(15099,1,'2016-10-25 11:44:55','2016-10-25 03:44:55','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2016\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2016</h3>\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Whats The Story\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-15057 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/10/Whats-The-Story-With-This-Hole-Cover-Art-1000px-300x300.jpg\" alt=\"What\'s The Story With This Hole?\" width=\"300\" height=\"300\" /></a>\r\nCraig Hallsworth\r\nWhat\'s The Story with This Hole? (2016)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"gila man\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-14847 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/09/Gila-Man-Cover-Art-300x300.jpg\" alt=\"Todd Tobias - Gila Man\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Gila Man </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"songs of delay\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-14862 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/09/Songs-of-Delay-Cover-Art-300x300.jpg\" alt=\"Songs of Delay\" width=\"300\" height=\"300\" /></a>\r\nJoe Sampson\r\n<em>Songs of Delay </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Wagers\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/arc-lab/\"><img class=\"alignnone wp-image-14666 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/07/The-Wagers-of-Love-and-Their-Songs-from-the-Witching-Hour-1400px-300x300.jpg\" alt=\"The Wagers of Love and Their Songs from the Witching Hour\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em> The Wagers Of Love And Their Songs From The Witching Hour</em> (2016)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Anthem\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/arc-lab/\"><img class=\"alignnone size-medium wp-image-14609\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/06/Anthem-Cover-1000px-300x300.jpg\" alt=\"Arc Lab &quot;Anthem&quot;\" width=\"300\" height=\"300\" /></a>\r\nArc Lab\r\n<em>Anthem </em>(2016)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Obsolete\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone wp-image-14571 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Obsolete-Cover-Art-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" /></a>\r\nMemorybell\r\n<em>Obsolete </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Delicate Power\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone wp-image-14511 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art-300x300.jpg\" alt=\"Delicate Power (In The Hands of Others) Cover Art\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Delicate Power (In The Hands Of Others) </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Recollage\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-14296 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px-300x300.jpg\" alt=\"Recollage\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Recollage </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Into The Sparks\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-14483 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>Into The Sparks </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"isometrik\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><img class=\"alignnone size-medium wp-image-14392\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Isometrik-Cover-Art-300x300.jpg\" alt=\"Isometrik Cover Art\" width=\"300\" height=\"300\" /></a>\r\nGlanko and Daniel Bailey\r\n<em>Isometrik </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"re-directed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Re-Directed </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"glass dimly\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<em><a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"300\" height=\"300\" /></a></em>\r\nAntonymes\r\n<em>(For Now We See) Through A Glass Dimly </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"orpheus pavement\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-14243 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>The Orpheus Pavement </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"isometrik\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><img class=\"alignnone size-medium wp-image-14392\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Isometrik-Cover-Art-300x300.jpg\" alt=\"Isometrik Cover Art\" width=\"300\" height=\"300\" /></a>\r\nGlanko and Daniel Bailey\r\n<em>Isometrik </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2015\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2015</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"ZC\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/crisis-actors/\"><img class=\"alignnone wp-image-14675 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ZCep_COVERhd-300x300.jpg\" alt=\"ZC\" width=\"300\" height=\"300\" /></a>\r\nZealous Chang\r\n<em>ZC</em> (2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"white guilt\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/crisis-actors/\"><img class=\"alignnone wp-image-13203 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/12/CA-cover-300x300.jpg\" alt=\"Crisis Actors - White Guilt, White Heat EP\" width=\"300\" height=\"300\" /></a>\r\nCrisis Actors\r\n<em>White Guilt, White Heat</em> (2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"long range\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"https://hiddenshoal.bandcamp.com/album/long-range-transmissions\"><img class=\"alignnone wp-image-13139 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/11/Long-Range-Transmissions-300.jpg\" alt=\"Long Range Transmissions\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Long Range Transmissions</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"forets\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-13061 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"forêts antiques\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>forêts antiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Palm\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-13050\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork-300x300.jpg\" alt=\"In The Palm of Your Hand - The Remix EP\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In The Palm of Your Hand - The Remix EP </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"AWMA\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/awma/\"><img class=\"alignnone wp-image-13036 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/AWMA-1000-300x300.jpg\" alt=\"AWMA EP\" width=\"300\" height=\"300\" /></a>\r\nAWMA\r\n<em>AWMA </em>(2015)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Extent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/battlestations/\"><img class=\"alignnone wp-image-12955 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/09/The-Extent-of-Damage-Cover-1200px-300x300.jpg\" alt=\"The Extent of Damage\" width=\"300\" height=\"300\" /></a>\r\nBattlestations\r\n<em>The Extent of Damage </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"New York\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/medard-fischer/\"><img class=\"alignnone size-medium wp-image-12847\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Cover-art-300x300.jpg\" alt=\"Four Songs for the City of New York\" width=\"300\" height=\"300\" /></a>\r\nMedard Fischer\r\n<em>Four Songs for the City of New York </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Troubled Mystic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/liminal-drifter/\"><img class=\"alignnone wp-image-12861 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Troubled-Mystic-Album-1000px-300x300.jpg\" alt=\"Liminal Drifter - Troubled Mystic\" width=\"300\" height=\"300\" /></a>\r\nLiminal Drifter\r\n<em>Troubled Mystic </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Olive Skinned\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/rew/\"><img class=\"alignnone wp-image-12249 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Olive-Skinned-Cover-1400x1400-pxl-300x300.jpg\" alt=\"Olive Skinned, Silver Tongued Sirens Sing Swan Songs\" width=\"300\" height=\"300\" /></a>\r\nREW&lt;&lt;\r\n<em>Olive Skinned, Silver Tongued Sirens Sing Swan Songs </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Pea Green\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/the-star-department/\"><img class=\"alignnone wp-image-12312 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Pea-Green-Boat-Cover-Art-1000px-300x300.jpg\" alt=\"The Pea Green Boat\" width=\"300\" height=\"300\" /></a>\r\nThe Star Department\r\n<em>The Pea Green Boat </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearing Things\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><img class=\"alignnone size-medium wp-image-12629\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Hearing-Things-Front-Cover-1000px-300x300.jpg\" alt=\"Erik Nilsson - Hearing Things\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Hearing Things </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Rough\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12669\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Rough-Cover-Art-1400px-300x300.jpg\" alt=\"Rough\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Rough </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Tristes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-12367 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Tristes-Tropiques-Cover-300px.jpg\" alt=\"Todd Tobias - Tristes Tropiques\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Tristes Tropiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"les limbes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/les-limbes/\"><img class=\"alignnone wp-image-12271 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Les-Limbes-EP-Cover-300px.jpg\" alt=\"Les Limbes EP\" width=\"300\" height=\"300\" /></a>\r\nLes Limbes\r\n<em>Les Limbes </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"axis swim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/october-solution/\"><img class=\"alignnone wp-image-12242 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"300\" height=\"300\" /></a>\r\nThe October Solution\r\n<em>Axis Swim Scar</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"fate\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-12109 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/03/Kramies-The-Fate-300px-300x300.jpg\" alt=\"Kramies \'The Fate That Never Favored Us\'\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Fate That Never Favored Us</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"river fire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-12036 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/To-Set-The-River-On-Fire-300px.jpg\" alt=\"To-Set-The-River-On-Fire-300px\" width=\"300\" height=\"300\" /></a>\r\nChloe March vs. Markus Mehr\r\n<em>To Set The River on Fire </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2014\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2014</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"dusk recital\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-11402 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/duskrecital_300.jpg\" alt=\"The Dusk Recital\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Dusk Recital</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"makee\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/makee/\"><img class=\"alignnone wp-image-11088 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Makee-EP-300px.jpg\" alt=\"Makee EP\" width=\"300\" height=\"300\" /></a>\r\nmakee\r\n<em>makee</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Nights Bright Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-11189 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Nights-Bright-Days-Cover-1000px-300x300.jpg\" alt=\"Nights Bright Days\" width=\"300\" height=\"300\" /></a>\r\nChloë March\r\n<em>Nights bright Days</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under The Day\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone size-medium wp-image-11191\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderTheDayCov350-300x300.jpg\" alt=\"Under The Day\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>Under The Day</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Enchanting Gaze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone wp-image-11190 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enchanting-Gaze-1000px-300x300.jpg\" alt=\"Enchanting Gaze\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Enchanting Gaze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-medium wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities 2\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-11192 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Impossible-Cites-2-1000px-300x300.jpg\" alt=\"Impossible Cites 2\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities 2</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Binary Rooms\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-10985 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - \" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Binary Rooms</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deconstruction Manual\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\"><img class=\"alignnone wp-image-10803 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Deconstruction Manual</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"In Between\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-10470 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/In-Between-Cover-1000px-300x300.jpg\" alt=\"Kryshe - In Between\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>In Between</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Revolving Maze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignnone wp-image-10715 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Revolving-Maze-Front-Cover-300x300.jpg\" alt=\"Revolving Maze\" width=\"300\" height=\"300\" /></a>\r\nInvolved\r\n<em>Revolving Maze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Positive Haywires\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignnone size-medium wp-image-10728\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Positive-Haywires-Front-Cover-1000px-300x300.jpg\" alt=\"Positive Haywires\" width=\"300\" height=\"300\" /></a>\r\nBrother Earth\r\n<em>Positive Haywires</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under Songs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/draliensmith/\"><img class=\"alignnone wp-image-10373 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderSongsCoverArt-300x300.jpg\" alt=\"Under Songs\" width=\"300\" height=\"300\" /></a>\r\nDrAlienSmith\r\n<em>Under Songs</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Cogent Sea</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Growing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-11052 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Growing-Cover-300x300.jpg\" alt=\"Growing\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Growing</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em> The Folklore Sessions</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone wp-image-9399 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /></a>\r\nperth\r\nWhere\'s Utopia (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2013\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2013</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a>\r\nperth\r\n<em>What’s Your Utopia?</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"No True Beauty\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/NO-TRUE-BEAUTY-300x300.jpg\" alt=\"There Can Be True Beauty Without Decay\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>There Can Be No True Beauty Without Decay </em></em>(2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Voices Out There</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Wooden Heart</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Live in Bari</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Let\'s Adjourn To The Garden</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope III\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12430 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemacope-III-cover-CMYK-300x300.jpg\" alt=\"Cinemacope III\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope III</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias &amp; Circus Devils\r\n<em>I Razor </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Momentary Mask\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone wp-image-10374 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Momentary-Mask-Cover-300x300.jpg\" alt=\"The Momentary Mask\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>The Momentary Mask </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em>Quarrels</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Off</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2012\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2012</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>East of Monument </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>The Road To The Crater </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope II\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone wp-image-12434 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover1-300x300.jpg\" alt=\"Cinemascope II\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope II</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>Terrane </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Laterna Magica</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>On</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Un Giorno Sospeso</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dreamland\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone size-medium wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Dreamland </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope I\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-12433 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemascope-I-Cover-1000px-300x300.jpg\" alt=\"Cinemascope I\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope I</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Medicine Show </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Light Dispersed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11492\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIGHT-DISPERSED-300x300.jpg\" alt=\"Light Dispersed\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Light Dispersed </em>(2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2011\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2011</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The European</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Remixed</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a>\r\nAntonymes meets Slow Dancing Society\r\n<em><em>We Don’t Look Back For Very Long</em> </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Letters From The Coast </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hong Kong\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone wp-image-12038 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Hong-Kong-Express-Cover-Art-1400px-300x300.jpg\" alt=\"Hong Kong Express\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\n<em>Hong Kong Express </em>(2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Like Rumours\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIKE-RUMOURS-300x300.jpg\" alt=\"Like Rumours Of Hushed Thunder\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Like Rumours Of Hushed Thunder</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>A Frame of Reference</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"casino\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone wp-image-12431 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/On-The-Casino-Floor-Cover-300x300.jpg\" alt=\"On The Casino Floor\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>On The Casino Floor</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Now We\'re Active</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Lost in Waves of Light </em></em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>The Licence To Interpret Dreams </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>The Stones And The Rabbits</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"hears like a bat\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12428 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Heart-That-Hears-Like-A-Bat-Cover-Art-1-300x300.jpg\" alt=\"The Heart That Hears Like A Bat\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>The Heart That Hears Like A Bat</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2010\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2010</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em><em>Under The Sodium Lights </em></em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Lava </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>Heresy and Rite</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Before The Light Fails\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/BEFORE-THE-LIGHT-FAILS-300x300.jpg\" alt=\"31: Before The Light Fails\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>31: Before The Light Fails</em> (2010)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"machine\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9475\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/machine_LRG1.jpg\" alt=\"Machine Is My Animal\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Machine Is My Animal </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2009\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2009</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"beauty becomes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone wp-image-14754 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Beauty-Artwork-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Beauty Becomes The Enemy Of The Future </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em><em>Unknown Knowns </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>I Haven’t Got It In Me</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"soundcheck\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12040\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Soundcheck_Mp3-300x300.jpg\" alt=\"Soundcheck For A Missing Movie\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Soundcheck For A Missing Movie</em> (2009)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Umpire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-medium wp-image-11478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Umpire-EP-Cover-Art-1000px-300x300.jpg\" alt=\"Umpire\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Umpire</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Chromatic Sigh</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a>\r\nDown Review\r\n<em>From Here, For Anyone</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em><em>Apricot Rail </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>That Time</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a>\r\nSleeping Me\r\n<em>Cradlesongs</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearts\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/hotels/\"><img class=\"alignnone wp-image-12426 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Where-Hearts-Go-Broke-mp3-300x300.jpg\" alt=\"Where Hearts Go Broke\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Where Hearts Go Broke</em>  (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2008\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2008</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"spook\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9486\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG1.jpg\" alt=\"The Spook\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em><em>The Spook </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Too Late, The Day</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"touch me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone size-medium wp-image-12039\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Touch-Me-Cover-Art-1400px-300x300.jpg\" alt=\"Touch me and i will save you\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\nTouch me and i will save you (2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Priest Lake Circa \'88 </em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a>\r\nThe Slow Beings\r\n<em>We Know Why The Earth Moves</em>  (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em><em>Evergreen </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Our Man in Eden Hill</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2007\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2007</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>September 16th </em>(2007)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Slow And Steady Winter</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a>\r\nCheekbone\r\n<em><em>Yesterday </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Restless </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Fining</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em><em>It\'s Now Or Later </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes &amp; Ponds\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a>\r\nThe Hero Cycle\r\n<em>Lakes and Ponds </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2006\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2006</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Sound Of Lights When Dim</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>Golden Days </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a>\r\nEnargeia\r\n<em><em>UFO: Stryker Force </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a>\r\nMotor Eye\r\n<em>Motor Eye </em>(2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>Slow Attack</em> (2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Up Down Up </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em><em>Ideas Are The Answer </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a>\r\nWayne Harriss\r\n<em>Aerospace</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2005\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2005</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Thank You For Choosing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone wp-image-12424 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover-300x300.jpg\" alt=\"Thank You For Choosing...\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Thank You For Choosing</em> (2005)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2003\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2003</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Mapping the static\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-medium wp-image-11477\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Mapping-The-Static-Cover-Art-1000px-300x300.jpg\" alt=\"Mapping The Static\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em>Mapping The Static</em> (2003)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','closed','','8417-revision-v1','','','2016-10-25 11:44:55','2016-10-25 03:44:55','',8417,'http://www.hiddenshoal.com/8417-revision-v1/',0,'revision','',0),(15101,1,'2016-10-25 12:05:19','2016-10-25 04:05:19','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2016\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2016</h3>\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Whats The Story\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/craig-hallsworth/\"><img class=\"alignnone wp-image-15057 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/10/Whats-The-Story-With-This-Hole-Cover-Art-1000px-300x300.jpg\" alt=\"What\'s The Story With This Hole?\" width=\"300\" height=\"300\" /></a>\r\nCraig Hallsworth\r\nWhat\'s The Story with This Hole? (2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"gila man\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-14847 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/09/Gila-Man-Cover-Art-300x300.jpg\" alt=\"Todd Tobias - Gila Man\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Gila Man </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"songs of delay\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/joe-sampson/\"><img class=\"alignnone wp-image-14862 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/09/Songs-of-Delay-Cover-Art-300x300.jpg\" alt=\"Songs of Delay\" width=\"300\" height=\"300\" /></a>\r\nJoe Sampson\r\n<em>Songs of Delay </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Wagers\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-14666 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/07/The-Wagers-of-Love-and-Their-Songs-from-the-Witching-Hour-1400px-300x300.jpg\" alt=\"The Wagers of Love and Their Songs from the Witching Hour\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em> The Wagers Of Love And Their Songs From The Witching Hour</em> (2016)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Anthem\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/arc-lab/\"><img class=\"alignnone size-medium wp-image-14609\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/06/Anthem-Cover-1000px-300x300.jpg\" alt=\"Arc Lab &quot;Anthem&quot;\" width=\"300\" height=\"300\" /></a>\r\nArc Lab\r\n<em>Anthem </em>(2016)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Obsolete\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/memorybell/\"><img class=\"alignnone wp-image-14571 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Obsolete-Cover-Art-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" /></a>\r\nMemorybell\r\n<em>Obsolete </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Delicate Power\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone wp-image-14511 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art-300x300.jpg\" alt=\"Delicate Power (In The Hands of Others) Cover Art\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Delicate Power (In The Hands Of Others) </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Recollage\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><img class=\"alignnone wp-image-14296 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px-300x300.jpg\" alt=\"Recollage\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Recollage </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Into The Sparks\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-14483 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>Into The Sparks </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"isometrik\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><img class=\"alignnone size-medium wp-image-14392\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Isometrik-Cover-Art-300x300.jpg\" alt=\"Isometrik Cover Art\" width=\"300\" height=\"300\" /></a>\r\nGlanko and Daniel Bailey\r\n<em>Isometrik </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"re-directed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Re-Directed </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"glass dimly\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<em><a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"300\" height=\"300\" /></a></em>\r\nAntonymes\r\n<em>(For Now We See) Through A Glass Dimly </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"orpheus pavement\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-14243 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>The Orpheus Pavement </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2015\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2015</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"ZC\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/zealous-chang/\"><img class=\"alignnone wp-image-14675 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ZCep_COVERhd-300x300.jpg\" alt=\"ZC\" width=\"300\" height=\"300\" /></a><br /> Zealous Chang<br /> <em>ZC</em> (2015)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"white guilt\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/crisis-actors/\"><img class=\"alignnone wp-image-13203 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/12/CA-cover-300x300.jpg\" alt=\"Crisis Actors - White Guilt, White Heat EP\" width=\"300\" height=\"300\" /></a>\r\nCrisis Actors\r\n<em>White Guilt, White Heat</em> (2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"long range\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"https://hiddenshoal.bandcamp.com/album/long-range-transmissions\"><img class=\"alignnone wp-image-13139 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/11/Long-Range-Transmissions-300.jpg\" alt=\"Long Range Transmissions\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Long Range Transmissions</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"forets\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-13061 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"forêts antiques\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>forêts antiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Palm\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-13050\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork-300x300.jpg\" alt=\"In The Palm of Your Hand - The Remix EP\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In The Palm of Your Hand - The Remix EP </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"AWMA\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/awma/\"><img class=\"alignnone wp-image-13036 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/AWMA-1000-300x300.jpg\" alt=\"AWMA EP\" width=\"300\" height=\"300\" /></a>\r\nAWMA\r\n<em>AWMA </em>(2015)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Extent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/battlestations/\"><img class=\"alignnone wp-image-12955 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/09/The-Extent-of-Damage-Cover-1200px-300x300.jpg\" alt=\"The Extent of Damage\" width=\"300\" height=\"300\" /></a>\r\nBattlestations\r\n<em>The Extent of Damage </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"New York\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/medard-fischer/\"><img class=\"alignnone size-medium wp-image-12847\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Cover-art-300x300.jpg\" alt=\"Four Songs for the City of New York\" width=\"300\" height=\"300\" /></a>\r\nMedard Fischer\r\n<em>Four Songs for the City of New York </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Troubled Mystic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/liminal-drifter/\"><img class=\"alignnone wp-image-12861 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Troubled-Mystic-Album-1000px-300x300.jpg\" alt=\"Liminal Drifter - Troubled Mystic\" width=\"300\" height=\"300\" /></a>\r\nLiminal Drifter\r\n<em>Troubled Mystic </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Olive Skinned\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/rew/\"><img class=\"alignnone wp-image-12249 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Olive-Skinned-Cover-1400x1400-pxl-300x300.jpg\" alt=\"Olive Skinned, Silver Tongued Sirens Sing Swan Songs\" width=\"300\" height=\"300\" /></a>\r\nREW&lt;&lt;\r\n<em>Olive Skinned, Silver Tongued Sirens Sing Swan Songs </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Pea Green\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/the-star-department/\"><img class=\"alignnone wp-image-12312 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Pea-Green-Boat-Cover-Art-1000px-300x300.jpg\" alt=\"The Pea Green Boat\" width=\"300\" height=\"300\" /></a>\r\nThe Star Department\r\n<em>The Pea Green Boat </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearing Things\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><img class=\"alignnone size-medium wp-image-12629\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Hearing-Things-Front-Cover-1000px-300x300.jpg\" alt=\"Erik Nilsson - Hearing Things\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Hearing Things </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Rough\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12669\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Rough-Cover-Art-1400px-300x300.jpg\" alt=\"Rough\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Rough </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Tristes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-12367 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Tristes-Tropiques-Cover-300px.jpg\" alt=\"Todd Tobias - Tristes Tropiques\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Tristes Tropiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"les limbes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/les-limbes/\"><img class=\"alignnone wp-image-12271 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Les-Limbes-EP-Cover-300px.jpg\" alt=\"Les Limbes EP\" width=\"300\" height=\"300\" /></a>\r\nLes Limbes\r\n<em>Les Limbes </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"axis swim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/october-solution/\"><img class=\"alignnone wp-image-12242 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"300\" height=\"300\" /></a>\r\nThe October Solution\r\n<em>Axis Swim Scar</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"fate\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-12109 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/03/Kramies-The-Fate-300px-300x300.jpg\" alt=\"Kramies \'The Fate That Never Favored Us\'\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Fate That Never Favored Us</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"river fire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-12036 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/To-Set-The-River-On-Fire-300px.jpg\" alt=\"To-Set-The-River-On-Fire-300px\" width=\"300\" height=\"300\" /></a>\r\nChloe March vs. Markus Mehr\r\n<em>To Set The River on Fire </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2014\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2014</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"dusk recital\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-11402 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/duskrecital_300.jpg\" alt=\"The Dusk Recital\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Dusk Recital</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"makee\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/makee/\"><img class=\"alignnone wp-image-11088 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Makee-EP-300px.jpg\" alt=\"Makee EP\" width=\"300\" height=\"300\" /></a>\r\nmakee\r\n<em>makee</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Nights Bright Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-11189 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Nights-Bright-Days-Cover-1000px-300x300.jpg\" alt=\"Nights Bright Days\" width=\"300\" height=\"300\" /></a>\r\nChloë March\r\n<em>Nights bright Days</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under The Day\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone size-medium wp-image-11191\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderTheDayCov350-300x300.jpg\" alt=\"Under The Day\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>Under The Day</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Enchanting Gaze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone wp-image-11190 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enchanting-Gaze-1000px-300x300.jpg\" alt=\"Enchanting Gaze\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Enchanting Gaze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-medium wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities 2\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-11192 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Impossible-Cites-2-1000px-300x300.jpg\" alt=\"Impossible Cites 2\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities 2</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Binary Rooms\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-10985 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - \" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Binary Rooms</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deconstruction Manual\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\"><img class=\"alignnone wp-image-10803 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Deconstruction Manual</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"In Between\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-10470 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/In-Between-Cover-1000px-300x300.jpg\" alt=\"Kryshe - In Between\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>In Between</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Revolving Maze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignnone wp-image-10715 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Revolving-Maze-Front-Cover-300x300.jpg\" alt=\"Revolving Maze\" width=\"300\" height=\"300\" /></a>\r\nInvolved\r\n<em>Revolving Maze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Positive Haywires\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignnone size-medium wp-image-10728\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Positive-Haywires-Front-Cover-1000px-300x300.jpg\" alt=\"Positive Haywires\" width=\"300\" height=\"300\" /></a>\r\nBrother Earth\r\n<em>Positive Haywires</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under Songs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/draliensmith/\"><img class=\"alignnone wp-image-10373 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderSongsCoverArt-300x300.jpg\" alt=\"Under Songs\" width=\"300\" height=\"300\" /></a>\r\nDrAlienSmith\r\n<em>Under Songs</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Cogent Sea</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Growing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-11052 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Growing-Cover-300x300.jpg\" alt=\"Growing\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Growing</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em> The Folklore Sessions</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone wp-image-9399 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /></a>\r\nperth\r\nWhere\'s Utopia (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2013\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2013</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a>\r\nperth\r\n<em>What’s Your Utopia?</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"No True Beauty\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/NO-TRUE-BEAUTY-300x300.jpg\" alt=\"There Can Be True Beauty Without Decay\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>There Can Be No True Beauty Without Decay </em></em>(2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Voices Out There</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Wooden Heart</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Live in Bari</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Let\'s Adjourn To The Garden</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope III\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12430 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemacope-III-cover-CMYK-300x300.jpg\" alt=\"Cinemacope III\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope III</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias &amp; Circus Devils\r\n<em>I Razor </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Momentary Mask\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone wp-image-10374 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Momentary-Mask-Cover-300x300.jpg\" alt=\"The Momentary Mask\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>The Momentary Mask </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em>Quarrels</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Off</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2012\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2012</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>East of Monument </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>The Road To The Crater </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope II\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone wp-image-12434 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover1-300x300.jpg\" alt=\"Cinemascope II\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope II</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>Terrane </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Laterna Magica</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>On</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Un Giorno Sospeso</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dreamland\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone size-medium wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Dreamland </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope I\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-12433 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemascope-I-Cover-1000px-300x300.jpg\" alt=\"Cinemascope I\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope I</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Medicine Show </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Light Dispersed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11492\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIGHT-DISPERSED-300x300.jpg\" alt=\"Light Dispersed\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Light Dispersed </em>(2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2011\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2011</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The European</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Remixed</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a>\r\nAntonymes meets Slow Dancing Society\r\n<em><em>We Don’t Look Back For Very Long</em> </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Letters From The Coast </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hong Kong\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone wp-image-12038 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Hong-Kong-Express-Cover-Art-1400px-300x300.jpg\" alt=\"Hong Kong Express\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\n<em>Hong Kong Express </em>(2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Like Rumours\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIKE-RUMOURS-300x300.jpg\" alt=\"Like Rumours Of Hushed Thunder\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Like Rumours Of Hushed Thunder</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>A Frame of Reference</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"casino\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone wp-image-12431 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/On-The-Casino-Floor-Cover-300x300.jpg\" alt=\"On The Casino Floor\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>On The Casino Floor</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Now We\'re Active</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Lost in Waves of Light </em></em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>The Licence To Interpret Dreams </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>The Stones And The Rabbits</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"hears like a bat\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12428 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Heart-That-Hears-Like-A-Bat-Cover-Art-1-300x300.jpg\" alt=\"The Heart That Hears Like A Bat\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>The Heart That Hears Like A Bat</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2010\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2010</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em><em>Under The Sodium Lights </em></em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Lava </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>Heresy and Rite</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Before The Light Fails\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/BEFORE-THE-LIGHT-FAILS-300x300.jpg\" alt=\"31: Before The Light Fails\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>31: Before The Light Fails</em> (2010)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"machine\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9475\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/machine_LRG1.jpg\" alt=\"Machine Is My Animal\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Machine Is My Animal </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2009\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2009</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"beauty becomes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone wp-image-14754 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Beauty-Artwork-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Beauty Becomes The Enemy Of The Future </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em><em>Unknown Knowns </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>I Haven’t Got It In Me</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"soundcheck\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12040\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Soundcheck_Mp3-300x300.jpg\" alt=\"Soundcheck For A Missing Movie\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Soundcheck For A Missing Movie</em> (2009)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Umpire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-medium wp-image-11478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Umpire-EP-Cover-Art-1000px-300x300.jpg\" alt=\"Umpire\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Umpire</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Chromatic Sigh</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a>\r\nDown Review\r\n<em>From Here, For Anyone</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em><em>Apricot Rail </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>That Time</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a>\r\nSleeping Me\r\n<em>Cradlesongs</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearts\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/hotels/\"><img class=\"alignnone wp-image-12426 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Where-Hearts-Go-Broke-mp3-300x300.jpg\" alt=\"Where Hearts Go Broke\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Where Hearts Go Broke</em>  (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2008\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2008</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"spook\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9486\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG1.jpg\" alt=\"The Spook\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em><em>The Spook </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Too Late, The Day</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"touch me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone size-medium wp-image-12039\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Touch-Me-Cover-Art-1400px-300x300.jpg\" alt=\"Touch me and i will save you\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\nTouch me and i will save you (2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Priest Lake Circa \'88 </em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a>\r\nThe Slow Beings\r\n<em>We Know Why The Earth Moves</em>  (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em><em>Evergreen </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Our Man in Eden Hill</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2007\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2007</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>September 16th </em>(2007)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Slow And Steady Winter</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a>\r\nCheekbone\r\n<em><em>Yesterday </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Restless </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Fining</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em><em>It\'s Now Or Later </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes &amp; Ponds\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a>\r\nThe Hero Cycle\r\n<em>Lakes and Ponds </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2006\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2006</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Sound Of Lights When Dim</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>Golden Days </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a>\r\nEnargeia\r\n<em><em>UFO: Stryker Force </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a>\r\nMotor Eye\r\n<em>Motor Eye </em>(2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>Slow Attack</em> (2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Up Down Up </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em><em>Ideas Are The Answer </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a>\r\nWayne Harriss\r\n<em>Aerospace</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2005\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2005</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Thank You For Choosing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone wp-image-12424 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover-300x300.jpg\" alt=\"Thank You For Choosing...\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Thank You For Choosing</em> (2005)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2003\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2003</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Mapping the static\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-medium wp-image-11477\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Mapping-The-Static-Cover-Art-1000px-300x300.jpg\" alt=\"Mapping The Static\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em>Mapping The Static</em> (2003)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','closed','','8417-revision-v1','','','2016-10-25 12:05:19','2016-10-25 04:05:19','',8417,'http://www.hiddenshoal.com/8417-revision-v1/',0,'revision','',0),(15102,1,'2016-10-25 12:16:25','2016-10-25 04:16:25','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2136960613/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://craighallsworth.bandcamp.com/album/whats-the-story-with-this-hole\">What\'s The Story With This Hole? by Craig Hallsworth</a></iframe>\r\n<em>What\'s The Story With This Hole?</em>\r\nby<a title=\"Craig Hallsworth\" href=\"http://www.hiddenshoal.com/project/craig-hallsworth/\"> Craig Hallsworth</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1208157852/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://toddtobiasmusic.bandcamp.com/album/gila-man\">GILA MAN by Todd Tobias</a></iframe>\r\n<em>Gila Man</em>\r\nby <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2976505288/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://joesampson1.bandcamp.com/album/songs-of-delay\">Songs of Delay by Joe Sampson</a></iframe>\r\n<em>Songs of Delay</em>\r\nby <a title=\"Joe Sampson\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\">Joe Sampson</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2556548653/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-wagers-of-love-and-their-songs-from-the-witching-hour\">The Wagers of Love and Their Songs from the Witching Hour by Slow Dancing Society</a></iframe>\r\n<em>The Wagers Of Love And Their Songs From The Witching Hour</em>\r\nby <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal Publishing is an Australia-based independent music publisher &amp; label releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2016-10-25 12:16:25','2016-10-25 04:16:25','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(15256,1,'2016-12-09 17:38:38','2016-12-09 09:38:38','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/12/Kramies-Big-Takeover.jpg\"><img class=\"alignleft  wp-image-15257\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/12/Kramies-Big-Takeover-300x213.jpg\" alt=\"The Big Takeover\" width=\"251\" height=\"178\" /></a>Grab the latest paper edition of the always amazing <a title=\"The Big Takover\" href=\"http://bigtakeover.com/\" target=\"_blank\">The Big Takeover</a> for the wonderful interview feature/interview with <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\" target=\"_blank\">Kramies </a>and also the fabulous review of<a title=\"Joe Samspon\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\" target=\"_blank\"> Joe Sampson</a>\'s <em>Songs of Delay.</em>\r\n\r\n&nbsp;','Kramies Interview in The Big Takeover','','publish','closed','closed','','kramies-interview-in-the-big-takeover-2','','','2016-12-09 17:39:20','2016-12-09 09:39:20','',0,'http://www.hiddenshoal.com/?p=15256',0,'post','',0),(15128,1,'2016-11-11 09:43:43','2016-11-11 01:43:43','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko:<a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <strong> <a title=\"Facebook\" href=\"http://www.facebook.com/GlankoMusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/glankofficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/glanko-official\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a href=\"https://open.spotify.com/album/0ZKxGgPORucUFmaBmmhnls\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a>   <a href=\"https://geo.itunes.apple.com/us/album/isometrik-ep/id1094316786?at=11lRii&amp;app=itunes\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n</strong>Daniel Bailey:<a title=\"Glanko\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <strong> <a title=\"Facebook\" href=\"http://www.facebook.com/danielbaileymusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/DBaileyOfficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>   <a href=\"https://open.spotify.com/album/0ZKxGgPORucUFmaBmmhnls\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a></strong>   <a href=\"https://geo.itunes.apple.com/us/album/isometrik-ep/id1094316786?at=11lRii&amp;app=itunes\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Isometrik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2839413960/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://glanko.bandcamp.com/album/isometrik\">Isometrik by Glanko, Daniel Bailey</a></iframe>\r\n<strong>May 2016</strong>\r\n\r\n<em>Isometrik</em> is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace. This music exists at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar.\r\n\r\nOver its 4-track, 23-minute runtime, <em>Isometrik</em> delivers an immersive musical narrative. Opener ‘In Eboli’ conveys a bustling and brooding nocturnal scene, before ‘Vaucanson’ evokes the sunrise of the morning after – but one coloured by melancholy. On ‘Consunzione’, the cave-like ambience of echoing voices and field recordings is overwhelmed by guitar drones, synths and percussion, which accumulates into a majestic wall of sound. And on mesmerising closer ‘Adiaphora’, Glanko constructs a towering edifice of reverb and glitch around Daniel Bailey’s deliciously languid guitar loops.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP are available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-11-11 09:43:43','2016-11-11 01:43:43','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(15104,1,'2016-10-25 14:00:20','2016-10-25 06:00:20','<div data-contents=\"true\">\r\n<div class=\"\" data-block=\"true\" data-editor=\"97udc\" data-offset-key=\"2f560-0-0\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"2f560-0-0\"><span data-offset-key=\"2f560-0-0\"><span data-text=\"true\"><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/08/Craig-Edit-4-BW.jpg\"><img class=\"alignleft wp-image-14807\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/08/Craig-Edit-4-BW-300x255.jpg\" alt=\"Craig Hallsworth\" width=\"109\" height=\"93\" /></a><a title=\"Craig Hallsworth\" href=\"http://www.hiddenshoal.com/project/craig-hallsworth/\">Craig Hallsworth</a>\'s latest single, \'We\'re Too Far Away (My Other Future, My Other Youth)\', is the current <a title=\"Insomnia Radio\" href=\"http://insomniaradio.net/2016/10/24/craig-hallsworth-were-too-far-away-my-other-future-my-other-youth/\" target=\"_blank\">Daily Dose feature</a> at Insomnia Radio! The track is lifted from Hallsworth sublime debut solo release <em><a title=\"What\'s The Story With This Hole?\" href=\"https://craighallsworth.bandcamp.com/album/whats-the-story-with-this-hole\" target=\"_blank\">What\'s The Story With This Hole?</a>.</em>\r\n</span></span></div>\r\n</div>\r\n</div>','Craig Hallsworth Featured at Insomnia Radio','','publish','closed','closed','','hallsworth-insomnia-radio','','','2016-10-25 14:01:01','2016-10-25 06:01:01','',0,'http://www.hiddenshoal.com/?p=15104',0,'post','',0),(15105,1,'2016-10-25 14:00:20','2016-10-25 06:00:20','<div data-contents=\"true\">\r\n<div class=\"\" data-block=\"true\" data-editor=\"97udc\" data-offset-key=\"2f560-0-0\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"2f560-0-0\"><span data-offset-key=\"2f560-0-0\"><span data-text=\"true\"><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/08/Craig-Edit-4-BW.jpg\"><img class=\"alignleft wp-image-14807\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/08/Craig-Edit-4-BW-300x255.jpg\" alt=\"Craig Hallsworth\" width=\"109\" height=\"93\" /></a><a title=\"Craig Hallsworth\" href=\"http://www.hiddenshoal.com/project/craig-hallsworth/\">Craig Hallsworth</a>\'s latest single, \'We\'re Too Far Away (My Other Future, My Other Youth)\', is the current <a title=\"Insomnia Radio\" href=\"http://insomniaradio.net/2016/10/24/craig-hallsworth-were-too-far-away-my-other-future-my-other-youth/\" target=\"_blank\">Daily Dose feature</a> at Insomnia Radio! The track is lifted from Hallsworth sublime debut solo release <em><a title=\"What\'s The Story With This Hole?\" href=\"https://craighallsworth.bandcamp.com/album/whats-the-story-with-this-hole\" target=\"_blank\">What\'s The Story With This Hole?</a>.</em>\r\n</span></span></div>\r\n</div>\r\n</div>','','','inherit','closed','closed','','15104-revision-v1','','','2016-10-25 14:00:20','2016-10-25 06:00:20','',15104,'http://www.hiddenshoal.com/15104-revision-v1/',0,'revision','',0),(15106,1,'2016-10-25 14:01:01','2016-10-25 06:01:01','<div data-contents=\"true\">\r\n<div class=\"\" data-block=\"true\" data-editor=\"97udc\" data-offset-key=\"2f560-0-0\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"2f560-0-0\"><span data-offset-key=\"2f560-0-0\"><span data-text=\"true\"><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/08/Craig-Edit-4-BW.jpg\"><img class=\"alignleft wp-image-14807\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/08/Craig-Edit-4-BW-300x255.jpg\" alt=\"Craig Hallsworth\" width=\"109\" height=\"93\" /></a><a title=\"Craig Hallsworth\" href=\"http://www.hiddenshoal.com/project/craig-hallsworth/\">Craig Hallsworth</a>\'s latest single, \'We\'re Too Far Away (My Other Future, My Other Youth)\', is the current <a title=\"Insomnia Radio\" href=\"http://insomniaradio.net/2016/10/24/craig-hallsworth-were-too-far-away-my-other-future-my-other-youth/\" target=\"_blank\">Daily Dose feature</a> at Insomnia Radio! The track is lifted from Hallsworth sublime debut solo release <em><a title=\"What\'s The Story With This Hole?\" href=\"https://craighallsworth.bandcamp.com/album/whats-the-story-with-this-hole\" target=\"_blank\">What\'s The Story With This Hole?</a>.</em>\r\n</span></span></div>\r\n</div>\r\n</div>','Craig Hallsworth Featured at Insomnia Radio','','inherit','closed','closed','','15104-revision-v1','','','2016-10-25 14:01:01','2016-10-25 06:01:01','',15104,'http://www.hiddenshoal.com/15104-revision-v1/',0,'revision','',0),(15107,1,'2016-10-25 14:02:05','2016-10-25 06:02:05','<div data-contents=\"true\">\r\n<div class=\"\" data-block=\"true\" data-editor=\"chjrk\" data-offset-key=\"33eam-0-0\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"33eam-0-0\"><span data-offset-key=\"33eam-0-0\"><span data-text=\"true\"><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/07/Craig-Edit.jpg\"><img class=\"alignleft  wp-image-14804\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/07/Craig-Edit-300x225.jpg\" alt=\"Craig Hallsworth\" width=\"149\" height=\"112\" /></a>Be sure to listen in to <a title=\"Drivetime\" href=\"https://rtrfm.com.au/shows/drivetime\" target=\"_blank\">Drivetime</a> on RTRFM this Thursday night at around 6pm to hear an interview with the inimitable <a title=\"Craig Hallsworth\" href=\"http://www.hiddenshoal.com/project/craig-hallsworth/\">Craig Hallsworth</a>. Craig\'s new album <em>What\'s The Story With This Hole?</em> is the local feature all this week at RTR so be sure to tune in, dig it and win yourself a copy!\r\n</span></span></div>\r\n<div class=\"_1mf _1mj\" data-offset-key=\"33eam-0-0\"></div>\r\n<div class=\"_1mf _1mj\" data-offset-key=\"33eam-0-0\">And if you missed it you can re-stream <a title=\"Craig Hallsworth Interview\" href=\"http://rtrfm.com.au/story/craig-hallsworths-future-youth/\" target=\"_blank\">here</a>.</div>\r\n</div>\r\n</div>','Craig Hallsworth Intereviewed on RTRFM','','inherit','closed','closed','','15080-revision-v1','','','2016-10-25 14:02:05','2016-10-25 06:02:05','',15080,'http://www.hiddenshoal.com/15080-revision-v1/',0,'revision','',0),(15109,1,'2016-10-25 17:15:27','2016-10-25 09:15:27','With an acutely transcendent and atmospheric vibe, ‘Drank and Kites and Tomorrow’ is a lucid and expansive slice of wave-gaze pop. Pulsing, agitated rhythms offset the cosmic streaming of synths, voice and guitars, eventually morphing into a kind of motorik ambient that counterbalances propulsion with serenity. - <strong>Wagner Hertzog</strong>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/112338352&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - perth \'Drank and Kites and Tomorrow\'','','inherit','closed','closed','','15108-revision-v1','','','2016-10-25 17:15:27','2016-10-25 09:15:27','',15108,'http://www.hiddenshoal.com/15108-revision-v1/',0,'revision','',0),(15110,1,'2016-10-25 17:16:37','2016-10-25 09:16:37','With an acutely transcendent and atmospheric vibe, <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a>\'s ‘Drank and Kites and Tomorrow’ is a lucid and expansive slice of wave-gaze pop. Pulsing, agitated rhythms offset the cosmic streaming of synths, voice and guitars, eventually morphing into a kind of motorik ambient that counterbalances propulsion with serenity. - <strong>Wagner Hertzog</strong>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/112338352&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - perth \'Drank and Kites and Tomorrow\'','','inherit','closed','closed','','15108-revision-v1','','','2016-10-25 17:16:37','2016-10-25 09:16:37','',15108,'http://www.hiddenshoal.com/15108-revision-v1/',0,'revision','',0),(15111,1,'2016-10-25 17:17:05','2016-10-25 09:17:05','With an acutely transcendent and atmospheric vibe, <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a>\'s ‘Drank and Kites and Tomorrow’ is a lucid and expansive slice of wave-gaze pop. Pulsing, agitated rhythms offset the cosmic streaming of synths, voice and guitars, eventually morphing into a kind of motorik ambient that counterbalances propulsion with serenity. - <strong>Wagner Hertzog</strong>\r\n<span> </span>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/112338352&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - perth \'Drank and Kites and Tomorrow\'','','inherit','closed','closed','','15108-revision-v1','','','2016-10-25 17:17:05','2016-10-25 09:17:05','',15108,'http://www.hiddenshoal.com/15108-revision-v1/',0,'revision','',0),(15112,1,'2016-10-25 17:17:58','2016-10-25 09:17:58','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Remixed_800px1.jpg\"><img class=\"alignleft size-thumbnail wp-image-9103\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Remixed_800px1-150x150.jpg\" alt=\"perth\" width=\"150\" height=\"150\" /></a>With an acutely transcendent and atmospheric vibe, <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a>\'s ‘Drank and Kites and Tomorrow’ is a lucid and expansive slice of wave-gaze pop. Pulsing, agitated rhythms offset the cosmic streaming of synths, voice and guitars, eventually morphing into a kind of motorik ambient that counterbalances propulsion with serenity. - <strong>Wagner Hertzog</strong>\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/112338352&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - perth \'Drank and Kites and Tomorrow\'','','inherit','closed','closed','','15108-revision-v1','','','2016-10-25 17:17:58','2016-10-25 09:17:58','',15108,'http://www.hiddenshoal.com/15108-revision-v1/',0,'revision','',0),(15113,1,'2016-10-25 17:18:35','2016-10-25 09:18:35','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Remixed_800px1.jpg\"><img class=\"alignleft  wp-image-9103\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/perth-Remixed_800px1-150x150.jpg\" alt=\"perth\" width=\"104\" height=\"104\" /></a>With an acutely transcendent and atmospheric vibe, <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a>\'s ‘Drank and Kites and Tomorrow’ is a lucid and expansive slice of wave-gaze pop. Pulsing, agitated rhythms offset the cosmic streaming of synths, voice and guitars, eventually morphing into a kind of motorik ambient that counterbalances propulsion with serenity. - <strong>Wagner Hertzog</strong>\r\n<span> </span>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/112338352&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - perth \'Drank and Kites and Tomorrow\'','','inherit','closed','closed','','15108-revision-v1','','','2016-10-25 17:18:35','2016-10-25 09:18:35','',15108,'http://www.hiddenshoal.com/15108-revision-v1/',0,'revision','',0),(15115,1,'2016-10-26 11:54:09','2016-10-26 03:54:09','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Salli Lunn</h1>\r\n<img class=\"alignleft size-full wp-image-9519\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_350px.jpg\" alt=\"Salli Lunn\" width=\"350\" height=\"261\" /><em>“...the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine\r\n</strong>\r\n\r\nSalli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of their debut, Salli Lunn are utterly bewitching.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Heresy and Rite</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1550936882/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://sallilunn.bandcamp.com/album/heresy-and-rite\">Heresy and Rite by Salli Lunn</a></iframe></p><div> </div><p>Across the expansive terrain of <em>Heresy and Rite</em>, produced by Jonas Munk (Manual), Salli Lunn are utterly bewitching, weaving dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. From the tumbling drums and lurching coda of opener ‘The Frame of Reference’ to the stunning finale ‘The First Cause’, Salli Lunn walk a tightrope between bright-eyed songcraft and shadowy textures that threaten to overwhelm. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen, each a superb demonstration of Salli Lunn’s mastery of light and shade. Chiming guitar arpeggios highlight the hope and yearning woven throughout the album, while thick coils of bass, pounding drums and wrenching chord changes deepen the atmosphere of foreboding and menace. The album was mixed and produced by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSalli Lunn formed in 2001 in the Danish harbour town of Frederikshavn. Three of the four members – Lasse Skjold Bertelsen (vocals and guitars), Line Grønbech (drums and percussion) and Christian Blæhr (guitars and keyboards) – have played as a band for nearly a decade, recently joined by Jan Nissen (bass) to create a line-up that is musically adroit as it is dynamic and powerful. With members of the band playing in other acclaimed acts The Late Parade, Death By Kite and Amber, it is only in recent years that the music of Salli Lunn has received the devotion it demands.\r\n\r\nSalli Lunn have supported numerous acclaimed international bands, including Jeniferever, USA Is A Monster and Extra Life. Songs from <em>Heresy and Rite</em> were debuted in Copenhagen and Aarhus in the spring of 2009, where the magazine Soundvenue booked the band for a number of shows. The album was produced and mixed by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=salli-lunn-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Salli Lunn News\" href=\"http://www.hiddenshoal.com/category/news/salli-lunn-news/\"><strong>More News</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=salli-lunn-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Salli Lunn Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/salli-lunn-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-A_Frame_of_Reference.pdf\">Salli Lunn – <em>A Frame Of Reference</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Mirror_Girl_Remix.pdf\">Salli Lunn – ‘Mirror Girl (Scott Solter Remix)’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_The_First_Cause.pdf\">Salli Lunn ‘The First Cause’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Heresy_and_Rite.pdf\">Salli Lunn <em>Heresy and Rite</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Parachutes_Forever_Single.pdf\">Salli Lunn ‘Parachutes Forever’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Signing.pdf\">Salli Lunn Signs To Hidden Shoal Recordings</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery columns=\"2\" ids=\"9529,9511\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSalli Lunn\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','closed','','9460-revision-v1','','','2016-10-26 11:54:09','2016-10-26 03:54:09','',9460,'http://www.hiddenshoal.com/9460-revision-v1/',0,'revision','',0),(15117,1,'2016-10-26 14:33:47','2016-10-26 06:33:47','\"More ambient gold from the fab Hidden Shoal label. Medard Fischer\'s soothing and tranquilising EP, <i>Four Songs for the City of New York</i>. Yes, the EP holds four songs. Dive into it.\r\n\r\nMedard Fischer is a Canuck, being a Toronto native residing in Sydney, Australia via New York. Fischer - known for his solo work under the monikers Arc Lab and Tyyson (check out labels such as Duotone, Music Made By People or n5MD) - put last year out an EP (under his own name) called <i>Four Songs For Peter Fechter</i> (self-released). Who\'s Peter Fecther, one might say (though you might have heard the name sometimes)? Peter Fechter was an eighteen year-old East German bricklayer who became one of the first (and youngest) fatalities along the Berlin Wall. Facts (by Hidden Shoal): \'On August 17, 1962, Fechter and a friend ran the wall near Checkpoint Charlie in the Kreuzberg district of central Berlin. Fechter was shot in the pelvis by an East German border guard during his attempt to scale the wall and fell back into the \"death-strip\" on the eastern side. He lay in agony in full view of western onlookers, and of border guards on each side of the wall. Despite his pleas, he was refused medical attention, and western bystanders were prevented at gunpoint from assisting him. He died of blood loss approximately an hour later. The senselessness of his death and the refusal of both East and West German border guards to render him aid was a flashpoint for anger in Berlin over division of the city and construction of the wall and led to the eruption of spontaneous demonstrations in the city.\' A sad, horrendous story from a gruesome time. Well, the times they are not a-changing... However, this time Fischer hails New York City. His music is still of the low-key kind. The spirit of the music is still lamental - grievous and sorrowful, even though he pays homage to \'a dynamic, incomparable city\'.\r\n\r\nFischer is a sensible, sensitive and careful musician and componist, creating impressionist, ambient electronic music merging classical music and ambient pop in his delicate musical stew. His tender songs is gentle carresses and probably quiet memories brought into sound. The four, piano driven tracks - \"The Imaginary City\", \"Five Years Almost To The Day\", \"Monument\" and \"A Light That Doesn\'t Go Out\" - well, they all bring out, or expose a present foundness and longing for a city you\'ve left. I guess there are love and hate shoulder to shoulder. All the tracks are pleasant compositions that glide through the air. They leave the speakers to fill the room around you. Not in a scaring, or disturbing way, but in a most comforting way. Fischer musical efforts are warm and friendly. These are welcoming, gratifying songs. Come on, let <i>Four Songs for the City of New York</i> delight you. You will not regret it. This is the soundtrack for Colibri birds when they\'re sleeping.\r\n\r\n<i>Four Songs for the City of New York EP</i> will be released on 3rd of September 2015. Fischer can also be heard as half of Hidden Shoal\'s electronic duo <a href=\"http://www.lunakafe.com/moon159/ca159.php\">Down Review</a> (alongside fellow Canuck Tim Arndt a.k.a. Near The Parenthesis).\r\n\r\nPS! Net proceeds of the <i>Peter Fechter</i> EP sales was and will be donated to the UN Refugee Agency. Respect. Go get that one as well!\"\r\n\r\n- <strong><a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon233/ca233.php\" target=\"_blank\">Luna Kafe</a></strong>','Medard Fischer \"Four Songs for the City of New York\" Reviewed at Luna Kafe','','publish','closed','closed','','medard-fischer-four-songs-for-the-city-of-new-york-reviewed-at-luna-kafe','','','2016-10-26 14:34:52','2016-10-26 06:34:52','',0,'http://www.hiddenshoal.com/?p=15117',0,'post','',0),(15119,1,'2016-10-26 14:34:52','2016-10-26 06:34:52','\"More ambient gold from the fab Hidden Shoal label. Medard Fischer\'s soothing and tranquilising EP, <i>Four Songs for the City of New York</i>. Yes, the EP holds four songs. Dive into it.\r\n\r\nMedard Fischer is a Canuck, being a Toronto native residing in Sydney, Australia via New York. Fischer - known for his solo work under the monikers Arc Lab and Tyyson (check out labels such as Duotone, Music Made By People or n5MD) - put last year out an EP (under his own name) called <i>Four Songs For Peter Fechter</i> (self-released). Who\'s Peter Fecther, one might say (though you might have heard the name sometimes)? Peter Fechter was an eighteen year-old East German bricklayer who became one of the first (and youngest) fatalities along the Berlin Wall. Facts (by Hidden Shoal): \'On August 17, 1962, Fechter and a friend ran the wall near Checkpoint Charlie in the Kreuzberg district of central Berlin. Fechter was shot in the pelvis by an East German border guard during his attempt to scale the wall and fell back into the \"death-strip\" on the eastern side. He lay in agony in full view of western onlookers, and of border guards on each side of the wall. Despite his pleas, he was refused medical attention, and western bystanders were prevented at gunpoint from assisting him. He died of blood loss approximately an hour later. The senselessness of his death and the refusal of both East and West German border guards to render him aid was a flashpoint for anger in Berlin over division of the city and construction of the wall and led to the eruption of spontaneous demonstrations in the city.\' A sad, horrendous story from a gruesome time. Well, the times they are not a-changing... However, this time Fischer hails New York City. His music is still of the low-key kind. The spirit of the music is still lamental - grievous and sorrowful, even though he pays homage to \'a dynamic, incomparable city\'.\r\n\r\nFischer is a sensible, sensitive and careful musician and componist, creating impressionist, ambient electronic music merging classical music and ambient pop in his delicate musical stew. His tender songs is gentle carresses and probably quiet memories brought into sound. The four, piano driven tracks - \"The Imaginary City\", \"Five Years Almost To The Day\", \"Monument\" and \"A Light That Doesn\'t Go Out\" - well, they all bring out, or expose a present foundness and longing for a city you\'ve left. I guess there are love and hate shoulder to shoulder. All the tracks are pleasant compositions that glide through the air. They leave the speakers to fill the room around you. Not in a scaring, or disturbing way, but in a most comforting way. Fischer musical efforts are warm and friendly. These are welcoming, gratifying songs. Come on, let <i>Four Songs for the City of New York</i> delight you. You will not regret it. This is the soundtrack for Colibri birds when they\'re sleeping.\r\n\r\n<i>Four Songs for the City of New York EP</i> will be released on 3rd of September 2015. Fischer can also be heard as half of Hidden Shoal\'s electronic duo <a href=\"http://www.lunakafe.com/moon159/ca159.php\">Down Review</a> (alongside fellow Canuck Tim Arndt a.k.a. Near The Parenthesis).\r\n\r\nPS! Net proceeds of the <i>Peter Fechter</i> EP sales was and will be donated to the UN Refugee Agency. Respect. Go get that one as well!\"\r\n\r\n- <strong><a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon233/ca233.php\" target=\"_blank\">Luna Kafe</a></strong>','Medard Fischer \"Four Songs for the City of New York\" Reviewed at Luna Kafe','','inherit','closed','closed','','15117-revision-v1','','','2016-10-26 14:34:52','2016-10-26 06:34:52','',15117,'http://www.hiddenshoal.com/15117-revision-v1/',0,'revision','',0),(15118,1,'2016-10-26 14:33:47','2016-10-26 06:33:47','\"More ambient gold from the fab Hidden Shoal label. Medard Fischer\'s soothing and tranquilising EP, <i>Four Songs for the City of New York</i>. Yes, the EP holds four songs. Dive into it.\r\n\r\nMedard Fischer is a Canuck, being a Toronto native residing in Sydney, Australia via New York. Fischer - known for his solo work under the monikers Arc Lab and Tyyson (check out labels such as Duotone, Music Made By People or n5MD) - put last year out an EP (under his own name) called <i>Four Songs For Peter Fechter</i> (self-released). Who\'s Peter Fecther, one might say (though you might have heard the name sometimes)? Peter Fechter was an eighteen year-old East German bricklayer who became one of the first (and youngest) fatalities along the Berlin Wall. Facts (by Hidden Shoal): <span style=\"font-family: arial,helvetica,helv;\">\'On August 17, 1962, Fechter and a friend ran the wall near Checkpoint Charlie in the Kreuzberg district of central Berlin. Fechter was shot in the pelvis by an East German border guard during his attempt to scale the wall and fell back into the \"death-strip\" on the eastern side. He lay in agony in full view of western onlookers, and of border guards on each side of the wall. Despite his pleas, he was refused medical attention, and western bystanders were prevented at gunpoint from assisting him. He died of blood loss approximately an hour later. The senselessness of his death and the refusal of both East and West German border guards to render him aid was a flashpoint for anger in Berlin over division of the city and construction of the wall and led to the eruption of spontaneous demonstrations in the city.\'</span> A sad, horrendous story from a gruesome time. Well, the times they are not a-changing... However, this time Fischer hails New York City. His music is still of the low-key kind. The spirit of the music is still lamental - grievous and sorrowful, even though he pays homage to \'a dynamic, incomparable city\'.\r\n\r\nFischer is a sensible, sensitive and careful musician and componist, creating impressionist, ambient electronic music merging classical music and ambient pop in his delicate musical stew. His tender songs is gentle carresses and probably quiet memories brought into sound. The four, piano driven tracks - \"The Imaginary City\", \"Five Years Almost To The Day\", \"Monument\" and \"A Light That Doesn\'t Go Out\" - well, they all bring out, or expose a present foundness and longing for a city you\'ve left. I guess there are love and hate shoulder to shoulder. All the tracks are pleasant compositions that glide through the air. They leave the speakers to fill the room around you. Not in a scaring, or disturbing way, but in a most comforting way. Fischer musical efforts are warm and friendly. These are welcoming, gratifying songs. Come on, let <i>Four Songs for the City of New York</i> delight you. You will not regret it. This is the soundtrack for Colibri birds when they\'re sleeping.\r\n\r\n<i>Four Songs for the City of New York EP</i> will be released on 3rd of September 2015. Fischer can also be heard as half of Hidden Shoal\'s electronic duo <a href=\"http://www.lunakafe.com/moon159/ca159.php\">Down Review</a> (alongside fellow Canuck Tim Arndt a.k.a. Near The Parenthesis).\r\n\r\nPS! Net proceeds of the <i>Peter Fechter</i> EP sales was and will be donated to the UN Refugee Agency. Respect. Go get that one as well!\"\r\n\r\n- <strong><a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon233/ca233.php\" target=\"_blank\">Luna Kafe</a></strong>','Medard Fischer \"Four Songs for the City of New York\" Reviewed at Luna Kafe','','inherit','closed','closed','','15117-revision-v1','','','2016-10-26 14:33:47','2016-10-26 06:33:47','',15117,'http://www.hiddenshoal.com/15117-revision-v1/',0,'revision','',0),(15120,1,'2016-10-27 07:34:00','2016-10-26 23:34:00','\"Craig Hallsworth\'s \"We\'re Too Far Away (My Other Future, My Other Youth)\" is lifted from his forthcoming debut album What\'s The Story With This Hole?. The album is due out on October 24, so let\'s get back to the album next month. Until then, we\'d better enjoy the pleasant \"We\'re Too Far Away (My Other Future, My Other Youth)\".\r\n\r\nWestern Australian (Perth) songwriter Hallsworth has played with (as singer, guitarist, and songwriter) a number of bands/projects over three decades, including The Bamboos, The Healers, wild palms, Zuvuya, Outstation, The Slow Beings, and Tangled Star. I have only checked out the last two names, and for both of them I\'ve mentioned Kiwi pop/rock of the Flying Nun label (such as Sneaky Feelings and Straightjacket Fits) as a reference. \"We\'re Too Far Away...\" is fresh and bouncy as windy power-pop should be and it effects my mood in a positive way. Hallsworth\'s song(s) makes me happy, puts me in a good mood and that is a good thing when writing songs, right? I think Hallsworth\'s power is to hold back. He is not exposing everything in his song at once. He is saving some clever details, which helps his songs shine longer, deeper, wider.\r\n\r\nHallsworth has been working with his collaborator Al Smith (a.k.a. DrAlienSmith) when recording his new album. I am looking forward to check out the rest of What\'s The Story With This Hole?. Word is he\'s already working on a second album. That is quite some energetic efficiency production-wise. Starting working on a new album before your latest album has been released. Sounds like a 1960s thing, right.\"\r\n\r\n- <a title=\"Luna Kafe\" href=\"http://lunakafe.com/moon247/au247b.php\" target=\"_blank\"><strong>Luna Kafe</strong></a>','Craig Hallsworth \'We\'re Too Far Away (My Other Future, My Other Youth)\' Reviewed at Luna Kafe','','publish','closed','closed','','craig-hallsworth-my-other-future-your-other-youth-reviewed-at-luna-kafe','','','2016-10-27 07:34:00','2016-10-26 23:34:00','',0,'http://www.hiddenshoal.com/?p=15120',0,'post','',0),(15121,1,'2016-10-27 07:34:00','2016-10-26 23:34:00','\"Craig Hallsworth\'s \"We\'re Too Far Away (My Other Future, My Other Youth)\" is lifted from his forthcoming debut album What\'s The Story With This Hole?. The album is due out on October 24, so let\'s get back to the album next month. Until then, we\'d better enjoy the pleasant \"We\'re Too Far Away (My Other Future, My Other Youth)\".\r\n\r\nWestern Australian (Perth) songwriter Hallsworth has played with (as singer, guitarist, and songwriter) a number of bands/projects over three decades, including The Bamboos, The Healers, wild palms, Zuvuya, Outstation, The Slow Beings, and Tangled Star. I have only checked out the last two names, and for both of them I\'ve mentioned Kiwi pop/rock of the Flying Nun label (such as Sneaky Feelings and Straightjacket Fits) as a reference. \"We\'re Too Far Away...\" is fresh and bouncy as windy power-pop should be and it effects my mood in a positive way. Hallsworth\'s song(s) makes me happy, puts me in a good mood and that is a good thing when writing songs, right? I think Hallsworth\'s power is to hold back. He is not exposing everything in his song at once. He is saving some clever details, which helps his songs shine longer, deeper, wider.\r\n\r\nHallsworth has been working with his collaborator Al Smith (a.k.a. DrAlienSmith) when recording his new album. I am looking forward to check out the rest of What\'s The Story With This Hole?. Word is he\'s already working on a second album. That is quite some energetic efficiency production-wise. Starting working on a new album before your latest album has been released. Sounds like a 1960s thing, right.\"\r\n\r\n- <a title=\"Luna Kafe\" href=\"http://lunakafe.com/moon247/au247b.php\" target=\"_blank\"><strong>Luna Kafe</strong></a>','Craig Hallsworth \'We\'re Too Far Away (My Other Future, My Other Youth)\' Reviewed at Luna Kafe','','inherit','closed','closed','','15120-revision-v1','','','2016-10-27 07:34:00','2016-10-26 23:34:00','',15120,'http://www.hiddenshoal.com/15120-revision-v1/',0,'revision','',0),(15122,1,'2016-10-27 20:52:25','2016-10-27 12:52:25','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Craig Hallsworth</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/08/Craig-Edit-4-BW.jpg\"><img class=\"alignleft  wp-image-14807\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/08/Craig-Edit-4-BW-300x255.jpg\" alt=\"Craig Hallsworth\" width=\"287\" height=\"244\" /></a><i>“Craig Hallsworth knows his way around a tune with this set of sparkling power-pop, set with a country twang and cosmic touch”</i><strong><i> –</i> <b>2ser on Tangled Star’s album </b><em><b>Let’s Adjourn to the Garden</b></em></strong>\r\n\r\nCraig Hallsworth attempts to resingularise, for himself, the experience of a rock or pop song. He doesn’t approach it from the outside, in terms of styles or genres, but from the inside, as a field of affects and intensities. For him, songs are about the desire to play guitars and drums and to sing, expressing the poetry, humour and absurdity of a person finding themselves in this situation.\r\n\r\n<a href=\"https://open.spotify.com/artist/6WjF9pf4wh5DoniCF9cedB\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h4>Discography</h4>\r\n&nbsp;\r\n<h4>What\'s The Story With This Hole?</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2136960613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://craighallsworth.bandcamp.com/album/whats-the-story-with-this-hole\">What\'s The Story With This Hole? by Craig Hallsworth</a></iframe>\r\n\r\nWith over 30 years of songwriting experience under his belt, Craig Hallsworth makes <em>What’s The Story With This Hole?</em> feel effortless yet boundless. Recorded and produced with long-time collaborator Al Smith (DrAlienSmith, Bergerk Studios), the album represents the most musically developed and fully realised recording the pair have delivered to date. On the surface, these are perfectly composed and innately melodic pop/rock songs, with Hallsworth’s guitars alternately shimmering and snarling around his unmistakably keening vocals. The real magic, however, lies a little concealed; songs often end up somewhere very different from where they started, and Hallsworth’s often surreal lyrical excursions act in striking counterpoint to the music.\r\n\r\nIt’s this juxtaposition that makes <em>What’s The Story With This Hole?</em> so special – musically rich and familiar sounds taken into unrelated narrative territories. In Hallsworth’s own words, <em>“To me, the mysterious undecidability in the words plays a crucial part in the overall experience of the songs, making them events of sense and sensation. It isn’t so much that I consider the lyrics to be poetry, but I think a sense of poetry would be useful in approaching these songs.”</em>\r\n<h4> \'We’re Too Far Away (My Other Future, My Other Youth)\'</h4>\r\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=4011905121/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://craighallsworth.bandcamp.com/track/were-too-far-away-my-other-future-my-other-youth\">We\'re Too Far Away (My Other Future, My Other Youth) by Craig Hallsworth</a></iframe>\r\n\r\n‘We’re Too Far Away (My Other Future, My Other Youth)’ is the first single taken from <em>What’s The Story With This Hole?</em>, the debut solo album by Western Australian songwriter Craig Hallsworth.\r\n\r\nWith over 30 years of songwriting experience under his belt, Craig Hallsworth makes <em>What’s The Story With This Hole?</em> feel effortless yet boundless. Recorded and produced with long-time collaborator Al Smith (DrAlienSmith, Bergerk Studios), the album represents the most musically developed and fully realised recording the pair have delivered to date. On the surface, these are perfectly composed and innately melodic pop/rock songs, with Hallsworth’s guitars alternately shimmering and snarling around his unmistakably keening vocals. The real magic, however, lies a little concealed; songs often end up somewhere very different from where they started, and Hallsworth’s often surreal lyrical excursions act in striking counterpoint to the music.\r\n\r\nIt’s this juxtaposition that makes <em>What’s The Story With This Hole?</em> so special – musically rich and familiar sounds taken into unrelated narrative territories. In Hallsworth’s own words, <em>“To me, the mysterious undecidability in the words plays a crucial part in the overall experience of the songs, making them events of sense and sensation. It isn’t so much that I consider the lyrics to be poetry, but I think a sense of poetry would be useful in approaching these songs.”</em>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nCraig Hallsworth was the singer, guitarist and principal songwriter in Perth bands and projects The Bamboos, The Healers, wild palms, Zuvuya, Outstation, <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a> and <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a>. <i>What’s The Story With This Hole? </i>is his debut solo release on Hidden Shoal. He is currently working on his second.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=craighallsworth-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=craighallsworth-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Lyrics\"]\r\n<h3>Lyrics</h3>\r\n&nbsp;\r\n<h4>What\'s The Story With This Hole?</h4>\r\n<h5><strong>Your Kind In The World\r\n</strong></h5>\r\nI stopped believing\r\nThere were your kind in the world\r\nI struck a match in the dark\r\nI cupped the tiny flame\r\nI had a feeling\r\nI didn’t know its name\r\n\r\nI saw an electric guitar\r\nLeaning against an amplifier\r\nI saw strange drawings and scribble\r\nAll over the wall\r\nI saw the carpet crawl\r\nHow would I ever find my way\r\nOut of that wilderness?\r\n\r\nWe were born\r\nTo forget the splendour, I guess\r\nAnd like the drums\r\nWe need the emptiness\r\nThat doesn’t mean we won’t be vouchsafed a sign\r\nOr handed a line …\r\n\r\nAs if we’d never heard it once before …\r\nAs if we’d never heard it somewhere before …\r\n\r\nI stopped believing\r\nThere were your kind in the world …\r\n\r\nNow most of the gear’s been stolen\r\nLost or pawned\r\nAnother day has dawned\r\nAnd what a marvel is modern man\r\n\r\n&nbsp;\r\n<h5>Everyday Ghost Song</h5>\r\nAnd with every little thing we say and do\r\nWe’re taking sides with them\r\nAgainst me and you\r\nAnd when we think we’re just living\r\nSomehow we’re doing their killing for them\r\n\r\nWe’re like faces at the window\r\nSmiling with the eyes crossed out\r\nThey see us in their dreams\r\nFaces at the window\r\nWhile they dream …\r\n\r\nAnd when they get up and walk down the hall\r\nIt’s all happening in someone’s head\r\nThey have a concept and we inhabit it\r\nLike a silver orb by the bed\r\n\r\nSometimes they seem dead to the world\r\nBut they just want us to try to run away\r\nHow could something beautiful have left such a stain?\r\nIs there no escaping this refrain\r\nFor the disembodied voices singing?\r\n\r\nIt’s just another everyday ghost song\r\nSo sing along\r\nIt’s an everyday ghost song …\r\n\r\nEveryday ghost song …\r\nEveryday …\r\nEveryday …\r\n\r\n&nbsp;\r\n<h5>BYO Apocalypse</h5>\r\nCome on, son, you have to get up with the sun\r\nShrug your shoulders before day is done\r\n\r\nThe night air belongs to cicadas\r\nThe heart belongs to its invaders\r\n\r\nCome on, son, you have to keep up with the sun\r\nRoll your eyes before the day is done\r\n\r\nIt’s only a sense of foreboding\r\nIt’s not the whole world exploding\r\n\r\nCome on, son, you have to go down with the sun\r\nMeet a strange fate when the day is done\r\n\r\nA new dawn will break when it’s over\r\nClean and clear-eyed and sober\r\n\r\nIt’s over\r\nHow do you know when you’re sober?\r\nHow do you know when you’re sober? …\r\n\r\nI’ve heard there’s a beautiful light\r\nWait – no, I was thinking of that other thing\r\nWe never had this conversation\r\n\r\nWhat becomes of an agile mind?\r\nHow is it the empty circle is spilled?\r\nJust a stray, sniffing at a proffered finger\r\n\r\nOne thing matters, one thing is real\r\nIt was there a minute ago\r\nReflecting a spiritual stagnation\r\n\r\nNow we’re standing here face to face\r\nA smazy dusk bestowing its grace\r\nWe’re not having this conversation\r\n\r\nOne thing is boredom, one thing is confusion\r\nTwo can contuse wrestling an illusion\r\nOh baby, baby, baby\r\n\r\nPut it down to planetary rotation\r\nThe stairway to self-abnegation\r\nThe scream of the flying crustacean\r\nOh baby, baby, baby …\r\n\r\nI walked alone\r\nI froze and burned\r\nI slept alone\r\nI froze and burned\r\nI woke alone\r\nI had returned\r\nI’m not alone\r\nI have returned\r\n\r\n&nbsp;\r\n<h5>We’re Too Far Away (My Other Future, My Other Youth)</h5>\r\nTo be here, a distant dream\r\nSo you have to wave and scream\r\nIs someone breathing in the hall?\r\nIs someone walking through a wall?\r\nWas someone carried by the crowd\r\nWorshipping a burning cloud?\r\n\r\nBut I’ve got time for mysteries\r\nStill, they perish on the window sill\r\nWhere do you go everyday?\r\n\r\nThe skies at night are my other future\r\nThe streets at night are my other youth\r\nYour sweet face is my other zero\r\nYour lost lover is my other hero\r\nYour treachery is my other truth …\r\n\r\nThis treachery is my other truth …\r\n\r\nIt’s a kind of winnowing\r\nThe molecules begin to sing\r\n\r\nBefore you disappear again\r\nI realise you were also my friend\r\n\r\nWish there were something I could take\r\nA blue planet for a minor ache\r\nOr a blue planet for a minor ache\r\n\r\nA word for such astonishment:\r\nA hangover\r\nThis space for rent\r\nWho are you when you’re at home anyway?\r\n\r\nThis Mexican Fender is my other guitar\r\nI’m bleeding now from the other side\r\nWe’d live again if we could only get there\r\n\r\nThis vortex is my usual weekend\r\nIt’s patrolled by an unmanned drone\r\nAre we blind, are we all alone?\r\nAre we statues, are we made of stone?\r\nOr are we statues, are we made of stone?\r\n\r\nWe see the light but we’re too far away\r\nWe can see the light but we’re too far away …\r\n\r\nWe’re too far away …\r\n\r\n&nbsp;\r\n<h5>The Sphinx Is Working For The CIA</h5>\r\nThen I say, “Pretty speeches are not my thing -\r\nJust give me noisy air-conditioning”\r\nThey’ve got headphones on\r\nIn a van in the street below\r\nIs it only that I’m programmed to show\r\nMy humanity in the lurid blue glow\r\nOf a digital clock by the bed\r\nIn a room with a seascape print?\r\nFuck off imperialist scum\r\nBut they don’t understand\r\nYou’ve got to give them a hint\r\nWas there any news today?\r\n\r\nThe Sphinx is working for the CIA\r\nThe Sphinx is working for the CIA\r\nDon’t waste water, and put your pistol away\r\nI thought she said the Sphinx is working for the CIA\r\nTurn out the lights, and throw your garbage away\r\nDon’t you know the Sphinx is working for the CIA?\r\nThe Sphinx is working for the CIA …\r\n\r\nDays gallop into the night\r\nBlood drips out of a stone\r\nTurtles swim in the sky\r\nOur two lovers are not alone\r\n‘Cause they have each other to live for\r\nIn this overcrowded place …\r\n\r\nI forgot the question\r\nBut what if the answer’s an amateur from outer space?\r\nWe arrived before dawn\r\nAt Judges Bay Road\r\nAnd let ourselves in\r\nYou might be surprised to learn\r\nThe door was unlocked\r\nBut we left straightaway\r\nA man on a bench raised an eyebrow\r\nA tree on a hill looked as though it were where it was meant to be\r\nIt was a blissful tree\r\n\r\nI confess I put on your glasses for fun\r\nAnd then while I was at it I read a poem\r\nIt located my soul like a water-colour x-ray\r\nCrashed into my mind like some kamikaze butterfly\r\nAh, that’s why\r\nThat’s why\r\nThat’s why\r\nThat’s why …\r\n\r\n&nbsp;\r\n<h5>The Road Doesn’t Lead To The Tower</h5>\r\nPoseidon’s daughter came to bring the things I’d lost back to me\r\nWhen I was down and out sunbathing in a cemetery by the sea\r\n\r\nOh the road didn’t lead to the tower\r\nOr whatever it was I could see in the distance\r\nYou could say it was paved with shattered illusions\r\nAnd that I never saved anything for a rainy day\r\nAnd now it’s a rainy day\r\n\r\nI had a dream – I was busking\r\nAnd someone was shouting, “You’ll never be Craig Hallsworth!”\r\nTo which I replied, “Hey, I’m pretty sure\r\nI’m blowing him out of the water!”\r\n\r\nOh the rose that is a rose that is just a pose\r\nStruck in the twilight – that’s the way it goes\r\nYou’re making it up as you walk along\r\nAnd it becomes your song\r\nEven though you don’t belong, it becomes your song\r\n\r\nHow does it feel to arrive\r\nAnd be so empty and alive?\r\nThe world’s wearing a transfigured face\r\nEvery raindrop’s falling into place\r\nStanding in those worn out shoes\r\nFar from the land of rave reviews\r\nAnd all that stuff that leaves you cold …\r\n\r\nOh because the road doesn’t lead to the tower\r\nOr whatever it is you can see in the distance\r\nSometimes it’s a steep learning curve\r\nSo you can fall down and weep\r\nOr you can just go on your nerve\r\nAs the poet said, you just go on your nerve\r\n\r\nThe road doesn’t lead to the tower\r\nOr whatever it is you can see in the distance\r\nThey say it’s the irritating insistence\r\nThat accretes the pearl\r\n\r\n&nbsp;\r\n<h5>Sunlight #1: Toxic Affirmation</h5>\r\nI couldn’t comprehend what I was seeing\r\nIt was some kind of message of love\r\nFrom a golden being\r\nThat appeared to me\r\n\r\nAnd when I woke up I was bruised and bleeding\r\nSometimes you wonder about the life you’re leading\r\nWhy don’t you fly away, bird?\r\nOr haven’t you heard\r\nYou can defy irony?\r\n\r\nStardust on your wing\r\nAnd an eternal tinge to your eye\r\nLosing everything but getting to keep the handle\r\nIt’s not nothing to hold on to\r\n\r\nI stole a stethoscope to try to locate the beat\r\nI called an ambulance because I had cold feet\r\nYeah, imagine how the poets feel\r\nCompeting with a helpless squeal in the night\r\n\r\nEverybody’s investing in some fantastic plight\r\nWho could be happy lying wiggling their toes in the sunlight?\r\nHello, is anybody home?\r\n\r\nI don’t know, you go for a walk\r\nIn a lonely field\r\nAnd you get a reputation\r\nStep inside, the door’s wide open\r\nAnd your fate is sealed\r\nBut there’s still time for one more toxic affirmation …\r\n\r\nEverybody’s investing in some fantastic plight\r\nWho could be happy lying wiggling their toes in the sunlight?\r\nImagine how the poets feel, competing with a helpless squeal in the night\r\nWho could be happy lying wiggling their toes in the sunlight?\r\n\r\nIn the sunlight\r\nIn the sunlight\r\nIn the sunlight …\r\n\r\n&nbsp;\r\n<h5>Ambrosial Friend</h5>\r\nIf I were alone on a desert island\r\nAnd all I had to listen to was this\r\nI’d throw it in the sea\r\nI’d throw it in the sea\r\nI’d throw it in the sea\r\n\r\nIt’s just our destiny\r\nTo be the Great Amnesiacs\r\nIt’s not enough that everything began\r\nWay back when\r\nIt must begin again\r\n\r\nMichael howl the execrations\r\nSister help to fuck shit up\r\nCan you hear your own footsteps?\r\nCan you hear your own footsteps?\r\nCan you hear your own footsteps?\r\n\r\nTonight I watched the eighth best film of all time\r\nI toughed it out ‘til I woke to find\r\nIt’s an amazing world\r\nOh, it’s okay\r\nI love you, anyway\r\n\r\nAnd I’m happy to meet your ambrosial friend\r\nBut I’m sorry to meet this prosaic end\r\nWandering through these factories and mines\r\nLaughing at the working man\r\nLaughing at the working man\r\nLaughing at the working man\r\n\r\nWhat are you gonna do?\r\n\r\nTake a drive to Stony Batter\r\nJust give up and turn around\r\nWho killed your summer day?\r\nWho killed your summer day?\r\nWho stole your summer days?\r\n\r\nSometimes it seems to me that natural spontaneity is the Devil\r\nThen he’s in the phrasing, in the mannered style\r\nListen, you can hear him smile\r\n\r\nThen she pulled out a cell phone\r\nHeld together with elastic bands\r\n\r\n&nbsp;\r\n<h5>Jonah, He Lived In A Micro-Apartment</h5>\r\nJonah, he lived in a micro-apartment\r\nAnd he came up with a theory\r\nAbout fish being addicted to alcohol\r\nBut he had no way to prove it\r\n\r\nHe used to get up at dawn and go walking\r\nDown by the sea\r\nHe would watch the waves rolling in\r\nThinking, “Whatever happened to me?\r\nAm I the only one with a sense of mystery?\r\n\r\nAll I ever seem to hear\r\nAre fools lamenting all the foolishness in the world”\r\nThen one morning he was passing a newsstand\r\nAnd in the photo of some American rock band\r\nHe saw himself with a guitar and long blond hair\r\nAnd all he could do was stand and stare …\r\n\r\nThere’s someone in the crowd tonight\r\nSo far away, but suddenly the end is in sight\r\nShe’s carrying a Saga Stone in a bloodied scarf\r\nHeld to her right ear\r\nBecause there’s something she wants to know\r\nBecause there’s something she wants to know …\r\n\r\nIt’s better to start out\r\nOne fine day\r\nAnd be overtaken\r\n\r\nWho are you truly?\r\nAnd what will you show me?\r\nLonelier than a sign\r\n\r\nAmid all the scratching\r\nAnd clawing at life\r\nHere comes that frail chance\r\nHere comes that frail chance\r\n\r\nBut what if you’ve crushed\r\nYour spirit guide\r\nLike a bug, accidentally?\r\n\r\nIf no one is watching this\r\nI’ll turn it off\r\nIt’s a waste of electricity\r\n\r\nThey’re strolling backwards\r\nAlong the beach\r\nThe low sun slowly climbing\r\n\r\nWearing a kimono\r\nAs if she were real\r\nPouring green tea with roasted rice\r\n\r\nThey made love in the afternoon\r\nAnd slept while a vine\r\nGrew in through the window\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[gallery ids=\"14808,14804,14807\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nCraig Hallsworth\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Craig Hallsworth','','inherit','closed','closed','','14670-revision-v1','','','2016-10-27 20:52:25','2016-10-27 12:52:25','',14670,'http://www.hiddenshoal.com/14670-revision-v1/',0,'revision','',0),(15123,1,'2016-10-27 20:55:17','2016-10-27 12:55:17','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Craig Hallsworth</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/08/Craig-Edit-4-BW.jpg\"><img class=\"alignleft  wp-image-14807\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/08/Craig-Edit-4-BW-300x255.jpg\" alt=\"Craig Hallsworth\" width=\"287\" height=\"244\" /></a><i>“Craig Hallsworth knows his way around a tune with this set of sparkling power-pop, set with a country twang and cosmic touch”</i><strong><i> –</i> <b>2ser on Tangled Star’s album </b><em><b>Let’s Adjourn to the Garden</b></em></strong>\r\n\r\nCraig Hallsworth attempts to resingularise, for himself, the experience of a rock or pop song. He doesn’t approach it from the outside, in terms of styles or genres, but from the inside, as a field of affects and intensities. For him, songs are about the desire to play guitars and drums and to sing, expressing the poetry, humour and absurdity of a person finding themselves in this situation.\r\n\r\n<a href=\"https://open.spotify.com/artist/6WjF9pf4wh5DoniCF9cedB\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h4>Discography</h4>\r\n&nbsp;\r\n<h4>What\'s The Story With This Hole?</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2136960613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://craighallsworth.bandcamp.com/album/whats-the-story-with-this-hole\">What\'s The Story With This Hole? by Craig Hallsworth</a></iframe>\r\n\r\nWith over 30 years of songwriting experience under his belt, Craig Hallsworth makes <em>What’s The Story With This Hole?</em> feel effortless yet boundless. Recorded and produced with long-time collaborator Al Smith (DrAlienSmith, Bergerk Studios), the album represents the most musically developed and fully realised recording the pair have delivered to date. On the surface, these are perfectly composed and innately melodic pop/rock songs, with Hallsworth’s guitars alternately shimmering and snarling around his unmistakably keening vocals. The real magic, however, lies a little concealed; songs often end up somewhere very different from where they started, and Hallsworth’s often surreal lyrical excursions act in striking counterpoint to the music.\r\n\r\nIt’s this juxtaposition that makes <em>What’s The Story With This Hole?</em> so special – musically rich and familiar sounds taken into unrelated narrative territories. In Hallsworth’s own words, <em>“To me, the mysterious undecidability in the words plays a crucial part in the overall experience of the songs, making them events of sense and sensation. It isn’t so much that I consider the lyrics to be poetry, but I think a sense of poetry would be useful in approaching these songs.”</em>\r\n<h4> \'We’re Too Far Away (My Other Future, My Other Youth)\'</h4>\r\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=4011905121/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://craighallsworth.bandcamp.com/track/were-too-far-away-my-other-future-my-other-youth\">We\'re Too Far Away (My Other Future, My Other Youth) by Craig Hallsworth</a></iframe>\r\n\r\n‘We’re Too Far Away (My Other Future, My Other Youth)’ is the first single taken from <em>What’s The Story With This Hole?</em>, the debut solo album by Western Australian songwriter Craig Hallsworth.\r\n\r\nWith over 30 years of songwriting experience under his belt, Craig Hallsworth makes <em>What’s The Story With This Hole?</em> feel effortless yet boundless. Recorded and produced with long-time collaborator Al Smith (DrAlienSmith, Bergerk Studios), the album represents the most musically developed and fully realised recording the pair have delivered to date. On the surface, these are perfectly composed and innately melodic pop/rock songs, with Hallsworth’s guitars alternately shimmering and snarling around his unmistakably keening vocals. The real magic, however, lies a little concealed; songs often end up somewhere very different from where they started, and Hallsworth’s often surreal lyrical excursions act in striking counterpoint to the music.\r\n\r\nIt’s this juxtaposition that makes <em>What’s The Story With This Hole?</em> so special – musically rich and familiar sounds taken into unrelated narrative territories. In Hallsworth’s own words, <em>“To me, the mysterious undecidability in the words plays a crucial part in the overall experience of the songs, making them events of sense and sensation. It isn’t so much that I consider the lyrics to be poetry, but I think a sense of poetry would be useful in approaching these songs.”</em>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nCraig Hallsworth was the singer, guitarist and principal songwriter in Perth bands and projects The Bamboos, The Healers, wild palms, Zuvuya, Outstation, <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a> and <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a>. <i>What’s The Story With This Hole? </i>is his debut solo release on Hidden Shoal. He is currently working on his second.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=craighallsworth-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=craighallsworth-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Lyrics\"]\r\n<h3>Lyrics</h3>\r\n<h4>What\'s The Story With This Hole?</h4>\r\n&nbsp;\r\n<h5><strong>Your Kind In The World\r\n</strong></h5>\r\nI stopped believing\r\nThere were your kind in the world\r\nI struck a match in the dark\r\nI cupped the tiny flame\r\nI had a feeling\r\nI didn’t know its name\r\n\r\nI saw an electric guitar\r\nLeaning against an amplifier\r\nI saw strange drawings and scribble\r\nAll over the wall\r\nI saw the carpet crawl\r\nHow would I ever find my way\r\nOut of that wilderness?\r\n\r\nWe were born\r\nTo forget the splendour, I guess\r\nAnd like the drums\r\nWe need the emptiness\r\nThat doesn’t mean we won’t be vouchsafed a sign\r\nOr handed a line …\r\n\r\nAs if we’d never heard it once before …\r\nAs if we’d never heard it somewhere before …\r\n\r\nI stopped believing\r\nThere were your kind in the world …\r\n\r\nNow most of the gear’s been stolen\r\nLost or pawned\r\nAnother day has dawned\r\nAnd what a marvel is modern man\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>Everyday Ghost Song</h5>\r\nAnd with every little thing we say and do\r\nWe’re taking sides with them\r\nAgainst me and you\r\nAnd when we think we’re just living\r\nSomehow we’re doing their killing for them\r\n\r\nWe’re like faces at the window\r\nSmiling with the eyes crossed out\r\nThey see us in their dreams\r\nFaces at the window\r\nWhile they dream …\r\n\r\nAnd when they get up and walk down the hall\r\nIt’s all happening in someone’s head\r\nThey have a concept and we inhabit it\r\nLike a silver orb by the bed\r\n\r\nSometimes they seem dead to the world\r\nBut they just want us to try to run away\r\nHow could something beautiful have left such a stain?\r\nIs there no escaping this refrain\r\nFor the disembodied voices singing?\r\n\r\nIt’s just another everyday ghost song\r\nSo sing along\r\nIt’s an everyday ghost song …\r\n\r\nEveryday ghost song …\r\nEveryday …\r\nEveryday …\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>BYO Apocalypse</h5>\r\nCome on, son, you have to get up with the sun\r\nShrug your shoulders before day is done\r\n\r\nThe night air belongs to cicadas\r\nThe heart belongs to its invaders\r\n\r\nCome on, son, you have to keep up with the sun\r\nRoll your eyes before the day is done\r\n\r\nIt’s only a sense of foreboding\r\nIt’s not the whole world exploding\r\n\r\nCome on, son, you have to go down with the sun\r\nMeet a strange fate when the day is done\r\n\r\nA new dawn will break when it’s over\r\nClean and clear-eyed and sober\r\n\r\nIt’s over\r\nHow do you know when you’re sober?\r\nHow do you know when you’re sober? …\r\n\r\nI’ve heard there’s a beautiful light\r\nWait – no, I was thinking of that other thing\r\nWe never had this conversation\r\n\r\nWhat becomes of an agile mind?\r\nHow is it the empty circle is spilled?\r\nJust a stray, sniffing at a proffered finger\r\n\r\nOne thing matters, one thing is real\r\nIt was there a minute ago\r\nReflecting a spiritual stagnation\r\n\r\nNow we’re standing here face to face\r\nA smazy dusk bestowing its grace\r\nWe’re not having this conversation\r\n\r\nOne thing is boredom, one thing is confusion\r\nTwo can contuse wrestling an illusion\r\nOh baby, baby, baby\r\n\r\nPut it down to planetary rotation\r\nThe stairway to self-abnegation\r\nThe scream of the flying crustacean\r\nOh baby, baby, baby …\r\n\r\nI walked alone\r\nI froze and burned\r\nI slept alone\r\nI froze and burned\r\nI woke alone\r\nI had returned\r\nI’m not alone\r\nI have returned\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>We’re Too Far Away (My Other Future, My Other Youth)</h5>\r\nTo be here, a distant dream\r\nSo you have to wave and scream\r\nIs someone breathing in the hall?\r\nIs someone walking through a wall?\r\nWas someone carried by the crowd\r\nWorshipping a burning cloud?\r\n\r\nBut I’ve got time for mysteries\r\nStill, they perish on the window sill\r\nWhere do you go everyday?\r\n\r\nThe skies at night are my other future\r\nThe streets at night are my other youth\r\nYour sweet face is my other zero\r\nYour lost lover is my other hero\r\nYour treachery is my other truth …\r\n\r\nThis treachery is my other truth …\r\n\r\nIt’s a kind of winnowing\r\nThe molecules begin to sing\r\n\r\nBefore you disappear again\r\nI realise you were also my friend\r\n\r\nWish there were something I could take\r\nA blue planet for a minor ache\r\nOr a blue planet for a minor ache\r\n\r\nA word for such astonishment:\r\nA hangover\r\nThis space for rent\r\nWho are you when you’re at home anyway?\r\n\r\nThis Mexican Fender is my other guitar\r\nI’m bleeding now from the other side\r\nWe’d live again if we could only get there\r\n\r\nThis vortex is my usual weekend\r\nIt’s patrolled by an unmanned drone\r\nAre we blind, are we all alone?\r\nAre we statues, are we made of stone?\r\nOr are we statues, are we made of stone?\r\n\r\nWe see the light but we’re too far away\r\nWe can see the light but we’re too far away …\r\n\r\nWe’re too far away …\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>The Sphinx Is Working For The CIA</h5>\r\nThen I say, “Pretty speeches are not my thing -\r\nJust give me noisy air-conditioning”\r\nThey’ve got headphones on\r\nIn a van in the street below\r\nIs it only that I’m programmed to show\r\nMy humanity in the lurid blue glow\r\nOf a digital clock by the bed\r\nIn a room with a seascape print?\r\nFuck off imperialist scum\r\nBut they don’t understand\r\nYou’ve got to give them a hint\r\nWas there any news today?\r\n\r\nThe Sphinx is working for the CIA\r\nThe Sphinx is working for the CIA\r\nDon’t waste water, and put your pistol away\r\nI thought she said the Sphinx is working for the CIA\r\nTurn out the lights, and throw your garbage away\r\nDon’t you know the Sphinx is working for the CIA?\r\nThe Sphinx is working for the CIA …\r\n\r\nDays gallop into the night\r\nBlood drips out of a stone\r\nTurtles swim in the sky\r\nOur two lovers are not alone\r\n‘Cause they have each other to live for\r\nIn this overcrowded place …\r\n\r\nI forgot the question\r\nBut what if the answer’s an amateur from outer space?\r\nWe arrived before dawn\r\nAt Judges Bay Road\r\nAnd let ourselves in\r\nYou might be surprised to learn\r\nThe door was unlocked\r\nBut we left straightaway\r\nA man on a bench raised an eyebrow\r\nA tree on a hill looked as though it were where it was meant to be\r\nIt was a blissful tree\r\n\r\nI confess I put on your glasses for fun\r\nAnd then while I was at it I read a poem\r\nIt located my soul like a water-colour x-ray\r\nCrashed into my mind like some kamikaze butterfly\r\nAh, that’s why\r\nThat’s why\r\nThat’s why\r\nThat’s why …\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>The Road Doesn’t Lead To The Tower</h5>\r\nPoseidon’s daughter came to bring the things I’d lost back to me\r\nWhen I was down and out sunbathing in a cemetery by the sea\r\n\r\nOh the road didn’t lead to the tower\r\nOr whatever it was I could see in the distance\r\nYou could say it was paved with shattered illusions\r\nAnd that I never saved anything for a rainy day\r\nAnd now it’s a rainy day\r\n\r\nI had a dream – I was busking\r\nAnd someone was shouting, “You’ll never be Craig Hallsworth!”\r\nTo which I replied, “Hey, I’m pretty sure\r\nI’m blowing him out of the water!”\r\n\r\nOh the rose that is a rose that is just a pose\r\nStruck in the twilight – that’s the way it goes\r\nYou’re making it up as you walk along\r\nAnd it becomes your song\r\nEven though you don’t belong, it becomes your song\r\n\r\nHow does it feel to arrive\r\nAnd be so empty and alive?\r\nThe world’s wearing a transfigured face\r\nEvery raindrop’s falling into place\r\nStanding in those worn out shoes\r\nFar from the land of rave reviews\r\nAnd all that stuff that leaves you cold …\r\n\r\nOh because the road doesn’t lead to the tower\r\nOr whatever it is you can see in the distance\r\nSometimes it’s a steep learning curve\r\nSo you can fall down and weep\r\nOr you can just go on your nerve\r\nAs the poet said, you just go on your nerve\r\n\r\nThe road doesn’t lead to the tower\r\nOr whatever it is you can see in the distance\r\nThey say it’s the irritating insistence\r\nThat accretes the pearl\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>Sunlight #1: Toxic Affirmation</h5>\r\nI couldn’t comprehend what I was seeing\r\nIt was some kind of message of love\r\nFrom a golden being\r\nThat appeared to me\r\n\r\nAnd when I woke up I was bruised and bleeding\r\nSometimes you wonder about the life you’re leading\r\nWhy don’t you fly away, bird?\r\nOr haven’t you heard\r\nYou can defy irony?\r\n\r\nStardust on your wing\r\nAnd an eternal tinge to your eye\r\nLosing everything but getting to keep the handle\r\nIt’s not nothing to hold on to\r\n\r\nI stole a stethoscope to try to locate the beat\r\nI called an ambulance because I had cold feet\r\nYeah, imagine how the poets feel\r\nCompeting with a helpless squeal in the night\r\n\r\nEverybody’s investing in some fantastic plight\r\nWho could be happy lying wiggling their toes in the sunlight?\r\nHello, is anybody home?\r\n\r\nI don’t know, you go for a walk\r\nIn a lonely field\r\nAnd you get a reputation\r\nStep inside, the door’s wide open\r\nAnd your fate is sealed\r\nBut there’s still time for one more toxic affirmation …\r\n\r\nEverybody’s investing in some fantastic plight\r\nWho could be happy lying wiggling their toes in the sunlight?\r\nImagine how the poets feel, competing with a helpless squeal in the night\r\nWho could be happy lying wiggling their toes in the sunlight?\r\n\r\nIn the sunlight\r\nIn the sunlight\r\nIn the sunlight …\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>Ambrosial Friend</h5>\r\nIf I were alone on a desert island\r\nAnd all I had to listen to was this\r\nI’d throw it in the sea\r\nI’d throw it in the sea\r\nI’d throw it in the sea\r\n\r\nIt’s just our destiny\r\nTo be the Great Amnesiacs\r\nIt’s not enough that everything began\r\nWay back when\r\nIt must begin again\r\n\r\nMichael howl the execrations\r\nSister help to fuck shit up\r\nCan you hear your own footsteps?\r\nCan you hear your own footsteps?\r\nCan you hear your own footsteps?\r\n\r\nTonight I watched the eighth best film of all time\r\nI toughed it out ‘til I woke to find\r\nIt’s an amazing world\r\nOh, it’s okay\r\nI love you, anyway\r\n\r\nAnd I’m happy to meet your ambrosial friend\r\nBut I’m sorry to meet this prosaic end\r\nWandering through these factories and mines\r\nLaughing at the working man\r\nLaughing at the working man\r\nLaughing at the working man\r\n\r\nWhat are you gonna do?\r\n\r\nTake a drive to Stony Batter\r\nJust give up and turn around\r\nWho killed your summer day?\r\nWho killed your summer day?\r\nWho stole your summer days?\r\n\r\nSometimes it seems to me that natural spontaneity is the Devil\r\nThen he’s in the phrasing, in the mannered style\r\nListen, you can hear him smile\r\n\r\nThen she pulled out a cell phone\r\nHeld together with elastic bands\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>Jonah, He Lived In A Micro-Apartment</h5>\r\nJonah, he lived in a micro-apartment\r\nAnd he came up with a theory\r\nAbout fish being addicted to alcohol\r\nBut he had no way to prove it\r\n\r\nHe used to get up at dawn and go walking\r\nDown by the sea\r\nHe would watch the waves rolling in\r\nThinking, “Whatever happened to me?\r\nAm I the only one with a sense of mystery?\r\n\r\nAll I ever seem to hear\r\nAre fools lamenting all the foolishness in the world”\r\nThen one morning he was passing a newsstand\r\nAnd in the photo of some American rock band\r\nHe saw himself with a guitar and long blond hair\r\nAnd all he could do was stand and stare …\r\n\r\nThere’s someone in the crowd tonight\r\nSo far away, but suddenly the end is in sight\r\nShe’s carrying a Saga Stone in a bloodied scarf\r\nHeld to her right ear\r\nBecause there’s something she wants to know\r\nBecause there’s something she wants to know …\r\n\r\nIt’s better to start out\r\nOne fine day\r\nAnd be overtaken\r\n\r\nWho are you truly?\r\nAnd what will you show me?\r\nLonelier than a sign\r\n\r\nAmid all the scratching\r\nAnd clawing at life\r\nHere comes that frail chance\r\nHere comes that frail chance\r\n\r\nBut what if you’ve crushed\r\nYour spirit guide\r\nLike a bug, accidentally?\r\n\r\nIf no one is watching this\r\nI’ll turn it off\r\nIt’s a waste of electricity\r\n\r\nThey’re strolling backwards\r\nAlong the beach\r\nThe low sun slowly climbing\r\n\r\nWearing a kimono\r\nAs if she were real\r\nPouring green tea with roasted rice\r\n\r\nThey made love in the afternoon\r\nAnd slept while a vine\r\nGrew in through the window\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[gallery ids=\"14808,14804,14807\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nCraig Hallsworth\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Craig Hallsworth','','inherit','closed','closed','','14670-revision-v1','','','2016-10-27 20:55:17','2016-10-27 12:55:17','',14670,'http://www.hiddenshoal.com/14670-revision-v1/',0,'revision','',0),(15124,1,'2016-10-27 21:02:18','2016-10-27 13:02:18','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Craig Hallsworth</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/08/Craig-Edit-4-BW.jpg\"><img class=\"alignleft  wp-image-14807\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/08/Craig-Edit-4-BW-300x255.jpg\" alt=\"Craig Hallsworth\" width=\"287\" height=\"244\" /></a><i>“Craig Hallsworth knows his way around a tune with this set of sparkling power-pop, set with a country twang and cosmic touch”</i><strong><i> –</i> <b>2ser on Tangled Star’s album </b><em><b>Let’s Adjourn to the Garden</b></em></strong>\r\n\r\nCraig Hallsworth attempts to resingularise, for himself, the experience of a rock or pop song. He doesn’t approach it from the outside, in terms of styles or genres, but from the inside, as a field of affects and intensities. For him, songs are about the desire to play guitars and drums and to sing, expressing the poetry, humour and absurdity of a person finding themselves in this situation.\r\n\r\n<a href=\"https://open.spotify.com/artist/6WjF9pf4wh5DoniCF9cedB\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h4>Discography</h4>\r\n&nbsp;\r\n<h4>What\'s The Story With This Hole?</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2136960613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://craighallsworth.bandcamp.com/album/whats-the-story-with-this-hole\">What\'s The Story With This Hole? by Craig Hallsworth</a></iframe>\r\n\r\nWith over 30 years of songwriting experience under his belt, Craig Hallsworth makes <em>What’s The Story With This Hole?</em> feel effortless yet boundless. Recorded and produced with long-time collaborator Al Smith (DrAlienSmith, Bergerk Studios), the album represents the most musically developed and fully realised recording the pair have delivered to date. On the surface, these are perfectly composed and innately melodic pop/rock songs, with Hallsworth’s guitars alternately shimmering and snarling around his unmistakably keening vocals. The real magic, however, lies a little concealed; songs often end up somewhere very different from where they started, and Hallsworth’s often surreal lyrical excursions act in striking counterpoint to the music.\r\n\r\nIt’s this juxtaposition that makes <em>What’s The Story With This Hole?</em> so special – musically rich and familiar sounds taken into unrelated narrative territories. In Hallsworth’s own words, <em>“To me, the mysterious undecidability in the words plays a crucial part in the overall experience of the songs, making them events of sense and sensation. It isn’t so much that I consider the lyrics to be poetry, but I think a sense of poetry would be useful in approaching these songs.”</em>\r\n<h4> \'We’re Too Far Away (My Other Future, My Other Youth)\'</h4>\r\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=4011905121/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://craighallsworth.bandcamp.com/track/were-too-far-away-my-other-future-my-other-youth\">We\'re Too Far Away (My Other Future, My Other Youth) by Craig Hallsworth</a></iframe>\r\n\r\n‘We’re Too Far Away (My Other Future, My Other Youth)’ is the first single taken from <em>What’s The Story With This Hole?</em>, the debut solo album by Western Australian songwriter Craig Hallsworth.\r\n\r\nWith over 30 years of songwriting experience under his belt, Craig Hallsworth makes <em>What’s The Story With This Hole?</em> feel effortless yet boundless. Recorded and produced with long-time collaborator Al Smith (DrAlienSmith, Bergerk Studios), the album represents the most musically developed and fully realised recording the pair have delivered to date. On the surface, these are perfectly composed and innately melodic pop/rock songs, with Hallsworth’s guitars alternately shimmering and snarling around his unmistakably keening vocals. The real magic, however, lies a little concealed; songs often end up somewhere very different from where they started, and Hallsworth’s often surreal lyrical excursions act in striking counterpoint to the music.\r\n\r\nIt’s this juxtaposition that makes <em>What’s The Story With This Hole?</em> so special – musically rich and familiar sounds taken into unrelated narrative territories. In Hallsworth’s own words, <em>“To me, the mysterious undecidability in the words plays a crucial part in the overall experience of the songs, making them events of sense and sensation. It isn’t so much that I consider the lyrics to be poetry, but I think a sense of poetry would be useful in approaching these songs.”</em>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nCraig Hallsworth was the singer, guitarist and principal songwriter in Perth bands and projects The Bamboos, The Healers, wild palms, Zuvuya, Outstation, <a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\">The Slow Beings</a> and <a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\">Tangled Star</a>. <i>What’s The Story With This Hole? </i>is his debut solo release on Hidden Shoal. He is currently working on his second.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=craighallsworth-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=craighallsworth-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Lyrics\"]\r\n<h3>Lyrics</h3>\r\n&nbsp;\r\n<h4>What\'s The Story With This Hole?</h4>\r\n&nbsp;\r\n<h5><strong>Your Kind In The World\r\n</strong></h5>\r\nI stopped believing\r\nThere were your kind in the world\r\nI struck a match in the dark\r\nI cupped the tiny flame\r\nI had a feeling\r\nI didn’t know its name\r\n\r\nI saw an electric guitar\r\nLeaning against an amplifier\r\nI saw strange drawings and scribble\r\nAll over the wall\r\nI saw the carpet crawl\r\nHow would I ever find my way\r\nOut of that wilderness?\r\n\r\nWe were born\r\nTo forget the splendour, I guess\r\nAnd like the drums\r\nWe need the emptiness\r\nThat doesn’t mean we won’t be vouchsafed a sign\r\nOr handed a line …\r\n\r\nAs if we’d never heard it once before …\r\nAs if we’d never heard it somewhere before …\r\n\r\nI stopped believing\r\nThere were your kind in the world …\r\n\r\nNow most of the gear’s been stolen\r\nLost or pawned\r\nAnother day has dawned\r\nAnd what a marvel is modern man\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>Everyday Ghost Song</h5>\r\nAnd with every little thing we say and do\r\nWe’re taking sides with them\r\nAgainst me and you\r\nAnd when we think we’re just living\r\nSomehow we’re doing their killing for them\r\n\r\nWe’re like faces at the window\r\nSmiling with the eyes crossed out\r\nThey see us in their dreams\r\nFaces at the window\r\nWhile they dream …\r\n\r\nAnd when they get up and walk down the hall\r\nIt’s all happening in someone’s head\r\nThey have a concept and we inhabit it\r\nLike a silver orb by the bed\r\n\r\nSometimes they seem dead to the world\r\nBut they just want us to try to run away\r\nHow could something beautiful have left such a stain?\r\nIs there no escaping this refrain\r\nFor the disembodied voices singing?\r\n\r\nIt’s just another everyday ghost song\r\nSo sing along\r\nIt’s an everyday ghost song …\r\n\r\nEveryday ghost song …\r\nEveryday …\r\nEveryday …\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>BYO Apocalypse</h5>\r\nCome on, son, you have to get up with the sun\r\nShrug your shoulders before day is done\r\n\r\nThe night air belongs to cicadas\r\nThe heart belongs to its invaders\r\n\r\nCome on, son, you have to keep up with the sun\r\nRoll your eyes before the day is done\r\n\r\nIt’s only a sense of foreboding\r\nIt’s not the whole world exploding\r\n\r\nCome on, son, you have to go down with the sun\r\nMeet a strange fate when the day is done\r\n\r\nA new dawn will break when it’s over\r\nClean and clear-eyed and sober\r\n\r\nIt’s over\r\nHow do you know when you’re sober?\r\nHow do you know when you’re sober? …\r\n\r\nI’ve heard there’s a beautiful light\r\nWait – no, I was thinking of that other thing\r\nWe never had this conversation\r\n\r\nWhat becomes of an agile mind?\r\nHow is it the empty circle is spilled?\r\nJust a stray, sniffing at a proffered finger\r\n\r\nOne thing matters, one thing is real\r\nIt was there a minute ago\r\nReflecting a spiritual stagnation\r\n\r\nNow we’re standing here face to face\r\nA smazy dusk bestowing its grace\r\nWe’re not having this conversation\r\n\r\nOne thing is boredom, one thing is confusion\r\nTwo can contuse wrestling an illusion\r\nOh baby, baby, baby\r\n\r\nPut it down to planetary rotation\r\nThe stairway to self-abnegation\r\nThe scream of the flying crustacean\r\nOh baby, baby, baby …\r\n\r\nI walked alone\r\nI froze and burned\r\nI slept alone\r\nI froze and burned\r\nI woke alone\r\nI had returned\r\nI’m not alone\r\nI have returned\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>We’re Too Far Away (My Other Future, My Other Youth)</h5>\r\nTo be here, a distant dream\r\nSo you have to wave and scream\r\nIs someone breathing in the hall?\r\nIs someone walking through a wall?\r\nWas someone carried by the crowd\r\nWorshipping a burning cloud?\r\n\r\nBut I’ve got time for mysteries\r\nStill, they perish on the window sill\r\nWhere do you go everyday?\r\n\r\nThe skies at night are my other future\r\nThe streets at night are my other youth\r\nYour sweet face is my other zero\r\nYour lost lover is my other hero\r\nYour treachery is my other truth …\r\n\r\nThis treachery is my other truth …\r\n\r\nIt’s a kind of winnowing\r\nThe molecules begin to sing\r\n\r\nBefore you disappear again\r\nI realise you were also my friend\r\n\r\nWish there were something I could take\r\nA blue planet for a minor ache\r\nOr a blue planet for a minor ache\r\n\r\nA word for such astonishment:\r\nA hangover\r\nThis space for rent\r\nWho are you when you’re at home anyway?\r\n\r\nThis Mexican Fender is my other guitar\r\nI’m bleeding now from the other side\r\nWe’d live again if we could only get there\r\n\r\nThis vortex is my usual weekend\r\nIt’s patrolled by an unmanned drone\r\nAre we blind, are we all alone?\r\nAre we statues, are we made of stone?\r\nOr are we statues, are we made of stone?\r\n\r\nWe see the light but we’re too far away\r\nWe can see the light but we’re too far away …\r\n\r\nWe’re too far away …\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>The Sphinx Is Working For The CIA</h5>\r\nThen I say, “Pretty speeches are not my thing -\r\nJust give me noisy air-conditioning”\r\nThey’ve got headphones on\r\nIn a van in the street below\r\nIs it only that I’m programmed to show\r\nMy humanity in the lurid blue glow\r\nOf a digital clock by the bed\r\nIn a room with a seascape print?\r\nFuck off imperialist scum\r\nBut they don’t understand\r\nYou’ve got to give them a hint\r\nWas there any news today?\r\n\r\nThe Sphinx is working for the CIA\r\nThe Sphinx is working for the CIA\r\nDon’t waste water, and put your pistol away\r\nI thought she said the Sphinx is working for the CIA\r\nTurn out the lights, and throw your garbage away\r\nDon’t you know the Sphinx is working for the CIA?\r\nThe Sphinx is working for the CIA …\r\n\r\nDays gallop into the night\r\nBlood drips out of a stone\r\nTurtles swim in the sky\r\nOur two lovers are not alone\r\n‘Cause they have each other to live for\r\nIn this overcrowded place …\r\n\r\nI forgot the question\r\nBut what if the answer’s an amateur from outer space?\r\nWe arrived before dawn\r\nAt Judges Bay Road\r\nAnd let ourselves in\r\nYou might be surprised to learn\r\nThe door was unlocked\r\nBut we left straightaway\r\nA man on a bench raised an eyebrow\r\nA tree on a hill looked as though it were where it was meant to be\r\nIt was a blissful tree\r\n\r\nI confess I put on your glasses for fun\r\nAnd then while I was at it I read a poem\r\nIt located my soul like a water-colour x-ray\r\nCrashed into my mind like some kamikaze butterfly\r\nAh, that’s why\r\nThat’s why\r\nThat’s why\r\nThat’s why …\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>The Road Doesn’t Lead To The Tower</h5>\r\nPoseidon’s daughter came to bring the things I’d lost back to me\r\nWhen I was down and out sunbathing in a cemetery by the sea\r\n\r\nOh the road didn’t lead to the tower\r\nOr whatever it was I could see in the distance\r\nYou could say it was paved with shattered illusions\r\nAnd that I never saved anything for a rainy day\r\nAnd now it’s a rainy day\r\n\r\nI had a dream – I was busking\r\nAnd someone was shouting, “You’ll never be Craig Hallsworth!”\r\nTo which I replied, “Hey, I’m pretty sure\r\nI’m blowing him out of the water!”\r\n\r\nOh the rose that is a rose that is just a pose\r\nStruck in the twilight – that’s the way it goes\r\nYou’re making it up as you walk along\r\nAnd it becomes your song\r\nEven though you don’t belong, it becomes your song\r\n\r\nHow does it feel to arrive\r\nAnd be so empty and alive?\r\nThe world’s wearing a transfigured face\r\nEvery raindrop’s falling into place\r\nStanding in those worn out shoes\r\nFar from the land of rave reviews\r\nAnd all that stuff that leaves you cold …\r\n\r\nOh because the road doesn’t lead to the tower\r\nOr whatever it is you can see in the distance\r\nSometimes it’s a steep learning curve\r\nSo you can fall down and weep\r\nOr you can just go on your nerve\r\nAs the poet said, you just go on your nerve\r\n\r\nThe road doesn’t lead to the tower\r\nOr whatever it is you can see in the distance\r\nThey say it’s the irritating insistence\r\nThat accretes the pearl\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>Sunlight #1: Toxic Affirmation</h5>\r\nI couldn’t comprehend what I was seeing\r\nIt was some kind of message of love\r\nFrom a golden being\r\nThat appeared to me\r\n\r\nAnd when I woke up I was bruised and bleeding\r\nSometimes you wonder about the life you’re leading\r\nWhy don’t you fly away, bird?\r\nOr haven’t you heard\r\nYou can defy irony?\r\n\r\nStardust on your wing\r\nAnd an eternal tinge to your eye\r\nLosing everything but getting to keep the handle\r\nIt’s not nothing to hold on to\r\n\r\nI stole a stethoscope to try to locate the beat\r\nI called an ambulance because I had cold feet\r\nYeah, imagine how the poets feel\r\nCompeting with a helpless squeal in the night\r\n\r\nEverybody’s investing in some fantastic plight\r\nWho could be happy lying wiggling their toes in the sunlight?\r\nHello, is anybody home?\r\n\r\nI don’t know, you go for a walk\r\nIn a lonely field\r\nAnd you get a reputation\r\nStep inside, the door’s wide open\r\nAnd your fate is sealed\r\nBut there’s still time for one more toxic affirmation …\r\n\r\nEverybody’s investing in some fantastic plight\r\nWho could be happy lying wiggling their toes in the sunlight?\r\nImagine how the poets feel, competing with a helpless squeal in the night\r\nWho could be happy lying wiggling their toes in the sunlight?\r\n\r\nIn the sunlight\r\nIn the sunlight\r\nIn the sunlight …\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>Ambrosial Friend</h5>\r\nIf I were alone on a desert island\r\nAnd all I had to listen to was this\r\nI’d throw it in the sea\r\nI’d throw it in the sea\r\nI’d throw it in the sea\r\n\r\nIt’s just our destiny\r\nTo be the Great Amnesiacs\r\nIt’s not enough that everything began\r\nWay back when\r\nIt must begin again\r\n\r\nMichael howl the execrations\r\nSister help to fuck shit up\r\nCan you hear your own footsteps?\r\nCan you hear your own footsteps?\r\nCan you hear your own footsteps?\r\n\r\nTonight I watched the eighth best film of all time\r\nI toughed it out ‘til I woke to find\r\nIt’s an amazing world\r\nOh, it’s okay\r\nI love you, anyway\r\n\r\nAnd I’m happy to meet your ambrosial friend\r\nBut I’m sorry to meet this prosaic end\r\nWandering through these factories and mines\r\nLaughing at the working man\r\nLaughing at the working man\r\nLaughing at the working man\r\n\r\nWhat are you gonna do?\r\n\r\nTake a drive to Stony Batter\r\nJust give up and turn around\r\nWho killed your summer day?\r\nWho killed your summer day?\r\nWho stole your summer days?\r\n\r\nSometimes it seems to me that natural spontaneity is the Devil\r\nThen he’s in the phrasing, in the mannered style\r\nListen, you can hear him smile\r\n\r\nThen she pulled out a cell phone\r\nHeld together with elastic bands\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5>Jonah, He Lived In A Micro-Apartment</h5>\r\nJonah, he lived in a micro-apartment\r\nAnd he came up with a theory\r\nAbout fish being addicted to alcohol\r\nBut he had no way to prove it\r\n\r\nHe used to get up at dawn and go walking\r\nDown by the sea\r\nHe would watch the waves rolling in\r\nThinking, “Whatever happened to me?\r\nAm I the only one with a sense of mystery?\r\n\r\nAll I ever seem to hear\r\nAre fools lamenting all the foolishness in the world”\r\nThen one morning he was passing a newsstand\r\nAnd in the photo of some American rock band\r\nHe saw himself with a guitar and long blond hair\r\nAnd all he could do was stand and stare …\r\n\r\nThere’s someone in the crowd tonight\r\nSo far away, but suddenly the end is in sight\r\nShe’s carrying a Saga Stone in a bloodied scarf\r\nHeld to her right ear\r\nBecause there’s something she wants to know\r\nBecause there’s something she wants to know …\r\n\r\nIt’s better to start out\r\nOne fine day\r\nAnd be overtaken\r\n\r\nWho are you truly?\r\nAnd what will you show me?\r\nLonelier than a sign\r\n\r\nAmid all the scratching\r\nAnd clawing at life\r\nHere comes that frail chance\r\nHere comes that frail chance\r\n\r\nBut what if you’ve crushed\r\nYour spirit guide\r\nLike a bug, accidentally?\r\n\r\nIf no one is watching this\r\nI’ll turn it off\r\nIt’s a waste of electricity\r\n\r\nThey’re strolling backwards\r\nAlong the beach\r\nThe low sun slowly climbing\r\n\r\nWearing a kimono\r\nAs if she were real\r\nPouring green tea with roasted rice\r\n\r\nThey made love in the afternoon\r\nAnd slept while a vine\r\nGrew in through the window\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[gallery ids=\"14808,14804,14807\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nCraig Hallsworth\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Craig Hallsworth','','inherit','closed','closed','','14670-revision-v1','','','2016-10-27 21:02:18','2016-10-27 13:02:18','',14670,'http://www.hiddenshoal.com/14670-revision-v1/',0,'revision','',0),(15125,1,'2016-11-01 17:32:10','2016-11-01 09:32:10','Kramies gives a sneak peek of his forthcoming 2017 EP!\r\n\r\n<iframe src=\"https://www.youtube.com/embed/w2H9Msu6YwY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Sneak Peek of Kramies 2017 EP!','','publish','closed','closed','','sneak-peek-of-kramies-2017-ep','','','2016-11-01 17:32:10','2016-11-01 09:32:10','',0,'http://www.hiddenshoal.com/?p=15125',0,'post','',0),(15126,1,'2016-11-01 17:31:54','2016-11-01 09:31:54','Kramies gives a sneak peek of his forthcoming 2017 EP!\r\n\r\n<iframe src=\"https://www.youtube.com/embed/w2H9Msu6YwY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Sneak Peek of Kramies 2017 EP!','','inherit','closed','closed','','15125-revision-v1','','','2016-11-01 17:31:54','2016-11-01 09:31:54','',15125,'http://www.hiddenshoal.com/15125-revision-v1/',0,'revision','',0),(15129,1,'2016-11-14 17:43:50','2016-11-14 09:43:50','\"Welcome return of one of hidden shoal’s best kept secrets, the utterly adorable Apricot Rail herewith a new track entitled ‘scarecrow’. This twinkle toed gem snoozes, stretches and delicately rises whittling out an affectionately woodcrafted spring sprayed serenade whose dainty demur somewhat shyly plays hide and seek in the early morn twilight mists showering all in a gorgeously hazy rustic vintage that’s much reminiscent of that cosily cute recent Littlebow set for second language.\"\r\n\r\n- <a title=\"The Sunday Experience\" href=\"https://marklosingtoday.wordpress.com/2016/10/28/apricot-rail-2/\" target=\"_blank\"><strong>The Sunday Experience</strong></a>','Apricot Rail \'Scarecrow\' Reviewed at The Sunday Experience','Welcome return of one of hidden shoal’s best kept secrets, the utterly adorable Apricot Rail herewith a new track entitled ‘scarecrow’. This twinkle toed gem snoozes, stretches and delicately rises whittling out an affectionately woodcrafted spring sprayed serenade whose dainty demur somewhat shyly plays hide and seek in the early morn twilight mists showering all in a gorgeously hazy rustic vintage that’s much reminiscent of that cosily cute recent Littlebow set for second language.','publish','closed','closed','','apricot-rail-scarecrow-reviewed-at-the-sunday-experience','','','2016-11-14 17:55:53','2016-11-14 09:55:53','',0,'http://www.hiddenshoal.com/?p=15129',0,'post','',0),(15130,1,'2016-11-14 17:43:50','2016-11-14 09:43:50','\"Welcome return of one of hidden shoal’s best kept secrets, the utterly adorable Apricot Rail herewith a new track entitled ‘scarecrow’. This twinkle toed gem snoozes, stretches and delicately rises whittling out an affectionately woodcrafted spring sprayed serenade whose dainty demur somewhat shyly plays hide and seek in the early morn twilight mists showering all in a gorgeously hazy rustic vintage that’s much reminiscent of that cosily cute recent Littlebow set for second language.\"\r\n\r\n- <a title=\"The Sunday Experience\" href=\"https://marklosingtoday.wordpress.com/2016/10/28/apricot-rail-2/\" target=\"_blank\"><strong>The Sunday Experience</strong></a>','Apricot Rail \'Scarecrow\' Reviewed at The Sunday Experience','Welcome return of one of hidden shoal’s best kept secrets, the utterly adorable Apricot Rail herewith a new track entitled ‘scarecrow’. This twinkle toed gem snoozes, stretches and delicately rises whittling out an affectionately woodcrafted spring sprayed serenade whose dainty demur somewhat shyly plays hide and seek in the early morn twilight mists showering all in a gorgeously hazy rustic vintage that’s much reminiscent of that cosily cute recent Littlebow set for second language.','inherit','closed','closed','','15129-revision-v1','','','2016-11-14 17:43:50','2016-11-14 09:43:50','',15129,'http://www.hiddenshoal.com/15129-revision-v1/',0,'revision','',0),(15131,1,'2016-11-17 17:26:20','2016-11-17 09:26:20','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Kramies-Big-Takeover.jpg\"><img class=\"alignleft size-thumbnail wp-image-15132\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Kramies-Big-Takeover-150x150.jpg\" alt=\"The Big Takeover\" width=\"150\" height=\"150\" /></a>Check out the latest edition of <a title=\"The Big Takeover\" href=\"http://bigtakeover.com/\" target=\"_blank\">The Big Takover</a> magazine (made out of actual paper!!) and you\'ll find an interview with our very own <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies </a>nestled between the likes of Lush, Kid Congo Powers and Russian Circles! Dig a bit further and you\'ll also find a beautiful review of <a title=\"Joe Sampson\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\">Joe Sampson</a>\'s recent EP <em>Songs of Delay. </em>Good times!','Kramies Interview in The Big Takeover!','','publish','closed','closed','','kramies-interview-in-the-big-takeover','','','2016-11-17 17:26:20','2016-11-17 09:26:20','',0,'http://www.hiddenshoal.com/?p=15131',0,'post','',0),(15132,1,'2016-11-17 17:16:35','2016-11-17 09:16:35','','The Big Takeover','','inherit','closed','closed','','kramies-big-takeover','','','2016-11-17 17:16:50','2016-11-17 09:16:50','',15131,'http://www.hiddenshoal.com/wp-content/uploads/2016/11/Kramies-Big-Takeover.jpg',0,'attachment','image/jpeg',0),(15133,1,'2016-11-17 17:25:08','2016-11-17 09:25:08','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Kramies-Big-Takeover.jpg\"><img class=\"alignleft size-thumbnail wp-image-15132\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Kramies-Big-Takeover-150x150.jpg\" alt=\"The Big Takeover\" width=\"150\" height=\"150\" /></a>Check out the latest edition of The Big Takover magazine and you\'ll find an interview with our very own <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies </a>nestled between the likes of Lush, Kid Congo Powers and Russian Circles! Dig a bit further and you\'ll also find a beautiful review of <a title=\"Joe Sampson\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\">Joe Sampson</a>\'s recent EP <em>Songs of Delay. </em>Good times!','Kramies Interview in The Big Takeover!','','inherit','closed','closed','','15131-revision-v1','','','2016-11-17 17:25:08','2016-11-17 09:25:08','',15131,'http://www.hiddenshoal.com/15131-revision-v1/',0,'revision','',0),(15134,1,'2016-11-17 17:26:20','2016-11-17 09:26:20','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Kramies-Big-Takeover.jpg\"><img class=\"alignleft size-thumbnail wp-image-15132\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Kramies-Big-Takeover-150x150.jpg\" alt=\"The Big Takeover\" width=\"150\" height=\"150\" /></a>Check out the latest edition of <a title=\"The Big Takeover\" href=\"http://bigtakeover.com/\" target=\"_blank\">The Big Takover</a> magazine (made out of actual paper!!) and you\'ll find an interview with our very own <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies </a>nestled between the likes of Lush, Kid Congo Powers and Russian Circles! Dig a bit further and you\'ll also find a beautiful review of <a title=\"Joe Sampson\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\">Joe Sampson</a>\'s recent EP <em>Songs of Delay. </em>Good times!','Kramies Interview in The Big Takeover!','','inherit','closed','closed','','15131-revision-v1','','','2016-11-17 17:26:20','2016-11-17 09:26:20','',15131,'http://www.hiddenshoal.com/15131-revision-v1/',0,'revision','',0),(15135,1,'2016-11-18 14:13:37','2016-11-18 06:13:37','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft size-thumbnail wp-image-14162\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-150x150.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"150\" height=\"150\" /></a>Check out this wonderful <a title=\"BFF.FM\" href=\"http://bff.fm/posts/1387\" target=\"_blank\">re-streamable interview</a> with Grant Outerbridge (aka <a title=\"Memorybell\" href=\"http://www.hiddenshoal.com/project/memorybell/\">Memorybell</a>) on the BFF.FM radio show <em>Sounds In The Dark</em>. Along with some fantastic insights into his process and approach you\'ll get to hear stunning live renditions of tracks from his sublime 2016 album <a title=\"Obsolete\" href=\"http://www.hiddenshoal.com/project/memorybell/\"><em>Obsolete</em></a>.','Memorybell Interview & Live Performance on BFF.FM','','publish','closed','closed','','memorybell-interview-live-performance-on-bff-fm','','','2016-11-18 14:13:37','2016-11-18 06:13:37','',0,'http://www.hiddenshoal.com/?p=15135',0,'post','',0),(15136,1,'2016-11-18 14:13:37','2016-11-18 06:13:37','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft size-thumbnail wp-image-14162\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-150x150.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"150\" height=\"150\" /></a>Check out this wonderful <a title=\"BFF.FM\" href=\"http://bff.fm/posts/1387\" target=\"_blank\">re-streamable interview</a> with Grant Outerbridge (aka <a title=\"Memorybell\" href=\"http://www.hiddenshoal.com/project/memorybell/\">Memorybell</a>) on the BFF.FM radio show <em>Sounds In The Dark</em>. Along with some fantastic insights into his process and approach you\'ll get to hear stunning live renditions of tracks from his sublime 2016 album <a title=\"Obsolete\" href=\"http://www.hiddenshoal.com/project/memorybell/\"><em>Obsolete</em></a>.','Memorybell Interview & Live Performance on BFF.FM','','inherit','closed','closed','','15135-revision-v1','','','2016-11-18 14:13:37','2016-11-18 06:13:37','',15135,'http://www.hiddenshoal.com/15135-revision-v1/',0,'revision','',0),(15138,1,'2016-11-22 09:36:26','2016-11-22 01:36:26','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Wealth-Cover-Art.jpg\"><img class=\"alignleft size-thumbnail wp-image-15140\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Wealth-Cover-Art-150x150.jpg\" alt=\"Joe Sampson - Wealth\" width=\"150\" height=\"150\" /></a>Exciting times my friends as we not only have a brilliant new single from Denver\'s <a title=\"Joe Samspon\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\">Joe Sampson</a> but we also get to announce that the new album it\'s peeled from drops next week! \'<a title=\"Wealth at BandCamp\" href=\"https://joesampson1.bandcamp.com/track/wealth\" target=\"_blank\">Wealth</a>\' is the opening cut from Sampson\'s second release for Hidden Shoal <em>Chansons de Parade, </em>the follow up to his stunning 2016 EP<em><a title=\"Songs of Delay\" href=\"https://joesampson1.bandcamp.com/album/songs-of-delay\" target=\"_blank\"> Songs of Delay</a>. Chansons de Parade</em> will see release on the 1st of December.\r\n\r\n\'Wealth\' is available as a free download via <a title=\"BandCamp\" href=\"https://joesampson1.bandcamp.com/track/wealth\" target=\"_blank\">BandCamp </a>and can be streamed via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/joe-sampson-wealth\" target=\"_blank\">SoundCloud</a>. Read more about Joe Sampson and check out <em>Songs of Delay </em><a title=\"Joe Sampson\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\" target=\"_blank\">here.</a>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/294027203&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Single from Joe Sampson, Album Out Next Week!','','publish','closed','closed','','new-single-from-joe-sampson-ahead-of-forthcoming-album','','','2016-11-22 09:42:23','2016-11-22 01:42:23','',0,'http://www.hiddenshoal.com/?p=15138',0,'post','',0),(15139,1,'2016-11-22 09:30:47','2016-11-22 01:30:47','Exciting times my friends as we not only have a brilliant new single from Denver\'s <a title=\"Joe Samspon\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\">Joe Sampson</a> but we also get to announce that the new album it\'s peeled from drops next week! \'<a title=\"Wealth at BandCamp\" href=\"https://joesampson1.bandcamp.com/track/wealth\" target=\"_blank\">Wealth</a>\' is the opening cut from Sampson\'s second release for Hidden Shoal <em>Chansons de Parade, </em>the follow up to his stunning 2016 EP<em><a title=\"Songs of Delay\" href=\"https://joesampson1.bandcamp.com/album/songs-of-delay\" target=\"_blank\"> Songs of Delay</a>.</em>\r\n\r\n\'Wealth\' is available as a free download via <a title=\"BandCamp\" href=\"https://joesampson1.bandcamp.com/track/wealth\" target=\"_blank\">BandCamp </a>and can be streamed via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/joe-sampson-wealth\" target=\"_blank\">SoundCloud</a>. Read more about Joe Sampson and check out <em>Songs of Delay </em><a title=\"Joe Sampson\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\" target=\"_blank\">here.</a>','New Single from Joe Sampson Ahead of Forthcoming Album!','','inherit','closed','closed','','15138-revision-v1','','','2016-11-22 09:30:47','2016-11-22 01:30:47','',15138,'http://www.hiddenshoal.com/15138-revision-v1/',0,'revision','',0),(15140,1,'2016-11-22 09:32:02','2016-11-22 01:32:02','','Joe Sampson - Wealth','','inherit','closed','closed','','wealth-cover-art','','','2016-11-22 09:32:22','2016-11-22 01:32:22','',15138,'http://www.hiddenshoal.com/wp-content/uploads/2016/11/Wealth-Cover-Art.jpg',0,'attachment','image/jpeg',0),(15141,1,'2016-11-22 09:33:03','2016-11-22 01:33:03','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Wealth-Cover-Art.jpg\"><img class=\"alignleft size-thumbnail wp-image-15140\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Wealth-Cover-Art-150x150.jpg\" alt=\"Joe Sampson - Wealth\" width=\"150\" height=\"150\" /></a>Exciting times my friends as we not only have a brilliant new single from Denver\'s <a title=\"Joe Samspon\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\">Joe Sampson</a> but we also get to announce that the new album it\'s peeled from drops next week! \'<a title=\"Wealth at BandCamp\" href=\"https://joesampson1.bandcamp.com/track/wealth\" target=\"_blank\">Wealth</a>\' is the opening cut from Sampson\'s second release for Hidden Shoal <em>Chansons de Parade, </em>the follow up to his stunning 2016 EP<em><a title=\"Songs of Delay\" href=\"https://joesampson1.bandcamp.com/album/songs-of-delay\" target=\"_blank\"> Songs of Delay</a>.</em>\r\n\r\n\'Wealth\' is available as a free download via <a title=\"BandCamp\" href=\"https://joesampson1.bandcamp.com/track/wealth\" target=\"_blank\">BandCamp </a>and can be streamed via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/joe-sampson-wealth\" target=\"_blank\">SoundCloud</a>. Read more about Joe Sampson and check out <em>Songs of Delay </em><a title=\"Joe Sampson\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\" target=\"_blank\">here.</a>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/294027203&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Single from Joe Sampson Ahead of Forthcoming Album!','','inherit','closed','closed','','15138-revision-v1','','','2016-11-22 09:33:03','2016-11-22 01:33:03','',15138,'http://www.hiddenshoal.com/15138-revision-v1/',0,'revision','',0),(15142,1,'2016-11-22 09:39:59','2016-11-22 01:39:59','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Wealth-Cover-Art.jpg\"><img class=\"alignleft size-thumbnail wp-image-15140\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Wealth-Cover-Art-150x150.jpg\" alt=\"Joe Sampson - Wealth\" width=\"150\" height=\"150\" /></a>Exciting times my friends as we not only have a brilliant new single from Denver\'s <a title=\"Joe Samspon\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\">Joe Sampson</a> but we also get to announce that the new album it\'s peeled from drops next week! \'<a title=\"Wealth at BandCamp\" href=\"https://joesampson1.bandcamp.com/track/wealth\" target=\"_blank\">Wealth</a>\' is the opening cut from Sampson\'s second release for Hidden Shoal <em>Chansons de Parade, </em>the follow up to his stunning 2016 EP<em><a title=\"Songs of Delay\" href=\"https://joesampson1.bandcamp.com/album/songs-of-delay\" target=\"_blank\"> Songs of Delay</a>. Chansons de Parade</em> will see release on the 1st of December.\n\n\'Wealth\' is available as a free download via <a title=\"BandCamp\" href=\"https://joesampson1.bandcamp.com/track/wealth\" target=\"_blank\">BandCamp </a>and can be streamed via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/joe-sampson-wealth\" target=\"_blank\">SoundCloud</a>. Read more about Joe Sampson and check out <em>Songs of Delay </em><a title=\"Joe Sampson\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\" target=\"_blank\">here.</a>\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/294027203&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Single from Joe Sampson, Album Out Next Week!','','inherit','closed','closed','','15138-autosave-v1','','','2016-11-22 09:39:59','2016-11-22 01:39:59','',15138,'http://www.hiddenshoal.com/15138-autosave-v1/',0,'revision','',0),(15143,1,'2016-11-22 09:40:01','2016-11-22 01:40:01','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Wealth-Cover-Art.jpg\"><img class=\"alignleft size-thumbnail wp-image-15140\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Wealth-Cover-Art-150x150.jpg\" alt=\"Joe Sampson - Wealth\" width=\"150\" height=\"150\" /></a>Exciting times my friends as we not only have a brilliant new single from Denver\'s <a title=\"Joe Samspon\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\">Joe Sampson</a> but we also get to announce that the new album it\'s peeled from drops next week! \'<a title=\"Wealth at BandCamp\" href=\"https://joesampson1.bandcamp.com/track/wealth\" target=\"_blank\">Wealth</a>\' is the opening cut from Sampson\'s second release for Hidden Shoal <em>Chansons de Parade, </em>the follow up to his stunning 2016 EP<em><a title=\"Songs of Delay\" href=\"https://joesampson1.bandcamp.com/album/songs-of-delay\" target=\"_blank\"> Songs of Delay</a>. Chansons de Parade</em> will see release on the 1st of December.\r\n\r\n\'Wealth\' is available as a free download via <a title=\"BandCamp\" href=\"https://joesampson1.bandcamp.com/track/wealth\" target=\"_blank\">BandCamp </a>and can be streamed via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/joe-sampson-wealth\" target=\"_blank\">SoundCloud</a>. Read more about Joe Sampson and check out <em>Songs of Delay </em><a title=\"Joe Sampson\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\" target=\"_blank\">here.</a>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/294027203&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Single from Joe Sampson, Album Out Next Week!','','inherit','closed','closed','','15138-revision-v1','','','2016-11-22 09:40:01','2016-11-22 01:40:01','',15138,'http://www.hiddenshoal.com/15138-revision-v1/',0,'revision','',0),(15211,1,'2016-12-01 16:30:41','2016-12-01 08:30:41','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Chansons-de-Parade-Cover-Art.jpg\"><img class=\"alignleft wp-image-15209 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Chansons-de-Parade-Cover-Art-300x300.jpg\" alt=\"Chansons de Parade\" width=\"173\" height=\"173\" /></a>We\'re excited to announce the official release of <a title=\"Joe Sampson\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\">Joe Sampson</a>\'s stunning new release <em>Chansons de Parade</em>, featuring the single \'<a title=\"Wealth\" href=\"https://soundcloud.com/hidden_shoal/joe-sampson-wealth\" target=\"_blank\">Wealth</a>\'. The album is available now exclusively via <a title=\"Chansons de Parade\" href=\"https://joesampson1.bandcamp.com/album/chansons-de-parade\" target=\"_blank\">BandCamp</a> as a \"pay what you want\" and will also be available via iTunes, Spotify, Amazon et al later next week. Joe will be launching the album tonight (Dec 1st) with label mate <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\" target=\"_blank\">Kramies </a>in support at the <a title=\"Chansons de Parade Launch\" href=\"http://www.brownpapertickets.com/event/2719940\" target=\"_blank\">Ubisububi Room</a> in Denver\r\n\r\nThe follow-up to his acclaimed EP <a title=\"Songs of Delay\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\"><em>Songs of Delay</em></a> released earlier this year, <em>Chansons de Parade</em> is another exquisitely crafted collection of songs from Joe Sampson, with an uncanny ability to quietly get under your skin. While drawing from the musical spirit of Simon &amp; Garfunkel, Iron &amp; Wine, and Low, the songs on <em>Chansons de Parade</em> sound familial rather than familiar. Combining haunting yet playful lyrical narratives, a mesmerising road-worn baritone vocal, and a delicious melodic sensibility, these nine songs feel like long-term friends from the first listen. The music’s intimacy, gently lilting country slant and spacious, restrained instrumentation add depth and resonance to Sampson’s rustic folk influences.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/294027203&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Joe Sampson\'s \"Chansons de Parade\" Out Now!','','publish','closed','closed','','joe-sampsons-chansons-de-parade-out-now','','','2016-12-01 18:40:00','2016-12-01 10:40:00','',0,'http://www.hiddenshoal.com/?p=15211',0,'post','',0),(15146,1,'2016-11-23 10:50:21','2016-11-23 02:50:21','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko:<a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <strong> <a title=\"Facebook\" href=\"http://www.facebook.com/GlankoMusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/glankofficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/glanko-official\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a href=\"https://open.spotify.com/album/0ZKxGgPORucUFmaBmmhnls\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a>   <a href=\"https://geo.itunes.apple.com/us/album/isometrik-ep/id1094316786?at=11lRii&amp;app=itunes\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n</strong>Daniel Bailey:<a title=\"Glanko\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <strong> <a title=\"Facebook\" href=\"http://www.facebook.com/danielbaileymusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/DBaileyOfficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>   <a href=\"https://open.spotify.com/album/0ZKxGgPORucUFmaBmmhnls\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a></strong>   <a href=\"https://geo.itunes.apple.com/us/album/isometrik-ep/id1094316786?at=11lRii&amp;app=itunes\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Isometrik Remixes</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2259559827/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://glanko.bandcamp.com/album/isometrik-remixes\">Isometrik Remixes by Glanko, Daniel Bailey, Davide Cantile, Arc Lab, Marco Caricola</a></iframe>\r\n<strong>November 2016</strong>\r\n\r\nOn their debut collaboration, <em>Isometrik</em>, Glanko &amp; Daniel Bailey delivered an EP rich with textural counterpoint, full of brooding yet innately melodic pieces that envelope the listener with their intensity and grace. On this beautiful new companion EP we see these tracks brilliantly deconstructed and made new by Marco Caricola, Arc Lab, Davide Cantile, and Glanko and Daniel Bailey themselves.\r\n\r\nFrom Arc Lab’s sublime expansive reworking of ‘Consunzione’ to Marco Caricola’s emotive neo-classical take on ‘Adiaphora’ to David Cantile’s minimal and brooding dual takes on ‘Vaucanson’, Glanko &amp; Danely Bailey’s guests bring a sense of reverence for the originals along with ingenuity in their re-incarnation. Glanko’s own re-working of ‘Vaucanson’ is luscious and pensive electronic neo-classicism whilst Daniel Bailey delivers an epic and brooding slow build in the form of 12.15’s Riddle (Outro)’.\r\n\r\n&nbsp;\r\n<h4>Isometrik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2839413960/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://glanko.bandcamp.com/album/isometrik\">Isometrik by Glanko, Daniel Bailey</a></iframe>\r\n<strong>May 2016</strong>\r\n\r\n<em>Isometrik</em> is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace. This music exists at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar.\r\n\r\nOver its 4-track, 23-minute runtime, <em>Isometrik</em> delivers an immersive musical narrative. Opener ‘In Eboli’ conveys a bustling and brooding nocturnal scene, before ‘Vaucanson’ evokes the sunrise of the morning after – but one coloured by melancholy. On ‘Consunzione’, the cave-like ambience of echoing voices and field recordings is overwhelmed by guitar drones, synths and percussion, which accumulates into a majestic wall of sound. And on mesmerising closer ‘Adiaphora’, Glanko constructs a towering edifice of reverb and glitch around Daniel Bailey’s deliciously languid guitar loops.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP are available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-11-23 10:50:21','2016-11-23 02:50:21','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(15147,1,'2016-11-23 11:04:26','2016-11-23 03:04:26','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Isometrik-Remixes-Cover.png\"><img class=\"alignleft size-thumbnail wp-image-15149\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Isometrik-Remixes-Cover-150x150.png\" alt=\"Isometrik Remixes\" width=\"150\" height=\"150\" /></a>We\'re excited to announce the release of <i>Isometrik Remixes</i>, featuring reworkings of <a title=\"Glanko &amp; Daniel Bailey\" href=\"%20  http://www.hiddenshoal.com/project/glanko-daniel-bailey/\">Glanko &amp; Daniel Bailey</a>’s atmospheric ambient EP <a title=\"Isometrik\" href=\"%20  http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><i>Isometrik</i></a>. The EP is available now via <a title=\"BandCamp\" href=\"https://glanko.bandcamp.com/album/isometrik-remixes\" target=\"_blank\">BandCamp</a>, <a title=\"Spotify\" href=\"https://open.spotify.com/album/1gF9tXm30tLL3Yxcoum0Ma\" target=\"_blank\">Spotify</a>, <a title=\"iTunes\" href=\"https://geo.itunes.apple.com/us/album/isometrik-remixes-ep/id1172190199?mt=1&amp;app=music\" target=\"_blank\">iTunes </a>and the other usual suspects.\r\n\r\nOn their debut collaboration, <i>Isometrik</i>, Glanko &amp; Daniel Bailey delivered an EP rich with textural counterpoint, full of brooding yet innately melodic pieces that envelope the listener with their intensity and grace. On this beautiful new companion EP we see these tracks brilliantly deconstructed and made new by <a title=\"Marco Caricola\" href=\"http://www.marcocaricola.com/\" target=\"_blank\">Marco Caricola</a>, <a title=\"Arc Lab\" href=\"http://www.hiddenshoal.com/project/arc-lab/\" target=\"_blank\">Arc Lab</a>, <a title=\"David Cantile\" href=\"https://soundcloud.com/davideceleborncantile\" target=\"_blank\">Davide Cantile</a>, and Glanko and Daniel Bailey themselves. From Arc Lab’s sublime expansive reworking of ‘Consunzione’ to Marco Caricola’s emotive neo-classical take on ‘Adiaphora’ to David Cantile’s minimal and brooding dual takes on ‘Vaucanson’, Glanko &amp; Danely Bailey’s guests bring a sense of reverence for the originals along with ingenuity in their re-incarnation. Glanko’s own re-working of ‘Vaucanson’ is luscious and pensive electronic neo-classicism whilst Daniel Bailey delivers an epic and brooding slow build in the form of 12.15’s Riddle (Outro)’.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/292909949&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Glanko & Daniel Bailey\'s \"Isometrik Remixes\" EP Out Now!','','publish','closed','closed','','glanko-baileys-isometrik-remixes-ep-out-now','','','2016-11-23 11:05:04','2016-11-23 03:05:04','',0,'http://www.hiddenshoal.com/?p=15147',0,'post','',0),(15148,1,'2016-11-23 10:59:20','2016-11-23 02:59:20','We\'re excited to announce the release of <i>Isometrik Remixes</i>, featuring reworkings of <a title=\"Glanko &amp; Daniel Bailey\" href=\"%20  http://www.hiddenshoal.com/project/glanko-daniel-bailey/\">Glanko &amp; Daniel Bailey</a>’s atmospheric ambient EP <a title=\"Isometrik\" href=\"%20  http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><i>Isometrik</i></a>. The EP is available now via <a title=\"BandCamp\" href=\"https://glanko.bandcamp.com/album/isometrik-remixes\" target=\"_blank\">BandCamp</a>, <a title=\"Spotify\" href=\"https://open.spotify.com/album/1gF9tXm30tLL3Yxcoum0Ma\" target=\"_blank\">Spotify</a>, <a title=\"iTunes\" href=\"https://geo.itunes.apple.com/us/album/isometrik-remixes-ep/id1172190199?mt=1&amp;app=music\" target=\"_blank\">iTunes </a>and the other usual suspects.\r\n\r\nOn their debut collaboration, <i>Isometrik</i>, Glanko &amp; Daniel Bailey delivered an EP rich with textural counterpoint, full of brooding yet innately melodic pieces that envelope the listener with their intensity and grace. On this beautiful new companion EP we see these tracks brilliantly deconstructed and made new by Marco Caricola, Arc Lab, Davide Cantile, and Glanko and Daniel Bailey themselves. From Arc Lab’s sublime expansive reworking of ‘Consunzione’ to Marco Caricola’s emotive neo-classical take on ‘Adiaphora’ to David Cantile’s minimal and brooding dual takes on ‘Vaucanson’, Glanko &amp; Danely Bailey’s guests bring a sense of reverence for the originals along with ingenuity in their re-incarnation. Glanko’s own re-working of ‘Vaucanson’ is luscious and pensive electronic neo-classicism whilst Daniel Bailey delivers an epic and brooding slow build in the form of 12.15’s Riddle (Outro)’.\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/292909949&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Glanko & Daniel Bailey\'s \"Isometrik Remixes\" EP Out Now!','','inherit','closed','closed','','15147-revision-v1','','','2016-11-23 10:59:20','2016-11-23 02:59:20','',15147,'http://www.hiddenshoal.com/15147-revision-v1/',0,'revision','',0),(15149,1,'2016-11-23 11:02:28','2016-11-23 03:02:28','','Isometrik Remixes','','inherit','closed','closed','','isometrik-remixes-cover','','','2016-11-23 11:02:48','2016-11-23 03:02:48','',15147,'http://www.hiddenshoal.com/wp-content/uploads/2016/11/Isometrik-Remixes-Cover.png',0,'attachment','image/png',0),(15150,1,'2016-11-23 11:02:54','2016-11-23 03:02:54','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Isometrik-Remixes-Cover.png\"><img class=\"alignleft size-thumbnail wp-image-15149\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Isometrik-Remixes-Cover-150x150.png\" alt=\"Isometrik Remixes\" width=\"150\" height=\"150\" /></a>We\'re excited to announce the release of <i>Isometrik Remixes</i>, featuring reworkings of <a title=\"Glanko &amp; Daniel Bailey\" href=\"%20  http://www.hiddenshoal.com/project/glanko-daniel-bailey/\">Glanko &amp; Daniel Bailey</a>’s atmospheric ambient EP <a title=\"Isometrik\" href=\"%20  http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><i>Isometrik</i></a>. The EP is available now via <a title=\"BandCamp\" href=\"https://glanko.bandcamp.com/album/isometrik-remixes\" target=\"_blank\">BandCamp</a>, <a title=\"Spotify\" href=\"https://open.spotify.com/album/1gF9tXm30tLL3Yxcoum0Ma\" target=\"_blank\">Spotify</a>, <a title=\"iTunes\" href=\"https://geo.itunes.apple.com/us/album/isometrik-remixes-ep/id1172190199?mt=1&amp;app=music\" target=\"_blank\">iTunes </a>and the other usual suspects.\r\n\r\nOn their debut collaboration, <i>Isometrik</i>, Glanko &amp; Daniel Bailey delivered an EP rich with textural counterpoint, full of brooding yet innately melodic pieces that envelope the listener with their intensity and grace. On this beautiful new companion EP we see these tracks brilliantly deconstructed and made new by Marco Caricola, Arc Lab, Davide Cantile, and Glanko and Daniel Bailey themselves. From Arc Lab’s sublime expansive reworking of ‘Consunzione’ to Marco Caricola’s emotive neo-classical take on ‘Adiaphora’ to David Cantile’s minimal and brooding dual takes on ‘Vaucanson’, Glanko &amp; Danely Bailey’s guests bring a sense of reverence for the originals along with ingenuity in their re-incarnation. Glanko’s own re-working of ‘Vaucanson’ is luscious and pensive electronic neo-classicism whilst Daniel Bailey delivers an epic and brooding slow build in the form of 12.15’s Riddle (Outro)’.\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/292909949&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Glanko & Daniel Bailey\'s \"Isometrik Remixes\" EP Out Now!','','inherit','closed','closed','','15147-revision-v1','','','2016-11-23 11:02:54','2016-11-23 03:02:54','',15147,'http://www.hiddenshoal.com/15147-revision-v1/',0,'revision','',0),(15151,1,'2016-11-23 11:04:26','2016-11-23 03:04:26','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Isometrik-Remixes-Cover.png\"><img class=\"alignleft size-thumbnail wp-image-15149\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Isometrik-Remixes-Cover-150x150.png\" alt=\"Isometrik Remixes\" width=\"150\" height=\"150\" /></a>We\'re excited to announce the release of <i>Isometrik Remixes</i>, featuring reworkings of <a title=\"Glanko &amp; Daniel Bailey\" href=\"%20  http://www.hiddenshoal.com/project/glanko-daniel-bailey/\">Glanko &amp; Daniel Bailey</a>’s atmospheric ambient EP <a title=\"Isometrik\" href=\"%20  http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><i>Isometrik</i></a>. The EP is available now via <a title=\"BandCamp\" href=\"https://glanko.bandcamp.com/album/isometrik-remixes\" target=\"_blank\">BandCamp</a>, <a title=\"Spotify\" href=\"https://open.spotify.com/album/1gF9tXm30tLL3Yxcoum0Ma\" target=\"_blank\">Spotify</a>, <a title=\"iTunes\" href=\"https://geo.itunes.apple.com/us/album/isometrik-remixes-ep/id1172190199?mt=1&amp;app=music\" target=\"_blank\">iTunes </a>and the other usual suspects.\r\n\r\nOn their debut collaboration, <i>Isometrik</i>, Glanko &amp; Daniel Bailey delivered an EP rich with textural counterpoint, full of brooding yet innately melodic pieces that envelope the listener with their intensity and grace. On this beautiful new companion EP we see these tracks brilliantly deconstructed and made new by <a title=\"Marco Caricola\" href=\"http://www.marcocaricola.com/\" target=\"_blank\">Marco Caricola</a>, <a title=\"Arc Lab\" href=\"http://www.hiddenshoal.com/project/arc-lab/\" target=\"_blank\">Arc Lab</a>, <a title=\"David Cantile\" href=\"https://soundcloud.com/davideceleborncantile\" target=\"_blank\">Davide Cantile</a>, and Glanko and Daniel Bailey themselves. From Arc Lab’s sublime expansive reworking of ‘Consunzione’ to Marco Caricola’s emotive neo-classical take on ‘Adiaphora’ to David Cantile’s minimal and brooding dual takes on ‘Vaucanson’, Glanko &amp; Danely Bailey’s guests bring a sense of reverence for the originals along with ingenuity in their re-incarnation. Glanko’s own re-working of ‘Vaucanson’ is luscious and pensive electronic neo-classicism whilst Daniel Bailey delivers an epic and brooding slow build in the form of 12.15’s Riddle (Outro)’.\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/292909949&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Glanko & Daniel Bailey\'s \"Isometrik Remixes\" EP Out Now!','','inherit','closed','closed','','15147-revision-v1','','','2016-11-23 11:04:26','2016-11-23 03:04:26','',15147,'http://www.hiddenshoal.com/15147-revision-v1/',0,'revision','',0),(15152,1,'2016-11-23 11:05:04','2016-11-23 03:05:04','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Isometrik-Remixes-Cover.png\"><img class=\"alignleft size-thumbnail wp-image-15149\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Isometrik-Remixes-Cover-150x150.png\" alt=\"Isometrik Remixes\" width=\"150\" height=\"150\" /></a>We\'re excited to announce the release of <i>Isometrik Remixes</i>, featuring reworkings of <a title=\"Glanko &amp; Daniel Bailey\" href=\"%20  http://www.hiddenshoal.com/project/glanko-daniel-bailey/\">Glanko &amp; Daniel Bailey</a>’s atmospheric ambient EP <a title=\"Isometrik\" href=\"%20  http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><i>Isometrik</i></a>. The EP is available now via <a title=\"BandCamp\" href=\"https://glanko.bandcamp.com/album/isometrik-remixes\" target=\"_blank\">BandCamp</a>, <a title=\"Spotify\" href=\"https://open.spotify.com/album/1gF9tXm30tLL3Yxcoum0Ma\" target=\"_blank\">Spotify</a>, <a title=\"iTunes\" href=\"https://geo.itunes.apple.com/us/album/isometrik-remixes-ep/id1172190199?mt=1&amp;app=music\" target=\"_blank\">iTunes </a>and the other usual suspects.\r\n\r\nOn their debut collaboration, <i>Isometrik</i>, Glanko &amp; Daniel Bailey delivered an EP rich with textural counterpoint, full of brooding yet innately melodic pieces that envelope the listener with their intensity and grace. On this beautiful new companion EP we see these tracks brilliantly deconstructed and made new by <a title=\"Marco Caricola\" href=\"http://www.marcocaricola.com/\" target=\"_blank\">Marco Caricola</a>, <a title=\"Arc Lab\" href=\"http://www.hiddenshoal.com/project/arc-lab/\" target=\"_blank\">Arc Lab</a>, <a title=\"David Cantile\" href=\"https://soundcloud.com/davideceleborncantile\" target=\"_blank\">Davide Cantile</a>, and Glanko and Daniel Bailey themselves. From Arc Lab’s sublime expansive reworking of ‘Consunzione’ to Marco Caricola’s emotive neo-classical take on ‘Adiaphora’ to David Cantile’s minimal and brooding dual takes on ‘Vaucanson’, Glanko &amp; Danely Bailey’s guests bring a sense of reverence for the originals along with ingenuity in their re-incarnation. Glanko’s own re-working of ‘Vaucanson’ is luscious and pensive electronic neo-classicism whilst Daniel Bailey delivers an epic and brooding slow build in the form of 12.15’s Riddle (Outro)’.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/292909949&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Glanko & Daniel Bailey\'s \"Isometrik Remixes\" EP Out Now!','','inherit','closed','closed','','15147-revision-v1','','','2016-11-23 11:05:04','2016-11-23 03:05:04','',15147,'http://www.hiddenshoal.com/15147-revision-v1/',0,'revision','',0),(15153,1,'2016-11-24 16:43:10','0000-00-00 00:00:00','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Joe_Show.jpg\"><img class=\"alignleft size-thumbnail wp-image-15154\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Joe_Show-150x150.jpg\" alt=\"Joe Sampson Launch\" width=\"150\" height=\"150\" /></a>If you are in, around or anywhere near Denver next week then make sure you get your ass and ears down to the UbiSububi Room. <a title=\"Joe Sampson\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\">Joe Sampson</a> will launch his new release <em>Chansons de Parade on </em>December 1st, along with label mate <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>. Not to be missed!\r\n\r\nIn the meantime, get a taste of Sampson\'s new album via the first single \'<a title=\"Wealth\" href=\"https://soundcloud.com/hidden_shoal/joe-sampson-wealth\">Wealth</a>\'.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/294027203&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Joe Sampson Album Launch (feat. Kramies)','','draft','closed','closed','','joe-sampson-album-launch-feat-kramies','','','2016-11-24 16:43:10','2016-11-24 08:43:10','',0,'http://www.hiddenshoal.com/?p=15153',0,'post','',0),(15154,1,'2016-11-24 16:33:03','2016-11-24 08:33:03','','Joe Sampson Launch','','inherit','closed','closed','','joe_show','','','2016-11-24 16:33:19','2016-11-24 08:33:19','',15153,'http://www.hiddenshoal.com/wp-content/uploads/2016/11/Joe_Show.jpg',0,'attachment','image/jpeg',0),(15155,1,'2016-11-24 16:38:37','2016-11-24 08:38:37','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Joe_Show.jpg\"><img class=\"alignleft size-thumbnail wp-image-15154\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Joe_Show-150x150.jpg\" alt=\"Joe Sampson Launch\" width=\"150\" height=\"150\" /></a>If you are in, around or anywhere near Denver next week then make sure you get your ass and ears down to the UbiSububi Room. Joe Sampson will launch his new release <em>Chansons de Parade on </em>December 1st, along with label mate Kramies. Not to be missed!\r\n\r\nIn the meantime, get a taste of Sampson\'s new album via the first single \'Wealth\'.\r\n\r\n&nbsp;','Joe Sampson Album Launch (feat. Kramies)','','inherit','closed','closed','','15153-revision-v1','','','2016-11-24 16:38:37','2016-11-24 08:38:37','',15153,'http://www.hiddenshoal.com/15153-revision-v1/',0,'revision','',0),(15156,1,'2016-11-24 16:43:10','2016-11-24 08:43:10','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Joe_Show.jpg\"><img class=\"alignleft size-thumbnail wp-image-15154\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Joe_Show-150x150.jpg\" alt=\"Joe Sampson Launch\" width=\"150\" height=\"150\" /></a>If you are in, around or anywhere near Denver next week then make sure you get your ass and ears down to the UbiSububi Room. <a title=\"Joe Sampson\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\">Joe Sampson</a> will launch his new release <em>Chansons de Parade on </em>December 1st, along with label mate <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>. Not to be missed!\r\n\r\nIn the meantime, get a taste of Sampson\'s new album via the first single \'<a title=\"Wealth\" href=\"https://soundcloud.com/hidden_shoal/joe-sampson-wealth\">Wealth</a>\'.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/294027203&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Joe Sampson Album Launch (feat. Kramies)','','inherit','closed','closed','','15153-revision-v1','','','2016-11-24 16:43:10','2016-11-24 08:43:10','',15153,'http://www.hiddenshoal.com/15153-revision-v1/',0,'revision','',0),(15157,1,'2016-11-25 09:52:34','2016-11-25 01:52:34','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/07/The-Wagers-of-Love-and-Their-Songs-from-the-Witching-Hour-1400px.jpg\"><img class=\"alignleft  wp-image-14666\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/07/The-Wagers-of-Love-and-Their-Songs-from-the-Witching-Hour-1400px-300x300.jpg\" alt=\"The Wagers of Love and Their Songs from the Witching Hour\" width=\"174\" height=\"174\" /></a><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>\'s stunning release <em>The Wagers Of Love And Their Songs From The Witching Hour</em> has made the best albums of 2016 list at the awesome <a title=\"Ambient Music Guide\" href=\"http://ambientmusicguide.com/best-of-year/best-albums-of-2016/\" target=\"_blank\">Ambient Music Guide</a>! Here\'s what they had to say about the album,\r\n\r\n\"<em>This latest collection of emotional post-rock miniatures from Drew Sullivan aka Slow Dancing Society is by turns cinematic, tender and edgy. Sullivan continues to prod and explore the boundaries of his art and The Wagers Of Love finds his music as seductive as ever</em>.\" - <strong>Ambient Music Guide</strong>\r\n\r\nCheck out the excellent list <a title=\"Ambient Music Guide\" href=\"ttp://ambientmusicguide.com/best-of-year/best-albums-of-2016/\" target=\"_blank\">here </a>and listen to the album <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/284895546&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Slow Dancing Society in Ambient Music Guide\'s Best of 2016!','','publish','closed','closed','','15157','','','2016-11-25 09:52:34','2016-11-25 01:52:34','',0,'http://www.hiddenshoal.com/?p=15157',0,'post','',0),(15158,1,'2016-11-25 09:50:25','2016-11-25 01:50:25','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/07/The-Wagers-of-Love-and-Their-Songs-from-the-Witching-Hour-1400px.jpg\"><img class=\"alignleft size-thumbnail wp-image-14666\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/07/The-Wagers-of-Love-and-Their-Songs-from-the-Witching-Hour-1400px-150x150.jpg\" alt=\"The Wagers of Love and Their Songs from the Witching Hour\" width=\"150\" height=\"150\" /></a><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>\'s stunning release <em>The Wagers Of Love And Their Songs From The Witching Hour</em> has made the best albums of 2016 list at the awesome <a title=\"Ambient Music Guide\" href=\"http://ambientmusicguide.com/best-of-year/best-albums-of-2016/\" target=\"_blank\">Ambient Music Guide</a>! Here\'s what they had to say about the album,\r\n\r\n\"<em>This latest collection of emotional post-rock miniatures from Drew Sullivan aka Slow Dancing Society is by turns cinematic, tender and edgy. Sullivan continues to prod and explore the boundaries of his art and The Wagers Of Love finds his music as seductive as ever</em>.\" - <strong>Ambient Music Guide</strong>\r\n\r\nCheck out the excellent list <a title=\"Ambient Music Guide\" href=\"ttp://ambientmusicguide.com/best-of-year/best-albums-of-2016/\" target=\"_blank\">here </a>and listen to the album <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/284895546&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Slow Dancing Society in Ambient Music Guide\'s Best of 2016!','','inherit','closed','closed','','15157-revision-v1','','','2016-11-25 09:50:25','2016-11-25 01:50:25','',15157,'http://www.hiddenshoal.com/15157-revision-v1/',0,'revision','',0),(15159,1,'2016-11-25 09:52:20','2016-11-25 01:52:20','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/07/The-Wagers-of-Love-and-Their-Songs-from-the-Witching-Hour-1400px.jpg\"><img class=\"alignleft  wp-image-14666\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/07/The-Wagers-of-Love-and-Their-Songs-from-the-Witching-Hour-1400px-300x300.jpg\" alt=\"The Wagers of Love and Their Songs from the Witching Hour\" width=\"174\" height=\"174\" /></a><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>\'s stunning release <em>The Wagers Of Love And Their Songs From The Witching Hour</em> has made the best albums of 2016 list at the awesome <a title=\"Ambient Music Guide\" href=\"http://ambientmusicguide.com/best-of-year/best-albums-of-2016/\" target=\"_blank\">Ambient Music Guide</a>! Here\'s what they had to say about the album,\r\n\r\n\"<em>This latest collection of emotional post-rock miniatures from Drew Sullivan aka Slow Dancing Society is by turns cinematic, tender and edgy. Sullivan continues to prod and explore the boundaries of his art and The Wagers Of Love finds his music as seductive as ever</em>.\" - <strong>Ambient Music Guide</strong>\r\n\r\nCheck out the excellent list <a title=\"Ambient Music Guide\" href=\"ttp://ambientmusicguide.com/best-of-year/best-albums-of-2016/\" target=\"_blank\">here </a>and listen to the album <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/284895546&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Slow Dancing Society in Ambient Music Guide\'s Best of 2016!','','inherit','closed','closed','','15157-revision-v1','','','2016-11-25 09:52:20','2016-11-25 01:52:20','',15157,'http://www.hiddenshoal.com/15157-revision-v1/',0,'revision','',0),(15160,1,'2016-11-25 10:03:26','2016-11-25 02:03:26','<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\" target=\"_blank\">Apricot Rail\'s \'Scarecrow\'</a> is featured on the very last (ever!) <a title=\"MAAMF October Mix\" href=\"https://meandallmyfriends.wordpress.com/2016/11/20/october-mix/\" target=\"_blank\">MAAMF mixtape</a>! Sad to see the world lose the wonderful Australian blog but what a tape to go out on.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/264222864&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Apricot Rail Featured on MAAMF Mixtape','','publish','closed','closed','','apricot-rail-featured-on-maamf-mixtape','','','2016-11-25 10:03:57','2016-11-25 02:03:57','',0,'http://www.hiddenshoal.com/?p=15160',0,'post','',0),(15162,1,'2016-11-25 10:03:26','2016-11-25 02:03:26','<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\" target=\"_blank\">Apricot Rail\'s \'Scarecrow\'</a> is featured on the very last (ever!) <a title=\"MAAMF October Mix\" href=\"https://meandallmyfriends.wordpress.com/2016/11/20/october-mix/\" target=\"_blank\">MAAMF mixtape</a>! Sad to see the world lose the wonderful Australian blog but what a tape to go out on.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/264222864&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Apricot Rail Featured on MAAMf Mixtape','','inherit','closed','closed','','15160-revision-v1','','','2016-11-25 10:03:26','2016-11-25 02:03:26','',15160,'http://www.hiddenshoal.com/15160-revision-v1/',0,'revision','',0),(15161,1,'2016-11-25 10:02:46','2016-11-25 02:02:46','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/10/Scarecrow-Cover.jpg\"><img class=\"alignleft  wp-image-15073\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/10/Scarecrow-Cover-150x150.jpg\" alt=\"Apricot Rail - Scarecrow\" width=\"122\" height=\"122\" /></a><a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\" target=\"_blank\">Apricot Rail\'s \'Scarecrow\'</a> is featured on the very last (ever!) <a title=\"MAAMF October Mix\" href=\"https://meandallmyfriends.wordpress.com/2016/11/20/october-mix/\" target=\"_blank\">MAAMF mixtape</a>! Sad to see the world lose the wonderful Australian blog but what a tape to go out on.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/264222864&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Apricot Rail Featured on MAAMf Mixtape','','inherit','closed','closed','','15160-revision-v1','','','2016-11-25 10:02:46','2016-11-25 02:02:46','',15160,'http://www.hiddenshoal.com/15160-revision-v1/',0,'revision','',0),(15163,1,'2016-11-25 10:03:57','2016-11-25 02:03:57','<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\" target=\"_blank\">Apricot Rail\'s \'Scarecrow\'</a> is featured on the very last (ever!) <a title=\"MAAMF October Mix\" href=\"https://meandallmyfriends.wordpress.com/2016/11/20/october-mix/\" target=\"_blank\">MAAMF mixtape</a>! Sad to see the world lose the wonderful Australian blog but what a tape to go out on.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/264222864&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe>','Apricot Rail Featured on MAAMF Mixtape','','inherit','closed','closed','','15160-revision-v1','','','2016-11-25 10:03:57','2016-11-25 02:03:57','',15160,'http://www.hiddenshoal.com/15160-revision-v1/',0,'revision','',0),(15164,1,'2016-11-25 10:06:10','2016-11-25 02:06:10','“This latest collection of emotional post-rock miniatures from Drew Sullivan aka Slow Dancing Society is by turns cinematic, tender and edgy. Sullivan continues to prod and explore the boundaries of his art and <em>The Wagers Of Love</em> finds his music as seductive as ever.”\r\n\r\n– <strong>Ambient Music Guide</strong>','Slow Dancing Society  Reviewed in Ambient Music Guide’s Best of 2016','This latest collection of emotional post-rock miniatures from Drew Sullivan aka Slow Dancing Society is by turns cinematic, tender and edgy. Sullivan continues to prod and explore the boundaries of his art and The Wagers Of Love finds his music as seductive as ever.','publish','closed','closed','','slow-dancing-society-reviewed-in-ambient-music-guides-best-of-2016','','','2016-11-25 10:06:10','2016-11-25 02:06:10','',0,'http://www.hiddenshoal.com/?p=15164',0,'post','',0),(15165,1,'2016-11-25 10:06:10','2016-11-25 02:06:10','“This latest collection of emotional post-rock miniatures from Drew Sullivan aka Slow Dancing Society is by turns cinematic, tender and edgy. Sullivan continues to prod and explore the boundaries of his art and <em>The Wagers Of Love</em> finds his music as seductive as ever.”\r\n\r\n– <strong>Ambient Music Guide</strong>','Slow Dancing Society  Reviewed in Ambient Music Guide’s Best of 2016','This latest collection of emotional post-rock miniatures from Drew Sullivan aka Slow Dancing Society is by turns cinematic, tender and edgy. Sullivan continues to prod and explore the boundaries of his art and The Wagers Of Love finds his music as seductive as ever.','inherit','closed','closed','','15164-revision-v1','','','2016-11-25 10:06:10','2016-11-25 02:06:10','',15164,'http://www.hiddenshoal.com/15164-revision-v1/',0,'revision','',0),(15166,1,'2016-11-25 10:11:13','2016-11-25 02:11:13','\"It’s been a while since I’ve visited the archives of Australian Hidden Shoal label. And, as usual with any label taking curation seriously, it’s easy to pick up the catalog and return to where one’s left off. This time, the imprint releases an album by a classically trained pianist, Grant Hazard Outerbridge, a 40-minute exploration of minimalism, caught in between the ringing out notes. It is this nearly simplistic study of reductionist pianism that has me interested in listening to Obsolete over and over again – after all, I’ve been creating such pieces myself.\r\n\r\nDelicate keys are at the forefront of each short vignette. In fact, it is only the keys that one hears, plus the ambient sounds of the player picked up by the microphones. Perhaps what one must listen to is not the chords, but the space between the chords, where the percussive instruments changes to a nearly resonating stretch of sound, left slowly to decay into the silence and the void. It’s like a moment between thoughts, when one finds clarity for the first time, as dust of all the daily noise finally settles down before it’s shaken up again. The solo piano recording becomes an indispensable accompaniment to the morning meditation, a soundtrack to solitude and score for introspection. And Obsolete comes with a story:\r\n\r\n\"In February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence.\"\r\n\r\nThis acoustic ambiance is essential to anyone searching for an aural retreat from an over-compressed world of packaged sound. Like music for the airports, designed to calm and soothe the nervous soul, Obsolete blankets the mind with nominal sounds, leaving the heart to fill out the rest. [Don’t let the cover of the album turn you away!] Dig deeper through Outerbridge’s catalog, and you shall find another album, Genus Euphony, released in 2010. Highly recommended for fans of solo piano and intersected genres, where Brian Eno meets Satie.\"\r\n\r\n- <a title=\"Headphone Commute\" href=\"https://reviews.headphonecommute.com/2016/11/14/memorybell-obsolete-hidden-shoal/\" target=\"_blank\"><strong>Headphone Commute</strong></a>','Memorybell\'s \"Obsolete\" Reviewed at Headphone Commute','It’s been a while since I’ve visited the archives of Australian Hidden Shoal label. And, as usual with any label taking curation seriously, it’s easy to pick up the catalog and return to where one’s left off. This time, the imprint releases an album by a classically trained pianist, Grant Hazard Outerbridge, a 40-minute exploration of minimalism, caught in between the ringing out notes. It is this nearly simplistic study of reductionist pianism that has me interested in listening to Obsolete over and over again – after all, I’ve been creating such pieces myself.','publish','closed','closed','','memorybells-obsolete-reviewed-at-headphone-commute','','','2016-11-25 10:11:13','2016-11-25 02:11:13','',0,'http://www.hiddenshoal.com/?p=15166',0,'post','',0),(15167,1,'2016-11-25 10:11:13','2016-11-25 02:11:13','\"It’s been a while since I’ve visited the archives of Australian Hidden Shoal label. And, as usual with any label taking curation seriously, it’s easy to pick up the catalog and return to where one’s left off. This time, the imprint releases an album by a classically trained pianist, Grant Hazard Outerbridge, a 40-minute exploration of minimalism, caught in between the ringing out notes. It is this nearly simplistic study of reductionist pianism that has me interested in listening to Obsolete over and over again – after all, I’ve been creating such pieces myself.\r\n\r\nDelicate keys are at the forefront of each short vignette. In fact, it is only the keys that one hears, plus the ambient sounds of the player picked up by the microphones. Perhaps what one must listen to is not the chords, but the space between the chords, where the percussive instruments changes to a nearly resonating stretch of sound, left slowly to decay into the silence and the void. It’s like a moment between thoughts, when one finds clarity for the first time, as dust of all the daily noise finally settles down before it’s shaken up again. The solo piano recording becomes an indispensable accompaniment to the morning meditation, a soundtrack to solitude and score for introspection. And Obsolete comes with a story:\r\n\r\n\"In February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence.\"\r\n\r\nThis acoustic ambiance is essential to anyone searching for an aural retreat from an over-compressed world of packaged sound. Like music for the airports, designed to calm and soothe the nervous soul, Obsolete blankets the mind with nominal sounds, leaving the heart to fill out the rest. [Don’t let the cover of the album turn you away!] Dig deeper through Outerbridge’s catalog, and you shall find another album, Genus Euphony, released in 2010. Highly recommended for fans of solo piano and intersected genres, where Brian Eno meets Satie.\"\r\n\r\n- <a title=\"Headphone Commute\" href=\"https://reviews.headphonecommute.com/2016/11/14/memorybell-obsolete-hidden-shoal/\" target=\"_blank\"><strong>Headphone Commute</strong></a>','Memorybell\'s \"Obsolete\" Reviewed at Headphone Commute','It’s been a while since I’ve visited the archives of Australian Hidden Shoal label. And, as usual with any label taking curation seriously, it’s easy to pick up the catalog and return to where one’s left off. This time, the imprint releases an album by a classically trained pianist, Grant Hazard Outerbridge, a 40-minute exploration of minimalism, caught in between the ringing out notes. It is this nearly simplistic study of reductionist pianism that has me interested in listening to Obsolete over and over again – after all, I’ve been creating such pieces myself.','inherit','closed','closed','','15166-revision-v1','','','2016-11-25 10:11:13','2016-11-25 02:11:13','',15166,'http://www.hiddenshoal.com/15166-revision-v1/',0,'revision','',0),(15168,1,'2016-11-25 10:58:39','2016-11-25 02:58:39','[Poorly Translated via the Google Machine]\r\n\r\n\"Gila Man\" by Todd Tobias is an almost instrumental album. On some songs the British Chloe March lent her voice, but she does in wordless sounds. The compositions awaken the desire to return to the days of cowboys and Indians. The covering letter calls for creating your own stories, and that is what we will do. You can every few days, expect a chapter of the story that we hear in this music. The wild west of Todd Tobias and the Gila Man calls us.\r\n1. Down from Sky Island\r\n\r\n\"Few people know the area where I come from, and thus the story that I was not yet widespread in the telling am about.\" The old cowboy paused as he tried a little to stir the fire with his cramped hands . \"The Guadalupe Mountains are there,\" he pointed into the distance, \"and that\'s what happened.\" His voice seemed to be halfway floating in a sentence but was not completed.\r\n\r\n\"It was a night like this. Not hot, but really cold you could not call it. But now I\'m old. \"There appeared a grin on his face. \'It was a huge uproar. The sky was lit up brightly. But that was up to it. The cows were beaten on hollow and I had to look. Another lucky that I slept with my boots on. \"\r\n\r\nTodd walked to his horse, faster than he would have liked. The cows seemed to be flying as fast as they went. Something or someone seemed to be a huge attraction for them to exercise, so strong that even the earthly laws concerning seemed to defy gravity. The closer the mountains, the greater were the distance from the cows seemed to be. Todd reluctantly began to climb over the path that the cows had prepared for him.\r\n\r\nIt was not his first and would certainly not be his last Sky Island climb, but he was somewhat less eager become since his encounter with a snake. Certainly in the middle of the night. The point at which it would be too steep for his loyal dog was already in his mind. Todd clung to the fact that snakes did not like cold.\r\n\r\nHis hand dropped down to his hip and he clutched the cold steel of his Colt. Bowed over his horse Todd evaded the low-hanging branches. He did not understand why his cows had still not in sight. He had never seen a cow ran faster than a horse and certainly not if they ran into a herd and so long!\r\n\r\nThe sky lit up, but it was not dawn. So much time was not passed again. A huge roar was heard. Clouds of dust rose and enveloped the mountain. Todd could not believe his eyes. Since his beloved cows came, but they came straight toward him. He moved his hands up and hugged the sturdy branch above him. It was now just every man for himself. Sorry horse. As a snake he curled around the branch and saw the stampede raging below him past gaan.Weer down. Away from Sky Island.\r\n2. Race to the Barrens\r\n\r\nTodd slowly dropped back to the branch. He pulled his hat still deeper over his ears. There took place a grin on his face. How could he not know, but his horse was still exactly as before the arrival of the raging Bertha\'s. She had not really moved hoof and seemed completely untouched. A weird issue where However, Todd now had no time to delve further and if there was it he had probably also left with. You shoot Indeed nothing to waste your time on such matters. Todd blew on his fingers. His horse turned around its axis walked and came toward him. Her ears cocked in the direction that the cows were run through. You had to get it for free have to secure your sandwich.\r\n\r\nIt was a hard trip over the loose surface. Todd had not anticipated that he would be working so long to get his flock. On the one hand advantageous for his horse because they have traveled very lightly packed. On the other hand, they are also thirsty. Todd stopped at a stream. It would for a long time the only drinking option are so they had it but take it. The following flow that you could be called the water content was far beyond the Barrens.\r\n\r\nAfter their stop he dropped back considerably the momentum but Todd noticed that his horse had trouble. But he had better not linger too much. Several neighbors because he had understood from the vicinity that cattle thieves were active and there was nothing to steal simpler than a stray herd. The thought had hardly occurred to him that he had several dark shapes in his sights. They were also on horseback. Black hats, black blouses and the lower half of their faces they seemed to have tied a black cloth.\r\n\r\nTodd tipped his hat in greeting. \"Good night. Particular time for a ride. Is there some escape? \"Denial was useless. \"Can we help?\" Todd waved off the request. \"Lucky for them this way very few directions on can. How many have escaped? \"It was always the same man who was speaking. Todd made short work of the conversation. \"Sorry guys, but I have to make as sails.\" And he urged his horse.\r\n\r\nNocturnal rest again turned back by, but it did not guarantee that he lost the group of men. As they continued to be at an appropriate distance. Todd had to somehow make sure he arrived well before them in the Barrens. He did not challenge the illusion before that again his flock. Maybe they were even at Howler\'s Hill. It could easily be seen how quickly he had seen move.\r\n\r\nTodd was now fully convinced that he had with cattle rustlers to do. How it was with the condition of their horses was difficult to estimate. However, Todd saw that they were considerably heavier packed. He gave his horse the spurs. She seemed again to have meaning. He looked behind him. The distance was smaller. Possibilities for cutting were not there and Todd did not dare to gamble that the horses of his pursuers on would eventually get tired off. So far it was no longer in the Barrens.\r\n\r\nHis hand grabbed all his Colt when his eye fell on something else. A natural weapon with which he could create confusion and save bullets. He overcame his natural fear it, tilted down and grabbed the venomous rattlesnake just behind its head. With one stroke, he dazed him for a moment. Todd twirling his horse and her so hard she could trot in the opposite direction.\r\n\r\nBefore the cattle thieves were by what befell them Rattlesnake had already put his teeth in the cheek of the most talkative of the three. With the Colt in his left Todd fired a shot. One of the three horses sank to her hooves, its rider crashed to the ground. There was a cracking sound. The rocky barren land where nothing grew for decades did not budge. The only somewhat conscious veedief met Todd\'s elbow, almost as hard as the ground on which Todd again rushed toward the Barrens, chasing his flock. The race was won.\r\n\r\n- <a title=\"Indebanvan\" href=\"http://www.indebanvan.nl/review/todd-tobias-gila-man/\" target=\"_blank\"><strong>Indebanvan</strong></a>','Todd Tobias \"Gila Man\" Reviewed at Indebanvan','Gila Man\" by Todd Tobias is an almost instrumental album. On some songs the British Chloe March lent her voice, but she does in wordless sounds. The compositions awaken the desire to return to the days of cowboys and Indians. The covering letter calls for creating your own stories, and that is what we will do. You can every few days, expect a chapter of the story that we hear in this music. The wild west of Todd Tobias and the Gila Man calls us.','publish','closed','closed','','todd-tobias-gila-man-reviewed-at-indebanvan','','','2016-11-25 10:58:52','2016-11-25 02:58:52','',0,'http://www.hiddenshoal.com/?p=15168',0,'post','',0),(15169,1,'2016-11-25 10:58:39','2016-11-25 02:58:39','[Poorly Translated via the Google Machine]\r\n\r\n\"Gila Man\" by Todd Tobias is an almost instrumental album. On some songs the British Chloe March lent her voice, but she does in wordless sounds. The compositions awaken the desire to return to the days of cowboys and Indians. The covering letter calls for creating your own stories, and that is what we will do. You can every few days, expect a chapter of the story that we hear in this music. The wild west of Todd Tobias and the Gila Man calls us.\r\n1. Down from Sky Island\r\n\r\n\"Few people know the area where I come from, and thus the story that I was not yet widespread in the telling am about.\" The old cowboy paused as he tried a little to stir the fire with his cramped hands . \"The Guadalupe Mountains are there,\" he pointed into the distance, \"and that\'s what happened.\" His voice seemed to be halfway floating in a sentence but was not completed.\r\n\r\n\"It was a night like this. Not hot, but really cold you could not call it. But now I\'m old. \"There appeared a grin on his face. \'It was a huge uproar. The sky was lit up brightly. But that was up to it. The cows were beaten on hollow and I had to look. Another lucky that I slept with my boots on. \"\r\n\r\nTodd walked to his horse, faster than he would have liked. The cows seemed to be flying as fast as they went. Something or someone seemed to be a huge attraction for them to exercise, so strong that even the earthly laws concerning seemed to defy gravity. The closer the mountains, the greater were the distance from the cows seemed to be. Todd reluctantly began to climb over the path that the cows had prepared for him.\r\n\r\nIt was not his first and would certainly not be his last Sky Island climb, but he was somewhat less eager become since his encounter with a snake. Certainly in the middle of the night. The point at which it would be too steep for his loyal dog was already in his mind. Todd clung to the fact that snakes did not like cold.\r\n\r\nHis hand dropped down to his hip and he clutched the cold steel of his Colt. Bowed over his horse Todd evaded the low-hanging branches. He did not understand why his cows had still not in sight. He had never seen a cow ran faster than a horse and certainly not if they ran into a herd and so long!\r\n\r\nThe sky lit up, but it was not dawn. So much time was not passed again. A huge roar was heard. Clouds of dust rose and enveloped the mountain. Todd could not believe his eyes. Since his beloved cows came, but they came straight toward him. He moved his hands up and hugged the sturdy branch above him. It was now just every man for himself. Sorry horse. As a snake he curled around the branch and saw the stampede raging below him past gaan.Weer down. Away from Sky Island.\r\n2. Race to the Barrens\r\n\r\nTodd slowly dropped back to the branch. He pulled his hat still deeper over his ears. There took place a grin on his face. How could he not know, but his horse was still exactly as before the arrival of the raging Bertha\'s. She had not really moved hoof and seemed completely untouched. A weird issue where However, Todd now had no time to delve further and if there was it he had probably also left with. You shoot Indeed nothing to waste your time on such matters. Todd blew on his fingers. His horse turned around its axis walked and came toward him. Her ears cocked in the direction that the cows were run through. You had to get it for free have to secure your sandwich.\r\n\r\nIt was a hard trip over the loose surface. Todd had not anticipated that he would be working so long to get his flock. On the one hand advantageous for his horse because they have traveled very lightly packed. On the other hand, they are also thirsty. Todd stopped at a stream. It would for a long time the only drinking option are so they had it but take it. The following flow that you could be called the water content was far beyond the Barrens.\r\n\r\nAfter their stop he dropped back considerably the momentum but Todd noticed that his horse had trouble. But he had better not linger too much. Several neighbors because he had understood from the vicinity that cattle thieves were active and there was nothing to steal simpler than a stray herd. The thought had hardly occurred to him that he had several dark shapes in his sights. They were also on horseback. Black hats, black blouses and the lower half of their faces they seemed to have tied a black cloth.\r\n\r\nTodd tipped his hat in greeting. \"Good night. Particular time for a ride. Is there some escape? \"Denial was useless. \"Can we help?\" Todd waved off the request. \"Lucky for them this way very few directions on can. How many have escaped? \"It was always the same man who was speaking. Todd made short work of the conversation. \"Sorry guys, but I have to make as sails.\" And he urged his horse.\r\n\r\nNocturnal rest again turned back by, but it did not guarantee that he lost the group of men. As they continued to be at an appropriate distance. Todd had to somehow make sure he arrived well before them in the Barrens. He did not challenge the illusion before that again his flock. Maybe they were even at Howler\'s Hill. It could easily be seen how quickly he had seen move.\r\n\r\nTodd was now fully convinced that he had with cattle rustlers to do. How it was with the condition of their horses was difficult to estimate. However, Todd saw that they were considerably heavier packed. He gave his horse the spurs. She seemed again to have meaning. He looked behind him. The distance was smaller. Possibilities for cutting were not there and Todd did not dare to gamble that the horses of his pursuers on would eventually get tired off. So far it was no longer in the Barrens.\r\n\r\nHis hand grabbed all his Colt when his eye fell on something else. A natural weapon with which he could create confusion and save bullets. He overcame his natural fear it, tilted down and grabbed the venomous rattlesnake just behind its head. With one stroke, he dazed him for a moment. Todd twirling his horse and her so hard she could trot in the opposite direction.\r\n\r\nBefore the cattle thieves were by what befell them Rattlesnake had already put his teeth in the cheek of the most talkative of the three. With the Colt in his left Todd fired a shot. One of the three horses sank to her hooves, its rider crashed to the ground. There was a cracking sound. The rocky barren land where nothing grew for decades did not budge. The only somewhat conscious veedief met Todd\'s elbow, almost as hard as the ground on which Todd again rushed toward the Barrens, chasing his flock. The race was won.\r\n\r\n- <a title=\"Indebanvan\" href=\"http://www.indebanvan.nl/review/todd-tobias-gila-man/\" target=\"_blank\"><strong>Indebanvan</strong></a>','Todd Tobias \"Gila Man\" Reviewed at Indebanvan','Gila Man\" by Todd Tobias is an almost instrumental album. On some songs the British Chloe March lent her voice, but she does in wordless sounds. The compositions awaken the desire to return to the days of cowboys and Indians. The covering letter calls for creating your own stories, and that is what we will do. You can every few days, expect a chapter of the story that we hear in this music. The wild west of Todd Tobias and the Gila Man calls us.','inherit','closed','closed','','15168-revision-v1','','','2016-11-25 10:58:39','2016-11-25 02:58:39','',15168,'http://www.hiddenshoal.com/15168-revision-v1/',0,'revision','',0),(15170,1,'2016-11-25 11:04:26','2016-11-25 03:04:26','The <a title=\"REW&lt;&lt;\" href=\"http://www.hiddenshoal.com/project/rew/\" target=\"_blank\">REW&lt;&lt;</a> track \'Big Fish And The Sirens\' is featured in the <a title=\"Rancho Trailer\" href=\"https://vimeo.com/192293398\" target=\"_blank\">wonderful trailer</a> for the forthcoming web series <em>Rancho</em>. The series was written by, and also stars, <a title=\"Jamie H Jung\" href=\"http://www.jamiehjung.com/\" target=\"_blank\">Jamie H Jung.</a>\r\n\r\n<iframe src=\"https://player.vimeo.com/video/192293398\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','REW<< Track Featured in \"Rancho\" Trailer!','','publish','closed','closed','','rew-13','','','2016-11-25 11:04:27','2016-11-25 03:04:27','',0,'http://www.hiddenshoal.com/?p=15170',0,'post','',0),(15171,1,'2016-11-25 11:04:27','2016-11-25 03:04:27','The <a title=\"REW&lt;&lt;\" href=\"http://www.hiddenshoal.com/project/rew/\" target=\"_blank\">REW&lt;&lt;</a> track \'Big Fish And The Sirens\' is featured in the <a title=\"Rancho Trailer\" href=\"https://vimeo.com/192293398\" target=\"_blank\">wonderful trailer</a> for the forthcoming web series <em>Rancho</em>. The series was written by, and also stars, <a title=\"Jamie H Jung\" href=\"http://www.jamiehjung.com/\" target=\"_blank\">Jamie H Jung.</a>\r\n\r\n<iframe src=\"https://player.vimeo.com/video/192293398\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','REW<< Track Featured in \"Rancho\" Trailer!','','inherit','closed','closed','','15170-revision-v1','','','2016-11-25 11:04:27','2016-11-25 03:04:27','',15170,'http://www.hiddenshoal.com/15170-revision-v1/',0,'revision','',0),(15172,1,'2016-11-25 11:11:01','2016-11-25 03:11:01','\"Latest, one of many in truth – we must get them to mail us a definite release schedule – from the adored hidden shoal imprint. Scarcely a dry eye or a glum face in the gaff by the time this completed its visitation cycle, a perfect ‘before everyone gets up’ moment of sweet solitude. This is from a debut EP by duo glanko and daniel bailey, a track by the name ‘adiaphora’ – a beautifully set shy eyed lovely offering a masterclass in the use of space, poise and timing, a frail and fragile ghost light whose hypnotic lull comes teasingly shimmered in a sparse sleepy headed detailing that softly unfurls, stretches and thaws into fully formed view with demurring desire. One for the kranky old guard.\"\r\n\r\n- <a title=\"The Sunday Experience\" href=\"https://marklosingtoday.wordpress.com/2016/10/05/glanko-and-daniel-bailey/\" target=\"_blank\"><strong>The Sunday Experience</strong></a>','Glanko & Daniel Bailey \"Isometrik\" Reviewed at The Sunday Experience',' Scarcely a dry eye or a glum face in the gaff by the time this completed its visitation cycle, a perfect ‘before everyone gets up’ moment of sweet solitude. This is from a debut EP by duo glanko and daniel bailey, a track by the name ‘adiaphora’ – a beautifully set shy eyed lovely offering a masterclass in the use of space, poise and timing, a frail and fragile ghost light whose hypnotic lull comes teasingly shimmered in a sparse sleepy headed detailing that softly unfurls, stretches and thaws into fully formed view with demurring desire. One for the kranky old guard.','publish','closed','closed','','glanko-daniel-bailey-isometrik-reviewed-at-the-sunday-experience','','','2016-11-25 11:11:01','2016-11-25 03:11:01','',0,'http://www.hiddenshoal.com/?p=15172',0,'post','',0),(15173,1,'2016-11-25 11:11:01','2016-11-25 03:11:01','\"Latest, one of many in truth – we must get them to mail us a definite release schedule – from the adored hidden shoal imprint. Scarcely a dry eye or a glum face in the gaff by the time this completed its visitation cycle, a perfect ‘before everyone gets up’ moment of sweet solitude. This is from a debut EP by duo glanko and daniel bailey, a track by the name ‘adiaphora’ – a beautifully set shy eyed lovely offering a masterclass in the use of space, poise and timing, a frail and fragile ghost light whose hypnotic lull comes teasingly shimmered in a sparse sleepy headed detailing that softly unfurls, stretches and thaws into fully formed view with demurring desire. One for the kranky old guard.\"\r\n\r\n- <a title=\"The Sunday Experience\" href=\"https://marklosingtoday.wordpress.com/2016/10/05/glanko-and-daniel-bailey/\" target=\"_blank\"><strong>The Sunday Experience</strong></a>','Glanko & Daniel Bailey \"Isometrik\" Reviewed at The Sunday Experience',' Scarcely a dry eye or a glum face in the gaff by the time this completed its visitation cycle, a perfect ‘before everyone gets up’ moment of sweet solitude. This is from a debut EP by duo glanko and daniel bailey, a track by the name ‘adiaphora’ – a beautifully set shy eyed lovely offering a masterclass in the use of space, poise and timing, a frail and fragile ghost light whose hypnotic lull comes teasingly shimmered in a sparse sleepy headed detailing that softly unfurls, stretches and thaws into fully formed view with demurring desire. One for the kranky old guard.','inherit','closed','closed','','15172-revision-v1','','','2016-11-25 11:11:01','2016-11-25 03:11:01','',15172,'http://www.hiddenshoal.com/15172-revision-v1/',0,'revision','',0),(15174,1,'2016-11-25 11:19:47','2016-11-25 03:19:47','[Translated via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/10/15/todd-tobias-gila-man/\" target=\"_blank\">here</a>.]\r\n\r\n<span class=\"notranslate\">\"With each new disc, Todd Tobias is a narrative context and a landscaped horizon to fill with their sound visions.</span> <span class=\"notranslate\"> In \"Gila Man\" is not, as in the two previous albums, the conceptual track originated from a novel, but a well-defined geographical and in some respects cultural reference, similar to that in the recent \" <a href=\"https://translate.googleusercontent.com/translate_c?depth=1&amp;hl=en&amp;rurl=translate.google.com&amp;sl=auto&amp;tl=en&amp;u=https://musicwontsaveyou.com/2015/06/10/todd-tobias-tristes-tropiques/&amp;usg=ALkJrhhV-5AHFTxz5cJpNBMR8d68wD4_kw\">Tristes Tropiques</a> \" (2015) he had projected toward deep feeling environmental nostalgia.</span>\r\n\r\n<span class=\"notranslate\"> This time the chosen reference by the context of Ohio is less exotic, but no less fascinating: it is the boundless spaces of the West, observed with film director eyes and rendered in music in a hybrid between a substantive approach based dusty epic and one of the all fantastic, fully consistent with the imaginative ambience usually created by Tobias.</span>\r\n\r\n<span class=\"notranslate\"> But there is more in the fourteen short fragments that form \"Gila Man\", defined from the usual blanket of layers, pulses and synthetic trails, at which occasion are associated acoustic fragments, derailments foley artists and, above all, the dreamy vocals of <a href=\"https://translate.googleusercontent.com/translate_c?depth=1&amp;hl=en&amp;rurl=translate.google.com&amp;sl=auto&amp;tl=en&amp;u=https://musicwontsaveyou.com/2014/11/05/chloe-march-nights-bright-days/&amp;usg=ALkJrhhvbH9aCMKNyvIqO5PR-UctLUdJbw\">Chloë March</a> .</span> <span class=\"notranslate\"> The result is an unprecedented insight into the theme as normally understood, its declination well away from the clichés and fit, rather, in a spaghetti western totally surreal.</span>\"\r\n\r\n- <strong>M<a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/10/15/todd-tobias-gila-man/\" target=\"_blank\">usic Won\'t Save You</a></strong>','Todd Tobias \"Gila Man\" Reviewed at Music Won\'t Save You','','publish','closed','closed','','todd-tobias-gila-man-reviewed-at-music-wont-save-you','','','2016-11-25 11:19:47','2016-11-25 03:19:47','',0,'http://www.hiddenshoal.com/?p=15174',0,'post','',0),(15175,1,'2016-11-25 11:19:47','2016-11-25 03:19:47','[Translated via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/10/15/todd-tobias-gila-man/\" target=\"_blank\">here</a>.]\r\n\r\n<span class=\"notranslate\">\"With each new disc, Todd Tobias is a narrative context and a landscaped horizon to fill with their sound visions.</span> <span class=\"notranslate\"> In \"Gila Man\" is not, as in the two previous albums, the conceptual track originated from a novel, but a well-defined geographical and in some respects cultural reference, similar to that in the recent \" <a href=\"https://translate.googleusercontent.com/translate_c?depth=1&amp;hl=en&amp;rurl=translate.google.com&amp;sl=auto&amp;tl=en&amp;u=https://musicwontsaveyou.com/2015/06/10/todd-tobias-tristes-tropiques/&amp;usg=ALkJrhhV-5AHFTxz5cJpNBMR8d68wD4_kw\">Tristes Tropiques</a> \" (2015) he had projected toward deep feeling environmental nostalgia.</span>\r\n\r\n<span class=\"notranslate\"> This time the chosen reference by the context of Ohio is less exotic, but no less fascinating: it is the boundless spaces of the West, observed with film director eyes and rendered in music in a hybrid between a substantive approach based dusty epic and one of the all fantastic, fully consistent with the imaginative ambience usually created by Tobias.</span>\r\n\r\n<span class=\"notranslate\"> But there is more in the fourteen short fragments that form \"Gila Man\", defined from the usual blanket of layers, pulses and synthetic trails, at which occasion are associated acoustic fragments, derailments foley artists and, above all, the dreamy vocals of <a href=\"https://translate.googleusercontent.com/translate_c?depth=1&amp;hl=en&amp;rurl=translate.google.com&amp;sl=auto&amp;tl=en&amp;u=https://musicwontsaveyou.com/2014/11/05/chloe-march-nights-bright-days/&amp;usg=ALkJrhhvbH9aCMKNyvIqO5PR-UctLUdJbw\">Chloë March</a> .</span> <span class=\"notranslate\"> The result is an unprecedented insight into the theme as normally understood, its declination well away from the clichés and fit, rather, in a spaghetti western totally surreal.</span>\"\r\n\r\n- <strong>M<a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/10/15/todd-tobias-gila-man/\" target=\"_blank\">usic Won\'t Save You</a></strong>','Todd Tobias \"Gila Man\" Reviewed at Music Won\'t Save You','','inherit','closed','closed','','15174-revision-v1','','','2016-11-25 11:19:47','2016-11-25 03:19:47','',15174,'http://www.hiddenshoal.com/15174-revision-v1/',0,'revision','',0),(15176,1,'2016-11-25 11:26:11','2016-11-25 03:26:11','[Translated via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/08/23/slow-dancing-society-the-wagers-of-love-and-their-songs-from-the-witching-hour/\" target=\"_blank\">here</a>.]\r\n\r\n\"<span class=\"notranslate\">A long title and an equally articulated nineteen songs facility marks the seventh work of Drew Sullivan, which coincides with the tenth anniversary of its activities under the alias <a href=\"https://translate.googleusercontent.com/translate_c?depth=1&amp;hl=en&amp;rurl=translate.google.com&amp;sl=auto&amp;tl=en&amp;u=https://musicwontsaveyou.com/2014/08/09/slow-dancing-society-the-cogent-sea/&amp;usg=ALkJrhhx2_2wQly92yNf8Snz0PoTQGsgww\" target=\"_blank\">Slow Dancing Society</a> .</span> <span class=\"notranslate\"> In this broader context, which is well over the total duration of time, the Washington guitarist ranges from artist now sailed among the regulars soundscapes that combine atmospheric size and post-rock characters and consistent ramblings in less explored territories.</span>\r\n\r\n<span class=\"notranslate\"> Thus, compared with a starting light environmental mold, subsequently clocked by electronic and harmonic-rhythmic pulsations buildings pointing to emotional involvement, the work gradually reveals aspects of Sullivan\'s personality so far remained on the margins of his artistic creation.</span> <span class=\"notranslate\"> This corresponds to a part of his old musical passions, directed to something decidedly more \"classic\" than realized in own;</span> <span class=\"notranslate\"> It happens so that the guitars are stripped naked of environmental reverbs to reveal languor suffused psychedelic seventies, that you are of the warm colors from the ancient rock flavor.</span>\r\n\r\n<span class=\"notranslate\"> The Past as passionate and one from Sullivan musician are melted in yet Slow Dancing Society trip, which rises to the occasion creative canon endemic nostalgia that expands from a concrete expressive modality sensations.</span>\"\r\n\r\n- <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/08/23/slow-dancing-society-the-wagers-of-love-and-their-songs-from-the-witching-hour/\"><strong>Music Won\'t Save You</strong></a>','Slow Dancing Society \"The Wagers of Love\" Reviewed at Music Won\'t Save You','A long title and an equally articulated nineteen songs facility marks the seventh work of Drew Sullivan, which coincides with the tenth anniversary of its activities under the alias Slow Dancing Society . ','publish','closed','closed','','slow-dancing-society-the-wagers-of-love-reviewed-at-music-wont-save-you','','','2016-11-25 11:26:11','2016-11-25 03:26:11','',0,'http://www.hiddenshoal.com/?p=15176',0,'post','',0),(15177,1,'2016-11-25 11:26:11','2016-11-25 03:26:11','[Translated via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/08/23/slow-dancing-society-the-wagers-of-love-and-their-songs-from-the-witching-hour/\" target=\"_blank\">here</a>.]\r\n\r\n\"<span class=\"notranslate\">A long title and an equally articulated nineteen songs facility marks the seventh work of Drew Sullivan, which coincides with the tenth anniversary of its activities under the alias <a href=\"https://translate.googleusercontent.com/translate_c?depth=1&amp;hl=en&amp;rurl=translate.google.com&amp;sl=auto&amp;tl=en&amp;u=https://musicwontsaveyou.com/2014/08/09/slow-dancing-society-the-cogent-sea/&amp;usg=ALkJrhhx2_2wQly92yNf8Snz0PoTQGsgww\" target=\"_blank\">Slow Dancing Society</a> .</span> <span class=\"notranslate\"> In this broader context, which is well over the total duration of time, the Washington guitarist ranges from artist now sailed among the regulars soundscapes that combine atmospheric size and post-rock characters and consistent ramblings in less explored territories.</span>\r\n\r\n<span class=\"notranslate\"> Thus, compared with a starting light environmental mold, subsequently clocked by electronic and harmonic-rhythmic pulsations buildings pointing to emotional involvement, the work gradually reveals aspects of Sullivan\'s personality so far remained on the margins of his artistic creation.</span> <span class=\"notranslate\"> This corresponds to a part of his old musical passions, directed to something decidedly more \"classic\" than realized in own;</span> <span class=\"notranslate\"> It happens so that the guitars are stripped naked of environmental reverbs to reveal languor suffused psychedelic seventies, that you are of the warm colors from the ancient rock flavor.</span>\r\n\r\n<span class=\"notranslate\"> The Past as passionate and one from Sullivan musician are melted in yet Slow Dancing Society trip, which rises to the occasion creative canon endemic nostalgia that expands from a concrete expressive modality sensations.</span>\"\r\n\r\n- <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/08/23/slow-dancing-society-the-wagers-of-love-and-their-songs-from-the-witching-hour/\"><strong>Music Won\'t Save You</strong></a>','Slow Dancing Society \"The Wagers of Love\" Reviewed at Music Won\'t Save You','A long title and an equally articulated nineteen songs facility marks the seventh work of Drew Sullivan, which coincides with the tenth anniversary of its activities under the alias Slow Dancing Society . ','inherit','closed','closed','','15176-revision-v1','','','2016-11-25 11:26:11','2016-11-25 03:26:11','',15176,'http://www.hiddenshoal.com/15176-revision-v1/',0,'revision','',0),(15178,1,'2016-11-25 11:28:17','2016-11-25 03:28:17','\"Joe Sampson released his EP<i> </i><i>Songs of Delay </i>earlier last month. One of the highlights of the EP is “Songbird” featuring Nathaniel Rateliff. The simplistic acoustic guitar with the soft harmonies of Sampson and Rateliff’s vocals have a slight gritty nature to it. The bareness of the track add a fragility to the track, like if a single note was out of place, the whole song would crash.\"\r\n\r\n- <a title=\"Abduction Radiation\" href=\"http://abductionradiation.tumblr.com/post/151292921280/denver-co-joe-sampson-released-his-ep-songs-of\" target=\"_blank\"><strong>Abduction Radiation</strong></a>','Joe Sampson \'Songbird\' Reviewed at Abduction Radiation','Joe Sampson released his EP Songs of Delay earlier last month. One of the highlights of the EP is “Songbird” featuring Nathaniel Rateliff. The simplistic acoustic guitar with the soft harmonies of Sampson and Rateliff’s vocals have a slight gritty nature to it. The bareness of the track add a fragility to the track, like if a single note was out of place, the whole song would crash.','publish','closed','closed','','joe-sampson-songbird-reviewed-abduction-radiation','','','2016-11-25 11:28:17','2016-11-25 03:28:17','',0,'http://www.hiddenshoal.com/?p=15178',0,'post','',0),(15179,1,'2016-11-25 11:28:17','2016-11-25 03:28:17','\"Joe Sampson released his EP<i> </i><i>Songs of Delay </i>earlier last month. One of the highlights of the EP is “Songbird” featuring Nathaniel Rateliff. The simplistic acoustic guitar with the soft harmonies of Sampson and Rateliff’s vocals have a slight gritty nature to it. The bareness of the track add a fragility to the track, like if a single note was out of place, the whole song would crash.\"\r\n\r\n- <a title=\"Abduction Radiation\" href=\"http://abductionradiation.tumblr.com/post/151292921280/denver-co-joe-sampson-released-his-ep-songs-of\" target=\"_blank\"><strong>Abduction Radiation</strong></a>','Joe Sampson \'Songbird\' Reviewed at Abduction Radiation','Joe Sampson released his EP Songs of Delay earlier last month. One of the highlights of the EP is “Songbird” featuring Nathaniel Rateliff. The simplistic acoustic guitar with the soft harmonies of Sampson and Rateliff’s vocals have a slight gritty nature to it. The bareness of the track add a fragility to the track, like if a single note was out of place, the whole song would crash.','inherit','closed','closed','','15178-revision-v1','','','2016-11-25 11:28:17','2016-11-25 03:28:17','',15178,'http://www.hiddenshoal.com/15178-revision-v1/',0,'revision','',0),(15180,1,'2016-11-25 11:33:01','2016-11-25 03:33:01','<span id=\"result_box\" class=\"\" lang=\"en\"><span title=\"Accompagné de la douce Alma Forrer, Kramies nous offre « Into The Sparks », une somptueuse et fantasmagorique ballade folk sur fond de correspondance.\r\n\">[Translated via Google. Read the original <a title=\"Indiemusic\" href=\"http://www.indiemusic.fr/2016/05/17/kramies-alma-forrer-into-the-sparks/\" target=\"_blank\">here</a>.]</span></span>\r\n\r\n<span id=\"result_box\" class=\"\" lang=\"en\"><span title=\"Accompagné de la douce Alma Forrer, Kramies nous offre « Into The Sparks », une somptueuse et fantasmagorique ballade folk sur fond de correspondance.\r\n\">\"Accompanied by the sweet Alma Forrer, Kramies offers us \"Into The Sparks\", a sumptuous and phantasmagoric folk ballad on a background of correspondence.</span><span title=\"crédit : Jérôme Sevrette\r\n\r\n\">\r\n\r\n</span><span title=\"Tout est parti d’une rencontre magique et rare entre deux amoureux transis du folk.\">Everything started from a magical and rare encounter between two folk lovers. </span><span title=\"D’un côté de l’Atlantique, la jeune Parisienne Alma Forrer, auteure de deux premiers EPs émouvants, aux histoires éternelles et inestimables.\">On one side of the Atlantic, the young Parisian Alma Forrer, author of two first emotional EPs, with eternal and inestimable stories. </span><span title=\"De l’autre côté de l’océan, par-delà les sentiers et les monts, au cœur perdu des forêts du Colorado, le Denverois Kramies, chanteur attendrissant et ami complice du passionnant Jason Lytle.\">On the other side of the ocean, beyond the paths and mountains, in the heart of Colorado\'s forests, Denver\'s Kramies, a compelling singer and friend of the exciting Jason Lytle. </span><span title=\"Ensemble, les deux interprètes nous offrent un moment rare : « Into The Sparks », une conversation inattendue et fragile entre deux rêveurs, entre deux sensibilités, à distance et à la fois si proches.\">Together, the two interpreters offer us a rare moment: \"Into The Sparks\", an unexpected and fragile conversation between two dreamers, between two sensibilities, at a distance and at the same time so close. </span><span title=\"Alma en français et Kramies en anglais renouent avec l’art singulier de la correspondance ;\">Alma in French and Kramies in English revive the singular art of correspondence; </span><span title=\"où, quand les deux voix s’accordent pour mieux s’unir.\r\n\r\n\">Where, when the two voices agree to better unite.\r\n\r\n</span><span title=\"Mais ce que nous aimons par-dessus tout, c’est l’histoire que nous offre Kramies pour accompagner l’écoute et raconter, avec ses mots, cette collaboration.\">But what we love above all is the story that Kramies offers us to accompany listening and to tell, with his words, this collaboration. </span><span title=\"Nous vous avons traduit cette magnifique introduction :\r\n\r\n\">We have translated this wonderful introduction:\r\n\r\n</span><span title=\"« Il y a fort longtemps, il y avait une magnifique chanteuse nommée Alma qui habitait un somptueux endroit nommé Paris… Loin, très loin dans les hautes montagnes, vivait un troubadour silencieux du nom de Kramies.\">\"A long time ago, there was a magnificent singer named Alma who lived in a sumptuous place called Paris. Far away, far away in the high mountains, lived a silent troubadour named Kramies. </span><span title=\"Un jour, alors qu’il se promenait dans les bois, il commença à entonner une mystérieuse chanson.\">One day, as he was walking through the woods, he began to sing a mysterious song. </span><span title=\"Et, tandis qu’elle s’était accroupie dans son jardin, à plusieurs milliers de kilomètres de là, Alma commença également à chantonner une curieuse mélodie.\">And as she crouched in her garden, thousands of miles away, Alma also began to sing a curious melody. </span><span title=\"Ce jour fatidique, leurs voix traversèrent les océans, traversèrent les petites villes et les sombres forêts de verdure pour se trouver… et quand elles entrèrent finalement en collision, elles donnèrent naissance à une chanson magnifique et éthérée ;\">On that fateful day, their voices crossed the oceans, crossed the small towns and dark forests of greenery to find themselves ... and when they finally collided, they gave birth to a magnificent and ethereal song; </span><span title=\"Into The Sparks.\">Into The Sparks. </span><span title=\"»\r\n\r\n\">\"\r\n\r\n</span><span title=\"Ce sacré Kramies n’a pas encore fini de nous surprendre !\">This sacred Kramies has not yet finished surprising us!\"</span></span>\r\n\r\n- <a title=\"Indiemusic\" href=\"http://www.indiemusic.fr/2016/05/17/kramies-alma-forrer-into-the-sparks/\" target=\"_blank\">IndieMusic</a>','Kramies & Alma Forrer \'Into The Sparks\' Reviewed at IndieMusic','Everything started from a magical and rare encounter between two folk lovers. On one side of the Atlantic, the young Parisian Alma Forrer, author of two first emotional EPs, with eternal and inestimable stories. On the other side of the ocean, beyond the paths and mountains, in the heart of Colorado\'s forests, Denver\'s Kramies, a compelling singer and friend of the exciting Jason Lytle. ','publish','closed','closed','','kramies-alma-forrer-into-the-sparks-reviewed-at-indiemusic','','','2016-11-25 11:33:01','2016-11-25 03:33:01','',0,'http://www.hiddenshoal.com/?p=15180',0,'post','',0),(15181,1,'2016-11-25 11:33:01','2016-11-25 03:33:01','<span id=\"result_box\" class=\"\" lang=\"en\"><span title=\"Accompagné de la douce Alma Forrer, Kramies nous offre « Into The Sparks », une somptueuse et fantasmagorique ballade folk sur fond de correspondance.\r\n\">[Translated via Google. Read the original <a title=\"Indiemusic\" href=\"http://www.indiemusic.fr/2016/05/17/kramies-alma-forrer-into-the-sparks/\" target=\"_blank\">here</a>.]</span></span>\r\n\r\n<span id=\"result_box\" class=\"\" lang=\"en\"><span title=\"Accompagné de la douce Alma Forrer, Kramies nous offre « Into The Sparks », une somptueuse et fantasmagorique ballade folk sur fond de correspondance.\r\n\">\"Accompanied by the sweet Alma Forrer, Kramies offers us \"Into The Sparks\", a sumptuous and phantasmagoric folk ballad on a background of correspondence.</span><span title=\"crédit : Jérôme Sevrette\r\n\r\n\">\r\n\r\n</span><span title=\"Tout est parti d’une rencontre magique et rare entre deux amoureux transis du folk.\">Everything started from a magical and rare encounter between two folk lovers. </span><span title=\"D’un côté de l’Atlantique, la jeune Parisienne Alma Forrer, auteure de deux premiers EPs émouvants, aux histoires éternelles et inestimables.\">On one side of the Atlantic, the young Parisian Alma Forrer, author of two first emotional EPs, with eternal and inestimable stories. </span><span title=\"De l’autre côté de l’océan, par-delà les sentiers et les monts, au cœur perdu des forêts du Colorado, le Denverois Kramies, chanteur attendrissant et ami complice du passionnant Jason Lytle.\">On the other side of the ocean, beyond the paths and mountains, in the heart of Colorado\'s forests, Denver\'s Kramies, a compelling singer and friend of the exciting Jason Lytle. </span><span title=\"Ensemble, les deux interprètes nous offrent un moment rare : « Into The Sparks », une conversation inattendue et fragile entre deux rêveurs, entre deux sensibilités, à distance et à la fois si proches.\">Together, the two interpreters offer us a rare moment: \"Into The Sparks\", an unexpected and fragile conversation between two dreamers, between two sensibilities, at a distance and at the same time so close. </span><span title=\"Alma en français et Kramies en anglais renouent avec l’art singulier de la correspondance ;\">Alma in French and Kramies in English revive the singular art of correspondence; </span><span title=\"où, quand les deux voix s’accordent pour mieux s’unir.\r\n\r\n\">Where, when the two voices agree to better unite.\r\n\r\n</span><span title=\"Mais ce que nous aimons par-dessus tout, c’est l’histoire que nous offre Kramies pour accompagner l’écoute et raconter, avec ses mots, cette collaboration.\">But what we love above all is the story that Kramies offers us to accompany listening and to tell, with his words, this collaboration. </span><span title=\"Nous vous avons traduit cette magnifique introduction :\r\n\r\n\">We have translated this wonderful introduction:\r\n\r\n</span><span title=\"« Il y a fort longtemps, il y avait une magnifique chanteuse nommée Alma qui habitait un somptueux endroit nommé Paris… Loin, très loin dans les hautes montagnes, vivait un troubadour silencieux du nom de Kramies.\">\"A long time ago, there was a magnificent singer named Alma who lived in a sumptuous place called Paris. Far away, far away in the high mountains, lived a silent troubadour named Kramies. </span><span title=\"Un jour, alors qu’il se promenait dans les bois, il commença à entonner une mystérieuse chanson.\">One day, as he was walking through the woods, he began to sing a mysterious song. </span><span title=\"Et, tandis qu’elle s’était accroupie dans son jardin, à plusieurs milliers de kilomètres de là, Alma commença également à chantonner une curieuse mélodie.\">And as she crouched in her garden, thousands of miles away, Alma also began to sing a curious melody. </span><span title=\"Ce jour fatidique, leurs voix traversèrent les océans, traversèrent les petites villes et les sombres forêts de verdure pour se trouver… et quand elles entrèrent finalement en collision, elles donnèrent naissance à une chanson magnifique et éthérée ;\">On that fateful day, their voices crossed the oceans, crossed the small towns and dark forests of greenery to find themselves ... and when they finally collided, they gave birth to a magnificent and ethereal song; </span><span title=\"Into The Sparks.\">Into The Sparks. </span><span title=\"»\r\n\r\n\">\"\r\n\r\n</span><span title=\"Ce sacré Kramies n’a pas encore fini de nous surprendre !\">This sacred Kramies has not yet finished surprising us!\"</span></span>\r\n\r\n- <a title=\"Indiemusic\" href=\"http://www.indiemusic.fr/2016/05/17/kramies-alma-forrer-into-the-sparks/\" target=\"_blank\">IndieMusic</a>','Kramies & Alma Forrer \'Into The Sparks\' Reviewed at IndieMusic','Everything started from a magical and rare encounter between two folk lovers. On one side of the Atlantic, the young Parisian Alma Forrer, author of two first emotional EPs, with eternal and inestimable stories. On the other side of the ocean, beyond the paths and mountains, in the heart of Colorado\'s forests, Denver\'s Kramies, a compelling singer and friend of the exciting Jason Lytle. ','inherit','closed','closed','','15180-revision-v1','','','2016-11-25 11:33:01','2016-11-25 03:33:01','',15180,'http://www.hiddenshoal.com/15180-revision-v1/',0,'revision','',0),(15182,1,'2016-11-25 13:25:36','2016-11-25 05:25:36','\" ‘In Between’ is a fitting title for Christian Grothe’s latest EP. Touching on ambient, post-rock and classical music, the German composer could be perceived as a dabbler but Grothe’s versatility is one of his main strengths and his music under the moniker of Kryshe reveals great maturity and subtlety for someone who only released his first compositions less than a year ago.\r\n\r\nThe title track is bathed in warm ambient textures; the piano parts emerging like the pitter-patter of gentle rain. It’s undoubtedly melancholic but in a comforting way and the key melody is like rediscovering an old friend. ‘Iceland’ is unerringly tuneful, reshaping a music box motif into a yearning post-rock number, where each key change seems to ache a little more than the last. After ‘Lone’ represents a stark, reverberating centrepiece, a watery, portentous ‘Africa’ threatens to work itself up into a storm but instead holds back with some delicious use of restraint and experimental touches. This just leaves the stately, tear-stained melodrama of the finale ‘Lullaby’; the nearest Grothe gets to modern classical.\r\n\r\nWith each track offering something different, Grothe packs a great deal into twenty five minutes of instumental music. Minimalist this may be but ‘In Between’ is abundant with possibilities.\"\r\n\r\n- <strong><a title=\"Leonard\'s Lair\" href=\"https://leonardslair.wordpress.com/2015/04/20/review-kryshe-in-between/\" target=\"_blank\">Leonard\'s Lair</a></strong>','Kryshe \"In Between\" Reviewed at Leonard\'s Lair','‘In Between’ is a fitting title for Christian Grothe’s latest EP. Touching on ambient, post-rock and classical music, the German composer could be perceived as a dabbler but Grothe’s versatility is one of his main strengths and his music under the moniker of Kryshe reveals great maturity and subtlety for someone who only released his first compositions less than a year ago.','publish','closed','closed','','kryshe-in-between-reviewed-at-leonards-lair','','','2016-11-25 13:25:36','2016-11-25 05:25:36','',0,'http://www.hiddenshoal.com/?p=15182',0,'post','',0),(15183,1,'2016-11-25 13:25:36','2016-11-25 05:25:36','\" ‘In Between’ is a fitting title for Christian Grothe’s latest EP. Touching on ambient, post-rock and classical music, the German composer could be perceived as a dabbler but Grothe’s versatility is one of his main strengths and his music under the moniker of Kryshe reveals great maturity and subtlety for someone who only released his first compositions less than a year ago.\r\n\r\nThe title track is bathed in warm ambient textures; the piano parts emerging like the pitter-patter of gentle rain. It’s undoubtedly melancholic but in a comforting way and the key melody is like rediscovering an old friend. ‘Iceland’ is unerringly tuneful, reshaping a music box motif into a yearning post-rock number, where each key change seems to ache a little more than the last. After ‘Lone’ represents a stark, reverberating centrepiece, a watery, portentous ‘Africa’ threatens to work itself up into a storm but instead holds back with some delicious use of restraint and experimental touches. This just leaves the stately, tear-stained melodrama of the finale ‘Lullaby’; the nearest Grothe gets to modern classical.\r\n\r\nWith each track offering something different, Grothe packs a great deal into twenty five minutes of instumental music. Minimalist this may be but ‘In Between’ is abundant with possibilities.\"\r\n\r\n- <strong><a title=\"Leonard\'s Lair\" href=\"https://leonardslair.wordpress.com/2015/04/20/review-kryshe-in-between/\" target=\"_blank\">Leonard\'s Lair</a></strong>','Kryshe \"In Between\" Reviewed at Leonard\'s Lair','‘In Between’ is a fitting title for Christian Grothe’s latest EP. Touching on ambient, post-rock and classical music, the German composer could be perceived as a dabbler but Grothe’s versatility is one of his main strengths and his music under the moniker of Kryshe reveals great maturity and subtlety for someone who only released his first compositions less than a year ago.','inherit','closed','closed','','15182-revision-v1','','','2016-11-25 13:25:36','2016-11-25 05:25:36','',15182,'http://www.hiddenshoal.com/15182-revision-v1/',0,'revision','',0),(15184,1,'2016-11-25 13:30:31','2016-11-25 05:30:31','\"Joe Sampson creates a lot with a little. Maybe it was his family roots of a barbershop quartet that lead to the minimalism of his craft. Maybe it was his collaborations with Nathaniel Rateliff and Esme Patterson, or maybe it’s just because he doesn’t need to add any bells or whistles to his songs. The Denver songwriter, who took home Songwriter of the Year from <em>Westword </em> in 2008 and was hailed as the rarely seen and mythical musical unicorn by Hey Reverb, has just released his stark, EP <em>Songs of Delay</em> — a stunning 13-minute journey straight into the heart of superb songwriting and a simple, austere but elegant presentation of those songs.\r\n\r\nThe delicate “Songbird” which kicks off the EP features vocal accompaniment by Rateliff, but instead of Rateliff’s over-the-top “S.O.B” vocal work, the song instead features the head of the Night Sweats in one of his most demure tones. The rest of the suite follows the same path — creating heaping amounts of beauty with the most limited ingredients; a few chords and some well-penned lyrics.\"\r\n\r\n- <strong><a title=\"The Marquee\" href=\"http://marqueemag.com/2016/09/joe-sampson-songs-of-delay/\" target=\"_blank\">The Marquee</a></strong>','Joe Sampson \"Songs of Delay\" Reviewed at The Marquee','Joe Sampson creates a lot with a little. Maybe it was his family roots of a barbershop quartet that lead to the minimalism of his craft. Maybe it was his collaborations with Nathaniel Rateliff and Esme Patterson, or maybe it’s just because he doesn’t need to add any bells or whistles to his songs. The Denver songwriter, who took home Songwriter of the Year from Westword  in 2008 and was hailed as the rarely seen and mythical musical unicorn by Hey Reverb, has just released his stark, EP Songs of Delay — a stunning 13-minute journey straight into the heart of superb songwriting and a simple, austere but elegant presentation of those songs.','publish','closed','closed','','joe-sampson-songs-of-delay-reviewed-at-the-marquee','','','2016-11-25 13:30:31','2016-11-25 05:30:31','',0,'http://www.hiddenshoal.com/?p=15184',0,'post','',0),(15185,1,'2016-11-25 13:30:31','2016-11-25 05:30:31','\"Joe Sampson creates a lot with a little. Maybe it was his family roots of a barbershop quartet that lead to the minimalism of his craft. Maybe it was his collaborations with Nathaniel Rateliff and Esme Patterson, or maybe it’s just because he doesn’t need to add any bells or whistles to his songs. The Denver songwriter, who took home Songwriter of the Year from <em>Westword </em> in 2008 and was hailed as the rarely seen and mythical musical unicorn by Hey Reverb, has just released his stark, EP <em>Songs of Delay</em> — a stunning 13-minute journey straight into the heart of superb songwriting and a simple, austere but elegant presentation of those songs.\r\n\r\nThe delicate “Songbird” which kicks off the EP features vocal accompaniment by Rateliff, but instead of Rateliff’s over-the-top “S.O.B” vocal work, the song instead features the head of the Night Sweats in one of his most demure tones. The rest of the suite follows the same path — creating heaping amounts of beauty with the most limited ingredients; a few chords and some well-penned lyrics.\"\r\n\r\n- <strong><a title=\"The Marquee\" href=\"http://marqueemag.com/2016/09/joe-sampson-songs-of-delay/\" target=\"_blank\">The Marquee</a></strong>','Joe Sampson \"Songs of Delay\" Reviewed at The Marquee','Joe Sampson creates a lot with a little. Maybe it was his family roots of a barbershop quartet that lead to the minimalism of his craft. Maybe it was his collaborations with Nathaniel Rateliff and Esme Patterson, or maybe it’s just because he doesn’t need to add any bells or whistles to his songs. The Denver songwriter, who took home Songwriter of the Year from Westword  in 2008 and was hailed as the rarely seen and mythical musical unicorn by Hey Reverb, has just released his stark, EP Songs of Delay — a stunning 13-minute journey straight into the heart of superb songwriting and a simple, austere but elegant presentation of those songs.','inherit','closed','closed','','15184-revision-v1','','','2016-11-25 13:30:31','2016-11-25 05:30:31','',15184,'http://www.hiddenshoal.com/15184-revision-v1/',0,'revision','',0),(15186,1,'2016-11-25 13:37:31','2016-11-25 05:37:31','[Translated via Google. Read the original <a title=\"A Decouvrir Absolument\" href=\"http://www.adecouvrirabsolument.com/spip.php?article6829\" target=\"_blank\">here</a>.]\r\n\r\n\"<span class=\"notranslate\">It is perhaps for the reading of the M train of Patty Smith that I really arrived to savor this man, not to happen to dissociate his sonorous work from a reading that hypnotized me, for this impression to move me to sound Of these ballads, for this alchemy of simple things that the muse used to say, and which the timid little man sang.</span> <span class=\"notranslate\"> It was necessary to listen to Joe in the solitude of a helmet and in the breadth of a world, and to discover that in the tiniest survival of eternity, in the mere twist of a rope was born the music of the Milky Way which Mark our sadness and joy.</span> <span class=\"notranslate\"> Patty describes coffee cups with a thousand tastes, millions of places, infinite faces, and Joe brings all these polaroids to the hollow of a sound, this incredible ability to irrigate the eyes and to form minimal earthquakes along the skins, yes , Joe accompanies the journey of this reading with an art so simple, that it seems to be born in us, in our epidermis of bad writers, poor musicians, bitter singers.</span> <span class=\"notranslate\"> Leave Patty\'s reading and swim our bodies of swimmers in Joe\'s music, this Denver sound that no longer has birthplaces as soon as it is born but that tames the quiet universe of our wise evenings.</span> <span class=\"notranslate\"> Joe is a small stream of wise air that interferes without brusqueness, heat just to make itself felt, force just to penetrate to the pleura, touch the heart, touch the heart.</span> <span class=\"notranslate\"> We have to hide Joe\'s words in confined spaces, closed circles of our arms, as when listening to Cohen, without wanting to share it with anyone, something that is preserved by thinking that it is so fragile that only in our hearts He will be safe.</span> <span class=\"notranslate\"> You have to grab Joe\'s sounds in small rooms, like when you listen to Dylan watching time, assuming that the gestures would break the crystal, and close your eyes, you must listen to it without seeing it, you must let it in without to see him.</span> <span class=\"notranslate\"> Joe sings the delicacy, there is in the weakness of this song a span that extends beyond the irises, a force which is called beauty, which inebriates the cheeks, and which makes ignite the torsos, sometimes The intonation of the voice is a hymn so small, so small, that it enters everywhere, invades without difficulty, and conquers at the speed of a cloud our desires for peace.</span> <span class=\"notranslate\"> Joe is a small piece of paradise hanging on our ears, a piece of Eden that has beaten wings to our temples, a Rara opinion, a delicate glass shard where it is imprisoned the sun in love with rain, a detail Wonderful of a magnificent whole, and the perfect music for majestic readings.</span>\"\r\n\r\n- <a title=\"A Decouvrir Absolument\" href=\"http://www.adecouvrirabsolument.com/spip.php?article6829\" target=\"_blank\"><strong>A Decouvrir Absolument</strong></a>','Joe Sampson \"Songs of Delay\" Reviewed at A Decouvrir Absolument','It is perhaps for the reading of the M train of Patty Smith that I really arrived to savor this man, not to happen to dissociate his sonorous work from a reading that hypnotized me, for this impression to move me to sound Of these ballads, for this alchemy of simple things that the muse used to say, and which the timid little man sang. ','publish','closed','closed','','joe-sampson-songs-of-delay-reviewed','','','2016-11-25 13:37:31','2016-11-25 05:37:31','',0,'http://www.hiddenshoal.com/?p=15186',0,'post','',0),(15187,1,'2016-11-25 13:37:31','2016-11-25 05:37:31','[Translated via Google. Read the original <a title=\"A Decouvrir Absolument\" href=\"http://www.adecouvrirabsolument.com/spip.php?article6829\" target=\"_blank\">here</a>.]\r\n\r\n\"<span class=\"notranslate\">It is perhaps for the reading of the M train of Patty Smith that I really arrived to savor this man, not to happen to dissociate his sonorous work from a reading that hypnotized me, for this impression to move me to sound Of these ballads, for this alchemy of simple things that the muse used to say, and which the timid little man sang.</span> <span class=\"notranslate\"> It was necessary to listen to Joe in the solitude of a helmet and in the breadth of a world, and to discover that in the tiniest survival of eternity, in the mere twist of a rope was born the music of the Milky Way which Mark our sadness and joy.</span> <span class=\"notranslate\"> Patty describes coffee cups with a thousand tastes, millions of places, infinite faces, and Joe brings all these polaroids to the hollow of a sound, this incredible ability to irrigate the eyes and to form minimal earthquakes along the skins, yes , Joe accompanies the journey of this reading with an art so simple, that it seems to be born in us, in our epidermis of bad writers, poor musicians, bitter singers.</span> <span class=\"notranslate\"> Leave Patty\'s reading and swim our bodies of swimmers in Joe\'s music, this Denver sound that no longer has birthplaces as soon as it is born but that tames the quiet universe of our wise evenings.</span> <span class=\"notranslate\"> Joe is a small stream of wise air that interferes without brusqueness, heat just to make itself felt, force just to penetrate to the pleura, touch the heart, touch the heart.</span> <span class=\"notranslate\"> We have to hide Joe\'s words in confined spaces, closed circles of our arms, as when listening to Cohen, without wanting to share it with anyone, something that is preserved by thinking that it is so fragile that only in our hearts He will be safe.</span> <span class=\"notranslate\"> You have to grab Joe\'s sounds in small rooms, like when you listen to Dylan watching time, assuming that the gestures would break the crystal, and close your eyes, you must listen to it without seeing it, you must let it in without to see him.</span> <span class=\"notranslate\"> Joe sings the delicacy, there is in the weakness of this song a span that extends beyond the irises, a force which is called beauty, which inebriates the cheeks, and which makes ignite the torsos, sometimes The intonation of the voice is a hymn so small, so small, that it enters everywhere, invades without difficulty, and conquers at the speed of a cloud our desires for peace.</span> <span class=\"notranslate\"> Joe is a small piece of paradise hanging on our ears, a piece of Eden that has beaten wings to our temples, a Rara opinion, a delicate glass shard where it is imprisoned the sun in love with rain, a detail Wonderful of a magnificent whole, and the perfect music for majestic readings.</span>\"\r\n\r\n- <a title=\"A Decouvrir Absolument\" href=\"http://www.adecouvrirabsolument.com/spip.php?article6829\" target=\"_blank\"><strong>A Decouvrir Absolument</strong></a>','Joe Sampson \"Songs of Delay\" Reviewed at A Decouvrir Absolument','It is perhaps for the reading of the M train of Patty Smith that I really arrived to savor this man, not to happen to dissociate his sonorous work from a reading that hypnotized me, for this impression to move me to sound Of these ballads, for this alchemy of simple things that the muse used to say, and which the timid little man sang. ','inherit','closed','closed','','15186-revision-v1','','','2016-11-25 13:37:31','2016-11-25 05:37:31','',15186,'http://www.hiddenshoal.com/15186-revision-v1/',0,'revision','',0),(15188,1,'2016-11-25 13:43:28','2016-11-25 05:43:28','[Translated via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/09/13/joe-sampson-songs-of-delay/\" target=\"_blank\">here</a>.]\r\n\r\n\"<span class=\"notranslate\">Are twelve minutes sufficient for a songwriter to fully deploy his own personality.</span> <span class=\"notranslate\"> Twelve minutes are enough to be enchanted in front of the simple naturalness and delicate understatement of his melodies.</span> <span class=\"notranslate\"> The duration is one of the five songs Ep \"Songs Of Delay\" and the singer in question is called Joe Sampson and comes from Denver, where he was honored as songrwriter of the year in 2008 and later collaborated with musicians such as Nathaniel Rateliff and Esme Patterson.</span>\r\n\r\n<span class=\"notranslate\"> Just Nathaniel Rateliff returns the favor in the suffused interweaving of the opening song \"Songbird\", which perpetuates the discrete magic of Simon &amp; Garfunkel, defining immediately hushed homely atmosphere in which resonate the acoustic notes and the delicate Sampson vocal timbre.</span> <span class=\"notranslate\"> In five short tracks Ep, artist Colorado showcases natural talents for harmonization even when the structures become slightly more decisive ( \"Moon On The Rise\"), cloaked in soft country-folk nuances ( \"Dream On\") .</span>\r\n\r\n<span class=\"notranslate\"> The more personal and immediate essence of writing Sampson shines, however the best in the two ballads on the tips of the fingers end, the romantic \"My Love\" and \"Paper Dolls\", a short essay of bittersweet melancholy copyright, which instills a dim ray of light in his creative space shadowy, unadorned, but rich in heart and inspiration.</span> <span class=\"notranslate\"> Twelve minutes are sufficient to understand everything, even if at the end of their listening is a very strong desire to find out as soon as possible also many other songs by a songwriter crystalline talent.</span>\"\r\n\r\n- <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/09/13/joe-sampson-songs-of-delay/\" target=\"_blank\"><strong>Music Won\'t Save You</strong></a>','Joe Sampson \"Songs of Delay\" Reviewed At Music Won\'t Save You','Are twelve minutes sufficient for a songwriter to fully deploy his own personality. Twelve minutes are enough to be enchanted in front of the simple naturalness and delicate understatement of his melodies. The duration is one of the five songs Ep \"Songs Of Delay\" and the singer in question is called Joe Sampson and comes from Denver, where he was honored as songrwriter of the year in 2008 and later collaborated with musicians such as Nathaniel Rateliff and Esme Patterson.','publish','closed','closed','','joe-sampson-songs-of-delay-reviewed-at-music-wont-save-you','','','2016-11-25 13:43:28','2016-11-25 05:43:28','',0,'http://www.hiddenshoal.com/?p=15188',0,'post','',0),(15189,1,'2016-11-25 13:43:28','2016-11-25 05:43:28','[Translated via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/09/13/joe-sampson-songs-of-delay/\" target=\"_blank\">here</a>.]\r\n\r\n\"<span class=\"notranslate\">Are twelve minutes sufficient for a songwriter to fully deploy his own personality.</span> <span class=\"notranslate\"> Twelve minutes are enough to be enchanted in front of the simple naturalness and delicate understatement of his melodies.</span> <span class=\"notranslate\"> The duration is one of the five songs Ep \"Songs Of Delay\" and the singer in question is called Joe Sampson and comes from Denver, where he was honored as songrwriter of the year in 2008 and later collaborated with musicians such as Nathaniel Rateliff and Esme Patterson.</span>\r\n\r\n<span class=\"notranslate\"> Just Nathaniel Rateliff returns the favor in the suffused interweaving of the opening song \"Songbird\", which perpetuates the discrete magic of Simon &amp; Garfunkel, defining immediately hushed homely atmosphere in which resonate the acoustic notes and the delicate Sampson vocal timbre.</span> <span class=\"notranslate\"> In five short tracks Ep, artist Colorado showcases natural talents for harmonization even when the structures become slightly more decisive ( \"Moon On The Rise\"), cloaked in soft country-folk nuances ( \"Dream On\") .</span>\r\n\r\n<span class=\"notranslate\"> The more personal and immediate essence of writing Sampson shines, however the best in the two ballads on the tips of the fingers end, the romantic \"My Love\" and \"Paper Dolls\", a short essay of bittersweet melancholy copyright, which instills a dim ray of light in his creative space shadowy, unadorned, but rich in heart and inspiration.</span> <span class=\"notranslate\"> Twelve minutes are sufficient to understand everything, even if at the end of their listening is a very strong desire to find out as soon as possible also many other songs by a songwriter crystalline talent.</span>\"\r\n\r\n- <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/09/13/joe-sampson-songs-of-delay/\" target=\"_blank\"><strong>Music Won\'t Save You</strong></a>','Joe Sampson \"Songs of Delay\" Reviewed At Music Won\'t Save You','Are twelve minutes sufficient for a songwriter to fully deploy his own personality. Twelve minutes are enough to be enchanted in front of the simple naturalness and delicate understatement of his melodies. The duration is one of the five songs Ep \"Songs Of Delay\" and the singer in question is called Joe Sampson and comes from Denver, where he was honored as songrwriter of the year in 2008 and later collaborated with musicians such as Nathaniel Rateliff and Esme Patterson.','inherit','closed','closed','','15188-revision-v1','','','2016-11-25 13:43:28','2016-11-25 05:43:28','',15188,'http://www.hiddenshoal.com/15188-revision-v1/',0,'revision','',0),(15190,1,'2016-11-25 13:46:21','2016-11-25 05:46:21','\"Beautifully elegant, steeled in mournful bitter sweet solemn whilst graced and adored in a classicist crafting, amid the hurly burly madness of pop, silently withdrawn in a quiet place shivered and shy sits the hidden lair of Antonymes. A new album about to break cover on the ever adored hidden shoal imprint by the name ‘(for now we see) through a glass dimly’ from which, sent ahead on scouting duties, appears the mournfully touched ‘towards tragedy and dissolution’. Aided and assisted by various members of the Auteurs and Field Rotation, this heart heavy tear stained mosaic serenades in solemn reflection, rendered frozen between hope and regret, above the maudlin and melancholic crawl of the shyly trembled key braids hover fretful strings in sympathetic fear and caution, the effect so tenderly bruised and vulnerable you feel the urge to rest a supportive arm around its fragile and failing shoulder.\"\r\n\r\n- <a title=\"The Sunday Experience\" href=\"https://marklosingtoday.wordpress.com/2016/03/03/antonymes-3/\" target=\"_blank\"><strong>The Sunday Experience</strong></a>','Antonymes \'Towards Tragedy and Dissolution\' Reviewed at The Sunday Experience','Beautifully elegant, steeled in mournful bitter sweet solemn whilst graced and adored in a classicist crafting, amid the hurly burly madness of pop, silently withdrawn in a quiet place shivered and shy sits the hidden lair of Antonymes. A new album about to break cover on the ever adored hidden shoal imprint by the name ‘(for now we see) through a glass dimly’ from which, sent ahead on scouting duties, appears the mournfully touched ‘towards tragedy and dissolution’. Aided and assisted by various members of the Auteurs and Field Rotation, this heart heavy tear stained mosaic serenades in solemn reflection, rendered frozen between hope and regret, above the maudlin and melancholic crawl of the shyly trembled key braids hover fretful strings in sympathetic fear and caution, the effect so tenderly bruised and vulnerable you feel the urge to rest a supportive arm around its fragile and failing shoulder.','publish','closed','closed','','antonymes-t','','','2016-11-25 13:46:21','2016-11-25 05:46:21','',0,'http://www.hiddenshoal.com/?p=15190',0,'post','',0),(15191,1,'2016-11-25 13:46:21','2016-11-25 05:46:21','\"Beautifully elegant, steeled in mournful bitter sweet solemn whilst graced and adored in a classicist crafting, amid the hurly burly madness of pop, silently withdrawn in a quiet place shivered and shy sits the hidden lair of Antonymes. A new album about to break cover on the ever adored hidden shoal imprint by the name ‘(for now we see) through a glass dimly’ from which, sent ahead on scouting duties, appears the mournfully touched ‘towards tragedy and dissolution’. Aided and assisted by various members of the Auteurs and Field Rotation, this heart heavy tear stained mosaic serenades in solemn reflection, rendered frozen between hope and regret, above the maudlin and melancholic crawl of the shyly trembled key braids hover fretful strings in sympathetic fear and caution, the effect so tenderly bruised and vulnerable you feel the urge to rest a supportive arm around its fragile and failing shoulder.\"\r\n\r\n- <a title=\"The Sunday Experience\" href=\"https://marklosingtoday.wordpress.com/2016/03/03/antonymes-3/\" target=\"_blank\"><strong>The Sunday Experience</strong></a>','Antonymes \'Towards Tragedy and Dissolution\' Reviewed at The Sunday Experience','Beautifully elegant, steeled in mournful bitter sweet solemn whilst graced and adored in a classicist crafting, amid the hurly burly madness of pop, silently withdrawn in a quiet place shivered and shy sits the hidden lair of Antonymes. A new album about to break cover on the ever adored hidden shoal imprint by the name ‘(for now we see) through a glass dimly’ from which, sent ahead on scouting duties, appears the mournfully touched ‘towards tragedy and dissolution’. Aided and assisted by various members of the Auteurs and Field Rotation, this heart heavy tear stained mosaic serenades in solemn reflection, rendered frozen between hope and regret, above the maudlin and melancholic crawl of the shyly trembled key braids hover fretful strings in sympathetic fear and caution, the effect so tenderly bruised and vulnerable you feel the urge to rest a supportive arm around its fragile and failing shoulder.','inherit','closed','closed','','15190-revision-v1','','','2016-11-25 13:46:21','2016-11-25 05:46:21','',15190,'http://www.hiddenshoal.com/15190-revision-v1/',0,'revision','',0),(15192,1,'2016-11-25 14:05:49','2016-11-25 06:05:49','[Translated via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/05/15/markus-mehr-re-directed/\" target=\"_blank\">here</a>.]\r\n\r\n<span class=\"notranslate\">\"Four long sections separated by three interludes are the result of the search for <a href=\"https://translate.googleusercontent.com/translate_c?depth=1&amp;hl=en&amp;rurl=translate.google.com&amp;sl=auto&amp;tl=en&amp;u=https://musicwontsaveyou.com/2014/10/15/markus-mehr-binary-rooms/&amp;usg=ALkJrhgD8KFFB1ISidf-j6ik42qgLQ4mHA\">Markus Mehr</a> around the theme of digital addiction.</span> <span class=\"notranslate\"> Not without a certain taste for paradox, to achieve his sixth album \"Re-Directed\" the German artist has employed a large catalog of sounds derived from servers, hard drives and mobile phones, capturing pulses, noise and vibrations often on the border of \'inaudible.</span>\r\n\r\n<span class=\"notranslate\"> The currents of static electricity and concrete dissonances prominent captured by Mehr microphones have thus become part of an audiovisual performance created together with Stefanie Sixt, whose alienating sound component is very noisy complexity of the digital age.\"</span>\r\n\r\n- <strong><a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/05/15/markus-mehr-re-directed/\" target=\"_blank\">Music Won\'t Save You</a></strong>','Markus Mehr \"Re-Directed\" Reviewed at Music Won\'t Save You','Four long sections separated by three interludes are the result of the search for Markus Mehr around the theme of digital addiction. Not without a certain taste for paradox, to achieve his sixth album \"Re-Directed\" the German artist has employed a large catalog of sounds derived from servers, hard drives and mobile phones, capturing pulses, noise and vibrations often on the border of \'inaudible.\r\n\r\nThe currents of static electricity and concrete dissonances prominent captured by Mehr microphones have thus become part of an audiovisual performance created together with Stefanie Sixt, whose alienating sound component is very noisy complexity of the digital age.','publish','closed','closed','','15192','','','2016-11-25 14:05:49','2016-11-25 06:05:49','',0,'http://www.hiddenshoal.com/?p=15192',0,'post','',0),(15193,1,'2016-11-25 14:05:49','2016-11-25 06:05:49','[Translated via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/05/15/markus-mehr-re-directed/\" target=\"_blank\">here</a>.]\r\n\r\n<span class=\"notranslate\">\"Four long sections separated by three interludes are the result of the search for <a href=\"https://translate.googleusercontent.com/translate_c?depth=1&amp;hl=en&amp;rurl=translate.google.com&amp;sl=auto&amp;tl=en&amp;u=https://musicwontsaveyou.com/2014/10/15/markus-mehr-binary-rooms/&amp;usg=ALkJrhgD8KFFB1ISidf-j6ik42qgLQ4mHA\">Markus Mehr</a> around the theme of digital addiction.</span> <span class=\"notranslate\"> Not without a certain taste for paradox, to achieve his sixth album \"Re-Directed\" the German artist has employed a large catalog of sounds derived from servers, hard drives and mobile phones, capturing pulses, noise and vibrations often on the border of \'inaudible.</span>\r\n\r\n<span class=\"notranslate\"> The currents of static electricity and concrete dissonances prominent captured by Mehr microphones have thus become part of an audiovisual performance created together with Stefanie Sixt, whose alienating sound component is very noisy complexity of the digital age.\"</span>\r\n\r\n- <strong><a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/05/15/markus-mehr-re-directed/\" target=\"_blank\">Music Won\'t Save You</a></strong>','Markus Mehr \"Re-Directed\" Reviewed at Music Won\'t Save You','Four long sections separated by three interludes are the result of the search for Markus Mehr around the theme of digital addiction. Not without a certain taste for paradox, to achieve his sixth album \"Re-Directed\" the German artist has employed a large catalog of sounds derived from servers, hard drives and mobile phones, capturing pulses, noise and vibrations often on the border of \'inaudible.\r\n\r\nThe currents of static electricity and concrete dissonances prominent captured by Mehr microphones have thus become part of an audiovisual performance created together with Stefanie Sixt, whose alienating sound component is very noisy complexity of the digital age.','inherit','closed','closed','','15192-revision-v1','','','2016-11-25 14:05:49','2016-11-25 06:05:49','',15192,'http://www.hiddenshoal.com/15192-revision-v1/',0,'revision','',0),(15194,1,'2016-11-25 14:08:28','0000-00-00 00:00:00','','Todd Tobias \"Tristes Tropiques\" Reviewed at Music Won\'t Save You','','draft','closed','closed','','','','','2016-11-25 14:08:28','2016-11-25 06:08:28','',0,'http://www.hiddenshoal.com/?p=15194',0,'post','',0),(15195,1,'2016-01-25 14:09:52','2016-01-25 06:09:52','[Translated via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2015/06/10/todd-tobias-tristes-tropiques/\" target=\"_blank\">here</a>.]\r\n\r\n\"<span class=\"notranslate\">Once the conceptual track permeates a Todd Tobias album, which after producing and starred opposite Robert Pollard, has now dropped steadily in the instrumental composer robes.</span>\r\n<span class=\"notranslate\"> If \" <a href=\"https://translate.googleusercontent.com/translate_c?depth=1&amp;hl=en&amp;rurl=translate.google.com&amp;sl=auto&amp;tl=en&amp;u=https://musicwontsaveyou.com/2014/10/27/todd-tobias-impossible-cities/&amp;usg=ALkJrhi1gtqqb84Y7cMCFBxC70f_VGD3Jw\" target=\"_blank\">Impossible Cities</a> \" (2014) retraced \"Invisible Cities\" by Calvino, \"Tristes Tropiques\" echoes the melancholy tropical namesake of Claude Levi Strauss essay.</span>\r\n\r\n<span class=\"notranslate\"> Tobias translates the content into sound by combining an environmental landscaping made of modulations in tremulous transformation with warm synthetic puffs and rhythmic fragments that refer, in fact, to be decided by the colors of the atmosphere and yet imbued with languid silence to fall by a tropical night, he does not know festive but profound environmental nostalgia.</span>\"\r\n\r\n- <strong><a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2015/06/10/todd-tobias-tristes-tropiques/\" target=\"_blank\">Music Won\'t Save You</a></strong>','Todd Tobias \"Tristes Tropiques\" Reviewed at Music Won\'t Save You','Once the conceptual track permeates a Todd Tobias album, which after producing and starred opposite Robert Pollard, has now dropped steadily in the instrumental composer robes.\r\nIf \" Impossible Cities \" (2014) retraced \"Invisible Cities\" by Calvino, \"Tristes Tropiques\" echoes the melancholy tropical namesake of Claude Levi Strauss essay','publish','closed','closed','','todd-tobias-tristes-tropiques-reviewed-at-music-wont-save-you','','','2016-11-25 14:11:45','2016-11-25 06:11:45','',0,'http://www.hiddenshoal.com/?p=15195',0,'post','',0),(15196,1,'2016-11-25 14:11:45','2016-11-25 06:11:45','[Translated via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2015/06/10/todd-tobias-tristes-tropiques/\" target=\"_blank\">here</a>.]\r\n\r\n\"<span class=\"notranslate\">Once the conceptual track permeates a Todd Tobias album, which after producing and starred opposite Robert Pollard, has now dropped steadily in the instrumental composer robes.</span>\r\n<span class=\"notranslate\"> If \" <a href=\"https://translate.googleusercontent.com/translate_c?depth=1&amp;hl=en&amp;rurl=translate.google.com&amp;sl=auto&amp;tl=en&amp;u=https://musicwontsaveyou.com/2014/10/27/todd-tobias-impossible-cities/&amp;usg=ALkJrhi1gtqqb84Y7cMCFBxC70f_VGD3Jw\" target=\"_blank\">Impossible Cities</a> \" (2014) retraced \"Invisible Cities\" by Calvino, \"Tristes Tropiques\" echoes the melancholy tropical namesake of Claude Levi Strauss essay.</span>\r\n\r\n<span class=\"notranslate\"> Tobias translates the content into sound by combining an environmental landscaping made of modulations in tremulous transformation with warm synthetic puffs and rhythmic fragments that refer, in fact, to be decided by the colors of the atmosphere and yet imbued with languid silence to fall by a tropical night, he does not know festive but profound environmental nostalgia.</span>\"\r\n\r\n- <strong><a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2015/06/10/todd-tobias-tristes-tropiques/\" target=\"_blank\">Music Won\'t Save You</a></strong>','Todd Tobias \"Tristes Tropiques\" Reviewed at Music Won\'t Save You','Once the conceptual track permeates a Todd Tobias album, which after producing and starred opposite Robert Pollard, has now dropped steadily in the instrumental composer robes.\r\nIf \" Impossible Cities \" (2014) retraced \"Invisible Cities\" by Calvino, \"Tristes Tropiques\" echoes the melancholy tropical namesake of Claude Levi Strauss essay','inherit','closed','closed','','15195-revision-v1','','','2016-11-25 14:11:45','2016-11-25 06:11:45','',15195,'http://www.hiddenshoal.com/15195-revision-v1/',0,'revision','',0),(15197,1,'2016-02-25 14:15:09','2016-02-25 06:15:09','[Translated via Google. Read the original <a title=\"Der Krenten Uit De Pop\" href=\"http://dekrentenuitdepop.blogspot.com.au/2015/07/todd-tobias-tristes-tropiques.html\" target=\"_blank\">here</a>.]\r\n\r\n\"<span class=\"notranslate\">It is just half a year ago, Todd Tobias first solo record here fell to the mat.</span> <span class=\"notranslate\"> The musician I at that time is mainly known as a producer of quite a few plates of lo-fi pioneers Guided By Voices and solo albums by Guided By Voices frontman Robert Pollard, made after a long period of habituation impressed with the totally elusive Impossible Cities.</span>\r\n\r\n<span class=\"notranslate\"> With Impossible Cities Todd Tobias took emphatic goodbye to the lo-fi;</span> <span class=\"notranslate\"> the genre which he was strongly considering his past associated.</span> <span class=\"notranslate\"> Impossible Cities was full of hypnotic soundscapes full of surprises, where you could come up with the images themselves.</span>\r\n\r\n<span class=\"notranslate\"> I propose immediately that it took some time before I could make chocolate from the special music of Todd Tobias, but ultimately Impossible Cities was the perfect soundtrack for many dreamy moments.</span>\r\n\r\n<span class=\"notranslate\"> Todd Tobias has now perhaps renounced the lo-fi, but the almost unreal productivity that sticks to the genre, the American musician is not lost yet.</span> <span class=\"notranslate\"> In Tristes Tropiques Todd Tobias Indeed supplies already on a new album and it is one that manages to surpass its predecessor in terms of beauty.</span>\r\n\r\n<span class=\"notranslate\"> Tristes Tropiques is based on the book by the French ethnographer and anthropologist Claude Levi-Strauss.</span> <span class=\"notranslate\"> That will be the average reader of my BLOG probably not say much, but during my studies was one of the important books and also one of my favorite books.</span> <span class=\"notranslate\"> Moreover, it is a book that reads like a novel, and it is also a book that asked exactly 60 years ago, highlighting the way in which Indian tribes the pinch in the Amazon region by advancing industrialization and urbanization;</span> <span class=\"notranslate\"> still a topical issue.</span>\r\n\r\n<span class=\"notranslate\"> Todd Tobias has now provided the masterpiece of Claude Lévi-Strauss music and the music is full of magic.</span> <span class=\"notranslate\"> Tristes Tropiques is more accessible and less eclectic than Impossible Cities, but equally dreamy and mysterious.</span>\r\n\r\n<span class=\"notranslate\"> Let the beautiful sounds of Todd Tobias coming from the speakers and you get complete rest.</span> <span class=\"notranslate\"> Our hectic society is suddenly far away and there is plenty of time for daydreaming.</span> <span class=\"notranslate\"> Given the background of the plate dream myself about the fascinating exploration of Claude Lévi-Strauss in the tropics, but like Impossible Cities, you can invent this time the images in the languid and dreamy sounds of Todd Tobias.</span>\r\n\r\n<span class=\"notranslate\"> Of course Tristes Tropiques no record that will be embraced at all widespread, but more than Impossible Cities is a record that deserves attention and above all time.</span> <span class=\"notranslate\"> Superficial listening atmospheric sounds in Tristes Tropiques will likely evaporate quickly, but dive deep into this album and you can hear sounds of an almost unreal beauty.</span>\r\n\r\n<span class=\"notranslate\"> Impossible Cities I finally found mainly a special plate.</span> <span class=\"notranslate\"> Tristes Tropiques is even more special and another stunning.</span> <span class=\"notranslate\"> Now two palm trees and a hammock between them to get lost even longer and more intense in this unique album. <i>Erwin Zijleman</i></span>\"\r\n\r\n- <a title=\"Der Krenten Uit De Pop\" href=\"http://dekrentenuitdepop.blogspot.com.au/2015/07/todd-tobias-tristes-tropiques.html\" target=\"_blank\"><strong>Der Krenten Uit De Pop</strong></a>','Todd Tobias \"Tristes Tropiques\" Reviewed at Der Krenten Uit De Pop','It is just half a year ago, Todd Tobias first solo record here fell to the mat. The musician I at that time is mainly known as a producer of quite a few plates of lo-fi pioneers Guided By Voices and solo albums by Guided By Voices frontman Robert Pollard, made after a long period of habituation impressed with the totally elusive Impossible Cities.','publish','closed','closed','','15197','','','2016-11-25 14:17:37','2016-11-25 06:17:37','',0,'http://www.hiddenshoal.com/?p=15197',0,'post','',0),(15198,1,'2016-11-25 14:17:37','2016-11-25 06:17:37','[Translated via Google. Read the original <a title=\"Der Krenten Uit De Pop\" href=\"http://dekrentenuitdepop.blogspot.com.au/2015/07/todd-tobias-tristes-tropiques.html\" target=\"_blank\">here</a>.]\r\n\r\n\"<span class=\"notranslate\">It is just half a year ago, Todd Tobias first solo record here fell to the mat.</span> <span class=\"notranslate\"> The musician I at that time is mainly known as a producer of quite a few plates of lo-fi pioneers Guided By Voices and solo albums by Guided By Voices frontman Robert Pollard, made after a long period of habituation impressed with the totally elusive Impossible Cities.</span>\r\n\r\n<span class=\"notranslate\"> With Impossible Cities Todd Tobias took emphatic goodbye to the lo-fi;</span> <span class=\"notranslate\"> the genre which he was strongly considering his past associated.</span> <span class=\"notranslate\"> Impossible Cities was full of hypnotic soundscapes full of surprises, where you could come up with the images themselves.</span>\r\n\r\n<span class=\"notranslate\"> I propose immediately that it took some time before I could make chocolate from the special music of Todd Tobias, but ultimately Impossible Cities was the perfect soundtrack for many dreamy moments.</span>\r\n\r\n<span class=\"notranslate\"> Todd Tobias has now perhaps renounced the lo-fi, but the almost unreal productivity that sticks to the genre, the American musician is not lost yet.</span> <span class=\"notranslate\"> In Tristes Tropiques Todd Tobias Indeed supplies already on a new album and it is one that manages to surpass its predecessor in terms of beauty.</span>\r\n\r\n<span class=\"notranslate\"> Tristes Tropiques is based on the book by the French ethnographer and anthropologist Claude Levi-Strauss.</span> <span class=\"notranslate\"> That will be the average reader of my BLOG probably not say much, but during my studies was one of the important books and also one of my favorite books.</span> <span class=\"notranslate\"> Moreover, it is a book that reads like a novel, and it is also a book that asked exactly 60 years ago, highlighting the way in which Indian tribes the pinch in the Amazon region by advancing industrialization and urbanization;</span> <span class=\"notranslate\"> still a topical issue.</span>\r\n\r\n<span class=\"notranslate\"> Todd Tobias has now provided the masterpiece of Claude Lévi-Strauss music and the music is full of magic.</span> <span class=\"notranslate\"> Tristes Tropiques is more accessible and less eclectic than Impossible Cities, but equally dreamy and mysterious.</span>\r\n\r\n<span class=\"notranslate\"> Let the beautiful sounds of Todd Tobias coming from the speakers and you get complete rest.</span> <span class=\"notranslate\"> Our hectic society is suddenly far away and there is plenty of time for daydreaming.</span> <span class=\"notranslate\"> Given the background of the plate dream myself about the fascinating exploration of Claude Lévi-Strauss in the tropics, but like Impossible Cities, you can invent this time the images in the languid and dreamy sounds of Todd Tobias.</span>\r\n\r\n<span class=\"notranslate\"> Of course Tristes Tropiques no record that will be embraced at all widespread, but more than Impossible Cities is a record that deserves attention and above all time.</span> <span class=\"notranslate\"> Superficial listening atmospheric sounds in Tristes Tropiques will likely evaporate quickly, but dive deep into this album and you can hear sounds of an almost unreal beauty.</span>\r\n\r\n<span class=\"notranslate\"> Impossible Cities I finally found mainly a special plate.</span> <span class=\"notranslate\"> Tristes Tropiques is even more special and another stunning.</span> <span class=\"notranslate\"> Now two palm trees and a hammock between them to get lost even longer and more intense in this unique album. <i>Erwin Zijleman</i></span>\"\r\n\r\n- <a title=\"Der Krenten Uit De Pop\" href=\"http://dekrentenuitdepop.blogspot.com.au/2015/07/todd-tobias-tristes-tropiques.html\" target=\"_blank\"><strong>Der Krenten Uit De Pop</strong></a>','Todd Tobias \"Tristes Tropiques\" Reviewed at Der Krenten Uit De Pop','It is just half a year ago, Todd Tobias first solo record here fell to the mat. The musician I at that time is mainly known as a producer of quite a few plates of lo-fi pioneers Guided By Voices and solo albums by Guided By Voices frontman Robert Pollard, made after a long period of habituation impressed with the totally elusive Impossible Cities.','inherit','closed','closed','','15197-revision-v1','','','2016-11-25 14:17:37','2016-11-25 06:17:37','',15197,'http://www.hiddenshoal.com/15197-revision-v1/',0,'revision','',0),(15199,1,'2016-11-25 14:24:00','2016-11-25 06:24:00','Translated via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2015/08/02/rew-olive-skinned-silver-tongued-siren-sings-swan-songs/\" target=\"_blank\">here</a>.]\r\n\r\n\"<span class=\"notranslate\">The ability to combine different styles and musical languages ​​is inherent in personal and artistic biography of Ryan E. Weber, whose curriculum appear collaborations with bands and artists such as Shearwater, Owen, Decibully and Dirty Projectors, conducted from various corners of the world.</span> <span class=\"notranslate\"> For some time Weber is, metaphorically, \"back home\" in its Michigan and driving a solo project, REW&lt;&lt;, in which condensation precisely his many experiences and such a versatile personality as elusive frameworks unique.</span>\r\n\r\n<span class=\"notranslate\"> His second solo album, \"Olive Skinned, Silver Tongued Siren Sings Swan Songs\", confirms Weber\'s attitudes to a sound, however, tightrope walking that finds its hinges in the spirit of pop and density of synthetic prevalence sounds, dreamy and slightly acidic.</span> <span class=\"notranslate\"> In half an hour of Weber\'s work in fact almost always it moves from keyboards to create sci-fi scenarios, when the rhythmic lapping even become more pronounced electro matrices and yet, in its strings there is also a taste for the latamente arrangement solutions \" orchestral \"(at least in the sense <a href=\"https://translate.googleusercontent.com/translate_c?depth=1&amp;hl=en&amp;rurl=translate.google.com&amp;sl=auto&amp;tl=en&amp;u=https://musicwontsaveyou.com/2012/04/23/patrick-watson-adventures-in-your-own-backyard/&amp;usg=ALkJrhhLI6uaz9Ld_iuylReRxL5SDbY3mw\" target=\"_blank\">Patrick Watson</a> last\" Love Songs for Robots \") and even to gentle acoustic harmonies, such as those that open surprise\" the Distance from Vultures \".</span>\r\n\r\n<span class=\"notranslate\"> Agile orchestration of Weber and a linear melodic writing in his absence of sound continuity then complete the short sequence of songs from her second album, clear example of post-modern pop transformations.</span>\"\r\n\r\n- <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2015/08/02/rew-olive-skinned-silver-tongued-siren-sings-swan-songs/\" target=\"_blank\"><strong>Music Won\'t Save You</strong></a>','Rew<< \"Olive Skinned, Silver Tongued Siren Sings Swan Songs\" Reviewed at Music Won\'t Save You','The ability to combine different styles and musical languages ​​is inherent in personal and artistic biography of Ryan E. Weber, whose curriculum appear collaborations with bands and artists such as Shearwater, Owen, Decibully and Dirty Projectors, conducted from various corners of the world. For some time Weber is, metaphorically, \"back home\" in its Michigan and driving a solo project, REW<<, in which condensation precisely his many experiences and such a versatile personality as elusive frameworks unique.','publish','closed','closed','','15199','','','2016-11-25 14:24:00','2016-11-25 06:24:00','',0,'http://www.hiddenshoal.com/?p=15199',0,'post','',0),(15200,1,'2016-11-25 14:24:00','2016-11-25 06:24:00','Translated via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2015/08/02/rew-olive-skinned-silver-tongued-siren-sings-swan-songs/\" target=\"_blank\">here</a>.]\r\n\r\n\"<span class=\"notranslate\">The ability to combine different styles and musical languages ​​is inherent in personal and artistic biography of Ryan E. Weber, whose curriculum appear collaborations with bands and artists such as Shearwater, Owen, Decibully and Dirty Projectors, conducted from various corners of the world.</span> <span class=\"notranslate\"> For some time Weber is, metaphorically, \"back home\" in its Michigan and driving a solo project, REW&lt;&lt;, in which condensation precisely his many experiences and such a versatile personality as elusive frameworks unique.</span>\r\n\r\n<span class=\"notranslate\"> His second solo album, \"Olive Skinned, Silver Tongued Siren Sings Swan Songs\", confirms Weber\'s attitudes to a sound, however, tightrope walking that finds its hinges in the spirit of pop and density of synthetic prevalence sounds, dreamy and slightly acidic.</span> <span class=\"notranslate\"> In half an hour of Weber\'s work in fact almost always it moves from keyboards to create sci-fi scenarios, when the rhythmic lapping even become more pronounced electro matrices and yet, in its strings there is also a taste for the latamente arrangement solutions \" orchestral \"(at least in the sense <a href=\"https://translate.googleusercontent.com/translate_c?depth=1&amp;hl=en&amp;rurl=translate.google.com&amp;sl=auto&amp;tl=en&amp;u=https://musicwontsaveyou.com/2012/04/23/patrick-watson-adventures-in-your-own-backyard/&amp;usg=ALkJrhhLI6uaz9Ld_iuylReRxL5SDbY3mw\" target=\"_blank\">Patrick Watson</a> last\" Love Songs for Robots \") and even to gentle acoustic harmonies, such as those that open surprise\" the Distance from Vultures \".</span>\r\n\r\n<span class=\"notranslate\"> Agile orchestration of Weber and a linear melodic writing in his absence of sound continuity then complete the short sequence of songs from her second album, clear example of post-modern pop transformations.</span>\"\r\n\r\n- <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2015/08/02/rew-olive-skinned-silver-tongued-siren-sings-swan-songs/\" target=\"_blank\"><strong>Music Won\'t Save You</strong></a>','Rew<< \"Olive Skinned, Silver Tongued Siren Sings Swan Songs\" Reviewed at Music Won\'t Save You','The ability to combine different styles and musical languages ​​is inherent in personal and artistic biography of Ryan E. Weber, whose curriculum appear collaborations with bands and artists such as Shearwater, Owen, Decibully and Dirty Projectors, conducted from various corners of the world. For some time Weber is, metaphorically, \"back home\" in its Michigan and driving a solo project, REW<<, in which condensation precisely his many experiences and such a versatile personality as elusive frameworks unique.','inherit','closed','closed','','15199-revision-v1','','','2016-11-25 14:24:00','2016-11-25 06:24:00','',15199,'http://www.hiddenshoal.com/15199-revision-v1/',0,'revision','',0),(15201,1,'2016-11-25 15:35:06','2016-11-25 07:35:06','\"With its murmured tonalities and spectral yearns, there’s a ghostly beauty attaching to the faintly forlorn ethereal dreamscape that is ‘into the sparks’, its weightlessness, pause and poise bathing all in a serene enchantment as though a love noted visitation all framed upon a cavernous haloing that arcs and sighs in demurring formations all the time housed in an orbiting hermetically sealed shelling. It marks a twilight happening perhaps rather more a shared moment maybe a journey embarked upon by a chance meeting between Kramies and Alma Forrer, he providing the delicately drawn sonic ghost lights, she the tenderly fragile and trembling hymnal phrasing. However, for us it’s the acoustic version of the same track that ushered itself into our affections, where the celestial unworldliness of the ‘full version’ is somewhat lassoed and drawn earthbound whereupon the love note coding succulently shimmer with a mystical folk beguilement that hints of a thoughtful lost in the moment Linda Perhacs.\"\r\n\r\n- <strong><a title=\"The Sunday Experience\" href=\"https://marklosingtoday.wordpress.com/2016/05/16/kramies-and-alma-forrer/\" target=\"_blank\">The Sunday Experience</a></strong>','Kramies & Alma Forrer \'Into The Sparks\' Reviewed at The Sunday Experience','With its murmured tonalities and spectral yearns, there’s a ghostly beauty attaching to the faintly forlorn ethereal dreamscape that is ‘into the sparks’, its weightlessness, pause and poise bathing all in a serene enchantment as though a love noted visitation all framed upon a cavernous haloing that arcs and sighs in demurring formations all the time housed in an orbiting hermetically sealed shelling. It marks a twilight happening perhaps rather more a shared moment maybe a journey embarked upon by a chance meeting between Kramies and Alma Forrer, he providing the delicately drawn sonic ghost lights, she the tenderly fragile and trembling hymnal phrasing. However, for us it’s the acoustic version of the same track that ushered itself into our affections, where the celestial unworldliness of the ‘full version’ is somewhat lassoed and drawn earthbound whereupon the love note coding succulently shimmer with a mystical folk beguilement that hints of a thoughtful lost in the moment Linda Perhacs.','publish','closed','closed','','kramies-alma-forrer-into-the-sparks-reviewed-at-the-sunday-experience','','','2016-11-25 15:35:06','2016-11-25 07:35:06','',0,'http://www.hiddenshoal.com/?p=15201',0,'post','',0),(15202,1,'2016-11-25 15:35:06','2016-11-25 07:35:06','\"With its murmured tonalities and spectral yearns, there’s a ghostly beauty attaching to the faintly forlorn ethereal dreamscape that is ‘into the sparks’, its weightlessness, pause and poise bathing all in a serene enchantment as though a love noted visitation all framed upon a cavernous haloing that arcs and sighs in demurring formations all the time housed in an orbiting hermetically sealed shelling. It marks a twilight happening perhaps rather more a shared moment maybe a journey embarked upon by a chance meeting between Kramies and Alma Forrer, he providing the delicately drawn sonic ghost lights, she the tenderly fragile and trembling hymnal phrasing. However, for us it’s the acoustic version of the same track that ushered itself into our affections, where the celestial unworldliness of the ‘full version’ is somewhat lassoed and drawn earthbound whereupon the love note coding succulently shimmer with a mystical folk beguilement that hints of a thoughtful lost in the moment Linda Perhacs.\"\r\n\r\n- <strong><a title=\"The Sunday Experience\" href=\"https://marklosingtoday.wordpress.com/2016/05/16/kramies-and-alma-forrer/\" target=\"_blank\">The Sunday Experience</a></strong>','Kramies & Alma Forrer \'Into The Sparks\' Reviewed at The Sunday Experience','With its murmured tonalities and spectral yearns, there’s a ghostly beauty attaching to the faintly forlorn ethereal dreamscape that is ‘into the sparks’, its weightlessness, pause and poise bathing all in a serene enchantment as though a love noted visitation all framed upon a cavernous haloing that arcs and sighs in demurring formations all the time housed in an orbiting hermetically sealed shelling. It marks a twilight happening perhaps rather more a shared moment maybe a journey embarked upon by a chance meeting between Kramies and Alma Forrer, he providing the delicately drawn sonic ghost lights, she the tenderly fragile and trembling hymnal phrasing. However, for us it’s the acoustic version of the same track that ushered itself into our affections, where the celestial unworldliness of the ‘full version’ is somewhat lassoed and drawn earthbound whereupon the love note coding succulently shimmer with a mystical folk beguilement that hints of a thoughtful lost in the moment Linda Perhacs.','inherit','closed','closed','','15201-revision-v1','','','2016-11-25 15:35:06','2016-11-25 07:35:06','',15201,'http://www.hiddenshoal.com/15201-revision-v1/',0,'revision','',0),(15203,1,'2016-11-25 15:41:15','2016-11-25 07:41:15','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"301\" height=\"200\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n<a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"https://open.spotify.com/artist/1FXNgc8dxBxW9XQzQBWUj7\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a>   <a href=\"https://geo.itunes.apple.com/us/artist/antonymes/id293029227?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Delicate Power (In The Hand Of Others)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2136674112/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/delicate-power-in-the-hands-of-others\">Delicate Power (In The Hands Of Others) by Antonymes</a></iframe>\r\n31 May 2016\r\n<div></div>\r\n<em>Delicate Power (In The Hands of Others) is</em> the new EP by acclaimed neo-classical ambient artist Antonymes featuring the single ‘Delicate Power’.\r\n\r\n‘Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>. The track showcases Antonymes deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere. The single is accompanied by a gorgeous <a title=\"Vimeo\" href=\"https://vimeo.com/168580004\" target=\"_blank\">music video</a> filmed by the incredible people at Chasing Light and shot on location at a beautiful, hidden otherworld in mid Wales.\r\n\r\nThe hypnotic rhythmic underpinning of ‘Delicate Power’ has invited five magical re-workings on this EP, each with its own subtle majesty. <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a> tease the original into a beautifully orchestrated anti-gravity ballad. <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>’s inimitable skills for re-invention have helped him to create a brooding version that draws heavily on the original’s rhythmic details. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a>’s reinterpretation foregrounds the melodic elements of the original, wedded to gently pulsing electronica. Alongside these three guest remixes, there are two reworkings from Antonymes himself: ‘Delicate Power’ (Waltz For Mary Anne)’ transforms the original into a beautiful, late-night swing, and ‘Delicate Power (Jung’s Drug Drum Waltz)’ lives up to the promise of its title with more heft to its woody rhythms.\r\n\r\n&nbsp;\r\n<h4>(For Now We See) Through A Glass Dimly</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2361958115/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\">(For Now We See) Through A Glass Dimly by Antonymes</a></iframe>\r\n21 April 2016\r\n<div></div>\r\nWhile Ian M. Hazeldine’s discography as Antonymes has always been as far-reaching as it is immediately affecting, there’s a recognisable progression on <em>(For Now We See) Through A Glass Dimly</em>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the body of work that precedes them, drawing you into their evocative world and demanding engagement. Antonymes’ deft minimalism is at play, transcending a superficially melancholy aesthetic to create something truly life-affirming. Its restraint brings to mind the famous quotation from Mark Hollis of seminal band Talk Talk: \"Before you play two notes learn how to play one note – and don\'t play one note unless you\'ve got a reason to play it.\" Including contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, the album’s depth of sound is awe-inspiring.\r\n\r\nThe sonically minimal yet emotionally formidable ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (Bloc Party, Editors and U2), which engage in reflective conversation with Hazeldine’s plaintive piano. Second single ‘Delicate Power’ gently flowers from its hushed origins into a stately piece akin to early Deaf Center. On ‘Elegy (ii)’, the piano gives way to incisive strings and the elegantly dexterous vocals of Joanna Swan (Ilya). ‘Little Emblems of Eternity’ sets the words of British writer Paul Morley, hauntingly intoned by Jan van den Broeke, against an atmospheric backdrop of echoing piano figures. And the title track swells into a magisterial call to arms, ending the album on a suitably triumphant note.\r\n\r\nThe album was mixed by Stefano Guzzetti and Paul Humphreys (OMD), with mastering by Rafael Anton Irisarri (The Sight Below).\r\n\r\n&nbsp;\r\n<h4>There Can Be No True Beauty Without Decay</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 610px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1056281027/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/there-can-be-no-true-beauty-without-decay\">There Can Be No True Beauty Without Decay by Antonymes</a></iframe>\r\nOctober 2013\r\n<div></div>\r\nIn late 2009 Antonymes released Beauty Becomes the <em>Enemy of the Future</em> on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, <em>There Can Be No True Beauty Without Decay</em>. Hazeldine\'s own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.  (Please note only the [i] tracks are available for licensing).\r\n\r\n&nbsp;\r\n<h4>Light Dispersed</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2513406585/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/light-dispersed\">Light Dispersed by Antonymes</a></iframe>\r\nFebruary 2012\r\n<div></div>\r\nOriginally released by Hibernate Recordings as a limited edition postcard CD. Recorded at The Lightbox, Hawarden, September 2010.\r\nAntonymes: Guitar, piano, shells, tambourine, prepared piano, organ, frequencies.\r\n\r\n&nbsp;\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\nOctober 2011\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n\r\n&nbsp;\r\n<h4>Like Rumours Of Hushed Thunder</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1103442133/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/like-rumours-of-hushed-thunder\">Like Rumours Of Hushed Thunder by Antonymes</a></iframe>\r\nMay 2011\r\n\r\nRecorded between Christmas day and new year\'s eve 2011 using:\r\n\r\nSteingraeber 130 upright piano.\r\nAudio Technica AT4033 microphone.\r\nLexicon reverb.\r\nCheap violin.\r\nVoice.\r\n\r\nThis album has been mastered to retain dynamics, not to enhance loudness.  To appreciate these pieces fully, please adjust your volume accordingly or use headphones.\r\n\r\n&nbsp;\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 185px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\nMay 2011\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n\r\n&nbsp;\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\nApril 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.\r\n\r\n&nbsp;\r\n<h4>31: Before The Light Fails</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4084737592/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/31-before-the-light-fails\">31: Before The Light Fails by Antonymes</a></iframe>\r\nMarch 2010\r\n<div></div>\r\n<em>31: Before The Light Fails Pt.1</em> is a personal photographic diary for May 2010, a reminder of day to day activities throughout a fairly ordinary and typical month in Antonymes\' life. Includes two high quality 35 page PDF booklets, part 1 with 31 black and white photographs. Part 2 with 31 colour photographs, a 4.0 surround sound file of both parts mixed together and Quicktime video.\r\n\r\n&nbsp;\r\n<h4>Beauty Becomes The Enemy Of The Future</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1686183713/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/beauty-becomes-the-enemy-of-the-future\">Beauty Becomes The Enemy Of The Future by Antonymes</a></iframe>\r\nDecember 2009\r\n<div></div>\r\nFirst released on Cathedral Transmission, <em>Beauty Becomes The Enemy Of The Future</em>  is the debut full length from Antonymes. Featuring seven enigmatic, sparsely arranged piano odes, subtly accompanied by hints of electronics and strings. A stunning piece of work.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Apricot Rail Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/antonymes-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"13334,10501,13335,13333,8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/1acwdwznPlw?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','closed','closed','','8572-revision-v1','','','2016-11-25 15:41:15','2016-11-25 07:41:15','',8572,'http://www.hiddenshoal.com/8572-revision-v1/',0,'revision','',0),(15204,1,'2016-11-25 15:45:30','2016-11-25 07:45:30','[Translated via Google. Read the original <a title=\"Il Cartello\" href=\"http://www.ilcartello.eu/on-the-road/decibel/il-ritorno-di-antonymes-tra-intimismo-e-analisi-collettiva/\" target=\"_blank\">here</a>.]\r\n\r\n\"Antonymes makes its big return with what is probably his best work. Intimate and introspective work.\r\n\r\nAntonymes (Ian M Hazeldine) returns and does so with a monumental album. Three years from There Can Be No True Beauty Without Decay with which the composer questioned on the subject of beauty, a few days ago he released his fourth album (For Now We See) Through A Glass Dimly.\r\n\r\nA title with clear reference to the famous stretch of the First Letter of Paul to the Corinthians, chapter 13, verse 12 ( \"Now we see through a glass, darkly; then face to face\"), who also inspired the cinematic masterpiece Bergman\'s Through a glass Darkly. The artwork is the other piece of the puzzle that goes to indicate the meaning of the work: a piano which also has the task of representing the music, an empty chair, a faint light or shadow. British artist seems to question the existential situation, the discomfort that brings life in its deeper meaning, impossibility to communicate: art becomes the only way to alienate to try to understand certain dynamics.\r\n\r\nThe musical construction is almost perfect and compared to the past seems to leave less space minimalist approach in favor of a texture based on growth and on the small nuances that fluctuate in narrow spaces. Essential contributions of James Banbury ( The Auteurs ) Christoph Berg (Field Rotation) Stefano Guzzetti (who also worked on the mix with Paul Humphreys), Joanna Swan (Ilya) and writer Paul Morley. Burning by the \"master\" Rafael Anton Irisarri .\r\n\r\nThe link with the past can be heard in songs like Delicate Power, Elegi (iv) and A Sadder Than Light Waning Moon with piano notes that fit into the flicker of overhead line as a manifestation of the uncertain path to knowledge. Opening with The Lure of The Land and the title track brings us to an environmental tension that is the semi-symphonic development to which we referred before, between control and care of its \"explosion.\" Elegy (ii) also makes the \'vocal aspect that strongly increases the emotional part that has increased in the spoken-word minimal carpet of Little Emblems of Eternity. Sixteen Fifteen ZeroSix and piano and strings by overlapping Towards Tragedy and Dissolution combine the best the two souls so far described.\r\n\r\nThe ten compositions show how Antonymes is a musician who not only exceeds the one-dimensional concept of the music but also exceeds that multi-dimensional art itself: his music becomes a form of collective contemporary analysis and at the same time intimate. They are not offered solutions or paths but is simply handed the musical instrument as a means of observation with a strong emotional impact. The proof of the greatness of the artist which probably made his best work in communication and expression level.\"\r\n\r\n- <a title=\"Il Cartello\" href=\"http://www.ilcartello.eu/on-the-road/decibel/il-ritorno-di-antonymes-tra-intimismo-e-analisi-collettiva/\" target=\"_blank\"><strong>Il Cartello</strong></a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Il Cartello','Antonymes makes its big return with what is probably his best work. Intimate and introspective work.\r\n\r\nAntonymes (Ian M Hazeldine) returns and does so with a monumental album. Three years from There Can Be No True Beauty Without Decay with which the composer questioned on the subject of beauty, a few days ago he released his fourth album (For Now We See) Through A Glass Dimly.','publish','closed','closed','','15204','','','2016-11-25 15:45:30','2016-11-25 07:45:30','',0,'http://www.hiddenshoal.com/?p=15204',0,'post','',0),(15205,1,'2016-11-25 15:45:30','2016-11-25 07:45:30','[Translated via Google. Read the original <a title=\"Il Cartello\" href=\"http://www.ilcartello.eu/on-the-road/decibel/il-ritorno-di-antonymes-tra-intimismo-e-analisi-collettiva/\" target=\"_blank\">here</a>.]\r\n\r\n\"Antonymes makes its big return with what is probably his best work. Intimate and introspective work.\r\n\r\nAntonymes (Ian M Hazeldine) returns and does so with a monumental album. Three years from There Can Be No True Beauty Without Decay with which the composer questioned on the subject of beauty, a few days ago he released his fourth album (For Now We See) Through A Glass Dimly.\r\n\r\nA title with clear reference to the famous stretch of the First Letter of Paul to the Corinthians, chapter 13, verse 12 ( \"Now we see through a glass, darkly; then face to face\"), who also inspired the cinematic masterpiece Bergman\'s Through a glass Darkly. The artwork is the other piece of the puzzle that goes to indicate the meaning of the work: a piano which also has the task of representing the music, an empty chair, a faint light or shadow. British artist seems to question the existential situation, the discomfort that brings life in its deeper meaning, impossibility to communicate: art becomes the only way to alienate to try to understand certain dynamics.\r\n\r\nThe musical construction is almost perfect and compared to the past seems to leave less space minimalist approach in favor of a texture based on growth and on the small nuances that fluctuate in narrow spaces. Essential contributions of James Banbury ( The Auteurs ) Christoph Berg (Field Rotation) Stefano Guzzetti (who also worked on the mix with Paul Humphreys), Joanna Swan (Ilya) and writer Paul Morley. Burning by the \"master\" Rafael Anton Irisarri .\r\n\r\nThe link with the past can be heard in songs like Delicate Power, Elegi (iv) and A Sadder Than Light Waning Moon with piano notes that fit into the flicker of overhead line as a manifestation of the uncertain path to knowledge. Opening with The Lure of The Land and the title track brings us to an environmental tension that is the semi-symphonic development to which we referred before, between control and care of its \"explosion.\" Elegy (ii) also makes the \'vocal aspect that strongly increases the emotional part that has increased in the spoken-word minimal carpet of Little Emblems of Eternity. Sixteen Fifteen ZeroSix and piano and strings by overlapping Towards Tragedy and Dissolution combine the best the two souls so far described.\r\n\r\nThe ten compositions show how Antonymes is a musician who not only exceeds the one-dimensional concept of the music but also exceeds that multi-dimensional art itself: his music becomes a form of collective contemporary analysis and at the same time intimate. They are not offered solutions or paths but is simply handed the musical instrument as a means of observation with a strong emotional impact. The proof of the greatness of the artist which probably made his best work in communication and expression level.\"\r\n\r\n- <a title=\"Il Cartello\" href=\"http://www.ilcartello.eu/on-the-road/decibel/il-ritorno-di-antonymes-tra-intimismo-e-analisi-collettiva/\" target=\"_blank\"><strong>Il Cartello</strong></a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Il Cartello','Antonymes makes its big return with what is probably his best work. Intimate and introspective work.\r\n\r\nAntonymes (Ian M Hazeldine) returns and does so with a monumental album. Three years from There Can Be No True Beauty Without Decay with which the composer questioned on the subject of beauty, a few days ago he released his fourth album (For Now We See) Through A Glass Dimly.','inherit','closed','closed','','15204-revision-v1','','','2016-11-25 15:45:30','2016-11-25 07:45:30','',15204,'http://www.hiddenshoal.com/15204-revision-v1/',0,'revision','',0),(15207,1,'2016-12-01 07:22:29','2016-11-30 23:22:29','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Joe Sampson</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Joe_Sampson_Porch_Glenn_Ross.jpg\"><img class=\"alignleft size-medium wp-image-14378\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Joe_Sampson_Porch_Glenn_Ross-300x200.jpg\" alt=\"Joe Sampson | Photo by Glenn Ross\" width=\"300\" height=\"200\" /></a><em>“The quiet beauty of Joe Sampson’s music comes from its stark simplicity, haunting textures and dark mystery”</em> – <strong>The Denver Post</strong>\r\n\r\nJoe Sampson is the champion of the musical understatement, each song exuding a gently mesmerising beauty. His music evokes the comfortably sad acoustic tones of Nick Drake or Leonard Cohen, ornamented with often darkly humorous lyrics, intoned in a soft yet road-worn baritone. Sampson’s intimate, emotive songs draw you in, gradually weaving their subtle magic.<a title=\"Twitter\" href=\"https://twitter.com/usetonaut\" target=\"_blank\">\r\n<img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/joe-sampson-usetonaut\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a href=\"https://geo.itunes.apple.com/us/artist/joe-sampson/id526857779?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>   <a href=\"https://open.spotify.com/artist/3l8PXK39fmyO5TfLh3EemI\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Chansons de Parade</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3325362642/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://joesampson1.bandcamp.com/album/chansons-de-parade\">Chansons de Parade by Joe Sampson</a></iframe>\r\nDecember 2016\r\n\r\nThe follow-up to his acclaimed EP Songs of Delay released earlier this year, Chansons de Parade is another exquisitely crafted collection of songs from Joe Sampson, with an uncanny ability to quietly get under your skin. While drawing from the musical spirit of Simon &amp; Garfunkel, Iron &amp; Wine, and Low, the songs on Chansons de Parade sound familial rather than familiar. Combining haunting yet playful lyrical narratives, a mesmerising road-worn baritone vocal, and a delicious melodic sensibility, these nine songs feel like long-term friends from the first listen. The music’s intimacy, gently lilting country slant and spacious, restrained instrumentation add depth and resonance to Sampson’s rustic folk influences.\r\n<h4>Songs of Delay</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2976505288/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://joesampson1.bandcamp.com/album/songs-of-delay\">Songs of Delay by Joe Sampson</a></iframe>\r\nSeptember 2016\r\n\r\n<em>Songs of Delay</em> is a sublime five-track EP of consummate songcraft. Across its 13-minute run-time, Joe Sampson patiently unfurls a perfectly formed suite of acoustic vignettes, each song exuding a gently mesmerising beauty. Stripped back in both instrumentation and execution, with additional vocals by Nathaniel Rateliff on \'Songbird\', the EP leaves its raw, emotional core exposed, evoking the comfortably sad acoustic tones of Nick Drake or Leonard Cohen. Ornamented with often darkly humorous lyrics, intoned in a soft yet road-worn baritone, Sampson\'s intimate, emotive songs draw you in, gradually weaving their subtle magic.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSince his childhood days singing in his family’s barbershop quartet, up through his years collaborating with celebrated musicians like Nathaniel Rateliff and Esme Patterson, Joe Sampson has steadily sharpened his sound and style, becoming one of Denver’s most celebrated songwriters. <span class=\"_5yl5\">Westword named him Songwriter of the Year in 2008, describing his work as “combining the emotional weight of acoustic breakup albums like Beck’s Sea Change or Ryan Adams’ Heartbreaker with an aw-fuck-it humour.”</span>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=joesampson-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=joesampson-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Lyrics\"]\r\n<h3>Lyrics</h3>\r\n&nbsp;\r\n<h4>Songs of Delay</h4>\r\n&nbsp;\r\n<h5><strong>Songbird</strong></h5>\r\nI am a songbird too\r\nLong before I met you\r\nSo come let me sing you a song\r\nIt won\'t do no harm\r\n\r\nI am a long boy blue\r\nLong before I had you\r\nSo come let me sing you a song\r\nIt won\'t do no harm\r\nFriends at bay\r\nFriends no more\r\nyou passed your day\r\nas a friendly sort\r\nWhat could you prove\r\nWhat did you move\r\nWhen you said\r\nAhh…is that what you do?\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5><strong>Moon on the Rise</strong></h5>\r\nThere\'s a moon on the Rise\r\nReflecting off the tide\r\nThen, reflecting off those tired eyes\r\nThere\'s no boating home\r\nAll I want to do is spend my days on glue\r\nAnd drink for a while until I smile\r\n\r\nAll I want to do is spend my days on glue\r\nAnd drink for a while until I smile\r\nWhat I wish to lose is those days with the fucking blues\r\nsing for a while\r\nUntil we smile\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5><strong>Dream on Demon</strong></h5>\r\nTwo other sons\r\nAnd there was nothing\r\nDream on Demon\r\nStick around\r\nBecause we\'re used to hand me downs\r\n\r\nAnd it’s a cold walk\r\nTo get into your town\r\n\r\nBelong to us\r\nHang around\r\nTo abuse the common ground\r\n\r\nAnd it’s a cold walk\r\nTo get into your town\r\nFor a cold one\r\nThat I’d rather watch drown\r\n\r\nthere is no one at all\r\nAm I supposed to crawl\r\nThere is no at all\r\nFor my bones to call\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5><strong>My Love</strong></h5>\r\nOn my best\r\nMy love\r\nSomething that we should know\r\nIt’s my part\r\nAs your guest\r\nGuessing there\'s nothing above\r\nAt my stay at be honest\r\nCan\'t find nothing but trouble\r\nOn my best\r\nMy love\r\nWords we’ll come to loathe\r\n\r\nGo retire down the road\r\nWhat the fuck should you know\r\n\r\nOn My best\r\nMy love\r\nSomething that we should show\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5><strong>Paper Dolls</strong></h5>\r\nI\'m off to bed\r\ntired and unwed\r\nTo leave you all\r\nTo when the bleachers were warm\r\nAnd oh, in her eyes\r\nWas a cold, cold surprise\r\nA blameless call\r\nUp to the war\r\nAnd if you\'re going leave\r\nTake the dawn\r\nAnd if you\'re going to bleed\r\nDon’t take too long\r\n\r\nThe song filled the room\r\nWith platitude perfume\r\nAn ageless waltz\r\nBuilt for the mall\r\nWas it really just me\r\nDancing down the street\r\nin the arms of paper dolls\r\nIn a step called jealousy\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"14379,14380,14381,14378\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/7IeGtBbRBEk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nJoe Sampson\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Joe Sampson','','inherit','closed','closed','','14375-revision-v1','','','2016-12-01 07:22:29','2016-11-30 23:22:29','',14375,'http://www.hiddenshoal.com/14375-revision-v1/',0,'revision','',0),(15208,1,'2016-12-01 07:24:35','2016-11-30 23:24:35','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Joe Sampson</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Joe_Sampson_Porch_Glenn_Ross.jpg\"><img class=\"alignleft size-medium wp-image-14378\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Joe_Sampson_Porch_Glenn_Ross-300x200.jpg\" alt=\"Joe Sampson | Photo by Glenn Ross\" width=\"300\" height=\"200\" /></a><em>“The quiet beauty of Joe Sampson’s music comes from its stark simplicity, haunting textures and dark mystery”</em> – <strong>The Denver Post</strong>\r\n\r\nJoe Sampson is the champion of the musical understatement, each song exuding a gently mesmerising beauty. His music evokes the comfortably sad acoustic tones of Nick Drake or Leonard Cohen, ornamented with often darkly humorous lyrics, intoned in a soft yet road-worn baritone. Sampson’s intimate, emotive songs draw you in, gradually weaving their subtle magic.<a title=\"Twitter\" href=\"https://twitter.com/usetonaut\" target=\"_blank\">\r\n<img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/joe-sampson-usetonaut\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a href=\"https://geo.itunes.apple.com/us/artist/joe-sampson/id526857779?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>   <a href=\"https://open.spotify.com/artist/3l8PXK39fmyO5TfLh3EemI\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Chansons de Parade</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3325362642/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://joesampson1.bandcamp.com/album/chansons-de-parade\">Chansons de Parade by Joe Sampson</a></iframe>\r\nDecember 2016\r\n\r\nThe follow-up to his acclaimed EP Songs of Delay released earlier this year, Chansons de Parade is another exquisitely crafted collection of songs from Joe Sampson, with an uncanny ability to quietly get under your skin. While drawing from the musical spirit of Simon &amp; Garfunkel, Iron &amp; Wine, and Low, the songs on Chansons de Parade sound familial rather than familiar. Combining haunting yet playful lyrical narratives, a mesmerising road-worn baritone vocal, and a delicious melodic sensibility, these nine songs feel like long-term friends from the first listen. The music’s intimacy, gently lilting country slant and spacious, restrained instrumentation add depth and resonance to Sampson’s rustic folk influences.\r\n\r\n&nbsp;\r\n<h4>Songs of Delay</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2976505288/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://joesampson1.bandcamp.com/album/songs-of-delay\">Songs of Delay by Joe Sampson</a></iframe>\r\nSeptember 2016\r\n\r\n<em>Songs of Delay</em> is a sublime five-track EP of consummate songcraft. Across its 13-minute run-time, Joe Sampson patiently unfurls a perfectly formed suite of acoustic vignettes, each song exuding a gently mesmerising beauty. Stripped back in both instrumentation and execution, with additional vocals by Nathaniel Rateliff on \'Songbird\', the EP leaves its raw, emotional core exposed, evoking the comfortably sad acoustic tones of Nick Drake or Leonard Cohen. Ornamented with often darkly humorous lyrics, intoned in a soft yet road-worn baritone, Sampson\'s intimate, emotive songs draw you in, gradually weaving their subtle magic.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSince his childhood days singing in his family’s barbershop quartet, up through his years collaborating with celebrated musicians like Nathaniel Rateliff and Esme Patterson, Joe Sampson has steadily sharpened his sound and style, becoming one of Denver’s most celebrated songwriters. <span class=\"_5yl5\">Westword named him Songwriter of the Year in 2008, describing his work as “combining the emotional weight of acoustic breakup albums like Beck’s Sea Change or Ryan Adams’ Heartbreaker with an aw-fuck-it humour.”</span>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=joesampson-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=joesampson-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Lyrics\"]\r\n<h3>Lyrics</h3>\r\n&nbsp;\r\n<h4>Songs of Delay</h4>\r\n&nbsp;\r\n<h5><strong>Songbird</strong></h5>\r\nI am a songbird too\r\nLong before I met you\r\nSo come let me sing you a song\r\nIt won\'t do no harm\r\n\r\nI am a long boy blue\r\nLong before I had you\r\nSo come let me sing you a song\r\nIt won\'t do no harm\r\nFriends at bay\r\nFriends no more\r\nyou passed your day\r\nas a friendly sort\r\nWhat could you prove\r\nWhat did you move\r\nWhen you said\r\nAhh…is that what you do?\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5><strong>Moon on the Rise</strong></h5>\r\nThere\'s a moon on the Rise\r\nReflecting off the tide\r\nThen, reflecting off those tired eyes\r\nThere\'s no boating home\r\nAll I want to do is spend my days on glue\r\nAnd drink for a while until I smile\r\n\r\nAll I want to do is spend my days on glue\r\nAnd drink for a while until I smile\r\nWhat I wish to lose is those days with the fucking blues\r\nsing for a while\r\nUntil we smile\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5><strong>Dream on Demon</strong></h5>\r\nTwo other sons\r\nAnd there was nothing\r\nDream on Demon\r\nStick around\r\nBecause we\'re used to hand me downs\r\n\r\nAnd it’s a cold walk\r\nTo get into your town\r\n\r\nBelong to us\r\nHang around\r\nTo abuse the common ground\r\n\r\nAnd it’s a cold walk\r\nTo get into your town\r\nFor a cold one\r\nThat I’d rather watch drown\r\n\r\nthere is no one at all\r\nAm I supposed to crawl\r\nThere is no at all\r\nFor my bones to call\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5><strong>My Love</strong></h5>\r\nOn my best\r\nMy love\r\nSomething that we should know\r\nIt’s my part\r\nAs your guest\r\nGuessing there\'s nothing above\r\nAt my stay at be honest\r\nCan\'t find nothing but trouble\r\nOn my best\r\nMy love\r\nWords we’ll come to loathe\r\n\r\nGo retire down the road\r\nWhat the fuck should you know\r\n\r\nOn My best\r\nMy love\r\nSomething that we should show\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5><strong>Paper Dolls</strong></h5>\r\nI\'m off to bed\r\ntired and unwed\r\nTo leave you all\r\nTo when the bleachers were warm\r\nAnd oh, in her eyes\r\nWas a cold, cold surprise\r\nA blameless call\r\nUp to the war\r\nAnd if you\'re going leave\r\nTake the dawn\r\nAnd if you\'re going to bleed\r\nDon’t take too long\r\n\r\nThe song filled the room\r\nWith platitude perfume\r\nAn ageless waltz\r\nBuilt for the mall\r\nWas it really just me\r\nDancing down the street\r\nin the arms of paper dolls\r\nIn a step called jealousy\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"14379,14380,14381,14378\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/7IeGtBbRBEk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nJoe Sampson\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Joe Sampson','','inherit','closed','closed','','14375-revision-v1','','','2016-12-01 07:24:35','2016-11-30 23:24:35','',14375,'http://www.hiddenshoal.com/14375-revision-v1/',0,'revision','',0),(15209,1,'2016-12-01 07:42:27','2016-11-30 23:42:27','','Chansons de Parade','','inherit','closed','closed','','chansons-de-parade-cover-art','','','2016-12-01 07:42:47','2016-11-30 23:42:47','',8417,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Chansons-de-Parade-Cover-Art.jpg',0,'attachment','image/jpeg',0),