lives in Switzerland.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=awma-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=awma-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"AWMA EP Press Release\" href=\"http://www.hiddenshoal.com/publicity/AWMA/AWMA-AWMA-Press_Release.pdf\" target=\"_blank\">AWMA s/t EP Press Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12932\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAWMA\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','AWMA','','inherit','closed','closed','','12836-revision-v1','','','2015-10-14 16:42:57','2015-10-14 08:42:57','',12836,'http://www.hiddenshoal.com/12836-revision-v1/',0,'revision','',0),(13034,1,'2015-10-14 16:45:13','2015-10-14 08:45:13','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>AWMA</h1>\r\n<img class=\"alignleft wp-image-12932\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/AWMA-Bio-Photo-300x300.jpg\" alt=\"AWMA\" width=\"222\" height=\"222\" />AWMA take the space, weight and atmosphere of their previous incarnation <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\" target=\"_blank\">Half Film</a> and inject instrumental details and a gentle shift in tempo from their slowcore origins. The band dynamic that Conor and Eimer Devlin (<a title=\"[the] caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\" target=\"_blank\">[the] caseworker</a>) and Jason Lakis (The Red Thread, Mist and Mast) have cultivated over the years of touring and playing together has been elegantly renewed. This melodically charged music exudes intensity and emotional resonance.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/awmaband\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>      </strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><p> </p><h4> AWMA</h4><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1200096778/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://awma.bandcamp.com/album/awma\">AWMA by AWMA</a></iframe> October 2015 The band dynamic that Conor and Eimer Devlin (<a title=\"[the] caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\" target=\"_blank\">[the] caseworker</a>) and Jason Lakis (The Red Thread, Mist and Mast) have cultivated over the years of touring and playing together as <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\" target=\"_blank\">Half Film</a> has been elegantly renewed on their self-titled EP. This melodically charged music, akin to the early pastoral side of Pink Floyd, exudes intensity and emotional resonance. The EP features the single ‘Broadcast History’, which prowls relentlessly around a circular guitar refrain, gradually building in intensity as Jason Lakis’s expansive guitar effects and Conor Devlin’s incantatory vocal colour the stereo field with portent. AWMA take the space, weight and atmosphere of Half Film, and inject instrumental details and a gentle shift in tempo from their slowcore origins.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAWMA (A Woman My Age) is a new trio made up of ex-members of the San Francisco-based band Half Film: Conor Devlin (vocals, guitar), Eimer Devlin (bass) and Jason Lakis (drums). Half Film recorded and toured from 1998 to 2001, before splitting off into [the] caseworker (Conor and Eimer) and The Red Thread/Mist and Mast (Jason) from 2003 to 2013. AWMA was conceived in 2014 and recording took place in early 2015. This EP represents the first recordings of the trio, who are an active band again after 15 years. A short European tour to support the EP will take place early 2016, with an album to follow later in the year. Jason and Eimer continue to live in the Bay Area, while Conor lives in Switzerland.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=awma-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=awma-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"AWMA EP Press Release\" href=\"http://www.hiddenshoal.com/publicity/AWMA/AWMA-AWMA-Press_Release.pdf\" target=\"_blank\">AWMA s/t EP Press Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery ids=\"12932\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAWMA\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','AWMA','','inherit','closed','closed','','12836-revision-v1','','','2015-10-14 16:45:13','2015-10-14 08:45:13','',12836,'http://www.hiddenshoal.com/12836-revision-v1/',0,'revision','',0),(13035,1,'2015-10-14 17:18:28','2015-10-14 09:18:28','<img class=\"alignleft  wp-image-13036\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/AWMA-1000-300x300.jpg\" alt=\"AWMA EP\" width=\"159\" height=\"159\" />We\'re super excited to announce the official release of the debut self-titled EP from atmospheric rock trio <a title=\"AWMA\" href=\"http://www.hiddenshoal.com/project/awma/\">AWMA</a>. The band dynamic that Conor and Eimer Devlin (<a title=\"[the] caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\">[the] caseworker</a>) and Jason Lakis (The Red Thread, Mist and Mast) have cultivated over the years of touring and playing together as <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\">Half Film</a> has been elegantly renewed on their debut EP. This melodically charged music, akin to the early pastoral side of Pink Floyd, exudes intensity and emotional resonance. What else would you expect from such heritage.\r\n\r\nThe <em>AWMA</em> EP features the single ‘Broadcast History’, which prowls relentlessly around a circular guitar refrain, gradually building in intensity as Jason Lakis’s expansive guitar effects and Conor Devlin’s incantatory vocal colour the stereo field with portent. AWMA take the space, weight and atmosphere of Half Film, and inject instrumental details and a gentle shift in tempo from their slowcore origins.\r\n\r\nGet yourself a copy of the EP via AMWA\'s <a title=\"Bandcamp\" href=\"https://awma.bandcamp.com/\" target=\"_blank\">BandCamp</a>. The EP will also be available via iTunes, Amazon and Spotify et al later next week. Expect a vinyl release early 2016.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/223166722&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','AWMA\'s Brilliant Debut EP Out Now!','','publish','closed','closed','','awmas-brilliant-debut-ep-out-now','','','2016-02-03 16:47:20','2016-02-03 08:47:20','',0,'http://www.hiddenshoal.com/?p=13035',0,'post','',0),(13036,1,'2015-10-14 17:16:03','2015-10-14 09:16:03','','AWMA EP','','inherit','closed','closed','','awma-1000','','','2015-10-14 17:16:18','2015-10-14 09:16:18','',13035,'http://www.hiddenshoal.com/wp-content/uploads/2015/10/AWMA-1000.jpg',0,'attachment','image/jpeg',0),(13037,1,'2015-10-14 17:16:37','2015-10-14 09:16:37','<img class=\"alignleft  wp-image-13036\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/AWMA-1000-300x300.jpg\" alt=\"AWMA EP\" width=\"172\" height=\"172\" />We\'re super excited to announce the official release of the debut self-titled EP from atmospheric rock trio <a title=\"AWMA\" href=\"http://www.hiddenshoal.com/project/awma/\">AWMA</a>. The band dynamic that Conor and Eimer Devlin (<a title=\"[the] caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\">[the] caseworker</a>) and Jason Lakis (The Red Thread, Mist and Mast) have cultivated over the years of touring and playing together as <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\">Half Film</a> has been elegantly renewed on their debut EP. This melodically charged music, akin to the early pastoral side of Pink Floyd, exudes intensity and emotional resonance. What else would you expect from such heritage.\r\n\r\nThe <em>AWMA</em> EP features the single ‘Broadcast History’, which prowls relentlessly around a circular guitar refrain, gradually building in intensity as Jason Lakis’s expansive guitar effects and Conor Devlin’s incantatory vocal colour the stereo field with portent. AWMA take the space, weight and atmosphere of Half Film, and inject instrumental details and a gentle shift in tempo from their slowcore origins.\r\n\r\nGet yourself a copy of the EP via AMWA\'s BandCamp. The EP will also be available via iTunes, Amazon and Spotify et al later next week. Expect a vinyl release early 2016.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/223166722&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','AWMA\'s Brilliant Debut EP Out Now!','','inherit','closed','closed','','13035-revision-v1','','','2015-10-14 17:16:37','2015-10-14 09:16:37','',13035,'http://www.hiddenshoal.com/13035-revision-v1/',0,'revision','',0),(13038,1,'2015-10-14 17:17:22','2015-10-14 09:17:22','<img class=\"alignleft  wp-image-13036\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/AWMA-1000-300x300.jpg\" alt=\"AWMA EP\" width=\"172\" height=\"172\" />We\'re super excited to announce the official release of the debut self-titled EP from atmospheric rock trio <a title=\"AWMA\" href=\"http://www.hiddenshoal.com/project/awma/\">AWMA</a>. The band dynamic that Conor and Eimer Devlin (<a title=\"[the] caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\">[the] caseworker</a>) and Jason Lakis (The Red Thread, Mist and Mast) have cultivated over the years of touring and playing together as <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\">Half Film</a> has been elegantly renewed on their debut EP. This melodically charged music, akin to the early pastoral side of Pink Floyd, exudes intensity and emotional resonance. What else would you expect from such heritage.\r\n\r\nThe <em>AWMA</em> EP features the single ‘Broadcast History’, which prowls relentlessly around a circular guitar refrain, gradually building in intensity as Jason Lakis’s expansive guitar effects and Conor Devlin’s incantatory vocal colour the stereo field with portent. AWMA take the space, weight and atmosphere of Half Film, and inject instrumental details and a gentle shift in tempo from their slowcore origins.\r\n\r\nGet yourself a copy of the EP via AMWA\'s <a title=\"Bandcamp\" href=\"https://awma.bandcamp.com/\" target=\"_blank\">BandCamp</a>. The EP will also be available via iTunes, Amazon and Spotify et al later next week. Expect a vinyl release early 2016.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/223166722&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','AWMA\'s Brilliant Debut EP Out Now!','','inherit','closed','closed','','13035-revision-v1','','','2015-10-14 17:17:22','2015-10-14 09:17:22','',13035,'http://www.hiddenshoal.com/13035-revision-v1/',0,'revision','',0),(13039,1,'2015-10-14 17:19:08','2015-10-14 09:19:08','<img class=\"alignleft  wp-image-13036\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/AWMA-1000-300x300.jpg\" alt=\"AWMA EP\" width=\"159\" height=\"159\" />We\'re super excited to announce the official release of the debut self-titled EP from atmospheric rock trio <a title=\"AWMA\" href=\"http://www.hiddenshoal.com/project/awma/\">AWMA</a>. The band dynamic that Conor and Eimer Devlin (<a title=\"[the] caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\">[the] caseworker</a>) and Jason Lakis (The Red Thread, Mist and Mast) have cultivated over the years of touring and playing together as <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\">Half Film</a> has been elegantly renewed on their debut EP. This melodically charged music, akin to the early pastoral side of Pink Floyd, exudes intensity and emotional resonance. What else would you expect from such heritage.\r\n\r\nThe <em>AWMA</em> EP features the single ‘Broadcast History’, which prowls relentlessly around a circular guitar refrain, gradually building in intensity as Jason Lakis’s expansive guitar effects and Conor Devlin’s incantatory vocal colour the stereo field with portent. AWMA take the space, weight and atmosphere of Half Film, and inject instrumental details and a gentle shift in tempo from their slowcore origins.\r\n\r\nGet yourself a copy of the EP via AMWA\'s <a title=\"Bandcamp\" href=\"https://awma.bandcamp.com/\" target=\"_blank\">BandCamp</a>. The EP will also be available via iTunes, Amazon and Spotify et al later next week. Expect a vinyl release early 2016.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/223166722&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','AWMA\'s Brilliant Debut EP Out Now!','','inherit','closed','closed','','13035-revision-v1','','','2015-10-14 17:19:08','2015-10-14 09:19:08','',13035,'http://www.hiddenshoal.com/13035-revision-v1/',0,'revision','',0),(13040,1,'2015-10-16 12:13:45','2015-10-16 04:13:45','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px.jpg\"><img class=\"alignleft  wp-image-12242\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"205\" height=\"205\" /></a>We\'re excited to share the gorgeous new single from Australia via US dream-pop duo <a href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a>, taken from their debut album <em>Axis Swim Scar</em>.  ‘Stolen’ distills Disintegration-era Cure and 80s pop romanticism into a slice of languid, escapist dream-pop. What’s most striking about this track is its restraint, able to hold the listener rapt, even when it strips back to just the soaring guitar of Drew Sullivan (<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>) and the ethereal vocals of Jarrod Manuel (<a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>). The October Solution work within and move beyond familiar tropes to present a defiantly futuristic and progressive vision. Axis Swim Scar resonates with deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\nDownload the song for free via the band\'s <a title=\"Bandcamp\" href=\"https://theoctobersolution.bandcamp.com/track/stolen\" target=\"_blank\">Bandcamp</a> and be sure to check out <em>Axis Swim Scar </em>while you\'re there. \'Stolen\' is also available for streaming via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/the-october-solution-stolen\" target=\"_blank\">SoundCloud</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/228311948&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Gorgeous New Single from The October Solution','','publish','closed','closed','','gorgeous-new-single-from-the-october-solution','','','2016-02-03 16:47:20','2016-02-03 08:47:20','',0,'http://www.hiddenshoal.com/?p=13040',0,'post','',0),(13041,1,'2015-10-16 12:13:45','2015-10-16 04:13:45','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px.jpg\"><img class=\"alignleft  wp-image-12242\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"193\" height=\"193\" /></a>We\'re excited to share the gorgeous new single from Australia via US dream-pop duo <a href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a>, taken from their debut album <em>Axis Swim Scar</em>.  ‘Stolen’ distills Disintegration-era Cure and 80s pop romanticism into a slice of languid, escapist dream-pop. What’s most striking about this track is its restraint, able to hold the listener rapt, even when it strips back to just the soaring guitar of Drew Sullivan (<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>) and the ethereal vocals of Jarrod Manuel (<a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>). The October Solution work within and move beyond familiar tropes to present a defiantly futuristic and progressive vision. Axis Swim Scar resonates with deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\nDownload the song for free via the band\'s <a title=\"Bandcamp\" href=\"https://theoctobersolution.bandcamp.com/track/stolen\" target=\"_blank\">Bandcamp</a> and be sure to check out <em>Axis Swim Scar </em>while you\'re there. \'Stolen\' is also available for streaming via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/the-october-solution-stolen\" target=\"_blank\">SoundCloud</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/228311948&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Gorgeous New Single from The October Solution','','inherit','closed','closed','','13040-revision-v1','','','2015-10-16 12:13:45','2015-10-16 04:13:45','',13040,'http://www.hiddenshoal.com/13040-revision-v1/',0,'revision','',0),(13042,1,'2015-10-16 12:17:34','2015-10-16 04:17:34','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px.jpg\"><img class=\"alignleft  wp-image-12242\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"204\" height=\"204\" /></a>We\'re excited to share the gorgeous new single from Australia via US dream-pop duo <a href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a>, taken from their debut album <em>Axis Swim Scar</em>.  ‘Stolen’ distills Disintegration-era Cure and 80s pop romanticism into a slice of languid, escapist dream-pop. What’s most striking about this track is its restraint, able to hold the listener rapt, even when it strips back to just the soaring guitar of Drew Sullivan (<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>) and the ethereal vocals of Jarrod Manuel (<a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\">City of Satellites</a>). The October Solution work within and move beyond familiar tropes to present a defiantly futuristic and progressive vision. Axis Swim Scar resonates with deftly woven pop melodies, melding the incandescent ambient sounds of Slow Dancing Society within the propulsive songcraft of City of Satellites.\r\n\r\nDownload the song for free via the band\'s <a title=\"Bandcamp\" href=\"https://theoctobersolution.bandcamp.com/track/stolen\" target=\"_blank\">Bandcamp</a> and be sure to check out <em>Axis Swim Scar </em>while you\'re there. \'Stolen\' is also available for streaming via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/the-october-solution-stolen\" target=\"_blank\">SoundCloud</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/228311948&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Gorgeous New Single from The October Solution','','inherit','closed','closed','','13040-autosave-v1','','','2015-10-16 12:17:34','2015-10-16 04:17:34','',13040,'http://www.hiddenshoal.com/13040-autosave-v1/',0,'revision','',0),(13094,1,'2015-10-29 15:28:01','2015-10-29 07:28:01','\"<i>Troubled Mystic</i> is a deck of musical cards, each one its own kind of cool. Overall the tone cleaves closely to an EDM/downtempo motif. You’ll hear distinct elements of house music, jazz-infused drum licks, a touch of glitch, and club-worthy drops. Right from the opener, “A Love Song for Ghosts,” Liminal Drifter (aka Dr. Simon Order) grabs the listener by managing to mix a jangly sound like a Japanese biwa with a little bit of spy-movie vibe and making it sound like it all belongs there. The mix of styles shows when “Subway Dream” follows with a watery burble and soft, cool edges. This one gets deeper and more intense as it goes along, the sound thickening up with a wide variety of elements. “Verterons Ambo Flow Cut” introduces some electronic minimalism, loops of repeating phrases interspersed with sequencer. Its slowly shifting, just-enough-movement dynamic works in its favor. Hypnotic and yet able to hold your direct interest. “Japanese Devotion” is a bit of playful weirdness. Boppy notes bounce along, accented with reverse-echo phrases that put me in mind of the 80s band New Musik. (Yes, I may be very much alone in that reference.) Speaking of the past, “Adventures Beyond the Body” will pique your old IDM memory banks. Field recordings and dubbed-up vocal snips are the canvas for a melody that plays out in metallic-spring tones and shiny sequencer runs. Irresistible stuff. Throughout the album you’ll enjoy an extra dose of mellow courtesy of dreampop vocalist Chloë March. Her smoked-satin voice slides and glides through the club-ready “Heartbeat of Your Soul.” Order wraps her voice in light, effective echoes and puts drops in spots where the last element you get is her voice fading. She sing-talks her way through the title track and pulls up welcome thoughts of Moorcheeba. Again, Order pulls spots and phrases out of the main vocals and uses them the spice the background. There have been times, in my several listens, when I become too aware of the looping/repeating motif that forms the basis for much of the work here. Why it occurs to me sometimes but not every time is a mystery to me. All I can suggest is that sometimes I’m drawn more into the smooth hypnotic lull, which is the point after all. It certainly hasn’t kept me from digging on this release every time I’ve listened. It’s varied enough to hold my interest and certainly doesn’t lack for cool. The production work is also excellent; the sound is full and in constant motion, with plenty of small detail work to keep your head happily busy. Get this, get cool.\"\r\n\r\n- <a title=\"Hypnagogue\" href=\"http://hypnagogue.net/2015/08/31/liminal-drifter-troubled-mystic/\" target=\"_blank\"><strong>Hypnagogue</strong></a>','Liminal Drifter \"Troubled Mystic\" Reviewed at Hypnagogue','','publish','closed','closed','','liminal-drifter-troubled-mystic-reviewed-at-hypnagogue','','','2015-10-29 15:29:05','2015-10-29 07:29:05','',0,'http://www.hiddenshoal.com/?p=13094',0,'post','',0),(13046,1,'2015-10-21 22:30:59','2015-10-21 14:30:59','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Markus Mehr</h1>\r\n<img class=\"alignleft size-medium wp-image-10435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" /><em>“... prepare for a shuddering, near chaotic, kaleidoscopic </em><em>experience as Mehr challenges our and his own </em><em>preconceptions of what “electronica” is, what it represents </em><em>and of what his instrumentation can achieve.”<strong> – Delusions of Adequacy</strong></em>\r\n\r\nMarkus Mehr’s debut, <em>Lava</em>, holds true to its title – it is a dense, steaming surge of glue-thick sound. But, after any destructive force there is new growth. Green shoots of melody arc out of the surface and populate the terrain as new possibilities emerge. <span class=\"_5yl5\" data-reactid=\".27.$mid=11404191394044=243362f841034556913.2:0.0.0.0.0\"><span class=\"null\">His follow-up triptych of works (<em>In</em>, <em>On</em> and <em>Off</em>) brought another level of conceptual and sonic experimentation to the table, advancing his stature in the field of contemporary experimental music.</span></span>\r\n\r\n<a title=\"Facebook\" href=\"http://www.facebook.com/markus.mehr\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/MarkusMehr\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/markus-mehr\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.markusmehr.de/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>In The Palm Of Your Hand - The Remix EP</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4074111254/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in-the-palm-of-your-hand-the-remix-ep\">In The Palm Of Your Hand - The Remix EP by Markus Mehr</a></iframe>\r\nOctober 2015\r\n\r\n<em>In the Palm of Your Hand – The Remix EP</em> brings together four unique remixes of the track ‘In the Palm of Your Hand’, lifted from Mehr’s latest album, <em>Binary Rooms</em>.\r\n\r\nThe original album mix of ‘In the Palm of Your Hand’ maps out the dichotomy at the heart of <em>Binary Rooms</em>. While plaintive piano chords suggest openness and possibility, they’re perpetually hemmed in by a claustrophobic industrial throb, creating a tension that aches to be resolved. The first remix, by Hamburg duo <a title=\"incite/\" href=\"http://www.incite.hamburg/\" target=\"_blank\">incite/</a>, ramps up the tension by slicing and dicing the ambient throb into a glitchy tapestry and smothering the piano in sonic gauze. <a title=\"Conga Fever\" href=\"https://soundcloud.com/congafever\" target=\"_blank\">Conga Fever</a> dials back the ambience and juxtaposes the piano against a sun-dappled beatscape. Hidden Shoal labelmate <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\" target=\"_blank\">Erik Nilsson</a> makes the piano the focus, bringing in field recordings to create the feeling of a beautiful jazz improvisation taking place on a demolition site. And finally, <a title=\"David Kochs\" href=\"https://soundcloud.com/davidkochs\" target=\"_blank\">David Kochs</a>’ remix filters the haze of the original into sharp yet dreamy minimal techno.\r\n<div></div>\r\n<div></div>\r\n<h4>Gymnasium​/​Swarms - Live with Orchestra</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=641842681/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/gymnasium-swarms-live-with-orchestra\">Gymnasium/Swarms - Live with Orchestra by Markus Mehr</a></iframe>\r\nSeptember 2015\r\n<div></div>\r\n‘Gymnasium/Swarms Live with Orchestra’ is a an amazing re-working of the original track, which appears in its original form on Mehr’s latest album, Binary Rooms. This special performance includes live orchestra and choir along with visuals by Stefanie Sixt.\r\n\r\nAs Markus Mehr explains in a new interview with Hidden Shoal’s Matthew Tomich, the live performance of ‘Gymnasium/Swarms’, which opened this year’s Modular Festival in Augsburg, Germany, involved Mehr’s collaboration with conductor Michael Kamm, plus the Modular Orchestra and Chamber Choir of Augsburg University. The live video by Florian Strandl depicts the musicians masterful reinterpretation of the music’s evocative, beatless soundworld via the clever use of clocks and Michael Kamm’s conducting. From rustling paper and shuffling feet, to gorgeous sustained choral tones and vibraphone, ‘Gymnasium/Swarms Live with Orchestra’ is a unique performance of a deeply evocative piece of sound art.\r\n<div></div>\r\n<div></div>\r\n<h4>To Set The River On Fire</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe>\r\nFebruary 2015\r\n<div></div>\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<div></div>\r\n<div></div>\r\n<h4>Binary Rooms</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe>\r\nOctober 2014\r\n<div></div>\r\nMehr’s work has seen a subtle shift in scale across his five studio albums. From the widescreen cosmic vistas of <em>Lava</em> to some of the more intimate moments of his 42-minute single-track opus <em>Off</em>, Mehr has now come to examine the most challenging space yet – that of our everyday lives and the spatial narratives that surround us. Mehr’s music has always possessed a keen sense of and negotiation with scale, and on <em>Binary Rooms</em> he challenges notions of personal space, juxtaposing the human against the industrial, the gentle and intimate against the jolting and harsh. Mehr acts as a fragment hunter, meshing machine-like tones with the discarded elements of humanity; narrative with anti-narrative. On <em>Binary Rooms</em> he manages to create a spatial remix – a striking re-design of aural reality filled with a living, digital biology. Experimental filmmaker and Markus Mehr collaborator <a href=\"https://vimeo.com/sixtsense/videos\">Stefanie Sixt</a> has created a stunning new video work for the track \'Gymnasium/Swarms\' which can be viewed in full at <a href=\"https://vimeo.com/105644655\" rel=\"lightbox-video-0\">Vimeo.</a>\r\n<div></div>\r\n<div></div>\r\n<h4>Off</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 170px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=398032740/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/off\">Off by Markus Mehr</a></iframe>\r\nJanuary 2013\r\n<div></div>\r\n<em>Off</em>  by German experimental ambient artist Markus Mehr, is the third and final part of a trilogy that includes the critically acclaimed releases <em>In</em> and <em>On</em>. <em>Off</em>  is not only the culmination of Markus Mehr’s trilogy, but it may also be the culmination of his career’s work thus far. The single-track album begins in silence, as a thrumming loop gradually emerges. From there, a beautiful piano refrain is introduced, noise ebbs and flows, threatening to engulf the piece, while field recordings and swooningly transportive synth patterns drift into focus. During its 42-minute runtime, the piece immerses the listener in a dizzyingly beautiful soundworld that’s ever-shifting. Certain passages allude to other sequences and samples in the preceding albums, linking the three albums into a kaleidoscopic mobius strip.\r\n<div></div>\r\n<div></div>\r\n<h4>On</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2332510059/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/on\">On by Markus Mehr</a></iframe>\r\nJuly 2012\r\n<div></div>\r\nThe new album <em>On</em> by German experimental ambient artist Markus Mehr, forms the second part of a triptych that also includes recent release <em>In</em> and the forthcoming <em>Off</em>. <em>On</em> is a continuation of the experimental direction of Markus Mehr’s previous releases, with eight diverse tracks employing samples, field recordings and slathers of Mehr’s trademark distorted drones. This approach is apparent right from opener ‘Gonna Make You Mine’, as scything slashes of sound leap from the speakers. Single ‘Flaming Youth’ counterbalances fragments of static against a gorgeous sleepy-eyed loop of mangled lounge-jazz. A track as expansive and moving as ‘Duck Became Swan’ is followed by brief rhythmic piece ‘Olympia’. This tightrope walk between dizzying samples and exacting digital manipulation is walked with aplomb throughout <em>On</em>’s adventurous and thrilling 45-minute runtime. <em>On</em> is preceded by <em>In</em>, the first part of the triptych, which comprises two monumental tracks, ‘Komo’ and ‘Ostinato’, each of which clocks in at around 25 minutes, circling around and building upon hypnotic instrumental motifs. The final part of the triptych, Off, released on 24 January 2013, includes the most epic piece yet, ‘Transit’, which clocks in at 49 minutes and will be performed live in collaboration with video artist Stefanie Sixt, who created the video to Mehr’s single ‘Cousteau’.\r\n<div></div>\r\n<div></div>\r\n<h4>In</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 210px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4000928914/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in\">In by Markus Mehr</a></iframe>\r\nJanuary 2012\r\n<div></div>\r\nMarkus Mehr follows up his stunning debut album <em>Lava</em> with three new releases released over a 12 month period. In is the first part of the triptych, comprising two monumental tracks, ‘Komo’ and ‘Ostinato’, each of which clocks in at around 25 minutes, circling around and building upon hypnotic instrumental motifs. ‘Komo’ gradually emerges from silence, its distant, filtered throb reluctantly revealing its source material – a heartbreaking string part whose emotional impact intensifies as the loop clarifies. ‘Ostinato’ is an altogether darker, gnarlier experience, its string loops chewed into distorted knots which are highlighted by treated guitars and crafted electronics. The second part, <em>On</em>, released on 21 June 2012, takes a more experimental direction, with eight diverse tracks employing samples, field recordings and slathers of Mehr’s trademark distorted drones. And finally, <em>Off</em>, released on 24 January 2013, includes the most epic piece yet, ‘Transit’, which clocks in at 49 minutes and will be performed live in collaboration with video artist Stefanie Sixt, who created the video to Mehr’s single ‘Cousteau’.\r\n<div></div>\r\n<div></div>\r\n<h4>Lava</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=634202850/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/lava\">Lava by Markus Mehr</a></iframe>\r\nAugust 2010\r\n<div></div>\r\n<em>Lava</em> holds true to its title – it is a dense surge of glue-think sound, making new paths as it pushes through the landscape. But, after any destructive force there is new growth. Green shoots of melody arc out of the surface and populate the terrain as new possibilities emerge. A new master of heartbreaking ambient drone has arrived. These tracks evoke time spent transfixed, gazing through a giant looking glass, waiting wide-eyed as new discoveries are revealed in the album’s textured contours. On epic opener ‘Agenda’, layers of gorgeous synth gradually accumulate into a gloriously massive chord. On single ‘Hubble’, a bedrock of fuzzed drone is decorated with glistening counter-melodies, tracing shards of light across the coal-black skies. ‘Softwar’ builds and then falls away, only to return with a spine-tingling theme that crumbles under its own majesty. <em>Lava</em>’s ability to both suspend the listener in its abstracted liquid vapours and at the same time imprint its affecting narrative is a special thing. It is one of those albums whose emotional impact stays with you long after you feel its last touch.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nBased in Augsburg, south Germany, Markus Mehr’s musical journey began with the guitar. He grew up listening to bands like Black Sabbath and AC/DC, before turning his ears to darker sounds and the ethereal, experimental pop of David Sylvian. After recording and touring with several bands, he struck out on his own with home studio project Aroma.\r\n\r\nNow working under his own name, Mehr wrote and recorded his debut album <em>Lava</em> at his home studio using guitars and synths, plus any noise-making accoutrements at hand – electric shavers, ventilators, electric tooth brushes and field recordings –all processed and distorted to create a gorgeous wall of sound, akin to the classic ’70s Kosmische music of Klaus Schulze and Tangerine Dream, but also the contemporary masters of textured luminosity, Fennesz and Tim Hecker. His follow up albums, <em>In</em>, <em>On</em> and <em>Off </em> pushed the sonic and structural envelope even further and created a triptych of works that stands amongst the most engaging contemporary experimental music of our days.\r\n\r\nMehr’s extensive live performances across Europe include collaborations with visual artist Stefanie Sixt and performances in churches, galleries and large disused gas tanks amongst the more traditional festival shows.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n\r\n&nbsp;\r\n<h3>News</h3>\r\n[catlist name=markus-mehr content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n\r\n&nbsp;\r\n<h2>Reviews</h2>\r\n[catlist name=markus-mehr-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Live_In_Bari.pdf\"><em>Live in Bari</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Off.pdf\"><em>Off</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Duck_Became_Swan.pdf\">‘Duck Became Swan’ Single Release and Music Video</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Flaming_Youth.pdf\">‘Flaming Youth’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-In.pdf\"><em>In</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Cousteau.pdf\">‘Cousteau’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Lava_Digital_Release.pdf\"><em>Lava</em> Album Digital Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Hubble_Single.pdf\">‘Hubble’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Signing.pdf\">Markus Mehr Signs to Hidden Shoal</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"10433,10435,9020,9021,9022,9023,9024,9025,9019\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/NNOsYOGPyik?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/Ghve0iRVjOI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/dGRCY37hMm4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/PcfMLHZZomw?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/1jIYi486n0c?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMarkus Mehr\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Markus Mehr','','inherit','closed','closed','','9007-revision-v1','','','2015-10-21 22:30:59','2015-10-21 14:30:59','',9007,'http://www.hiddenshoal.com/9007-revision-v1/',0,'revision','',0),(13047,1,'2015-10-21 22:45:35','2015-10-21 14:45:35','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Markus Mehr</h1>\r\n<img class=\"alignleft size-medium wp-image-10435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" /><em>“... prepare for a shuddering, near chaotic, kaleidoscopic </em><em>experience as Mehr challenges our and his own </em><em>preconceptions of what “electronica” is, what it represents </em><em>and of what his instrumentation can achieve.”<strong> – Delusions of Adequacy</strong></em>\r\n\r\nMarkus Mehr’s debut, <em>Lava</em>, holds true to its title – it is a dense, steaming surge of glue-thick sound. But, after any destructive force there is new growth. Green shoots of melody arc out of the surface and populate the terrain as new possibilities emerge. <span class=\"_5yl5\" data-reactid=\".27.$mid=11404191394044=243362f841034556913.2:0.0.0.0.0\"><span class=\"null\">His follow-up triptych of works (<em>In</em>, <em>On</em> and <em>Off</em>) brought another level of conceptual and sonic experimentation to the table, advancing his stature in the field of contemporary experimental music.</span></span>\r\n\r\n<a title=\"Facebook\" href=\"http://www.facebook.com/markus.mehr\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/MarkusMehr\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/markus-mehr\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.markusmehr.de/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/us/album/binary-rooms/id924187856?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>In The Palm Of Your Hand - The Remix EP</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4074111254/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in-the-palm-of-your-hand-the-remix-ep\">In The Palm Of Your Hand - The Remix EP by Markus Mehr</a></iframe>\r\nOctober 2015\r\n\r\n<em>In the Palm of Your Hand – The Remix EP</em> brings together four unique remixes of the track ‘In the Palm of Your Hand’, lifted from Mehr’s latest album, <em>Binary Rooms</em>.\r\n\r\nThe original album mix of ‘In the Palm of Your Hand’ maps out the dichotomy at the heart of <em>Binary Rooms</em>. While plaintive piano chords suggest openness and possibility, they’re perpetually hemmed in by a claustrophobic industrial throb, creating a tension that aches to be resolved. The first remix, by Hamburg duo <a title=\"incite/\" href=\"http://www.incite.hamburg/\" target=\"_blank\">incite/</a>, ramps up the tension by slicing and dicing the ambient throb into a glitchy tapestry and smothering the piano in sonic gauze. <a title=\"Conga Fever\" href=\"https://soundcloud.com/congafever\" target=\"_blank\">Conga Fever</a> dials back the ambience and juxtaposes the piano against a sun-dappled beatscape. Hidden Shoal labelmate <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\" target=\"_blank\">Erik Nilsson</a> makes the piano the focus, bringing in field recordings to create the feeling of a beautiful jazz improvisation taking place on a demolition site. And finally, <a title=\"David Kochs\" href=\"https://soundcloud.com/davidkochs\" target=\"_blank\">David Kochs</a>’ remix filters the haze of the original into sharp yet dreamy minimal techno.\r\n<div></div>\r\n<div></div>\r\n<h4>Gymnasium​/​Swarms - Live with Orchestra</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=641842681/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/gymnasium-swarms-live-with-orchestra\">Gymnasium/Swarms - Live with Orchestra by Markus Mehr</a></iframe>\r\nSeptember 2015\r\n<div></div>\r\n‘Gymnasium/Swarms Live with Orchestra’ is a an amazing re-working of the original track, which appears in its original form on Mehr’s latest album, Binary Rooms. This special performance includes live orchestra and choir along with visuals by Stefanie Sixt.\r\n\r\nAs Markus Mehr explains in a new interview with Hidden Shoal’s Matthew Tomich, the live performance of ‘Gymnasium/Swarms’, which opened this year’s Modular Festival in Augsburg, Germany, involved Mehr’s collaboration with conductor Michael Kamm, plus the Modular Orchestra and Chamber Choir of Augsburg University. The live video by Florian Strandl depicts the musicians masterful reinterpretation of the music’s evocative, beatless soundworld via the clever use of clocks and Michael Kamm’s conducting. From rustling paper and shuffling feet, to gorgeous sustained choral tones and vibraphone, ‘Gymnasium/Swarms Live with Orchestra’ is a unique performance of a deeply evocative piece of sound art.\r\n<div></div>\r\n<div></div>\r\n<h4>To Set The River On Fire</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe>\r\nFebruary 2015\r\n<div></div>\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<div></div>\r\n<div></div>\r\n<h4>Binary Rooms</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe>\r\nOctober 2014\r\n<div></div>\r\nMehr’s work has seen a subtle shift in scale across his five studio albums. From the widescreen cosmic vistas of <em>Lava</em> to some of the more intimate moments of his 42-minute single-track opus <em>Off</em>, Mehr has now come to examine the most challenging space yet – that of our everyday lives and the spatial narratives that surround us. Mehr’s music has always possessed a keen sense of and negotiation with scale, and on <em>Binary Rooms</em> he challenges notions of personal space, juxtaposing the human against the industrial, the gentle and intimate against the jolting and harsh. Mehr acts as a fragment hunter, meshing machine-like tones with the discarded elements of humanity; narrative with anti-narrative. On <em>Binary Rooms</em> he manages to create a spatial remix – a striking re-design of aural reality filled with a living, digital biology. Experimental filmmaker and Markus Mehr collaborator <a href=\"https://vimeo.com/sixtsense/videos\">Stefanie Sixt</a> has created a stunning new video work for the track \'Gymnasium/Swarms\' which can be viewed in full at <a href=\"https://vimeo.com/105644655\" rel=\"lightbox-video-0\">Vimeo.</a>\r\n<div></div>\r\n<div></div>\r\n<h4>Off</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 170px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=398032740/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/off\">Off by Markus Mehr</a></iframe>\r\nJanuary 2013\r\n<div></div>\r\n<em>Off</em>  by German experimental ambient artist Markus Mehr, is the third and final part of a trilogy that includes the critically acclaimed releases <em>In</em> and <em>On</em>. <em>Off</em>  is not only the culmination of Markus Mehr’s trilogy, but it may also be the culmination of his career’s work thus far. The single-track album begins in silence, as a thrumming loop gradually emerges. From there, a beautiful piano refrain is introduced, noise ebbs and flows, threatening to engulf the piece, while field recordings and swooningly transportive synth patterns drift into focus. During its 42-minute runtime, the piece immerses the listener in a dizzyingly beautiful soundworld that’s ever-shifting. Certain passages allude to other sequences and samples in the preceding albums, linking the three albums into a kaleidoscopic mobius strip.\r\n<div></div>\r\n<div></div>\r\n<h4>On</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2332510059/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/on\">On by Markus Mehr</a></iframe>\r\nJuly 2012\r\n<div></div>\r\nThe new album <em>On</em> by German experimental ambient artist Markus Mehr, forms the second part of a triptych that also includes recent release <em>In</em> and the forthcoming <em>Off</em>. <em>On</em> is a continuation of the experimental direction of Markus Mehr’s previous releases, with eight diverse tracks employing samples, field recordings and slathers of Mehr’s trademark distorted drones. This approach is apparent right from opener ‘Gonna Make You Mine’, as scything slashes of sound leap from the speakers. Single ‘Flaming Youth’ counterbalances fragments of static against a gorgeous sleepy-eyed loop of mangled lounge-jazz. A track as expansive and moving as ‘Duck Became Swan’ is followed by brief rhythmic piece ‘Olympia’. This tightrope walk between dizzying samples and exacting digital manipulation is walked with aplomb throughout <em>On</em>’s adventurous and thrilling 45-minute runtime. <em>On</em> is preceded by <em>In</em>, the first part of the triptych, which comprises two monumental tracks, ‘Komo’ and ‘Ostinato’, each of which clocks in at around 25 minutes, circling around and building upon hypnotic instrumental motifs. The final part of the triptych, Off, released on 24 January 2013, includes the most epic piece yet, ‘Transit’, which clocks in at 49 minutes and will be performed live in collaboration with video artist Stefanie Sixt, who created the video to Mehr’s single ‘Cousteau’.\r\n<div></div>\r\n<div></div>\r\n<h4>In</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 210px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4000928914/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in\">In by Markus Mehr</a></iframe>\r\nJanuary 2012\r\n<div></div>\r\nMarkus Mehr follows up his stunning debut album <em>Lava</em> with three new releases released over a 12 month period. In is the first part of the triptych, comprising two monumental tracks, ‘Komo’ and ‘Ostinato’, each of which clocks in at around 25 minutes, circling around and building upon hypnotic instrumental motifs. ‘Komo’ gradually emerges from silence, its distant, filtered throb reluctantly revealing its source material – a heartbreaking string part whose emotional impact intensifies as the loop clarifies. ‘Ostinato’ is an altogether darker, gnarlier experience, its string loops chewed into distorted knots which are highlighted by treated guitars and crafted electronics. The second part, <em>On</em>, released on 21 June 2012, takes a more experimental direction, with eight diverse tracks employing samples, field recordings and slathers of Mehr’s trademark distorted drones. And finally, <em>Off</em>, released on 24 January 2013, includes the most epic piece yet, ‘Transit’, which clocks in at 49 minutes and will be performed live in collaboration with video artist Stefanie Sixt, who created the video to Mehr’s single ‘Cousteau’.\r\n<div></div>\r\n<div></div>\r\n<h4>Lava</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=634202850/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/lava\">Lava by Markus Mehr</a></iframe>\r\nAugust 2010\r\n<div></div>\r\n<em>Lava</em> holds true to its title – it is a dense surge of glue-think sound, making new paths as it pushes through the landscape. But, after any destructive force there is new growth. Green shoots of melody arc out of the surface and populate the terrain as new possibilities emerge. A new master of heartbreaking ambient drone has arrived. These tracks evoke time spent transfixed, gazing through a giant looking glass, waiting wide-eyed as new discoveries are revealed in the album’s textured contours. On epic opener ‘Agenda’, layers of gorgeous synth gradually accumulate into a gloriously massive chord. On single ‘Hubble’, a bedrock of fuzzed drone is decorated with glistening counter-melodies, tracing shards of light across the coal-black skies. ‘Softwar’ builds and then falls away, only to return with a spine-tingling theme that crumbles under its own majesty. <em>Lava</em>’s ability to both suspend the listener in its abstracted liquid vapours and at the same time imprint its affecting narrative is a special thing. It is one of those albums whose emotional impact stays with you long after you feel its last touch.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nBased in Augsburg, south Germany, Markus Mehr’s musical journey began with the guitar. He grew up listening to bands like Black Sabbath and AC/DC, before turning his ears to darker sounds and the ethereal, experimental pop of David Sylvian. After recording and touring with several bands, he struck out on his own with home studio project Aroma.\r\n\r\nNow working under his own name, Mehr wrote and recorded his debut album <em>Lava</em> at his home studio using guitars and synths, plus any noise-making accoutrements at hand – electric shavers, ventilators, electric tooth brushes and field recordings –all processed and distorted to create a gorgeous wall of sound, akin to the classic ’70s Kosmische music of Klaus Schulze and Tangerine Dream, but also the contemporary masters of textured luminosity, Fennesz and Tim Hecker. His follow up albums, <em>In</em>, <em>On</em> and <em>Off </em> pushed the sonic and structural envelope even further and created a triptych of works that stands amongst the most engaging contemporary experimental music of our days.\r\n\r\nMehr’s extensive live performances across Europe include collaborations with visual artist Stefanie Sixt and performances in churches, galleries and large disused gas tanks amongst the more traditional festival shows.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n\r\n&nbsp;\r\n<h3>News</h3>\r\n[catlist name=markus-mehr content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n\r\n&nbsp;\r\n<h2>Reviews</h2>\r\n[catlist name=markus-mehr-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Live_In_Bari.pdf\"><em>Live in Bari</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Off.pdf\"><em>Off</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Duck_Became_Swan.pdf\">‘Duck Became Swan’ Single Release and Music Video</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Flaming_Youth.pdf\">‘Flaming Youth’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-In.pdf\"><em>In</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Cousteau.pdf\">‘Cousteau’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Lava_Digital_Release.pdf\"><em>Lava</em> Album Digital Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Hubble_Single.pdf\">‘Hubble’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Signing.pdf\">Markus Mehr Signs to Hidden Shoal</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"10433,10435,9020,9021,9022,9023,9024,9025,9019\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/NNOsYOGPyik?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/Ghve0iRVjOI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/dGRCY37hMm4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/PcfMLHZZomw?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/1jIYi486n0c?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMarkus Mehr\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Markus Mehr','','inherit','closed','closed','','9007-revision-v1','','','2015-10-21 22:45:35','2015-10-21 14:45:35','',9007,'http://www.hiddenshoal.com/9007-revision-v1/',0,'revision','',0),(13048,1,'2015-10-22 09:18:44','2015-10-22 01:18:44','<i><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork.jpg\"><img class=\"alignleft  wp-image-13050\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork-300x300.jpg\" alt=\"In The Palm of Your Hand - The Remix EP\" width=\"243\" height=\"243\" /></a></i>Hidden Shoal is proud to announce the release of <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>\'s<i> In the Palm of Your Hand – The Remix EP</i>, which brings together four unique remixes of the track ‘In the Palm of Your Hand’, lifted from Mehr’s latest album, <i>Binary Rooms. </i>Stream and download the EP via <a title=\"Bandcamp\" href=\"https://markusmehr.bandcamp.com/album/in-the-palm-of-your-hand-the-remix-ep\" target=\"_blank\">Bandcamp</a>.\r\n\r\nThe original album mix of ‘In the Palm of Your Hand’ maps out the dichotomy at the heart of <em>Binary Rooms</em>. While plaintive piano chords suggest openness and possibility, they’re perpetually hemmed in by a claustrophobic industrial throb, creating a tension that aches to be resolved. The first remix, by Hamburg duo <a title=\"incite/\" href=\"http://www.incite.hamburg/\" target=\"_blank\">incite/</a>, ramps up the tension by slicing and dicing the ambient throb into a glitchy tapestry and smothering the piano in sonic gauze. <a title=\"Conga Fever\" href=\"https://soundcloud.com/congafever\" target=\"_blank\">Conga Fever</a> dials back the ambience and juxtaposes the piano against a sun-dappled beatscape. Hidden Shoal labelmate <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\" target=\"_blank\">Erik Nilsson</a> makes the piano the focus, bringing in field recordings to create the feeling of a beautiful jazz improvisation taking place on a demolition site. And finally, <a title=\"David Kochs\" href=\"https://soundcloud.com/davidkochs\" target=\"_blank\">David Kochs</a>’ remix filters the haze of the original into sharp yet dreamy minimal techno.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/229407663&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Markus Mehr \"In the Palm of Your Hand – The Remix EP\"','','publish','closed','closed','','markus-mehr-in-the-palm-of-your-hand-the-remix-ep','','','2016-02-03 16:47:20','2016-02-03 08:47:20','',0,'http://www.hiddenshoal.com/?p=13048',0,'post','',0),(13049,1,'2015-10-21 23:00:12','2015-10-21 15:00:12','<i></i>Hidden Shoal is proud to announce the release of <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>\'s<i> In the Palm of Your Hand – The Remix EP</i>, which brings together four unique remixes of the track ‘In the Palm of Your Hand’, lifted from Mehr’s latest album, <i>Binary Rooms. </i>Stream and download the EP via <a title=\"Bandcamp\" href=\"https://markusmehr.bandcamp.com/album/in-the-palm-of-your-hand-the-remix-ep\" target=\"_blank\">Bandcamp</a>.\r\n\r\nThe original album mix of ‘In the Palm of Your Hand’ maps out the dichotomy at the heart of <em>Binary Rooms</em>. While plaintive piano chords suggest openness and possibility, they’re perpetually hemmed in by a claustrophobic industrial throb, creating a tension that aches to be resolved. The first remix, by Hamburg duo <a title=\"incite/\" href=\"http://www.incite.hamburg/\" target=\"_blank\">incite/</a>, ramps up the tension by slicing and dicing the ambient throb into a glitchy tapestry and smothering the piano in sonic gauze. <a title=\"Conga Fever\" href=\"https://soundcloud.com/congafever\" target=\"_blank\">Conga Fever</a> dials back the ambience and juxtaposes the piano against a sun-dappled beatscape. Hidden Shoal labelmate <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\" target=\"_blank\">Erik Nilsson</a> makes the piano the focus, bringing in field recordings to create the feeling of a beautiful jazz improvisation taking place on a demolition site. And finally, <a title=\"David Kochs\" href=\"https://soundcloud.com/davidkochs\" target=\"_blank\">David Kochs</a>’ remix filters the haze of the original into sharp yet dreamy minimal techno.','Markus Mehr \"In the Palm of Your Hand – The Remix EP\"','','inherit','closed','closed','','13048-revision-v1','','','2015-10-21 23:00:12','2015-10-21 15:00:12','',13048,'http://www.hiddenshoal.com/13048-revision-v1/',0,'revision','',0),(13050,1,'2015-10-21 23:01:49','2015-10-21 15:01:49','','In The Palm of Your Hand - The Remix EP','','inherit','closed','closed','','in-the-palm-of-your-hand-remix-ep-artwork','','','2015-10-21 23:02:47','2015-10-21 15:02:47','',13048,'http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork.jpg',0,'attachment','image/jpeg',0),(13051,1,'2015-10-21 23:03:06','2015-10-21 15:03:06','<i><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork.jpg\"><img class=\"alignleft size-medium wp-image-13050\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork-300x300.jpg\" alt=\"In The Palm of Your Hand - The Remix EP\" width=\"300\" height=\"300\" /></a></i>Hidden Shoal is proud to announce the release of <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>\'s<i> In the Palm of Your Hand – The Remix EP</i>, which brings together four unique remixes of the track ‘In the Palm of Your Hand’, lifted from Mehr’s latest album, <i>Binary Rooms. </i>Stream and download the EP via <a title=\"Bandcamp\" href=\"https://markusmehr.bandcamp.com/album/in-the-palm-of-your-hand-the-remix-ep\" target=\"_blank\">Bandcamp</a>.\r\n\r\nThe original album mix of ‘In the Palm of Your Hand’ maps out the dichotomy at the heart of <em>Binary Rooms</em>. While plaintive piano chords suggest openness and possibility, they’re perpetually hemmed in by a claustrophobic industrial throb, creating a tension that aches to be resolved. The first remix, by Hamburg duo <a title=\"incite/\" href=\"http://www.incite.hamburg/\" target=\"_blank\">incite/</a>, ramps up the tension by slicing and dicing the ambient throb into a glitchy tapestry and smothering the piano in sonic gauze. <a title=\"Conga Fever\" href=\"https://soundcloud.com/congafever\" target=\"_blank\">Conga Fever</a> dials back the ambience and juxtaposes the piano against a sun-dappled beatscape. Hidden Shoal labelmate <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\" target=\"_blank\">Erik Nilsson</a> makes the piano the focus, bringing in field recordings to create the feeling of a beautiful jazz improvisation taking place on a demolition site. And finally, <a title=\"David Kochs\" href=\"https://soundcloud.com/davidkochs\" target=\"_blank\">David Kochs</a>’ remix filters the haze of the original into sharp yet dreamy minimal techno.','Markus Mehr \"In the Palm of Your Hand – The Remix EP\"','','inherit','closed','closed','','13048-revision-v1','','','2015-10-21 23:03:06','2015-10-21 15:03:06','',13048,'http://www.hiddenshoal.com/13048-revision-v1/',0,'revision','',0),(13052,1,'2015-10-22 09:13:57','2015-10-22 01:13:57','<i><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork.jpg\"><img class=\"alignleft size-medium wp-image-13050\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork-300x300.jpg\" alt=\"In The Palm of Your Hand - The Remix EP\" width=\"300\" height=\"300\" /></a></i>Hidden Shoal is proud to announce the release of <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>\'s<i> In the Palm of Your Hand – The Remix EP</i>, which brings together four unique remixes of the track ‘In the Palm of Your Hand’, lifted from Mehr’s latest album, <i>Binary Rooms. </i>Stream and download the EP via <a title=\"Bandcamp\" href=\"https://markusmehr.bandcamp.com/album/in-the-palm-of-your-hand-the-remix-ep\" target=\"_blank\">Bandcamp</a>.\r\n\r\nThe original album mix of ‘In the Palm of Your Hand’ maps out the dichotomy at the heart of <em>Binary Rooms</em>. While plaintive piano chords suggest openness and possibility, they’re perpetually hemmed in by a claustrophobic industrial throb, creating a tension that aches to be resolved. The first remix, by Hamburg duo <a title=\"incite/\" href=\"http://www.incite.hamburg/\" target=\"_blank\">incite/</a>, ramps up the tension by slicing and dicing the ambient throb into a glitchy tapestry and smothering the piano in sonic gauze. <a title=\"Conga Fever\" href=\"https://soundcloud.com/congafever\" target=\"_blank\">Conga Fever</a> dials back the ambience and juxtaposes the piano against a sun-dappled beatscape. Hidden Shoal labelmate <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\" target=\"_blank\">Erik Nilsson</a> makes the piano the focus, bringing in field recordings to create the feeling of a beautiful jazz improvisation taking place on a demolition site. And finally, <a title=\"David Kochs\" href=\"https://soundcloud.com/davidkochs\" target=\"_blank\">David Kochs</a>’ remix filters the haze of the original into sharp yet dreamy minimal techno.\r\n\r\n&nbsp;','Markus Mehr \"In the Palm of Your Hand – The Remix EP\"','','inherit','closed','closed','','13048-revision-v1','','','2015-10-22 09:13:57','2015-10-22 01:13:57','',13048,'http://www.hiddenshoal.com/13048-revision-v1/',0,'revision','',0),(13054,1,'2015-10-22 09:18:07','2015-10-22 01:18:07','<i><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork.jpg\"><img class=\"alignleft  wp-image-13050\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork-300x300.jpg\" alt=\"In The Palm of Your Hand - The Remix EP\" width=\"243\" height=\"243\" /></a></i>Hidden Shoal is proud to announce the release of <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>\'s<i> In the Palm of Your Hand – The Remix EP</i>, which brings together four unique remixes of the track ‘In the Palm of Your Hand’, lifted from Mehr’s latest album, <i>Binary Rooms. </i>Stream and download the EP via <a title=\"Bandcamp\" href=\"https://markusmehr.bandcamp.com/album/in-the-palm-of-your-hand-the-remix-ep\" target=\"_blank\">Bandcamp</a>.\r\n\r\nThe original album mix of ‘In the Palm of Your Hand’ maps out the dichotomy at the heart of <em>Binary Rooms</em>. While plaintive piano chords suggest openness and possibility, they’re perpetually hemmed in by a claustrophobic industrial throb, creating a tension that aches to be resolved. The first remix, by Hamburg duo <a title=\"incite/\" href=\"http://www.incite.hamburg/\" target=\"_blank\">incite/</a>, ramps up the tension by slicing and dicing the ambient throb into a glitchy tapestry and smothering the piano in sonic gauze. <a title=\"Conga Fever\" href=\"https://soundcloud.com/congafever\" target=\"_blank\">Conga Fever</a> dials back the ambience and juxtaposes the piano against a sun-dappled beatscape. Hidden Shoal labelmate <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\" target=\"_blank\">Erik Nilsson</a> makes the piano the focus, bringing in field recordings to create the feeling of a beautiful jazz improvisation taking place on a demolition site. And finally, <a title=\"David Kochs\" href=\"https://soundcloud.com/davidkochs\" target=\"_blank\">David Kochs</a>’ remix filters the haze of the original into sharp yet dreamy minimal techno.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/229407663&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Markus Mehr \"In the Palm of Your Hand – The Remix EP\"','','inherit','closed','closed','','13048-revision-v1','','','2015-10-22 09:18:07','2015-10-22 01:18:07','',13048,'http://www.hiddenshoal.com/13048-revision-v1/',0,'revision','',0),(13053,1,'2015-10-22 09:17:24','2015-10-22 01:17:24','<i><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork.jpg\"><img class=\"alignleft size-medium wp-image-13050\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork-300x300.jpg\" alt=\"In The Palm of Your Hand - The Remix EP\" width=\"300\" height=\"300\" /></a></i>Hidden Shoal is proud to announce the release of <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>\'s<i> In the Palm of Your Hand – The Remix EP</i>, which brings together four unique remixes of the track ‘In the Palm of Your Hand’, lifted from Mehr’s latest album, <i>Binary Rooms. </i>Stream and download the EP via <a title=\"Bandcamp\" href=\"https://markusmehr.bandcamp.com/album/in-the-palm-of-your-hand-the-remix-ep\" target=\"_blank\">Bandcamp</a>.\r\n\r\nThe original album mix of ‘In the Palm of Your Hand’ maps out the dichotomy at the heart of <em>Binary Rooms</em>. While plaintive piano chords suggest openness and possibility, they’re perpetually hemmed in by a claustrophobic industrial throb, creating a tension that aches to be resolved. The first remix, by Hamburg duo <a title=\"incite/\" href=\"http://www.incite.hamburg/\" target=\"_blank\">incite/</a>, ramps up the tension by slicing and dicing the ambient throb into a glitchy tapestry and smothering the piano in sonic gauze. <a title=\"Conga Fever\" href=\"https://soundcloud.com/congafever\" target=\"_blank\">Conga Fever</a> dials back the ambience and juxtaposes the piano against a sun-dappled beatscape. Hidden Shoal labelmate <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\" target=\"_blank\">Erik Nilsson</a> makes the piano the focus, bringing in field recordings to create the feeling of a beautiful jazz improvisation taking place on a demolition site. And finally, <a title=\"David Kochs\" href=\"https://soundcloud.com/davidkochs\" target=\"_blank\">David Kochs</a>’ remix filters the haze of the original into sharp yet dreamy minimal techno.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/229407663&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Markus Mehr \"In the Palm of Your Hand – The Remix EP\"','','inherit','closed','closed','','13048-revision-v1','','','2015-10-22 09:17:24','2015-10-22 01:17:24','',13048,'http://www.hiddenshoal.com/13048-revision-v1/',0,'revision','',0),(13055,1,'2015-10-22 17:04:33','2015-10-22 09:04:33','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Discography</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2015\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2015</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Palm\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-13050\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork-300x300.jpg\" alt=\"In The Palm of Your Hand - The Remix EP\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In The Palm of Your Hand - The Remix EP </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"AWMA\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/medard-fischer/\"><img class=\"alignnone wp-image-13036 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/AWMA-1000-300x300.jpg\" alt=\"AWMA EP\" width=\"300\" height=\"300\" /></a>\r\nAWMA\r\n<em>AWMA </em>(2015)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Extent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/battlestations/\"><img class=\"alignnone wp-image-12955 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/09/The-Extent-of-Damage-Cover-1200px-300x300.jpg\" alt=\"The Extent of Damage\" width=\"300\" height=\"300\" /></a>\r\nBattlestations\r\n<em>The Extent of Damage </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"New York\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/medard-fischer/\"><img class=\"alignnone size-medium wp-image-12847\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Cover-art-300x300.jpg\" alt=\"Four Songs for the City of New York\" width=\"300\" height=\"300\" /></a>\r\nMedard Fischer\r\n<em>Four Songs for the City of New York </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Troubled Mystic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/liminal-drifter/\"><img class=\"alignnone wp-image-12861 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Troubled-Mystic-Album-1000px-300x300.jpg\" alt=\"Liminal Drifter - Troubled Mystic\" width=\"300\" height=\"300\" /></a>\r\nLiminal Drifter\r\n<em>Troubled Mystic </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Olive Skinned\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/rew/\"><img class=\"alignnone wp-image-12249 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Olive-Skinned-Cover-1400x1400-pxl-300x300.jpg\" alt=\"Olive Skinned, Silver Tongued Sirens Sing Swan Songs\" width=\"300\" height=\"300\" /></a>\r\nREW&lt;&lt;\r\n<em>Olive Skinned, Silver Tongued Sirens Sing Swan Songs </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Pea Green\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/the-star-department/\"><img class=\"alignnone wp-image-12312 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Pea-Green-Boat-Cover-Art-1000px-300x300.jpg\" alt=\"The Pea Green Boat\" width=\"300\" height=\"300\" /></a>\r\nThe Star Department\r\n<em>The Pea Green Boat </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearing Things\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><img class=\"alignnone size-medium wp-image-12629\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Hearing-Things-Front-Cover-1000px-300x300.jpg\" alt=\"Erik Nilsson - Hearing Things\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Hearing Things </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Rough\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12669\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Rough-Cover-Art-1400px-300x300.jpg\" alt=\"Rough\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Rough </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Tristes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-12367 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Tristes-Tropiques-Cover-300px.jpg\" alt=\"Todd Tobias - Tristes Tropiques\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Tristes Tropiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"les limbes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/les-limbes/\"><img class=\"alignnone wp-image-12271 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Les-Limbes-EP-Cover-300px.jpg\" alt=\"Les Limbes EP\" width=\"300\" height=\"300\" /></a>\r\nLes Limbes\r\n<em>Les Limbes </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"axis swim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/october-solution/\"><img class=\"alignnone wp-image-12242 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"300\" height=\"300\" /></a>\r\nThe October Solution\r\n<em>Axis Swim Scar</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"fate\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-12109 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/03/Kramies-The-Fate-300px-300x300.jpg\" alt=\"Kramies \'The Fate That Never Favored Us\'\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Fate That Never Favored Us</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"river fire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-12036 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/To-Set-The-River-On-Fire-300px.jpg\" alt=\"To-Set-The-River-On-Fire-300px\" width=\"300\" height=\"300\" /></a>\r\nChloe March vs. Markus Mehr\r\n<em>To Set The River on Fire </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2014\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2014</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"dusk recital\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-11402 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/duskrecital_300.jpg\" alt=\"The Dusk Recital\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Dusk Recital</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"makee\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/makee/\"><img class=\"alignnone wp-image-11088 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Makee-EP-300px.jpg\" alt=\"Makee EP\" width=\"300\" height=\"300\" /></a>\r\nmakee\r\n<em>makee</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Nights Bright Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-11189 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Nights-Bright-Days-Cover-1000px-300x300.jpg\" alt=\"Nights Bright Days\" width=\"300\" height=\"300\" /></a>\r\nChloë March\r\n<em>Nights bright Days</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under The Day\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone size-medium wp-image-11191\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderTheDayCov350-300x300.jpg\" alt=\"Under The Day\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>Under The Day</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Enchanting Gaze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone wp-image-11190 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enchanting-Gaze-1000px-300x300.jpg\" alt=\"Enchanting Gaze\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Enchanting Gaze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-medium wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities 2\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-11192 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Impossible-Cites-2-1000px-300x300.jpg\" alt=\"Impossible Cites 2\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities 2</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Binary Rooms\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-10985 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - \" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Binary Rooms</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deconstruction Manual\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\"><img class=\"alignnone wp-image-10803 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Deconstruction Manual</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"In Between\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-10470 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/In-Between-Cover-1000px-300x300.jpg\" alt=\"Kryshe - In Between\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>In Between</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Revolving Maze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignnone wp-image-10715 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Revolving-Maze-Front-Cover-300x300.jpg\" alt=\"Revolving Maze\" width=\"300\" height=\"300\" /></a>\r\nInvolved\r\n<em>Revolving Maze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Positive Haywires\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignnone size-medium wp-image-10728\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Positive-Haywires-Front-Cover-1000px-300x300.jpg\" alt=\"Positive Haywires\" width=\"300\" height=\"300\" /></a>\r\nBrother Earth\r\n<em>Positive Haywires</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under Songs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/draliensmith/\"><img class=\"alignnone wp-image-10373 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderSongsCoverArt-300x300.jpg\" alt=\"Under Songs\" width=\"300\" height=\"300\" /></a>\r\nDrAlienSmith\r\n<em>Under Songs</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Cogent Sea</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Growing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-11052 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Growing-Cover-300x300.jpg\" alt=\"Growing\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Growing</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em> The Folklore Sessions</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone wp-image-9399 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /></a>\r\nperth\r\nWhere\'s Utopia (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2013\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2013</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a>\r\nperth\r\n<em>What’s Your Utopia?</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"No True Beauty\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/NO-TRUE-BEAUTY-300x300.jpg\" alt=\"There Can Be True Beauty Without Decay\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>There Can Be No True Beauty Without Decay </em></em>(2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Voices Out There</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Wooden Heart</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Live in Bari</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Let\'s Adjourn To The Garden</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope III\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12430 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemacope-III-cover-CMYK-300x300.jpg\" alt=\"Cinemacope III\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope III</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias &amp; Circus Devils\r\n<em>I Razor </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Momentary Mask\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone wp-image-10374 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Momentary-Mask-Cover-300x300.jpg\" alt=\"The Momentary Mask\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>The Momentary Mask </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em>Quarrels</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Off</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2012\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2012</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>East of Monument </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>The Road To The Crater </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope II\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone wp-image-12434 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover1-300x300.jpg\" alt=\"Cinemascope II\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope II</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>Terrane </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Laterna Magica</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>On</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Un Giorno Sospeso</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dreamland\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone size-medium wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Dreamland </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope I\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-12433 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemascope-I-Cover-1000px-300x300.jpg\" alt=\"Cinemascope I\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope I</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Medicine Show </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Light Dispersed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11492\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIGHT-DISPERSED-300x300.jpg\" alt=\"Light Dispersed\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Light Dispersed </em>(2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2011\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2011</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The European</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Remixed</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a>\r\nAntonymes meets Slow Dancing Society\r\n<em><em>We Don’t Look Back For Very Long</em> </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Letters From The Coast </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hong Kong\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone wp-image-12038 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Hong-Kong-Express-Cover-Art-1400px-300x300.jpg\" alt=\"Hong Kong Express\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\n<em>Hong Kong Express </em>(2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Like Rumours\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIKE-RUMOURS-300x300.jpg\" alt=\"Like Rumours Of Hushed Thunder\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Like Rumours Of Hushed Thunder</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>A Frame of Reference</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"casino\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone wp-image-12431 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/On-The-Casino-Floor-Cover-300x300.jpg\" alt=\"On The Casino Floor\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>On The Casino Floor</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Now We\'re Active</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Lost in Waves of Light </em></em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>The Licence To Interpret Dreams </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>The Stones And The Rabbits</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"hears like a bat\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12428 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Heart-That-Hears-Like-A-Bat-Cover-Art-1-300x300.jpg\" alt=\"The Heart That Hears Like A Bat\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>The Heart That Hears Like A Bat</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2010\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2010</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em><em>Under The Sodium Lights </em></em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Lava </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>Heresy and Rite</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Before The Light Fails\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/BEFORE-THE-LIGHT-FAILS-300x300.jpg\" alt=\"31: Before The Light Fails\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>31: Before The Light Fails</em> (2010)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"machine\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9475\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/machine_LRG1.jpg\" alt=\"Machine Is My Animal\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Machine Is My Animal </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2009\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2009</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em><em>Unknown Knowns </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>I Haven’t Got It In Me</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"soundcheck\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12040\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Soundcheck_Mp3-300x300.jpg\" alt=\"Soundcheck For A Missing Movie\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Soundcheck For A Missing Movie</em> (2009)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Umpire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-medium wp-image-11478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Umpire-EP-Cover-Art-1000px-300x300.jpg\" alt=\"Umpire\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Umpire</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Chromatic Sigh</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a>\r\nDown Review\r\n<em>From Here, For Anyone</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em><em>Apricot Rail </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>That Time</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a>\r\nSleeping Me\r\n<em>Cradlesongs</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearts\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/hotels/\"><img class=\"alignnone wp-image-12426 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Where-Hearts-Go-Broke-mp3-300x300.jpg\" alt=\"Where Hearts Go Broke\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Where Hearts Go Broke</em>  (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2008\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2008</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"spook\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9486\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG1.jpg\" alt=\"The Spook\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em><em>The Spook </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Too Late, The Day</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"touch me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone size-medium wp-image-12039\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Touch-Me-Cover-Art-1400px-300x300.jpg\" alt=\"Touch me and i will save you\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\nTouch me and i will save you (2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Priest Lake Circa \'88 </em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a>\r\nThe Slow Beings\r\n<em>We Know Why The Earth Moves</em>  (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em><em>Evergreen </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Our Man in Eden Hill</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2007\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2007</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>September 16th </em>(2007)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Slow And Steady Winter</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a>\r\nCheekbone\r\n<em><em>Yesterday </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Restless </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Fining</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em><em>It\'s Now Or Later </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Sound Of Lights When Dim</em> (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes &amp; Ponds\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a>\r\nThe Hero Cycle\r\n<em>Lakes and Ponds </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2006\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2006</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>Golden Days </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a>\r\nEnargeia\r\n<em><em>UFO: Stryker Force </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a>\r\nMotor Eye\r\n<em>Motor Eye </em>(2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>Slow Attack</em> (2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Up Down Up </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em><em>Ideas Are The Answer </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a>\r\nWayne Harriss\r\n<em>Aerospace</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2005\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2005</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Thank You For Choosing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone wp-image-12424 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover-300x300.jpg\" alt=\"Thank You For Choosing...\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Thank You For Choosing</em> (2005)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2003\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2003</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Mapping the static\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-medium wp-image-11477\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Mapping-The-Static-Cover-Art-1000px-300x300.jpg\" alt=\"Mapping The Static\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em>Mapping The Static</em> (2003)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','closed','','8417-revision-v1','','','2015-10-22 17:04:33','2015-10-22 09:04:33','',8417,'http://www.hiddenshoal.com/8417-revision-v1/',0,'revision','',0),(13056,1,'2015-10-28 09:45:49','2015-10-28 01:45:49','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Kramies</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-8971\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Kramies-2013-Press-Shot-300x300.jpg\" alt=\"Kramies\" width=\"232\" height=\"232\" /></a><em>“It’s rare to find dream-pop that resolves with such assured optimism, in which you can sense experience shifting into its proper place... Kramies seems to have mastered the talent of simply breathing it into shape”<strong> – Misfit City</strong></em>\r\n\r\nDutch-American singer-songwriter Kramies has been honing his inimitable craft for many years, bewitching all who have heard his music along the way. Fusing masterful songwriting with electronics and atmospherics, stepping into a Kramies song means being swept up into an emotionally resonant vortex of swooning pop that simply demands repeat listens.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>forêts antiques</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 00px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=513788054/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/for-ts-antiques\">forêts antiques by Kramies</a></iframe>\r\nOctober 2015\r\n\r\nRecorded live on April 8th 2015 at The Grand Théâtre in Angers, France\r\n\r\nOn a spring evening in 2015, the setting sun cast deep shadows over The Grand Théâtre in Angers, France, where Kramies was due to play to a sold-out crowd. As the 700 ticket-holders took to their seats and the theatre dimmed to a single amber light, Kramies walked on stage to perform his haunting, romantic songs. This is a recording of that night.\r\n\r\nForêts Antiques is the new live EP by singer-songwriter Kramies, featuring recordings of tracks from his acclaimed EPs, plus a previously unreleased song.\r\n<div></div>\r\n<div></div>\r\n<h4>The Fate That Never Favored Us</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4058454627/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-fate-that-never-favored-us\">The Fate That Never Favored Us by Kramies</a></iframe>\r\nMarch 2015\r\n\r\nAhead of his forthcoming French tour, dream-pop troubadour Kramies has dropped another gorgeous track produced by Jason Lytle (Grandaddy). ‘The Fate That Never Favored Us’ is a lilting, swaying cosmic waltz, delicately built around melancholy acoustic guitar and eerie synths, through which Kramies weaves his languid vocals. As with so much of his music, Kramies delivers soundtracks to moments rather than mere songs.\r\n<div></div>\r\n<div></div>\r\n<h4>The Folklore Sessions</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe>\r\nMay 2014\r\n<div></div>\r\n<em>The Folklore Sessions</em> is the free new EP by dream-pop singer-songwriter Kramies, featuring acoustic versions of songs from his two acclaimed Hidden Shoal EPs <em>The European</em> and <em>The Wooden Heart</em>, plus the beautiful piano talents of Grant Wilson (from Syfy\'s Ghost Hunters). While his previous EPs mined a wonderfully rich seam of atmospheric yet epic songcraft, <em>The Folklore Sessions</em> demonstrates that Kramies’ songwriting is just as stunning without the undeniable production talents of Jason Lytle (Grandaddy) and Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils). With just his voice and acoustic guitar, plus languid piano backing by Grant Wilson (of Ghost Hunters TV show fame), these stripped-back versions of <em>The European</em>’s ‘Antiquarian Days’, <em>The Wooden Heart</em>’s title track and ‘Sea Otter Cottage’ are given vivid new life through Kramies’ genuinely affecting performances.\r\n<div></div>\r\n<div></div>\r\n<h4>The Wooden Heart</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2389044161/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe>\r\nOctober 2013\r\n<div></div>\r\n<em>The Wooden Heart</em> is the luscious and expansive new EP from Colorado-based dream-pop artist Kramies. The EP features the production and instrumental talents of Jason Lytle of Grandaddy fame, along with the inimitable production and additional instrumentation of Robert Pollard co-conspirator Todd Tobias. <em>The Wooden Heart</em> mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal. In addition to Todd Tobias’s production (on ‘The Beginning’, ‘The Wooden Heart’, ‘Upon The Northern Isles’ and ‘The Ending’), <em>The Wooden Heart</em> EP also features the production and instrumental talents of Jason Lytle of Grandaddy fame (on ‘Sea Otter Cottage’ and ‘Clocks Were All Broken’). Rounded out by the beautiful artwork of French photographer Jérôme Sevrette, The Wooden Heart EP is a lovingly constructed work of art.\r\n<div></div>\r\n<div></div>\r\n<h4>The European</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2414891436/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-european\">The European by Kramies</a></iframe>\r\nNovember 2011\r\n<div></div>\r\nProduced by Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils), <em>The European</em> sets Kramies’ gorgeous voice and acoustic guitar within a glowing tableau, epic in scope yet delicate in detail. The EP fades into view with ‘Intro’, a simple cyclical pattern of guitar, piano and vocals gradually subsumed by drones and distortion. This leads into the majestic, glacial sway of the title track, guaranteed to make the hairs on the back of your neck stand on end. Then, ‘Inventors’ is the album’s dark, shadowy heart, a ballad of subtle intensity. Single ‘Coal Miners Executive Club’ is an emotionally resonant vortex of swooning pop built around an absolutely heartbreaking chord progression on synthesizer, carried skyward as layers and layers of instruments build and build. And the closing ‘Antiquarian Days’ is a fitting fade towards a sepia horizon, burbling loops and chiming guitars accompanying Kramies’ gentle lament.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nDutch-American singer-songwriter Kramies Windt began writing songs at the age of 14 after buying his first synth, acoustic guitar and four-track cassette recorder at an estate sale in his home town of Cleveland, Ohio. Even though he was never really exposed to any music other than old Dutch Christmas records his family had lying around when he was a kid, their haunting sound would shape the direction of his future songwriting.\r\n\r\nKramies started forming and playing in bands around the age of 16, and by the age of 19, the bands he formed became based around the songs he was writing. The bands took on many forms, playing the underground music scene from Ohio to Chicago. Come the late ’90s, Kramies developed his own sound, based around old-world imagery of cobblestone streets, old trains and castles, and romantic, poetic moments. Kramies and his band went on to open for Spiritualized, Grandaddy, Yo La Tengo, Calexico, Stereolab, Dirty Three and Red House Painters.\r\n\r\nCome 2004, Kramies decided to focus on writing and recording in the studio, and began working with producer and engineer Todd Tobias (Guided By Voices, Robert Pollard) and guitarist David Paolucci. Working with Todd and David, Kramies released two albums to critical acclaim: Golden Like A New Thing (ACM, 2008) and Castle of Ghosts (ACM, 2010).\r\n\r\nIn 2010 Kramies began writing the songs for his first Hidden Shoal release, The European EP, in his coat closet in Colorado. The songs were demoed on four-track, painting a vivid sonic picture of the direction the release would take, drawing on the haunting old-world imagery he loved so much as a kid. The demos were sent to David Paolucci to start working on guitar parts in Ohio. Kramies then toured Ireland, playing really old pubs and small concert halls, which brought new ideas and layers to the songs. The European EP was recorded in June and July 2011 with Todd Tobias, with prominent, swirling guitar work from Dave Paolucci.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kramies-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><strong><a title=\"More Kramies News\" href=\"http://www.hiddenshoal.com/category/news/kramies-news/\">More News</a></strong></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kramies-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Kramies Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/kramies-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">Kramies <em>The Folklore Sessions</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">Kramies <em>The Wooden Heart</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart%28Single%29.pdf\">Kramies ‘The Wooden Heart’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">Kramies – <em>The European</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">Kramies – ‘Coal Miners Executive Club’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9000,8999,9001\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/uM1_Ov-ont0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/-l4F8vCH8MM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/vOHV7ZWshkM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/TdmV4aOSmxE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/C5865MiACPA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/KxAnc3dj3b0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKramies\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kramies','','inherit','closed','closed','','8970-revision-v1','','','2015-10-28 09:45:49','2015-10-28 01:45:49','',8970,'http://www.hiddenshoal.com/8970-revision-v1/',0,'revision','',0),(13057,1,'2015-10-28 09:50:59','2015-10-28 01:50:59','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Kramies</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-8971\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Kramies-2013-Press-Shot-300x300.jpg\" alt=\"Kramies\" width=\"232\" height=\"232\" /></a><em>“It’s rare to find dream-pop that resolves with such assured optimism, in which you can sense experience shifting into its proper place... Kramies seems to have mastered the talent of simply breathing it into shape”<strong> – Misfit City</strong></em>\r\n\r\nDutch-American singer-songwriter Kramies has been honing his inimitable craft for many years, bewitching all who have heard his music along the way. Fusing masterful songwriting with electronics and atmospherics, stepping into a Kramies song means being swept up into an emotionally resonant vortex of swooning pop that simply demands repeat listens.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>forêts antiques</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=513788054/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/for-ts-antiques\">forêts antiques by Kramies</a></iframe>\r\nOctober 2015\r\n\r\nRecorded live on April 8th 2015 at The Grand Théâtre in Angers, France\r\n\r\nOn a spring evening in 2015, the setting sun cast deep shadows over The Grand Théâtre in Angers, France, where Kramies was due to play to a sold-out crowd. As the 700 ticket-holders took to their seats and the theatre dimmed to a single amber light, Kramies walked on stage to perform his haunting, romantic songs. This is a recording of that night.\r\n\r\nForêts Antiques is the new live EP by singer-songwriter Kramies, featuring recordings of tracks from his acclaimed EPs, plus a previously unreleased song.\r\n<div></div>\r\n<div></div>\r\n<h4>The Fate That Never Favored Us</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4058454627/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-fate-that-never-favored-us\">The Fate That Never Favored Us by Kramies</a></iframe>\r\nMarch 2015\r\n\r\nAhead of his forthcoming French tour, dream-pop troubadour Kramies has dropped another gorgeous track produced by Jason Lytle (Grandaddy). ‘The Fate That Never Favored Us’ is a lilting, swaying cosmic waltz, delicately built around melancholy acoustic guitar and eerie synths, through which Kramies weaves his languid vocals. As with so much of his music, Kramies delivers soundtracks to moments rather than mere songs.\r\n<div></div>\r\n<div></div>\r\n<h4>The Folklore Sessions</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe>\r\nMay 2014\r\n<div></div>\r\n<em>The Folklore Sessions</em> is the free new EP by dream-pop singer-songwriter Kramies, featuring acoustic versions of songs from his two acclaimed Hidden Shoal EPs <em>The European</em> and <em>The Wooden Heart</em>, plus the beautiful piano talents of Grant Wilson (from Syfy\'s Ghost Hunters). While his previous EPs mined a wonderfully rich seam of atmospheric yet epic songcraft, <em>The Folklore Sessions</em> demonstrates that Kramies’ songwriting is just as stunning without the undeniable production talents of Jason Lytle (Grandaddy) and Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils). With just his voice and acoustic guitar, plus languid piano backing by Grant Wilson (of Ghost Hunters TV show fame), these stripped-back versions of <em>The European</em>’s ‘Antiquarian Days’, <em>The Wooden Heart</em>’s title track and ‘Sea Otter Cottage’ are given vivid new life through Kramies’ genuinely affecting performances.\r\n<div></div>\r\n<div></div>\r\n<h4>The Wooden Heart</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2389044161/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe>\r\nOctober 2013\r\n<div></div>\r\n<em>The Wooden Heart</em> is the luscious and expansive new EP from Colorado-based dream-pop artist Kramies. The EP features the production and instrumental talents of Jason Lytle of Grandaddy fame, along with the inimitable production and additional instrumentation of Robert Pollard co-conspirator Todd Tobias. <em>The Wooden Heart</em> mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal. In addition to Todd Tobias’s production (on ‘The Beginning’, ‘The Wooden Heart’, ‘Upon The Northern Isles’ and ‘The Ending’), <em>The Wooden Heart</em> EP also features the production and instrumental talents of Jason Lytle of Grandaddy fame (on ‘Sea Otter Cottage’ and ‘Clocks Were All Broken’). Rounded out by the beautiful artwork of French photographer Jérôme Sevrette, The Wooden Heart EP is a lovingly constructed work of art.\r\n<div></div>\r\n<div></div>\r\n<h4>The European</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2414891436/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-european\">The European by Kramies</a></iframe>\r\nNovember 2011\r\n<div></div>\r\nProduced by Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils), <em>The European</em> sets Kramies’ gorgeous voice and acoustic guitar within a glowing tableau, epic in scope yet delicate in detail. The EP fades into view with ‘Intro’, a simple cyclical pattern of guitar, piano and vocals gradually subsumed by drones and distortion. This leads into the majestic, glacial sway of the title track, guaranteed to make the hairs on the back of your neck stand on end. Then, ‘Inventors’ is the album’s dark, shadowy heart, a ballad of subtle intensity. Single ‘Coal Miners Executive Club’ is an emotionally resonant vortex of swooning pop built around an absolutely heartbreaking chord progression on synthesizer, carried skyward as layers and layers of instruments build and build. And the closing ‘Antiquarian Days’ is a fitting fade towards a sepia horizon, burbling loops and chiming guitars accompanying Kramies’ gentle lament.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nDutch-American singer-songwriter Kramies Windt began writing songs at the age of 14 after buying his first synth, acoustic guitar and four-track cassette recorder at an estate sale in his home town of Cleveland, Ohio. Even though he was never really exposed to any music other than old Dutch Christmas records his family had lying around when he was a kid, their haunting sound would shape the direction of his future songwriting.\r\n\r\nKramies started forming and playing in bands around the age of 16, and by the age of 19, the bands he formed became based around the songs he was writing. The bands took on many forms, playing the underground music scene from Ohio to Chicago. Come the late ’90s, Kramies developed his own sound, based around old-world imagery of cobblestone streets, old trains and castles, and romantic, poetic moments. Kramies and his band went on to open for Spiritualized, Grandaddy, Yo La Tengo, Calexico, Stereolab, Dirty Three and Red House Painters.\r\n\r\nCome 2004, Kramies decided to focus on writing and recording in the studio, and began working with producer and engineer Todd Tobias (Guided By Voices, Robert Pollard) and guitarist David Paolucci. Working with Todd and David, Kramies released two albums to critical acclaim: Golden Like A New Thing (ACM, 2008) and Castle of Ghosts (ACM, 2010).\r\n\r\nIn 2010 Kramies began writing the songs for his first Hidden Shoal release, The European EP, in his coat closet in Colorado. The songs were demoed on four-track, painting a vivid sonic picture of the direction the release would take, drawing on the haunting old-world imagery he loved so much as a kid. The demos were sent to David Paolucci to start working on guitar parts in Ohio. Kramies then toured Ireland, playing really old pubs and small concert halls, which brought new ideas and layers to the songs. The European EP was recorded in June and July 2011 with Todd Tobias, with prominent, swirling guitar work from Dave Paolucci.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kramies-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><strong><a title=\"More Kramies News\" href=\"http://www.hiddenshoal.com/category/news/kramies-news/\">More News</a></strong></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kramies-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Kramies Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/kramies-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">Kramies <em>The Folklore Sessions</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">Kramies <em>The Wooden Heart</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart%28Single%29.pdf\">Kramies ‘The Wooden Heart’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">Kramies – <em>The European</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">Kramies – ‘Coal Miners Executive Club’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9000,8999,9001\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/uM1_Ov-ont0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/-l4F8vCH8MM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/vOHV7ZWshkM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/TdmV4aOSmxE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/C5865MiACPA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/KxAnc3dj3b0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKramies\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kramies','','inherit','closed','closed','','8970-revision-v1','','','2015-10-28 09:50:59','2015-10-28 01:50:59','',8970,'http://www.hiddenshoal.com/8970-revision-v1/',0,'revision','',0),(13115,1,'2015-11-06 14:19:22','2015-11-06 06:19:22','[Translated from the <a title=\"Ethereal\" href=\"http://etherreal.com/spip.php?article5204\" target=\"_blank\">original French</a> via Google Translate]\r\n\r\n\"<span class=\"notranslate\">Developing electronic projects under a pseudonym and keep its own name neoclassical proposals: the schema is known and other musicians have been able to do so.</span> <span class=\"notranslate\"> It is the turn of <strong>Medard Fischer</strong> to do this: follow these pages for his records, appeared on n5MD under the name of Arc Lab or on Review Down duo, Canadian stays true to <strong>Hidden Shoal Recordings</strong> (Australian label hosting, specifically, his duet publications) for this event.</span>\r\n\r\n<span class=\"notranslate\"> Second of its kind (a first digital EP had previously been self-produced), <i>this</i> Four <i>Songs For The City Of New York</i> could simply align graceful piano notes, without further ambition, and it\'s a little fear Like to listen to the first minute of the opening track.</span> <span class=\"notranslate\"> Fortunately, an electronic table enriches the atmosphere of <i>The Imaginary City.</i></span> <span class=\"notranslate\"> Thereafter, if it is a quasi-stripped piano we find with this eternal aspect of contemplative and slightly elegiac, on the writ <i>Almost Five Years To The Day,</i> the last two tracks are sailing towards more ambient shores and more convincing.</span>\r\n\r\n<span class=\"notranslate\"> <i>Monument</i> with his swing, as tapped, especially <i>A Light That Does not Go Out (a priori</i> nothing to do with the piece of The Smiths), seven minutes long, is more ambitious tendencies receptacle.</span> <span class=\"notranslate\"> In fact, there converse few piano keys and a light texture, all bathed in a delicate melancholy and certainly constitutes the strong point of this EP.</span>\"\r\n\r\n- <a title=\"EtherReal\" href=\"http://etherreal.com/spip.php?article5204\" target=\"_blank\"><strong>EtherReal</strong></a>','Medard Fischer \"Four Songs For The City of New York\" Reviewed at EtherReal','','publish','closed','closed','','medard-fischer-four-songs-for-the-city-of-new-york-reviewed-at-etherreal','','','2015-11-06 14:19:22','2015-11-06 06:19:22','',0,'http://www.hiddenshoal.com/?p=13115',0,'post','',0),(13059,1,'2015-10-28 10:27:31','2015-10-28 02:27:31','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art.jpg\"><img class=\"alignleft  wp-image-13061\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"Kramies Live - forêts antiques\" width=\"205\" height=\"205\" /></a>On a spring evening in 2015, the setting sun cast deep shadows over The Grand Théâtre in Angers, France, where <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a> was due to play to a sold-out crowd. As the 700 ticket-holders took to their seats and the theatre dimmed to a single amber light, Kramies walked on stage to perform his haunting, romantic songs. <em>forêts antiques</em> is a recording of that night.\r\n\r\n<em>forêts antiques</em> features recordings of tracks from Kramies acclaimed EPs along with a previously unreleased song and is available for free download via <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/for-ts-antiques\" target=\"_blank\">Bandcamp</a>. Don\'t forget to check out Kramies other wonderful releases <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/145977379&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Kramies New Free Live EP Out Now','','publish','closed','closed','','kramies-new-free-live-ep-out-now','','','2016-02-03 16:47:20','2016-02-03 08:47:20','',0,'http://www.hiddenshoal.com/?p=13059',0,'post','',0),(13060,1,'2015-10-28 10:03:28','2015-10-28 02:03:28','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Kramies</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-8971\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Kramies-2013-Press-Shot-300x300.jpg\" alt=\"Kramies\" width=\"232\" height=\"232\" /></a><em>“It’s rare to find dream-pop that resolves with such assured optimism, in which you can sense experience shifting into its proper place... Kramies seems to have mastered the talent of simply breathing it into shape”<strong> – Misfit City</strong></em>\r\n\r\nDutch-American singer-songwriter Kramies has been honing his inimitable craft for many years, bewitching all who have heard his music along the way. Fusing masterful songwriting with electronics and atmospherics, stepping into a Kramies song means being swept up into an emotionally resonant vortex of swooning pop that simply demands repeat listens.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>forêts antiques</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=513788054/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/for-ts-antiques\">forêts antiques by Kramies</a></iframe>\r\nOctober 2015\r\n\r\nRecorded live on April 8th 2015 at The Grand Théâtre in Angers, France\r\n\r\nOn a spring evening in 2015, the setting sun cast deep shadows over The Grand Théâtre in Angers, France, where Kramies was due to play to a sold-out crowd. As the 700 ticket-holders took to their seats and the theatre dimmed to a single amber light, Kramies walked on stage to perform his haunting, romantic songs. This is a recording of that night.\r\n\r\n<em>forêts antiques</em> is the new live EP by singer-songwriter Kramies, featuring recordings of tracks from his acclaimed EPs, plus a previously unreleased song.\r\n<div></div>\r\n<div></div>\r\n<h4>The Fate That Never Favored Us</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4058454627/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-fate-that-never-favored-us\">The Fate That Never Favored Us by Kramies</a></iframe>\r\nMarch 2015\r\n\r\nAhead of his forthcoming French tour, dream-pop troubadour Kramies has dropped another gorgeous track produced by Jason Lytle (Grandaddy). ‘The Fate That Never Favored Us’ is a lilting, swaying cosmic waltz, delicately built around melancholy acoustic guitar and eerie synths, through which Kramies weaves his languid vocals. As with so much of his music, Kramies delivers soundtracks to moments rather than mere songs.\r\n<div></div>\r\n<div></div>\r\n<h4>The Folklore Sessions</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe>\r\nMay 2014\r\n<div></div>\r\n<em>The Folklore Sessions</em> is the free new EP by dream-pop singer-songwriter Kramies, featuring acoustic versions of songs from his two acclaimed Hidden Shoal EPs <em>The European</em> and <em>The Wooden Heart</em>, plus the beautiful piano talents of Grant Wilson (from Syfy\'s Ghost Hunters). While his previous EPs mined a wonderfully rich seam of atmospheric yet epic songcraft, <em>The Folklore Sessions</em> demonstrates that Kramies’ songwriting is just as stunning without the undeniable production talents of Jason Lytle (Grandaddy) and Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils). With just his voice and acoustic guitar, plus languid piano backing by Grant Wilson (of Ghost Hunters TV show fame), these stripped-back versions of <em>The European</em>’s ‘Antiquarian Days’, <em>The Wooden Heart</em>’s title track and ‘Sea Otter Cottage’ are given vivid new life through Kramies’ genuinely affecting performances.\r\n<div></div>\r\n<div></div>\r\n<h4>The Wooden Heart</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2389044161/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe>\r\nOctober 2013\r\n<div></div>\r\n<em>The Wooden Heart</em> is the luscious and expansive new EP from Colorado-based dream-pop artist Kramies. The EP features the production and instrumental talents of Jason Lytle of Grandaddy fame, along with the inimitable production and additional instrumentation of Robert Pollard co-conspirator Todd Tobias. <em>The Wooden Heart</em> mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal. In addition to Todd Tobias’s production (on ‘The Beginning’, ‘The Wooden Heart’, ‘Upon The Northern Isles’ and ‘The Ending’), <em>The Wooden Heart</em> EP also features the production and instrumental talents of Jason Lytle of Grandaddy fame (on ‘Sea Otter Cottage’ and ‘Clocks Were All Broken’). Rounded out by the beautiful artwork of French photographer Jérôme Sevrette, The Wooden Heart EP is a lovingly constructed work of art.\r\n<div></div>\r\n<div></div>\r\n<h4>The European</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2414891436/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-european\">The European by Kramies</a></iframe>\r\nNovember 2011\r\n<div></div>\r\nProduced by Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils), <em>The European</em> sets Kramies’ gorgeous voice and acoustic guitar within a glowing tableau, epic in scope yet delicate in detail. The EP fades into view with ‘Intro’, a simple cyclical pattern of guitar, piano and vocals gradually subsumed by drones and distortion. This leads into the majestic, glacial sway of the title track, guaranteed to make the hairs on the back of your neck stand on end. Then, ‘Inventors’ is the album’s dark, shadowy heart, a ballad of subtle intensity. Single ‘Coal Miners Executive Club’ is an emotionally resonant vortex of swooning pop built around an absolutely heartbreaking chord progression on synthesizer, carried skyward as layers and layers of instruments build and build. And the closing ‘Antiquarian Days’ is a fitting fade towards a sepia horizon, burbling loops and chiming guitars accompanying Kramies’ gentle lament.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nDutch-American singer-songwriter Kramies Windt began writing songs at the age of 14 after buying his first synth, acoustic guitar and four-track cassette recorder at an estate sale in his home town of Cleveland, Ohio. Even though he was never really exposed to any music other than old Dutch Christmas records his family had lying around when he was a kid, their haunting sound would shape the direction of his future songwriting.\r\n\r\nKramies started forming and playing in bands around the age of 16, and by the age of 19, the bands he formed became based around the songs he was writing. The bands took on many forms, playing the underground music scene from Ohio to Chicago. Come the late ’90s, Kramies developed his own sound, based around old-world imagery of cobblestone streets, old trains and castles, and romantic, poetic moments. Kramies and his band went on to open for Spiritualized, Grandaddy, Yo La Tengo, Calexico, Stereolab, Dirty Three and Red House Painters.\r\n\r\nCome 2004, Kramies decided to focus on writing and recording in the studio, and began working with producer and engineer Todd Tobias (Guided By Voices, Robert Pollard) and guitarist David Paolucci. Working with Todd and David, Kramies released two albums to critical acclaim: Golden Like A New Thing (ACM, 2008) and Castle of Ghosts (ACM, 2010).\r\n\r\nIn 2010 Kramies began writing the songs for his first Hidden Shoal release, The European EP, in his coat closet in Colorado. The songs were demoed on four-track, painting a vivid sonic picture of the direction the release would take, drawing on the haunting old-world imagery he loved so much as a kid. The demos were sent to David Paolucci to start working on guitar parts in Ohio. Kramies then toured Ireland, playing really old pubs and small concert halls, which brought new ideas and layers to the songs. The European EP was recorded in June and July 2011 with Todd Tobias, with prominent, swirling guitar work from Dave Paolucci.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kramies-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><strong><a title=\"More Kramies News\" href=\"http://www.hiddenshoal.com/category/news/kramies-news/\">More News</a></strong></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kramies-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Kramies Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/kramies-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">Kramies <em>The Folklore Sessions</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">Kramies <em>The Wooden Heart</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart%28Single%29.pdf\">Kramies ‘The Wooden Heart’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">Kramies – <em>The European</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">Kramies – ‘Coal Miners Executive Club’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9000,8999,9001\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/uM1_Ov-ont0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/-l4F8vCH8MM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/vOHV7ZWshkM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/TdmV4aOSmxE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/C5865MiACPA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/KxAnc3dj3b0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKramies\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kramies','','inherit','closed','closed','','8970-revision-v1','','','2015-10-28 10:03:28','2015-10-28 02:03:28','',8970,'http://www.hiddenshoal.com/8970-revision-v1/',0,'revision','',0),(13061,1,'2015-10-28 10:12:11','2015-10-28 02:12:11','','forêts antiques','','inherit','closed','closed','','forets-antiques-cover-art','','','2015-10-28 10:15:00','2015-10-28 02:15:00','',13059,'http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art.jpg',0,'attachment','image/jpeg',0),(13062,1,'2015-10-28 10:18:13','2015-10-28 02:18:13','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art.jpg\"><img class=\"alignleft size-medium wp-image-13061\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"forêts antiques\" width=\"300\" height=\"300\" /></a>On a spring evening in 2015, the setting sun cast deep shadows over The Grand Théâtre in Angers, France, where <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a> was due to play to a sold-out crowd. As the 700 ticket-holders took to their seats and the theatre dimmed to a single amber light, Kramies walked on stage to perform his haunting, romantic songs. <em>forêts antiques</em> is a recording of that night.\r\n\r\n<em>forêts antiques</em> features recordings of tracks from Kramies acclaimed EPs along with a a previously unreleased song and is available for free download via <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/for-ts-antiques\" target=\"_blank\">Bandcamp</a>. Don\'t forget to check out Kramies other wonderful releases <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a>.','Kramies New Free Live EP Out Now','','inherit','closed','closed','','13059-revision-v1','','','2015-10-28 10:18:13','2015-10-28 02:18:13','',13059,'http://www.hiddenshoal.com/13059-revision-v1/',0,'revision','',0),(13063,1,'2015-10-28 10:25:01','2015-10-28 02:25:01','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art.jpg\"><img class=\"alignleft  wp-image-13061\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"forêts antiques\" width=\"222\" height=\"222\" /></a>On a spring evening in 2015, the setting sun cast deep shadows over The Grand Théâtre in Angers, France, where <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a> was due to play to a sold-out crowd. As the 700 ticket-holders took to their seats and the theatre dimmed to a single amber light, Kramies walked on stage to perform his haunting, romantic songs. <em>forêts antiques</em> is a recording of that night.\r\n\r\n<em>forêts antiques</em> features recordings of tracks from Kramies acclaimed EPs along with a a previously unreleased song and is available for free download via <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/for-ts-antiques\" target=\"_blank\">Bandcamp</a>. Don\'t forget to check out Kramies other wonderful releases <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/145977379&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Kramies New Free Live EP Out Now','','inherit','closed','closed','','13059-revision-v1','','','2015-10-28 10:25:01','2015-10-28 02:25:01','',13059,'http://www.hiddenshoal.com/13059-revision-v1/',0,'revision','',0),(13064,1,'2015-10-28 10:25:31','2015-10-28 02:25:31','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art.jpg\"><img class=\"alignleft  wp-image-13061\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"forêts antiques\" width=\"214\" height=\"214\" /></a>On a spring evening in 2015, the setting sun cast deep shadows over The Grand Théâtre in Angers, France, where <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a> was due to play to a sold-out crowd. As the 700 ticket-holders took to their seats and the theatre dimmed to a single amber light, Kramies walked on stage to perform his haunting, romantic songs. <em>forêts antiques</em> is a recording of that night.\r\n\r\n<em>forêts antiques</em> features recordings of tracks from Kramies acclaimed EPs along with a a previously unreleased song and is available for free download via <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/for-ts-antiques\" target=\"_blank\">Bandcamp</a>. Don\'t forget to check out Kramies other wonderful releases <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/145977379&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Kramies New Free Live EP Out Now','','inherit','closed','closed','','13059-revision-v1','','','2015-10-28 10:25:31','2015-10-28 02:25:31','',13059,'http://www.hiddenshoal.com/13059-revision-v1/',0,'revision','',0),(13065,1,'2015-10-28 10:28:43','2015-10-28 02:28:43','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art.jpg\"><img class=\"alignleft  wp-image-13061\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"forêts antiques\" width=\"214\" height=\"214\" /></a>On a spring evening in 2015, the setting sun cast deep shadows over The Grand Théâtre in Angers, France, where <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a> was due to play to a sold-out crowd. As the 700 ticket-holders took to their seats and the theatre dimmed to a single amber light, Kramies walked on stage to perform his haunting, romantic songs. <em>forêts antiques</em> is a recording of that night.\r\n\r\n<em>forêts antiques</em> features recordings of tracks from Kramies acclaimed EPs along with a previously unreleased song and is available for free download via <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/for-ts-antiques\" target=\"_blank\">Bandcamp</a>. Don\'t forget to check out Kramies other wonderful releases <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/145977379&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Kramies New Free Live EP Out Now','','inherit','closed','closed','','13059-revision-v1','','','2015-10-28 10:28:43','2015-10-28 02:28:43','',13059,'http://www.hiddenshoal.com/13059-revision-v1/',0,'revision','',0),(13066,1,'2015-10-28 10:58:42','2015-10-28 02:58:42','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art.jpg\"><img class=\"alignleft  wp-image-13061\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"forêts antiques\" width=\"205\" height=\"205\" /></a>On a spring evening in 2015, the setting sun cast deep shadows over The Grand Théâtre in Angers, France, where <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a> was due to play to a sold-out crowd. As the 700 ticket-holders took to their seats and the theatre dimmed to a single amber light, Kramies walked on stage to perform his haunting, romantic songs. <em>forêts antiques</em> is a recording of that night.\r\n\r\n<em>forêts antiques</em> features recordings of tracks from Kramies acclaimed EPs along with a previously unreleased song and is available for free download via <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/for-ts-antiques\" target=\"_blank\">Bandcamp</a>. Don\'t forget to check out Kramies other wonderful releases <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/145977379&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Kramies New Free Live EP Out Now','','inherit','closed','closed','','13059-revision-v1','','','2015-10-28 10:58:42','2015-10-28 02:58:42','',13059,'http://www.hiddenshoal.com/13059-revision-v1/',0,'revision','',0),(13067,1,'2015-10-28 11:01:00','2015-10-28 03:01:00','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art.jpg\"><img class=\"alignleft  wp-image-13061\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"Kramies Live - forêts antiques\" width=\"205\" height=\"205\" /></a>On a spring evening in 2015, the setting sun cast deep shadows over The Grand Théâtre in Angers, France, where <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a> was due to play to a sold-out crowd. As the 700 ticket-holders took to their seats and the theatre dimmed to a single amber light, Kramies walked on stage to perform his haunting, romantic songs. <em>forêts antiques</em> is a recording of that night.\r\n\r\n<em>forêts antiques</em> features recordings of tracks from Kramies acclaimed EPs along with a previously unreleased song and is available for free download via <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/for-ts-antiques\" target=\"_blank\">Bandcamp</a>. Don\'t forget to check out Kramies other wonderful releases <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/145977379&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Kramies New Free Live EP Out Now','','inherit','closed','closed','','13059-revision-v1','','','2015-10-28 11:01:00','2015-10-28 03:01:00','',13059,'http://www.hiddenshoal.com/13059-revision-v1/',0,'revision','',0),(13068,1,'2015-10-28 14:03:59','2015-10-28 06:03:59','\"If you go down to the woods today, you’re sure of a big surprise because Kramies has a new EP out. Our favourite dream-pop merchant played a gig in France back in April and an EP has emerged from it. It contains some lovely versions of old musical friends, including ‘Sea Otter Cottage’ and ‘The Wooden Heart’. It also includes a new song called ‘Ireland’. Needless to say, our ears pricked up immediately. It’s the stuff of fairy tales.\"\r\n\r\n- <a title=\"Half-Life Music\" href=\"http://half-lifemusic.com/2015/10/27/kramies-forets-antiques/\" target=\"_blank\"><strong>Half-Life Music</strong></a>','Kramies \"forêts antiques\" Reviewed at Half-Life Music','','publish','closed','closed','','kramies-forets-antiques-reviewed-at-half-life-music','','','2015-10-28 14:03:59','2015-10-28 06:03:59','',0,'http://www.hiddenshoal.com/?p=13068',0,'post','',0),(13069,1,'2015-10-28 14:03:59','2015-10-28 06:03:59','\"If you go down to the woods today, you’re sure of a big surprise because Kramies has a new EP out. Our favourite dream-pop merchant played a gig in France back in April and an EP has emerged from it. It contains some lovely versions of old musical friends, including ‘Sea Otter Cottage’ and ‘The Wooden Heart’. It also includes a new song called ‘Ireland’. Needless to say, our ears pricked up immediately. It’s the stuff of fairy tales.\"\r\n\r\n- <a title=\"Half-Life Music\" href=\"http://half-lifemusic.com/2015/10/27/kramies-forets-antiques/\" target=\"_blank\"><strong>Half-Life Music</strong></a>','Kramies \"forêts antiques\" Reviewed at Half-Life Music','','inherit','closed','closed','','13068-revision-v1','','','2015-10-28 14:03:59','2015-10-28 06:03:59','',13068,'http://www.hiddenshoal.com/13068-revision-v1/',0,'revision','',0),(13070,1,'2015-10-28 14:22:52','2015-10-28 06:22:52','\"May is from Chloë March‘s EP ‘Under The Day’, a kind of miniature B-side to her album ‘Nights Bright Days’ which was re-released through the Hidden Shoal label in 2014. The album received captivated reviews and airplay has included BBC6 Introducing, Danish National Radio and Radio Eins Berlin. Chloë’s ‘beautiful’ video for ‘May’ was released late September 2015. A producer, singer, pianist and composer, Chloë’s music has been described as ‘utter bliss’ and inhabits territory somewhere between artsong and folk, dream pop and electronica, ambient and cinematic. Since signing with Hidden Shoal last year she has released the EP, a remix of a Markus Mehr piece, three videos and three collaborations with electronic artist Liminal Drifter on his recent debut album ‘Troubled Mystic’ (August 2015). A new EP is on its way.\"\r\n\r\n- <a title=\"BBC6\" href=\"http://freshonthenet.co.uk/2015/10/mixtape20151012/\" target=\"_blank\"><strong>Tom Robinson (BBC6)</strong></a>','Chloe March \'May\' Reviewed at BBC6','','publish','closed','closed','','chloe-march-may-reviewed-at-bbc6','','','2015-10-28 14:22:52','2015-10-28 06:22:52','',0,'http://www.hiddenshoal.com/?p=13070',0,'post','',0),(13071,1,'2015-10-28 14:22:52','2015-10-28 06:22:52','\"May is from Chloë March‘s EP ‘Under The Day’, a kind of miniature B-side to her album ‘Nights Bright Days’ which was re-released through the Hidden Shoal label in 2014. The album received captivated reviews and airplay has included BBC6 Introducing, Danish National Radio and Radio Eins Berlin. Chloë’s ‘beautiful’ video for ‘May’ was released late September 2015. A producer, singer, pianist and composer, Chloë’s music has been described as ‘utter bliss’ and inhabits territory somewhere between artsong and folk, dream pop and electronica, ambient and cinematic. Since signing with Hidden Shoal last year she has released the EP, a remix of a Markus Mehr piece, three videos and three collaborations with electronic artist Liminal Drifter on his recent debut album ‘Troubled Mystic’ (August 2015). A new EP is on its way.\"\r\n\r\n- <a title=\"BBC6\" href=\"http://freshonthenet.co.uk/2015/10/mixtape20151012/\" target=\"_blank\"><strong>Tom Robinson (BBC6)</strong></a>','Chloe March \'May\' Reviewed at BBC6','','inherit','closed','closed','','13070-revision-v1','','','2015-10-28 14:22:52','2015-10-28 06:22:52','',13070,'http://www.hiddenshoal.com/13070-revision-v1/',0,'revision','',0),(13072,1,'2015-10-28 16:30:53','2015-10-28 08:30:53','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Todd_Tobias_and_Robert_Pollard.jpg\"><img class=\"alignleft  wp-image-9268\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Todd_Tobias_and_Robert_Pollard-300x225.jpg\" alt=\"Todd Tobias &amp; Robert Pollard\" width=\"218\" height=\"164\" /></a>Check out this wonderful interview with the venerable <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a> over at <a title=\"Tape Op\" href=\"http://tapeop.com/interviews/109/todd-tobias/\" target=\"_blank\">Tape Op</a>. Todd talks about his role as Guided by Voices and Robert Pollard producer, his process as a producer and engineer and also his expansive solo work and collaborations as part of <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\" target=\"_blank\">Brother Earth</a> and Circus Devils.\r\n\r\nDon\'t forget to check out his latest solo masterpiece <a title=\"Tristes Tropiques\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><em>Tristes Tropiques</em></a> and it\'s accompanying EP <a title=\"Moorea\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><em>Moorea</em></a>.','Todd Tobias Interview at Tape Op','','publish','closed','closed','','todd-tobias-interview-at-tape-op','','','2016-02-03 16:40:33','2016-02-03 08:40:33','',0,'http://www.hiddenshoal.com/?p=13072',0,'post','',0),(13073,1,'2015-10-28 14:25:45','2015-10-28 06:25:45','','Todd Tobias Interview at Tape Op','','inherit','closed','closed','','13072-revision-v1','','','2015-10-28 14:25:45','2015-10-28 06:25:45','',13072,'http://www.hiddenshoal.com/13072-revision-v1/',0,'revision','',0),(13074,1,'2015-10-28 14:32:09','2015-10-28 06:32:09','Check out this wonderful interview with the venerable <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a> over at <a title=\"Tape Op\" href=\"http://tapeop.com/interviews/109/todd-tobias/\" target=\"_blank\">Tape Op</a>. Todd talks about his role as Guided by Voices and Robert Pollard producer, his process as a producer and engineer and also his expansive solo work and collaborations as part of <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\" target=\"_blank\">Brother Earth</a> and Circus Devils.\r\n\r\nDon\'t forget to check out his latest solo masterpiece <em>Tristes Tropiques</em> and it\'s accompanying EP <em>Moorea</em>.','Todd Tobias Interview at Tape Op','','inherit','closed','closed','','13072-revision-v1','','','2015-10-28 14:32:09','2015-10-28 06:32:09','',13072,'http://www.hiddenshoal.com/13072-revision-v1/',0,'revision','',0),(13075,1,'2015-10-28 16:30:53','2015-10-28 08:30:53','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Todd_Tobias_and_Robert_Pollard.jpg\"><img class=\"alignleft size-medium wp-image-9268\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Todd_Tobias_and_Robert_Pollard-300x225.jpg\" alt=\"Todd Tobias &amp; Robert Pollard\" width=\"300\" height=\"225\" /></a>Check out this wonderful interview with the venerable <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a> over at <a title=\"Tape Op\" href=\"http://tapeop.com/interviews/109/todd-tobias/\" target=\"_blank\">Tape Op</a>. Todd talks about his role as Guided by Voices and Robert Pollard producer, his process as a producer and engineer and also his expansive solo work and collaborations as part of <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\" target=\"_blank\">Brother Earth</a> and Circus Devils.\r\n\r\nDon\'t forget to check out his latest solo masterpiece <a title=\"Tristes Tropiques\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><em>Tristes Tropiques</em></a> and it\'s accompanying EP <a title=\"Moorea\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><em>Moorea</em></a>.','Todd Tobias Interview at Tape Op','','inherit','closed','closed','','13072-revision-v1','','','2015-10-28 16:30:53','2015-10-28 08:30:53','',13072,'http://www.hiddenshoal.com/13072-revision-v1/',0,'revision','',0),(13076,1,'2015-10-29 11:08:21','2015-10-29 03:08:21','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Todd_Tobias_and_Robert_Pollard.jpg\"><img class=\"alignleft  wp-image-9268\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Todd_Tobias_and_Robert_Pollard-300x225.jpg\" alt=\"Todd Tobias &amp; Robert Pollard\" width=\"241\" height=\"181\" /></a>Check out this wonderful interview with the venerable <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a> over at <a title=\"Tape Op\" href=\"http://tapeop.com/interviews/109/todd-tobias/\" target=\"_blank\">Tape Op</a>. Todd talks about his role as Guided by Voices and Robert Pollard producer, his process as a producer and engineer and also his expansive solo work and collaborations as part of <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\" target=\"_blank\">Brother Earth</a> and Circus Devils.\r\n\r\nDon\'t forget to check out his latest solo masterpiece <a title=\"Tristes Tropiques\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><em>Tristes Tropiques</em></a> and it\'s accompanying EP <a title=\"Moorea\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><em>Moorea</em></a>.','Todd Tobias Interview at Tape Op','','inherit','closed','closed','','13072-revision-v1','','','2015-10-29 11:08:21','2015-10-29 03:08:21','',13072,'http://www.hiddenshoal.com/13072-revision-v1/',0,'revision','',0),(13077,1,'2015-10-29 11:08:57','2015-10-29 03:08:57','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Todd_Tobias_and_Robert_Pollard.jpg\"><img class=\"alignleft  wp-image-9268\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Todd_Tobias_and_Robert_Pollard-300x225.jpg\" alt=\"Todd Tobias &amp; Robert Pollard\" width=\"218\" height=\"164\" /></a>Check out this wonderful interview with the venerable <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a> over at <a title=\"Tape Op\" href=\"http://tapeop.com/interviews/109/todd-tobias/\" target=\"_blank\">Tape Op</a>. Todd talks about his role as Guided by Voices and Robert Pollard producer, his process as a producer and engineer and also his expansive solo work and collaborations as part of <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\" target=\"_blank\">Brother Earth</a> and Circus Devils.\r\n\r\nDon\'t forget to check out his latest solo masterpiece <a title=\"Tristes Tropiques\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><em>Tristes Tropiques</em></a> and it\'s accompanying EP <a title=\"Moorea\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><em>Moorea</em></a>.','Todd Tobias Interview at Tape Op','','inherit','closed','closed','','13072-revision-v1','','','2015-10-29 11:08:57','2015-10-29 03:08:57','',13072,'http://www.hiddenshoal.com/13072-revision-v1/',0,'revision','',0),(13119,1,'2015-11-06 15:31:10','2015-11-06 07:31:10','\"Chloë March’s musical past covers a stint in the sophisticated melodrama of Cousteau as well as a background in drama and playwriting. Such skills and experiences have been put to excellent use on new album ‘Nights Bright Day’ where the attention to production detail is matched with fascinating storytelling.\r\n\r\nBathed in magical beauty, ‘Winter Deep’ sees March cast as the female equivalent of C Duncan, with whom she shares a cool, breathy vocal and a penchant for dreamy arrangements. March’s primary focus seems to be on piano-led numbers and lambent, ambient pop, with strong echoes of Jo Hamilton on ‘Cafe Des Poetes’, yet a diversions into psychedelic soul (courtesy of ‘Boho Night’) is tackled with skill and panache. The superb ‘Orpheus Head’ bubbles with highly inventive production and oddball melody where the key lyrics, “You’re in my head. You’re in the ground, beneath my feet”, are delivered gently for maximum impact.\r\n\r\nA clutch of spare, vocal-led numbers (‘Ember’, ‘Eurydice On The Underground’, ‘Orpheus At Sea’, ‘Eucalyptus Night’) seem like lost anthems from a watery world whilst a spectral ‘Be Lonely Roi’ threatens to lure the listener completely underwater, engulfed by the hypnotic aural bliss. On abstract offerings such as ‘Sunless’, ‘Woods’ and the Anja Garbarek-esque ‘Owl’, meanwhile, it’s as if nature itself has decided to take over and recorded its own beautiful songs.\r\n\r\nVariations in pace may be few and far between but this is not a problem because the arrangements always keep the listener guessing from the first song to the shiver-inducing grace of the finale ‘Unlit’. Furthermore, March’s vocals manage to find that difficult balance between elegance, emotion and mystery. A joy.\"\r\n\r\n- <a title=\"Leonard\'s Lair\" href=\"https://leonardslair.wordpress.com/2015/10/07/review-chloe-march-nights-bright-day/\" target=\"_blank\">Leonard\'s Lair</a>','Chloe March \"Nights Bright Days\" Reviewed at Leonard\'s Lair','','publish','closed','closed','','chloe-march-nights-bright-days-reviewed-at-leonards-lair','','','2015-11-06 15:31:10','2015-11-06 07:31:10','',0,'http://www.hiddenshoal.com/?p=13119',0,'post','',0),(13079,1,'2015-10-29 11:24:00','2015-10-29 03:24:00','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Battlestations.jpg\"><img class=\"alignleft  wp-image-11765\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Battlestations-300x297.jpg\" alt=\"Battlestations Mixtape\" width=\"120\" height=\"118\" /></a>Taking some time out after the release of their sublime new album <a title=\"The Extent of Damage\" href=\"http://music.battlestations.ws/album/the-extent-of-damage\" target=\"_blank\"><em>The Extent of Damage</em></a>, <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\">Battlestations</a> sat down and crafted a delicious mixtape for our collective delectation. Not as dark as one might expect but every bit melodic, the mix moves from the likes of Craig Armstrong and New Order to Ulver and Goblin to name but a few. Here\'s some thoughts from Battlestations to get you in the mood,\r\n\r\n<em>\"Music is color for life. Like a painting, it\'s sometimes big, brutal brush strokes that leaves a thick black stain in the soul, at other times feather-light, embracing and soothing tiny pecks of color melting within the soul. In either case, magic. Let these sound canvasses paint your soul.\"</em> - <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\"><strong>Battlestations</strong></a>\r\n\r\n<iframe src=\"https://www.mixcloud.com/widget/iframe/?embed_type=widget_standard&amp;embed_uuid=4c0a6aa6-d55e-4750-930f-e351909365a6&amp;feed=https%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fmusic-is-color-for-life-a-mixtape-by-battlestations%2F&amp;hide_cover=1&amp;hide_tracklist=1&amp;replace=0\" width=\"100%\" height=\"180\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/music-is-color-for-life-a-mixtape-by-battlestations/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=resource_link\" target=\"_blank\">\"Music is Color for Life\" A Mixtape by Battlestations</a> by <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Music is Color for Life\" A Battlestations Mixtape','','publish','closed','closed','','battlestations-mixtape','','','2016-02-03 13:49:35','2016-02-03 05:49:35','',0,'http://www.hiddenshoal.com/?p=13079',0,'post','',0),(13080,1,'2015-10-29 11:24:00','2015-10-29 03:24:00','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Battlestations.jpg\"><img class=\"alignleft  wp-image-11765\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Battlestations-300x297.jpg\" alt=\"Battlestations\" width=\"167\" height=\"165\" /></a>Taking some time out after the release of their sublime new album <a title=\"The Extent of Damage\" href=\"http://music.battlestations.ws/album/the-extent-of-damage\" target=\"_blank\"><em>The Extent of Damage</em></a>, <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\">Battlestations</a> sat down and crafted a delicious mixtape for our collective delectation. Not as dark as one might expect but every bit melodic, the mix moves from the likes of Craig Armstrong and New Order to Ulver and Goblin to name but a few. Here\'s some thoughts from Battlestations to get you in the mood,\r\n\r\n<em>\"Music is color for life. Like a painting, it\'s sometimes big, brutal brush strokes that leaves a thick black stain in the soul, at other times feather-light, embracing and soothing tiny pecks of color melting within the soul. In either case, magic. Let these sound canvasses paint your soul.\"</em> - <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\"><strong>Battlestations</strong></a>\r\n<iframe src=\"https://www.mixcloud.com/widget/iframe/?embed_type=widget_standard&amp;embed_uuid=4c0a6aa6-d55e-4750-930f-e351909365a6&amp;feed=https%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fmusic-is-color-for-life-a-mixtape-by-battlestations%2F&amp;hide_cover=1&amp;hide_tracklist=1&amp;replace=0\" width=\"100%\" height=\"180\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/music-is-color-for-life-a-mixtape-by-battlestations/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=resource_link\" target=\"_blank\">\"Music is Color for Life\" A Mixtape by Battlestations</a> by <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Music is Color for Life\" A Mixtape by Battlestations','','inherit','closed','closed','','13079-revision-v1','','','2015-10-29 11:24:00','2015-10-29 03:24:00','',13079,'http://www.hiddenshoal.com/13079-revision-v1/',0,'revision','',0),(13081,1,'2015-10-29 11:26:25','2015-10-29 03:26:25','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Battlestations.jpg\"><img class=\"alignleft  wp-image-11765\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Battlestations-300x297.jpg\" alt=\"Battlestations\" width=\"132\" height=\"130\" /></a>Taking some time out after the release of their sublime new album <a title=\"The Extent of Damage\" href=\"http://music.battlestations.ws/album/the-extent-of-damage\" target=\"_blank\"><em>The Extent of Damage</em></a>, <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\">Battlestations</a> sat down and crafted a delicious mixtape for our collective delectation. Not as dark as one might expect but every bit melodic, the mix moves from the likes of Craig Armstrong and New Order to Ulver and Goblin to name but a few. Here\'s some thoughts from Battlestations to get you in the mood,\r\n\r\n<em>\"Music is color for life. Like a painting, it\'s sometimes big, brutal brush strokes that leaves a thick black stain in the soul, at other times feather-light, embracing and soothing tiny pecks of color melting within the soul. In either case, magic. Let these sound canvasses paint your soul.\"</em> - <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\"><strong>Battlestations</strong></a>\r\n\r\n<iframe src=\"https://www.mixcloud.com/widget/iframe/?embed_type=widget_standard&amp;embed_uuid=4c0a6aa6-d55e-4750-930f-e351909365a6&amp;feed=https%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fmusic-is-color-for-life-a-mixtape-by-battlestations%2F&amp;hide_cover=1&amp;hide_tracklist=1&amp;replace=0\" width=\"100%\" height=\"180\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/music-is-color-for-life-a-mixtape-by-battlestations/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=resource_link\" target=\"_blank\">\"Music is Color for Life\" A Mixtape by Battlestations</a> by <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Music is Color for Life\" A Battlestations Mixtape','','inherit','closed','closed','','13079-revision-v1','','','2015-10-29 11:26:25','2015-10-29 03:26:25','',13079,'http://www.hiddenshoal.com/13079-revision-v1/',0,'revision','',0),(13082,1,'2015-10-29 11:29:26','2015-10-29 03:29:26','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Battlestations.jpg\"><img class=\"alignleft  wp-image-11765\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Battlestations-300x297.jpg\" alt=\"Battlestations Mixtape\" width=\"132\" height=\"130\" /></a>Taking some time out after the release of their sublime new album <a title=\"The Extent of Damage\" href=\"http://music.battlestations.ws/album/the-extent-of-damage\" target=\"_blank\"><em>The Extent of Damage</em></a>, <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\">Battlestations</a> sat down and crafted a delicious mixtape for our collective delectation. Not as dark as one might expect but every bit melodic, the mix moves from the likes of Craig Armstrong and New Order to Ulver and Goblin to name but a few. Here\'s some thoughts from Battlestations to get you in the mood,\r\n\r\n<em>\"Music is color for life. Like a painting, it\'s sometimes big, brutal brush strokes that leaves a thick black stain in the soul, at other times feather-light, embracing and soothing tiny pecks of color melting within the soul. In either case, magic. Let these sound canvasses paint your soul.\"</em> - <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\"><strong>Battlestations</strong></a>\r\n\r\n<iframe src=\"https://www.mixcloud.com/widget/iframe/?embed_type=widget_standard&amp;embed_uuid=4c0a6aa6-d55e-4750-930f-e351909365a6&amp;feed=https%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fmusic-is-color-for-life-a-mixtape-by-battlestations%2F&amp;hide_cover=1&amp;hide_tracklist=1&amp;replace=0\" width=\"100%\" height=\"180\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/music-is-color-for-life-a-mixtape-by-battlestations/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=resource_link\" target=\"_blank\">\"Music is Color for Life\" A Mixtape by Battlestations</a> by <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Music is Color for Life\" A Battlestations Mixtape','','inherit','closed','closed','','13079-revision-v1','','','2015-10-29 11:29:26','2015-10-29 03:29:26','',13079,'http://www.hiddenshoal.com/13079-revision-v1/',0,'revision','',0),(13083,1,'2015-10-29 11:30:18','2015-10-29 03:30:18','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Battlestations.jpg\"><img class=\"alignleft  wp-image-11765\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Battlestations-300x297.jpg\" alt=\"Battlestations Mixtape\" width=\"120\" height=\"118\" /></a>Taking some time out after the release of their sublime new album <a title=\"The Extent of Damage\" href=\"http://music.battlestations.ws/album/the-extent-of-damage\" target=\"_blank\"><em>The Extent of Damage</em></a>, <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\">Battlestations</a> sat down and crafted a delicious mixtape for our collective delectation. Not as dark as one might expect but every bit melodic, the mix moves from the likes of Craig Armstrong and New Order to Ulver and Goblin to name but a few. Here\'s some thoughts from Battlestations to get you in the mood,\r\n\r\n<em>\"Music is color for life. Like a painting, it\'s sometimes big, brutal brush strokes that leaves a thick black stain in the soul, at other times feather-light, embracing and soothing tiny pecks of color melting within the soul. In either case, magic. Let these sound canvasses paint your soul.\"</em> - <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\"><strong>Battlestations</strong></a>\r\n\r\n<iframe src=\"https://www.mixcloud.com/widget/iframe/?embed_type=widget_standard&amp;embed_uuid=4c0a6aa6-d55e-4750-930f-e351909365a6&amp;feed=https%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fmusic-is-color-for-life-a-mixtape-by-battlestations%2F&amp;hide_cover=1&amp;hide_tracklist=1&amp;replace=0\" width=\"100%\" height=\"180\" frameborder=\"0\"></iframe>\r\n<div style=\"clear: both; height: 3px; width: auto;\"></div>\r\n<p style=\"display: block; font-size: 11px; font-family: \'Open Sans\',Helvetica,Arial,sans-serif; margin: 0px; padding: 3px 4px; color: #999999; width: auto;\"><a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/music-is-color-for-life-a-mixtape-by-battlestations/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=resource_link\" target=\"_blank\">\"Music is Color for Life\" A Mixtape by Battlestations</a> by <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/hiddenshoal/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=profile_link\" target=\"_blank\">Hidden Shoal</a> on <a style=\"color: #808080; font-weight: bold;\" href=\"https://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud</a></p>','\"Music is Color for Life\" A Battlestations Mixtape','','inherit','closed','closed','','13079-revision-v1','','','2015-10-29 11:30:18','2015-10-29 03:30:18','',13079,'http://www.hiddenshoal.com/13079-revision-v1/',0,'revision','',0),(13084,1,'2015-10-29 12:17:14','2015-10-29 04:17:14','\"Something lovely from Hidden Shoal approaches this way, having already had us adoring of that recently released Chloe March salvo, we are yet to hear a prepped for loving set from Kramies. Though before we get to that there’s the small but consequential matter of a debuting self titled EP outing from AWMA to be considered. Featuring members of the caseworker, the red thread and mist and mast, lead out track ‘broadcast history’ arrives to fanfares advertised with such descriptors as ‘atmospheric’, ‘intense’ and ‘prowling’ to which you can add brooding, majestic and alluring among the many, best described as being akin to the oncoming drift wind of some hitherto slow burn of quietly grand euphoria, amid the bliss kissed hazes and the dust sparse hinterlands the slow spun riff recoils and hushed spectral hymnals whisper to the fallen echoes of Sennen and Working for a Nuclear Free City as they ghost through the grooves with silently graceful intent all summoned and fashioned in the image of an at rest and thoughtfully magisterial sounding The Church.\"\r\n\r\n- <a title=\"The Sunday Experience\" href=\"https://marklosingtoday.wordpress.com/2015/10/09/awma/\" target=\"_blank\"><strong>The Sunday Experience</strong></a>','AWMA s/t EP Reviewed at The Sunday Experience','','publish','closed','closed','','awma-st-ep-reviewed-at-the-sunday-experience','','','2015-10-29 12:17:14','2015-10-29 04:17:14','',0,'http://www.hiddenshoal.com/?p=13084',0,'post','',0),(13085,1,'2015-10-29 12:11:38','2015-10-29 04:11:38','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=513788054/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/for-ts-antiques\">forêts antiques by Kramies</a></iframe><em><br /> forêts antiques<br /> </em>by <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4074111254/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in-the-palm-of-your-hand-the-remix-ep\">In The Palm Of Your Hand - The Remix EP by Markus Mehr</a></iframe>\r\n<em>In The Palm Of Your Hand - The Remix EP</em>\r\nby <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2161629676/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://music.battlestations.ws/album/the-extent-of-damage\">The extent of damage by Battlestations</a></iframe>\r\n<em>The Extent of Damage</em>\r\nby <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\">Battlestations</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3799982644/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://medardfischer.bandcamp.com/album/four-songs-for-the-city-of-new-york\">Four Songs for the City of New York by Medard Fischer</a></iframe>\r\n<em>Four Songs for the City of New York</em>\r\nby <a title=\"The Star Department\" href=\"http://www.hiddenshoal.com/project/the-star-department/\">Medard Fischer</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal Publishing is an Australia-based independent music publisher &amp; label releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2015-10-29 12:11:38','2015-10-29 04:11:38','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(13086,1,'2015-10-29 12:17:14','2015-10-29 04:17:14','\"Something lovely from Hidden Shoal approaches this way, having already had us adoring of that recently released Chloe March salvo, we are yet to hear a prepped for loving set from Kramies. Though before we get to that there’s the small but consequential matter of a debuting self titled EP outing from AWMA to be considered. Featuring members of the caseworker, the red thread and mist and mast, lead out track ‘broadcast history’ arrives to fanfares advertised with such descriptors as ‘atmospheric’, ‘intense’ and ‘prowling’ to which you can add brooding, majestic and alluring among the many, best described as being akin to the oncoming drift wind of some hitherto slow burn of quietly grand euphoria, amid the bliss kissed hazes and the dust sparse hinterlands the slow spun riff recoils and hushed spectral hymnals whisper to the fallen echoes of Sennen and Working for a Nuclear Free City as they ghost through the grooves with silently graceful intent all summoned and fashioned in the image of an at rest and thoughtfully magisterial sounding The Church.\"\r\n\r\n- <a title=\"The Sunday Experience\" href=\"https://marklosingtoday.wordpress.com/2015/10/09/awma/\" target=\"_blank\"><strong>The Sunday Experience</strong></a>','AWMA s/t EP Reviewed at The Sunday Experience','','inherit','closed','closed','','13084-revision-v1','','','2015-10-29 12:17:14','2015-10-29 04:17:14','',13084,'http://www.hiddenshoal.com/13084-revision-v1/',0,'revision','',0),(13087,1,'2015-10-29 12:17:30','2015-10-29 04:17:30','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>AWMA</h1>\r\n<img class=\"alignleft wp-image-12932\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/AWMA-Bio-Photo-300x300.jpg\" alt=\"AWMA\" width=\"222\" height=\"222\" />AWMA take the space, weight and atmosphere of their previous incarnation <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\" target=\"_blank\">Half Film</a> and inject instrumental details and a gentle shift in tempo from their slowcore origins. The band dynamic that Conor and Eimer Devlin (<a title=\"[the] caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\" target=\"_blank\">[the] caseworker</a>) and Jason Lakis (The Red Thread, Mist and Mast) have cultivated over the years of touring and playing together has been elegantly renewed. This melodically charged music exudes intensity and emotional resonance.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/awmaband\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>      </strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4> AWMA</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1200096778/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://awma.bandcamp.com/album/awma\">AWMA by AWMA</a></iframe> October 2015 The band dynamic that Conor and Eimer Devlin (<a title=\"[the] caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\" target=\"_blank\">[the] caseworker</a>) and Jason Lakis (The Red Thread, Mist and Mast) have cultivated over the years of touring and playing together as <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\" target=\"_blank\">Half Film</a> has been elegantly renewed on their self-titled EP. This melodically charged music, akin to the early pastoral side of Pink Floyd, exudes intensity and emotional resonance. The EP features the single ‘Broadcast History’, which prowls relentlessly around a circular guitar refrain, gradually building in intensity as Jason Lakis’s expansive guitar effects and Conor Devlin’s incantatory vocal colour the stereo field with portent. AWMA take the space, weight and atmosphere of Half Film, and inject instrumental details and a gentle shift in tempo from their slowcore origins.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAWMA (A Woman My Age) is a new trio made up of ex-members of the San Francisco-based band Half Film: Conor Devlin (vocals, guitar), Eimer Devlin (bass) and Jason Lakis (drums). Half Film recorded and toured from 1998 to 2001, before splitting off into [the] caseworker (Conor and Eimer) and The Red Thread/Mist and Mast (Jason) from 2003 to 2013. AWMA was conceived in 2014 and recording took place in early 2015. This EP represents the first recordings of the trio, who are an active band again after 15 years. A short European tour to support the EP will take place early 2016, with an album to follow later in the year. Jason and Eimer continue to live in the Bay Area, while Conor lives in Switzerland.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=awma-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=awma-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"AWMA EP Press Release\" href=\"http://www.hiddenshoal.com/publicity/AWMA/AWMA-AWMA-Press_Release.pdf\" target=\"_blank\">AWMA s/t EP Press Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12932\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAWMA\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','AWMA','','inherit','closed','closed','','12836-revision-v1','','','2015-10-29 12:17:30','2015-10-29 04:17:30','',12836,'http://www.hiddenshoal.com/12836-revision-v1/',0,'revision','',0),(13088,1,'2015-10-29 12:40:01','2015-10-29 04:40:01','[Translated from the Dutch original via Google Translate]\r\n\r\n<span class=\"notranslate\">\"The Stockholm music hobbyist Erik Nilsson released his first album at Hidden Shoal, label include Markus Mehr and Todd Tobias.</span> <span class=\"notranslate\"> After \"Recollage\" is the \"Hearing Things\" the second solo album from the Swede.</span> <span class=\"notranslate\"> The first and last track of the CD, respectively \'Ex Nihilo\' and \'Drawing / Dreaming\', are gentle, slow guitar compositions, which are barely disturbed by creaking, crackling and abrasive sounds.</span> <span class=\"notranslate\"> The six songs contrast between them are amalgams of acoustic instruments, field recordings and digital sounds.</span> <span class=\"notranslate\"> The pieces are usually built around a simple rhythmic or harmonic pattern that repeats itself, Nilsson then directed into the room with all sorts of small, large, spiny or fuzzy sounds.</span> <span class=\"notranslate\"> Sounds so \'Altitude\' like a puzzle that little by little is laid.</span> <span class=\"notranslate\"> Nilsson seems to have a preference for dullness, with a vibraphone regularly returns, but also a fake piano being taken over for a few songs, for example, in the slow, somewhat dramatic \'€ ~Distance, Wind, And Heat.</span> <span class=\"notranslate\"> Each time, the rest falls on which the Swede builds his songs.</span> <span class=\"notranslate\">\'On And Onward\' is the first single.</span> <span class=\"notranslate\"> A true pop song is, with a grand piano and a groove that goes straight.</span> <span class=\"notranslate\"> Sounds constantly sliding over each other, including digital tunes, and what looks like a delicate wind chimes.</span>\"<span class=\"notranslate\">Hearing Things\" ends as suddenly as it started, with crickets in the night.</span> <span class=\"notranslate\"> It has become more than a nice plate, with fun musical collages.</span> <span class=\"notranslate\"> The diversity within the songs is striking that within the sheet can be improved.</span>\"\r\n\r\n- <strong><a title=\"Gonzo Circus\" href=\"http://www.gonzocircus.com/hearing-things/\" target=\"_blank\">Gonzo Circus</a></strong>','Erik Nilsson \"Hearing Things\" Reviewed at Gonzo Circus','','publish','closed','closed','','erik-nilsson-hearing-things-reviewed-at-gonzo-circus','','','2015-10-29 12:40:01','2015-10-29 04:40:01','',0,'http://www.hiddenshoal.com/?p=13088',0,'post','',0),(13089,1,'2015-10-29 12:40:01','2015-10-29 04:40:01','[Translated from the Dutch original via Google Translate]\r\n\r\n<span class=\"notranslate\">\"The Stockholm music hobbyist Erik Nilsson released his first album at Hidden Shoal, label include Markus Mehr and Todd Tobias.</span> <span class=\"notranslate\"> After \"Recollage\" is the \"Hearing Things\" the second solo album from the Swede.</span> <span class=\"notranslate\"> The first and last track of the CD, respectively \'Ex Nihilo\' and \'Drawing / Dreaming\', are gentle, slow guitar compositions, which are barely disturbed by creaking, crackling and abrasive sounds.</span> <span class=\"notranslate\"> The six songs contrast between them are amalgams of acoustic instruments, field recordings and digital sounds.</span> <span class=\"notranslate\"> The pieces are usually built around a simple rhythmic or harmonic pattern that repeats itself, Nilsson then directed into the room with all sorts of small, large, spiny or fuzzy sounds.</span> <span class=\"notranslate\"> Sounds so \'Altitude\' like a puzzle that little by little is laid.</span> <span class=\"notranslate\"> Nilsson seems to have a preference for dullness, with a vibraphone regularly returns, but also a fake piano being taken over for a few songs, for example, in the slow, somewhat dramatic \'€ ~Distance, Wind, And Heat.</span> <span class=\"notranslate\"> Each time, the rest falls on which the Swede builds his songs.</span> <span class=\"notranslate\">\'On And Onward\' is the first single.</span> <span class=\"notranslate\"> A true pop song is, with a grand piano and a groove that goes straight.</span> <span class=\"notranslate\"> Sounds constantly sliding over each other, including digital tunes, and what looks like a delicate wind chimes.</span>\"<span class=\"notranslate\">Hearing Things\" ends as suddenly as it started, with crickets in the night.</span> <span class=\"notranslate\"> It has become more than a nice plate, with fun musical collages.</span> <span class=\"notranslate\"> The diversity within the songs is striking that within the sheet can be improved.</span>\"\r\n\r\n- <strong><a title=\"Gonzo Circus\" href=\"http://www.gonzocircus.com/hearing-things/\" target=\"_blank\">Gonzo Circus</a></strong>','Erik Nilsson \"Hearing Things\" Reviewed at Gonzo Circus','','inherit','closed','closed','','13088-revision-v1','','','2015-10-29 12:40:01','2015-10-29 04:40:01','',13088,'http://www.hiddenshoal.com/13088-revision-v1/',0,'revision','',0),(13090,1,'2015-10-29 14:27:31','2015-10-29 06:27:31','\"And talking of Hidden Shoal, the latest from Australia’s finest purveyors of the sublime and the dreamy comes from HC-B in the shape of their third full length entitled ‘rough’ which alas we haven’t had a chance to hear just yet though be certain of this there will be words fondly strewn at its feet later in the week. For now teaser single ‘Deux’ – incidentally available as a free download – ought to give you a fair idea as to what’s cooking. Best described as a slow to burn post rockian epic, ‘Deux’ is lushly crafted with a dead eye detail for poise and arrangement, both measured and majestic it perilously scales in ascending formations all the time growing in stature and assuming depth and density much like a brooding and bruised Grails at the height of their talismanic powers its akin to being at the heart or eye of a raging storm orchestrating nature’s fragmenting moods and from it harnessing a beautified though touchingly emotionally brutal quietly simmering turbulent rage. Quite something all said.\"\r\n\r\n- <a title=\"The Sunday Experience\" href=\"https://marklosingtoday.wordpress.com/2015/05/24/hc-b/\" target=\"_blank\"><strong>The Sunday Experience</strong></a>','HC-B \'Deux\' Reviewed at The Sunday Experience','','publish','closed','closed','','hc-b-deux-reviewed-at-the-sunday-experience','','','2015-10-29 14:28:09','2015-10-29 06:28:09','',0,'http://www.hiddenshoal.com/?p=13090',0,'post','',0),(13091,1,'2015-10-29 14:27:31','2015-10-29 06:27:31','\"And talking of Hidden Shoal, the latest from Australia’s finest purveyors of the sublime and the dreamy comes from HC-B in the shape of their third full length entitled ‘rough’ which alas we haven’t had a chance to hear just yet though be certain of this there will be words fondly strewn at its feet later in the week. For now teaser single ‘Deux’ – incidentally available as a free download – ought to give you a fair idea as to what’s cooking. Best described as a slow to burn post rockian epic, ‘Deux’ is lushly crafted with a dead eye detail for poise and arrangement, both measured and majestic it perilously scales in ascending formations all the time growing in stature and assuming depth and density much like a brooding and bruised Grails at the height of their talismanic powers its akin to being at the heart or eye of a raging storm orchestrating nature’s fragmenting moods and from it harnessing a beautified though touchingly emotionally brutal quietly simmering turbulent rage. Quite something all said.\"\r\n\r\n- <a title=\"The Sunday Experience\" href=\"https://marklosingtoday.wordpress.com/2015/05/24/hc-b/\" target=\"_blank\"><strong>The Sunday Experience</strong></a>','HC-B \'Deux\' Reviewed at The Sunday Experience','','inherit','closed','closed','','13090-revision-v1','','','2015-10-29 14:27:31','2015-10-29 06:27:31','',13090,'http://www.hiddenshoal.com/13090-revision-v1/',0,'revision','',0),(13092,1,'2015-10-29 14:30:29','2015-10-29 06:30:29','\"It\'s a while since I had an album from what is probably Australia\'s foremost post rock/ ambient label, the Perth based near neighbours of Tame Impala that are the Hidden Shoal label, always a source of very interesting and innovative music (Gilded, My Majestic Star, City Of Satellites) and while they\'ve been a bit quiet recently, Erik Nilsson is reactivating things with his first release, eight tracks of the kind of electronica/ambient crossover thing that is almost a Hidden Shoal trademark, and \'Hearing Things\' is an accomplished first album from a Swedish musician about whom I\'ve little info, aside from one or two short paragraphs.\r\n\r\nFirst track \'Ex Nihilo\' opens with the sound of crickets chirping in the Stockholm dusk before going off into a series of guitar explorations, a bit of a soporific album opener but second track \'Altitude\', with its deceptively wayward intro and sound effects, takes things past the experimental format as the generated tones are joined by a purposeful sounding drum pattern and guitar run and this, I think, is what we want to hear, the post rock / ambient blueprint given an added impetus and as third track \'On And Onward\' more than hints at Nilsson\'s other job as a club music producer, it seems that there\'s a bit of a balancing act going on between the differing strands that make up his music. Certainly \'On And Onward\' could have been titled \'Altitude Pt 2\' without difficulty as that guitar abd bass drum kick in again. \'Moksha Can Wait\' has a hint of Tame Impala about it and it\'s a different sounding track to much of what precedes it, with Nilsson sounding more adventurous in his choice of sound and rhythms. Gilded\'s 2013 album \'Terrane\' is a real highlight of the HSR back catalogue and Nilsson has perhaps taken one or two tips, even samples, from that album. \'Mood Swings\' is a more pensive keyboard piece, and the theme carries over into \'Distance, Wind And Heat\', the piano more focused here and with the guitar and synths trailing the piano motif into what sounds like the taped sound of a railway carriage or elevator and as the track lurches towards its guitar and brass conclusion it brings an oddly paced grandeur to what began as a randomised series of notes. \'In One-Fifth Of A Second\' breaks up the keyboard parts sequentially and is the most electronic composition on the album, jarring drum notes behind a jagged synth pattern, and it\'s an accomplished performance that Nilsson could extend into a much longer piece. Lastly, \'Drawing/Dreaming\' is a recognisably ambient sound that\'s a reflective rejoinder to the frantic electronics that have gone before it.\r\n\r\nOver the 40 or so minutes of \'Hearing Things\' Erik Nilsson covers a lot of ground musically, ranging from the experimental to more conventional styles and then towards more challenging combinations of playing and instrumentation. It is, as Hidden Shoal albums often are, a bit bewildering at times as Nilsson refuses to allow himself to be constrained in one particular format and it\'s an album densely packed with ideas and a continuing innovation in how Nilsson presents his music to the listener, and that only adds to the overall effect of \'Hearing Things\', which is a resonant and impressive one.\"\r\n\r\n- <a title=\"Tasty\" href=\"http://www.tastyfanzine.org.uk/albums160jul15.htm#ErikNilsson\" target=\"_blank\"><strong>Jon Gordon (Tasty Fanzine)</strong></a>','Erik Nilsson \"Hearing Things\" Reviewed at Tasty','','publish','closed','closed','','erik-nilsson-hearing-things-reviewed-at-tasty','','','2015-10-29 14:31:53','2015-10-29 06:31:53','',0,'http://www.hiddenshoal.com/?p=13092',0,'post','',0),(13093,1,'2015-10-29 14:30:29','2015-10-29 06:30:29','\"It\'s a while since I had an album from what is probably Australia\'s foremost post rock/ ambient label, the Perth based near neighbours of Tame Impala that are the Hidden Shoal label, always a source of very interesting and innovative music (Gilded, My Majestic Star, City Of Satellites) and while they\'ve been a bit quiet recently, Erik Nilsson is reactivating things with his first release, eight tracks of the kind of electronica/ambient crossover thing that is almost a Hidden Shoal trademark, and \'Hearing Things\' is an accomplished first album from a Swedish musician about whom I\'ve little info, aside from one or two short paragraphs.\r\n\r\nFirst track \'Ex Nihilo\' opens with the sound of crickets chirping in the Stockholm dusk before going off into a series of guitar explorations, a bit of a soporific album opener but second track \'Altitude\', with its deceptively wayward intro and sound effects, takes things past the experimental format as the generated tones are joined by a purposeful sounding drum pattern and guitar run and this, I think, is what we want to hear, the post rock / ambient blueprint given an added impetus and as third track \'On And Onward\' more than hints at Nilsson\'s other job as a club music producer, it seems that there\'s a bit of a balancing act going on between the differing strands that make up his music. Certainly \'On And Onward\' could have been titled \'Altitude Pt 2\' without difficulty as that guitar abd bass drum kick in again. \'Moksha Can Wait\' has a hint of Tame Impala about it and it\'s a different sounding track to much of what precedes it, with Nilsson sounding more adventurous in his choice of sound and rhythms. Gilded\'s 2013 album \'Terrane\' is a real highlight of the HSR back catalogue and Nilsson has perhaps taken one or two tips, even samples, from that album. \'Mood Swings\' is a more pensive keyboard piece, and the theme carries over into \'Distance, Wind And Heat\', the piano more focused here and with the guitar and synths trailing the piano motif into what sounds like the taped sound of a railway carriage or elevator and as the track lurches towards its guitar and brass conclusion it brings an oddly paced grandeur to what began as a randomised series of notes. \'In One-Fifth Of A Second\' breaks up the keyboard parts sequentially and is the most electronic composition on the album, jarring drum notes behind a jagged synth pattern, and it\'s an accomplished performance that Nilsson could extend into a much longer piece. Lastly, \'Drawing/Dreaming\' is a recognisably ambient sound that\'s a reflective rejoinder to the frantic electronics that have gone before it.\r\n\r\nOver the 40 or so minutes of \'Hearing Things\' Erik Nilsson covers a lot of ground musically, ranging from the experimental to more conventional styles and then towards more challenging combinations of playing and instrumentation. It is, as Hidden Shoal albums often are, a bit bewildering at times as Nilsson refuses to allow himself to be constrained in one particular format and it\'s an album densely packed with ideas and a continuing innovation in how Nilsson presents his music to the listener, and that only adds to the overall effect of \'Hearing Things\', which is a resonant and impressive one.\"\r\n\r\n- <a title=\"Tasty\" href=\"http://www.tastyfanzine.org.uk/albums160jul15.htm#ErikNilsson\" target=\"_blank\"><strong>Jon Gordon (Tasty Fanzine)</strong></a>','Erik Nilsson \"Hearing Things\" Reviewed at Tasty','','inherit','closed','closed','','13092-revision-v1','','','2015-10-29 14:30:29','2015-10-29 06:30:29','',13092,'http://www.hiddenshoal.com/13092-revision-v1/',0,'revision','',0),(13095,1,'2015-10-29 15:28:01','2015-10-29 07:28:01','\"<i>Troubled Mystic</i> is a deck of musical cards, each one its own kind of cool. Overall the tone cleaves closely to an EDM/downtempo motif. You’ll hear distinct elements of house music, jazz-infused drum licks, a touch of glitch, and club-worthy drops. Right from the opener, “A Love Song for Ghosts,” Liminal Drifter (aka Dr. Simon Order) grabs the listener by managing to mix a jangly sound like a Japanese biwa with a little bit of spy-movie vibe and making it sound like it all belongs there. The mix of styles shows when “Subway Dream” follows with a watery burble and soft, cool edges. This one gets deeper and more intense as it goes along, the sound thickening up with a wide variety of elements. “Verterons Ambo Flow Cut” introduces some electronic minimalism, loops of repeating phrases interspersed with sequencer. Its slowly shifting, just-enough-movement dynamic works in its favor. Hypnotic and yet able to hold your direct interest. “Japanese Devotion” is a bit of playful weirdness. Boppy notes bounce along, accented with reverse-echo phrases that put me in mind of the 80s band New Musik. (Yes, I may be very much alone in that reference.) Speaking of the past, “Adventures Beyond the Body” will pique your old IDM memory banks. Field recordings and dubbed-up vocal snips are the canvas for a melody that plays out in metallic-spring tones and shiny sequencer runs. Irresistible stuff. Throughout the album you’ll enjoy an extra dose of mellow courtesy of dreampop vocalist Chloë March. Her smoked-satin voice slides and glides through the club-ready “Heartbeat of Your Soul.” Order wraps her voice in light, effective echoes and puts drops in spots where the last element you get is her voice fading. She sing-talks her way through the title track and pulls up welcome thoughts of Moorcheeba. Again, Order pulls spots and phrases out of the main vocals and uses them the spice the background. There have been times, in my several listens, when I become too aware of the looping/repeating motif that forms the basis for much of the work here. Why it occurs to me sometimes but not every time is a mystery to me. All I can suggest is that sometimes I’m drawn more into the smooth hypnotic lull, which is the point after all. It certainly hasn’t kept me from digging on this release every time I’ve listened. It’s varied enough to hold my interest and certainly doesn’t lack for cool. The production work is also excellent; the sound is full and in constant motion, with plenty of small detail work to keep your head happily busy. Get this, get cool.\"\r\n\r\n- <a title=\"Hypnagogue\" href=\"http://hypnagogue.net/2015/08/31/liminal-drifter-troubled-mystic/\" target=\"_blank\"><strong>Hypnagogue</strong></a>','Liminal Drifter \"Troubled Mystic\" Reviewed at Hypnagogue','','inherit','closed','closed','','13094-revision-v1','','','2015-10-29 15:28:01','2015-10-29 07:28:01','',13094,'http://www.hiddenshoal.com/13094-revision-v1/',0,'revision','',0),(13096,1,'2015-10-29 16:00:30','2015-10-29 08:00:30','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Liminal Drifter</h1>\r\n<img class=\"alignleft  wp-image-12293\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Dr-Liminal-2-297x300.jpg\" alt=\"Liminal Drifter\" width=\"229\" height=\"231\" />Liminal Drifter is an ongoing travelogue between identities, physical places and states of consciousness. Many of these dreamy, evocative slices of ambient electronica evolved on hand-held mobile devices, away from the studio, while traveling or visiting new places. This sense of contemplative, exploratory rootlessness imbues his work with the wistfulness and open narrative we often associate with travel.\r\n\r\n<a href=\"https://www.facebook.com/pages/Liminal-Drifter/874740512582307\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a> <a href=\"https://twitter.com/liminal_drifter\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/au/album/troubled-mystic/id1025485501?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone wp-image-12412 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4> Troubled Mystic</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2397808017/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://liminaldrifter.bandcamp.com/album/troubled-mystic\">Troubled Mystic by Liminal Drifter</a></iframe>\r\nAugust 2015\r\n\r\n<i>Troubled Mystic </i>is the debut album by Australian electronic artist Liminal Drifter, featuring collaborations with English dream-pop artist Chloe March.\r\n\r\nDrawing on the seminal Warp releases of the ’90s, including Black Dog, Plaid and early Autechre, as well as more contemporary peers, Liminal Drifter evokes a spectrum of emotions across beautifully detailed electronic tapestries. Moving from downtempo dream-pop to shimmering, spacey electronica, this suite of songs works as if by osmosis, gently irradiating your subconscious.\r\n\r\nLiminal Drifter roves widely and deeply across <i>Troubled Mystic</i>’s hour-long run-time, allowing the songs to breathe and cross-pollinate. The title track punctuates a bright, shuffling groove with golden swells of brass and an aching vocal from Chloe March. ‘Dark Sunlight’ recalls the brooding majesty of Massive Attack’s ‘Inertia Creeps’. And gorgeous closer ‘Soothed by Summer’ vibrates with crystalline melancholia, resonating long after the last note has dropped.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nLiminal Drifter is Dr. Simon Order. Under the ’90s moniker of dUB Rumble, Order worked with UK prog rockers Galahad on <em>Deconstructing Ghosts</em>, assumed bass and production duties with Dorset funksters The Bird Tribe, and produced acoustic blues band The Producers\' <em>Nearly Wired</em> album. He also brings numerous TV, film and radio sound credits from ol’ Blighty. Order landed in Western Australia in 2005 and went on sonic hiatus until 2013, when he emerged from the wilderness to resume working on tracks as Liminal Drifter.\r\n\r\nOrder is also an academic at Perth’s Murdoch University, where he researches radio and music technology, including radio production, community media, user-interface usability, and the use of music technology in teaching and learning.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=liminal-drifter-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=liminal-drifter-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"11613,12293,11614,11615,11617,11616\"]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nLiminal Drifter\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Liminal Drifter','','inherit','closed','closed','','11606-revision-v1','','','2015-10-29 16:00:30','2015-10-29 08:00:30','',11606,'http://www.hiddenshoal.com/11606-revision-v1/',0,'revision','',0),(13097,1,'2015-09-29 16:16:28','2015-09-29 08:16:28','\"Liminal Drifter (aka Dr. Simon Order) is a Perth based electronic producer. According to the Facebook site, \'Liminal Drifter is ambient electronica, tinged with splashes of trip-hop and psych folk.\' Order\'s (hailing from the UK) previous work includes the \'1990s project dUB Rumble, producing remixes with UK prog\' (accoring to the Hidden Shoal label).\r\n\r\nOn \"Troubled Mystic\", the title track from Liminal Drifter\'s forthcoming debut album (due out August 19th), Order\'s teamed up for a collaboration with English dream-pop artist (and labelmate) Chloë March. The result is a thrilling and teasing track of icy coolness and perfectly tempered charm. You can see/hear the link, or musical relation towards, backwards to the trip-hop of the 90s/early 00s, such as Massive Attack. Their label also mention early Warp Records electronic acts The Black Dog, Plaid and (early) Autechre. Hidden Shoal say that the song \'punctuates a bright, shuffling groove with golden swells of brass and March\'s aching vocal.\' Quite right, and it makes me curious to check out the rest of Troubled Mystic.\r\n\r\nIf you\'re into \'downtempo dream-pop to shimmering, spacey electronica\', Liminal Drifter might be the right pilot for your ride. Surf the space waves.\"\r\n\r\n- <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon232/au232.php\" target=\"_blank\"><strong>Luna Kafe</strong></a>','Liminal Drifter \'Troubled Mysic\' (Single) Reviewed at Luna Kafe','','publish','closed','closed','','liminal-drifter-troubled-mysic-single-reviewed-at-luna-kafe','','','2015-10-29 16:19:07','2015-10-29 08:19:07','',0,'http://www.hiddenshoal.com/?p=13097',0,'post','',0),(13098,1,'2015-10-29 16:19:07','2015-10-29 08:19:07','\"Liminal Drifter (aka Dr. Simon Order) is a Perth based electronic producer. According to the Facebook site, \'Liminal Drifter is ambient electronica, tinged with splashes of trip-hop and psych folk.\' Order\'s (hailing from the UK) previous work includes the \'1990s project dUB Rumble, producing remixes with UK prog\' (accoring to the Hidden Shoal label).\r\n\r\nOn \"Troubled Mystic\", the title track from Liminal Drifter\'s forthcoming debut album (due out August 19th), Order\'s teamed up for a collaboration with English dream-pop artist (and labelmate) Chloë March. The result is a thrilling and teasing track of icy coolness and perfectly tempered charm. You can see/hear the link, or musical relation towards, backwards to the trip-hop of the 90s/early 00s, such as Massive Attack. Their label also mention early Warp Records electronic acts The Black Dog, Plaid and (early) Autechre. Hidden Shoal say that the song \'punctuates a bright, shuffling groove with golden swells of brass and March\'s aching vocal.\' Quite right, and it makes me curious to check out the rest of Troubled Mystic.\r\n\r\nIf you\'re into \'downtempo dream-pop to shimmering, spacey electronica\', Liminal Drifter might be the right pilot for your ride. Surf the space waves.\"\r\n\r\n- <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon232/au232.php\" target=\"_blank\"><strong>Luna Kafe</strong></a>','Liminal Drifter \'Troubled Mysic\' (Single) Reviewed at Luna Kafe','','inherit','closed','closed','','13097-revision-v1','','','2015-10-29 16:19:07','2015-10-29 08:19:07','',13097,'http://www.hiddenshoal.com/13097-revision-v1/',0,'revision','',0),(13099,1,'2015-10-29 16:25:59','2015-10-29 08:25:59','\"I was truly amazed when hearing the second single off this album, \"To Come Unglued\". A thrilling, sparkling song. I was also enthused when checking out the first teaser from the album, \"The Lights in the Sands of Katumpkale\" (launched in April). Heavenly music, indeed.\r\n\r\nSo, a beautiful (and cryptic) title as Olive Skinned, Silver Tongued Siren Sings Swan Songs must surely hide several treasures and hidden gems, besides \"...Katumpkale\" and \"To Come Unglued\". Yes, of course it does. REW&lt;&lt; (a.k.a. Ryan E. Weber) has come up with a delicious dish of experimental and playful pop, making this an excellent adventure. Hidden Shoal call the eclectic songcraft of Weber to be \'refracted through the lens of a laptop, conveying the open-endedness, excitement and disconnection of post-modern living while maintaining the immediacy of pop.\' When Hidden Shoal say that the spectre of Weber\'s songs go from the \'grand to the intimate (...from shimmering, widescreen electronic pop to haunting, minimal ballads)\'... well, this is the perfect, pinpoint description. And, what\'s even better: Olive Skinned... is fantastic either if its \'grand\' or \'intimate\'. It fits both \'outfits\'. Either way is good. Spellbinding stuff for sure. Tune in to and hang on to Weber\'s musical journey. You will be enriched in every way.\r\n\r\nThe album opens with the careful, colourful and slowly spinning \"Big Fish and the Sirens\". Imagine a big, dream world fish slaloming, zig-zagging the blue sea between some mysterious sirens singing trying to catch it. \"To Come Unglued\" is as fantastic that I remembered it from two moonths back. \"The Distance From Vultures\" is a more fragile, sparse moment, with a plucking guitar and Weber\'s intimate, intriguing vocals. Most songs are tinted with mysticism and exoticism as they spin through near see-through veils of some dreamlike adventure land. When hearing these songs, I imagine some laidback, Tim Burtonesque scenes. Add some low-toned sequences from some of Christopher Nolan\'s films, or Michel Gondry\'s cinematic world, and you might end up somewhere near the soul of REW&lt;&lt;\'s song. This is the sound of the bordering area between consciousness and unconsciousness; between the real and the unreal; between sheer, clear love and discreet admiration. This is the soundtrack to misty landscapes of mystery and magic. Just check out tracks like \"Indigo Fortresses\", \"Swan\'s Melody\", or \"Cupid\'s Empty House\". This is Cupid and Psyche 2015.\r\n\r\nOlive Skinned, Silver Tongued Siren Sings Swan Songs is electronic pop mystique fantastique. I guess, when 2015 fades this will stand out as one of my definite favourites of the year. Hats off, Mr. Weber.\"','REW<< \"Olive Skinned, Silver Tongued Siren Sings Swan Songs\" Reviewed at  Luna Kafe','','publish','closed','closed','','rew-11','','','2015-10-29 16:25:59','2015-10-29 08:25:59','',0,'http://www.hiddenshoal.com/?p=13099',0,'post','',0),(13100,1,'2015-10-29 16:25:59','2015-10-29 08:25:59','\"I was truly amazed when hearing the second single off this album, \"To Come Unglued\". A thrilling, sparkling song. I was also enthused when checking out the first teaser from the album, \"The Lights in the Sands of Katumpkale\" (launched in April). Heavenly music, indeed.\r\n\r\nSo, a beautiful (and cryptic) title as Olive Skinned, Silver Tongued Siren Sings Swan Songs must surely hide several treasures and hidden gems, besides \"...Katumpkale\" and \"To Come Unglued\". Yes, of course it does. REW&lt;&lt; (a.k.a. Ryan E. Weber) has come up with a delicious dish of experimental and playful pop, making this an excellent adventure. Hidden Shoal call the eclectic songcraft of Weber to be \'refracted through the lens of a laptop, conveying the open-endedness, excitement and disconnection of post-modern living while maintaining the immediacy of pop.\' When Hidden Shoal say that the spectre of Weber\'s songs go from the \'grand to the intimate (...from shimmering, widescreen electronic pop to haunting, minimal ballads)\'... well, this is the perfect, pinpoint description. And, what\'s even better: Olive Skinned... is fantastic either if its \'grand\' or \'intimate\'. It fits both \'outfits\'. Either way is good. Spellbinding stuff for sure. Tune in to and hang on to Weber\'s musical journey. You will be enriched in every way.\r\n\r\nThe album opens with the careful, colourful and slowly spinning \"Big Fish and the Sirens\". Imagine a big, dream world fish slaloming, zig-zagging the blue sea between some mysterious sirens singing trying to catch it. \"To Come Unglued\" is as fantastic that I remembered it from two moonths back. \"The Distance From Vultures\" is a more fragile, sparse moment, with a plucking guitar and Weber\'s intimate, intriguing vocals. Most songs are tinted with mysticism and exoticism as they spin through near see-through veils of some dreamlike adventure land. When hearing these songs, I imagine some laidback, Tim Burtonesque scenes. Add some low-toned sequences from some of Christopher Nolan\'s films, or Michel Gondry\'s cinematic world, and you might end up somewhere near the soul of REW&lt;&lt;\'s song. This is the sound of the bordering area between consciousness and unconsciousness; between the real and the unreal; between sheer, clear love and discreet admiration. This is the soundtrack to misty landscapes of mystery and magic. Just check out tracks like \"Indigo Fortresses\", \"Swan\'s Melody\", or \"Cupid\'s Empty House\". This is Cupid and Psyche 2015.\r\n\r\nOlive Skinned, Silver Tongued Siren Sings Swan Songs is electronic pop mystique fantastique. I guess, when 2015 fades this will stand out as one of my definite favourites of the year. Hats off, Mr. Weber.\"','REW<< \"Olive Skinned, Silver Tongued Siren Sings Swan Songs\" Reviewed at  Luna Kafe','','inherit','closed','closed','','13099-revision-v1','','','2015-10-29 16:25:59','2015-10-29 08:25:59','',13099,'http://www.hiddenshoal.com/13099-revision-v1/',0,'revision','',0),(13101,1,'2015-10-29 16:42:57','2015-10-29 08:42:57','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>REW&lt;&lt;</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12065\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7455-1-300x225.jpg\" alt=\"Ryan Weber\" width=\"245\" height=\"184\" /></a> <em>“has a feel all its own... These concise little songs are continually expanding and contracting, demonstrating how even seemingly minor mixing changes can stir a big emotional impact”</em> – <strong>Express Milwaukee</strong>\r\n\r\nThe eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement, and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the dreaminess with a sense of drama, no more evident than in REW&lt;&lt;’s sophomore release <i>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</i>.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/REWsongs\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/REW_music\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/rew-10\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://rew-songs.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/au/album/olive-skinned-silver-tongued/id995342762?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone wp-image-12412 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n\r\n&nbsp;\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3158289214/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://rew-music.bandcamp.com/album/olive-skinned-silver-tongued-sirens-sing-swan-songs\">Olive Skinned, Silver Tongued Sirens Sing Swan Songs by REW&lt;&lt;</a></iframe>\r\nJuly 2015\r\n\r\nOn <em>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</em>, the eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the album’s dreaminess with a sense of drama. From shimmering, widescreen electronic pop to haunting, minimal ballads, REW&lt;&lt; traverses dizzyingly varied terrain across the album’s 30 minutes, crafting a vivid journey that demands repeat visits.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nREW&lt;&lt; is the solo moniker of Ryan E. Weber, who originally hails from the Western shores of Lake Michigan. His previous bands include Camden, The Promise Ring and Decibully, and he is one half of dream-pop duo Eric &amp; Magill. Working on Eric &amp; Magill releases while living in both Kenya and the Republic of Armenia, Weber collaborated over the internet with a host of notable contemporary indie artists, including members of Shearwater, The Dirty Projectors, Owen, Volcano Choir and The Delgados. In 2014 he released his acclaimed debut solo album as REW&lt;&lt;, <i>Departeures. </i>His new album <i>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</i> is his debut for Hidden Shoal.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=rew-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=rew-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12068,12065\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/V0kb_0PnuM4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>   <iframe src=\"https://www.youtube.com/embed/l-C86OxiQzY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>   <iframe src=\"https://www.youtube.com/embed/mN_Q4kEt5mI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nREW\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','REW<<','','inherit','closed','closed','','12063-revision-v1','','','2015-10-29 16:42:57','2015-10-29 08:42:57','',12063,'http://www.hiddenshoal.com/12063-revision-v1/',0,'revision','',0),(13135,1,'2015-11-19 17:10:04','2015-11-19 09:10:04','\"From 1998 to 2001, the San Francisco-based band Half Film (Conor Devlin, Eimer Devlin, Jason Lakin) made records and toured. After the split, the Devlin brothers continued as [the] caseworker, while Jason was active as The Red Thread/Mists and Mast (2003-2013). The former Half film members reunited in 2013 as AWMA (A Woman My Age) and the self-titled EP AWMA is the first recording of the trio. A short European tour is announced for early 2016 and a full album for later in the year. The EP contains 4 tracks.\r\n\r\nAt the State Palace leads you to the land of Pink Floyd, although the repetitive notes schedule is anything but typical for the Brits. No, it is the atmosphere that reminds us of the British band, because as soon as the vocals are added, the music of AWMA sounds quite different, more relaxed, with a beautiful harmony and bell-like percussion. The atmospheric guitars return in Broadcast History, but again, the vocals make the difference. And the same pattern is used in What the Artist Told Me: wonderful and varied guitar sounds and attractive harmonies. In For Games, the striking Gilmour sound is initially omitted and AWMA concentrates on the vocals. But even if the Pink Floyd sound penetrates the melody after a while, the beautiful harmonies still attract the attention, although the guitars remain essential to the atmosphere of the work of AWMA. Nice selection.\"\r\n\r\n- <strong><a title=\"Peek-a-Boo\" href=\"http://www.peek-a-boo-magazine.be/en/reviews/awma-awma-ep/\" target=\"_blank\">Peek-a-Boo</a></strong>','AWMA EP Reviewed at Peek-a-Boo','','publish','closed','closed','','awma-ep-reviewed-at-peek-a-boo','','','2015-11-19 17:10:04','2015-11-19 09:10:04','',0,'http://www.hiddenshoal.com/?p=13135',0,'post','',0),(13104,1,'2015-11-02 10:32:22','2015-11-02 02:32:22','<img class=\"alignleft  wp-image-12501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Erik_Nilsson_3-225x300.jpg\" alt=\"Erik Nilsson\" width=\"100\" height=\"133\" />Check out the new trailer for the wonderful in-production documentary <a title=\"The Trail Beyond Documentary\" href=\"http://www.thetrailbeyond.org/documentary/\" target=\"_blank\"><em>The Trail Beyond</em></a>, featuring the <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a> track \'On and Onward\'. The film, which will see release in 2016, documents the innovative <a title=\"The Trail Beyond Program\" href=\"http://www.thetrailbeyond.org\" target=\"_blank\"><em>Trail Beyond</em></a> program which is aimed at inspiring and empowering women to achieve their goals and strive for more than they thought possible. Directed by the wonderful Cassie De Colling (founder of Natureel) the documentary will feature a soundtrack comprised of a range of Hidden Shoal artists and tracks. Check out the preview below.\r\n<iframe src=\"https://player.vimeo.com/video/142696628?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n\r\n<a href=\"https://vimeo.com/142696628\">The Trail Beyond - Shinetsu 5 Mountain, Japan</a> from <a href=\"https://vimeo.com/natureel\">Natureel</a> on <a href=\"https://vimeo.com\">Vimeo</a>.','Erik Nilsson Track in \"The Trail Beyond\" Doco Trailer','','publish','closed','closed','','erik-nilsson-track-in-the-trail-beyond-doco-trailer','','','2016-02-03 16:47:20','2016-02-03 08:47:20','',0,'http://www.hiddenshoal.com/?p=13104',0,'post','',0),(13105,1,'2015-11-02 10:27:01','2015-11-02 02:27:01','Check out the new trailer for the wonderful in-production documentary <a title=\"The Trail Beyond Documentary\" href=\"http://www.thetrailbeyond.org/documentary/\" target=\"_blank\"><em>The Trail Beyond</em></a>, featuring the Erik Nilsson track \'On and Onward\'. The film, which will see release in 2016, documents the innovative <a title=\"The Trail Beyond Program\" href=\"http://www.thetrailbeyond.org\" target=\"_blank\"><em>Trail Beyond</em></a> program which is aimed at inspiring and empowering women to achieve their goals and strive for more than they thought possible. Directed by Cassie De Colling (founder of Natureel) the documentary','Erik Nilsson Track in \"The Trail Beyond\" Doco Trailer','','inherit','closed','closed','','13104-revision-v1','','','2015-11-02 10:27:01','2015-11-02 02:27:01','',13104,'http://www.hiddenshoal.com/13104-revision-v1/',0,'revision','',0),(13106,1,'2015-11-02 10:32:22','2015-11-02 02:32:22','<img class=\"alignleft  wp-image-12501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Erik_Nilsson_3-225x300.jpg\" alt=\"Erik Nilsson\" width=\"141\" height=\"188\" />Check out the new trailer for the wonderful in-production documentary <a title=\"The Trail Beyond Documentary\" href=\"http://www.thetrailbeyond.org/documentary/\" target=\"_blank\"><em>The Trail Beyond</em></a>, featuring the <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a> track \'On and Onward\'. The film, which will see release in 2016, documents the innovative <a title=\"The Trail Beyond Program\" href=\"http://www.thetrailbeyond.org\" target=\"_blank\"><em>Trail Beyond</em></a> program which is aimed at inspiring and empowering women to achieve their goals and strive for more than they thought possible. Directed by the wonderful Cassie De Colling (founder of Natureel) the documentary will feature a soundtrack comprised of a range of Hidden Shoal artists and tracks. Check out the preview below.\r\n<iframe src=\"https://player.vimeo.com/video/142696628?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<a href=\"https://vimeo.com/142696628\">The Trail Beyond - Shinetsu 5 Mountain, Japan</a> from <a href=\"https://vimeo.com/natureel\">Natureel</a> on <a href=\"https://vimeo.com\">Vimeo</a>.','Erik Nilsson Track in \"The Trail Beyond\" Doco Trailer','','inherit','closed','closed','','13104-revision-v1','','','2015-11-02 10:32:22','2015-11-02 02:32:22','',13104,'http://www.hiddenshoal.com/13104-revision-v1/',0,'revision','',0),(13107,1,'2015-11-02 10:33:05','2015-11-02 02:33:05','<img class=\"alignleft  wp-image-12501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Erik_Nilsson_3-225x300.jpg\" alt=\"Erik Nilsson\" width=\"100\" height=\"133\" />Check out the new trailer for the wonderful in-production documentary <a title=\"The Trail Beyond Documentary\" href=\"http://www.thetrailbeyond.org/documentary/\" target=\"_blank\"><em>The Trail Beyond</em></a>, featuring the <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a> track \'On and Onward\'. The film, which will see release in 2016, documents the innovative <a title=\"The Trail Beyond Program\" href=\"http://www.thetrailbeyond.org\" target=\"_blank\"><em>Trail Beyond</em></a> program which is aimed at inspiring and empowering women to achieve their goals and strive for more than they thought possible. Directed by the wonderful Cassie De Colling (founder of Natureel) the documentary will feature a soundtrack comprised of a range of Hidden Shoal artists and tracks. Check out the preview below.\r\n<iframe src=\"https://player.vimeo.com/video/142696628?title=0&amp;byline=0&amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<a href=\"https://vimeo.com/142696628\">The Trail Beyond - Shinetsu 5 Mountain, Japan</a> from <a href=\"https://vimeo.com/natureel\">Natureel</a> on <a href=\"https://vimeo.com\">Vimeo</a>.','Erik Nilsson Track in \"The Trail Beyond\" Doco Trailer','','inherit','closed','closed','','13104-revision-v1','','','2015-11-02 10:33:05','2015-11-02 02:33:05','',13104,'http://www.hiddenshoal.com/13104-revision-v1/',0,'revision','',0),(13108,1,'2015-11-02 12:52:13','2015-11-02 04:52:13','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>REW&lt;&lt;</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12065\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7455-1-300x225.jpg\" alt=\"Ryan Weber\" width=\"245\" height=\"184\" /></a> <em>“has a feel all its own... These concise little songs are continually expanding and contracting, demonstrating how even seemingly minor mixing changes can stir a big emotional impact”</em> – <strong>Express Milwaukee</strong>\r\n\r\nThe eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement, and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the dreaminess with a sense of drama, no more evident than in REW&lt;&lt;’s sophomore release <i>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</i>.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/REWsongs\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/REW_music\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/rew-10\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://rew-songs.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/au/album/olive-skinned-silver-tongued/id995342762?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone wp-image-12412 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n\r\n \r\n<h3>Discography</h3>\r\n \r\n<h4>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3158289214/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://rew-music.bandcamp.com/album/olive-skinned-silver-tongued-sirens-sing-swan-songs\">Olive Skinned, Silver Tongued Sirens Sing Swan Songs by REW<<</a></iframe>\r\nJuly 2015\r\n\r\nOn <em>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</em>, the eclectic songcraft of REW<< (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW<<’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the album’s dreaminess with a sense of drama. From shimmering, widescreen electronic pop to haunting, minimal ballads, REW<< traverses dizzyingly varied terrain across the album’s 30 minutes, crafting a vivid journey that demands repeat visits.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nREW<< is the solo moniker of Ryan E. Weber, who originally hails from the Western shores of Lake Michigan. His previous bands include Camden, The Promise Ring and Decibully, and he is one half of dream-pop duo Eric & Magill. Working on Eric & Magill releases while living in both Kenya and the Republic of Armenia, Weber collaborated over the internet with a host of notable contemporary indie artists, including members of Shearwater, The Dirty Projectors, Owen, Volcano Choir and The Delgados. In 2014 he released his acclaimed debut solo album as REW<<, <i>Departeures. </i>His new album <i>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</i> is his debut for Hidden Shoal.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=rew-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=rew-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery ids=\"12068,12065\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3>\r\n\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/iHI3Mw9lONo?rel=0\" frameborder=\"0\" allowfullscreen></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/V0kb_0PnuM4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>   \r\n\r\n<iframe src=\"https://www.youtube.com/embed/l-C86OxiQzY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> \r\n  \r\n<iframe src=\"https://www.youtube.com/embed/mN_Q4kEt5mI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nREW\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','REW<<','','inherit','closed','closed','','12063-revision-v1','','','2015-11-02 12:52:13','2015-11-02 04:52:13','',12063,'http://www.hiddenshoal.com/12063-revision-v1/',0,'revision','',0),(13109,1,'2015-11-02 13:29:13','2015-11-02 05:29:13','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>REW&lt;&lt;</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12065\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/02/IMG_7455-1-300x225.jpg\" alt=\"Ryan Weber\" width=\"245\" height=\"184\" /></a> <em>“has a feel all its own... These concise little songs are continually expanding and contracting, demonstrating how even seemingly minor mixing changes can stir a big emotional impact”</em> – <strong>Express Milwaukee</strong>\r\n\r\nThe eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement, and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the dreaminess with a sense of drama, no more evident than in REW&lt;&lt;’s sophomore release <i>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</i>.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/REWsongs\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/REW_music\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/rew-10\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://rew-songs.tumblr.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/au/album/olive-skinned-silver-tongued/id995342762?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone wp-image-12412 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><p> <br />  </p><h4>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3158289214/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://rew-music.bandcamp.com/album/olive-skinned-silver-tongued-sirens-sing-swan-songs\">Olive Skinned, Silver Tongued Sirens Sing Swan Songs by REW&lt;&lt;</a></iframe> July 2015 On <em>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</em>, the eclectic songcraft of REW&lt;&lt; (Ryan E. Weber) is refracted through the lens of a laptop, conveying the open-endedness, excitement and disconnection of post-modern living while maintaining the immediacy of pop. From the grand to the intimate, REW&lt;&lt;’s many shades blend beautifully within the one canvas thanks to Weber’s skilled hand. His compositional dexterity manages to invest the album’s dreaminess with a sense of drama. From shimmering, widescreen electronic pop to haunting, minimal ballads, REW&lt;&lt; traverses dizzyingly varied terrain across the album’s 30 minutes, crafting a vivid journey that demands repeat visits.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nREW<< is the solo moniker of Ryan E. Weber, who originally hails from the Western shores of Lake Michigan. His previous bands include Camden, The Promise Ring and Decibully, and he is one half of dream-pop duo Eric & Magill. Working on Eric & Magill releases while living in both Kenya and the Republic of Armenia, Weber collaborated over the internet with a host of notable contemporary indie artists, including members of Shearwater, The Dirty Projectors, Owen, Volcano Choir and The Delgados. In 2014 he released his acclaimed debut solo album as REW<<, <i>Departeures. </i>His new album <i>Olive Skinned, Silver Tongued Sirens Sing Swan Songs</i> is his debut for Hidden Shoal.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=rew-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=rew-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery ids=\"12068,12065\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3>\r\n\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/iHI3Mw9lONo?rel=0\" frameborder=\"0\" allowfullscreen></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/V0kb_0PnuM4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>   \r\n\r\n<iframe src=\"https://www.youtube.com/embed/l-C86OxiQzY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> \r\n  \r\n<iframe src=\"https://www.youtube.com/embed/mN_Q4kEt5mI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nREW\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','REW<<','','inherit','closed','closed','','12063-revision-v1','','','2015-11-02 13:29:13','2015-11-02 05:29:13','',12063,'http://www.hiddenshoal.com/12063-revision-v1/',0,'revision','',0),(13110,1,'2015-11-04 22:42:06','2015-11-04 14:42:06','\"forêts antiques is a live recording of five songs from a performance at The Grand Théâtre in Angers (France) earlier this year. A venue given the acoustics on the recording that is worth visiting.\r\n\r\nThe middle track, at the time of recording had no name – now named Ireland, is a haunting melancholic track that extends for approaching seven minutes. Kramies delivers a mesmerising performance which relies on inflections of the voice and subtle volume and tempo changes, for it to work, as it it laid to bare chord structure.\r\n\r\nTo my mind seven minutes worth more than one repeat as Ireland will find your mind captivated by the intensity of the performance which is best received with no sharp objects laying around.\"\r\n\r\n- <a title=\"Emerging Indie Bands\" href=\"http://emergingindiebands.com/kramies-ireland-audio/\" target=\"_blank\"><strong>Emerging Indie Bands</strong></a>','Kramies \"forêts antiques\" Reviewed at Emerging Indie Bands','','publish','closed','closed','','kramies-forets-antiques-reviewed-at-emerging-indie-bands','','','2015-11-04 22:42:06','2015-11-04 14:42:06','',0,'http://www.hiddenshoal.com/?p=13110',0,'post','',0),(13111,1,'2015-11-04 22:42:06','2015-11-04 14:42:06','\"forêts antiques is a live recording of five songs from a performance at The Grand Théâtre in Angers (France) earlier this year. A venue given the acoustics on the recording that is worth visiting.\r\n\r\nThe middle track, at the time of recording had no name – now named Ireland, is a haunting melancholic track that extends for approaching seven minutes. Kramies delivers a mesmerising performance which relies on inflections of the voice and subtle volume and tempo changes, for it to work, as it it laid to bare chord structure.\r\n\r\nTo my mind seven minutes worth more than one repeat as Ireland will find your mind captivated by the intensity of the performance which is best received with no sharp objects laying around.\"\r\n\r\n- <a title=\"Emerging Indie Bands\" href=\"http://emergingindiebands.com/kramies-ireland-audio/\" target=\"_blank\"><strong>Emerging Indie Bands</strong></a>','Kramies \"forêts antiques\" Reviewed at Emerging Indie Bands','','inherit','closed','closed','','13110-revision-v1','','','2015-11-04 22:42:06','2015-11-04 14:42:06','',13110,'http://www.hiddenshoal.com/13110-revision-v1/',0,'revision','',0),(13112,1,'2015-11-05 14:20:12','2015-11-05 06:20:12','\"Kramies\r\n\r\nFind the Wood, drink the river\r\n\r\nWe don’t have to listen Kramies, Kramies isn’t here on the scene for the sound, he is here for the magic, here for the journey, here for the fantasy of  drawing make up on us, here to make us believe in immaterial, in invisible, here like small child that didn’t want to go sleeping hung on to his guitar, alone in the ray of a white light , Kramies isn’t here to be heard, he is here to be drink as we drink a river, we have to drink Kramies, even if we know that we will not be able to drink the whole of the river, but  knowing that we must, because he transports gold dust so luminous and shy that we have to fish all of them, never let one abandoned, to avoid sadness, fearing to kill some magic awaiting between a chord and a hand, between a chant  that formed as a bow net for fantastic entities , and trapped us in an hypnotic beauty of some visited banks. We have to drink Kramies, in the first mouthful catch the sensibility, in the others the innocence and fragility so musical, and staying here, in the obscurity to avoid pushing apart this magical particles that are waltzing and applauding around his hair, we must get drunk by the force of this river, leaving there our bodies looking for marks in the sparks that bring these little tiny wave on the surface, letting our bodies looking for clues that will bring back the Peter Pan’s disguise of our first love. And it’s so good to be just a listening, a sluggish presence that just know how to travel on this sound the same way as we drifted on this flow, it’s so good to swallow without end this river, that come from here and will go there, without start an ending, eternal before and immortal after. We must Remove the droughts and abuse this world that is turning around this normal chair put there on this enormous stage, but that sounds like home, the brook of our childhood, this limbo where rest showers before joining the source, before they return to delta, before being ocean, at home, inside us, in our rib cage, this same one that stretch until the troubadour‘s voice, and finally let all this river water get in us. But no, we will never drink all the liquid, damned the impossible, Kramies got the magic of making us giants, entire planets, don’t care about the tiny rivers that will never be enough, this one we will pray for it rising tide in each dream needed, in every human need and magician help, in every fault of sincerity and presence of a doubt. The little blond haired boy that splash the ray of light with gold dust stolen to the torrent, say thanks in every moment to this vast space where still flow his material in smile, lightning boxes and red velvet chairs, changing them in thrones and Neverland Islands, those drinking saint are now in silence reaching their cups and grail , just trying to never loose any piece of magic. We mustn’t listen to Kramies, just Drink up to the dregs, till we find the importance, find the various emotions in this guitar, and the poetry of this thin swimmer, little gold digger, apprentice magician, wonderful musician, theatre banks and pontoon enchanter.\"\r\n- <a title=\"A Decouvrir Absolument\" href=\"http://www.adecouvrirabsolument.com/spip.php?article6369\" target=\"_blank\"><strong>A Decouvrir Absolument</strong></a>','Kramies \"forêts antiques\" Reviewed at A Decouvrir Absolument','','publish','closed','closed','','kramies-forets-antiques-reviewed-at-a-decouvrir-absolument','','','2015-11-05 14:22:39','2015-11-05 06:22:39','',0,'http://www.hiddenshoal.com/?p=13112',0,'post','',0),(13113,1,'2015-11-05 14:20:12','2015-11-05 06:20:12','\"Kramies\r\n\r\nFind the Wood, drink the river\r\n\r\nWe don’t have to listen Kramies, Kramies isn’t here on the scene for the sound, he is here for the magic, here for the journey, here for the fantasy of  drawing make up on us, here to make us believe in immaterial, in invisible, here like small child that didn’t want to go sleeping hung on to his guitar, alone in the ray of a white light , Kramies isn’t here to be heard, he is here to be drink as we drink a river, we have to drink Kramies, even if we know that we will not be able to drink the whole of the river, but  knowing that we must, because he transports gold dust so luminous and shy that we have to fish all of them, never let one abandoned, to avoid sadness, fearing to kill some magic awaiting between a chord and a hand, between a chant  that formed as a bow net for fantastic entities , and trapped us in an hypnotic beauty of some visited banks. We have to drink Kramies, in the first mouthful catch the sensibility, in the others the innocence and fragility so musical, and staying here, in the obscurity to avoid pushing apart this magical particles that are waltzing and applauding around his hair, we must get drunk by the force of this river, leaving there our bodies looking for marks in the sparks that bring these little tiny wave on the surface, letting our bodies looking for clues that will bring back the Peter Pan’s disguise of our first love. And it’s so good to be just a listening, a sluggish presence that just know how to travel on this sound the same way as we drifted on this flow, it’s so good to swallow without end this river, that come from here and will go there, without start an ending, eternal before and immortal after. We must Remove the droughts and abuse this world that is turning around this normal chair put there on this enormous stage, but that sounds like home, the brook of our childhood, this limbo where rest showers before joining the source, before they return to delta, before being ocean, at home, inside us, in our rib cage, this same one that stretch until the troubadour‘s voice, and finally let all this river water get in us. But no, we will never drink all the liquid, damned the impossible, Kramies got the magic of making us giants, entire planets, don’t care about the tiny rivers that will never be enough, this one we will pray for it rising tide in each dream needed, in every human need and magician help, in every fault of sincerity and presence of a doubt. The little blond haired boy that splash the ray of light with gold dust stolen to the torrent, say thanks in every moment to this vast space where still flow his material in smile, lightning boxes and red velvet chairs, changing them in thrones and Neverland Islands, those drinking saint are now in silence reaching their cups and grail , just trying to never loose any piece of magic. We mustn’t listen to Kramies, just Drink up to the dregs, till we find the importance, find the various emotions in this guitar, and the poetry of this thin swimmer, little gold digger, apprentice magician, wonderful musician, theatre banks and pontoon enchanter.\"\r\n- <a title=\"A Decouvrir Absolument\" href=\"http://www.adecouvrirabsolument.com/spip.php?article6369\" target=\"_blank\"><strong>A Decouvrir Absolument</strong></a>','Kramies \"forêts antiques\" Reviewed at A Decouvrir Absolument','','inherit','closed','closed','','13112-revision-v1','','','2015-11-05 14:20:12','2015-11-05 06:20:12','',13112,'http://www.hiddenshoal.com/13112-revision-v1/',0,'revision','',0),(13114,1,'2015-11-05 14:23:47','2015-11-05 06:23:47','\"Kramies\n\nFind the Wood, drink the river\n\nWe don’t have to listen Kramies, Kramies isn’t here on the scene for the sound, he is here for the magic, here for the journey, here for the fantasy of  drawing make up on us, here to make us believe in immaterial, in invisible, here like small child that didn’t want to go sleeping hung on to his guitar, alone in the ray of a white light , Kramies isn’t here to be heard, he is here to be drink as we drink a river, we have to drink Kramies, even if we know that we will not be able to drink the whole of the river, but  knowing that we must, because he transports gold dust so luminous and shy that we have to fish all of them, never let one abandoned, to avoid sadness, fearing to kill some magic awaiting between a chord and a hand, between a chant  that formed as a bow net for fantastic entities , and trapped us in an hypnotic beauty of some visited banks. We have to drink Kramies, in the first mouthful catch the sensibility, in the others the innocence and fragility so musical, and staying here, in the obscurity to avoid pushing apart this magical particles that are waltzing and applauding around his hair, we must get drunk by the force of this river, leaving there our bodies looking for marks in the sparks that bring these little tiny wave on the surface, letting our bodies looking for clues that will bring back the Peter Pan’s disguise of our first love. And it’s so good to be just a listening, a sluggish presence that just know how to travel on this sound the same way as we drifted on this flow, it’s so good to swallow without end this river, that come from here and will go there, without start an ending, eternal before and immortal after. We must Remove the droughts and abuse this world that is turning around this normal chair put there on this enormous stage, but that sounds like home, the brook of our childhood, this limbo where rest showers before joining the source, before they return to delta, before being ocean, at home, inside us, in our rib cage, this same one that stretch until the troubadour‘s voice, and finally let all this river water get in us. But no, we will never drink all the liquid, damned the impossible, Kramies got the magic of making us giants, entire planets, don’t care about the tiny rivers that will never be enough, this one we will pray for it rising tide in each dream needed, in every human need and magician help, in every fault of sincerity and presence of a doubt. The little blond haired boy that splash the ray of light with gold dust stolen to the torrent, say thanks in every moment to this vast space where still flow his material in smile, lightning boxes and red velvet chairs, changing them in thrones and Neverland Islands, those drinking saint are now in silence reaching their cups and grail , just trying to never loose any piece of magic. We mustn’t listen to Kramies, just Drink up to the dregs, till we find the importance, find the various emotions in this guitar, and the poetry of this thin swimmer, little gold digger, apprentice magician, wonderful musician, theatre banks and pontoon enchanter.\"\n\n- <a title=\"A Decouvrir Absolument\" href=\"http://www.adecouvrirabsolument.com/spip.php?article6369\" target=\"_blank\"><strong>A Decouvrir Absolument</strong></a>','Kramies \"forêts antiques\" Reviewed at A Decouvrir Absolument','','inherit','closed','closed','','13112-autosave-v1','','','2015-11-05 14:23:47','2015-11-05 06:23:47','',13112,'http://www.hiddenshoal.com/13112-autosave-v1/',0,'revision','',0),(13116,1,'2015-11-06 14:19:22','2015-11-06 06:19:22','[Translated from the <a title=\"Ethereal\" href=\"http://etherreal.com/spip.php?article5204\" target=\"_blank\">original French</a> via Google Translate]\r\n\r\n\"<span class=\"notranslate\">Developing electronic projects under a pseudonym and keep its own name neoclassical proposals: the schema is known and other musicians have been able to do so.</span> <span class=\"notranslate\"> It is the turn of <strong>Medard Fischer</strong> to do this: follow these pages for his records, appeared on n5MD under the name of Arc Lab or on Review Down duo, Canadian stays true to <strong>Hidden Shoal Recordings</strong> (Australian label hosting, specifically, his duet publications) for this event.</span>\r\n\r\n<span class=\"notranslate\"> Second of its kind (a first digital EP had previously been self-produced), <i>this</i> Four <i>Songs For The City Of New York</i> could simply align graceful piano notes, without further ambition, and it\'s a little fear Like to listen to the first minute of the opening track.</span> <span class=\"notranslate\"> Fortunately, an electronic table enriches the atmosphere of <i>The Imaginary City.</i></span> <span class=\"notranslate\"> Thereafter, if it is a quasi-stripped piano we find with this eternal aspect of contemplative and slightly elegiac, on the writ <i>Almost Five Years To The Day,</i> the last two tracks are sailing towards more ambient shores and more convincing.</span>\r\n\r\n<span class=\"notranslate\"> <i>Monument</i> with his swing, as tapped, especially <i>A Light That Does not Go Out (a priori</i> nothing to do with the piece of The Smiths), seven minutes long, is more ambitious tendencies receptacle.</span> <span class=\"notranslate\"> In fact, there converse few piano keys and a light texture, all bathed in a delicate melancholy and certainly constitutes the strong point of this EP.</span>\"\r\n\r\n- <a title=\"EtherReal\" href=\"http://etherreal.com/spip.php?article5204\" target=\"_blank\"><strong>EtherReal</strong></a>','Medard Fischer \"Four Songs For The City of New York\" Reviewed at EtherReal','','inherit','closed','closed','','13115-revision-v1','','','2015-11-06 14:19:22','2015-11-06 06:19:22','',13115,'http://www.hiddenshoal.com/13115-revision-v1/',0,'revision','',0),(13117,1,'2015-11-06 14:23:44','2015-11-06 06:23:44','[Translated from the <a title=\"EtherReal\" href=\"http://www.etherreal.com/spip.php?article5188\" target=\"_blank\">original French</a> via Google Translate]\r\n\r\n\"<span class=\"notranslate\">Structure why we always scrutinized with interest <strong>publications,</strong> Hidden <strong>Shoal Recordings</strong> is attentive to his local scene (Australian, so) as foreign, able productions in particular identify on netlabels artists who have not yet released physical disks.</span> <span class=\"notranslate\"> Thus Elisa Luu could, for example, about his first releases on CD, and so after a first digital album (hosted at Luxus-Arctica Records), <strong>Erik Nilsson</strong> sees his second effort published on the label of Perth, but only in digital (the structure having apparently given up physical format).</span>\r\n\r\n<span class=\"notranslate\"> Totally unknown to us, the Swede moved in early disk, an electronic form rather ambient in which the melodies unfold gradually, as if they were slow to get out of sleep (both in terms of tempo of their range).</span> <span class=\"notranslate\"> As the ensemble invigorates, real instruments are emerging (guitar, piano, vibraphone), the point of emotion and ambition is emerging, to be a great success;</span> <span class=\"notranslate\"> placed third, <i>On And Onward</i> and cleverly crosses électronisé inclinations from a post-rock and racing character of a piano removed.</span>\r\n\r\n<span class=\"notranslate\"> If the rest of <i>Hearing Thing</i> can not be repeated this performance, the album still manages to be varied enough to interest throughout his forty-four minutes.</span> <span class=\"notranslate\"> The Nilsson ability to combine neo-classical approach, loose guitar and most disturbing fact screeching and <i>distance, Wind And Heat</i> a room entirely relevant, as the integration of saturation on the last third of <i>In One-Fifth Of A Second</i> dimension or more languid guitar phrasings of <i>Drawing / Dreaming.</i></span> <span class=\"notranslate\"> In total, therefore we retain this remarkable heterogeneity, emphasizing the emotional aspects of this beautiful and inspiring discovery.</span>\"\r\n\r\n- <a title=\"EtherReal\" href=\"http://www.etherreal.com/spip.php?article5188\" target=\"_blank\"><strong>EtherReal</strong></a>','Erik Nilsson \"Hearing Things\" Reviewed at EtherReal','','publish','closed','closed','','erik-nilsson-hearing-things-reviewed-at-etherreal','','','2015-11-06 14:23:44','2015-11-06 06:23:44','',0,'http://www.hiddenshoal.com/?p=13117',0,'post','',0),(13118,1,'2015-11-06 14:23:44','2015-11-06 06:23:44','[Translated from the <a title=\"EtherReal\" href=\"http://www.etherreal.com/spip.php?article5188\" target=\"_blank\">original French</a> via Google Translate]\r\n\r\n\"<span class=\"notranslate\">Structure why we always scrutinized with interest <strong>publications,</strong> Hidden <strong>Shoal Recordings</strong> is attentive to his local scene (Australian, so) as foreign, able productions in particular identify on netlabels artists who have not yet released physical disks.</span> <span class=\"notranslate\"> Thus Elisa Luu could, for example, about his first releases on CD, and so after a first digital album (hosted at Luxus-Arctica Records), <strong>Erik Nilsson</strong> sees his second effort published on the label of Perth, but only in digital (the structure having apparently given up physical format).</span>\r\n\r\n<span class=\"notranslate\"> Totally unknown to us, the Swede moved in early disk, an electronic form rather ambient in which the melodies unfold gradually, as if they were slow to get out of sleep (both in terms of tempo of their range).</span> <span class=\"notranslate\"> As the ensemble invigorates, real instruments are emerging (guitar, piano, vibraphone), the point of emotion and ambition is emerging, to be a great success;</span> <span class=\"notranslate\"> placed third, <i>On And Onward</i> and cleverly crosses électronisé inclinations from a post-rock and racing character of a piano removed.</span>\r\n\r\n<span class=\"notranslate\"> If the rest of <i>Hearing Thing</i> can not be repeated this performance, the album still manages to be varied enough to interest throughout his forty-four minutes.</span> <span class=\"notranslate\"> The Nilsson ability to combine neo-classical approach, loose guitar and most disturbing fact screeching and <i>distance, Wind And Heat</i> a room entirely relevant, as the integration of saturation on the last third of <i>In One-Fifth Of A Second</i> dimension or more languid guitar phrasings of <i>Drawing / Dreaming.</i></span> <span class=\"notranslate\"> In total, therefore we retain this remarkable heterogeneity, emphasizing the emotional aspects of this beautiful and inspiring discovery.</span>\"\r\n\r\n- <a title=\"EtherReal\" href=\"http://www.etherreal.com/spip.php?article5188\" target=\"_blank\"><strong>EtherReal</strong></a>','Erik Nilsson \"Hearing Things\" Reviewed at EtherReal','','inherit','closed','closed','','13117-revision-v1','','','2015-11-06 14:23:44','2015-11-06 06:23:44','',13117,'http://www.hiddenshoal.com/13117-revision-v1/',0,'revision','',0),(13120,1,'2015-11-06 15:31:10','2015-11-06 07:31:10','\"Chloë March’s musical past covers a stint in the sophisticated melodrama of Cousteau as well as a background in drama and playwriting. Such skills and experiences have been put to excellent use on new album ‘Nights Bright Day’ where the attention to production detail is matched with fascinating storytelling.\r\n\r\nBathed in magical beauty, ‘Winter Deep’ sees March cast as the female equivalent of C Duncan, with whom she shares a cool, breathy vocal and a penchant for dreamy arrangements. March’s primary focus seems to be on piano-led numbers and lambent, ambient pop, with strong echoes of Jo Hamilton on ‘Cafe Des Poetes’, yet a diversions into psychedelic soul (courtesy of ‘Boho Night’) is tackled with skill and panache. The superb ‘Orpheus Head’ bubbles with highly inventive production and oddball melody where the key lyrics, “You’re in my head. You’re in the ground, beneath my feet”, are delivered gently for maximum impact.\r\n\r\nA clutch of spare, vocal-led numbers (‘Ember’, ‘Eurydice On The Underground’, ‘Orpheus At Sea’, ‘Eucalyptus Night’) seem like lost anthems from a watery world whilst a spectral ‘Be Lonely Roi’ threatens to lure the listener completely underwater, engulfed by the hypnotic aural bliss. On abstract offerings such as ‘Sunless’, ‘Woods’ and the Anja Garbarek-esque ‘Owl’, meanwhile, it’s as if nature itself has decided to take over and recorded its own beautiful songs.\r\n\r\nVariations in pace may be few and far between but this is not a problem because the arrangements always keep the listener guessing from the first song to the shiver-inducing grace of the finale ‘Unlit’. Furthermore, March’s vocals manage to find that difficult balance between elegance, emotion and mystery. A joy.\"\r\n\r\n- <a title=\"Leonard\'s Lair\" href=\"https://leonardslair.wordpress.com/2015/10/07/review-chloe-march-nights-bright-day/\" target=\"_blank\">Leonard\'s Lair</a>','Chloe March \"Nights Bright Days\" Reviewed at Leonard\'s Lair','','inherit','closed','closed','','13119-revision-v1','','','2015-11-06 15:31:10','2015-11-06 07:31:10','',13119,'http://www.hiddenshoal.com/13119-revision-v1/',0,'revision','',0),(13122,1,'2015-11-11 11:29:43','2015-11-11 03:29:43','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Medard Fischer</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft size-medium wp-image-12696\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Medard-Fischer-300x198.jpg\" alt=\"Medard Fischer\" width=\"300\" height=\"198\" /></a>Best known for his solo work as Arc Lab and Tyyson, and as half of Hidden Shoal’s electronic duo <a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\">Down Review</a> with Tim Arndt (Near The Parenthesis), Medard Fischer’s eponymous solo work distills the warm ambience and impressionistic piano work of his previous releases into cohesive new forms. These thematically driven compositions orbit the intersection of modern classical music, textured ambient soundscapes and music for film, creating undeniably moving instrumental works.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Arc-Lab/6829244204\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/medard-fischer\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"http://www.medardfischer.com/\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/au/album/four-songs-for-city-new-york/id1037205119?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Four Songs for the City of New York</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3799982644/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://medardfischer.bandcamp.com/album/four-songs-for-the-city-of-new-york\">Four Songs for the City of New York by Medard Fischer</a></iframe>\r\n2015\r\n\r\nOn his new EP <i>Four Songs for the City of New York</i>, Medard Fischer brings all of his considerable musical sensitivity to bear to create exquisitely moving neo-classical ambient. Although best known for his solo work as Arc Lab and Tyyson, and as half of Hidden Shoal’s electronic duo Down Review, Medard Fischer’s eponymous solo work distills the warm ambience and impressionistic piano work of his previous releases into cohesive new forms.\r\n\r\n<i>Four Songs for the City of New York</i> pays homage to a dynamic, incomparable city. Opener ‘The Imaginary City’ traces icy outlines in high-register piano notes before a celestial drone and unnerving voices subsume the mix. ‘Five Years Almost to the Day’ is similarly reflective, but infused with undeniable hope and warmth. ‘Monument’ and closer ‘A Light That Doesn’t Go Out’ are perhaps closest to the iridescent electronica of his Arc Lab work, yet they radiate a depth of yearning and melancholy that is indescribably touching.\r\n\r\n&nbsp;\r\n<h4>Four Songs for Peter Fechter</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=360486890/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://medardfischer.bandcamp.com/album/four-songs-for-peter-fechter\">Four Songs for Peter Fechter by Medard Fischer</a></iframe>\r\n2014\r\n\r\nFour pieces inspired by the events surrounding Peter Fechter\'s death and triumph over the misery of his final moments. To honour his desire for freedom and a better life, net proceeds of EP sales will be donated to the UN Refugee Agency. About Peter Fechter: On August 17, 1962, Peter Fechter, an eighteen year-old East German bricklayer, became one of the first and youngest fatalities of the border patrols along the Berlin Wall. Fechter and a friend ran the wall near Checkpoint Charlie in the Kreuzberg district of central Berlin. Fechter was shot in the pelvis by an East German border guard during his attempt to scale the wall and fell back into the \"death-strip\" on the eastern side. He lay in agony in full view of western onlookers, and of border guards on each side of the wall. Despite his pleas, he was refused medical attention, and western bystanders were prevented at gunpoint from assisting him. He died of blood loss approximately an hour later. The senselessness of his death and the refusal of both East and West German border guards to render him aid was a flashpoint for anger in Berlin over division of the city and construction of the wall and led to the eruption of spontaneous demonstrations in the city.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nA Toronto native and Sydney resident via New York, Medard Fischer creates music as varied and evocative as the places that have inspired it. As 50% of Hidden Shoal duo <a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\">Down Review</a> and 100% of Tyyson and Arc Lab (released on n5MD, MMBP and Duotone), Fischer\'s releases over the past 10 years have taken in warm ambience, avant electro-pop, impressionistic piano etudes and tough electronics. Dropping the pseudonyms, his latest eponymous work distils these disparate touchpoints into cohesive, thematically-driven compositions orbiting the intersection of modern classical music, textured ambient soundscapes, and music for film. In 2014 he self-released <i>Four Songs For Peter Fechter</i>, a lament for the wrongfully killed – a reckoning of injustice. <i>Four Songs for the City of New York</i>, which pays homage to a dynamic, incomparable city, is his first solo release on Hidden Shoal.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=medardfischer-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=medardfischer-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12696,12697\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMedard Fischer\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Medard Fischer','','inherit','closed','closed','','12693-revision-v1','','','2015-11-11 11:29:43','2015-11-11 03:29:43','',12693,'http://www.hiddenshoal.com/12693-revision-v1/',0,'revision','',0),(13123,1,'2015-11-12 13:48:20','2015-11-12 05:48:20','\"Bavarian based sound designer and electronic artist Markus Mehr carries on here his creative and productive collaboration with the now classic label Hidden Shoal Recordings. This time Markus invited a handful of artists to remix his latest recordings collected in the recommended binary rooms. The listener is immersed in a dense, tense, refined and exceptionally moving semi jazzy inflected minimal electronic experience.\r\n\r\nFirst remix by Incite encompasses the aesthetics of abstract modern glitch-ambient and modern classical music with treated minimal piano touches and kinetic electronic scintillations. Very sculptural, hypnotic and pulsating this track reveals lovely textured sound ambiences in a brilliant elegant mood. While Conga Fever’s remix is a punchy, efficient and groovy cinematic electronic interlude, Erik Nilsson’s remix is a more modern classical / ambient electronic affair where acoustic detached-semi romantic timbres meet systemic and menacing electronic motifs. A well nuanced and evocative track. David Koch’s remix is surfing on the same stylistic path with a very seducing and alluring approach on minimal electronics. A cohesive, dynamic, emotionally vibrant and greatly orchestrated album from start to the end. It will definitely convince fans of Markus Mehr’s original musical syncretism as well as fans of IDM and post-techno ambient manifests. A great musical companion to the excellent Binary Rooms.\"\r\n\r\n- <strong><a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/markus-mehr-in-the-palm-of-your-hand-the-remix-ep-hidden-shoal\" target=\"_blank\">Igloo Mag</a></strong>','Markus Mehr \"In The Palm Of Your Hand (The Remix EP)\" Reviewed at Igloo Mag','','publish','closed','closed','','markus-mehr-in-the-palm-of-your-hand-the-remix-ep-reviewed-at-igloo-mag','','','2015-11-12 13:50:40','2015-11-12 05:50:40','',0,'http://www.hiddenshoal.com/?p=13123',0,'post','',0),(13124,1,'2015-11-12 13:47:19','2015-11-12 05:47:19','\"Bavarian based sound designer and electronic artist Markus Mehr carries on here his creative and productive collaboration with the now classic label Hidden Shoal Recordings. This time Markus invited a handful of artists to remix his latest recordings collected in the recommended binary rooms. The listener is immersed in a dense, tense, refined and exceptionally moving semi jazzy inflected minimal electronic experience.\r\n\r\nFirst remix by Incite encompasses the aesthetics of abstract modern glitch-ambient and modern classical music with treated minimal piano touches and kinetic electronic scintillations. Very sculptural, hypnotic and pulsating this track reveals lovely textured sound ambiences in a brilliant elegant mood. While Conga Fever’s remix is a punchy, efficient and groovy cinematic electronic interlude, Erik Nilsson’s remix is a more modern classical / ambient electronic affair where acoustic detached-semi romantic timbres meet systemic and menacing electronic motifs. A well nuanced and evocative track. David Koch’s remix is surfing on the same stylistic path with a very seducing and alluring approach on minimal electronics. A cohesive, dynamic, emotionally vibrant and greatly orchestrated album from start to the end. It will definitely convince fans of Markus Mehr’s original musical syncretism as well as fans of IDM and post-techno ambient manifests. A great musical companion to the excellent Binary Rooms.\"\r\n\r\n- <strong><a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/markus-mehr-in-the-palm-of-your-hand-the-remix-ep-hidden-shoal\" target=\"_blank\">Igloo Mag</a></strong>','Markus Mehr \"In The Palm of Your Hand (The Remix EP)\" Reviewed at Igloo Mag ','','inherit','closed','closed','','13123-revision-v1','','','2015-11-12 13:47:19','2015-11-12 05:47:19','',13123,'http://www.hiddenshoal.com/13123-revision-v1/',0,'revision','',0),(13125,1,'2015-11-12 13:50:40','2015-11-12 05:50:40','\"Bavarian based sound designer and electronic artist Markus Mehr carries on here his creative and productive collaboration with the now classic label Hidden Shoal Recordings. This time Markus invited a handful of artists to remix his latest recordings collected in the recommended binary rooms. The listener is immersed in a dense, tense, refined and exceptionally moving semi jazzy inflected minimal electronic experience.\r\n\r\nFirst remix by Incite encompasses the aesthetics of abstract modern glitch-ambient and modern classical music with treated minimal piano touches and kinetic electronic scintillations. Very sculptural, hypnotic and pulsating this track reveals lovely textured sound ambiences in a brilliant elegant mood. While Conga Fever’s remix is a punchy, efficient and groovy cinematic electronic interlude, Erik Nilsson’s remix is a more modern classical / ambient electronic affair where acoustic detached-semi romantic timbres meet systemic and menacing electronic motifs. A well nuanced and evocative track. David Koch’s remix is surfing on the same stylistic path with a very seducing and alluring approach on minimal electronics. A cohesive, dynamic, emotionally vibrant and greatly orchestrated album from start to the end. It will definitely convince fans of Markus Mehr’s original musical syncretism as well as fans of IDM and post-techno ambient manifests. A great musical companion to the excellent Binary Rooms.\"\r\n\r\n- <strong><a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/markus-mehr-in-the-palm-of-your-hand-the-remix-ep-hidden-shoal\" target=\"_blank\">Igloo Mag</a></strong>','Markus Mehr \"In The Palm Of Your Hand (The Remix EP)\" Reviewed at Igloo Mag','','inherit','closed','closed','','13123-revision-v1','','','2015-11-12 13:50:40','2015-11-12 05:50:40','',13123,'http://www.hiddenshoal.com/13123-revision-v1/',0,'revision','',0),(13126,1,'2015-11-12 16:31:17','2015-11-12 08:31:17','[Translated from the <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2015/11/07/awma/\" target=\"_blank\">original Italian</a> via Google Translate]\r\n\r\n\"New name and new adventure for Conor Devlin and Eimer ( [The] caseworker ), assisted by Jason Lakis (The Red Thread) in a project marked by fading dreamy electric, developed first as a Half Film and now under the name AWMA, to debut with four tracks of an eponymous EP.\r\n\r\nThe spatial components and nuanced ye reveal already in the works of [The] caseworker come in the context of the new formation to maturation in the sense of a thickening of sound grain, resulting in substantial abandonment of lightness and jangly pop appetite broadly related to it, in favor of vortices guitar by the slow and heavy, which are equivalent in the dark timbre of interpretations.\r\n\r\nDecidedly marked by a grim and psychedelic desert, the seventeen minutes Ep open up horizons so a reboot to sound spaces infinite, in a colorful synthesis of atmospheric rock.\"\r\n\r\n- <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2015/11/07/awma/\" target=\"_blank\"><strong>Music Won\'t Save You</strong></a>','AWMA s/t EP Reviewed at Music Won\'t Save You','New name and new adventure for Conor Devlin and Eimer ( [The] caseworker ), assisted by Jason Lakis (The Red Thread) in a project marked by fading dreamy electric, developed first as a Half Film and now under the name AWMA, to debut with four tracks of an eponymous EP.\r\n\r\nThe spatial components and nuanced ye reveal already in the works of [The] caseworker come in the context of the new formation to maturation in the sense of a thickening of sound grain, resulting in substantial abandonment of lightness and jangly pop appetite broadly related to it, in favor of vortices guitar by the slow and heavy, which are equivalent in the dark timbre of interpretations.\r\n\r\nDecidedly marked by a grim and psychedelic desert, the seventeen minutes Ep open up horizons so a reboot to sound spaces infinite, in a colorful synthesis of atmospheric rock.','publish','closed','closed','','awma-st-ep-reviewed-at-music-wont-save-you','','','2015-11-12 16:36:58','2015-11-12 08:36:58','',0,'http://www.hiddenshoal.com/?p=13126',0,'post','',0),(13127,1,'2015-11-12 16:31:17','2015-11-12 08:31:17','[Translated from the <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2015/11/07/awma/\" target=\"_blank\">original Italian</a> via Google Translate]\r\n\r\n\"New name and new adventure for Conor Devlin and Eimer ( [The] caseworker ), assisted by Jason Lakis (The Red Thread) in a project marked by fading dreamy electric, developed first as a Half Film and now under the name AWMA, to debut with four tracks of an eponymous EP.\r\n\r\nThe spatial components and nuanced ye reveal already in the works of [The] caseworker come in the context of the new formation to maturation in the sense of a thickening of sound grain, resulting in substantial abandonment of lightness and jangly pop appetite broadly related to it, in favor of vortices guitar by the slow and heavy, which are equivalent in the dark timbre of interpretations.\r\n\r\nDecidedly marked by a grim and psychedelic desert, the seventeen minutes Ep open up horizons so a reboot to sound spaces infinite, in a colorful synthesis of atmospheric rock.\"\r\n\r\n- <strong>Music Won\'t Save You</strong>','AWMA s/t EP Reviewed at Music Won\'t Save You','','inherit','closed','closed','','13126-revision-v1','','','2015-11-12 16:31:17','2015-11-12 08:31:17','',13126,'http://www.hiddenshoal.com/13126-revision-v1/',0,'revision','',0),(13128,1,'2015-11-12 16:31:45','2015-11-12 08:31:45','[Translated from the <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2015/11/07/awma/\" target=\"_blank\">original Italian</a> via Google Translate]\r\n\r\n\"New name and new adventure for Conor Devlin and Eimer ( [The] caseworker ), assisted by Jason Lakis (The Red Thread) in a project marked by fading dreamy electric, developed first as a Half Film and now under the name AWMA, to debut with four tracks of an eponymous EP.\r\n\r\nThe spatial components and nuanced ye reveal already in the works of [The] caseworker come in the context of the new formation to maturation in the sense of a thickening of sound grain, resulting in substantial abandonment of lightness and jangly pop appetite broadly related to it, in favor of vortices guitar by the slow and heavy, which are equivalent in the dark timbre of interpretations.\r\n\r\nDecidedly marked by a grim and psychedelic desert, the seventeen minutes Ep open up horizons so a reboot to sound spaces infinite, in a colorful synthesis of atmospheric rock.\"\r\n\r\n- <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2015/11/07/awma/\" target=\"_blank\"><strong>Music Won\'t Save You</strong></a>','AWMA s/t EP Reviewed at Music Won\'t Save You','','inherit','closed','closed','','13126-revision-v1','','','2015-11-12 16:31:45','2015-11-12 08:31:45','',13126,'http://www.hiddenshoal.com/13126-revision-v1/',0,'revision','',0),(13129,1,'2015-11-12 16:36:58','2015-11-12 08:36:58','[Translated from the <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2015/11/07/awma/\" target=\"_blank\">original Italian</a> via Google Translate]\r\n\r\n\"New name and new adventure for Conor Devlin and Eimer ( [The] caseworker ), assisted by Jason Lakis (The Red Thread) in a project marked by fading dreamy electric, developed first as a Half Film and now under the name AWMA, to debut with four tracks of an eponymous EP.\r\n\r\nThe spatial components and nuanced ye reveal already in the works of [The] caseworker come in the context of the new formation to maturation in the sense of a thickening of sound grain, resulting in substantial abandonment of lightness and jangly pop appetite broadly related to it, in favor of vortices guitar by the slow and heavy, which are equivalent in the dark timbre of interpretations.\r\n\r\nDecidedly marked by a grim and psychedelic desert, the seventeen minutes Ep open up horizons so a reboot to sound spaces infinite, in a colorful synthesis of atmospheric rock.\"\r\n\r\n- <a title=\"Music Won\'t Save You\" href=\"http://musicwontsaveyou.com/2015/11/07/awma/\" target=\"_blank\"><strong>Music Won\'t Save You</strong></a>','AWMA s/t EP Reviewed at Music Won\'t Save You','New name and new adventure for Conor Devlin and Eimer ( [The] caseworker ), assisted by Jason Lakis (The Red Thread) in a project marked by fading dreamy electric, developed first as a Half Film and now under the name AWMA, to debut with four tracks of an eponymous EP.\r\n\r\nThe spatial components and nuanced ye reveal already in the works of [The] caseworker come in the context of the new formation to maturation in the sense of a thickening of sound grain, resulting in substantial abandonment of lightness and jangly pop appetite broadly related to it, in favor of vortices guitar by the slow and heavy, which are equivalent in the dark timbre of interpretations.\r\n\r\nDecidedly marked by a grim and psychedelic desert, the seventeen minutes Ep open up horizons so a reboot to sound spaces infinite, in a colorful synthesis of atmospheric rock.','inherit','closed','closed','','13126-revision-v1','','','2015-11-12 16:36:58','2015-11-12 08:36:58','',13126,'http://www.hiddenshoal.com/13126-revision-v1/',0,'revision','',0),