Four long sections separated by three interludes are the result of the search for Markus Mehr around the theme of digital addiction. Not without a certain taste for paradox, to achieve his sixth album "Re-Directed" the German artist has employed a large catalog of sounds derived from servers, hard drives and mobile phones, capturing pulses, noise and vibrations often on the border of 'inaudible.

The currents of static electricity and concrete dissonances prominent captured by Mehr microphones have thus become part of an audiovisual performance created together with Stefanie Sixt, whose alienating sound component is very noisy complexity of the digital age.