I wouldn’t be surprised to find Hazeldine’s compositions appearing in the credits of some upcoming televised series, as the restrain perceived through his minimalism can easily fit within the foreground (and the background) of a scene. The spotlighted piano tells a wistful tale, but without the darker shadows which often appear within the noir-fi style of the genre. Instead the music is pensive, elegant and grand, striking all the right chords this morning, as the clouds are slowly replaced by the sun.