(14264,1,'2016-03-15 14:08:20','2016-03-15 06:08:20','<p class=\"bodytext\">\"The title of Ian Hazeldine\'s latest Antonymes opus obviously calls to mind two things in particular: Ingmar Bergman\'s 1961 film <em>Through a Glass Darkly</em>, whose title is itself drawn from the Biblical passage “For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known” (1 Corinthians 13). No one, however, needs to obsess too much over the title and its associated meanings when the album\'s fifty minutes of music already prove so captivating in their own right.</p>\r\n<p class=\"bodytext\">The aural evidence suggests that Hazeldine clearly spent a great deal of time and effort crafting the album, and it\'s easy to picture him toiling on the material for weeks if not months on end at his Gladstone country, Wales residence; he also clearly dedicated much thought to the sequencing of the ten tracks, given its arc and how effectively it flows. Though there are individuating differences between the pieces, piano and strings are the core elements; further to that, the music\'s mood is predominantly melancholy, even at times hymnal. A number of vocal and instrumental contributors help bring the album to life, specifically vocalists Joanna Swan, Martine Bijn, and Jan Van den Broeke, plus pianist Stefano Guzzetti, cellist James Banbury, violinist Christoph Berg (aka Field Rotation), flugelhorn player Claus Højensgård Andersen, and Richard Talbot, who\'s credited with electronics on “Little Emblems of Eternity.” In addition, Guzzetti mixed all but one of the album\'s tracks, and Rafael Anton Irisarri mastered the material.</p>\r\n<p class=\"bodytext\">However much electronic production techniques were involved in its production, <em>(For Now We See) Through A Glass Dimly </em> is more a modern classical chamber collection than electronic album. That the material is primarily classical in character is evident from the moment the luscious orchestral strings of Berg and Banbury (and Guzzetti\'s piano and celeste) introduce the album on “The Lure of the Land,” in essence a scene-setting overture for the recording; an unabashedly emotional quality also emerges due to the track\'s plaintive mood and the way the players\' strings swell to an elegant crescendo. Yet as lovely as it is, it\'s bettered by “Elegy (II),” whose strings-heavy introduction (Berg again) is followed by a stunning vocal performance by Joanna Swan; on this album highlight, she sings with an unaffected, natural grace so beautiful it takes one\'s breath away. Elsewhere, the brooding “Towards Tragedy and Dissolution,” a co-composition by Hazeldine and Banbury, is elevated by the latter\'s lyrical cello playing and Berg\'s violins, and speaking voices on “Sixteen Zero Six Fifteen” and “Little Emblems of Eternity” (the latter featuring text by Paul Morley) add variety to this largely instrumental project.</p>\r\n<p class=\"bodytext\">Though <em>(For Now We See) Through A Glass Dimly</em>, as mentioned, generally invites the modern classical designation, that doesn\'t apply to every track. When strings are joined by a downtempo beat pattern in “Delicate Power,” an electronic dimension adds to the classical one, and in “Elegy (IV),” an ambient breath shadows the solo piano playing in a way that also suggests an ambient-electronic connection. But the biggest surprise in that regard is “Fatal Ambition,” not only for featuring Andersen\'s flugelhorn as the lead voice but for nudging the stylistic tone away from classical and in the direction of something akin to romantic, late-night jazz. That said, as interesting as such a change-up is, it\'s perhaps a little bit too much out of character with the rest of the album. Such a complaint is of the minor variety, however, and does little to mar the overall strong impression left by the album. For that matter, any recording that includes something as stirring as “Elegy (II)” rewards one\'s time and attention all by itself.\"</p>\r\n<p class=\"bodytext\">- <a title=\"Textura\" href=\"http://www.textura.org/reviews/antonymes_nowseeglassdarkly.htm\" target=\"_blank\"><strong>Textura</strong></a></p>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Textura','The title of Ian Hazeldine\'s latest Antonymes opus obviously calls to mind two things in particular: Ingmar Bergman\'s 1961 film Through a Glass Darkly, whose title is itself drawn from the Biblical passage “For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known” (1 Corinthians 13). No one, however, needs to obsess too much over the title and its associated meanings when the album\'s fifty minutes of music already prove so captivating in their own right.','publish','closed','closed','','antonymes','','','2016-03-15 22:24:39','2016-03-15 14:24:39','',0,'http://www.hiddenshoal.com/?p=14264',0,'post','',0),(14265,1,'2016-03-15 13:36:54','2016-03-15 05:36:54','<p class=\"bodytext\">\"The title of Ian Hazeldine\'s latest Antonymes opus obviously calls to mind two things in particular: Ingmar Bergman\'s 1961 film <em>Through a Glass Darkly</em>, whose title is itself drawn from the Biblical passage “For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known” (1 Corinthians 13). No one, however, needs to obsess too much over the title and its associated meanings when the album\'s fifty minutes of music already prove so captivating in their own right.</p>\r\n<p class=\"bodytext\">The aural evidence suggests that Hazeldine clearly spent a great deal of time and effort crafting the album, and it\'s easy to picture him toiling on the material for weeks if not months on end at his Gladstone country, Wales residence; he also clearly dedicated much thought to the sequencing of the ten tracks, given its arc and how effectively it flows. Though there are individuating differences between the pieces, piano and strings are the core elements; further to that, the music\'s mood is predominantly melancholy, even at times hymnal. A number of vocal and instrumental contributors help bring the album to life, specifically vocalists Joanna Swan, Martine Bijn, and Jan Van den Broeke, plus pianist Stefano Guzzetti, cellist James Banbury, violinist Christoph Berg (aka Field Rotation), flugelhorn player Claus Højensgård Andersen, and Richard Talbot, who\'s credited with electronics on “Little Emblems of Eternity.” In addition, Guzzetti mixed all but one of the album\'s tracks, and Rafael Anton Irisarri mastered the material.</p>\r\n<p class=\"bodytext\">However much electronic production techniques were involved in its production, <em>(For Now We See) Through A Glass Dimly </em> is more a modern classical chamber collection than electronic album. That the material is primarily classical in character is evident from the moment the luscious orchestral strings of Berg and Banbury (and Guzzetti\'s piano and celeste) introduce the album on “The Lure of the Land,” in essence a scene-setting overture for the recording; an unabashedly emotional quality also emerges due to the track\'s plaintive mood and the way the players\' strings swell to an elegant crescendo. Yet as lovely as it is, it\'s bettered by “Elegy (II),” whose strings-heavy introduction (Berg again) is followed by a stunning vocal performance by Joanna Swan; on this album highlight, she sings with an unaffected, natural grace so beautiful it takes one\'s breath away. Elsewhere, the brooding “Towards Tragedy and Dissolution,” a co-composition by Hazeldine and Banbury, is elevated by the latter\'s lyrical cello playing and Berg\'s violins, and speaking voices on “Sixteen Zero Six Fifteen” and “Little Emblems of Eternity” (the latter featuring text by Paul Morley) add variety to this largely instrumental project.</p>\r\n<p class=\"bodytext\">Though <em>(For Now We See) Through A Glass Dimly</em>, as mentioned, generally invites the modern classical designation, that doesn\'t apply to every track. When strings are joined by a downtempo beat pattern in “Delicate Power,” an electronic dimension adds to the classical one, and in “Elegy (IV),” an ambient breath shadows the solo piano playing in a way that also suggests an ambient-electronic connection. But the biggest surprise in that regard is “Fatal Ambition,” not only for featuring Andersen\'s flugelhorn as the lead voice but for nudging the stylistic tone away from classical and in the direction of something akin to romantic, late-night jazz. That said, as interesting as such a change-up is, it\'s perhaps a little bit too much out of character with the rest of the album. Such a complaint is of the minor variety, however, and does little to mar the overall strong impression left by the album. For that matter, any recording that includes something as stirring as “Elegy (II)” rewards one\'s time and attention all by itself.\"</p>\r\n<p class=\"bodytext\">- <a title=\"Textura\" href=\"http://www.textura.org/reviews/antonymes_nowseeglassdarkly.htm\" target=\"_blank\"><strong>Textura</strong></a></p>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Textura','','inherit','closed','closed','','14264-revision-v1','','','2016-03-15 13:36:54','2016-03-15 05:36:54','',14264,'http://www.hiddenshoal.com/14264-revision-v1/',0,'revision','',0),(14267,1,'2016-03-15 22:52:52','2016-03-15 14:52:52','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"204\" height=\"204\" /></a>We’re proud to announce the forthcoming release of <em>Re-Directed</em>, the sixth album by experimental German artist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>. The album will see release via Hidden Shoal on the 29<sup>th</sup> of April. The first taste of the album is available now thanks to the <a title=\"Vimeo\" href=\"https://vimeo.com/158045979\" target=\"_blank\">amazing music video</a> for the track ‘Re-Directed 4’, directed by German experimental video artist <a href=\"http://sixt-sense.org/band.html\">Stefanie Sixt</a>.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory... Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\n<em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.\r\n\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n&nbsp;','Markus Mehr - New Video & Forthcoming Album','','publish','closed','closed','','markus-mehr-new-video-and-forthcoming-album','','','2016-03-15 22:52:52','2016-03-15 14:52:52','',0,'http://www.hiddenshoal.com/?p=14267',0,'post','',0),(14269,1,'2016-03-15 22:39:57','2016-03-15 14:39:57','We’re proud to announce the forthcoming release of <em>Re-Directed</em>, the sixth album by experimental German artist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>. The album will see release via Hidden Shoal on the 29<sup>th</sup> of April. The first taste of the album is available now thanks to the amazing music video for the track ‘Re-Directed 4’, directed by German experimental video artist <a href=\"http://sixt-sense.org/band.html\">Stefanie Sixt</a>.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory... Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\n<em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.','Markus Mehr - New Video & Forthcoming Album','','inherit','closed','closed','','14267-revision-v1','','','2016-03-15 22:39:57','2016-03-15 14:39:57','',14267,'http://www.hiddenshoal.com/14267-revision-v1/',0,'revision','',0),(14268,1,'2016-03-15 22:38:43','2016-03-15 14:38:43','We’re proud to announce the forthcoming release of <em>Re-Directed</em>, the sixth album by experimental German artist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>. The album will see release via Hidden Shoal on the 29<sup>th</sup> of April. The first taste of the album is available now thanks to the amazing music video for the track ‘Re-Directed 4’, directed by German experimental video artist <a href=\"http://sixt-sense.org/band.html\">Stefanie Sixt</a>. Album promo downloads, video links, album text, artist info and press release links below.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory... Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\nRe-Directed is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, Re-Directed challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, Re-Directed is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.','Markus Mehr - New Video From Forthcoming Album','','inherit','closed','closed','','14267-revision-v1','','','2016-03-15 22:38:43','2016-03-15 14:38:43','',14267,'http://www.hiddenshoal.com/14267-revision-v1/',0,'revision','',0),(14270,1,'2016-03-15 22:41:10','2016-03-15 14:41:10','','Re-Directed','','inherit','closed','closed','','re-directed-cover-art','','','2016-03-15 22:41:58','2016-03-15 14:41:58','',14267,'http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art.jpg',0,'attachment','image/jpeg',0),(14271,1,'2016-03-15 22:43:26','2016-03-15 14:43:26','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"229\" height=\"229\" /></a>We’re proud to announce the forthcoming release of <em>Re-Directed</em>, the sixth album by experimental German artist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>. The album will see release via Hidden Shoal on the 29<sup>th</sup> of April. The first taste of the album is available now thanks to the <a title=\"Vimeo\" href=\"https://vimeo.com/158045979\" target=\"_blank\">amazing music video</a> for the track ‘Re-Directed 4’, directed by German experimental video artist <a href=\"http://sixt-sense.org/band.html\">Stefanie Sixt</a>.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory... Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\n<em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.','Markus Mehr - New Video & Forthcoming Album','','inherit','closed','closed','','14267-revision-v1','','','2016-03-15 22:43:26','2016-03-15 14:43:26','',14267,'http://www.hiddenshoal.com/14267-revision-v1/',0,'revision','',0),(14273,1,'2016-03-15 22:46:07','2016-03-15 14:46:07','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"229\" height=\"229\" /></a>We’re proud to announce the forthcoming release of <em>Re-Directed</em>, the sixth album by experimental German artist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>. The album will see release via Hidden Shoal on the 29<sup>th</sup> of April. The first taste of the album is available now thanks to the <a title=\"Vimeo\" href=\"https://vimeo.com/158045979\" target=\"_blank\">amazing music video</a> for the track ‘Re-Directed 4’, directed by German experimental video artist <a href=\"http://sixt-sense.org/band.html\">Stefanie Sixt</a>.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory... Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\n<em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.\r\n\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n&nbsp;','Markus Mehr - New Video & Forthcoming Album','','inherit','closed','closed','','14267-revision-v1','','','2016-03-15 22:46:07','2016-03-15 14:46:07','',14267,'http://www.hiddenshoal.com/14267-revision-v1/',0,'revision','',0),(14272,1,'2016-03-15 22:44:09','2016-03-15 14:44:09','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"229\" height=\"229\" /></a>We’re proud to announce the forthcoming release of <em>Re-Directed</em>, the sixth album by experimental German artist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>. The album will see release via Hidden Shoal on the 29<sup>th</sup> of April. The first taste of the album is available now thanks to the <a title=\"Vimeo\" href=\"https://vimeo.com/158045979\" target=\"_blank\">amazing music video</a> for the track ‘Re-Directed 4’, directed by German experimental video artist <a href=\"http://sixt-sense.org/band.html\">Stefanie Sixt</a>.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory... Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\n<em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.\r\n\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<a href=\"https://vimeo.com/158045979\">Re-Directed IV</a> from <a href=\"https://vimeo.com/sixtsense\">stefanie sixt, sixt sense</a> on <a href=\"https://vimeo.com\">Vimeo</a>.','Markus Mehr - New Video & Forthcoming Album','','inherit','closed','closed','','14267-revision-v1','','','2016-03-15 22:44:09','2016-03-15 14:44:09','',14267,'http://www.hiddenshoal.com/14267-revision-v1/',0,'revision','',0),(14274,1,'2016-03-15 22:51:04','2016-03-15 14:51:04','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"238\" height=\"238\" /></a>We’re proud to announce the forthcoming release of <em>Re-Directed</em>, the sixth album by experimental German artist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>. The album will see release via Hidden Shoal on the 29<sup>th</sup> of April. The first taste of the album is available now thanks to the <a title=\"Vimeo\" href=\"https://vimeo.com/158045979\" target=\"_blank\">amazing music video</a> for the track ‘Re-Directed 4’, directed by German experimental video artist <a href=\"http://sixt-sense.org/band.html\">Stefanie Sixt</a>.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory... Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\n<em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.\r\n\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n&nbsp;','Markus Mehr - New Video & Forthcoming Album','','inherit','closed','closed','','14267-revision-v1','','','2016-03-15 22:51:04','2016-03-15 14:51:04','',14267,'http://www.hiddenshoal.com/14267-revision-v1/',0,'revision','',0),(14275,1,'2016-03-15 22:51:53','2016-03-15 14:51:53','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"254\" height=\"254\" /></a>We’re proud to announce the forthcoming release of <em>Re-Directed</em>, the sixth album by experimental German artist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>. The album will see release via Hidden Shoal on the 29<sup>th</sup> of April. The first taste of the album is available now thanks to the <a title=\"Vimeo\" href=\"https://vimeo.com/158045979\" target=\"_blank\">amazing music video</a> for the track ‘Re-Directed 4’, directed by German experimental video artist <a href=\"http://sixt-sense.org/band.html\">Stefanie Sixt</a>.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory... Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\n<em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.\r\n\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n&nbsp;','Markus Mehr - New Video & Forthcoming Album','','inherit','closed','closed','','14267-revision-v1','','','2016-03-15 22:51:53','2016-03-15 14:51:53','',14267,'http://www.hiddenshoal.com/14267-revision-v1/',0,'revision','',0),(14276,1,'2016-03-15 22:52:16','2016-03-15 14:52:16','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"211\" height=\"211\" /></a>We’re proud to announce the forthcoming release of <em>Re-Directed</em>, the sixth album by experimental German artist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>. The album will see release via Hidden Shoal on the 29<sup>th</sup> of April. The first taste of the album is available now thanks to the <a title=\"Vimeo\" href=\"https://vimeo.com/158045979\" target=\"_blank\">amazing music video</a> for the track ‘Re-Directed 4’, directed by German experimental video artist <a href=\"http://sixt-sense.org/band.html\">Stefanie Sixt</a>.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory... Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\n<em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.\r\n\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n&nbsp;','Markus Mehr - New Video & Forthcoming Album','','inherit','closed','closed','','14267-revision-v1','','','2016-03-15 22:52:16','2016-03-15 14:52:16','',14267,'http://www.hiddenshoal.com/14267-revision-v1/',0,'revision','',0),(14277,1,'2016-03-15 22:52:33','2016-03-15 14:52:33','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"204\" height=\"204\" /></a>We’re proud to announce the forthcoming release of <em>Re-Directed</em>, the sixth album by experimental German artist <a href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>. The album will see release via Hidden Shoal on the 29<sup>th</sup> of April. The first taste of the album is available now thanks to the <a title=\"Vimeo\" href=\"https://vimeo.com/158045979\" target=\"_blank\">amazing music video</a> for the track ‘Re-Directed 4’, directed by German experimental video artist <a href=\"http://sixt-sense.org/band.html\">Stefanie Sixt</a>.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory... Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\n<em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.\r\n\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n&nbsp;','Markus Mehr - New Video & Forthcoming Album','','inherit','closed','closed','','14267-revision-v1','','','2016-03-15 22:52:33','2016-03-15 14:52:33','',14267,'http://www.hiddenshoal.com/14267-revision-v1/',0,'revision','',0),(14278,1,'2016-03-15 23:04:19','2016-03-15 15:04:19','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Markus Mehr</h1>\r\n<img class=\"alignleft size-medium wp-image-10435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" /><em>“... prepare for a shuddering, near chaotic, kaleidoscopic </em><em>experience as Mehr challenges our and his own </em><em>preconceptions of what “electronica” is, what it represents </em><em>and of what his instrumentation can achieve.”<strong> – Delusions of Adequacy</strong></em>\r\n\r\nMarkus Mehr’s debut, <em>Lava</em>, holds true to its title – it is a dense, steaming surge of glue-thick sound. But, after any destructive force there is new growth. Green shoots of melody arc out of the surface and populate the terrain as new possibilities emerge. <span class=\"_5yl5\" data-reactid=\".27.$mid=11404191394044=243362f841034556913.2:0.0.0.0.0\"><span class=\"null\">His follow-up triptych of works (<em>In</em>, <em>On</em> and <em>Off</em>) brought another level of conceptual and sonic experimentation to the table, advancing his stature in the field of contemporary experimental music.</span></span>\r\n\r\n<a title=\"Facebook\" href=\"http://www.facebook.com/markus.mehr\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/MarkusMehr\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/markus-mehr\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.markusmehr.de/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/us/album/binary-rooms/id924187856?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>In The Palm Of Your Hand - The Remix EP</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4074111254/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in-the-palm-of-your-hand-the-remix-ep\">In The Palm Of Your Hand - The Remix EP by Markus Mehr</a></iframe>\r\nOctober 2015\r\n\r\n<em>In the Palm of Your Hand – The Remix EP</em> brings together four unique remixes of the track ‘In the Palm of Your Hand’, lifted from Mehr’s latest album, <em>Binary Rooms</em>.\r\n\r\nThe original album mix of ‘In the Palm of Your Hand’ maps out the dichotomy at the heart of <em>Binary Rooms</em>. While plaintive piano chords suggest openness and possibility, they’re perpetually hemmed in by a claustrophobic industrial throb, creating a tension that aches to be resolved. The first remix, by Hamburg duo <a title=\"incite/\" href=\"http://www.incite.hamburg/\" target=\"_blank\">incite/</a>, ramps up the tension by slicing and dicing the ambient throb into a glitchy tapestry and smothering the piano in sonic gauze. <a title=\"Conga Fever\" href=\"https://soundcloud.com/congafever\" target=\"_blank\">Conga Fever</a> dials back the ambience and juxtaposes the piano against a sun-dappled beatscape. Hidden Shoal labelmate <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\" target=\"_blank\">Erik Nilsson</a> makes the piano the focus, bringing in field recordings to create the feeling of a beautiful jazz improvisation taking place on a demolition site. And finally, <a title=\"David Kochs\" href=\"https://soundcloud.com/davidkochs\" target=\"_blank\">David Kochs</a>’ remix filters the haze of the original into sharp yet dreamy minimal techno.\r\n<div></div>\r\n<div></div>\r\n<h4>Gymnasium​/​Swarms - Live with Orchestra</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=641842681/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/gymnasium-swarms-live-with-orchestra\">Gymnasium/Swarms - Live with Orchestra by Markus Mehr</a></iframe>\r\nSeptember 2015\r\n<div></div>\r\n‘Gymnasium/Swarms Live with Orchestra’ is a an amazing re-working of the original track, which appears in its original form on Mehr’s latest album, Binary Rooms. This special performance includes live orchestra and choir along with visuals by Stefanie Sixt.\r\n\r\nAs Markus Mehr explains in a new interview with Hidden Shoal’s Matthew Tomich, the live performance of ‘Gymnasium/Swarms’, which opened this year’s Modular Festival in Augsburg, Germany, involved Mehr’s collaboration with conductor Michael Kamm, plus the Modular Orchestra and Chamber Choir of Augsburg University. The live video by Florian Strandl depicts the musicians masterful reinterpretation of the music’s evocative, beatless soundworld via the clever use of clocks and Michael Kamm’s conducting. From rustling paper and shuffling feet, to gorgeous sustained choral tones and vibraphone, ‘Gymnasium/Swarms Live with Orchestra’ is a unique performance of a deeply evocative piece of sound art.\r\n<div></div>\r\n<div></div>\r\n<h4>To Set The River On Fire</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe>\r\nFebruary 2015\r\n<div></div>\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<div></div>\r\n<div></div>\r\n<h4>Binary Rooms</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe>\r\nOctober 2014\r\n<div></div>\r\nMehr’s work has seen a subtle shift in scale across his five studio albums. From the widescreen cosmic vistas of <em>Lava</em> to some of the more intimate moments of his 42-minute single-track opus <em>Off</em>, Mehr has now come to examine the most challenging space yet – that of our everyday lives and the spatial narratives that surround us. Mehr’s music has always possessed a keen sense of and negotiation with scale, and on <em>Binary Rooms</em> he challenges notions of personal space, juxtaposing the human against the industrial, the gentle and intimate against the jolting and harsh. Mehr acts as a fragment hunter, meshing machine-like tones with the discarded elements of humanity; narrative with anti-narrative. On <em>Binary Rooms</em> he manages to create a spatial remix – a striking re-design of aural reality filled with a living, digital biology. Experimental filmmaker and Markus Mehr collaborator <a href=\"https://vimeo.com/sixtsense/videos\">Stefanie Sixt</a> has created a stunning new video work for the track \'Gymnasium/Swarms\' which can be viewed in full at <a href=\"https://vimeo.com/105644655\" rel=\"lightbox-video-0\">Vimeo.</a>\r\n<div></div>\r\n<div></div>\r\n<h4>Off</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 170px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=398032740/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/off\">Off by Markus Mehr</a></iframe>\r\nJanuary 2013\r\n<div></div>\r\n<em>Off</em>  by German experimental ambient artist Markus Mehr, is the third and final part of a trilogy that includes the critically acclaimed releases <em>In</em> and <em>On</em>. <em>Off</em>  is not only the culmination of Markus Mehr’s trilogy, but it may also be the culmination of his career’s work thus far. The single-track album begins in silence, as a thrumming loop gradually emerges. From there, a beautiful piano refrain is introduced, noise ebbs and flows, threatening to engulf the piece, while field recordings and swooningly transportive synth patterns drift into focus. During its 42-minute runtime, the piece immerses the listener in a dizzyingly beautiful soundworld that’s ever-shifting. Certain passages allude to other sequences and samples in the preceding albums, linking the three albums into a kaleidoscopic mobius strip.\r\n<div></div>\r\n<div></div>\r\n<h4>On</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2332510059/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/on\">On by Markus Mehr</a></iframe>\r\nJuly 2012\r\n<div></div>\r\nThe new album <em>On</em> by German experimental ambient artist Markus Mehr, forms the second part of a triptych that also includes recent release <em>In</em> and the forthcoming <em>Off</em>. <em>On</em> is a continuation of the experimental direction of Markus Mehr’s previous releases, with eight diverse tracks employing samples, field recordings and slathers of Mehr’s trademark distorted drones. This approach is apparent right from opener ‘Gonna Make You Mine’, as scything slashes of sound leap from the speakers. Single ‘Flaming Youth’ counterbalances fragments of static against a gorgeous sleepy-eyed loop of mangled lounge-jazz. A track as expansive and moving as ‘Duck Became Swan’ is followed by brief rhythmic piece ‘Olympia’. This tightrope walk between dizzying samples and exacting digital manipulation is walked with aplomb throughout <em>On</em>’s adventurous and thrilling 45-minute runtime. <em>On</em> is preceded by <em>In</em>, the first part of the triptych, which comprises two monumental tracks, ‘Komo’ and ‘Ostinato’, each of which clocks in at around 25 minutes, circling around and building upon hypnotic instrumental motifs. The final part of the triptych, Off, released on 24 January 2013, includes the most epic piece yet, ‘Transit’, which clocks in at 49 minutes and will be performed live in collaboration with video artist Stefanie Sixt, who created the video to Mehr’s single ‘Cousteau’.\r\n<div></div>\r\n<div></div>\r\n<h4>In</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 210px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4000928914/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in\">In by Markus Mehr</a></iframe>\r\nJanuary 2012\r\n<div></div>\r\nMarkus Mehr follows up his stunning debut album <em>Lava</em> with three new releases released over a 12 month period. In is the first part of the triptych, comprising two monumental tracks, ‘Komo’ and ‘Ostinato’, each of which clocks in at around 25 minutes, circling around and building upon hypnotic instrumental motifs. ‘Komo’ gradually emerges from silence, its distant, filtered throb reluctantly revealing its source material – a heartbreaking string part whose emotional impact intensifies as the loop clarifies. ‘Ostinato’ is an altogether darker, gnarlier experience, its string loops chewed into distorted knots which are highlighted by treated guitars and crafted electronics. The second part, <em>On</em>, released on 21 June 2012, takes a more experimental direction, with eight diverse tracks employing samples, field recordings and slathers of Mehr’s trademark distorted drones. And finally, <em>Off</em>, released on 24 January 2013, includes the most epic piece yet, ‘Transit’, which clocks in at 49 minutes and will be performed live in collaboration with video artist Stefanie Sixt, who created the video to Mehr’s single ‘Cousteau’.\r\n<div></div>\r\n<div></div>\r\n<h4>Lava</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=634202850/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/lava\">Lava by Markus Mehr</a></iframe>\r\nAugust 2010\r\n<div></div>\r\n<em>Lava</em> holds true to its title – it is a dense surge of glue-think sound, making new paths as it pushes through the landscape. But, after any destructive force there is new growth. Green shoots of melody arc out of the surface and populate the terrain as new possibilities emerge. A new master of heartbreaking ambient drone has arrived. These tracks evoke time spent transfixed, gazing through a giant looking glass, waiting wide-eyed as new discoveries are revealed in the album’s textured contours. On epic opener ‘Agenda’, layers of gorgeous synth gradually accumulate into a gloriously massive chord. On single ‘Hubble’, a bedrock of fuzzed drone is decorated with glistening counter-melodies, tracing shards of light across the coal-black skies. ‘Softwar’ builds and then falls away, only to return with a spine-tingling theme that crumbles under its own majesty. <em>Lava</em>’s ability to both suspend the listener in its abstracted liquid vapours and at the same time imprint its affecting narrative is a special thing. It is one of those albums whose emotional impact stays with you long after you feel its last touch.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nBased in Augsburg, south Germany, Markus Mehr’s musical journey began with the guitar. He grew up listening to bands like Black Sabbath and AC/DC, before turning his ears to darker sounds and the ethereal, experimental pop of David Sylvian. After recording and touring with several bands, he struck out on his own with home studio project Aroma.\r\n\r\nNow working under his own name, Mehr wrote and recorded his debut album <em>Lava</em> at his home studio using guitars and synths, plus any noise-making accoutrements at hand – electric shavers, ventilators, electric tooth brushes and field recordings –all processed and distorted to create a gorgeous wall of sound, akin to the classic ’70s Kosmische music of Klaus Schulze and Tangerine Dream, but also the contemporary masters of textured luminosity, Fennesz and Tim Hecker. His follow up albums, <em>In</em>, <em>On</em> and <em>Off </em> pushed the sonic and structural envelope even further and created a triptych of works that stands amongst the most engaging contemporary experimental music of our days.\r\n\r\nMehr’s extensive live performances across Europe include collaborations with visual artist Stefanie Sixt and performances in churches, galleries and large disused gas tanks amongst the more traditional festival shows.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n\r\n&nbsp;\r\n<h3>News</h3>\r\n[catlist name=markus-mehr content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=markus-mehr-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Slow Dancing Society Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/markus-mehr-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Live_In_Bari.pdf\"><em>Live in Bari</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Off.pdf\"><em>Off</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Duck_Became_Swan.pdf\">‘Duck Became Swan’ Single Release and Music Video</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Flaming_Youth.pdf\">‘Flaming Youth’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-In.pdf\"><em>In</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Cousteau.pdf\">‘Cousteau’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Lava_Digital_Release.pdf\"><em>Lava</em> Album Digital Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Hubble_Single.pdf\">‘Hubble’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Signing.pdf\">Markus Mehr Signs to Hidden Shoal</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"10433,10435,9020,9021,9022,9023,9024,9025,9019\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/NNOsYOGPyik?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/Ghve0iRVjOI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/dGRCY37hMm4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/PcfMLHZZomw?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/1jIYi486n0c?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMarkus Mehr\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Markus Mehr','','inherit','closed','closed','','9007-revision-v1','','','2016-03-15 23:04:19','2016-03-15 15:04:19','',9007,'http://www.hiddenshoal.com/9007-revision-v1/',0,'revision','',0),(14279,1,'2016-03-16 06:29:05','2016-03-15 22:29:05','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big.jpg\"><img class=\"alignleft  wp-image-14243\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"200\" height=\"200\" /></a>Hidden Shoal is excited to present the release of <a title=\"The Orpheus Pavement\" href=\"https://chloemarch.bandcamp.com/album/the-orpheus-pavement\"><em>The Orpheus Pavement</em></a>, the new six-track EP by English artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, featuring new song ‘<a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">The Orpheus Pavement</a>’, along with two originals from her acclaimed album <em><a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Nights Bright Days</a></em> and three remixes (by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark</a>, <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a>, and Chloë March).\r\n\r\n<em>The Orpheus Pavement</em> is dreamy, slow<strong>-</strong>motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic… it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore</em>” – <strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a> is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. <a title=\"Sam Atkin\" href=\"http://samatkin.bandcamp.com/\" target=\"_blank\">Sam Atkin</a> is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.\r\n\r\n<em>The Orpheus Pavement</em> is available now via <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/album/the-orpheus-pavement\" target=\"_blank\">BandCamp </a>and the usual digital stores. You can also check out the <a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">title track</a> and the two remixes by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark </a>and <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a> at the Hidden Shoal SoundCloud. Chloe has also produced a beautiful music video for \'The Orpheus Pavement\' which you can check out over at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=_tJHFgi6FXM\" target=\"_blank\">YouTube</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/250651026&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Chloe March EP, Remixes & Video!','','inherit','closed','closed','','14242-revision-v1','','','2016-03-16 06:29:05','2016-03-15 22:29:05','',14242,'http://www.hiddenshoal.com/14242-revision-v1/',0,'revision','',0),(14280,1,'2016-03-16 06:32:08','2016-03-15 22:32:08','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Chloë March</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"246\" height=\"246\" /></a><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a href=\"https://geo.itunes.apple.com/au/artist/chloe-march/id47255965?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n\r\n&nbsp;\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>The Orpheus Pavement</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2106000878/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/the-orpheus-pavement\">The Orpheus Pavement by Chloë March</a></iframe>\r\nMarch 14 2016\r\n\r\n<i>The Orpheus Pavement </i>is the new six-track EP by English artist Chloë March, featuring new song ‘The Orpheus Pavement’, along with two originals from her acclaimed album <i>Nights Bright Days </i>and three remixes (by Lvmark, Sam Atkin, and Chloë March).\r\n\r\n<i>The Orpheus Pavement</i> is dreamy, slow-motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.\r\n\r\n<a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark </a>is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. <a title=\"Sam Atkin\" href=\"http://samatkin.bandcamp.com/\" target=\"_blank\">Sam Atkin</a> is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.\r\n<h4>To Set The River On Fire</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe> February 2015 The new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<h4>Nights Bright Days</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe> November 2014 Although often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.\r\n<h4>Under The Day</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe> November 2014 A set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.\r\n<h4>Politik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe> July 2012 Chloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.\r\n<h4>Garden On The Boulevard</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe> November 2009 <em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.\r\n<h4>Divining</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe> November 2008 Chloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.\r\n<div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div>\r\n&nbsp;\r\n<h4>Snowdrop</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe> November 2004 Chloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"10523,14219,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/_tJHFgi6FXM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/UDmvHmMWV6o?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2016-03-16 06:32:08','2016-03-15 22:32:08','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(14281,1,'2016-03-16 06:35:12','2016-03-15 22:35:12','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Chloë March</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"246\" height=\"246\" /></a><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a href=\"https://geo.itunes.apple.com/au/artist/chloe-march/id47255965?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>The Orpheus Pavement</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2106000878/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/the-orpheus-pavement\">The Orpheus Pavement by Chloë March</a></iframe>\r\nMarch 14 2016\r\n\r\n<i>The Orpheus Pavement </i>is the new six-track EP by English artist Chloë March, featuring new song ‘The Orpheus Pavement’, along with two originals from her acclaimed album <i>Nights Bright Days </i>and three remixes (by Lvmark, Sam Atkin, and Chloë March).\r\n\r\n<i>The Orpheus Pavement</i> is dreamy, slow-motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.\r\n\r\n<a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark </a>is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. <a title=\"Sam Atkin\" href=\"http://samatkin.bandcamp.com/\" target=\"_blank\">Sam Atkin</a> is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.\r\n<h4>To Set The River On Fire</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe> February 2015 The new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<h4>Nights Bright Days</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe> November 2014 Although often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.\r\n<h4>Under The Day</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe> November 2014 A set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.\r\n<h4>Politik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe> July 2012 Chloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.\r\n<h4>Garden On The Boulevard</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe> November 2009 <em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.\r\n<h4>Divining</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe> November 2008 Chloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.\r\n<div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div>\r\n&nbsp;\r\n<h4>Snowdrop</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe> November 2004 Chloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"10523,14219,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/_tJHFgi6FXM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/UDmvHmMWV6o?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2016-03-16 06:35:12','2016-03-15 22:35:12','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(14407,1,'2016-05-05 13:05:09','2016-05-05 05:05:09','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3657521899/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://dbailey.bandcamp.com/album/isometrik-ep\">Isometrik EP by Daniel Bailey, Glanko</a></iframe>\r\n<em>Isometrik</em>\r\nby<a title=\"Glanko &amp; Daniel Bailey\" href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"> Glanko &amp; Daniel Bailey</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=799048543/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/re-directed\">RE DIRECTED by Markus Mehr</a></iframe>\r\n<em>Re-Directed</em>\r\nby <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2361958115/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\">(For Now We See) Through A Glass Dimly by Antonymes</a></iframe>\r\n<em>(For Now We See) Through A Glass Dimly</em>\r\nby <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2106000878/size=large/bgcol=333333/linkcol=e32c14/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/the-orpheus-pavement\">The Orpheus Pavement by Chloë March</a></iframe><em>\r\nThe Orpheus Pavement\r\n</em>by <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloe March</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal Publishing is an Australia-based independent music publisher &amp; label releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2016-05-05 13:05:09','2016-05-05 05:05:09','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(14351,1,'2016-04-29 14:30:03','2016-04-29 06:30:03','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=799048543/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/re-directed\">RE DIRECTED by Markus Mehr</a></iframe>\r\n<em>Re-Directed</em>\r\nby <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2361958115/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\">(For Now We See) Through A Glass Dimly by Antonymes</a></iframe>\r\n<em>(For Now We See) Through A Glass Dimly</em>\r\nby <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2106000878/size=large/bgcol=333333/linkcol=e32c14/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/the-orpheus-pavement\">The Orpheus Pavement by Chloë March</a></iframe><em>\r\nThe Orpheus Pavement\r\n</em>by <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloe March</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1401086632/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/long-range-transmissions\">Long Range Transmissions by Hidden Shoal</a></iframe>\r\n<a title=\"Long Range Transmissions\" href=\"http://hiddenshoal.bandcamp.com/album/long-range-transmissions\" target=\"_blank\"><em>Long Range Transmissions</em></a>\r\n<a title=\"Long Range Transmissions\" href=\"http://hiddenshoal.bandcamp.com/album/long-range-transmissions\" target=\"_blank\"> by Various Artists</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal Publishing is an Australia-based independent music publisher &amp; label releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2016-04-29 14:30:03','2016-04-29 06:30:03','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(14350,1,'2016-04-29 14:26:15','2016-04-29 06:26:15','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=799048543/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/re-directed\">RE DIRECTED by Markus Mehr</a></iframe>\r\n<em>Re-Directed</em>\r\nby <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2106000878/size=large/bgcol=333333/linkcol=e32c14/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/the-orpheus-pavement\">The Orpheus Pavement by Chloë March</a></iframe><em>\r\nThe Orpheus Pavement\r\n</em>by <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloe March</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2038763320/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://thecrisisactors.bandcamp.com/album/white-guilt-white-heat\">White Guilt, White Heat by Crisis Actors</a></iframe>\r\n<em>White Guilt, White Heat</em>\r\nby <a title=\"Crisis Actors\" href=\"http://www.hiddenshoal.com/project/crisis-actors/\">Crisis Actors</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1401086632/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/long-range-transmissions\">Long Range Transmissions by Hidden Shoal</a></iframe>\r\n<a title=\"Long Range Transmissions\" href=\"http://hiddenshoal.bandcamp.com/album/long-range-transmissions\" target=\"_blank\"><em>Long Range Transmissions</em></a>\r\n<a title=\"Long Range Transmissions\" href=\"http://hiddenshoal.bandcamp.com/album/long-range-transmissions\" target=\"_blank\"> by Various Artists</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal Publishing is an Australia-based independent music publisher &amp; label releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2016-04-29 14:26:15','2016-04-29 06:26:15','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(14282,1,'2016-03-16 22:27:50','2016-03-16 14:27:50','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2106000878/size=large/bgcol=333333/linkcol=e32c14/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/the-orpheus-pavement\">The Orpheus Pavement by Chloë March</a></iframe><em>\r\nThe Orpheus Pavement\r\n</em>by <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloe March</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2038763320/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://thecrisisactors.bandcamp.com/album/white-guilt-white-heat\">White Guilt, White Heat by Crisis Actors</a></iframe>\r\n<em>White Guilt, White Heat</em>\r\nby <a title=\"Crisis Actors\" href=\"http://www.hiddenshoal.com/project/crisis-actors/\">Crisis Actors</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1401086632/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/long-range-transmissions\">Long Range Transmissions by Hidden Shoal</a></iframe>\r\n<a title=\"Long Range Transmissions\" href=\"http://hiddenshoal.bandcamp.com/album/long-range-transmissions\" target=\"_blank\"><em>Long Range Transmissions</em></a>\r\n<a title=\"Long Range Transmissions\" href=\"http://hiddenshoal.bandcamp.com/album/long-range-transmissions\" target=\"_blank\"> by Various Artists</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4074111254/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in-the-palm-of-your-hand-the-remix-ep\">In The Palm Of Your Hand - The Remix EP by Markus Mehr</a></iframe>\r\n<em>In The Palm Of Your Hand - The Remix EP</em>\r\nby <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal Publishing is an Australia-based independent music publisher &amp; label releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2016-03-16 22:27:50','2016-03-16 14:27:50','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(14283,1,'2016-03-17 10:39:30','2016-03-17 02:39:30','<p>https://www.youtube.com/watch?v=-Hx8bGrlHvU&amp;feature=youtu.be</p>\r\n<p>\'Re-Directed 4\' presents the first taste of <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>\'s new album <em>Re-Directed </em>wrapped in the ever amazing experimental video work of long time Mehr collaborator, <a title=\"Stefanie Sixt\" href=\"https://vimeo.com/sixtsense\" target=\"_blank\">Stefanie Sixt</a>. Perhaps the most confrontational and abstract release in Mehr’s discography thus far, <i>Re-Directed </i>challenges the narrow confines of music, moving towards the realm of <i>musique concrète</i>. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <i>Re-Directed</i> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.</p>\r\n','Markus Mehr - \'Re-Directed 4\'',' ','publish','closed','closed','','markus-mehr-re-directed-4','','','2016-03-17 10:43:38','2016-03-17 02:43:38','',0,'http://www.hiddenshoal.com/?p=14283',0,'post','',0),(14284,1,'2016-03-17 10:39:30','2016-03-17 02:39:30','https://www.youtube.com/watch?v=-Hx8bGrlHvU&amp;feature=youtu.be\r\n\r\n\'Re-Directed 4\' presents the first taste of Markus Mehr\'s new album <em>Re-Directed </em>wrapped in the ever amazing experimental video work of long time Mehr collaborator, Stephanie Sixt. Perhaps the most confrontational and abstract release in Mehr’s discography thus far, <i>Re-Directed </i>challenges the narrow confines of music, moving towards the realm of <i>musique concrète</i>. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <i>Re-Directed</i> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.','Markus Mehr - \'Re-Directed 4\'',' ','inherit','closed','closed','','14283-revision-v1','','','2016-03-17 10:39:30','2016-03-17 02:39:30','',14283,'http://www.hiddenshoal.com/14283-revision-v1/',0,'revision','',0),(14285,1,'2016-03-17 10:40:44','2016-03-17 02:40:44','https://www.youtube.com/watch?v=-Hx8bGrlHvU&amp;feature=youtu.be\n\n\'Re-Directed 4\' presents the first taste of <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>\'s new album <em>Re-Directed </em>wrapped in the ever amazing experimental video work of long time Mehr collaborator, <a title=\"Stefanie Sixt\" href=\"https://vimeo.com/sixtsense\" target=\"_blank\">Stefanie Sixt</a>. Perhaps the most confrontational and abstract release in Mehr’s discography thus far, <i>Re-Directed </i>challenges the narrow confines of music, moving towards the realm of <i>musique concrète</i>. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <i>Re-Directed</i> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.','Markus Mehr - \'Re-Directed 4\'',' ','inherit','closed','closed','','14283-autosave-v1','','','2016-03-17 10:40:44','2016-03-17 02:40:44','',14283,'http://www.hiddenshoal.com/14283-autosave-v1/',0,'revision','',0),(14286,1,'2016-03-17 10:40:58','2016-03-17 02:40:58','https://www.youtube.com/watch?v=-Hx8bGrlHvU&amp;feature=youtu.be\r\n\r\n\'Re-Directed 4\' presents the first taste of <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>\'s new album <em>Re-Directed </em>wrapped in the ever amazing experimental video work of long time Mehr collaborator, <a title=\"Stefanie Sixt\" href=\"https://vimeo.com/sixtsense\" target=\"_blank\">Stefanie Sixt</a>. Perhaps the most confrontational and abstract release in Mehr’s discography thus far, <i>Re-Directed </i>challenges the narrow confines of music, moving towards the realm of <i>musique concrète</i>. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <i>Re-Directed</i> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.','Markus Mehr - \'Re-Directed 4\'',' ','inherit','closed','closed','','14283-revision-v1','','','2016-03-17 10:40:58','2016-03-17 02:40:58','',14283,'http://www.hiddenshoal.com/14283-revision-v1/',0,'revision','',0),(14287,1,'2016-03-17 10:41:13','2016-03-17 02:41:13','<p>https://www.youtube.com/watch?v=-Hx8bGrlHvU&amp;feature=youtu.be</p>\r\n<p>\'Re-Directed 4\' presents the first taste of <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>\'s new album <em>Re-Directed </em>wrapped in the ever amazing experimental video work of long time Mehr collaborator, <a title=\"Stefanie Sixt\" href=\"https://vimeo.com/sixtsense\" target=\"_blank\">Stefanie Sixt</a>. Perhaps the most confrontational and abstract release in Mehr’s discography thus far, <i>Re-Directed </i>challenges the narrow confines of music, moving towards the realm of <i>musique concrète</i>. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <i>Re-Directed</i> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.</p>\r\n','Markus Mehr - \'Re-Directed 4\'',' ','inherit','closed','closed','','14283-revision-v1','','','2016-03-17 10:41:13','2016-03-17 02:41:13','',14283,'http://www.hiddenshoal.com/14283-revision-v1/',0,'revision','',0),(14288,1,'2016-03-17 10:49:44','2016-03-17 02:49:44','https://www.youtube.com/watch?v=_tJHFgi6FXM\r\n\r\n\'The Orpheus Pavement\' is the title track to the <a title=\"The Orpheus Pavement\" href=\"http://chloemarch.bandcamp.com/album/the-orpheus-pavement\" target=\"_blank\">new six-track EP</a> by English artist <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>. The Ep also features two originals from her acclaimed album <em>Nights Bright Days</em> and three remixes (by Lvmark, Sam Atkin, and Chloë March).  Music video by Chloe March.\r\n\r\n<em>The Orpheus Pavement</em> is dreamy, slow-motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.','Chloe March - \'The Orpheus Pavement\'',' ','publish','closed','closed','','chloe-march-the-orpheus-pavement','','','2016-07-12 13:27:34','2016-07-12 05:27:34','',0,'http://www.hiddenshoal.com/?p=14288',0,'post','',0),(14289,1,'2016-03-17 10:49:44','2016-03-17 02:49:44','https://www.youtube.com/watch?v=_tJHFgi6FXM\r\n\r\n\'The Orpheus Pavement\' is the title track to the <a title=\"The Orpheus Pavement\" href=\"http://chloemarch.bandcamp.com/album/the-orpheus-pavement\" target=\"_blank\">new six-track EP</a> by English artist <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>. The Ep also features two originals from her acclaimed album <em>Nights Bright Days</em> and three remixes (by Lvmark, Sam Atkin, and Chloë March).  Music video by Chloe March.\r\n\r\n<em>The Orpheus Pavement</em> is dreamy, slow-motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.','Chloe March - \'The Orpheus Pavement\'',' ','inherit','closed','closed','','14288-revision-v1','','','2016-03-17 10:49:44','2016-03-17 02:49:44','',14288,'http://www.hiddenshoal.com/14288-revision-v1/',0,'revision','',0),(14374,1,'2016-05-03 14:19:59','2016-05-03 06:19:59','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2016\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2016</h3>\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"orpheus pavement\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-14243 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>The Orpheus Pavement </em>(2016)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2015\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2015</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"white guilt\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/crisis-actors/\"><img class=\"alignnone wp-image-13203 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/12/CA-cover-300x300.jpg\" alt=\"Crisis Actors - White Guilt, White Heat EP\" width=\"300\" height=\"300\" /></a>\r\nCrisis Actors\r\n<em>White Guilt, White Heat</em> (2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"long range\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"https://hiddenshoal.bandcamp.com/album/long-range-transmissions\"><img class=\"alignnone wp-image-13139 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/11/Long-Range-Transmissions-300.jpg\" alt=\"Long Range Transmissions\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Long Range Transmissions</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"forets\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-13061 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"forêts antiques\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>forêts antiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Palm\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-13050\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork-300x300.jpg\" alt=\"In The Palm of Your Hand - The Remix EP\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In The Palm of Your Hand - The Remix EP </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"AWMA\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/awma/\"><img class=\"alignnone wp-image-13036 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/AWMA-1000-300x300.jpg\" alt=\"AWMA EP\" width=\"300\" height=\"300\" /></a>\r\nAWMA\r\n<em>AWMA </em>(2015)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Extent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/battlestations/\"><img class=\"alignnone wp-image-12955 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/09/The-Extent-of-Damage-Cover-1200px-300x300.jpg\" alt=\"The Extent of Damage\" width=\"300\" height=\"300\" /></a>\r\nBattlestations\r\n<em>The Extent of Damage </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"New York\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/medard-fischer/\"><img class=\"alignnone size-medium wp-image-12847\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Cover-art-300x300.jpg\" alt=\"Four Songs for the City of New York\" width=\"300\" height=\"300\" /></a>\r\nMedard Fischer\r\n<em>Four Songs for the City of New York </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Troubled Mystic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/liminal-drifter/\"><img class=\"alignnone wp-image-12861 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Troubled-Mystic-Album-1000px-300x300.jpg\" alt=\"Liminal Drifter - Troubled Mystic\" width=\"300\" height=\"300\" /></a>\r\nLiminal Drifter\r\n<em>Troubled Mystic </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Olive Skinned\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/rew/\"><img class=\"alignnone wp-image-12249 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Olive-Skinned-Cover-1400x1400-pxl-300x300.jpg\" alt=\"Olive Skinned, Silver Tongued Sirens Sing Swan Songs\" width=\"300\" height=\"300\" /></a>\r\nREW&lt;&lt;\r\n<em>Olive Skinned, Silver Tongued Sirens Sing Swan Songs </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Pea Green\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/the-star-department/\"><img class=\"alignnone wp-image-12312 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Pea-Green-Boat-Cover-Art-1000px-300x300.jpg\" alt=\"The Pea Green Boat\" width=\"300\" height=\"300\" /></a>\r\nThe Star Department\r\n<em>The Pea Green Boat </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearing Things\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><img class=\"alignnone size-medium wp-image-12629\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Hearing-Things-Front-Cover-1000px-300x300.jpg\" alt=\"Erik Nilsson - Hearing Things\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Hearing Things </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Rough\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12669\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Rough-Cover-Art-1400px-300x300.jpg\" alt=\"Rough\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Rough </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Tristes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-12367 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Tristes-Tropiques-Cover-300px.jpg\" alt=\"Todd Tobias - Tristes Tropiques\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Tristes Tropiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"les limbes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/les-limbes/\"><img class=\"alignnone wp-image-12271 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Les-Limbes-EP-Cover-300px.jpg\" alt=\"Les Limbes EP\" width=\"300\" height=\"300\" /></a>\r\nLes Limbes\r\n<em>Les Limbes </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"axis swim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/october-solution/\"><img class=\"alignnone wp-image-12242 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"300\" height=\"300\" /></a>\r\nThe October Solution\r\n<em>Axis Swim Scar</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"fate\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-12109 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/03/Kramies-The-Fate-300px-300x300.jpg\" alt=\"Kramies \'The Fate That Never Favored Us\'\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Fate That Never Favored Us</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"river fire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-12036 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/To-Set-The-River-On-Fire-300px.jpg\" alt=\"To-Set-The-River-On-Fire-300px\" width=\"300\" height=\"300\" /></a>\r\nChloe March vs. Markus Mehr\r\n<em>To Set The River on Fire </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2014\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2014</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"dusk recital\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-11402 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/duskrecital_300.jpg\" alt=\"The Dusk Recital\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Dusk Recital</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"makee\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/makee/\"><img class=\"alignnone wp-image-11088 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Makee-EP-300px.jpg\" alt=\"Makee EP\" width=\"300\" height=\"300\" /></a>\r\nmakee\r\n<em>makee</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Nights Bright Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-11189 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Nights-Bright-Days-Cover-1000px-300x300.jpg\" alt=\"Nights Bright Days\" width=\"300\" height=\"300\" /></a>\r\nChloë March\r\n<em>Nights bright Days</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under The Day\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone size-medium wp-image-11191\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderTheDayCov350-300x300.jpg\" alt=\"Under The Day\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>Under The Day</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Enchanting Gaze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone wp-image-11190 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enchanting-Gaze-1000px-300x300.jpg\" alt=\"Enchanting Gaze\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Enchanting Gaze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-medium wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities 2\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-11192 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Impossible-Cites-2-1000px-300x300.jpg\" alt=\"Impossible Cites 2\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities 2</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Binary Rooms\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-10985 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - \" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Binary Rooms</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deconstruction Manual\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\"><img class=\"alignnone wp-image-10803 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Deconstruction Manual</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"In Between\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-10470 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/In-Between-Cover-1000px-300x300.jpg\" alt=\"Kryshe - In Between\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>In Between</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Revolving Maze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignnone wp-image-10715 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Revolving-Maze-Front-Cover-300x300.jpg\" alt=\"Revolving Maze\" width=\"300\" height=\"300\" /></a>\r\nInvolved\r\n<em>Revolving Maze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Positive Haywires\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignnone size-medium wp-image-10728\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Positive-Haywires-Front-Cover-1000px-300x300.jpg\" alt=\"Positive Haywires\" width=\"300\" height=\"300\" /></a>\r\nBrother Earth\r\n<em>Positive Haywires</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under Songs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/draliensmith/\"><img class=\"alignnone wp-image-10373 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderSongsCoverArt-300x300.jpg\" alt=\"Under Songs\" width=\"300\" height=\"300\" /></a>\r\nDrAlienSmith\r\n<em>Under Songs</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Cogent Sea</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Growing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-11052 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Growing-Cover-300x300.jpg\" alt=\"Growing\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Growing</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em> The Folklore Sessions</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone wp-image-9399 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /></a>\r\nperth\r\nWhere\'s Utopia (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2013\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2013</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a>\r\nperth\r\n<em>What’s Your Utopia?</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"No True Beauty\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/NO-TRUE-BEAUTY-300x300.jpg\" alt=\"There Can Be True Beauty Without Decay\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>There Can Be No True Beauty Without Decay </em></em>(2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Voices Out There</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Wooden Heart</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Live in Bari</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Let\'s Adjourn To The Garden</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope III\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12430 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemacope-III-cover-CMYK-300x300.jpg\" alt=\"Cinemacope III\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope III</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias &amp; Circus Devils\r\n<em>I Razor </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Momentary Mask\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone wp-image-10374 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Momentary-Mask-Cover-300x300.jpg\" alt=\"The Momentary Mask\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>The Momentary Mask </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em>Quarrels</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Off</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2012\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2012</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>East of Monument </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>The Road To The Crater </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope II\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone wp-image-12434 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover1-300x300.jpg\" alt=\"Cinemascope II\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope II</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>Terrane </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Laterna Magica</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>On</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Un Giorno Sospeso</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dreamland\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone size-medium wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Dreamland </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope I\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-12433 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemascope-I-Cover-1000px-300x300.jpg\" alt=\"Cinemascope I\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope I</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Medicine Show </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Light Dispersed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11492\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIGHT-DISPERSED-300x300.jpg\" alt=\"Light Dispersed\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Light Dispersed </em>(2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2011\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2011</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The European</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Remixed</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a>\r\nAntonymes meets Slow Dancing Society\r\n<em><em>We Don’t Look Back For Very Long</em> </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Letters From The Coast </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hong Kong\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone wp-image-12038 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Hong-Kong-Express-Cover-Art-1400px-300x300.jpg\" alt=\"Hong Kong Express\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\n<em>Hong Kong Express </em>(2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Like Rumours\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIKE-RUMOURS-300x300.jpg\" alt=\"Like Rumours Of Hushed Thunder\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Like Rumours Of Hushed Thunder</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>A Frame of Reference</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"casino\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone wp-image-12431 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/On-The-Casino-Floor-Cover-300x300.jpg\" alt=\"On The Casino Floor\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>On The Casino Floor</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Now We\'re Active</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Lost in Waves of Light </em></em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>The Licence To Interpret Dreams </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>The Stones And The Rabbits</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"hears like a bat\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12428 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Heart-That-Hears-Like-A-Bat-Cover-Art-1-300x300.jpg\" alt=\"The Heart That Hears Like A Bat\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>The Heart That Hears Like A Bat</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2010\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2010</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em><em>Under The Sodium Lights </em></em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Lava </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>Heresy and Rite</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Before The Light Fails\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/BEFORE-THE-LIGHT-FAILS-300x300.jpg\" alt=\"31: Before The Light Fails\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>31: Before The Light Fails</em> (2010)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"machine\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9475\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/machine_LRG1.jpg\" alt=\"Machine Is My Animal\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Machine Is My Animal </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2009\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2009</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em><em>Unknown Knowns </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>I Haven’t Got It In Me</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"soundcheck\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12040\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Soundcheck_Mp3-300x300.jpg\" alt=\"Soundcheck For A Missing Movie\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Soundcheck For A Missing Movie</em> (2009)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Umpire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-medium wp-image-11478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Umpire-EP-Cover-Art-1000px-300x300.jpg\" alt=\"Umpire\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Umpire</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Chromatic Sigh</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a>\r\nDown Review\r\n<em>From Here, For Anyone</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em><em>Apricot Rail </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>That Time</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a>\r\nSleeping Me\r\n<em>Cradlesongs</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearts\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/hotels/\"><img class=\"alignnone wp-image-12426 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Where-Hearts-Go-Broke-mp3-300x300.jpg\" alt=\"Where Hearts Go Broke\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Where Hearts Go Broke</em>  (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2008\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2008</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"spook\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9486\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG1.jpg\" alt=\"The Spook\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em><em>The Spook </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Too Late, The Day</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"touch me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone size-medium wp-image-12039\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Touch-Me-Cover-Art-1400px-300x300.jpg\" alt=\"Touch me and i will save you\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\nTouch me and i will save you (2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Priest Lake Circa \'88 </em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a>\r\nThe Slow Beings\r\n<em>We Know Why The Earth Moves</em>  (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em><em>Evergreen </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Our Man in Eden Hill</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2007\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2007</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>September 16th </em>(2007)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Slow And Steady Winter</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a>\r\nCheekbone\r\n<em><em>Yesterday </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Restless </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Fining</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em><em>It\'s Now Or Later </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Sound Of Lights When Dim</em> (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes &amp; Ponds\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a>\r\nThe Hero Cycle\r\n<em>Lakes and Ponds </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2006\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2006</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>Golden Days </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a>\r\nEnargeia\r\n<em><em>UFO: Stryker Force </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a>\r\nMotor Eye\r\n<em>Motor Eye </em>(2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>Slow Attack</em> (2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Up Down Up </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em><em>Ideas Are The Answer </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a>\r\nWayne Harriss\r\n<em>Aerospace</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2005\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2005</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Thank You For Choosing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone wp-image-12424 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover-300x300.jpg\" alt=\"Thank You For Choosing...\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Thank You For Choosing</em> (2005)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2003\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2003</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Mapping the static\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-medium wp-image-11477\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Mapping-The-Static-Cover-Art-1000px-300x300.jpg\" alt=\"Mapping The Static\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em>Mapping The Static</em> (2003)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','closed','','8417-revision-v1','','','2016-05-03 14:19:59','2016-05-03 06:19:59','',8417,'http://www.hiddenshoal.com/8417-revision-v1/',0,'revision','',0),(14290,1,'2016-03-17 15:54:31','2016-03-17 07:54:31','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2016\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2016</h3>\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"orpheus pavement\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-14243 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>The Orpheus Pavement </em>(2016)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2015\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2015</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"white guilt\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/crisis-actors/\"><img class=\"alignnone wp-image-13203 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/12/CA-cover-300x300.jpg\" alt=\"Crisis Actors - White Guilt, White Heat EP\" width=\"300\" height=\"300\" /></a>\r\nCrisis Actors\r\n<em>White Guilt, White Heat</em> (2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"long range\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"https://hiddenshoal.bandcamp.com/album/long-range-transmissions\"><img class=\"alignnone wp-image-13139 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/11/Long-Range-Transmissions-300.jpg\" alt=\"Long Range Transmissions\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Long Range Transmissions</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"forets\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-13061 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"forêts antiques\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>forêts antiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Palm\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-13050\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork-300x300.jpg\" alt=\"In The Palm of Your Hand - The Remix EP\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In The Palm of Your Hand - The Remix EP </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"AWMA\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/awma/\"><img class=\"alignnone wp-image-13036 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/AWMA-1000-300x300.jpg\" alt=\"AWMA EP\" width=\"300\" height=\"300\" /></a>\r\nAWMA\r\n<em>AWMA </em>(2015)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Extent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/battlestations/\"><img class=\"alignnone wp-image-12955 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/09/The-Extent-of-Damage-Cover-1200px-300x300.jpg\" alt=\"The Extent of Damage\" width=\"300\" height=\"300\" /></a>\r\nBattlestations\r\n<em>The Extent of Damage </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"New York\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/medard-fischer/\"><img class=\"alignnone size-medium wp-image-12847\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Cover-art-300x300.jpg\" alt=\"Four Songs for the City of New York\" width=\"300\" height=\"300\" /></a>\r\nMedard Fischer\r\n<em>Four Songs for the City of New York </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Troubled Mystic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/liminal-drifter/\"><img class=\"alignnone wp-image-12861 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Troubled-Mystic-Album-1000px-300x300.jpg\" alt=\"Liminal Drifter - Troubled Mystic\" width=\"300\" height=\"300\" /></a>\r\nLiminal Drifter\r\n<em>Troubled Mystic </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Olive Skinned\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/rew/\"><img class=\"alignnone wp-image-12249 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Olive-Skinned-Cover-1400x1400-pxl-300x300.jpg\" alt=\"Olive Skinned, Silver Tongued Sirens Sing Swan Songs\" width=\"300\" height=\"300\" /></a>\r\nREW&lt;&lt;\r\n<em>Olive Skinned, Silver Tongued Sirens Sing Swan Songs </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Pea Green\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/the-star-department/\"><img class=\"alignnone wp-image-12312 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Pea-Green-Boat-Cover-Art-1000px-300x300.jpg\" alt=\"The Pea Green Boat\" width=\"300\" height=\"300\" /></a>\r\nThe Star Department\r\n<em>The Pea Green Boat </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearing Things\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><img class=\"alignnone size-medium wp-image-12629\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Hearing-Things-Front-Cover-1000px-300x300.jpg\" alt=\"Erik Nilsson - Hearing Things\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Hearing Things </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Rough\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12669\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Rough-Cover-Art-1400px-300x300.jpg\" alt=\"Rough\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Rough </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Tristes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-12367 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Tristes-Tropiques-Cover-300px.jpg\" alt=\"Todd Tobias - Tristes Tropiques\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Tristes Tropiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"les limbes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/les-limbes/\"><img class=\"alignnone wp-image-12271 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Les-Limbes-EP-Cover-300px.jpg\" alt=\"Les Limbes EP\" width=\"300\" height=\"300\" /></a>\r\nLes Limbes\r\n<em>Les Limbes </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"axis swim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/october-solution/\"><img class=\"alignnone wp-image-12242 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"300\" height=\"300\" /></a>\r\nThe October Solution\r\n<em>Axis Swim Scar</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"fate\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-12109 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/03/Kramies-The-Fate-300px-300x300.jpg\" alt=\"Kramies \'The Fate That Never Favored Us\'\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Fate That Never Favored Us</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"river fire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-12036 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/To-Set-The-River-On-Fire-300px.jpg\" alt=\"To-Set-The-River-On-Fire-300px\" width=\"300\" height=\"300\" /></a>\r\nChloe March vs. Markus Mehr\r\n<em>To Set The River on Fire </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"orpheus pavement\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-12036 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/To-Set-The-River-On-Fire-300px.jpg\" alt=\"To-Set-The-River-On-Fire-300px\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>The Orpheus Pavement </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2014\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2014</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"dusk recital\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-11402 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/duskrecital_300.jpg\" alt=\"The Dusk Recital\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Dusk Recital</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"makee\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/makee/\"><img class=\"alignnone wp-image-11088 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Makee-EP-300px.jpg\" alt=\"Makee EP\" width=\"300\" height=\"300\" /></a>\r\nmakee\r\n<em>makee</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Nights Bright Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-11189 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Nights-Bright-Days-Cover-1000px-300x300.jpg\" alt=\"Nights Bright Days\" width=\"300\" height=\"300\" /></a>\r\nChloë March\r\n<em>Nights bright Days</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under The Day\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone size-medium wp-image-11191\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderTheDayCov350-300x300.jpg\" alt=\"Under The Day\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>Under The Day</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Enchanting Gaze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone wp-image-11190 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enchanting-Gaze-1000px-300x300.jpg\" alt=\"Enchanting Gaze\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Enchanting Gaze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-medium wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities 2\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-11192 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Impossible-Cites-2-1000px-300x300.jpg\" alt=\"Impossible Cites 2\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities 2</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Binary Rooms\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-10985 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - \" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Binary Rooms</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deconstruction Manual\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\"><img class=\"alignnone wp-image-10803 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Deconstruction Manual</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"In Between\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-10470 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/In-Between-Cover-1000px-300x300.jpg\" alt=\"Kryshe - In Between\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>In Between</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Revolving Maze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignnone wp-image-10715 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Revolving-Maze-Front-Cover-300x300.jpg\" alt=\"Revolving Maze\" width=\"300\" height=\"300\" /></a>\r\nInvolved\r\n<em>Revolving Maze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Positive Haywires\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignnone size-medium wp-image-10728\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Positive-Haywires-Front-Cover-1000px-300x300.jpg\" alt=\"Positive Haywires\" width=\"300\" height=\"300\" /></a>\r\nBrother Earth\r\n<em>Positive Haywires</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under Songs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/draliensmith/\"><img class=\"alignnone wp-image-10373 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderSongsCoverArt-300x300.jpg\" alt=\"Under Songs\" width=\"300\" height=\"300\" /></a>\r\nDrAlienSmith\r\n<em>Under Songs</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Cogent Sea</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Growing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-11052 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Growing-Cover-300x300.jpg\" alt=\"Growing\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Growing</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em> The Folklore Sessions</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone wp-image-9399 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /></a>\r\nperth\r\nWhere\'s Utopia (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2013\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2013</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a>\r\nperth\r\n<em>What’s Your Utopia?</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"No True Beauty\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/NO-TRUE-BEAUTY-300x300.jpg\" alt=\"There Can Be True Beauty Without Decay\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>There Can Be No True Beauty Without Decay </em></em>(2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Voices Out There</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Wooden Heart</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Live in Bari</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Let\'s Adjourn To The Garden</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope III\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12430 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemacope-III-cover-CMYK-300x300.jpg\" alt=\"Cinemacope III\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope III</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias &amp; Circus Devils\r\n<em>I Razor </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Momentary Mask\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone wp-image-10374 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Momentary-Mask-Cover-300x300.jpg\" alt=\"The Momentary Mask\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>The Momentary Mask </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em>Quarrels</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Off</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2012\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2012</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>East of Monument </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>The Road To The Crater </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope II\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone wp-image-12434 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover1-300x300.jpg\" alt=\"Cinemascope II\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope II</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>Terrane </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Laterna Magica</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>On</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Un Giorno Sospeso</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dreamland\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone size-medium wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Dreamland </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope I\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-12433 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemascope-I-Cover-1000px-300x300.jpg\" alt=\"Cinemascope I\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope I</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Medicine Show </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Light Dispersed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11492\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIGHT-DISPERSED-300x300.jpg\" alt=\"Light Dispersed\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Light Dispersed </em>(2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2011\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2011</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The European</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Remixed</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a>\r\nAntonymes meets Slow Dancing Society\r\n<em><em>We Don’t Look Back For Very Long</em> </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Letters From The Coast </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hong Kong\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone wp-image-12038 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Hong-Kong-Express-Cover-Art-1400px-300x300.jpg\" alt=\"Hong Kong Express\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\n<em>Hong Kong Express </em>(2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Like Rumours\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIKE-RUMOURS-300x300.jpg\" alt=\"Like Rumours Of Hushed Thunder\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Like Rumours Of Hushed Thunder</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>A Frame of Reference</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"casino\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone wp-image-12431 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/On-The-Casino-Floor-Cover-300x300.jpg\" alt=\"On The Casino Floor\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>On The Casino Floor</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Now We\'re Active</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Lost in Waves of Light </em></em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>The Licence To Interpret Dreams </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>The Stones And The Rabbits</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"hears like a bat\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12428 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Heart-That-Hears-Like-A-Bat-Cover-Art-1-300x300.jpg\" alt=\"The Heart That Hears Like A Bat\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>The Heart That Hears Like A Bat</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2010\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2010</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em><em>Under The Sodium Lights </em></em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Lava </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>Heresy and Rite</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Before The Light Fails\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/BEFORE-THE-LIGHT-FAILS-300x300.jpg\" alt=\"31: Before The Light Fails\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>31: Before The Light Fails</em> (2010)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"machine\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9475\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/machine_LRG1.jpg\" alt=\"Machine Is My Animal\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Machine Is My Animal </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2009\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2009</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em><em>Unknown Knowns </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>I Haven’t Got It In Me</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"soundcheck\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12040\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Soundcheck_Mp3-300x300.jpg\" alt=\"Soundcheck For A Missing Movie\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Soundcheck For A Missing Movie</em> (2009)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Umpire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-medium wp-image-11478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Umpire-EP-Cover-Art-1000px-300x300.jpg\" alt=\"Umpire\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Umpire</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Chromatic Sigh</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a>\r\nDown Review\r\n<em>From Here, For Anyone</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em><em>Apricot Rail </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>That Time</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a>\r\nSleeping Me\r\n<em>Cradlesongs</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearts\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/hotels/\"><img class=\"alignnone wp-image-12426 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Where-Hearts-Go-Broke-mp3-300x300.jpg\" alt=\"Where Hearts Go Broke\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Where Hearts Go Broke</em>  (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2008\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2008</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"spook\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9486\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG1.jpg\" alt=\"The Spook\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em><em>The Spook </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Too Late, The Day</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"touch me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone size-medium wp-image-12039\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Touch-Me-Cover-Art-1400px-300x300.jpg\" alt=\"Touch me and i will save you\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\nTouch me and i will save you (2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Priest Lake Circa \'88 </em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a>\r\nThe Slow Beings\r\n<em>We Know Why The Earth Moves</em>  (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em><em>Evergreen </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Our Man in Eden Hill</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2007\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2007</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>September 16th </em>(2007)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Slow And Steady Winter</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a>\r\nCheekbone\r\n<em><em>Yesterday </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Restless </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Fining</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em><em>It\'s Now Or Later </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Sound Of Lights When Dim</em> (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes &amp; Ponds\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a>\r\nThe Hero Cycle\r\n<em>Lakes and Ponds </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2006\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2006</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>Golden Days </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a>\r\nEnargeia\r\n<em><em>UFO: Stryker Force </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a>\r\nMotor Eye\r\n<em>Motor Eye </em>(2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>Slow Attack</em> (2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Up Down Up </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em><em>Ideas Are The Answer </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a>\r\nWayne Harriss\r\n<em>Aerospace</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2005\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2005</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Thank You For Choosing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone wp-image-12424 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover-300x300.jpg\" alt=\"Thank You For Choosing...\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Thank You For Choosing</em> (2005)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2003\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2003</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Mapping the static\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-medium wp-image-11477\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Mapping-The-Static-Cover-Art-1000px-300x300.jpg\" alt=\"Mapping The Static\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em>Mapping The Static</em> (2003)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','closed','','8417-revision-v1','','','2016-03-17 15:54:31','2016-03-17 07:54:31','',8417,'http://www.hiddenshoal.com/8417-revision-v1/',0,'revision','',0),(14292,1,'2016-04-04 13:06:02','2016-04-04 05:06:02','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px.jpg\"><img class=\"alignleft  wp-image-14296\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px-300x300.jpg\" alt=\"Recollage\" width=\"200\" height=\"200\" /></a>Hidden Shoal is excited to announce the forthcoming reissue of <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a>’s superb debut album <i>Recollage </i>(23/5/16)<i>. </i>To get you in the mood we have the wonderful album track \'Tail Lights\' available for <a title=\"Tail Lights Download\" href=\"http://eriknilsson.bandcamp.com/track/tail-lights-2\" target=\"_blank\">download</a> and <a title=\"Tail Lights Stream\" href=\"https://soundcloud.com/hidden_shoal/erik-nilsson-tail-lights\" target=\"_blank\">streaming</a>.<i>\r\n</i>\r\n\r\nThere is a vibrant playfulness across <i>Recollage</i>’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, <i>Recollage</i>’s music-box melodies bring to mind Björk’s <i>Vespertine</i>, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\nThe album is clearly a vivid precursor to acclaimed second album <a title=\"Hearing Things\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><em>Hearing Things</em></a> (2015), but also its own unique creature. First released through <a title=\"Luxus Arctica\" href=\"http://luxusarctica.wordpress.com/\" target=\"_blank\">Luxus-Artica Records</a> in 2011, <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n<em>“Nilsson’s work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes”</em> – <strong>Hypnagogue on <i>Hearing Things</i></strong>\r\n\r\n<em>Recollage</em> also joins the <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\" target=\"_blank\">Hidden Shoal licensing catalogue</a> and all album tracks are available now for your next moving image project or compilation. <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">Contact us</a> for more info.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/256475493&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Erik Nilsson Single and Forthcoming Reissue of Debut Album','','publish','closed','closed','','erik-nilsson-recollage-forthcoming-reissue-single','','','2016-04-04 13:06:02','2016-04-04 05:06:02','',0,'http://www.hiddenshoal.com/?p=14292',0,'post','',0),(14293,1,'2016-04-04 12:27:43','2016-04-04 04:27:43','We\'re excited to announce the forthcoming reissue of <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a>’s superb debut album <i>Recollage </i>(23/5/16)<i>. </i>The album is clearly a vivid precursor to acclaimed second album <a title=\"Hearing Things\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><em>Hearing Things</em></a> (2015), but also its own unique creature. First released through Luxus-Artica Records in 2011, Recollage has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n&nbsp;\r\n\r\nThere is a vibrant playfulness across <i>Recollage</i>’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, <i>Recollage</i>’s music-box melodies bring to mind Björk’s <i>Vespertine</i>, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\n&nbsp;\r\n“Nilsson’s work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes” – Hypnagogue on <i>Hearing Things</i>','Erik Nilsson Single and Forthcoming Reissue of Debut Album','','inherit','closed','closed','','14292-revision-v1','','','2016-04-04 12:27:43','2016-04-04 04:27:43','',14292,'http://www.hiddenshoal.com/14292-revision-v1/',0,'revision','',0),(14294,1,'2016-04-04 12:50:22','2016-04-04 04:50:22','Hidden Shoal is excited to announce the forthcoming reissue of <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a>’s superb debut album <i>Recollage </i>(23/5/16)<i>. </i>To get you in the mood we have the wonderful album track \'Tail Lights\' available for download and streaming.<i>\r\n</i>\r\n\r\nThere is a vibrant playfulness across <i>Recollage</i>’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, <i>Recollage</i>’s music-box melodies bring to mind Björk’s <i>Vespertine</i>, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\nThe album is clearly a vivid precursor to acclaimed second album <a title=\"Hearing Things\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><em>Hearing Things</em></a> (2015), but also its own unique creature. First released through Luxus-Artica Records in 2011, <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n<em>“Nilsson’s work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes”</em> – <strong>Hypnagogue on <i>Hearing Things</i></strong>','Erik Nilsson Single and Forthcoming Reissue of Debut Album','','inherit','closed','closed','','14292-revision-v1','','','2016-04-04 12:50:22','2016-04-04 04:50:22','',14292,'http://www.hiddenshoal.com/14292-revision-v1/',0,'revision','',0),(14295,1,'2016-04-04 12:54:23','2016-04-04 04:54:23','Hidden Shoal is excited to announce the forthcoming reissue of <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a>’s superb debut album <i>Recollage </i>(23/5/16)<i>. </i>To get you in the mood we have the wonderful album track \'Tail Lights\' available for download and streaming.<i>\r\n</i>\r\n\r\nThere is a vibrant playfulness across <i>Recollage</i>’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, <i>Recollage</i>’s music-box melodies bring to mind Björk’s <i>Vespertine</i>, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\nThe album is clearly a vivid precursor to acclaimed second album <a title=\"Hearing Things\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><em>Hearing Things</em></a> (2015), but also its own unique creature. First released through <a title=\"Luxus Arctica\" href=\"http://luxusarctica.wordpress.com/\" target=\"_blank\">Luxus-Artica Records</a> in 2011, <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n<em>“Nilsson’s work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes”</em> – <strong>Hypnagogue on <i>Hearing Things</i></strong>\r\n\r\n<em>Recollage</em> also joins the <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\" target=\"_blank\">Hidden Shoal licensing catalogue</a> and all album tracks are available now for your next moving image project or compilation. <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">Contact us</a> for more info.','Erik Nilsson Single and Forthcoming Reissue of Debut Album','','inherit','closed','closed','','14292-revision-v1','','','2016-04-04 12:54:23','2016-04-04 04:54:23','',14292,'http://www.hiddenshoal.com/14292-revision-v1/',0,'revision','',0),(14296,1,'2016-04-04 12:55:16','2016-04-04 04:55:16','','Recollage','','inherit','closed','closed','','recollage-cover-art-1400px','','','2016-04-04 12:55:49','2016-04-04 04:55:49','',14292,'http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px.jpg',0,'attachment','image/jpeg',0),(14297,1,'2016-04-04 12:55:57','2016-04-04 04:55:57','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px.jpg\"><img class=\"alignleft  wp-image-14296\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px-300x300.jpg\" alt=\"Recollage\" width=\"200\" height=\"200\" /></a>Hidden Shoal is excited to announce the forthcoming reissue of <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a>’s superb debut album <i>Recollage </i>(23/5/16)<i>. </i>To get you in the mood we have the wonderful album track \'Tail Lights\' available for download and streaming.<i>\r\n</i>\r\n\r\nThere is a vibrant playfulness across <i>Recollage</i>’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, <i>Recollage</i>’s music-box melodies bring to mind Björk’s <i>Vespertine</i>, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\nThe album is clearly a vivid precursor to acclaimed second album <a title=\"Hearing Things\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><em>Hearing Things</em></a> (2015), but also its own unique creature. First released through <a title=\"Luxus Arctica\" href=\"http://luxusarctica.wordpress.com/\" target=\"_blank\">Luxus-Artica Records</a> in 2011, <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n<em>“Nilsson’s work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes”</em> – <strong>Hypnagogue on <i>Hearing Things</i></strong>\r\n\r\n<em>Recollage</em> also joins the <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\" target=\"_blank\">Hidden Shoal licensing catalogue</a> and all album tracks are available now for your next moving image project or compilation. <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">Contact us</a> for more info.','Erik Nilsson Single and Forthcoming Reissue of Debut Album','','inherit','closed','closed','','14292-revision-v1','','','2016-04-04 12:55:57','2016-04-04 04:55:57','',14292,'http://www.hiddenshoal.com/14292-revision-v1/',0,'revision','',0),(14298,1,'2016-04-04 13:03:57','2016-04-04 05:03:57','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Erik Nilsson</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Erik_Nilsson_Main-300x300.jpg\" alt=\"Erik Nilsson\" width=\"265\" height=\"265\" /></a><i>“delights at every turn... an unfailingly tuneful and entertaining whole that transcends its techniques through sheer musicality”</i> – <b>Music is Good</b>\r\n\r\nDrawing on folk, classical and electronica, Erik Nilsson blends acoustic instruments with field recordings and computer-generated sounds, crafting music akin to early Four Tet, Tortoise at their most minimal, and fellow Scandinavian soundscapers The Gentleman Losers. His Hidden Shoal debut <i>Hearing Things</i> advances the compositional strategy Nilsson first explored on his acclaimed debut <i>Recollage</i>: simple rhythmic and melodic elements are manipulated and recontextualised into richly textured, emotive pieces.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Erik-Nilsson/611820405621104\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/nosslinkire\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/apanmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"https://eriknilsson.bandcamp.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/au/artist/erik-nilsson/id24938710?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /> </a></strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Tail Lights</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"http://bandcamp.com/EmbeddedPlayer/track=2521099357/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/track/tail-lights-2\">Tail Lights by Erik Nilsson</a></iframe>\r\nApril 2016\r\n<div></div>\r\nTail Lights is the first single taken from the forthcoming reissue of Erik Nilsson\'s superb debut album <em>Recollage. </em>The album will see release on the 23rd of May 2016.\r\n\r\nThere is a vibrant playfulness across <i>Recollage</i>’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, <i>Recollage</i>’s music-box melodies bring to mind Björk’s <i>Vespertine</i>, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\nThe album is clearly a vivid precursor to acclaimed second album <em>Hearing Things</em> (2015), but also its own unique creature. First released through <a title=\"Luxus Arctica\" href=\"http://luxusarctica.wordpress.com/\" target=\"_blank\">Luxus-Artica Records</a> in 2011, <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n&nbsp;\r\n<h4>Hearing Things</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3271579377/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/album/hearing-things\">Hearing Things by Erik Nilsson</a></iframe>\r\nJuly 2015\r\n<div></div>\r\nDrawing on folk, classical and electronica, Erik Nilsson blends acoustic instruments with field recordings and computer-generated sounds, crafting music akin to early Four Tet, Tortoise at their most minimal, and fellow Scandinavian soundscapers The Gentleman Losers. His Hidden Shoal debut <em>Hearing Things</em> advances the compositional strategy Nilsson first explored on his acclaimed debut <em>Recollage</em>: simple rhythmic and melodic elements are manipulated and recontextualised into richly textured, emotive pieces.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nErik Nilsson lives and works in Stockholm, Sweden. Initially inspired by the grunge scene, Erik first picked up his mother’s old, busted guitar in his early teens and formed rock quartet Banda de Ladrones. Upon hearing Björk some years later, Erik became fascinated with audio manipulation and spent much of his time in the following years mangling samples on his digital workstation. Meanwhile, his musical tastes and influences evolved and expanded into folk, jazz, classical and contemporary experimental music.\r\n\r\nErik’s previous work includes the album <i>Recollage</i>, released by Luxus-Artica Records, and the score for <i>Ahmed – Almost 13</i>, a Norwegian documentary screened at the prestigious International Documentary Film Festival of Amsterdam. His music can be heard in <i>Project Power</i>, which chronicles civic resistance to privatisation in New Brunswick, Canada, and in <i>Are You Still There?</i>, finalist in the 2011 edition of the short film competition The 24 Hour Film Race. Erik is a regular contributor to the Disquiet Junto Project, an online collective exploring the creative potential of constraints. He is also singer and guitarist of folk-rock trio Otinget, whose debut album will be released in 2015.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=eriknilsson-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=eriknilsson-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12504,12500,12501,12502,12503\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nErik Nilsson\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Erik Nilsson','','inherit','closed','closed','','12497-revision-v1','','','2016-04-04 13:03:57','2016-04-04 05:03:57','',12497,'http://www.hiddenshoal.com/12497-revision-v1/',0,'revision','',0),(14299,1,'2016-04-04 13:06:02','2016-04-04 05:06:02','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px.jpg\"><img class=\"alignleft  wp-image-14296\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px-300x300.jpg\" alt=\"Recollage\" width=\"200\" height=\"200\" /></a>Hidden Shoal is excited to announce the forthcoming reissue of <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a>’s superb debut album <i>Recollage </i>(23/5/16)<i>. </i>To get you in the mood we have the wonderful album track \'Tail Lights\' available for <a title=\"Tail Lights Download\" href=\"http://eriknilsson.bandcamp.com/track/tail-lights-2\" target=\"_blank\">download</a> and <a title=\"Tail Lights Stream\" href=\"https://soundcloud.com/hidden_shoal/erik-nilsson-tail-lights\" target=\"_blank\">streaming</a>.<i>\r\n</i>\r\n\r\nThere is a vibrant playfulness across <i>Recollage</i>’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, <i>Recollage</i>’s music-box melodies bring to mind Björk’s <i>Vespertine</i>, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\nThe album is clearly a vivid precursor to acclaimed second album <a title=\"Hearing Things\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><em>Hearing Things</em></a> (2015), but also its own unique creature. First released through <a title=\"Luxus Arctica\" href=\"http://luxusarctica.wordpress.com/\" target=\"_blank\">Luxus-Artica Records</a> in 2011, <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n<em>“Nilsson’s work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes”</em> – <strong>Hypnagogue on <i>Hearing Things</i></strong>\r\n\r\n<em>Recollage</em> also joins the <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\" target=\"_blank\">Hidden Shoal licensing catalogue</a> and all album tracks are available now for your next moving image project or compilation. <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\" target=\"_blank\">Contact us</a> for more info.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/256475493&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Erik Nilsson Single and Forthcoming Reissue of Debut Album','','inherit','closed','closed','','14292-revision-v1','','','2016-04-04 13:06:02','2016-04-04 05:06:02','',14292,'http://www.hiddenshoal.com/14292-revision-v1/',0,'revision','',0),(14300,1,'2016-04-04 13:06:53','2016-04-04 05:06:53','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Erik Nilsson</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Erik_Nilsson_Main-300x300.jpg\" alt=\"Erik Nilsson\" width=\"265\" height=\"265\" /></a><i>“delights at every turn... an unfailingly tuneful and entertaining whole that transcends its techniques through sheer musicality”</i> – <b>Music is Good</b>\r\n\r\nDrawing on folk, classical and electronica, Erik Nilsson blends acoustic instruments with field recordings and computer-generated sounds, crafting music akin to early Four Tet, Tortoise at their most minimal, and fellow Scandinavian soundscapers The Gentleman Losers. His Hidden Shoal debut <i>Hearing Things</i> advances the compositional strategy Nilsson first explored on his acclaimed debut <i>Recollage</i>: simple rhythmic and melodic elements are manipulated and recontextualised into richly textured, emotive pieces.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Erik-Nilsson/611820405621104\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/nosslinkire\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/apanmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"https://eriknilsson.bandcamp.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/au/artist/erik-nilsson/id24938710?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /> </a></strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Tail Lights</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"http://bandcamp.com/EmbeddedPlayer/track=2521099357/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/track/tail-lights-2\">Tail Lights by Erik Nilsson</a></iframe>\r\nApril 2016\r\n<div></div>\r\n\'Tail Lights\' is the first single taken from the forthcoming reissue of Erik Nilsson\'s superb debut album <em>Recollage. </em>The album will see release on the 23rd of May 2016.\r\n\r\nThere is a vibrant playfulness across <i>Recollage</i>’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, <i>Recollage</i>’s music-box melodies bring to mind Björk’s <i>Vespertine</i>, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\nThe album is clearly a vivid precursor to acclaimed second album <em>Hearing Things</em> (2015), but also its own unique creature. First released through <a title=\"Luxus Arctica\" href=\"http://luxusarctica.wordpress.com/\" target=\"_blank\">Luxus-Artica Records</a> in 2011, <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n&nbsp;\r\n<h4>Hearing Things</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3271579377/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/album/hearing-things\">Hearing Things by Erik Nilsson</a></iframe>\r\nJuly 2015\r\n<div></div>\r\nDrawing on folk, classical and electronica, Erik Nilsson blends acoustic instruments with field recordings and computer-generated sounds, crafting music akin to early Four Tet, Tortoise at their most minimal, and fellow Scandinavian soundscapers The Gentleman Losers. His Hidden Shoal debut <em>Hearing Things</em> advances the compositional strategy Nilsson first explored on his acclaimed debut <em>Recollage</em>: simple rhythmic and melodic elements are manipulated and recontextualised into richly textured, emotive pieces.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nErik Nilsson lives and works in Stockholm, Sweden. Initially inspired by the grunge scene, Erik first picked up his mother’s old, busted guitar in his early teens and formed rock quartet Banda de Ladrones. Upon hearing Björk some years later, Erik became fascinated with audio manipulation and spent much of his time in the following years mangling samples on his digital workstation. Meanwhile, his musical tastes and influences evolved and expanded into folk, jazz, classical and contemporary experimental music.\r\n\r\nErik’s previous work includes the album <i>Recollage</i>, released by Luxus-Artica Records, and the score for <i>Ahmed – Almost 13</i>, a Norwegian documentary screened at the prestigious International Documentary Film Festival of Amsterdam. His music can be heard in <i>Project Power</i>, which chronicles civic resistance to privatisation in New Brunswick, Canada, and in <i>Are You Still There?</i>, finalist in the 2011 edition of the short film competition The 24 Hour Film Race. Erik is a regular contributor to the Disquiet Junto Project, an online collective exploring the creative potential of constraints. He is also singer and guitarist of folk-rock trio Otinget, whose debut album will be released in 2015.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=eriknilsson-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=eriknilsson-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12504,12500,12501,12502,12503\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nErik Nilsson\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Erik Nilsson','','inherit','closed','closed','','12497-revision-v1','','','2016-04-04 13:06:53','2016-04-04 05:06:53','',12497,'http://www.hiddenshoal.com/12497-revision-v1/',0,'revision','',0),(14301,1,'2016-04-14 15:45:02','2016-04-14 07:45:02','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft  wp-image-14204\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Grant Hazard Outerbridge\" width=\"221\" height=\"221\" /></a>Hidden Shoal is proud to announce the release of \'Somnolent\' by piano minimalist <a title=\"Memorybell\" href=\"http://www.hiddenshoal.com/project/memorybell/\">Memorybell</a>, taken from his debut album <em>Obsolete</em>. Memorybell is the ambient project of Grant Hazard Outerbridge, who in February 2014 awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence. Recorded live in a single sitting using just a creaky grand piano and two microphones, <em>Obsolete</em> is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breathe and encouraging the ear to wander. The percussive qualities of the piano are almost dissolved by the air surrounding each note, leaving an aching space for the tones to resonate.\r\n\r\n<span class=\"_5yl5\">\'Somnolent\'</span> is available now to <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/memorybell-somnolent\" target=\"_blank\">stream </a>and <a title=\"Bandcamp\" href=\"https://memorybell.bandcamp.com/releases\" target=\"_blank\">download</a>.<em> Obsolete</em> will see release on the 2nd of June.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/258791233&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Memorybell Single, Forthcoming Album','','publish','closed','closed','','new-memorybell-single-forthcoming-album','','','2016-04-14 15:45:59','2016-04-14 07:45:59','',0,'http://www.hiddenshoal.com/?p=14301',0,'post','',0),(14305,1,'2016-04-12 15:13:46','2016-04-12 07:13:46','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft  wp-image-14204\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Grant Hazard Outerbridge\" width=\"221\" height=\"221\" /></a><span class=\"_5yl5\">Hidden Shoal is proud to announce the release of \'Somnolent\' by piano minimalist Memorybell, taken from debut album Obsolete. Memorybell is the ambient project of Grant Hazard Outerbridge</span>.\r\n\r\nIn February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence. Recorded live in a single sitting using just a creaky grand piano and two microphones, <em>Obsolete</em> is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breathe and encouraging the ear to wander. The percussive qualities of the piano are almost dissolved by the air surrounding each note, leaving an aching space for the tones to resonate.\r\n\r\n<em>Obsolete</em> will see release on the 2nd of June.','New Memorybell Single, Forthcoming Album','','inherit','closed','closed','','14301-revision-v1','','','2016-04-12 15:13:46','2016-04-12 07:13:46','',14301,'http://www.hiddenshoal.com/14301-revision-v1/',0,'revision','',0),(14303,1,'2016-04-12 13:56:06','2016-04-12 05:56:06','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft  wp-image-14204\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Grant Hazard Outerbridge\" width=\"221\" height=\"221\" /></a>Hidden Shoal is proud to announce the release of the first cut from <em>Obsolete</em>, the debut album by piano minimalist <a href=\"http://www.hiddenshoal.com/project/memorybell/\">Memorybell</a>, the ambient project of Grant Hazard Outerbridge. In February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence. Recorded live in a single sitting using just a creaky grand piano and two microphones, <em>Obsolete</em> is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breathe and encouraging the ear to wander. The percussive qualities of the piano are almost dissolved by the air surrounding each note, leaving an aching space for the tones to resonate.\r\n\r\n<em>Obsolete</em> will see release on the 2nd of June.','New Memorybell Single, Forthcoming Album','','inherit','closed','closed','','14301-revision-v1','','','2016-04-12 13:56:06','2016-04-12 05:56:06','',14301,'http://www.hiddenshoal.com/14301-revision-v1/',0,'revision','',0),(14304,1,'2016-04-12 13:58:27','2016-04-12 05:58:27','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft  wp-image-14204\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Grant Hazard Outerbridge\" width=\"221\" height=\"221\" /></a>Hidden Shoal is proud to announce the release \'Somnolent\', the first cut from <em>Obsolete</em>, the debut album by piano minimalist <a href=\"http://www.hiddenshoal.com/project/memorybell/\">Memorybell</a>, the ambient project of Grant Hazard Outerbridge. In February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence. Recorded live in a single sitting using just a creaky grand piano and two microphones, <em>Obsolete</em> is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breathe and encouraging the ear to wander. The percussive qualities of the piano are almost dissolved by the air surrounding each note, leaving an aching space for the tones to resonate.\r\n\r\n<em>Obsolete</em> will see release on the 2nd of June.','New Memorybell Single, Forthcoming Album','','inherit','closed','closed','','14301-revision-v1','','','2016-04-12 13:58:27','2016-04-12 05:58:27','',14301,'http://www.hiddenshoal.com/14301-revision-v1/',0,'revision','',0),(14306,1,'2016-04-12 15:33:08','2016-04-12 07:33:08','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft  wp-image-14204\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Grant Hazard Outerbridge\" width=\"221\" height=\"221\" /></a><span class=\"_5yl5\">Hidden Shoal is proud to announce the release of \'Somnolent\' by piano minimalist Memorybell, taken from debut album <em>Obsolete</em>. Memorybell is the ambient project of Grant Hazard Outerbridge who in </span>February 2014 awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence. Recorded live in a single sitting using just a creaky grand piano and two microphones, <em>Obsolete</em> is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breathe and encouraging the ear to wander. The percussive qualities of the piano are almost dissolved by the air surrounding each note, leaving an aching space for the tones to resonate.\r\n\r\n<span class=\"_5yl5\">\'Somnolent\'</span> is available now to stream and download.<em> Obsolete</em> will see release on the 2nd of June.','New Memorybell Single, Forthcoming Album','','inherit','closed','closed','','14301-revision-v1','','','2016-04-12 15:33:08','2016-04-12 07:33:08','',14301,'http://www.hiddenshoal.com/14301-revision-v1/',0,'revision','',0),(14307,1,'2016-04-12 15:46:25','2016-04-12 07:46:25','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft  wp-image-14204\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Grant Hazard Outerbridge\" width=\"221\" height=\"221\" /></a>Hidden Shoal is proud to announce the release of \'Somnolent\' by piano minimalist Memorybell, taken from his debut album <em>Obsolete</em>. Memorybell is the ambient project of Grant Hazard Outerbridge, who in February 2014 awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence. Recorded live in a single sitting using just a creaky grand piano and two microphones, <em>Obsolete</em> is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breathe and encouraging the ear to wander. The percussive qualities of the piano are almost dissolved by the air surrounding each note, leaving an aching space for the tones to resonate.\r\n\r\n<span class=\"_5yl5\">\'Somnolent\'</span> is available now to stream and download.<em> Obsolete</em> will see release on the 2nd of June.','New Memorybell Single, Forthcoming Album','','inherit','closed','closed','','14301-revision-v1','','','2016-04-12 15:46:25','2016-04-12 07:46:25','',14301,'http://www.hiddenshoal.com/14301-revision-v1/',0,'revision','',0),(14308,1,'2016-04-14 08:25:00','2016-04-14 00:25:00','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft  wp-image-14204\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Grant Hazard Outerbridge\" width=\"221\" height=\"221\" /></a>Hidden Shoal is proud to announce the release of \'Somnolent\' by piano minimalist Memorybell, taken from his debut album <em>Obsolete</em>. Memorybell is the ambient project of Grant Hazard Outerbridge, who in February 2014 awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence. Recorded live in a single sitting using just a creaky grand piano and two microphones, <em>Obsolete</em> is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breathe and encouraging the ear to wander. The percussive qualities of the piano are almost dissolved by the air surrounding each note, leaving an aching space for the tones to resonate.\r\n\r\n<span class=\"_5yl5\">\'Somnolent\'</span> is available now to stream and download.<em> Obsolete</em> will see release on the 2nd of June.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/258791233&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Memorybell Single, Forthcoming Album','','inherit','closed','closed','','14301-revision-v1','','','2016-04-14 08:25:00','2016-04-14 00:25:00','',14301,'http://www.hiddenshoal.com/14301-revision-v1/',0,'revision','',0),(14590,1,'2016-06-03 16:33:56','2016-06-03 08:33:56','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Memorybell</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft wp-image-14162 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"212\" height=\"212\" /></a>Memorybell explores the emotional and environmental possibilities of ambient music, creating pieces that are simultaneously cinematic and intimate, evoking solitude and yearning, affliction and recovery. Debut album <i>Obsolete</i>, created using just a creaky grand piano and two microphones, is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breath and encouraging the ear to wander.\r\n\r\n&nbsp;\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/memorybellmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/granthazard\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/memorybell\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://granthazard.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Obsolete</h4>\r\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4101987488/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://memorybell.bandcamp.com/album/obsolete\">Obsolete by Memorybell</a></iframe>\r\nJune 2016\r\n\r\n<em>Obsolete</em> is the debut album by piano minimalist Memorybell.  Exploring the emotional and environmental possibilities of ambient music, Memorybell creates pieces that are simultaneously cinematic and intimate, evoking solitude and yearning, affliction and recovery. Recorded live in a single sitting using just a creaky grand piano and two microphones, <em>Obsolete</em> is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breathe and encouraging the ear to wander. The percussive qualities of the piano are almost dissolved by the air surrounding each note, leaving an aching space for the tones to resonate.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nMemorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly 30 years. From 2003 to 2008, he played bass, keys, and occasionally sang in band The Very Hush Hush. Alternately called dream-pop, electro-pop, shoegaze and indie, TVHH released two albums, <i>Mourir C’est Facile</i> (2006) and <i>Evil Milk </i>(2008), and two EPs, <i>Washing Songs </i>(2003) and <i>Sign Language </i>(2004). They toured nationally and shared the stage with bands such as Okkervil River, Stereolab, and TV on the Radio. In 2010, under the name Grant Hazard, Outerbridge self-released <i>Genus Euphony</i>, a solo effort of classical piano infused with subtle electronics.\r\n\r\nIn February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence.\r\n\r\nGrant lives with his wife and son in Denver, CO.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=memorybell-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=memorybell-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"14204,14206\"]\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMemorybell\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Memorybell','','inherit','closed','closed','','14161-revision-v1','','','2016-06-03 16:33:56','2016-06-03 08:33:56','',14161,'http://www.hiddenshoal.com/14161-revision-v1/',0,'revision','',0),(14568,1,'2016-06-02 12:18:56','2016-06-02 04:18:56','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Memorybell</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft wp-image-14162 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"212\" height=\"212\" /></a>Memorybell explores the emotional and environmental possibilities of ambient music, creating pieces that are simultaneously cinematic and intimate, evoking solitude and yearning, affliction and recovery. Debut album <i>Obsolete</i>, created using just a creaky grand piano and two microphones, is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breath and encouraging the ear to wander.\r\n\r\n&nbsp;\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/memorybellmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/granthazard\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/memorybell\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://granthazard.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n\r\n&nbsp;\r\n<h3>Discography</h3>\r\n<div></div>\r\n<h4>Obsolete</h4>\r\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4101987488/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://memorybell.bandcamp.com/album/obsolete\">Obsolete by Memorybell</a></iframe>\r\nJune 2016\r\n\r\n<em>Obsolete</em> is the debut album by piano minimalist Memorybell.  Exploring the emotional and environmental possibilities of ambient music, Memorybell creates pieces that are simultaneously cinematic and intimate, evoking solitude and yearning, affliction and recovery. Recorded live in a single sitting using just a creaky grand piano and two microphones, Obsolete is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breathe and encouraging the ear to wander. The percussive qualities of the piano are almost dissolved by the air surrounding each note, leaving an aching space for the tones to resonate.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nMemorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly 30 years. From 2003 to 2008, he played bass, keys, and occasionally sang in band The Very Hush Hush. Alternately called dream-pop, electro-pop, shoegaze and indie, TVHH released two albums, <i>Mourir C’est Facile</i> (2006) and <i>Evil Milk </i>(2008), and two EPs, <i>Washing Songs </i>(2003) and <i>Sign Language </i>(2004). They toured nationally and shared the stage with bands such as Okkervil River, Stereolab, and TV on the Radio. In 2010, under the name Grant Hazard, Outerbridge self-released <i>Genus Euphony</i>, a solo effort of classical piano infused with subtle electronics.\r\n\r\nIn February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence.\r\n\r\nGrant lives with his wife and son in Denver, CO.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=memorybell-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=memorybell-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"14204,14206\"]\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMemorybell\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Memorybell','','inherit','closed','closed','','14161-revision-v1','','','2016-06-02 12:18:56','2016-06-02 04:18:56','',14161,'http://www.hiddenshoal.com/14161-revision-v1/',0,'revision','',0),(14310,1,'2016-04-14 15:41:25','2016-04-14 07:41:25','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Memorybell</h1>\r\n<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft wp-image-14162 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"212\" height=\"212\" /></a>Memorybell explores the emotional and environmental possibilities of ambient music, creating pieces that are simultaneously cinematic and intimate, evoking solitude and yearning, affliction and recovery. Debut album <i>Obsolete</i>, created using just a creaky grand piano and two microphones, is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breath and encouraging the ear to wander.</p>\r\n<p>&nbsp;</p>\r\n<p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/memorybellmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/granthazard\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/memorybell\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://granthazard.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><h4>\'Somnolent\' (Single)</h4><p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=1657453954/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://memorybell.bandcamp.com/track/somnolent\">Somnolent by Memorybell</a></iframe><br /> April 2016</p><p>\'Somnolent\' is the first taste from the forthcoming Memorybell debut <em>Obsolete</em>. Memorybell is the ambient project of Grant Hazard Outerbridge, who in February 2014 awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence. Recorded live in a single sitting using just a creaky grand piano and two microphones, <em>Obsolete</em> is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breathe and encouraging the ear to wander. The percussive qualities of the piano are almost dissolved by the air surrounding each note, leaving an aching space for the tones to resonate.</p><p><em>Obsolete</em> will see release on the 2nd of June 2016</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Memorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly 30 years. From 2003 to 2008, he played bass, keys, and occasionally sang in band The Very Hush Hush. Alternately called dream-pop, electro-pop, shoegaze and indie, TVHH released two albums, <i>Mourir C’est Facile</i> (2006) and <i>Evil Milk </i>(2008), and two EPs, <i>Washing Songs </i>(2003) and <i>Sign Language </i>(2004). They toured nationally and shared the stage with bands such as Okkervil River, Stereolab, and TV on the Radio. In 2010, under the name Grant Hazard, Outerbridge self-released <i>Genus Euphony</i>, a solo effort of classical piano infused with subtle electronics.</p>\r\n<p>In February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence.</p>\r\n<p>Grant lives with his wife and son in Denver, CO.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=memorybell-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=memorybell-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p>No reviews yet, sorry.</p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p>No press releases yet, sorry.</p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery columns=\"2\" ids=\"14204,14206\"]\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p>No music videos yet, sorry.</p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Memorybell\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Memorybell','','inherit','closed','closed','','14161-revision-v1','','','2016-04-14 15:41:25','2016-04-14 07:41:25','',14161,'http://www.hiddenshoal.com/14161-revision-v1/',0,'revision','',0),(14311,1,'2016-04-14 15:43:36','2016-04-14 07:43:36','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft  wp-image-14204\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Grant Hazard Outerbridge\" width=\"221\" height=\"221\" /></a>Hidden Shoal is proud to announce the release of \'Somnolent\' by piano minimalist <a title=\"Memorybell\" href=\"http://www.hiddenshoal.com/project/memorybell/\">Memorybell</a>, taken from his debut album <em>Obsolete</em>. Memorybell is the ambient project of Grant Hazard Outerbridge, who in February 2014 awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence. Recorded live in a single sitting using just a creaky grand piano and two microphones, <em>Obsolete</em> is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breathe and encouraging the ear to wander. The percussive qualities of the piano are almost dissolved by the air surrounding each note, leaving an aching space for the tones to resonate.\r\n\r\n<span class=\"_5yl5\">\'Somnolent\'</span> is available now to <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/memorybell-somnolent\" target=\"_blank\">stream </a>and <a title=\"Bandcamp\" href=\"https://memorybell.bandcamp.com/releases\" target=\"_blank\">download</a>.<em> Obsolete</em> will see release on the 2nd of June.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/258791233&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Memorybell Single, Forthcoming Album','','inherit','closed','closed','','14301-revision-v1','','','2016-04-14 15:43:36','2016-04-14 07:43:36','',14301,'http://www.hiddenshoal.com/14301-revision-v1/',0,'revision','',0),(14317,1,'2016-04-21 23:16:51','2016-04-21 15:16:51','<p title=\"Antonymes\"><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"235\" height=\"235\" /></a>We’re excited to announce the official release of <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>, the stunning new album by neo-classical ambient artist <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the acclaimed body of work that precedes them, drawing you into their evocative world and demanding engagement. The album includes contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring.</p>\r\n<p title=\"Antonymes\"><em>“Conveys a sense of wonder while underlining the bittersweet feeling of being finite in an infinite world.”</em><em> - </em><a title=\"A Closer Listen\" href=\"https://acloserlisten.com/2016/04/18/antonymes-for-now-we-see-through-a-glass-darkly/\" target=\"_blank\"><strong>A Closer Listen</strong></a></p>\r\nThe album is available on CD, in a glorious six-panel full-colour card sleeve with 8-page insert, and in digital formats. Head to <a title=\"BandCamp\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\">Antonymes Bandcamp</a> for CD and digital and iTunes, Amazon, Spotity et al for all your other digital needs.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/7ykDfoNyaGQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','New Antonymes Album Out Now!','','inherit','closed','closed','','14312-revision-v1','','','2016-04-21 23:16:51','2016-04-21 15:16:51','',14312,'http://www.hiddenshoal.com/14312-revision-v1/',0,'revision','',0),(14318,1,'2016-04-21 23:17:18','2016-04-21 15:17:18','<p title=\"Antonymes\"><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"256\" height=\"256\" /></a>We’re excited to announce the official release of <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>, the stunning new album by neo-classical ambient artist <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the acclaimed body of work that precedes them, drawing you into their evocative world and demanding engagement. The album includes contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring.</p>\r\n<p title=\"Antonymes\"><em>“Conveys a sense of wonder while underlining the bittersweet feeling of being finite in an infinite world.”</em><em> - </em><a title=\"A Closer Listen\" href=\"https://acloserlisten.com/2016/04/18/antonymes-for-now-we-see-through-a-glass-darkly/\" target=\"_blank\"><strong>A Closer Listen</strong></a></p>\r\nThe album is available on CD, in a glorious six-panel full-colour card sleeve with 8-page insert, and in digital formats. Head to <a title=\"BandCamp\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\">Antonymes Bandcamp</a> for CD and digital and iTunes, Amazon, Spotity et al for all your other digital needs.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/7ykDfoNyaGQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','New Antonymes Album Out Now!','','inherit','closed','closed','','14312-revision-v1','','','2016-04-21 23:17:18','2016-04-21 15:17:18','',14312,'http://www.hiddenshoal.com/14312-revision-v1/',0,'revision','',0),(14319,1,'2016-04-21 23:18:02','2016-04-21 15:18:02','<p title=\"Antonymes\"><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"270\" height=\"270\" /></a>We’re excited to announce the official release of <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>, the stunning new album by neo-classical ambient artist <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the acclaimed body of work that precedes them, drawing you into their evocative world and demanding engagement. The album includes contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring.</p>\r\n<p title=\"Antonymes\"><em>“Conveys a sense of wonder while underlining the bittersweet feeling of being finite in an infinite world.”</em><em> - </em><a title=\"A Closer Listen\" href=\"https://acloserlisten.com/2016/04/18/antonymes-for-now-we-see-through-a-glass-darkly/\" target=\"_blank\"><strong>A Closer Listen</strong></a></p>\r\nThe album is available on CD, in a glorious six-panel full-colour card sleeve with 8-page insert, and in digital formats. Head to <a title=\"BandCamp\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\">Antonymes Bandcamp</a> for CD and digital and iTunes, Amazon, Spotity et al for all your other digital needs.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/7ykDfoNyaGQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','New Antonymes Album Out Now!','','inherit','closed','closed','','14312-revision-v1','','','2016-04-21 23:18:02','2016-04-21 15:18:02','',14312,'http://www.hiddenshoal.com/14312-revision-v1/',0,'revision','',0),(14322,1,'2016-04-26 22:13:57','2016-04-26 14:13:57','[Translated from the Italian via Google. Read the original <a title=\"Rockerilla\" href=\"https://musicwontsaveyou.com/2016/04/21/antonymes-for-now-we-see-through-a-glass-dimly/\" target=\"_blank\">here</a>.]\r\n\r\n<span class=\"notranslate\">\"The fourth record under the alias Antonymes , Ian M. Hazeldine opens its exciting environment to a neo-classicism orchestral sharing dimension that belies the cliché solitaire similar artistic proposals.</span>\r\n\r\n<span class=\"notranslate\"> Developed over five years, \"(For Now We See) Through A Glass Dimly\" does not deny the English artist minimal approach, still defined by marked piano harmonies and enveloping layers.</span> <span class=\"notranslate\"> On this bare canvas Hazeldine not only fits spoken word, elegiac vocal and instrumental inserts more melodies, but it draws a sequence of soundscapes with great evocative power, conducting its touching simplicity to a weighted orchestral elevation.\"</span>\r\n\r\n- <a title=\"Rockerilla\" href=\"https://musicwontsaveyou.com/2016/04/21/antonymes-for-now-we-see-through-a-glass-dimly/\" target=\"_blank\"><strong>Rockerilla &amp; Music Won\'t Save You</strong></a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Rockerilla','The fourth record under the alias Antonymes , Ian M. Hazeldine opens its exciting environment to a neo-classicism orchestral sharing dimension that belies the cliché solitaire similar artistic proposals.\r\n\r\n','publish','closed','closed','','14322','','','2016-04-26 22:13:57','2016-04-26 14:13:57','',0,'http://www.hiddenshoal.com/?p=14322',0,'post','',0),(14323,1,'2016-04-26 22:13:57','2016-04-26 14:13:57','[Translated from the Italian via Google. Read the original <a title=\"Rockerilla\" href=\"https://musicwontsaveyou.com/2016/04/21/antonymes-for-now-we-see-through-a-glass-dimly/\" target=\"_blank\">here</a>.]\r\n\r\n<span class=\"notranslate\">\"The fourth record under the alias Antonymes , Ian M. Hazeldine opens its exciting environment to a neo-classicism orchestral sharing dimension that belies the cliché solitaire similar artistic proposals.</span>\r\n\r\n<span class=\"notranslate\"> Developed over five years, \"(For Now We See) Through A Glass Dimly\" does not deny the English artist minimal approach, still defined by marked piano harmonies and enveloping layers.</span> <span class=\"notranslate\"> On this bare canvas Hazeldine not only fits spoken word, elegiac vocal and instrumental inserts more melodies, but it draws a sequence of soundscapes with great evocative power, conducting its touching simplicity to a weighted orchestral elevation.\"</span>\r\n\r\n- <a title=\"Rockerilla\" href=\"https://musicwontsaveyou.com/2016/04/21/antonymes-for-now-we-see-through-a-glass-dimly/\" target=\"_blank\"><strong>Rockerilla &amp; Music Won\'t Save You</strong></a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Rockerilla','The fourth record under the alias Antonymes , Ian M. Hazeldine opens its exciting environment to a neo-classicism orchestral sharing dimension that belies the cliché solitaire similar artistic proposals.\r\n\r\n','inherit','closed','closed','','14322-revision-v1','','','2016-04-26 22:13:57','2016-04-26 14:13:57','',14322,'http://www.hiddenshoal.com/14322-revision-v1/',0,'revision','',0),(14324,1,'2016-04-28 13:51:49','2016-04-28 05:51:49','\"Antonymes is music drawn from the adjustments and erasures of sound. It’s a project where music is used to express nothing but itself and songs are formed from continuity and repetition rather than contrast and interplay. It’s a tantalizing visage, one that gives nothing away and leaves everything free for magic to occur.\r\n\r\n‘(For Now We See) Through A Glass Dimly’ is the new album to spring from Antonymes, and it’s a collection of ten emotional masterpieces that ring with potency and complexity. With contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, there’s no shortage of ideas or soundscapes held within, and as the album creeps forward, the rich tapestries of sound blend into a single, brilliant journey.\r\n\r\nTrying to describe the album in all its apparently glory is a truly impossible feat, and to be honest, I’m not ever going to really attempt it. Instead, I’m simply going to strongly urge everyone who ever stumbles upon the work on Antonymes to dive headfirst into his work, because with ‘(For Now We See) Through A Glass Dimly’ there is no way you could ever be disappointed. 9/10\"\r\n\r\n- <a title=\"Anthem\" href=\"http://www.anthemreview.net/post/143113052729/antonymes-for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><strong>Anthem</strong></a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Anthem','Trying to describe the album in all its apparently glory is a truly impossible feat, and to be honest, I’m not ever going to really attempt it. Instead, I’m simply going to strongly urge everyone who ever stumbles upon the work on Antonymes to dive headfirst into his work, because with ‘(For Now We See) Through A Glass Dimly’ there is no way you could ever be disappointed. 9/10','publish','closed','closed','','antonymes-now-we-see-through-a-glass-dimly-reviewed-at-anthem','','','2016-04-28 13:57:03','2016-04-28 05:57:03','',0,'http://www.hiddenshoal.com/?p=14324',0,'post','',0),(14325,1,'2016-04-28 13:51:49','2016-04-28 05:51:49','\"Antonymes is music drawn from the adjustments and erasures of sound. It’s a project where music is used to express nothing but itself and songs are formed from continuity and repetition rather than contrast and interplay. It’s a tantalizing visage, one that gives nothing away and leaves everything free for magic to occur.\r\n\r\n‘(For Now We See) Through A Glass Dimly’ is the new album to spring from Antonymes, and it’s a collection of ten emotional masterpieces that ring with potency and complexity. With contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, there’s no shortage of ideas or soundscapes held within, and as the album creeps forward, the rich tapestries of sound blend into a single, brilliant journey.\r\n\r\nTrying to describe the album in all its apparently glory is a truly impossible feat, and to be honest, I’m not ever going to really attempt it. Instead, I’m simply going to strongly urge everyone who ever stumbles upon the work on Antonymes to dive headfirst into his work, because with ‘(For Now We See) Through A Glass Dimly’ there is no way you could ever be disappointed. 9/10\"\r\n\r\n- <a title=\"Anthem\" href=\"http://www.anthemreview.net/post/143113052729/antonymes-for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><strong>Anthem</strong></a>','Antonymes \"(Now We See Through) A Glass Dimly\" Reviewed at Anthem','Trying to describe the album in all its apparently glory is a truly impossible feat, and to be honest, I’m not ever going to really attempt it. Instead, I’m simply going to strongly urge everyone who ever stumbles upon the work on Antonymes to dive headfirst into his work, because with ‘(For Now We See) Through A Glass Dimly’ there is no way you could ever be disappointed. 9/10','inherit','closed','closed','','14324-revision-v1','','','2016-04-28 13:51:49','2016-04-28 05:51:49','',14324,'http://www.hiddenshoal.com/14324-revision-v1/',0,'revision','',0),(14326,1,'2016-04-28 13:56:59','2016-04-28 05:56:59','\"Antonymes is music drawn from the adjustments and erasures of sound. It’s a project where music is used to express nothing but itself and songs are formed from continuity and repetition rather than contrast and interplay. It’s a tantalizing visage, one that gives nothing away and leaves everything free for magic to occur.\n\n‘(For Now We See) Through A Glass Dimly’ is the new album to spring from Antonymes, and it’s a collection of ten emotional masterpieces that ring with potency and complexity. With contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, there’s no shortage of ideas or soundscapes held within, and as the album creeps forward, the rich tapestries of sound blend into a single, brilliant journey.\n\nTrying to describe the album in all its apparently glory is a truly impossible feat, and to be honest, I’m not ever going to really attempt it. Instead, I’m simply going to strongly urge everyone who ever stumbles upon the work on Antonymes to dive headfirst into his work, because with ‘(For Now We See) Through A Glass Dimly’ there is no way you could ever be disappointed. 9/10\"\n\n- <a title=\"Anthem\" href=\"http://www.anthemreview.net/post/143113052729/antonymes-for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><strong>Anthem</strong></a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Anthem','Trying to describe the album in all its apparently glory is a truly impossible feat, and to be honest, I’m not ever going to really attempt it. Instead, I’m simply going to strongly urge everyone who ever stumbles upon the work on Antonymes to dive headfirst into his work, because with ‘(For Now We See) Through A Glass Dimly’ there is no way you could ever be disappointed. 9/10','inherit','closed','closed','','14324-autosave-v1','','','2016-04-28 13:56:59','2016-04-28 05:56:59','',14324,'http://www.hiddenshoal.com/14324-autosave-v1/',0,'revision','',0),(14327,1,'2016-04-28 13:57:03','2016-04-28 05:57:03','\"Antonymes is music drawn from the adjustments and erasures of sound. It’s a project where music is used to express nothing but itself and songs are formed from continuity and repetition rather than contrast and interplay. It’s a tantalizing visage, one that gives nothing away and leaves everything free for magic to occur.\r\n\r\n‘(For Now We See) Through A Glass Dimly’ is the new album to spring from Antonymes, and it’s a collection of ten emotional masterpieces that ring with potency and complexity. With contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, there’s no shortage of ideas or soundscapes held within, and as the album creeps forward, the rich tapestries of sound blend into a single, brilliant journey.\r\n\r\nTrying to describe the album in all its apparently glory is a truly impossible feat, and to be honest, I’m not ever going to really attempt it. Instead, I’m simply going to strongly urge everyone who ever stumbles upon the work on Antonymes to dive headfirst into his work, because with ‘(For Now We See) Through A Glass Dimly’ there is no way you could ever be disappointed. 9/10\"\r\n\r\n- <a title=\"Anthem\" href=\"http://www.anthemreview.net/post/143113052729/antonymes-for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><strong>Anthem</strong></a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Anthem','Trying to describe the album in all its apparently glory is a truly impossible feat, and to be honest, I’m not ever going to really attempt it. Instead, I’m simply going to strongly urge everyone who ever stumbles upon the work on Antonymes to dive headfirst into his work, because with ‘(For Now We See) Through A Glass Dimly’ there is no way you could ever be disappointed. 9/10','inherit','closed','closed','','14324-revision-v1','','','2016-04-28 13:57:03','2016-04-28 05:57:03','',14324,'http://www.hiddenshoal.com/14324-revision-v1/',0,'revision','',0),(14328,1,'2016-04-28 14:38:46','2016-04-28 06:38:46','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"100\" height=\"100\" /></a>The title track off Chloe March\'s new EP <em>The Orpheus Pavement</em> has just been featured on a recent episode of the Tom Robinson show on BBC Radio. The show is available for streaming for short time on the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b077s2z6\" target=\"_blank\">BBC website</a>. And if you\'ve not already lost yourself in Chloe\'s new EP then you can check it out <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\" target=\"_blank\">here</a>.','Chloe March Featured on The Tom Robinson Show (BBC)','','publish','closed','closed','','chloe-march-featured-on-bbc6-radio','','','2016-04-28 14:40:45','2016-04-28 06:40:45','',0,'http://www.hiddenshoal.com/?p=14328',0,'post','',0),(14329,1,'2016-04-28 14:37:09','2016-04-28 06:37:09','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"121\" height=\"121\" /></a>The title track off Chloe March\'s new <em>The Orpheus Pavement</em> has just been featured on a recent episode of the Tom Robinson show on BBC6. The show is available for streaming for short time on the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b077s2z6\" target=\"_blank\">BBC website</a>. And if you\'ve not already lost yourself in Chloe\'s new EP then you can check it out <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\" target=\"_blank\">here</a>.','Chloe March Featured on BBC6 Radio','','inherit','closed','closed','','14328-revision-v1','','','2016-04-28 14:37:09','2016-04-28 06:37:09','',14328,'http://www.hiddenshoal.com/14328-revision-v1/',0,'revision','',0),(14330,1,'2016-04-28 14:38:46','2016-04-28 06:38:46','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"121\" height=\"121\" /></a>The title track off Chloe March\'s new <em>The Orpheus Pavement</em> has just been featured on a recent episode of the Tom Robinson show on BBC Radio. The show is available for streaming for short time on the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b077s2z6\" target=\"_blank\">BBC website</a>. And if you\'ve not already lost yourself in Chloe\'s new EP then you can check it out <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\" target=\"_blank\">here</a>.','Chloe March Featured on The Tom Robinson Show (BBC)','','inherit','closed','closed','','14328-revision-v1','','','2016-04-28 14:38:46','2016-04-28 06:38:46','',14328,'http://www.hiddenshoal.com/14328-revision-v1/',0,'revision','',0),(14331,1,'2016-04-28 14:39:18','2016-04-28 06:39:18','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"100\" height=\"100\" /></a>The title track off Chloe March\'s new <em>The Orpheus Pavement</em> has just been featured on a recent episode of the Tom Robinson show on BBC Radio. The show is available for streaming for short time on the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b077s2z6\" target=\"_blank\">BBC website</a>. And if you\'ve not already lost yourself in Chloe\'s new EP then you can check it out <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\" target=\"_blank\">here</a>.','Chloe March Featured on The Tom Robinson Show (BBC)','','inherit','closed','closed','','14328-revision-v1','','','2016-04-28 14:39:18','2016-04-28 06:39:18','',14328,'http://www.hiddenshoal.com/14328-revision-v1/',0,'revision','',0),(14332,1,'2016-04-28 14:40:45','2016-04-28 06:40:45','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"100\" height=\"100\" /></a>The title track off Chloe March\'s new EP <em>The Orpheus Pavement</em> has just been featured on a recent episode of the Tom Robinson show on BBC Radio. The show is available for streaming for short time on the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b077s2z6\" target=\"_blank\">BBC website</a>. And if you\'ve not already lost yourself in Chloe\'s new EP then you can check it out <a title=\"Chloe March\" href=\"http://www.hiddenshoal.com/project/chloe-march/\" target=\"_blank\">here</a>.','Chloe March Featured on The Tom Robinson Show (BBC)','','inherit','closed','closed','','14328-revision-v1','','','2016-04-28 14:40:45','2016-04-28 06:40:45','',14328,'http://www.hiddenshoal.com/14328-revision-v1/',0,'revision','',0),(14333,1,'2016-04-28 16:03:48','2016-04-28 08:03:48','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"201\" height=\"133\" /></a>Another of our artists continues to gets some love on BBC Radio. <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>\' \'Towards Tragedy and Dissolution\', taken from his stunning new album <em>(For Now We See) Through A Glass Dimly</em>, has just been featured on Gideon Coe\'s BBC Radio show. The show is available for streaming for short time on the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b077t6rw\" target=\"_blank\">BBC website</a>.\r\n\r\nRead more about Antonymes and stream and purchase his new album <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">here</a>.','Antonymes Featured on the Gideon Coe Show (BBC Radio)','','publish','closed','closed','','antonymes-featured-on-the-gideon-coe-show-bbc-radio','','','2016-08-23 17:37:09','2016-08-23 09:37:09','',0,'http://www.hiddenshoal.com/?p=14333',0,'post','',0),(14334,1,'2016-04-28 16:03:48','2016-04-28 08:03:48','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"162\" height=\"108\" /></a>Another of our artist\'s continues to get love on BBC Radio. Antonymes\' \'Towards Tragedy and Dissolution\' , taken from his stunning new album <em>(For Now We See) Through A Glass Darkly</em>, was just featured on Gideon Coe\'s BBC Radio show. The show is available for streaming for short time on the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b077t6rw\" target=\"_blank\">BBC website</a>.\r\n\r\nRead more about Antonymes and stream and purchase his new album <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">here</a>.','Antonymes Featured on the Gideon Coe Show (BBC Radio)','','inherit','closed','closed','','14333-revision-v1','','','2016-04-28 16:03:48','2016-04-28 08:03:48','',14333,'http://www.hiddenshoal.com/14333-revision-v1/',0,'revision','',0),(14335,1,'2016-04-28 16:04:11','2016-04-28 08:04:11','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"162\" height=\"108\" /></a>Another of our artists continues to get love on BBC Radio. Antonymes\' \'Towards Tragedy and Dissolution\' , taken from his stunning new album <em>(For Now We See) Through A Glass Darkly</em>, was just featured on Gideon Coe\'s BBC Radio show. The show is available for streaming for short time on the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b077t6rw\" target=\"_blank\">BBC website</a>.\r\n\r\nRead more about Antonymes and stream and purchase his new album <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">here</a>.','Antonymes Featured on the Gideon Coe Show (BBC Radio)','','inherit','closed','closed','','14333-revision-v1','','','2016-04-28 16:04:11','2016-04-28 08:04:11','',14333,'http://www.hiddenshoal.com/14333-revision-v1/',0,'revision','',0),(14336,1,'2016-04-28 16:05:18','2016-04-28 08:05:18','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"162\" height=\"108\" /></a>Another of our artists continues to gets some love on BBC Radio. <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>\' \'Towards Tragedy and Dissolution\' , taken from his stunning new album <em>(For Now We See) Through A Glass Darkly</em>, has just been featured on Gideon Coe\'s BBC Radio show. The show is available for streaming for short time on the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b077t6rw\" target=\"_blank\">BBC website</a>.\r\n\r\nRead more about Antonymes and stream and purchase his new album <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">here</a>.','Antonymes Featured on the Gideon Coe Show (BBC Radio)','','inherit','closed','closed','','14333-revision-v1','','','2016-04-28 16:05:18','2016-04-28 08:05:18','',14333,'http://www.hiddenshoal.com/14333-revision-v1/',0,'revision','',0),(14337,1,'2016-04-28 16:05:39','2016-04-28 08:05:39','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"182\" height=\"121\" /></a>Another of our artists continues to gets some love on BBC Radio. <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>\' \'Towards Tragedy and Dissolution\' , taken from his stunning new album <em>(For Now We See) Through A Glass Darkly</em>, has just been featured on Gideon Coe\'s BBC Radio show. The show is available for streaming for short time on the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b077t6rw\" target=\"_blank\">BBC website</a>.\r\n\r\nRead more about Antonymes and stream and purchase his new album <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">here</a>.','Antonymes Featured on the Gideon Coe Show (BBC Radio)','','inherit','closed','closed','','14333-revision-v1','','','2016-04-28 16:05:39','2016-04-28 08:05:39','',14333,'http://www.hiddenshoal.com/14333-revision-v1/',0,'revision','',0),(14338,1,'2016-04-28 16:07:00','2016-04-28 08:07:00','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"193\" height=\"128\" /></a>Another of our artists continues to gets some love on BBC Radio. <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>\' \'Towards Tragedy and Dissolution\' , taken from his stunning new album <em>(For Now We See) Through A Glass Darkly</em>, has just been featured on Gideon Coe\'s BBC Radio show. The show is available for streaming for short time on the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b077t6rw\" target=\"_blank\">BBC website</a>.\r\n\r\nRead more about Antonymes and stream and purchase his new album <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">here</a>.','Antonymes Featured on the Gideon Coe Show (BBC Radio)','','inherit','closed','closed','','14333-revision-v1','','','2016-04-28 16:07:00','2016-04-28 08:07:00','',14333,'http://www.hiddenshoal.com/14333-revision-v1/',0,'revision','',0),(14339,1,'2016-04-28 16:07:20','2016-04-28 08:07:20','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"201\" height=\"133\" /></a>Another of our artists continues to gets some love on BBC Radio. <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>\' \'Towards Tragedy and Dissolution\' , taken from his stunning new album <em>(For Now We See) Through A Glass Darkly</em>, has just been featured on Gideon Coe\'s BBC Radio show. The show is available for streaming for short time on the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b077t6rw\" target=\"_blank\">BBC website</a>.\r\n\r\nRead more about Antonymes and stream and purchase his new album <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">here</a>.','Antonymes Featured on the Gideon Coe Show (BBC Radio)','','inherit','closed','closed','','14333-revision-v1','','','2016-04-28 16:07:20','2016-04-28 08:07:20','',14333,'http://www.hiddenshoal.com/14333-revision-v1/',0,'revision','',0),(14340,1,'2016-04-28 16:08:14','2016-04-28 08:08:14','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"201\" height=\"133\" /></a>Another of our artists continues to gets some love on BBC Radio. <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>\' \'Towards Tragedy and Dissolution\' , taken from his stunning new album <em>(For Now We See) Through A Glass Dimly</em>, has just been featured on Gideon Coe\'s BBC Radio show. The show is available for streaming for short time on the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b077t6rw\" target=\"_blank\">BBC website</a>.\r\n\r\nRead more about Antonymes and stream and purchase his new album <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">here</a>.','Antonymes Featured on the Gideon Coe Show (BBC Radio)','','inherit','closed','closed','','14333-revision-v1','','','2016-04-28 16:08:14','2016-04-28 08:08:14','',14333,'http://www.hiddenshoal.com/14333-revision-v1/',0,'revision','',0),(14341,1,'2016-04-28 16:12:51','2016-04-28 08:12:51','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"201\" height=\"133\" /></a>Another of our artists continues to gets some love on BBC Radio. <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>\' \'Towards Tragedy and Dissolution\', taken from his stunning new album <em>(For Now We See) Through A Glass Dimly</em>, has just been featured on Gideon Coe\'s BBC Radio show. The show is available for streaming for short time on the <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b077t6rw\" target=\"_blank\">BBC website</a>.\r\n\r\nRead more about Antonymes and stream and purchase his new album <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">here</a>.','Antonymes Featured on the Gideon Coe Show (BBC Radio)','','inherit','closed','closed','','14333-revision-v1','','','2016-04-28 16:12:51','2016-04-28 08:12:51','',14333,'http://www.hiddenshoal.com/14333-revision-v1/',0,'revision','',0),(14342,1,'2016-04-28 17:17:34','2016-04-28 09:17:34','\"Complex, refine, and devistatingly beautiful. Ian M Hazeldine returns to his earnest post (with the help of some friends) to deliver his most emotionally rewarding work yet...even if it\'s unequivocally sad.\"\r\n\r\n- <a title=\"Album of the Year\" href=\"http://www.albumoftheyear.org/album/54068-antonymes-for-now-we-see-through-a-glass-dimly.php\" target=\"_blank\"><strong>Album of the Year</strong></a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Album of the Year','Complex, refine, and devistatingly beautiful. Ian M Hazeldine returns to his earnest post (with the help of some friends) to deliver his most emotionally rewarding work yet...even if it\'s unequivocally sad.','publish','closed','closed','','antonymes-now-see-glass-dimly-reviewed-album-year','','','2016-04-28 17:17:34','2016-04-28 09:17:34','',0,'http://www.hiddenshoal.com/?p=14342',0,'post','',0),(14343,1,'2016-04-28 17:17:34','2016-04-28 09:17:34','\"Complex, refine, and devistatingly beautiful. Ian M Hazeldine returns to his earnest post (with the help of some friends) to deliver his most emotionally rewarding work yet...even if it\'s unequivocally sad.\"\r\n\r\n- <a title=\"Album of the Year\" href=\"http://www.albumoftheyear.org/album/54068-antonymes-for-now-we-see-through-a-glass-dimly.php\" target=\"_blank\"><strong>Album of the Year</strong></a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Album of the Year','Complex, refine, and devistatingly beautiful. Ian M Hazeldine returns to his earnest post (with the help of some friends) to deliver his most emotionally rewarding work yet...even if it\'s unequivocally sad.','inherit','closed','closed','','14342-revision-v1','','','2016-04-28 17:17:34','2016-04-28 09:17:34','',14342,'http://www.hiddenshoal.com/14342-revision-v1/',0,'revision','',0),(14344,1,'2016-04-29 12:43:12','2016-04-29 04:43:12','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew_Sullivan_1.jpg\"><img class=\"alignleft  wp-image-9160\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew_Sullivan_1-225x300.jpg\" alt=\"Slow Dancing Society\" width=\"128\" height=\"171\" /></a>We\'re excited to announce that yet another Hidden Shoal artist has been featured on a <a title=\"Cafe del Mar\" href=\"http://www.cafedelmarmusic.com/index.html\" target=\"_blank\">Cafe del Mar</a> compilation. The gorgeous <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a> track \'Be There\' takes pride of place on Cafe del Mar\'s newest compilation <em>Ambience</em>. The album also features work by the likes of Carbon Based Life Forms, Robert Rich, Chris Coco, Kodomo (as remixed by Loscil) and many more wonderful artists.\r\n\r\nCheck out a trailer for the album <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=nIE6JDEpCFI\" target=\"_blank\">here </a>and buy the album on <a title=\"iTunes\" href=\"http://smarturl.it/ambience\" target=\"_blank\">iTunes.</a> Don\'t forget to check out the sublime debut Slow Dancing Society album that \'Be There\' is cut from, <a title=\"The Sounds of Lights When Dim\" href=\"https://slowdancingsociety.bandcamp.com/album/the-sound-of-lights-when-dim\"><em>The Sound of Lights When Dim</em></a>. It\'s hard to believe that the album has it\'s 10th anniversary at the end of this year!\r\n<iframe src=\"https://www.youtube.com/embed/nIE6JDEpCFI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Slow Dancing Society Featured on Latest Cafe del Mar Release','','publish','closed','closed','','slow-dancing-society-featured-on-latest-cafe-del-mar-release','','','2016-08-23 17:38:29','2016-08-23 09:38:29','',0,'http://www.hiddenshoal.com/?p=14344',0,'post','',0),(14345,1,'2016-04-29 12:38:50','2016-04-29 04:38:50','We\'re excited to announce that yet another Hidden Shoal artist has been featured on a <a title=\"Cafe del Mar\" href=\"http://www.cafedelmarmusic.com/index.html\" target=\"_blank\">Cafe del Mar</a> compilation. The gorgeous Slow Dancing Society track \'Be There\' takes pride of place on Cafe del Mar\'s newest compilation <em>Ambience</em>. The album also features work by the likes of Carbon Based Life Forms, Robert Rich, Chris Coco, Kodomo (as remixed by Loscil) and many more wonderful artists.\r\n\r\nCheck out a trailer for the album <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=nIE6JDEpCFI\" target=\"_blank\">here </a>and buy the album on <a title=\"iTunes\" href=\"http://smarturl.it/ambience\" target=\"_blank\">iTunes.</a> Don\'t forget to check out the sublime debut Slow Dancing Society album that \'Be There\' is cut from, <em>The Sound of Lights When Dim</em>. It\'s hard to believe that the album has it\'s 10th anniversary at the end of this year!\r\n<iframe src=\"https://www.youtube.com/embed/nIE6JDEpCFI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Slow Dancing Society Featured on Latest Cafe del Mar Release','','inherit','closed','closed','','14344-revision-v1','','','2016-04-29 12:38:50','2016-04-29 04:38:50','',14344,'http://www.hiddenshoal.com/14344-revision-v1/',0,'revision','',0),(14346,1,'2016-04-29 12:39:20','2016-04-29 04:39:20','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew_Sullivan_1.jpg\"><img class=\"alignleft  wp-image-9160\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew_Sullivan_1-225x300.jpg\" alt=\"Slow Dancing Society\" width=\"122\" height=\"163\" /></a>We\'re excited to announce that yet another Hidden Shoal artist has been featured on a <a title=\"Cafe del Mar\" href=\"http://www.cafedelmarmusic.com/index.html\" target=\"_blank\">Cafe del Mar</a> compilation. The gorgeous Slow Dancing Society track \'Be There\' takes pride of place on Cafe del Mar\'s newest compilation <em>Ambience</em>. The album also features work by the likes of Carbon Based Life Forms, Robert Rich, Chris Coco, Kodomo (as remixed by Loscil) and many more wonderful artists.\r\n\r\nCheck out a trailer for the album <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=nIE6JDEpCFI\" target=\"_blank\">here </a>and buy the album on <a title=\"iTunes\" href=\"http://smarturl.it/ambience\" target=\"_blank\">iTunes.</a> Don\'t forget to check out the sublime debut Slow Dancing Society album that \'Be There\' is cut from, <em>The Sound of Lights When Dim</em>. It\'s hard to believe that the album has it\'s 10th anniversary at the end of this year!\r\n<iframe src=\"https://www.youtube.com/embed/nIE6JDEpCFI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Slow Dancing Society Featured on Latest Cafe del Mar Release','','inherit','closed','closed','','14344-revision-v1','','','2016-04-29 12:39:20','2016-04-29 04:39:20','',14344,'http://www.hiddenshoal.com/14344-revision-v1/',0,'revision','',0),(14347,1,'2016-04-29 12:41:09','2016-04-29 04:41:09','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew_Sullivan_1.jpg\"><img class=\"alignleft  wp-image-9160\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew_Sullivan_1-225x300.jpg\" alt=\"Slow Dancing Society\" width=\"122\" height=\"163\" /></a>We\'re excited to announce that yet another Hidden Shoal artist has been featured on a <a title=\"Cafe del Mar\" href=\"http://www.cafedelmarmusic.com/index.html\" target=\"_blank\">Cafe del Mar</a> compilation. The gorgeous <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a> track \'Be There\' takes pride of place on Cafe del Mar\'s newest compilation <em>Ambience</em>. The album also features work by the likes of Carbon Based Life Forms, Robert Rich, Chris Coco, Kodomo (as remixed by Loscil) and many more wonderful artists.\r\n\r\nCheck out a trailer for the album <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=nIE6JDEpCFI\" target=\"_blank\">here </a>and buy the album on <a title=\"iTunes\" href=\"http://smarturl.it/ambience\" target=\"_blank\">iTunes.</a> Don\'t forget to check out the sublime debut Slow Dancing Society album that \'Be There\' is cut from, <a title=\"The Sounds of Lights When Dim\" href=\"https://slowdancingsociety.bandcamp.com/album/the-sound-of-lights-when-dim\"><em>The Sound of Lights When Dim</em></a>. It\'s hard to believe that the album has it\'s 10th anniversary at the end of this year!\r\n<iframe src=\"https://www.youtube.com/embed/nIE6JDEpCFI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Slow Dancing Society Featured on Latest Cafe del Mar Release','','inherit','closed','closed','','14344-revision-v1','','','2016-04-29 12:41:09','2016-04-29 04:41:09','',14344,'http://www.hiddenshoal.com/14344-revision-v1/',0,'revision','',0),(14348,1,'2016-04-29 12:43:12','2016-04-29 04:43:12','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew_Sullivan_1.jpg\"><img class=\"alignleft  wp-image-9160\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew_Sullivan_1-225x300.jpg\" alt=\"Slow Dancing Society\" width=\"128\" height=\"171\" /></a>We\'re excited to announce that yet another Hidden Shoal artist has been featured on a <a title=\"Cafe del Mar\" href=\"http://www.cafedelmarmusic.com/index.html\" target=\"_blank\">Cafe del Mar</a> compilation. The gorgeous <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a> track \'Be There\' takes pride of place on Cafe del Mar\'s newest compilation <em>Ambience</em>. The album also features work by the likes of Carbon Based Life Forms, Robert Rich, Chris Coco, Kodomo (as remixed by Loscil) and many more wonderful artists.\r\n\r\nCheck out a trailer for the album <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=nIE6JDEpCFI\" target=\"_blank\">here </a>and buy the album on <a title=\"iTunes\" href=\"http://smarturl.it/ambience\" target=\"_blank\">iTunes.</a> Don\'t forget to check out the sublime debut Slow Dancing Society album that \'Be There\' is cut from, <a title=\"The Sounds of Lights When Dim\" href=\"https://slowdancingsociety.bandcamp.com/album/the-sound-of-lights-when-dim\"><em>The Sound of Lights When Dim</em></a>. It\'s hard to believe that the album has it\'s 10th anniversary at the end of this year!\r\n<iframe src=\"https://www.youtube.com/embed/nIE6JDEpCFI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Slow Dancing Society Featured on Latest Cafe del Mar Release','','inherit','closed','closed','','14344-revision-v1','','','2016-04-29 12:43:12','2016-04-29 04:43:12','',14344,'http://www.hiddenshoal.com/14344-revision-v1/',0,'revision','',0),(14349,1,'2016-04-29 14:22:39','2016-04-29 06:22:39','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Markus Mehr</h1>\r\n<img class=\"alignleft size-medium wp-image-10435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-2-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" /><em>“... prepare for a shuddering, near chaotic, kaleidoscopic </em><em>experience as Mehr challenges our and his own </em><em>preconceptions of what “electronica” is, what it represents </em><em>and of what his instrumentation can achieve.”<strong> – Delusions of Adequacy</strong></em>\r\n\r\nMarkus Mehr’s debut, <em>Lava</em>, holds true to its title – it is a dense, steaming surge of glue-thick sound. But, after any destructive force there is new growth. Green shoots of melody arc out of the surface and populate the terrain as new possibilities emerge. <span class=\"_5yl5\" data-reactid=\".27.$mid=11404191394044=243362f841034556913.2:0.0.0.0.0\"><span class=\"null\">His follow-up triptych of works (<em>In</em>, <em>On</em> and <em>Off</em>) brought another level of conceptual and sonic experimentation to the table, advancing his stature in the field of contemporary experimental music.</span></span>\r\n\r\n<a title=\"Facebook\" href=\"http://www.facebook.com/markus.mehr\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/MarkusMehr\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/markus-mehr\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.markusmehr.de/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/us/album/binary-rooms/id924187856?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Re-Directed</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=799048543/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/re-directed\">RE DIRECTED by Markus Mehr</a></iframe>\r\nApril 2016\r\n\r\n<em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.\r\n\r\n&nbsp;\r\n<div></div>\r\n<div></div>\r\n<h4>In The Palm Of Your Hand - The Remix EP</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4074111254/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in-the-palm-of-your-hand-the-remix-ep\">In The Palm Of Your Hand - The Remix EP by Markus Mehr</a></iframe>\r\nOctober 2015\r\n\r\n<em>In the Palm of Your Hand – The Remix EP</em> brings together four unique remixes of the track ‘In the Palm of Your Hand’, lifted from Mehr’s latest album, <em>Binary Rooms</em>.\r\n\r\nThe original album mix of ‘In the Palm of Your Hand’ maps out the dichotomy at the heart of <em>Binary Rooms</em>. While plaintive piano chords suggest openness and possibility, they’re perpetually hemmed in by a claustrophobic industrial throb, creating a tension that aches to be resolved. The first remix, by Hamburg duo <a title=\"incite/\" href=\"http://www.incite.hamburg/\" target=\"_blank\">incite/</a>, ramps up the tension by slicing and dicing the ambient throb into a glitchy tapestry and smothering the piano in sonic gauze. <a title=\"Conga Fever\" href=\"https://soundcloud.com/congafever\" target=\"_blank\">Conga Fever</a> dials back the ambience and juxtaposes the piano against a sun-dappled beatscape. Hidden Shoal labelmate <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\" target=\"_blank\">Erik Nilsson</a> makes the piano the focus, bringing in field recordings to create the feeling of a beautiful jazz improvisation taking place on a demolition site. And finally, <a title=\"David Kochs\" href=\"https://soundcloud.com/davidkochs\" target=\"_blank\">David Kochs</a>’ remix filters the haze of the original into sharp yet dreamy minimal techno.\r\n<div></div>\r\n<div></div>\r\n<h4>Gymnasium​/​Swarms - Live with Orchestra</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=641842681/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/gymnasium-swarms-live-with-orchestra\">Gymnasium/Swarms - Live with Orchestra by Markus Mehr</a></iframe>\r\nSeptember 2015\r\n<div></div>\r\n‘Gymnasium/Swarms Live with Orchestra’ is a an amazing re-working of the original track, which appears in its original form on Mehr’s latest album, Binary Rooms. This special performance includes live orchestra and choir along with visuals by Stefanie Sixt.\r\n\r\nAs Markus Mehr explains in a new interview with Hidden Shoal’s Matthew Tomich, the live performance of ‘Gymnasium/Swarms’, which opened this year’s Modular Festival in Augsburg, Germany, involved Mehr’s collaboration with conductor Michael Kamm, plus the Modular Orchestra and Chamber Choir of Augsburg University. The live video by Florian Strandl depicts the musicians masterful reinterpretation of the music’s evocative, beatless soundworld via the clever use of clocks and Michael Kamm’s conducting. From rustling paper and shuffling feet, to gorgeous sustained choral tones and vibraphone, ‘Gymnasium/Swarms Live with Orchestra’ is a unique performance of a deeply evocative piece of sound art.\r\n<div></div>\r\n<div></div>\r\n<h4>To Set The River On Fire</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe>\r\nFebruary 2015\r\n<div></div>\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<div></div>\r\n<div></div>\r\n<h4>Binary Rooms</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe>\r\nOctober 2014\r\n<div></div>\r\nMehr’s work has seen a subtle shift in scale across his five studio albums. From the widescreen cosmic vistas of <em>Lava</em> to some of the more intimate moments of his 42-minute single-track opus <em>Off</em>, Mehr has now come to examine the most challenging space yet – that of our everyday lives and the spatial narratives that surround us. Mehr’s music has always possessed a keen sense of and negotiation with scale, and on <em>Binary Rooms</em> he challenges notions of personal space, juxtaposing the human against the industrial, the gentle and intimate against the jolting and harsh. Mehr acts as a fragment hunter, meshing machine-like tones with the discarded elements of humanity; narrative with anti-narrative. On <em>Binary Rooms</em> he manages to create a spatial remix – a striking re-design of aural reality filled with a living, digital biology. Experimental filmmaker and Markus Mehr collaborator <a href=\"https://vimeo.com/sixtsense/videos\">Stefanie Sixt</a> has created a stunning new video work for the track \'Gymnasium/Swarms\' which can be viewed in full at <a href=\"https://vimeo.com/105644655\" rel=\"lightbox-video-0\">Vimeo.</a>\r\n<div></div>\r\n<div></div>\r\n<h4>Off</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 170px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=398032740/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/off\">Off by Markus Mehr</a></iframe>\r\nJanuary 2013\r\n<div></div>\r\n<em>Off</em>  by German experimental ambient artist Markus Mehr, is the third and final part of a trilogy that includes the critically acclaimed releases <em>In</em> and <em>On</em>. <em>Off</em>  is not only the culmination of Markus Mehr’s trilogy, but it may also be the culmination of his career’s work thus far. The single-track album begins in silence, as a thrumming loop gradually emerges. From there, a beautiful piano refrain is introduced, noise ebbs and flows, threatening to engulf the piece, while field recordings and swooningly transportive synth patterns drift into focus. During its 42-minute runtime, the piece immerses the listener in a dizzyingly beautiful soundworld that’s ever-shifting. Certain passages allude to other sequences and samples in the preceding albums, linking the three albums into a kaleidoscopic mobius strip.\r\n<div></div>\r\n<div></div>\r\n<h4>On</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2332510059/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/on\">On by Markus Mehr</a></iframe>\r\nJuly 2012\r\n<div></div>\r\nThe new album <em>On</em> by German experimental ambient artist Markus Mehr, forms the second part of a triptych that also includes recent release <em>In</em> and the forthcoming <em>Off</em>. <em>On</em> is a continuation of the experimental direction of Markus Mehr’s previous releases, with eight diverse tracks employing samples, field recordings and slathers of Mehr’s trademark distorted drones. This approach is apparent right from opener ‘Gonna Make You Mine’, as scything slashes of sound leap from the speakers. Single ‘Flaming Youth’ counterbalances fragments of static against a gorgeous sleepy-eyed loop of mangled lounge-jazz. A track as expansive and moving as ‘Duck Became Swan’ is followed by brief rhythmic piece ‘Olympia’. This tightrope walk between dizzying samples and exacting digital manipulation is walked with aplomb throughout <em>On</em>’s adventurous and thrilling 45-minute runtime. <em>On</em> is preceded by <em>In</em>, the first part of the triptych, which comprises two monumental tracks, ‘Komo’ and ‘Ostinato’, each of which clocks in at around 25 minutes, circling around and building upon hypnotic instrumental motifs. The final part of the triptych, Off, released on 24 January 2013, includes the most epic piece yet, ‘Transit’, which clocks in at 49 minutes and will be performed live in collaboration with video artist Stefanie Sixt, who created the video to Mehr’s single ‘Cousteau’.\r\n<div></div>\r\n<div></div>\r\n<h4>In</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 210px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4000928914/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in\">In by Markus Mehr</a></iframe>\r\nJanuary 2012\r\n<div></div>\r\nMarkus Mehr follows up his stunning debut album <em>Lava</em> with three new releases released over a 12 month period. In is the first part of the triptych, comprising two monumental tracks, ‘Komo’ and ‘Ostinato’, each of which clocks in at around 25 minutes, circling around and building upon hypnotic instrumental motifs. ‘Komo’ gradually emerges from silence, its distant, filtered throb reluctantly revealing its source material – a heartbreaking string part whose emotional impact intensifies as the loop clarifies. ‘Ostinato’ is an altogether darker, gnarlier experience, its string loops chewed into distorted knots which are highlighted by treated guitars and crafted electronics. The second part, <em>On</em>, released on 21 June 2012, takes a more experimental direction, with eight diverse tracks employing samples, field recordings and slathers of Mehr’s trademark distorted drones. And finally, <em>Off</em>, released on 24 January 2013, includes the most epic piece yet, ‘Transit’, which clocks in at 49 minutes and will be performed live in collaboration with video artist Stefanie Sixt, who created the video to Mehr’s single ‘Cousteau’.\r\n<div></div>\r\n<div></div>\r\n<h4>Lava</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=634202850/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/lava\">Lava by Markus Mehr</a></iframe>\r\nAugust 2010\r\n<div></div>\r\n<em>Lava</em> holds true to its title – it is a dense surge of glue-think sound, making new paths as it pushes through the landscape. But, after any destructive force there is new growth. Green shoots of melody arc out of the surface and populate the terrain as new possibilities emerge. A new master of heartbreaking ambient drone has arrived. These tracks evoke time spent transfixed, gazing through a giant looking glass, waiting wide-eyed as new discoveries are revealed in the album’s textured contours. On epic opener ‘Agenda’, layers of gorgeous synth gradually accumulate into a gloriously massive chord. On single ‘Hubble’, a bedrock of fuzzed drone is decorated with glistening counter-melodies, tracing shards of light across the coal-black skies. ‘Softwar’ builds and then falls away, only to return with a spine-tingling theme that crumbles under its own majesty. <em>Lava</em>’s ability to both suspend the listener in its abstracted liquid vapours and at the same time imprint its affecting narrative is a special thing. It is one of those albums whose emotional impact stays with you long after you feel its last touch.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nBased in Augsburg, south Germany, Markus Mehr’s musical journey began with the guitar. He grew up listening to bands like Black Sabbath and AC/DC, before turning his ears to darker sounds and the ethereal, experimental pop of David Sylvian. After recording and touring with several bands, he struck out on his own with home studio project Aroma.\r\n\r\nNow working under his own name, Mehr wrote and recorded his debut album <em>Lava</em> at his home studio using guitars and synths, plus any noise-making accoutrements at hand – electric shavers, ventilators, electric tooth brushes and field recordings –all processed and distorted to create a gorgeous wall of sound, akin to the classic ’70s Kosmische music of Klaus Schulze and Tangerine Dream, but also the contemporary masters of textured luminosity, Fennesz and Tim Hecker. His follow up albums, <em>In</em>, <em>On</em> and <em>Off </em> pushed the sonic and structural envelope even further and created a triptych of works that stands amongst the most engaging contemporary experimental music of our days.\r\n\r\nMehr’s extensive live performances across Europe include collaborations with visual artist Stefanie Sixt and performances in churches, galleries and large disused gas tanks amongst the more traditional festival shows.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n\r\n&nbsp;\r\n<h3>News</h3>\r\n[catlist name=markus-mehr content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=markus-mehr-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Slow Dancing Society Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/markus-mehr-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Live_In_Bari.pdf\"><em>Live in Bari</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Off.pdf\"><em>Off</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Duck_Became_Swan.pdf\">‘Duck Became Swan’ Single Release and Music Video</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Flaming_Youth.pdf\">‘Flaming Youth’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-In.pdf\"><em>In</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Cousteau.pdf\">‘Cousteau’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Lava_Digital_Release.pdf\"><em>Lava</em> Album Digital Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Hubble_Single.pdf\">‘Hubble’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Signing.pdf\">Markus Mehr Signs to Hidden Shoal</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"10433,10435,9020,9021,9022,9023,9024,9025,9019\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/NNOsYOGPyik?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/Ghve0iRVjOI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/dGRCY37hMm4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/PcfMLHZZomw?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/1jIYi486n0c?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMarkus Mehr\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Markus Mehr','','inherit','closed','closed','','9007-revision-v1','','','2016-04-29 14:22:39','2016-04-29 06:22:39','',9007,'http://www.hiddenshoal.com/9007-revision-v1/',0,'revision','',0),(14352,1,'2016-04-29 14:37:14','2016-04-29 06:37:14','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"235\" height=\"235\" /></a>We\'re proud to announce the official release of the powerful new work from German experimentalist <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>. <em> </em><em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory… Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.\r\n\r\nThe album is available now in CD and digital formats. Head to <a title=\"Markus Mehr\" href=\"https://markusmehr.bandcamp.com/\" target=\"_blank\">Markus Mehr\'s BandCamp</a> to secure yourself a copy of this brilliant release.\r\n\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Markus Mehr \"Re-Directed\" Out Now!','','publish','closed','closed','','markus-mehr-re-directed-official-release','','','2016-04-29 14:37:36','2016-04-29 06:37:36','',0,'http://www.hiddenshoal.com/?p=14352',0,'post','',0),(14353,1,'2016-04-29 14:36:01','2016-04-29 06:36:01','We\'re proud to announce the official release of the powerful new work from German experimentalist <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>. <em> </em><em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory… Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.\r\n\r\nThe album is available now in CD and digital formats. Head to <a title=\"Markus Mehr\" href=\"https://markusmehr.bandcamp.com/\" target=\"_blank\">Markus Mehr\'s BandCamp</a> to secure yourself a copy of this brilliant release.\r\n\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Markus Mehr \"Re-Directed\" Official Release','','inherit','closed','closed','','14352-revision-v1','','','2016-04-29 14:36:01','2016-04-29 06:36:01','',14352,'http://www.hiddenshoal.com/14352-revision-v1/',0,'revision','',0),(14354,1,'2016-04-29 14:36:34','2016-04-29 06:36:34','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"225\" height=\"225\" /></a>We\'re proud to announce the official release of the powerful new work from German experimentalist <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>. <em> </em><em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory… Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.\r\n\r\nThe album is available now in CD and digital formats. Head to <a title=\"Markus Mehr\" href=\"https://markusmehr.bandcamp.com/\" target=\"_blank\">Markus Mehr\'s BandCamp</a> to secure yourself a copy of this brilliant release.\r\n\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Markus Mehr \"Re-Directed\" Official Release','','inherit','closed','closed','','14352-revision-v1','','','2016-04-29 14:36:34','2016-04-29 06:36:34','',14352,'http://www.hiddenshoal.com/14352-revision-v1/',0,'revision','',0),(14355,1,'2016-04-29 14:37:00','2016-04-29 06:37:00','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"235\" height=\"235\" /></a>We\'re proud to announce the official release of the powerful new work from German experimentalist <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>. <em> </em><em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory… Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.\r\n\r\nThe album is available now in CD and digital formats. Head to <a title=\"Markus Mehr\" href=\"https://markusmehr.bandcamp.com/\" target=\"_blank\">Markus Mehr\'s BandCamp</a> to secure yourself a copy of this brilliant release.\r\n\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Markus Mehr \"Re-Directed\" Official Release','','inherit','closed','closed','','14352-revision-v1','','','2016-04-29 14:37:00','2016-04-29 06:37:00','',14352,'http://www.hiddenshoal.com/14352-revision-v1/',0,'revision','',0),(14356,1,'2016-04-29 14:37:36','2016-04-29 06:37:36','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"235\" height=\"235\" /></a>We\'re proud to announce the official release of the powerful new work from German experimentalist <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>. <em> </em><em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory… Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on Binary Rooms</strong>\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.\r\n\r\nThe album is available now in CD and digital formats. Head to <a title=\"Markus Mehr\" href=\"https://markusmehr.bandcamp.com/\" target=\"_blank\">Markus Mehr\'s BandCamp</a> to secure yourself a copy of this brilliant release.\r\n\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Markus Mehr \"Re-Directed\" Out Now!','','inherit','closed','closed','','14352-revision-v1','','','2016-04-29 14:37:36','2016-04-29 06:37:36','',14352,'http://www.hiddenshoal.com/14352-revision-v1/',0,'revision','',0),(14357,1,'2016-05-02 17:22:47','2016-05-02 09:22:47','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px.jpg\"><img class=\"alignleft  wp-image-12242\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"158\" height=\"158\" /></a>We\'re excited to announce that the brilliant music video for <a title=\"The October Solution\" href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a> track \'Lost\' by the CINEMÂCHÉ team has been nominated for Best Music Video in this years <a title=\"South Australian Screen Awards\" href=\"http://mercurycinema.org.au/products/buy-stuff/south-australian-screen-awards-gala-ticket-best-of-sasa-screening-festival-pass/\" target=\"_blank\">South Australian Screen Awards</a>! CINEMÂCHÉ have also been nominated for Best Editor, Best Production Design and Best Director of Cinematography for \'Lost\'!\r\n\r\n\'Lost\' is taken from the sumptuous dream pop extravaganza that is The October Solution\'s 2015 album <a title=\"Axis Swim Scar\" href=\"http://www.hiddenshoal.com/project/october-solution/\"><em>Axis Swim Scar</em></a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/f8FxkxG62og?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','The October Solution \'Lost\' Music Video Up for Awards!','','publish','closed','closed','','october-solution-lost-music-video-awards','','','2016-05-02 17:27:50','2016-05-02 09:27:50','',0,'http://www.hiddenshoal.com/?p=14357',0,'post','',0),(14358,1,'2016-05-02 16:03:14','2016-05-02 08:03:14','<div data-contents=\"true\">\r\n<div class=\"\" data-offset-key=\"c7vd0-0-0\" data-editor=\"ft2vr\" data-block=\"true\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"c7vd0-0-0\"><span data-offset-key=\"c7vd0-0-0\"><span data-text=\"true\">We\'re excited to announce that the brilliant music video for The October Solution track \'Lost\' by the CINEMÂCHÉ team has been nominated for Best Music Video in this years <a title=\"South Australian Screen Awards\" href=\"http://mercurycinema.org.au/products/buy-stuff/south-australian-screen-awards-gala-ticket-best-of-sasa-screening-festival-pass/\" target=\"_blank\">South Australian Screen Awards</a>! CINEMÂCHÉ have also been nominated for Best Editor, Best Production Design and Best Director of Cinematography for \'Lost\'!</span></span></div>\r\n</div>\r\n<div class=\"\" data-offset-key=\"f0241-0-0\" data-editor=\"ft2vr\" data-block=\"true\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"f0241-0-0\"><span data-offset-key=\"f0241-0-0\"> </span></div>\r\n</div>\r\n<div class=\"\" data-offset-key=\"b0edn-0-0\" data-editor=\"ft2vr\" data-block=\"true\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"b0edn-0-0\"><span data-offset-key=\"b0edn-0-0\"><span data-text=\"true\">https://www.youtube.com/watch?v=f8FxkxG62og</span></span></div>\r\n</div>\r\n</div>','The October Solution \'Lost\' Music Video Up for Awards!','','inherit','closed','closed','','14357-revision-v1','','','2016-05-02 16:03:14','2016-05-02 08:03:14','',14357,'http://www.hiddenshoal.com/14357-revision-v1/',0,'revision','',0),(14359,1,'2016-05-02 16:03:48','2016-05-02 08:03:48','<div data-contents=\"true\">\r\n<div class=\"\" data-offset-key=\"c7vd0-0-0\" data-editor=\"ft2vr\" data-block=\"true\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"c7vd0-0-0\"><span data-offset-key=\"c7vd0-0-0\"><span data-text=\"true\">We\'re excited to announce that the brilliant music video for <a title=\"The October Solution\" href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a> track \'Lost\' by the CINEMÂCHÉ team has been nominated for Best Music Video in this years <a title=\"South Australian Screen Awards\" href=\"http://mercurycinema.org.au/products/buy-stuff/south-australian-screen-awards-gala-ticket-best-of-sasa-screening-festival-pass/\" target=\"_blank\">South Australian Screen Awards</a>! CINEMÂCHÉ have also been nominated for Best Editor, Best Production Design and Best Director of Cinematography for \'Lost\'!</span></span></div>\r\n</div>\r\n<div class=\"\" data-offset-key=\"f0241-0-0\" data-editor=\"ft2vr\" data-block=\"true\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"f0241-0-0\"><span data-offset-key=\"f0241-0-0\"> </span></div>\r\n</div>\r\n<div class=\"\" data-offset-key=\"b0edn-0-0\" data-editor=\"ft2vr\" data-block=\"true\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"b0edn-0-0\"><span data-offset-key=\"b0edn-0-0\"><span data-text=\"true\">https://www.youtube.com/watch?v=f8FxkxG62og</span></span></div>\r\n</div>\r\n</div>','The October Solution \'Lost\' Music Video Up for Awards!','','inherit','closed','closed','','14357-revision-v1','','','2016-05-02 16:03:48','2016-05-02 08:03:48','',14357,'http://www.hiddenshoal.com/14357-revision-v1/',0,'revision','',0),(14361,1,'2016-05-02 17:19:07','2016-05-02 09:19:07','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px.jpg\"><img class=\"alignleft  wp-image-12242\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"230\" height=\"230\" /></a>We\'re excited to announce that the brilliant music video for <a title=\"The October Solution\" href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a> track \'Lost\' by the CINEMÂCHÉ team has been nominated for Best Music Video in this years <a title=\"South Australian Screen Awards\" href=\"http://mercurycinema.org.au/products/buy-stuff/south-australian-screen-awards-gala-ticket-best-of-sasa-screening-festival-pass/\" target=\"_blank\">South Australian Screen Awards</a>! CINEMÂCHÉ have also been nominated for Best Editor, Best Production Design and Best Director of Cinematography for \'Lost\'!\r\n\r\n\'Lost\' is taken from the sumtpious dream pop extravanganza that is The October Solution\'s 2015 album <a title=\"Axis Swim Scar\" href=\"http://www.hiddenshoal.com/project/october-solution/\"><em>Axis Swim Scar</em></a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/f8FxkxG62og?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','The October Solution \'Lost\' Music Video Up for Awards!','','inherit','closed','closed','','14357-revision-v1','','','2016-05-02 17:19:07','2016-05-02 09:19:07','',14357,'http://www.hiddenshoal.com/14357-revision-v1/',0,'revision','',0),(14360,1,'2016-05-02 16:06:53','2016-05-02 08:06:53','<div data-contents=\"true\">\r\n<div class=\"\" data-offset-key=\"c7vd0-0-0\" data-editor=\"ft2vr\" data-block=\"true\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"c7vd0-0-0\"><span data-offset-key=\"c7vd0-0-0\"><span data-text=\"true\"><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px.jpg\"><img class=\"alignleft  wp-image-12242\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"230\" height=\"230\" /></a>We\'re excited to announce that the brilliant music video for <a title=\"The October Solution\" href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a> track \'Lost\' by the CINEMÂCHÉ team has been nominated for Best Music Video in this years <a title=\"South Australian Screen Awards\" href=\"http://mercurycinema.org.au/products/buy-stuff/south-australian-screen-awards-gala-ticket-best-of-sasa-screening-festival-pass/\" target=\"_blank\">South Australian Screen Awards</a>! CINEMÂCHÉ have also been nominated for Best Editor, Best Production Design and Best Director of Cinematography for \'Lost\'!</span></span></div>\r\n<div class=\"_1mf _1mj\" data-offset-key=\"c7vd0-0-0\"></div>\r\n<div class=\"_1mf _1mj\" data-offset-key=\"c7vd0-0-0\">\'Lost\' is taken from the sumtpious dream pop extravanganza that is The October Solution\'s 2015 album <a title=\"Axis Swim Scar\" href=\"http://www.hiddenshoal.com/project/october-solution/\"><em>Axis Swim Scar</em></a>.</div>\r\n</div>\r\n<div class=\"\" data-offset-key=\"f0241-0-0\" data-editor=\"ft2vr\" data-block=\"true\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"f0241-0-0\"><span data-offset-key=\"f0241-0-0\"> </span></div>\r\n</div>\r\n<div class=\"\" data-offset-key=\"b0edn-0-0\" data-editor=\"ft2vr\" data-block=\"true\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"b0edn-0-0\"><span data-offset-key=\"b0edn-0-0\"><span data-text=\"true\">https://www.youtube.com/watch?v=f8FxkxG62og</span></span></div>\r\n</div>\r\n</div>','The October Solution \'Lost\' Music Video Up for Awards!','','inherit','closed','closed','','14357-revision-v1','','','2016-05-02 16:06:53','2016-05-02 08:06:53','',14357,'http://www.hiddenshoal.com/14357-revision-v1/',0,'revision','',0),(14362,1,'2016-05-02 17:20:31','2016-05-02 09:20:31','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px.jpg\"><img class=\"alignleft  wp-image-12242\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"216\" height=\"216\" /></a>We\'re excited to announce that the brilliant music video for <a title=\"The October Solution\" href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a> track \'Lost\' by the CINEMÂCHÉ team has been nominated for Best Music Video in this years <a title=\"South Australian Screen Awards\" href=\"http://mercurycinema.org.au/products/buy-stuff/south-australian-screen-awards-gala-ticket-best-of-sasa-screening-festival-pass/\" target=\"_blank\">South Australian Screen Awards</a>! CINEMÂCHÉ have also been nominated for Best Editor, Best Production Design and Best Director of Cinematography for \'Lost\'!\r\n\r\n\'Lost\' is taken from the sumtpious dream pop extravanganza that is The October Solution\'s 2015 album <a title=\"Axis Swim Scar\" href=\"http://www.hiddenshoal.com/project/october-solution/\"><em>Axis Swim Scar</em></a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/f8FxkxG62og?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','The October Solution \'Lost\' Music Video Up for Awards!','','inherit','closed','closed','','14357-revision-v1','','','2016-05-02 17:20:31','2016-05-02 09:20:31','',14357,'http://www.hiddenshoal.com/14357-revision-v1/',0,'revision','',0),(14363,1,'2016-05-02 17:20:49','2016-05-02 09:20:49','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px.jpg\"><img class=\"alignleft  wp-image-12242\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"182\" height=\"182\" /></a>We\'re excited to announce that the brilliant music video for <a title=\"The October Solution\" href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a> track \'Lost\' by the CINEMÂCHÉ team has been nominated for Best Music Video in this years <a title=\"South Australian Screen Awards\" href=\"http://mercurycinema.org.au/products/buy-stuff/south-australian-screen-awards-gala-ticket-best-of-sasa-screening-festival-pass/\" target=\"_blank\">South Australian Screen Awards</a>! CINEMÂCHÉ have also been nominated for Best Editor, Best Production Design and Best Director of Cinematography for \'Lost\'!\r\n\r\n\'Lost\' is taken from the sumtpious dream pop extravanganza that is The October Solution\'s 2015 album <a title=\"Axis Swim Scar\" href=\"http://www.hiddenshoal.com/project/october-solution/\"><em>Axis Swim Scar</em></a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/f8FxkxG62og?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','The October Solution \'Lost\' Music Video Up for Awards!','','inherit','closed','closed','','14357-revision-v1','','','2016-05-02 17:20:49','2016-05-02 09:20:49','',14357,'http://www.hiddenshoal.com/14357-revision-v1/',0,'revision','',0),(14364,1,'2016-05-02 17:21:35','2016-05-02 09:21:35','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px.jpg\"><img class=\"alignleft  wp-image-12242\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"158\" height=\"158\" /></a>We\'re excited to announce that the brilliant music video for <a title=\"The October Solution\" href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a> track \'Lost\' by the CINEMÂCHÉ team has been nominated for Best Music Video in this years <a title=\"South Australian Screen Awards\" href=\"http://mercurycinema.org.au/products/buy-stuff/south-australian-screen-awards-gala-ticket-best-of-sasa-screening-festival-pass/\" target=\"_blank\">South Australian Screen Awards</a>! CINEMÂCHÉ have also been nominated for Best Editor, Best Production Design and Best Director of Cinematography for \'Lost\'!\r\n\r\n\'Lost\' is taken from the sumtpious dream pop extravanganza that is The October Solution\'s 2015 album <a title=\"Axis Swim Scar\" href=\"http://www.hiddenshoal.com/project/october-solution/\"><em>Axis Swim Scar</em></a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/f8FxkxG62og?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','The October Solution \'Lost\' Music Video Up for Awards!','','inherit','closed','closed','','14357-revision-v1','','','2016-05-02 17:21:35','2016-05-02 09:21:35','',14357,'http://www.hiddenshoal.com/14357-revision-v1/',0,'revision','',0),(14365,1,'2016-05-02 17:27:50','2016-05-02 09:27:50','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px.jpg\"><img class=\"alignleft  wp-image-12242\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"158\" height=\"158\" /></a>We\'re excited to announce that the brilliant music video for <a title=\"The October Solution\" href=\"http://www.hiddenshoal.com/project/october-solution/\">The October Solution</a> track \'Lost\' by the CINEMÂCHÉ team has been nominated for Best Music Video in this years <a title=\"South Australian Screen Awards\" href=\"http://mercurycinema.org.au/products/buy-stuff/south-australian-screen-awards-gala-ticket-best-of-sasa-screening-festival-pass/\" target=\"_blank\">South Australian Screen Awards</a>! CINEMÂCHÉ have also been nominated for Best Editor, Best Production Design and Best Director of Cinematography for \'Lost\'!\r\n\r\n\'Lost\' is taken from the sumptuous dream pop extravaganza that is The October Solution\'s 2015 album <a title=\"Axis Swim Scar\" href=\"http://www.hiddenshoal.com/project/october-solution/\"><em>Axis Swim Scar</em></a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/f8FxkxG62og?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','The October Solution \'Lost\' Music Video Up for Awards!','','inherit','closed','closed','','14357-revision-v1','','','2016-05-02 17:27:50','2016-05-02 09:27:50','',14357,'http://www.hiddenshoal.com/14357-revision-v1/',0,'revision','',0),(14367,1,'2016-05-03 12:07:43','2016-05-03 04:07:43','\"What’s going on inside all those disc drives, cellphones and computers?  We’ve grown accustomed to obvious sounds: the whirr of a burning disc, the start-ups and shut-downs, the overheating hum of internal fans.  But what about all the data stored, trashed and seemingly lost?  Detectives are able to recover data from hard drives, and even the Internet seems to keep a copy, as those who have tried to delete incriminating emails have discovered.  Digital footprints are nearly impervious to destruction, as Markus Mehr demonstrates via sharp amplification.  His induction microphones ferret out the hidden and over-written, exposing – and perhaps indicting – humanity’s newest enduring mark.\r\n\r\nWhat is the sum of all these Netflix binges, G.P.S. searches and impulsive texts, these memos and photos and hacks?  A big, unsorted tangle of sonic debris, not the Cloud but the precipitation <em>from </em>the Cloud.  And that’s what this release sounds like: the malfunctioning of fax machines, connective failures, and spinning color wheels, but also regret, shame, and a creeping soullessness.  If a nuclear bomb seems to explode in “Re-Directed 2,” the ensuing sound of a Xerox machine destroys all context.  Then a digital swarm descends, followed by a mangled church bell.  It’s beautiful, it’s ugly, it’s all in the ear of the beholder.  <em>Re-Directed </em>is the strangest sort of soundscape, a field recording for the digital generation.  As screens become our dominant visual attraction, mechanized noises – audible and inaudible – become our dominant aural input.\r\n\r\nThere are sociopolitical implication to this release, underlined by the video work of Stefanie Sixt.  Might patterns become our new preference, displacing images of flora and fauna?  Is the random hypnotic preferable to the messy unpredictability of human life?  By embedding “real” snippets of music (stuttered piano and occasional beats), Mehr makes “Re-Directed 4” a choice between two worlds, one of which can be obliterated with an electromagnetic pulse.  Yet he undercuts his dire message – perhaps deliberately – by making his music so alluring.  It’s not until the orchestration breaks through the static in the final piece, echoing a Hawai’ian luau, that a sense of awakening develops.  Here at last is the soul we once lost, strangled in the brambles.\"\r\n\r\n- <strong><a title=\"A Closer Listen\" href=\"https://acloserlisten.com/2016/05/01/markus-mehr-re-directed/\">A Closer Listen</a></strong>','Markus Mehr \"Re-Directed\" Reviewed at A Closer Listen','What’s going on inside all those disc drives, cellphones and computers?  We’ve grown accustomed to obvious sounds: the whirr of a burning disc, the start-ups and shut-downs, the overheating hum of internal fans.  But what about all the data stored, trashed and seemingly lost?  Detectives are able to recover data from hard drives, and even the Internet seems to keep a copy, as those who have tried to delete incriminating emails have discovered.  Digital footprints are nearly impervious to destruction, as Markus Mehr demonstrates via sharp amplification.  His induction microphones ferret out the hidden and over-written, exposing – and perhaps indicting – humanity’s newest enduring mark.','publish','closed','closed','','markus-mehr-re-directed-reviewed-at-a-closer-listen','','','2016-05-03 12:07:43','2016-05-03 04:07:43','',0,'http://www.hiddenshoal.com/?p=14367',0,'post','',0),(14368,1,'2016-05-03 12:07:43','2016-05-03 04:07:43','\"What’s going on inside all those disc drives, cellphones and computers?  We’ve grown accustomed to obvious sounds: the whirr of a burning disc, the start-ups and shut-downs, the overheating hum of internal fans.  But what about all the data stored, trashed and seemingly lost?  Detectives are able to recover data from hard drives, and even the Internet seems to keep a copy, as those who have tried to delete incriminating emails have discovered.  Digital footprints are nearly impervious to destruction, as Markus Mehr demonstrates via sharp amplification.  His induction microphones ferret out the hidden and over-written, exposing – and perhaps indicting – humanity’s newest enduring mark.\r\n\r\nWhat is the sum of all these Netflix binges, G.P.S. searches and impulsive texts, these memos and photos and hacks?  A big, unsorted tangle of sonic debris, not the Cloud but the precipitation <em>from </em>the Cloud.  And that’s what this release sounds like: the malfunctioning of fax machines, connective failures, and spinning color wheels, but also regret, shame, and a creeping soullessness.  If a nuclear bomb seems to explode in “Re-Directed 2,” the ensuing sound of a Xerox machine destroys all context.  Then a digital swarm descends, followed by a mangled church bell.  It’s beautiful, it’s ugly, it’s all in the ear of the beholder.  <em>Re-Directed </em>is the strangest sort of soundscape, a field recording for the digital generation.  As screens become our dominant visual attraction, mechanized noises – audible and inaudible – become our dominant aural input.\r\n\r\nThere are sociopolitical implication to this release, underlined by the video work of Stefanie Sixt.  Might patterns become our new preference, displacing images of flora and fauna?  Is the random hypnotic preferable to the messy unpredictability of human life?  By embedding “real” snippets of music (stuttered piano and occasional beats), Mehr makes “Re-Directed 4” a choice between two worlds, one of which can be obliterated with an electromagnetic pulse.  Yet he undercuts his dire message – perhaps deliberately – by making his music so alluring.  It’s not until the orchestration breaks through the static in the final piece, echoing a Hawai’ian luau, that a sense of awakening develops.  Here at last is the soul we once lost, strangled in the brambles.\"\r\n\r\n- <strong><a title=\"A Closer Listen\" href=\"https://acloserlisten.com/2016/05/01/markus-mehr-re-directed/\">A Closer Listen</a></strong>','Markus Mehr \"Re-Directed\" Reviewed at A Closer Listen','What’s going on inside all those disc drives, cellphones and computers?  We’ve grown accustomed to obvious sounds: the whirr of a burning disc, the start-ups and shut-downs, the overheating hum of internal fans.  But what about all the data stored, trashed and seemingly lost?  Detectives are able to recover data from hard drives, and even the Internet seems to keep a copy, as those who have tried to delete incriminating emails have discovered.  Digital footprints are nearly impervious to destruction, as Markus Mehr demonstrates via sharp amplification.  His induction microphones ferret out the hidden and over-written, exposing – and perhaps indicting – humanity’s newest enduring mark.','inherit','closed','closed','','14367-revision-v1','','','2016-05-03 12:07:43','2016-05-03 04:07:43','',14367,'http://www.hiddenshoal.com/14367-revision-v1/',0,'revision','',0),(14369,1,'2016-05-03 12:12:00','2016-05-03 04:12:00','\"The music of Antonymes (Ian M. Hazeldine) has always reverberated with an inherent sadness, graced by a tinge of holiness.  On his newest effort, this yearning tone is reflected by the title, a reference to the 13th Chapter of Corinthians:  <em>for now we see through a glass dimly, but then face to face</em>.  The passage refers to the sea of the unknown: questions unanswered, secrets unrevealed.  An alternate translation reads <em>a mirror darkly</em>, referring to the imperfect, oxidized images of ancient glass.  In short: if we cannot see ourselves clearly, how shall we manage to grasp the eternal?\r\n\r\nOne way is through music.  Music expresses what cannot be expressed in words, collecting memory, emotion and hope in a firefly jar.  And something ineffable is indeed captured here, as a vast array of components coalesces into a form of clarity.  Joined here by multiple friends, including Christoph Berg, Stefano Guzzetti, James Banbury, Joanna Swan and writer Paul Morley, Antonymes conveys a sense of wonder while underlining the bittersweet feeling of being finite in an infinite world.\r\n\r\nWhile primarily instrumental, the album contains one lovely vocal track, and builds to a bout of narration.  The searching strings of “The Lure of the Land” set the stage for the soaring strings of “Elegy (ii)”, at which point Ilya’s multi-octave voice sings of tears, wounds and awakenings.  Then it’s back to the piano and cello for a period of contemplative reflection.  The measured pace comes across as a prayer.  The additional sounds are doled out slowly yet generously: electronic beats on “Delicate Power,” followed by the most spacious track, “Elegy (iv)”, in which silence plays as important a role as note.  Then the album’s biggest surprise: a flugelhorn that bursts the volume meter that has been established to this point.  It’s as if the artist has become comfortable with the questions, which continue to be whispered on the subsequent piece, stripped of their former sadness.\r\n\r\nLate in the album, we hear a voice speaking of the self:  “You come out of this world, just in the same way as the leaves come from the tree; so in that way, you are an expression of it … you <em>must </em>belong to this thing.”  The piece builds; the strings return from their journey, and as they stretch their sounds toward the heavens, the snare makes its first appearance.  Then a second narrator enters:  “Are you there, you must be there somewhere … how shall I get to where you are?”  The final words:  “I don’t remember the rest, but it was beautiful.”  The same is true of this album, which gently builds to one final flourish, leaving an impression of folded hands and sweetly falling tears.\"\r\n\r\n- <strong><a title=\"A Closer Listen\" href=\"https://acloserlisten.com/2016/04/18/antonymes-for-now-we-see-through-a-glass-darkly/\" target=\"_blank\">A Closer Listen</a></strong>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at A Closer Listen','The music of Antonymes (Ian M. Hazeldine) has always reverberated with an inherent sadness, graced by a tinge of holiness.  On his newest effort, this yearning tone is reflected by the title, a reference to the 13th Chapter of Corinthians:  for now we see through a glass dimly, but then face to face.  The passage refers to the sea of the unknown: questions unanswered, secrets unrevealed.  An alternate translation reads a mirror darkly, referring to the imperfect, oxidized images of ancient glass.  In short: if we cannot see ourselves clearly, how shall we manage to grasp the eternal?','publish','closed','closed','','14369','','','2016-05-03 12:12:00','2016-05-03 04:12:00','',0,'http://www.hiddenshoal.com/?p=14369',0,'post','',0),(14370,1,'2016-05-03 12:12:00','2016-05-03 04:12:00','\"The music of Antonymes (Ian M. Hazeldine) has always reverberated with an inherent sadness, graced by a tinge of holiness.  On his newest effort, this yearning tone is reflected by the title, a reference to the 13th Chapter of Corinthians:  <em>for now we see through a glass dimly, but then face to face</em>.  The passage refers to the sea of the unknown: questions unanswered, secrets unrevealed.  An alternate translation reads <em>a mirror darkly</em>, referring to the imperfect, oxidized images of ancient glass.  In short: if we cannot see ourselves clearly, how shall we manage to grasp the eternal?\r\n\r\nOne way is through music.  Music expresses what cannot be expressed in words, collecting memory, emotion and hope in a firefly jar.  And something ineffable is indeed captured here, as a vast array of components coalesces into a form of clarity.  Joined here by multiple friends, including Christoph Berg, Stefano Guzzetti, James Banbury, Joanna Swan and writer Paul Morley, Antonymes conveys a sense of wonder while underlining the bittersweet feeling of being finite in an infinite world.\r\n\r\nWhile primarily instrumental, the album contains one lovely vocal track, and builds to a bout of narration.  The searching strings of “The Lure of the Land” set the stage for the soaring strings of “Elegy (ii)”, at which point Ilya’s multi-octave voice sings of tears, wounds and awakenings.  Then it’s back to the piano and cello for a period of contemplative reflection.  The measured pace comes across as a prayer.  The additional sounds are doled out slowly yet generously: electronic beats on “Delicate Power,” followed by the most spacious track, “Elegy (iv)”, in which silence plays as important a role as note.  Then the album’s biggest surprise: a flugelhorn that bursts the volume meter that has been established to this point.  It’s as if the artist has become comfortable with the questions, which continue to be whispered on the subsequent piece, stripped of their former sadness.\r\n\r\nLate in the album, we hear a voice speaking of the self:  “You come out of this world, just in the same way as the leaves come from the tree; so in that way, you are an expression of it … you <em>must </em>belong to this thing.”  The piece builds; the strings return from their journey, and as they stretch their sounds toward the heavens, the snare makes its first appearance.  Then a second narrator enters:  “Are you there, you must be there somewhere … how shall I get to where you are?”  The final words:  “I don’t remember the rest, but it was beautiful.”  The same is true of this album, which gently builds to one final flourish, leaving an impression of folded hands and sweetly falling tears.\"\r\n\r\n- <strong><a title=\"A Closer Listen\" href=\"https://acloserlisten.com/2016/04/18/antonymes-for-now-we-see-through-a-glass-darkly/\" target=\"_blank\">A Closer Listen</a></strong>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at A Closer Listen','The music of Antonymes (Ian M. Hazeldine) has always reverberated with an inherent sadness, graced by a tinge of holiness.  On his newest effort, this yearning tone is reflected by the title, a reference to the 13th Chapter of Corinthians:  for now we see through a glass dimly, but then face to face.  The passage refers to the sea of the unknown: questions unanswered, secrets unrevealed.  An alternate translation reads a mirror darkly, referring to the imperfect, oxidized images of ancient glass.  In short: if we cannot see ourselves clearly, how shall we manage to grasp the eternal?','inherit','closed','closed','','14369-revision-v1','','','2016-05-03 12:12:00','2016-05-03 04:12:00','',14369,'http://www.hiddenshoal.com/14369-revision-v1/',0,'revision','',0),(14445,1,'2016-05-12 23:35:43','2016-05-12 15:35:43','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Mixtape-2016-cover.jpg\"><img class=\"alignleft  wp-image-14447\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Mixtape-2016-cover-300x300.jpg\" alt=\"Still\" width=\"159\" height=\"159\" /></a>With an <a title=\"Memorybell Album\" href=\"http://www.hiddenshoal.com/new-memorybell-single-forthcoming-album/\">album due out</a> next month that is an abject lesson in understanding the spaces between things, Grant Hazard Outerbridge (aka <a title=\"Memorybell\" href=\"http://www.hiddenshoal.com/project/memorybell/\">Memorybell</a>) is well poised to present this beautiful mixtape, aptly entitled <em>Still</em>. Lets hand it over to the man himself to explain.\r\n\r\n<em>\"Society these days is in such a rush. We bounce from one thing to the next, often, it seems, with little idea of where we’re going. As an artist I attempt to fold into my process a slowing down, preferably to a stasis where blurred notes and ideas become suspended, frozen in air where I can analyze and manipulate them. The songs included here for me represent stillness in many of its forms: sitting with discomfort, ennui, idleness, sadness, relief, and release. Once distraction is removed, we’re left with our bodies and thoughts which, in turn, can lead us to some unexpected realizations.\"</em> - <strong>Grant Hazard Outerbridge (Memorybell)</strong>\r\n\r\n<iframe src=\"https://www.mixcloud.com/widget/iframe/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fhiddenshoal%2Fstill-a-mixtape-curated-by-memorybell%2F&amp;hide_cover=1\" width=\"100%\" height=\"120\" frameborder=\"0\"></iframe>','\"Still\" - A Mixtape Curated by Memorybell','','publish','closed','closed','','still-a-curate-mixtape-by-memorybell','','','2016-05-12 23:38:23','2016-05-12 15:38:23','',0,'http://www.hiddenshoal.com/?p=14445',0,'post','',0),(14372,1,'2016-05-03 14:04:52','2016-05-03 06:04:52','\"Here’s my thought: I think that Erik Nilsson has a slider. And this slider has two settings at either end: <em>charming</em> and <em>challenging</em>. And as he takes us through his album <em>Hearing Things</em>, he moves this slider back and forth. Sometimes it’s at one extreme or the other; most times it’s set precisely in a spot that’s just enough of one while letting the other come through as well. It’s a tricky little balancing act, and while my first few listens to <em>Hearing Things</em> may have left me a little unsteady in terms of opinion, repeat listens have largely won me over. Nilsson’s work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes. The album opens strong with the bubbling, slightly tremolo’d guitar notes of “Ex Nihilo.” Nilsson scrubs at his strings for extra texture, nudging the piece into a mildly hypnotizing rhythm and a sense of everything being made of crystal. There are a couple moments where a sweet jazz riff lifts above the sound for a nice touch. “On and Onward” is one of those tracks that just hooked itself into me the moment I heard it. Opening with big, emotional piano chords over a twinkling of chimes, it immediately establishes itself as a heartfelt ballad—and quite different from the tracks preceding it. Nilsson laces in a bear on the bass drum to bring a little extra force, and to get it ready to ramp up a touch more. Listen again for textured sounds, stuff that’s roughened up and chopped, that seem like they  should be interruptive, but which instead not only add something when they’re there. but which, when they’re dropped back out, seem to amplify the clean ballad sound.  The track that I surprisingly took to—after a couple of tries—is the intriguing “Distance, Wind and Heat.” We’re talking about a track that features what sounds for all the world like the ear-grinding squeal of a rusty swingset in motion. Nilsson starts off back at the piano, another sad song loaded with lonely echo. Guitar folds in…and then in comes the squeal. Honestly, it’s a little tough to listen to at first, and Nilsson even drops everything else out at one point so that all you’ve got is this <em>sound</em>. But wait it out. He begins to build the song back up, and once the drums come in, just this big, angry kick on the bass like someone’s pounding on the door, it not only takes off, but the squeal is suddenly a harmonic element playing counter to everything else that’s going on. Is it still a bit grinding? Well, yes. But everything else around it is so huge, so bold and forceful…you’ve got to dive into this one to understand. It works in a very weird way. Later, “Drawing/Dreaming” finds Nilsson alone with his guitar and lots of reverb. This is a sweet and simple piece with a load of soul. I’d take an album of just this, truth be told. Not everything works on <em>Hearing Things</em>. I could do without the stumbly minimalism of “Mood Swings,” and my vote is still out on the Reich-like “In One-Fifth of a Second.” Still, there have been many points during my numerous listens as I got ready to review this album where the emotional punch of Nilsson’s music just stops me in my tracks and I just need to take a moment to do nothing but listen. That’s effective stuff, and there’s plenty of effective stuff here. Do give this a listen.\"\r\n\r\n- <a title=\"Hypnagogue\" href=\"https://hypnagogue.net/2016/03/14/erik-nilsson-hearing-things/\" target=\"_blank\"><strong>Hypnagogue</strong></a>','Erik Nilsson \"Hearing Things\" Reviewed at Hypnagogue','','publish','closed','closed','','erik-nilsson-hearing-things-reviewed-hypnagogue','','','2016-05-03 14:04:52','2016-05-03 06:04:52','',0,'http://www.hiddenshoal.com/?p=14372',0,'post','',0),(14373,1,'2016-05-03 14:04:52','2016-05-03 06:04:52','\"Here’s my thought: I think that Erik Nilsson has a slider. And this slider has two settings at either end: <em>charming</em> and <em>challenging</em>. And as he takes us through his album <em>Hearing Things</em>, he moves this slider back and forth. Sometimes it’s at one extreme or the other; most times it’s set precisely in a spot that’s just enough of one while letting the other come through as well. It’s a tricky little balancing act, and while my first few listens to <em>Hearing Things</em> may have left me a little unsteady in terms of opinion, repeat listens have largely won me over. Nilsson’s work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes. The album opens strong with the bubbling, slightly tremolo’d guitar notes of “Ex Nihilo.” Nilsson scrubs at his strings for extra texture, nudging the piece into a mildly hypnotizing rhythm and a sense of everything being made of crystal. There are a couple moments where a sweet jazz riff lifts above the sound for a nice touch. “On and Onward” is one of those tracks that just hooked itself into me the moment I heard it. Opening with big, emotional piano chords over a twinkling of chimes, it immediately establishes itself as a heartfelt ballad—and quite different from the tracks preceding it. Nilsson laces in a bear on the bass drum to bring a little extra force, and to get it ready to ramp up a touch more. Listen again for textured sounds, stuff that’s roughened up and chopped, that seem like they  should be interruptive, but which instead not only add something when they’re there. but which, when they’re dropped back out, seem to amplify the clean ballad sound.  The track that I surprisingly took to—after a couple of tries—is the intriguing “Distance, Wind and Heat.” We’re talking about a track that features what sounds for all the world like the ear-grinding squeal of a rusty swingset in motion. Nilsson starts off back at the piano, another sad song loaded with lonely echo. Guitar folds in…and then in comes the squeal. Honestly, it’s a little tough to listen to at first, and Nilsson even drops everything else out at one point so that all you’ve got is this <em>sound</em>. But wait it out. He begins to build the song back up, and once the drums come in, just this big, angry kick on the bass like someone’s pounding on the door, it not only takes off, but the squeal is suddenly a harmonic element playing counter to everything else that’s going on. Is it still a bit grinding? Well, yes. But everything else around it is so huge, so bold and forceful…you’ve got to dive into this one to understand. It works in a very weird way. Later, “Drawing/Dreaming” finds Nilsson alone with his guitar and lots of reverb. This is a sweet and simple piece with a load of soul. I’d take an album of just this, truth be told. Not everything works on <em>Hearing Things</em>. I could do without the stumbly minimalism of “Mood Swings,” and my vote is still out on the Reich-like “In One-Fifth of a Second.” Still, there have been many points during my numerous listens as I got ready to review this album where the emotional punch of Nilsson’s music just stops me in my tracks and I just need to take a moment to do nothing but listen. That’s effective stuff, and there’s plenty of effective stuff here. Do give this a listen.\"\r\n\r\n- <a title=\"Hypnagogue\" href=\"https://hypnagogue.net/2016/03/14/erik-nilsson-hearing-things/\" target=\"_blank\"><strong>Hypnagogue</strong></a>','Erik Nilsson \"Hearing Things\" Reviewed at Hypnagogue','','inherit','closed','closed','','14372-revision-v1','','','2016-05-03 14:04:52','2016-05-03 06:04:52','',14372,'http://www.hiddenshoal.com/14372-revision-v1/',0,'revision','',0),(14375,1,'2016-05-06 16:05:09','2016-05-06 08:05:09','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Joe Sampson</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Joe_Sampson_Porch_Glenn_Ross.jpg\"><img class=\"alignleft size-medium wp-image-14378\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Joe_Sampson_Porch_Glenn_Ross-300x200.jpg\" alt=\"Joe Sampson | Photo by Glenn Ross\" width=\"300\" height=\"200\" /></a><em>“The quiet beauty of Joe Sampson’s music comes from its stark simplicity, haunting textures and dark mystery”</em> – <strong>The Denver Post</strong>\r\n\r\nJoe Sampson is the champion of the musical understatement, each song exuding a gently mesmerising beauty. His music evokes the comfortably sad acoustic tones of Nick Drake or Leonard Cohen, ornamented with often darkly humorous lyrics, intoned in a soft yet road-worn baritone. Sampson’s intimate, emotive songs draw you in, gradually weaving their subtle magic.<a title=\"Twitter\" href=\"https://twitter.com/usetonaut\" target=\"_blank\">\r\n<img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/joe-sampson-usetonaut\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a href=\"https://geo.itunes.apple.com/us/artist/joe-sampson/id526857779?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>   <a href=\"https://open.spotify.com/artist/3l8PXK39fmyO5TfLh3EemI\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Chansons de Parade</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3325362642/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://joesampson1.bandcamp.com/album/chansons-de-parade\">Chansons de Parade by Joe Sampson</a></iframe>\r\nDecember 2016\r\n\r\nThe follow-up to his acclaimed EP Songs of Delay released earlier this year, Chansons de Parade is another exquisitely crafted collection of songs from Joe Sampson, with an uncanny ability to quietly get under your skin. While drawing from the musical spirit of Simon &amp; Garfunkel, Iron &amp; Wine, and Low, the songs on Chansons de Parade sound familial rather than familiar. Combining haunting yet playful lyrical narratives, a mesmerising road-worn baritone vocal, and a delicious melodic sensibility, these nine songs feel like long-term friends from the first listen. The music’s intimacy, gently lilting country slant and spacious, restrained instrumentation add depth and resonance to Sampson’s rustic folk influences.\r\n\r\n&nbsp;\r\n<h4>Songs of Delay</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2976505288/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://joesampson1.bandcamp.com/album/songs-of-delay\">Songs of Delay by Joe Sampson</a></iframe>\r\nSeptember 2016\r\n\r\n<em>Songs of Delay</em> is a sublime five-track EP of consummate songcraft. Across its 13-minute run-time, Joe Sampson patiently unfurls a perfectly formed suite of acoustic vignettes, each song exuding a gently mesmerising beauty. Stripped back in both instrumentation and execution, with additional vocals by Nathaniel Rateliff on \'Songbird\', the EP leaves its raw, emotional core exposed, evoking the comfortably sad acoustic tones of Nick Drake or Leonard Cohen. Ornamented with often darkly humorous lyrics, intoned in a soft yet road-worn baritone, Sampson\'s intimate, emotive songs draw you in, gradually weaving their subtle magic.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSince his childhood days singing in his family’s barbershop quartet, up through his years collaborating with celebrated musicians like Nathaniel Rateliff and Esme Patterson, Joe Sampson has steadily sharpened his sound and style, becoming one of Denver’s most celebrated songwriters. <span class=\"_5yl5\">Westword named him Songwriter of the Year in 2008, describing his work as “combining the emotional weight of acoustic breakup albums like Beck’s Sea Change or Ryan Adams’ Heartbreaker with an aw-fuck-it humour.”</span>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=joesampson-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=joesampson-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Lyrics\"]\r\n<h3>Lyrics</h3>\r\n&nbsp;\r\n<h4>Songs of Delay</h4>\r\n&nbsp;\r\n<h5><strong>Songbird</strong></h5>\r\nI am a songbird too\r\nLong before I met you\r\nSo come let me sing you a song\r\nIt won\'t do no harm\r\n\r\nI am a long boy blue\r\nLong before I had you\r\nSo come let me sing you a song\r\nIt won\'t do no harm\r\nFriends at bay\r\nFriends no more\r\nyou passed your day\r\nas a friendly sort\r\nWhat could you prove\r\nWhat did you move\r\nWhen you said\r\nAhh…is that what you do?\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5><strong>Moon on the Rise</strong></h5>\r\nThere\'s a moon on the Rise\r\nReflecting off the tide\r\nThen, reflecting off those tired eyes\r\nThere\'s no boating home\r\nAll I want to do is spend my days on glue\r\nAnd drink for a while until I smile\r\n\r\nAll I want to do is spend my days on glue\r\nAnd drink for a while until I smile\r\nWhat I wish to lose is those days with the fucking blues\r\nsing for a while\r\nUntil we smile\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5><strong>Dream on Demon</strong></h5>\r\nTwo other sons\r\nAnd there was nothing\r\nDream on Demon\r\nStick around\r\nBecause we\'re used to hand me downs\r\n\r\nAnd it’s a cold walk\r\nTo get into your town\r\n\r\nBelong to us\r\nHang around\r\nTo abuse the common ground\r\n\r\nAnd it’s a cold walk\r\nTo get into your town\r\nFor a cold one\r\nThat I’d rather watch drown\r\n\r\nthere is no one at all\r\nAm I supposed to crawl\r\nThere is no at all\r\nFor my bones to call\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5><strong>My Love</strong></h5>\r\nOn my best\r\nMy love\r\nSomething that we should know\r\nIt’s my part\r\nAs your guest\r\nGuessing there\'s nothing above\r\nAt my stay at be honest\r\nCan\'t find nothing but trouble\r\nOn my best\r\nMy love\r\nWords we’ll come to loathe\r\n\r\nGo retire down the road\r\nWhat the fuck should you know\r\n\r\nOn My best\r\nMy love\r\nSomething that we should show\r\n\r\n&nbsp;\r\n\r\n<hr />\r\n\r\n&nbsp;\r\n<h5><strong>Paper Dolls</strong></h5>\r\nI\'m off to bed\r\ntired and unwed\r\nTo leave you all\r\nTo when the bleachers were warm\r\nAnd oh, in her eyes\r\nWas a cold, cold surprise\r\nA blameless call\r\nUp to the war\r\nAnd if you\'re going leave\r\nTake the dawn\r\nAnd if you\'re going to bleed\r\nDon’t take too long\r\n\r\nThe song filled the room\r\nWith platitude perfume\r\nAn ageless waltz\r\nBuilt for the mall\r\nWas it really just me\r\nDancing down the street\r\nin the arms of paper dolls\r\nIn a step called jealousy\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"14379,14380,14381,14378\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/7IeGtBbRBEk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nJoe Sampson\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Joe Sampson','','publish','closed','closed','','joe-sampson','','','2016-12-01 07:24:35','2016-11-30 23:24:35','',0,'http://www.hiddenshoal.com/?post_type=project&#038;p=14375',0,'project','',0),(14418,1,'2016-05-06 15:49:41','2016-05-06 07:49:41','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Joe Sampson</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Joe_Sampson_Porch_Glenn_Ross.jpg\"><img class=\"alignleft size-medium wp-image-14378\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Joe_Sampson_Porch_Glenn_Ross-300x200.jpg\" alt=\"Joe Sampson | Photo by Glenn Ross\" width=\"300\" height=\"200\" /></a><em>“The quiet beauty of Joe Sampson’s music comes from its stark simplicity, haunting textures and dark mystery”</em> – <strong>The Denver Post</strong>\r\n\r\nJoe Sampson is the champion of the musical understatement, each song exuding a gently mesmerising beauty. His music evokes the comfortably sad acoustic tones of Nick Drake or Leonard Cohen, ornamented with often darkly humorous lyrics, intoned in a soft yet road-worn baritone. Sampson’s intimate, emotive songs draw you in, gradually weaving their subtle magic.\r\n<a title=\"Twitter\" href=\"https://twitter.com/usetonaut\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/joe-sampson-usetonaut\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\nThe Joe Sampson EP <em>Songs of Delay</em> will see release through Hidden Shoal on the 21st of July 2016. The first single from the EP will drop in July.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSince his childhood days singing in his family’s barbershop quartet, up through his years collaborating with celebrated musicians like Nathaniel Rateliff and Esme Patterson, Joe Sampson has steadily sharpened his sound and style, becoming one of Denver’s most celebrated songwriters. After being named Westword’s Songwriter of the Year in 2008, the alt weekly described his work as “combining the emotional weight of acoustic breakup albums like Beck\'s <i>Sea Change</i> or Ryan Adams\' <i>Heartbreaker</i> with an aw-fuck-it humour.”\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=joesampson-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=joesampson-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"14379,14380,14381,14378\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nJoe Sampson\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Joe Sampson','','inherit','closed','closed','','14375-revision-v1','','','2016-05-06 15:49:41','2016-05-06 07:49:41','',14375,'http://www.hiddenshoal.com/14375-revision-v1/',0,'revision','',0),(14409,1,'2016-05-05 13:15:04','2016-05-05 05:15:04','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Joe Sampson</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Joe_Sampson_Porch_Glenn_Ross.jpg\"><img class=\"alignleft size-medium wp-image-14378\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Joe_Sampson_Porch_Glenn_Ross-300x200.jpg\" alt=\"Joe Sampson | Photo by Glenn Ross\" width=\"300\" height=\"200\" /></a><em>“The quiet beauty of Joe Sampson’s music comes from its stark simplicity, haunting textures and dark mystery”</em> – <strong>The Denver Post</strong>\r\n\r\nJoe Sampson is the champion of the musical understatement, each song exuding a gently mesmerising beauty. His music evokes the comfortably sad acoustic tones of Nick Drake or Leonard Cohen, ornamented with often darkly humorous lyrics, intoned in a soft yet road-worn baritone. Sampson’s intimate, emotive songs draw you in, gradually weaving their subtle magic.\r\n<a title=\"Twitter\" href=\"https://twitter.com/usetonaut\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/joe-sampson-usetonaut\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\nThe Joe Sampson EP <em>Songs of Delay</em> will see release through Hidden Shoal on the 21st of July 2016. The first single from the EP will drop in July.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSince his childhood days singing in his family’s barbershop quartet, up through his years collaborating with celebrated musicians like Nathaniel Rateliff and Esme Patterson, Joe Sampson has steadily sharpened his sound and style, becoming one of Denver’s most celebrated songwriters. After being named Westword’s Songwriter of the Year in 2008, the alt weekly described his work as “combining the emotional weight of acoustic breakup albums like Beck\'s <i>Sea Change</i> or Ryan Adams\' <i>Heartbreaker</i> with an aw-fuck-it humour.”\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"14379,14380,14381,14378\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nJoe Sampson\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Joe Sampson','','inherit','closed','closed','','14375-revision-v1','','','2016-05-05 13:15:04','2016-05-05 05:15:04','',14375,'http://www.hiddenshoal.com/14375-revision-v1/',0,'revision','',0),(14382,1,'2016-05-03 17:34:44','2016-05-03 09:34:44','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Joe Sampson</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Joe_Sampson_Porch_Glenn_Ross.jpg\"><img class=\"alignleft size-medium wp-image-14378\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Joe_Sampson_Porch_Glenn_Ross-300x200.jpg\" alt=\"Joe Sampson | Photo by Glenn Ross\" width=\"300\" height=\"200\" /></a><em>“The quiet beauty of Joe Sampson’s music comes from its stark simplicity, haunting textures and dark mystery”</em> – <strong>The Denver Post</strong>\r\n\r\nJoe Sampson is the champion of the musical understatement, each song exuding a gently mesmerising beauty. His music evokes the comfortably sad acoustic tones of Nick Drake or Leonard Cohen, ornamented with often darkly humorous lyrics, intoned in a soft yet road-worn baritone. Sampson’s intimate, emotive songs draw you in, gradually weaving their subtle magic.\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSince his childhood days singing in his family’s barbershop quartet, up through his years collaborating with celebrated musicians like Nathaniel Rateliff and Esme Patterson, Joe Sampson has steadily sharpened his sound and style, becoming one of Denver’s most celebrated songwriters. After being named Westword’s Songwriter of the Year in 2008, the alt weekly described his work as “combining the emotional weight of acoustic breakup albums like Beck\'s <i>Sea Change</i> or Ryan Adams\' <i>Heartbreaker</i> with an aw-fuck-it humour.”\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"14379,14380,14381,14378\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nJoe Sampson\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Joe Sampson','','inherit','closed','closed','','14375-revision-v1','','','2016-05-03 17:34:44','2016-05-03 09:34:44','',14375,'http://www.hiddenshoal.com/14375-revision-v1/',0,'revision','',0),(14380,1,'2016-05-03 17:33:19','2016-05-03 09:33:19','','Joe Sampson','','inherit','closed','closed','','img_2417','','','2016-05-03 17:33:47','2016-05-03 09:33:47','',14375,'http://www.hiddenshoal.com/wp-content/uploads/2016/05/IMG_2417.jpg',0,'attachment','image/jpeg',0),(14376,1,'2016-05-03 17:20:32','2016-05-03 09:20:32','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it. <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Joe Sampson','','inherit','closed','closed','','14375-revision-v1','','','2016-05-03 17:20:32','2016-05-03 09:20:32','',14375,'http://www.hiddenshoal.com/14375-revision-v1/',0,'revision','',0),(14379,1,'2016-05-03 17:33:14','2016-05-03 09:33:14','','Joe Sampson','','inherit','closed','closed','','fullsizerender','','','2016-05-03 17:33:43','2016-05-03 09:33:43','',14375,'http://www.hiddenshoal.com/wp-content/uploads/2016/05/FullSizeRender.jpg',0,'attachment','image/jpeg',0),(14377,1,'2016-05-03 17:20:38','2016-05-03 09:20:38','<p>[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]</p>\r\n<h1>Antonymes</h1>\r\n<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it. <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]</p>\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div></div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]</p>\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]</p>\r\n<h3>News</h3>\r\n<p>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]</p>\r\n<h2>Reviews</h2>\r\n<p>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]</p>\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]</p>\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n<p>[gallery ids=\"8222,8221,8220,8219\"]</p>\r\n<p>[/et_pb_tab][et_pb_tab title=\"Video\"]</p>\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]</p>\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]</p>\r\n','Joe Sampson','','inherit','closed','closed','','14375-revision-v1','','','2016-05-03 17:20:38','2016-05-03 09:20:38','',14375,'http://www.hiddenshoal.com/14375-revision-v1/',0,'revision','',0),(14378,1,'2016-05-03 17:30:30','2016-05-03 09:30:30','','Joe Sampson','','inherit','closed','closed','','glenn-ross-www-glennrossphoto-com','','','2016-05-03 17:32:11','2016-05-03 09:32:11','',14375,'http://www.hiddenshoal.com/wp-content/uploads/2016/05/Joe_Sampson_Porch_Glenn_Ross.jpg',0,'attachment','image/jpeg',0),(14381,1,'2016-05-03 17:33:35','2016-05-03 09:33:35','','Joe Sampson','','inherit','closed','closed','','img_2420','','','2016-05-03 17:33:53','2016-05-03 09:33:53','',14375,'http://www.hiddenshoal.com/wp-content/uploads/2016/05/IMG_2420.jpg',0,'attachment','image/jpeg',0),(14384,1,'2016-05-05 09:05:06','2016-05-05 01:05:06','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/GlankoMusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/glankofficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/glanko-official\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a></strong><strong>\r\n</strong>Daniel Bailey:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/danielbaileymusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/DBaileyOfficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<h4>Isometrik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3657521899/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://dbailey.bandcamp.com/album/isometrik-ep\">Isometrik EP by Daniel Bailey, Glanko</a></iframe>\r\n<strong>May 2016</strong>\r\n\r\n<em>Isometrik</em> is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace. This music exists at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar.\r\n\r\nOver its 4-track, 23-minute runtime, <em>Isometrik</em> delivers an immersive musical narrative. Opener ‘In Eboli’ conveys a bustling and brooding nocturnal scene, before ‘Vaucanson’ evokes the sunrise of the morning after – but one coloured by melancholy. On ‘Consunzione’, the cave-like ambience of echoing voices and field recordings is overwhelmed by guitar drones, synths and percussion, which accumulates into a majestic wall of sound. And on mesmerising closer ‘Adiaphora’, Glanko constructs a towering edifice of reverb and glitch around Daniel Bailey’s deliciously languid guitar loops.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP are available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-05-05 09:05:06','2016-05-05 01:05:06','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14385,1,'2016-05-05 09:07:05','2016-05-05 01:07:05','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/GlankoMusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/glankofficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/glanko-official\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a></strong><strong>\r\n</strong>Daniel Bailey:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/danielbaileymusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/DBaileyOfficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Isometrik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3657521899/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://dbailey.bandcamp.com/album/isometrik-ep\">Isometrik EP by Daniel Bailey, Glanko</a></iframe>\r\n<strong>May 2016</strong>\r\n\r\n<em>Isometrik</em> is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace. This music exists at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar.\r\n\r\nOver its 4-track, 23-minute runtime, <em>Isometrik</em> delivers an immersive musical narrative. Opener ‘In Eboli’ conveys a bustling and brooding nocturnal scene, before ‘Vaucanson’ evokes the sunrise of the morning after – but one coloured by melancholy. On ‘Consunzione’, the cave-like ambience of echoing voices and field recordings is overwhelmed by guitar drones, synths and percussion, which accumulates into a majestic wall of sound. And on mesmerising closer ‘Adiaphora’, Glanko constructs a towering edifice of reverb and glitch around Daniel Bailey’s deliciously languid guitar loops.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP are available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-05-05 09:07:05','2016-05-05 01:07:05','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14386,1,'2016-05-05 09:08:05','2016-05-05 01:08:05','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/GlankoMusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/glankofficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/glanko-official\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a></strong><strong>\r\n</strong>Daniel Bailey:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/danielbaileymusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/DBaileyOfficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Isometrik</h4>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3657521899/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://dbailey.bandcamp.com/album/isometrik-ep\">Isometrik EP by Daniel Bailey, Glanko</a></iframe>\r\n<strong>May 2016</strong>\r\n\r\n<em>Isometrik</em> is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace. This music exists at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar.\r\n\r\nOver its 4-track, 23-minute runtime, <em>Isometrik</em> delivers an immersive musical narrative. Opener ‘In Eboli’ conveys a bustling and brooding nocturnal scene, before ‘Vaucanson’ evokes the sunrise of the morning after – but one coloured by melancholy. On ‘Consunzione’, the cave-like ambience of echoing voices and field recordings is overwhelmed by guitar drones, synths and percussion, which accumulates into a majestic wall of sound. And on mesmerising closer ‘Adiaphora’, Glanko constructs a towering edifice of reverb and glitch around Daniel Bailey’s deliciously languid guitar loops.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP are available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-05-05 09:08:05','2016-05-05 01:08:05','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14387,1,'2016-05-05 09:08:53','2016-05-05 01:08:53','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/GlankoMusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/glankofficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/glanko-official\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a></strong><strong>\r\n</strong>Daniel Bailey:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/danielbaileymusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/DBaileyOfficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Isometrik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3657521899/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://dbailey.bandcamp.com/album/isometrik-ep\">Isometrik EP by Daniel Bailey, Glanko</a></iframe>\r\n<strong>May 2016</strong>\r\n\r\n<em>Isometrik</em> is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace. This music exists at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar.\r\n\r\nOver its 4-track, 23-minute runtime, <em>Isometrik</em> delivers an immersive musical narrative. Opener ‘In Eboli’ conveys a bustling and brooding nocturnal scene, before ‘Vaucanson’ evokes the sunrise of the morning after – but one coloured by melancholy. On ‘Consunzione’, the cave-like ambience of echoing voices and field recordings is overwhelmed by guitar drones, synths and percussion, which accumulates into a majestic wall of sound. And on mesmerising closer ‘Adiaphora’, Glanko constructs a towering edifice of reverb and glitch around Daniel Bailey’s deliciously languid guitar loops.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP are available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-05-05 09:08:53','2016-05-05 01:08:53','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14389,1,'2016-05-05 15:15:23','2016-05-05 07:15:23','<a href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><img class=\"alignleft wp-image-14392\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Isometrik-Cover-Art-300x300.jpg\" alt=\"Isometrik\" width=\"270\" height=\"270\" /></a>We\'ve been waiting patiently to share this amazing debut collaboration between IDM/glitch/industrial producer Glanko and guitarist Daniel Bailey and now the wait is over. <a title=\"Isometrik\" href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><em>Isometrik</em></a> is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace. This music exists at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar.\r\n\r\nOver its 4-track, 23-minute runtime, <em>Isometrik</em> delivers an immersive musical narrative. Opener ‘In Eboli’ conveys a bustling and brooding nocturnal scene, before ‘Vaucanson’ evokes the sunrise of the morning after – but one coloured by melancholy. On ‘Consunzione’, the cave-like ambience of echoing voices and field recordings is overwhelmed by guitar drones, synths and percussion, which accumulates into a majestic wall of sound. And on mesmerising closer ‘Adiaphora’, Glanko constructs a towering edifice of reverb and glitch around Daniel Bailey’s deliciously languid guitar loops.\r\n\r\nHead to the artists\' <a title=\"Glanko and Daniel Bailey\" href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\">profile</a> for all stream and buy links and to read more about the collaboration. <em>Isometrik</em> also joins the <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\">Hidden Shoal licensing catalogue</a> and we have no doubt these songs will find themselves perfectly matched to many a visual sequence!\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261429047&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Glanko & Daniel Bailey \"Isometrik\" EP Out Now!','','publish','closed','closed','','glanko-daniel-bailey-isometrik-ep-out-now','','','2016-05-05 09:28:43','2016-05-05 01:28:43','',0,'http://www.hiddenshoal.com/?p=14389',0,'post','',0),(14390,1,'2016-05-05 09:17:47','2016-05-05 01:17:47','We\'ve been waiting patiently to share this amazing debut collaboration between IDM/glitch/industrial producer Glanko and guitarist Daniel Bailey and now the wait is over. <a title=\"Isometrik\" href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><em>Isometrik</em></a> is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace. This music exists at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar.\r\n\r\nOver its 4-track, 23-minute runtime, <em>Isometrik</em> delivers an immersive musical narrative. Opener ‘In Eboli’ conveys a bustling and brooding nocturnal scene, before ‘Vaucanson’ evokes the sunrise of the morning after – but one coloured by melancholy. On ‘Consunzione’, the cave-like ambience of echoing voices and field recordings is overwhelmed by guitar drones, synths and percussion, which accumulates into a majestic wall of sound. And on mesmerising closer ‘Adiaphora’, Glanko constructs a towering edifice of reverb and glitch around Daniel Bailey’s deliciously languid guitar loops.\r\n\r\nHead to the artists\' <a title=\"Glanko and Daniel Bailey\" href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\">profile</a> for all stream and buy links and to read more about the collaboration. <em>Isometrik</em> also joins the <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\">Hidden Shoal licensing catalogue</a> and we have no doubt these songs will find their match to many a visual sequence!\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Glanko & Daniel Bailey \"Isometrik\" EP Out Now!','','inherit','closed','closed','','14389-revision-v1','','','2016-05-05 09:17:47','2016-05-05 01:17:47','',14389,'http://www.hiddenshoal.com/14389-revision-v1/',0,'revision','',0),