So once again it is a very strong sense with HC-B for kinematic and longing for the sound/image connection, that gives by implication, the sublime. This time, however, everything sounds more "rough", rougher, more heartbreaking is the black color that is musical and existential if not music: see the reverberations of irreducible Three, the explosions in Deux febrile or the thrilling epic of One. It then slides possible lead us to fierce icy seas which are to crash on the rocks bristling (just "rough") in what is a dramatic conflict between nature and feelings. Spectacular and chilling at the same time.