Excerpt: "<em>The Licence To  Interpret Dreams</em> is an inspiring album centred in and around the  cinematic ambient and modern classical fields that will surely appeal to  fans of Max Richter, Johann Johannsson or Rudi Arapahoe’s brilliant <em>Echoes From One To Another</em>.  Piano plays the lead part with  Hazeldine employing an array of string and brass instruments alongside  it, with the likes of harpsichord, organ, cello and glockenspiel all  making a distinctive mark occasionally with angelic choir singing, field  recordings and narcotic spoken word segments added in tandem to great  effect. From the first, tentative piano note which is struck 9 seconds into  opener ‘A Fragile Acceptance’ there’s an air that something special is  afoot in this Antonymes release.   Which proves to be the case during this LP’s 50 minute+ duration. It’s  an album that needs to be digested as a whole, not for the iPod shuffle  generation.  It needs time to work its mesmeric charms over you,  creating varying, shifting moods across the 12 tracks, with Hazeldine  inviting us to interpret these dreamscapes... I recently read that Hazeldine would like to get into composing film  scores, from this evidence <em>The Licence To Interpret Dreams</em> is a  soundtrack for a film yet to be made."

<a href="http://phantomchannel.wordpress.com/2011/06/07/review-antonymes-the-licence-to-interpret-dreams-hidden-shoal/" target="_blank">Phantom Channel</a>