(9510,1,'2014-07-14 09:30:26','2014-07-14 09:30:26','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]</p><h2>Discography</h2><p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a><br /> Slow Dancing Society<br /> <em>The Cogent Sea</em> (2014)</p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a><br /> Kramies<br /> <em> The Folklore Sessions</em> (2014)</p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignleft size-full wp-image-9399\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /><br /> </a><br /> perth<br /> Where\'s Utopia (2013)[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a><br /> Gilded<br /> <em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)</p><p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a><br />perth <br /><em>What’s Your Utopia?</em> (2013)</p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a><br />[The] Caseworker <br /><em>Voices Out There</em> (2013)</p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a><br />Kramies<br /><em>The Wooden Heart</em> (2013)</p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>Live in Bari</em> (2013)</p><p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a><br />Tangled Star<br /><em>Let\'s Adjourn To The Garden</em> (2013)</p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Bloc4\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9424\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Bloc4_LRG.jpg\" alt=\"Bloc4\" width=\"300\" height=\"300\" /></a><br />Jumpel<br /><em>Bloc4</em> (2013)</p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a><br />Todd Tobias &amp; Circus Devils<br /><em>I Razor </em>(2013)</p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a><br />Apricot Rail<br /><em>Quarrels</em> (2013)</p><p> </p><p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>Off</em> (2013)</p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a><br />Half Film<br /><em>East of Monument </em>Re-Issue (2012)</p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a><br />Half Film<br /><em>The Road To The Crater </em>Re-Issue (2012)</p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a><br />Gilded<br /><em>Terrane </em>(2012)</p><p> </p><p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em>Laterna Magica</em> (2012)</p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>On</em> (2012)</p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a><br />Elisa Luu<br /><em>Un Giorno Sospeso</em> (2012)</p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a><br />Todd Tobias<br /><em>Medicine Show </em>(2012)</p><p> </p><p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>In</em> (2012)</p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a><br />Kramies<br /><em>The European</em> (2011)</p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a><br />City of Satellites<br /><em>Remixed</em> (2011)</p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a><br />Antonymes meets Slow Dancing Society<br /><em><em>We Don’t Look Back For Very Long</em> </em>(2011)</p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a><br />[The] Caseworker<br /><em>Letters From The Coast </em>(2011)</p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a><br />Salli Lunn<br /><em>A Frame of Reference</em> (2011)</p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a><br />Umpire<br /><em>Now We\'re Active</em> (2011)</p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a><br />Antonymes<br /><em><em>Lost in Waves of Light </em></em>(2011)</p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a><br />Antonymes<br /><em>The Licence To Interpret Dreams </em>(2011)</p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a><br />Toby Richardson<br /><em>The Stones And The Rabbits</em> (2010)</p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"europa\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9469\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europa_LRG.jpg\" alt=\"Europa\" width=\"300\" height=\"300\" /></a><br />Jumpel<br /><em>Europa</em> (2010)</p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em><em>Under The Sodium Lights </em></em>(2010)</p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>Lava </em>(2010)</p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a><br />Salli Lunn<br /><em>Heresy and Rite</em> (2010)</p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"machine\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9475\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/machine_LRG1.jpg\" alt=\"Machine Is My Animal\" width=\"300\" height=\"300\" /></a><br />City of Satellites<br /><em>Machine Is My Animal </em>(2010)</p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a><br />Mukaizake<br /><em><em>Unknown Knowns </em></em>(2009)</p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a><br />My Majestic Star<br /><em>I Haven’t Got It In Me</em> (2009)</p><p> </p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a><br />Elisa Luu<br /><em>Chromatic Sigh</em> (2009)</p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a><br />Down Review<br /><em>From Here, For Anyone</em> (2009)</p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a><br />Apricot Rail<br /><em><em>Apricot Rail </em></em>(2009)</p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a><br />Tangled Star<br /><em>That Time</em> (2009)</p><p> </p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a><br />Sleeping Me<br /><em>Cradlesongs</em> (2009)</p><p> </p><p> </p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deuxième Bureau \" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9485\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bureau_LRG.jpg\" alt=\"Deuxième Bureau \" width=\"300\" height=\"300\" /></a><br />Jumpel<br /><em>Deuxième Bureau</em>  (2009)</p><p> </p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"spook\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9486\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG1.jpg\" alt=\"The Spook\" width=\"300\" height=\"300\" /></a><br />City of Satellites<br /><em><em>The Spook </em></em>(2008)</p><p> </p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a><br />My Majestic Star<br /><em>Too Late, The Day</em> (2008)</p><p> </p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em>Priest Lake Circa \'88 </em>(2008)</p><p> </p><p> </p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a><br />The Slow Beings<br /><em>We Know Why The Earth Moves</em>  (2008)</p><p> </p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a><br />Toby Richardson<br /><em><em>Evergreen </em></em>(2008)</p><p> </p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a><br />Tangled Star<br /><em>Our Man in Eden Hill</em> (2008)</p><p> </p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a><br />Glassacre<br /><em>September 16th </em>(2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em>The Slow And Steady Winter</em>  (2007)</p><p> </p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]</p><p><a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a><br />Cheekbone<br /><em><em>Yesterday </em></em>(2007)</p><p> </p><p> </p><p> </p><p> </p><p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Samuel\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone size-full wp-image-9497\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/samueljason_LRG.jpg\" alt=\"Samuel Jason Lies On The Beach\" width=\"300\" height=\"300\" /></a><br />Jumpel<br /><em>Samuel Jason Lies On The Beach</em> (2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a><br />Chris Mason<br /><em>Restless </em>(2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a><br />My Majestic Star<br /><em>Fining</em>  (2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a><br />Tangled Star<br /><em><em>It\'s Now Or Later </em></em>(2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a><br />Slow Dancing Society<br /><em>The Sound Of Lights When Dim</em> (2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes & Ponds\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a><br />The Hero Cycle<br /><em>Lakes and Ponds </em>(2007)</p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a><br />Toby Richardson<br /><em>Golden Days </em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a><br />Enargeia<br /><em><em>UFO: Stryker Force </em></em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a><br />Glassacre<br /><em>Slow Attack</em> (2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a><br />Motor Eye<br /><em>Motor Eye </em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a><br />Chris Mason<br /><em>Up Down Up </em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a><br />My Majestic Star<br /><em><em>Ideas Are The Answer </em></em>(2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a><br />Wayne Harriss<br /><em>Aerospace</em> (2006)</p><p> </p><p> </p><p> </p><p> </p><p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','open','','8417-revision-v1','','','2014-07-14 09:30:26','2014-07-14 09:30:26','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(9880,1,'2014-07-31 08:38:58','2014-07-31 08:38:58','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Kramies</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-8971\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Kramies-2013-Press-Shot-300x300.jpg\" alt=\"Kramies\" width=\"232\" height=\"232\" /></a><em>“It’s rare to find dream-pop that resolves with such assured optimism, in which you can sense experience shifting into its proper place... Kramies seems to have mastered the talent of simply breathing it into shape”<strong> – Misfit City</strong></em></p><p>Dutch-American singer-songwriter Kramies has been honing his inimitable craft for many years, bewitching all who have heard his music along the way. Fusing masterful songwriting with electronics and atmospherics, stepping into a Kramies song means being swept up into an emotionally resonant vortex of swooning pop that simply demands repeat listens.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>The Folklore Sessions</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe><br /> May 2014</p><div> </div><p><em>The Folklore Sessions</em> is the free new EP by dream-pop singer-songwriter Kramies, featuring acoustic versions of songs from his two acclaimed Hidden Shoal EPs <em>The European</em> and <em>The Wooden Heart</em>, plus the beautiful piano talents of Grant Wilson (from Syfy\'s Ghost Hunters).</p><p>While his previous EPs mined a wonderfully rich seam of atmospheric yet epic songcraft, <em>The Folklore Sessions</em> demonstrates that Kramies’ songwriting is just as stunning without the undeniable production talents of Jason Lytle (Grandaddy) and Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils). With just his voice and acoustic guitar, plus languid piano backing by Grant Wilson (of Ghost Hunters TV show fame), these stripped-back versions of <em>The European</em>’s ‘Antiquarian Days’, <em>The Wooden Heart</em>’s title track and ‘Sea Otter Cottage’ are given vivid new life through Kramies’ genuinely affecting performances.</p><div> </div><div> </div><h4>The Wooden Heart</h4><div> </div><p><iframe style=\"border: 0; width: 400px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2389044161/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe><br /> October 2013</p><div> </div><p><em>The Wooden Heart</em> is the luscious and expansive new EP from Colorado-based dream-pop artist Kramies. The EP features the production and instrumental talents of Jason Lytle of Grandaddy fame, along with the inimitable production and additional instrumentation of Robert Pollard co-conspirator Todd Tobias.</p><p><em>The Wooden Heart</em> mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal.</p><p>In addition to Todd Tobias’s production (on ‘The Beginning’, ‘The Wooden Heart’, ‘Upon The Northern Isles’ and ‘The Ending’), <em>The Wooden Heart</em> EP also features the production and instrumental talents of Jason Lytle of Grandaddy fame (on ‘Sea Otter Cottage’ and ‘Clocks Were All Broken’). Rounded out by the beautiful artwork of French photographer Jérôme Sevrette, The Wooden Heart EP is a lovingly constructed work of art.</p><div> </div><div> </div><h4>The European</h4><div> </div><p><iframe style=\"border: 0; width: 400px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2414891436/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-european\">The European by Kramies</a></iframe><br /> November 2011</p><div> </div><p>Produced by Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils), <em>The European</em> sets Kramies’ gorgeous voice and acoustic guitar within a glowing tableau, epic in scope yet delicate in detail. The EP fades into view with ‘Intro’, a simple cyclical pattern of guitar, piano and vocals gradually subsumed by drones and distortion. This leads into the majestic, glacial sway of the title track, guaranteed to make the hairs on the back of your neck stand on end. Then, ‘Inventors’ is the album’s dark, shadowy heart, a ballad of subtle intensity.</p><p>Single ‘Coal Miners Executive Club’ is an emotionally resonant vortex of swooning pop built around an absolutely heartbreaking chord progression on synthesizer, carried skyward as layers and layers of instruments build and build. And the closing ‘Antiquarian Days’ is a fitting fade towards a sepia horizon, burbling loops and chiming guitars accompanying Kramies’ gentle lament.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Dutch-American singer-songwriter Kramies Windt began writing songs at the age of 14 after buying his first synth, acoustic guitar and four-track cassette recorder at an estate sale in his home town of Cleveland, Ohio. Even though he was never really exposed to any music other than old Dutch Christmas records his family had lying around when he was a kid, their haunting sound would shape the direction of his future songwriting.</p><p>Kramies started forming and playing in bands around the age of 16, and by the age of 19, the bands he formed became based around the songs he was writing. The bands took on many forms, playing the underground music scene from Ohio to Chicago. Come the late ’90s, Kramies developed his own sound, based around old-world imagery of cobblestone streets, old trains and castles, and romantic, poetic moments. Kramies and his band went on to open for Spiritualized, Grandaddy, Yo La Tengo, Calexico, Stereolab, Dirty Three and Red House Painters.</p><p>Come 2004, Kramies decided to focus on writing and recording in the studio, and began working with producer and engineer Todd Tobias (Guided By Voices, Robert Pollard) and guitarist David Paolucci. Working with Todd and David, Kramies released two albums to critical acclaim: Golden Like A New Thing (ACM, 2008) and Castle of Ghosts (ACM, 2010).</p><p>In 2010 Kramies began writing the songs for his first Hidden Shoal release, The European EP, in his coat closet in Colorado. The songs were demoed on four-track, painting a vivid sonic picture of the direction the release would take, drawing on the haunting old-world imagery he loved so much as a kid. The demos were sent to David Paolucci to start working on guitar parts in Ohio. Kramies then toured Ireland, playing really old pubs and small concert halls, which brought new ideas and layers to the songs. The European EP was recorded in June and July 2011 with Todd Tobias, with prominent, swirling guitar work from Dave Paolucci.</p><p> </p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3><p>[catlist name=kramies-news content=yes pagination=no title_tag=h4 title_class=lcp_title]</p><p>[button link=\"http://www.hiddenshoal.com/category/news/kramies-news/\" color=\"white\"] More Kramies News[/button]</p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=kramies-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">Kramies <em>The Folklore Sessions</em> EP Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">Kramies <em>The Wooden Heart</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart%28Single%29.pdf\">Kramies ‘The Wooden Heart’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">Kramies – <em>The European</em> EP Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">Kramies – ‘Coal Miners Executive Club’ Single Release</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"9000,8999,9001\"]<p><br /> [/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/uM1_Ov-ont0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/-l4F8vCH8MM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/vOHV7ZWshkM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/TdmV4aOSmxE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/C5865MiACPA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/KxAnc3dj3b0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Kramies\' music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kramies','','inherit','closed','closed','','8970-revision-v1','','','2014-07-31 08:38:58','2014-07-31 08:38:58','',8970,'http://www.hiddenshoal.com/8970-revision-v1/',0,'revision','',0),(9879,1,'2014-07-31 08:36:36','2014-07-31 08:36:36','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Kramies</h1>\r\n<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-8971\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Kramies-2013-Press-Shot-300x300.jpg\" alt=\"Kramies\" width=\"232\" height=\"232\" /></a><em>“It’s rare to find dream-pop that resolves with such assured optimism, in which you can sense experience shifting into its proper place... Kramies seems to have mastered the talent of simply breathing it into shape”<strong> – Misfit City</strong></em></p>\r\n<p>Dutch-American singer-songwriter Kramies has been honing his inimitable craft for many years, bewitching all who have heard his music along the way. Fusing masterful songwriting with electronics and atmospherics, stepping into a Kramies song means being swept up into an emotionally resonant vortex of swooning pop that simply demands repeat listens.</p>\r\n<p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>The Folklore Sessions</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe><br />\r\nMay 2014</p>\r\n<div></div>\r\n<p><em>The Folklore Sessions</em> is the free new EP by dream-pop singer-songwriter Kramies, featuring acoustic versions of songs from his two acclaimed Hidden Shoal EPs <em>The European</em> and <em>The Wooden Heart</em>, plus the beautiful piano talents of Grant Wilson (from Syfy\'s Ghost Hunters).</p>\r\n<p>While his previous EPs mined a wonderfully rich seam of atmospheric yet epic songcraft, <em>The Folklore Sessions</em> demonstrates that Kramies’ songwriting is just as stunning without the undeniable production talents of Jason Lytle (Grandaddy) and Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils). With just his voice and acoustic guitar, plus languid piano backing by Grant Wilson (of Ghost Hunters TV show fame), these stripped-back versions of <em>The European</em>’s ‘Antiquarian Days’, <em>The Wooden Heart</em>’s title track and ‘Sea Otter Cottage’ are given vivid new life through Kramies’ genuinely affecting performances.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>The Wooden Heart</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 400px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2389044161/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe><br />\r\nOctober 2013</p>\r\n<div></div>\r\n<p><em>The Wooden Heart</em> is the luscious and expansive new EP from Colorado-based dream-pop artist Kramies. The EP features the production and instrumental talents of Jason Lytle of Grandaddy fame, along with the inimitable production and additional instrumentation of Robert Pollard co-conspirator Todd Tobias.</p>\r\n<p><em>The Wooden Heart</em> mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal.</p>\r\n<p>In addition to Todd Tobias’s production (on ‘The Beginning’, ‘The Wooden Heart’, ‘Upon The Northern Isles’ and ‘The Ending’), <em>The Wooden Heart</em> EP also features the production and instrumental talents of Jason Lytle of Grandaddy fame (on ‘Sea Otter Cottage’ and ‘Clocks Were All Broken’). Rounded out by the beautiful artwork of French photographer Jérôme Sevrette, The Wooden Heart EP is a lovingly constructed work of art.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>The European</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 400px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2414891436/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-european\">The European by Kramies</a></iframe><br />\r\nNovember 2011</p>\r\n<div></div>\r\n<p>Produced by Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils), <em>The European</em> sets Kramies’ gorgeous voice and acoustic guitar within a glowing tableau, epic in scope yet delicate in detail. The EP fades into view with ‘Intro’, a simple cyclical pattern of guitar, piano and vocals gradually subsumed by drones and distortion. This leads into the majestic, glacial sway of the title track, guaranteed to make the hairs on the back of your neck stand on end. Then, ‘Inventors’ is the album’s dark, shadowy heart, a ballad of subtle intensity.</p>\r\n<p>Single ‘Coal Miners Executive Club’ is an emotionally resonant vortex of swooning pop built around an absolutely heartbreaking chord progression on synthesizer, carried skyward as layers and layers of instruments build and build. And the closing ‘Antiquarian Days’ is a fitting fade towards a sepia horizon, burbling loops and chiming guitars accompanying Kramies’ gentle lament.</p>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Dutch-American singer-songwriter Kramies Windt began writing songs at the age of 14 after buying his first synth, acoustic guitar and four-track cassette recorder at an estate sale in his home town of Cleveland, Ohio. Even though he was never really exposed to any music other than old Dutch Christmas records his family had lying around when he was a kid, their haunting sound would shape the direction of his future songwriting.</p>\r\n<p>Kramies started forming and playing in bands around the age of 16, and by the age of 19, the bands he formed became based around the songs he was writing. The bands took on many forms, playing the underground music scene from Ohio to Chicago. Come the late ’90s, Kramies developed his own sound, based around old-world imagery of cobblestone streets, old trains and castles, and romantic, poetic moments. Kramies and his band went on to open for Spiritualized, Grandaddy, Yo La Tengo, Calexico, Stereolab, Dirty Three and Red House Painters.</p>\r\n<p>Come 2004, Kramies decided to focus on writing and recording in the studio, and began working with producer and engineer Todd Tobias (Guided By Voices, Robert Pollard) and guitarist David Paolucci. Working with Todd and David, Kramies released two albums to critical acclaim: Golden Like A New Thing (ACM, 2008) and Castle of Ghosts (ACM, 2010).</p>\r\n<p>In 2010 Kramies began writing the songs for his first Hidden Shoal release, The European EP, in his coat closet in Colorado. The songs were demoed on four-track, painting a vivid sonic picture of the direction the release would take, drawing on the haunting old-world imagery he loved so much as a kid. The demos were sent to David Paolucci to start working on guitar parts in Ohio. Kramies then toured Ireland, playing really old pubs and small concert halls, which brought new ideas and layers to the songs. The European EP was recorded in June and July 2011 with Todd Tobias, with prominent, swirling guitar work from Dave Paolucci.</p>\r\n<p> </p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3><p>[catlist name=kramies-news content=yes pagination=no title_tag=h4 title_class=lcp_title]</p><p>[button link=\"http://www.hiddenshoal.com/category/news/kramies-news/\" color=\"black\"] More News[/button]</p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kramies-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">Kramies <em>The Folklore Sessions</em> EP Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">Kramies <em>The Wooden Heart</em> Album Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart%28Single%29.pdf\">Kramies ‘The Wooden Heart’ Single Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">Kramies – <em>The European</em> EP Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">Kramies – ‘Coal Miners Executive Club’ Single Release</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"9000,8999,9001\"]<br />\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/uM1_Ov-ont0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/-l4F8vCH8MM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/vOHV7ZWshkM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/TdmV4aOSmxE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/C5865MiACPA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/KxAnc3dj3b0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Kramies\' music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kramies','','inherit','closed','closed','','8970-revision-v1','','','2014-07-31 08:36:36','2014-07-31 08:36:36','',8970,'http://www.hiddenshoal.com/8970-revision-v1/',0,'revision','',0),(9511,1,'2014-07-15 07:40:34','2014-07-15 07:40:34','','Salli Lunn','','inherit','closed','open','','salli-lunn_1087-2web','','','2014-07-15 07:40:34','2014-07-15 07:40:34','',9460,'http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_1087-2web.jpg',0,'attachment','image/jpeg',0),(9513,1,'2014-07-15 07:49:39','2014-07-15 07:49:39','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Salli Lunn</h1><p><img class=\"alignleft wp-image-9511 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_1087-2web-300x181.jpg\" alt=\"Salli Lunn\" width=\"300\" height=\"181\" /><em>“the highlights here are the vast soundscapes; the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine <br /></strong></p><p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of debut album <em>Heresy and Rite</em>, Salli Lunn are utterly bewitching.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"]<p><br /> [/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','open','','9460-revision-v1','','','2014-07-15 07:49:39','2014-07-15 07:49:39','',9460,'http://hiddenshoalpublishing.onesmallcloud.com/9460-revision-v1/',0,'revision','',0),(9512,1,'2014-07-15 07:44:01','2014-07-15 07:44:01','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Salli Lunn</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-9511 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_1087-2web-300x181.jpg\" alt=\"Salli Lunn\" width=\"300\" height=\"181\" /></a><em>“the highlights here are the vast soundscapes; the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine <br /></strong></p><p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of debut album <em>Heresy and Rite</em>, Salli Lunn are utterly bewitching.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div></div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','open','','9460-revision-v1','','','2014-07-15 07:44:01','2014-07-15 07:44:01','',9460,'http://hiddenshoalpublishing.onesmallcloud.com/9460-revision-v1/',0,'revision','',0),(9515,1,'2014-07-15 07:52:45','2014-07-15 07:52:45','','Salli Lunn','','inherit','closed','open','','salli-lunn_400px','','','2014-07-15 07:52:45','2014-07-15 07:52:45','',9460,'http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_400px.jpg',0,'attachment','image/jpeg',0),(9516,1,'2014-07-15 07:53:12','2014-07-15 07:53:12','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Salli Lunn</h1><p><img class=\"alignleft  wp-image-9515\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_400px.jpg\" alt=\"Salli Lunn\" width=\"337\" height=\"235\" /><em>“... the vast soundscapes; the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine <br /></strong></p><p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of debut album <em>Heresy and Rite</em>, Salli Lunn are utterly bewitching.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','open','','9460-revision-v1','','','2014-07-15 07:53:12','2014-07-15 07:53:12','',9460,'http://hiddenshoalpublishing.onesmallcloud.com/9460-revision-v1/',0,'revision','',0),(9518,1,'2014-07-15 07:56:02','2014-07-15 07:56:02','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Salli Lunn</h1><p><img class=\"alignleft  wp-image-9515\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_400px.jpg\" alt=\"Salli Lunn\" width=\"301\" height=\"210\" /><em>“... the vast soundscapes; the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine<br /> </strong></p><p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of their debut, Salli Lunn are utterly bewitching.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','open','','9460-revision-v1','','','2014-07-15 07:56:02','2014-07-15 07:56:02','',9460,'http://hiddenshoalpublishing.onesmallcloud.com/9460-revision-v1/',0,'revision','',0),(9517,1,'2014-07-15 07:53:53','2014-07-15 07:53:53','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Salli Lunn</h1><p><img class=\"alignleft  wp-image-9515\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_400px.jpg\" alt=\"Salli Lunn\" width=\"301\" height=\"210\" /><em>“... the vast soundscapes; the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine<br /> </strong></p><p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of debut album <em>Heresy and Rite</em>, Salli Lunn are utterly bewitching.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<br />\r\n<h3>Discography</h3>\r\n<div> </div>\r\n<div> </div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div> </div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div> </div>\r\n<div> </div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div> </div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div> </div>\r\n<div> </div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div> </div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<br />\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]<br />\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<br />\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<br />\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]<br />\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<br />\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]<br />\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','open','','9460-revision-v1','','','2014-07-15 07:53:53','2014-07-15 07:53:53','',9460,'http://hiddenshoalpublishing.onesmallcloud.com/9460-revision-v1/',0,'revision','',0),(9519,1,'2014-07-15 07:57:41','2014-07-15 07:57:41','','Salli Lunn','','inherit','closed','open','','salli-lunn_350px','','','2014-07-15 07:57:41','2014-07-15 07:57:41','',9460,'http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_350px.jpg',0,'attachment','image/jpeg',0),(9522,1,'2014-07-15 08:44:49','2014-07-15 08:44:49','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<br />\r\n<h1>Salli Lunn</h1>\r\n<p><img class=\"alignleft size-full wp-image-9519\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_350px.jpg\" alt=\"Salli Lunn\" width=\"350\" height=\"261\" /><em>“... the vast soundscapes; the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine<br /> </strong></p>\r\n<p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of their debut, Salli Lunn are utterly bewitching.</p>\r\n<p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Heresy and Rite</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1649241617/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/heresy-and-rite\">Heresy And Rite by Salli Lunn</a></iframe></p><div> </div><p>Across the expansive terrain of <em>Heresy and Rite</em>, produced by Jonas Munk (Manual), Salli Lunn are utterly bewitching, weaving dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. From the tumbling drums and lurching coda of opener ‘The Frame of Reference’ to the stunning finale ‘The First Cause’, Salli Lunn walk a tightrope between bright-eyed songcraft and shadowy textures that threaten to overwhelm. <br /> <br /> Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen, each a superb demonstration of Salli Lunn’s mastery of light and shade. Chiming guitar arpeggios highlight the hope and yearning woven throughout the album, while thick coils of bass, pounding drums and wrenching chord changes deepen the atmosphere of foreboding and menace. <br /> <br /> The album was mixed and produced by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p><p> </p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Salli Lunn formed in 2001 in the Danish harbour town of Frederikshavn. Three of the four members – Lasse Skjold Bertelsen (vocals and guitars), Line Grønbech (drums and percussion) and Christian Blæhr (guitars and keyboards) – have played as a band for nearly a decade, recently joined by Jan Nissen (bass) to create a line-up that is musically adroit as it is dynamic and powerful. With members of the band playing in other acclaimed acts The Late Parade, Death By Kite and Amber, it is only in recent years that the music of Salli Lunn has received the devotion it demands.</p><p>Salli Lunn have supported numerous acclaimed international bands, including Jeniferever, USA Is A Monster and Extra Life. Songs from <em>Heresy and Rite</em> were debuted in Copenhagen and Aarhus in the spring of 2009, where the magazine Soundvenue booked the band for a number of shows. The album was produced and mixed by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite). </p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3><p>[catlist name=salli-lunn-news content=yes pagination=no title_tag=h4 title_class=lcp_title]</p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2><p>[catlist name=salli-lunn-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]</p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-A_Frame_of_Reference.pdf\">Salli Lunn – <em>A Frame Of Reference</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Mirror_Girl_Remix.pdf\">Salli Lunn – ‘Mirror Girl (Scott Solter Remix)’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_The_First_Cause.pdf\">Salli Lunn ‘The First Cause’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Heresy_and_Rite.pdf\">Salli Lunn <em>Heresy and Rite</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Parachutes_Forever_Single.pdf\">Salli Lunn ‘Parachutes Forever’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Signing.pdf\">Salli Lunn Signs To Hidden Shoal Recordings</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No videos yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Salli Lunn\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','open','','9460-revision-v1','','','2014-07-15 08:44:49','2014-07-15 08:44:49','',9460,'http://hiddenshoalpublishing.onesmallcloud.com/9460-revision-v1/',0,'revision','',0),(9520,1,'2014-07-15 07:58:03','2014-07-15 07:58:03','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Salli Lunn</h1><p><img class=\"alignleft size-full wp-image-9519\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_350px.jpg\" alt=\"Salli Lunn\" width=\"350\" height=\"261\" /><em>“... the vast soundscapes; the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine<br /> </strong></p><p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of their debut, Salli Lunn are utterly bewitching.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<br />\r\n<h3>Discography</h3>\r\n<div> </div>\r\n<div> </div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div> </div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div> </div>\r\n<div> </div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div> </div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div> </div>\r\n<div> </div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div> </div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<br />\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]<br />\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<br />\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<br />\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]<br />\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<br />\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]<br />\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','open','','9460-revision-v1','','','2014-07-15 07:58:03','2014-07-15 07:58:03','',9460,'http://hiddenshoalpublishing.onesmallcloud.com/9460-revision-v1/',0,'revision','',0),(9521,1,'2014-08-11 13:52:21','2014-08-11 13:52:21','<p>[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]</p><h1>Salli Lunn</h1><p><img class=\"alignleft size-full wp-image-9519\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_350px.jpg\" alt=\"Salli Lunn\" width=\"350\" height=\"261\" /><em>“...the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine<br /> </strong></p><p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of their debut, Salli Lunn are utterly bewitching.<br /> <a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a></p><p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]</p><h3>Discography</h3><div> </div><div> </div><h4>Heresy and Rite</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1649241617/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/heresy-and-rite\">Heresy And Rite by Salli Lunn</a></iframe></p><div> </div><p>Across the expansive terrain of <em>Heresy and Rite</em>, produced by Jonas Munk (Manual), Salli Lunn are utterly bewitching, weaving dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. From the tumbling drums and lurching coda of opener ‘The Frame of Reference’ to the stunning finale ‘The First Cause’, Salli Lunn walk a tightrope between bright-eyed songcraft and shadowy textures that threaten to overwhelm.</p><p>Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen, each a superb demonstration of Salli Lunn’s mastery of light and shade. Chiming guitar arpeggios highlight the hope and yearning woven throughout the album, while thick coils of bass, pounding drums and wrenching chord changes deepen the atmosphere of foreboding and menace.</p><p>The album was mixed and produced by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p><p> </p><p>[/et_pb_tab][et_pb_tab title=\"Bio\"]</p><h3>Biography</h3><p>Salli Lunn formed in 2001 in the Danish harbour town of Frederikshavn. Three of the four members – Lasse Skjold Bertelsen (vocals and guitars), Line Grønbech (drums and percussion) and Christian Blæhr (guitars and keyboards) – have played as a band for nearly a decade, recently joined by Jan Nissen (bass) to create a line-up that is musically adroit as it is dynamic and powerful. With members of the band playing in other acclaimed acts The Late Parade, Death By Kite and Amber, it is only in recent years that the music of Salli Lunn has received the devotion it demands.</p><p>Salli Lunn have supported numerous acclaimed international bands, including Jeniferever, USA Is A Monster and Extra Life. Songs from <em>Heresy and Rite</em> were debuted in Copenhagen and Aarhus in the spring of 2009, where the magazine Soundvenue booked the band for a number of shows. The album was produced and mixed by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p><p>[/et_pb_tab][et_pb_tab title=\"News\"]</p><h3>News</h3><p>[catlist name=salli-lunn-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]</p><h2>Reviews</h2><p>[catlist name=salli-lunn-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]</p><h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-A_Frame_of_Reference.pdf\">Salli Lunn – <em>A Frame Of Reference</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Mirror_Girl_Remix.pdf\">Salli Lunn – ‘Mirror Girl (Scott Solter Remix)’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_The_First_Cause.pdf\">Salli Lunn ‘The First Cause’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Heresy_and_Rite.pdf\">Salli Lunn <em>Heresy and Rite</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Parachutes_Forever_Single.pdf\">Salli Lunn ‘Parachutes Forever’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Signing.pdf\">Salli Lunn Signs To Hidden Shoal Recordings</a></p><p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]</p><h3>Artist Photos</h3><p> </p><div class=\"wpview-wrap wpview-type-gallery\" contenteditable=\"false\" data-wpview-text=\"%5Bgallery%20columns%3D%222%22%20ids%3D%229529%2C9511%22%5D\" data-wpview-type=\"gallery\"><div class=\"toolbar\"> </div><div class=\"gallery gallery-columns-2\"><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Salli-Lunn-Lines-apartment-analogue-1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_1087-2web-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl></div><ins data-wpview-end=\"1\"></ins></div><p>[/et_pb_tab][et_pb_tab title=\"Video\"]</p><h3>Music Videos</h3><p>No videos yet, sorry!</p><p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]</p><h3>Licensing</h3><p>Salli Lunn\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p><p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]</p>','Salli Lunn','','inherit','closed','open','','9460-autosave-v1','','','2014-08-11 13:52:21','2014-08-11 13:52:21','',9460,'http://hiddenshoalpublishing.onesmallcloud.com/9460-autosave-v1/',0,'revision','',0),(10250,1,'2014-08-11 13:53:14','2014-08-11 13:53:14','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Salli Lunn</h1><p><img class=\"alignleft size-full wp-image-9519\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_350px.jpg\" alt=\"Salli Lunn\" width=\"350\" height=\"261\" /><em>“...the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine<br /> </strong></p><p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of their debut, Salli Lunn are utterly bewitching.<br /> <a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Heresy and Rite</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1649241617/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/heresy-and-rite\">Heresy And Rite by Salli Lunn</a></iframe></p><div> </div><p>Across the expansive terrain of <em>Heresy and Rite</em>, produced by Jonas Munk (Manual), Salli Lunn are utterly bewitching, weaving dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. From the tumbling drums and lurching coda of opener ‘The Frame of Reference’ to the stunning finale ‘The First Cause’, Salli Lunn walk a tightrope between bright-eyed songcraft and shadowy textures that threaten to overwhelm.</p><p>Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen, each a superb demonstration of Salli Lunn’s mastery of light and shade. Chiming guitar arpeggios highlight the hope and yearning woven throughout the album, while thick coils of bass, pounding drums and wrenching chord changes deepen the atmosphere of foreboding and menace.</p><p>The album was mixed and produced by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p><p> </p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Salli Lunn formed in 2001 in the Danish harbour town of Frederikshavn. Three of the four members – Lasse Skjold Bertelsen (vocals and guitars), Line Grønbech (drums and percussion) and Christian Blæhr (guitars and keyboards) – have played as a band for nearly a decade, recently joined by Jan Nissen (bass) to create a line-up that is musically adroit as it is dynamic and powerful. With members of the band playing in other acclaimed acts The Late Parade, Death By Kite and Amber, it is only in recent years that the music of Salli Lunn has received the devotion it demands.</p><p>Salli Lunn have supported numerous acclaimed international bands, including Jeniferever, USA Is A Monster and Extra Life. Songs from <em>Heresy and Rite</em> were debuted in Copenhagen and Aarhus in the spring of 2009, where the magazine Soundvenue booked the band for a number of shows. The album was produced and mixed by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3><p>[catlist name=salli-lunn-news content=yes pagination=no title_tag=h4 title_class=lcp_title]</p><p style=\"text-align: right;\"><a title=\"Salli Lunn News\" href=\"http://www.hiddenshoal.com/category/news/salli-lunn-news/\"><strong>More News</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2><p>[catlist name=salli-lunn-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]</p><p style=\"text-align: right;\"><a title=\"Salli Lunn Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/salli-lunn-reviews/\"><strong>More Reviews</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-A_Frame_of_Reference.pdf\">Salli Lunn – <em>A Frame Of Reference</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Mirror_Girl_Remix.pdf\">Salli Lunn – ‘Mirror Girl (Scott Solter Remix)’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_The_First_Cause.pdf\">Salli Lunn ‘The First Cause’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Heresy_and_Rite.pdf\">Salli Lunn <em>Heresy and Rite</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Parachutes_Forever_Single.pdf\">Salli Lunn ‘Parachutes Forever’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Signing.pdf\">Salli Lunn Signs To Hidden Shoal Recordings</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery columns=\"2\" ids=\"9529,9511\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p>No videos yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Salli Lunn\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','closed','','9460-revision-v1','','','2014-08-11 13:53:14','2014-08-11 13:53:14','',9460,'http://www.hiddenshoal.com/9460-revision-v1/',0,'revision','',0),(9525,1,'2014-07-15 08:47:10','2014-07-15 08:47:10','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Salli Lunn</h1><p><img class=\"alignleft  wp-image-9515\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_400px.jpg\" alt=\"Salli Lunn\" width=\"353\" height=\"246\" /><em>“...the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine<br /> </strong></p><p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of their debut, Salli Lunn are utterly bewitching.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Heresy and Rite</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1649241617/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/heresy-and-rite\">Heresy And Rite by Salli Lunn</a></iframe></p><div> </div><p>Across the expansive terrain of <em>Heresy and Rite</em>, produced by Jonas Munk (Manual), Salli Lunn are utterly bewitching, weaving dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. From the tumbling drums and lurching coda of opener ‘The Frame of Reference’ to the stunning finale ‘The First Cause’, Salli Lunn walk a tightrope between bright-eyed songcraft and shadowy textures that threaten to overwhelm.</p><p>Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen, each a superb demonstration of Salli Lunn’s mastery of light and shade. Chiming guitar arpeggios highlight the hope and yearning woven throughout the album, while thick coils of bass, pounding drums and wrenching chord changes deepen the atmosphere of foreboding and menace.</p><p>The album was mixed and produced by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p><p> </p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Salli Lunn formed in 2001 in the Danish harbour town of Frederikshavn. Three of the four members – Lasse Skjold Bertelsen (vocals and guitars), Line Grønbech (drums and percussion) and Christian Blæhr (guitars and keyboards) – have played as a band for nearly a decade, recently joined by Jan Nissen (bass) to create a line-up that is musically adroit as it is dynamic and powerful. With members of the band playing in other acclaimed acts The Late Parade, Death By Kite and Amber, it is only in recent years that the music of Salli Lunn has received the devotion it demands.</p><p>Salli Lunn have supported numerous acclaimed international bands, including Jeniferever, USA Is A Monster and Extra Life. Songs from <em>Heresy and Rite</em> were debuted in Copenhagen and Aarhus in the spring of 2009, where the magazine Soundvenue booked the band for a number of shows. The album was produced and mixed by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=salli-lunn-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=salli-lunn-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-A_Frame_of_Reference.pdf\">Salli Lunn – <em>A Frame Of Reference</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Mirror_Girl_Remix.pdf\">Salli Lunn – ‘Mirror Girl (Scott Solter Remix)’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_The_First_Cause.pdf\">Salli Lunn ‘The First Cause’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Heresy_and_Rite.pdf\">Salli Lunn <em>Heresy and Rite</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Parachutes_Forever_Single.pdf\">Salli Lunn ‘Parachutes Forever’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Signing.pdf\">Salli Lunn Signs To Hidden Shoal Recordings</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No videos yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Salli Lunn\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','open','','9460-revision-v1','','','2014-07-15 08:47:10','2014-07-15 08:47:10','',9460,'http://hiddenshoalpublishing.onesmallcloud.com/9460-revision-v1/',0,'revision','',0),(9524,1,'2014-07-15 08:46:22','2014-07-15 08:46:22','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Salli Lunn</h1><p><img class=\"alignleft  wp-image-9519\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_350px.jpg\" alt=\"Salli Lunn\" width=\"330\" height=\"246\" /><em>“...the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine<br /> </strong></p><p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of their debut, Salli Lunn are utterly bewitching.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<br />\r\n<h3>Discography</h3>\r\n<div> </div>\r\n<div> </div>\r\n<h4>Heresy and Rite</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1649241617/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/heresy-and-rite\">Heresy And Rite by Salli Lunn</a></iframe></p>\r\n<div> </div>\r\n<p>Across the expansive terrain of <em>Heresy and Rite</em>, produced by Jonas Munk (Manual), Salli Lunn are utterly bewitching, weaving dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. From the tumbling drums and lurching coda of opener ‘The Frame of Reference’ to the stunning finale ‘The First Cause’, Salli Lunn walk a tightrope between bright-eyed songcraft and shadowy textures that threaten to overwhelm.</p>\r\n<p>Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen, each a superb demonstration of Salli Lunn’s mastery of light and shade. Chiming guitar arpeggios highlight the hope and yearning woven throughout the album, while thick coils of bass, pounding drums and wrenching chord changes deepen the atmosphere of foreboding and menace.</p>\r\n<p>The album was mixed and produced by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p>\r\n<p> </p>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]<br />\r\n<h3>Biography</h3>\r\n<p>Salli Lunn formed in 2001 in the Danish harbour town of Frederikshavn. Three of the four members – Lasse Skjold Bertelsen (vocals and guitars), Line Grønbech (drums and percussion) and Christian Blæhr (guitars and keyboards) – have played as a band for nearly a decade, recently joined by Jan Nissen (bass) to create a line-up that is musically adroit as it is dynamic and powerful. With members of the band playing in other acclaimed acts The Late Parade, Death By Kite and Amber, it is only in recent years that the music of Salli Lunn has received the devotion it demands.</p>\r\n<p>Salli Lunn have supported numerous acclaimed international bands, including Jeniferever, USA Is A Monster and Extra Life. Songs from <em>Heresy and Rite</em> were debuted in Copenhagen and Aarhus in the spring of 2009, where the magazine Soundvenue booked the band for a number of shows. The album was produced and mixed by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]<br />\r\n<h3>News</h3>\r\n[catlist name=salli-lunn-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<br />\r\n<h2>Reviews</h2>\r\n[catlist name=salli-lunn-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<br />\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-A_Frame_of_Reference.pdf\">Salli Lunn – <em>A Frame Of Reference</em> Album Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Mirror_Girl_Remix.pdf\">Salli Lunn – ‘Mirror Girl (Scott Solter Remix)’ Single Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_The_First_Cause.pdf\">Salli Lunn ‘The First Cause’ Single Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Heresy_and_Rite.pdf\">Salli Lunn <em>Heresy and Rite</em> Album Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Parachutes_Forever_Single.pdf\">Salli Lunn ‘Parachutes Forever’ Single</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Signing.pdf\">Salli Lunn Signs To Hidden Shoal Recordings</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]<br />\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<br />\r\n<h3>Music Videos</h3>\r\n<p> No videos yet, sorry!</p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]<br />\r\n<h3>Licensing</h3>\r\n<p>Salli Lunn\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','open','','9460-revision-v1','','','2014-07-15 08:46:22','2014-07-15 08:46:22','',9460,'http://hiddenshoalpublishing.onesmallcloud.com/9460-revision-v1/',0,'revision','',0),(9526,1,'2014-07-15 08:47:58','2014-07-15 08:47:58','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Salli Lunn</h1><p><img class=\"alignleft  wp-image-9519\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_350px.jpg\" alt=\"Salli Lunn\" width=\"375\" height=\"280\" /><em>“...the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine<br /> </strong></p><p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of their debut, Salli Lunn are utterly bewitching.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Heresy and Rite</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1649241617/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/heresy-and-rite\">Heresy And Rite by Salli Lunn</a></iframe></p><div> </div><p>Across the expansive terrain of <em>Heresy and Rite</em>, produced by Jonas Munk (Manual), Salli Lunn are utterly bewitching, weaving dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. From the tumbling drums and lurching coda of opener ‘The Frame of Reference’ to the stunning finale ‘The First Cause’, Salli Lunn walk a tightrope between bright-eyed songcraft and shadowy textures that threaten to overwhelm.</p><p>Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen, each a superb demonstration of Salli Lunn’s mastery of light and shade. Chiming guitar arpeggios highlight the hope and yearning woven throughout the album, while thick coils of bass, pounding drums and wrenching chord changes deepen the atmosphere of foreboding and menace.</p><p>The album was mixed and produced by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p><p> </p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Salli Lunn formed in 2001 in the Danish harbour town of Frederikshavn. Three of the four members – Lasse Skjold Bertelsen (vocals and guitars), Line Grønbech (drums and percussion) and Christian Blæhr (guitars and keyboards) – have played as a band for nearly a decade, recently joined by Jan Nissen (bass) to create a line-up that is musically adroit as it is dynamic and powerful. With members of the band playing in other acclaimed acts The Late Parade, Death By Kite and Amber, it is only in recent years that the music of Salli Lunn has received the devotion it demands.</p><p>Salli Lunn have supported numerous acclaimed international bands, including Jeniferever, USA Is A Monster and Extra Life. Songs from <em>Heresy and Rite</em> were debuted in Copenhagen and Aarhus in the spring of 2009, where the magazine Soundvenue booked the band for a number of shows. The album was produced and mixed by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=salli-lunn-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=salli-lunn-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-A_Frame_of_Reference.pdf\">Salli Lunn – <em>A Frame Of Reference</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Mirror_Girl_Remix.pdf\">Salli Lunn – ‘Mirror Girl (Scott Solter Remix)’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_The_First_Cause.pdf\">Salli Lunn ‘The First Cause’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Heresy_and_Rite.pdf\">Salli Lunn <em>Heresy and Rite</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Parachutes_Forever_Single.pdf\">Salli Lunn ‘Parachutes Forever’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Signing.pdf\">Salli Lunn Signs To Hidden Shoal Recordings</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No videos yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Salli Lunn\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','open','','9460-revision-v1','','','2014-07-15 08:47:58','2014-07-15 08:47:58','',9460,'http://hiddenshoalpublishing.onesmallcloud.com/9460-revision-v1/',0,'revision','',0),(9528,1,'2014-07-15 08:49:39','2014-07-15 08:49:39','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Salli Lunn</h1><p><img class=\"alignleft size-full wp-image-9519\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_350px.jpg\" alt=\"Salli Lunn\" width=\"350\" height=\"261\" /><em>“...the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine<br /> </strong></p><p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of their debut, Salli Lunn are utterly bewitching.<br /> <a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Heresy and Rite</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1649241617/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/heresy-and-rite\">Heresy And Rite by Salli Lunn</a></iframe></p><div> </div><p>Across the expansive terrain of <em>Heresy and Rite</em>, produced by Jonas Munk (Manual), Salli Lunn are utterly bewitching, weaving dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. From the tumbling drums and lurching coda of opener ‘The Frame of Reference’ to the stunning finale ‘The First Cause’, Salli Lunn walk a tightrope between bright-eyed songcraft and shadowy textures that threaten to overwhelm.</p><p>Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen, each a superb demonstration of Salli Lunn’s mastery of light and shade. Chiming guitar arpeggios highlight the hope and yearning woven throughout the album, while thick coils of bass, pounding drums and wrenching chord changes deepen the atmosphere of foreboding and menace.</p><p>The album was mixed and produced by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p><p> </p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Salli Lunn formed in 2001 in the Danish harbour town of Frederikshavn. Three of the four members – Lasse Skjold Bertelsen (vocals and guitars), Line Grønbech (drums and percussion) and Christian Blæhr (guitars and keyboards) – have played as a band for nearly a decade, recently joined by Jan Nissen (bass) to create a line-up that is musically adroit as it is dynamic and powerful. With members of the band playing in other acclaimed acts The Late Parade, Death By Kite and Amber, it is only in recent years that the music of Salli Lunn has received the devotion it demands.</p><p>Salli Lunn have supported numerous acclaimed international bands, including Jeniferever, USA Is A Monster and Extra Life. Songs from <em>Heresy and Rite</em> were debuted in Copenhagen and Aarhus in the spring of 2009, where the magazine Soundvenue booked the band for a number of shows. The album was produced and mixed by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=salli-lunn-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=salli-lunn-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-A_Frame_of_Reference.pdf\">Salli Lunn – <em>A Frame Of Reference</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Mirror_Girl_Remix.pdf\">Salli Lunn – ‘Mirror Girl (Scott Solter Remix)’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_The_First_Cause.pdf\">Salli Lunn ‘The First Cause’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Heresy_and_Rite.pdf\">Salli Lunn <em>Heresy and Rite</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Parachutes_Forever_Single.pdf\">Salli Lunn ‘Parachutes Forever’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Signing.pdf\">Salli Lunn Signs To Hidden Shoal Recordings</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No videos yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Salli Lunn\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','open','','9460-revision-v1','','','2014-07-15 08:49:39','2014-07-15 08:49:39','',9460,'http://hiddenshoalpublishing.onesmallcloud.com/9460-revision-v1/',0,'revision','',0),(9527,1,'2014-07-15 08:48:52','2014-07-15 08:48:52','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Salli Lunn</h1><p><img class=\"alignleft size-full wp-image-9519\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_350px.jpg\" alt=\"Salli Lunn\" width=\"350\" height=\"261\" /><em>“...the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine<br /> </strong></p><p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of their debut, Salli Lunn are utterly bewitching.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<br />\r\n<h3>Discography</h3>\r\n<div> </div>\r\n<div> </div>\r\n<h4>Heresy and Rite</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1649241617/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/heresy-and-rite\">Heresy And Rite by Salli Lunn</a></iframe></p>\r\n<div> </div>\r\n<p>Across the expansive terrain of <em>Heresy and Rite</em>, produced by Jonas Munk (Manual), Salli Lunn are utterly bewitching, weaving dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. From the tumbling drums and lurching coda of opener ‘The Frame of Reference’ to the stunning finale ‘The First Cause’, Salli Lunn walk a tightrope between bright-eyed songcraft and shadowy textures that threaten to overwhelm.</p>\r\n<p>Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen, each a superb demonstration of Salli Lunn’s mastery of light and shade. Chiming guitar arpeggios highlight the hope and yearning woven throughout the album, while thick coils of bass, pounding drums and wrenching chord changes deepen the atmosphere of foreboding and menace.</p>\r\n<p>The album was mixed and produced by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p>\r\n<p> </p>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]<br />\r\n<h3>Biography</h3>\r\n<p>Salli Lunn formed in 2001 in the Danish harbour town of Frederikshavn. Three of the four members – Lasse Skjold Bertelsen (vocals and guitars), Line Grønbech (drums and percussion) and Christian Blæhr (guitars and keyboards) – have played as a band for nearly a decade, recently joined by Jan Nissen (bass) to create a line-up that is musically adroit as it is dynamic and powerful. With members of the band playing in other acclaimed acts The Late Parade, Death By Kite and Amber, it is only in recent years that the music of Salli Lunn has received the devotion it demands.</p>\r\n<p>Salli Lunn have supported numerous acclaimed international bands, including Jeniferever, USA Is A Monster and Extra Life. Songs from <em>Heresy and Rite</em> were debuted in Copenhagen and Aarhus in the spring of 2009, where the magazine Soundvenue booked the band for a number of shows. The album was produced and mixed by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]<br />\r\n<h3>News</h3>\r\n[catlist name=salli-lunn-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<br />\r\n<h2>Reviews</h2>\r\n[catlist name=salli-lunn-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<br />\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-A_Frame_of_Reference.pdf\">Salli Lunn – <em>A Frame Of Reference</em> Album Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Mirror_Girl_Remix.pdf\">Salli Lunn – ‘Mirror Girl (Scott Solter Remix)’ Single Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_The_First_Cause.pdf\">Salli Lunn ‘The First Cause’ Single Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Heresy_and_Rite.pdf\">Salli Lunn <em>Heresy and Rite</em> Album Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Parachutes_Forever_Single.pdf\">Salli Lunn ‘Parachutes Forever’ Single</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Signing.pdf\">Salli Lunn Signs To Hidden Shoal Recordings</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]<br />\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<br />\r\n<h3>Music Videos</h3>\r\n<p> No videos yet, sorry!</p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]<br />\r\n<h3>Licensing</h3>\r\n<p>Salli Lunn\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','open','','9460-revision-v1','','','2014-07-15 08:48:52','2014-07-15 08:48:52','',9460,'http://hiddenshoalpublishing.onesmallcloud.com/9460-revision-v1/',0,'revision','',0),(9529,1,'2014-07-15 08:51:01','2014-07-15 08:51:01','','Salli Lunn','','inherit','closed','open','','salli-lunn-lines-apartment-analogue-1','','','2014-07-15 08:51:01','2014-07-15 08:51:01','',9460,'http://www.hiddenshoal.com/wp-content/uploads/2014/07/Salli-Lunn-Lines-apartment-analogue-1.jpg',0,'attachment','image/jpeg',0),(9530,1,'2014-07-15 08:51:43','2014-07-15 08:51:43','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Salli Lunn</h1><p><img class=\"alignleft size-full wp-image-9519\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/salli-lunn_350px.jpg\" alt=\"Salli Lunn\" width=\"350\" height=\"261\" /><em>“...the sonic scree of ‘The First Cause’, crumbling post-rock spire of ‘Parachutes Forever’ and ‘Fast Cars, Clean Bodies’ towering peaks of bass and guitar. You might need a Sherpa to get through it, but the view from the top is magnificent.”</em> –<strong> Rave Magazine<br /> </strong></p><p>Salli Lunn weave dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen. Across the expansive terrain of their debut, Salli Lunn are utterly bewitching.<br /> <a title=\"Facebook\" href=\"https://www.facebook.com/SALLILUNN?fref=ts\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SALLILUNN\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://www.soundcloud.com/sallilunn\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Heresy and Rite</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1649241617/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/heresy-and-rite\">Heresy And Rite by Salli Lunn</a></iframe></p><div> </div><p>Across the expansive terrain of <em>Heresy and Rite</em>, produced by Jonas Munk (Manual), Salli Lunn are utterly bewitching, weaving dark magic in the bleak hinterland of guitar-driven atmospherics, stirring in equal parts pop melody and angular noise. From the tumbling drums and lurching coda of opener ‘The Frame of Reference’ to the stunning finale ‘The First Cause’, Salli Lunn walk a tightrope between bright-eyed songcraft and shadowy textures that threaten to overwhelm.</p><p>Songs rise and fall in vertiginous shifts, carried by thunderous rhythms, skewed guitar patterns and the compelling vocal presence of Lasse Skjold Bertelsen, each a superb demonstration of Salli Lunn’s mastery of light and shade. Chiming guitar arpeggios highlight the hope and yearning woven throughout the album, while thick coils of bass, pounding drums and wrenching chord changes deepen the atmosphere of foreboding and menace.</p><p>The album was mixed and produced by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p><p> </p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Salli Lunn formed in 2001 in the Danish harbour town of Frederikshavn. Three of the four members – Lasse Skjold Bertelsen (vocals and guitars), Line Grønbech (drums and percussion) and Christian Blæhr (guitars and keyboards) – have played as a band for nearly a decade, recently joined by Jan Nissen (bass) to create a line-up that is musically adroit as it is dynamic and powerful. With members of the band playing in other acclaimed acts The Late Parade, Death By Kite and Amber, it is only in recent years that the music of Salli Lunn has received the devotion it demands.</p><p>Salli Lunn have supported numerous acclaimed international bands, including Jeniferever, USA Is A Monster and Extra Life. Songs from <em>Heresy and Rite</em> were debuted in Copenhagen and Aarhus in the spring of 2009, where the magazine Soundvenue booked the band for a number of shows. The album was produced and mixed by Jonas Munk (Manual, Causa Sui) and mastered by Anders Schumann (Oh No Ono, Decorate Decorate, Death By Kite).</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=salli-lunn-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=salli-lunn-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-A_Frame_of_Reference.pdf\">Salli Lunn – <em>A Frame Of Reference</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Mirror_Girl_Remix.pdf\">Salli Lunn – ‘Mirror Girl (Scott Solter Remix)’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_The_First_Cause.pdf\">Salli Lunn ‘The First Cause’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Heresy_and_Rite.pdf\">Salli Lunn <em>Heresy and Rite</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn-Parachutes_Forever_Single.pdf\">Salli Lunn ‘Parachutes Forever’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Salli_Lunn_Signing.pdf\">Salli Lunn Signs To Hidden Shoal Recordings</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p><p>[gallery columns=\"2\" ids=\"9529,9511\"]</p>[/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No videos yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Salli Lunn\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Salli Lunn','','inherit','closed','open','','9460-revision-v1','','','2014-07-15 08:51:43','2014-07-15 08:51:43','',9460,'http://hiddenshoalpublishing.onesmallcloud.com/9460-revision-v1/',0,'revision','',0),(9531,1,'2014-07-16 03:32:22','2014-07-16 03:32:22','<img class=\"alignleft size-full wp-image-9532\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/half-film.jpg\" alt=\"Half Film\" width=\"180\" height=\"115\" /><a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\">Half Film</a> plays trance music. Not the mindless beat-driven sort you find in sweaty clubs, but the kind of sounds that put you into a deeply meditative state where you confront your deepest fears and converse with your truest self. What little writing I can find about them dubbed them slowcore, a sub-genre which, like most things branded with the unfortunate –core suffix, barely scratches the surface of defining an aesthetic. They’re slow in the way evolution is slow, their music unfolding at a snail’s piece, substituting traditional song structure and climaxes for a measured burn of emotion. Perhaps more than anything they’re cinematic, carefully crafting scenes with repeated motifs, scenes unfolding like blooming flowers as Eimer Devlin, Conor Devlin and Jason Larkis narrate what feels like the end of the world over brooding textures and measured, haunting guitar lines.\n\nIt’s been over a decade since Half Film split. The San Francisco trio released two LPs during their short run – 1998’s <a title=\"East of Monument\" href=\"http://hiddenshoal.bandcamp.com/album/east-of-monument\" target=\"_blank\"><em>East of Monument</em></a> and its 2000 follow-up, <a title=\"The Road To The Crater\" href=\"http://hiddenshoal.bandcamp.com/album/the-road-to-the-crater\" target=\"_blank\"><em>The Road to the Crater</em></a>, both of which were re-released by Hidden Shoal Recordings late last year.\n\nThe three have since scattered across the world – Jason hovered around California and now resides in Berkeley where he’s working on a new record for his sort-of-solo project <a href=\"http://mistandmast.tumblr.com/\" target=\"_blank\">Mist and Mast</a>. In 2002, Conor and Eimer joined with members of Swell to form <a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\">[the] caseworker</a> (whose last two albums <a title=\"Letters From The Coast\" href=\"http://hiddenshoal.bandcamp.com/album/letters-from-the-coast?\" target=\"_blank\"><em>Letters from the Coast</em></a> and <em><a title=\"Voices Out There\" href=\"http://hiddenshoal.bandcamp.com/album/voices-out-there\" target=\"_blank\">Voices Out There</a></em> were put out through Hidden Shoal) before going on an extended in hiatus in 2006. Conor moved to South Africa and now lives in Switzerland; Eimer left for Ireland but is back in Northern California. Along with the rest of [the] caseworker, they’ve spent the last few years demoing a third record by e-mail which they hope to complete in April. Over the last month I corresponded with Jason, Eimer and Conor about Half Film, San Francisco and the ills of the music industry.\n\n“We never felt [our records] got properly released for reasons I won’t go into,” Jason tells me over e-mail. I probe for a few days but it seems the frustrations are too deep to dig up. Eimer offers the same sentiment: “Just reading some of the references to old acquaintances gives me a stomach ulcer.” Conor opts not to name names, but chalks his discontent up to “a bottomless well of incompetence,” – label mismanagement, perennially intoxicated distributors and plain bad luck.\n\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/63591460&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\n<strong>Half Film - \'Coated\'</strong>\n\nYet the resonance of the music over-powers any lingering angst over the machinations of a bloated industry. How could it not? Every track on <em>East of Monument</em> is catchy in the strangest possible way – almost anti-catchy. The songs embed themselves into that strange part of your brain that’s active when you’re halfway between sleep and wakefulness.\n\n<img class=\"alignright size-thumbnail wp-image-9533\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/The-Road-To-The-Crater-1000px-150x150.jpg\" alt=\"The Road To The Crater\" width=\"150\" height=\"150\" />“I have very good memories of writing the songs, the rehearsals, hanging out,” Conor says. “But as others will tell you, I find having to <em>listen</em> to the records very traumatic. I feel they were never as good as what we (or maybe just I) heard in our heads, and there’s a gap between what you <em>want </em>to do and what you’re <em>capable</em> of. And when I hear the records, I\'m hearing that gap and I assume everyone else hears it too. Having said that, when I had to hear the songs again recently to make sure the re-mastering went to plan, I could still hear very clearly what we were trying to express at the time, and I thought it was an honest expression of who and what we were at the time. We weren\'t faking anything. ”\n\nEimer puts it another way: “I commute over the Golden Gate bridge a few times a week and since listening to the Half Film records again, as my bus approaches the bridge in the evening in my head I hear Con and Jay singing Hang and it gets me in the gut every time. I think that song means the most to me of any Half Film song.” Listening to Hang, it’s easy to get that same sense of despairing endless space; as the closing track on <em>East of Monument</em>, it carries the heart-breaking weight of an elegy to a something precious long since lost.\n\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/58676306&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\n<strong>Half Film - \'Machines, Hawks And The Perfect Equation\'</strong>\n\n<img class=\"alignleft size-thumbnail wp-image-9534\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/East-of-Monument-1000px-150x150.jpg\" alt=\"East of Monument\" width=\"150\" height=\"150\" />“Listening to the old Half Film discs - especially <em>East of Monument</em> - gives me a sense of nostalgia I don\'t get from recordings of any of my other bands throughout the years,” says Jason. “I listen to ‘Coated’ and I get visions of the patterns on the walls of a club we played, the smell of a bar we hung out in.\n\n“Another thing about that time – there were a lot of little scenes, but we weren\'t a part of any of them. I know that\'s what everyone says, but it’s true. Other band\'s members had played in each others bands for years. We were content along the sidelines, going to practice, then the bar (sometimes just the bar), then back to Conor and Eimer’s to listen to the day\'s record store finds.”\n\nConor concurs. “We were definitely not a part of the scene; it felt natural to stay away. It still does,” he says. “San Francisco feels like a long way in the past now, but it\'s great to look back and to have had such a unique experience while I was there. The memories are in the records.”\n\n<em>East of Monument</em> and <em>The Road to the Crater</em> are available now as <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\">digital downloads</a> and Half Film\'s music is also available for<a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\"> licensing</a> through Hidden Shoal.\n\n<strong>by Matt Tomich.</strong>','Half Film Interview','','draft','closed','open','','half-film-interview','','','2014-12-05 11:19:11','2014-12-05 03:19:11','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?page_id=9531',0,'page','',0),(9532,1,'2014-07-16 03:21:07','2014-07-16 03:21:07','','Half Film','','inherit','closed','open','','half-film-2','','','2014-07-16 03:21:07','2014-07-16 03:21:07','',9531,'http://www.hiddenshoal.com/wp-content/uploads/2014/07/half-film.jpg',0,'attachment','image/jpeg',0),(9533,1,'2014-07-16 03:27:19','2014-07-16 03:27:19','','The Road To The Crater','','inherit','closed','open','','the-road-to-the-crater-1000px-2','','','2014-07-16 03:27:19','2014-07-16 03:27:19','',9531,'http://www.hiddenshoal.com/wp-content/uploads/2014/07/The-Road-To-The-Crater-1000px.jpg',0,'attachment','image/jpeg',0),(9534,1,'2014-07-16 03:28:24','2014-07-16 03:28:24','','East of Monument','','inherit','closed','open','','east-of-monument-1000px-2','','','2014-07-16 03:28:24','2014-07-16 03:28:24','',9531,'http://www.hiddenshoal.com/wp-content/uploads/2014/07/East-of-Monument-1000px.jpg',0,'attachment','image/jpeg',0),(9535,1,'2014-07-16 03:32:22','2014-07-16 03:32:22','<img class=\"alignleft size-full wp-image-9532\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/half-film.jpg\" alt=\"Half Film\" width=\"180\" height=\"115\" /><a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\">Half Film</a> plays trance music. Not the mindless beat-driven sort you find in sweaty clubs, but the kind of sounds that put you into a deeply meditative state where you confront your deepest fears and converse with your truest self. What little writing I can find about them dubbed them slowcore, a sub-genre which, like most things branded with the unfortunate –core suffix, barely scratches the surface of defining an aesthetic. They’re slow in the way evolution is slow, their music unfolding at a snail’s piece, substituting traditional song structure and climaxes for a measured burn of emotion. Perhaps more than anything they’re cinematic, carefully crafting scenes with repeated motifs, scenes unfolding like blooming flowers as Eimer Devlin, Conor Devlin and Jason Larkis narrate what feels like the end of the world over brooding textures and measured, haunting guitar lines.\r\n\r\nIt’s been over a decade since Half Film split. The San Francisco trio released two LPs during their short run – 1998’s <a title=\"East of Monument\" href=\"http://hiddenshoal.bandcamp.com/album/east-of-monument\" target=\"_blank\"><em>East of Monument</em></a> and its 2000 follow-up, <a title=\"The Road To The Crater\" href=\"http://hiddenshoal.bandcamp.com/album/the-road-to-the-crater\" target=\"_blank\"><em>The Road to the Crater</em></a>, both of which were re-released by Hidden Shoal Recordings late last year.\r\n\r\nThe three have since scattered across the world – Jason hovered around California and now resides in Berkeley where he’s working on a new record for his sort-of-solo project <a href=\"http://mistandmast.tumblr.com/\" target=\"_blank\">Mist and Mast</a>. In 2002, Conor and Eimer joined with members of Swell to form <a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\">[the] caseworker</a> (whose last two albums <a title=\"Letters From The Coast\" href=\"http://hiddenshoal.bandcamp.com/album/letters-from-the-coast?\" target=\"_blank\"><em>Letters from the Coast</em></a> and <a title=\"Voices Out There\" href=\"http://hiddenshoal.bandcamp.com/album/voices-out-there\" target=\"_blank\">Voices Out There</a> were put out through Hidden Shoal) before going on an extended in hiatus in 2006. Conor moved to South Africa and now lives in Switzerland; Eimer left for Ireland but is back in Northern California. Along with the rest of [the] caseworker, they’ve spent the last few years demoing a third record by e-mail which they hope to complete in April. Over the last month I corresponded with Jason, Eimer and Conor about Half Film, San Francisco and the ills of the music industry.\r\n\r\n“We never felt [our records] got properly released for reasons I won’t go into,” Jason tells me over e-mail. I probe for a few days but it seems the frustrations are too deep to dig up. Eimer offers the same sentiment: “Just reading some of the references to old acquaintances gives me a stomach ulcer.” Conor opts not to name names, but chalks his discontent up to “a bottomless well of incompetence,” – label mismanagement, perennially intoxicated distributors and plain bad luck.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/63591460&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<strong>Half Film - \'Coated\'</strong>\r\n\r\nYet the resonance of the music over-powers any lingering angst over the machinations of a bloated industry. How could it not? Every track on <em>East of Monument</em> is catchy in the strangest possible way – almost anti-catchy. The songs embed themselves into that strange part of your brain that’s active when you’re halfway between sleep and wakefulness.\r\n\r\n<img class=\"alignright size-thumbnail wp-image-9533\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/The-Road-To-The-Crater-1000px-150x150.jpg\" alt=\"The Road To The Crater\" width=\"150\" height=\"150\" />“I have very good memories of writing the songs, the rehearsals, hanging out,” Conor says. “But as others will tell you, I find having to <em>listen</em> to the records very traumatic. I feel they were never as good as what we (or maybe just I) heard in our heads, and there’s a gap between what you <em>want </em>to do and what you’re <em>capable</em> of. And when I hear the records, I\'m hearing that gap and I assume everyone else hears it too. Having said that, when I had to hear the songs again recently to make sure the re-mastering went to plan, I could still hear very clearly what we were trying to express at the time, and I thought it was an honest expression of who and what we were at the time. We weren\'t faking anything. ”\r\n\r\nEimer puts it another way: “I commute over the Golden Gate bridge a few times a week and since listening to the Half Film records again, as my bus approaches the bridge in the evening in my head I hear Con and Jay singing Hang and it gets me in the gut every time. I think that song means the most to me of any Half Film song.” Listening to Hang, it’s easy to get that same sense of despairing endless space; as the closing track on <em>East of Monument</em>, it carries the heart-breaking weight of an elegy to a something precious long since lost.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/58676306&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<strong>Half Film - \'Machines, Hawks And The Perfect Equation\'</strong>\r\n\r\n<img class=\"alignleft size-thumbnail wp-image-9534\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/East-of-Monument-1000px-150x150.jpg\" alt=\"East of Monument\" width=\"150\" height=\"150\" />“Listening to the old Half Film discs - especially <em>East of Monument</em> - gives me a sense of nostalgia I don\'t get from recordings of any of my other bands throughout the years,” says Jason. “I listen to ‘Coated’ and I get visions of the patterns on the walls of a club we played, the smell of a bar we hung out in.\r\n\r\n“Another thing about that time – there were a lot of little scenes, but we weren\'t a part of any of them. I know that\'s what everyone says, but it’s true. Other band\'s members had played in each others bands for years. We were content along the sidelines, going to practice, then the bar (sometimes just the bar), then back to Conor and Eimer’s to listen to the day\'s record store finds.”\r\n\r\nConor concurs. “We were definitely not a part of the scene; it felt natural to stay away. It still does,” he says. “San Francisco feels like a long way in the past now, but it\'s great to look back and to have had such a unique experience while I was there. The memories are in the records.”\r\n\r\n<em>East of Monument</em> and <em>The Road to the Crater</em> are available now as <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\">digital downloads</a> and Half Film\'s music is also available for licensing through Hidden Shoal.\r\n\r\n<strong>by Matt Tomich.</strong>','Half Film Interview','','inherit','closed','open','','9531-revision-v1','','','2014-07-16 03:32:22','2014-07-16 03:32:22','',9531,'http://hiddenshoalpublishing.onesmallcloud.com/9531-revision-v1/',0,'revision','',0),(9536,1,'2014-07-16 03:34:26','2014-07-16 03:34:26','<img class=\"alignleft size-full wp-image-9532\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/half-film.jpg\" alt=\"Half Film\" width=\"180\" height=\"115\" /><a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\">Half Film</a> plays trance music. Not the mindless beat-driven sort you find in sweaty clubs, but the kind of sounds that put you into a deeply meditative state where you confront your deepest fears and converse with your truest self. What little writing I can find about them dubbed them slowcore, a sub-genre which, like most things branded with the unfortunate –core suffix, barely scratches the surface of defining an aesthetic. They’re slow in the way evolution is slow, their music unfolding at a snail’s piece, substituting traditional song structure and climaxes for a measured burn of emotion. Perhaps more than anything they’re cinematic, carefully crafting scenes with repeated motifs, scenes unfolding like blooming flowers as Eimer Devlin, Conor Devlin and Jason Larkis narrate what feels like the end of the world over brooding textures and measured, haunting guitar lines.\r\n\r\nIt’s been over a decade since Half Film split. The San Francisco trio released two LPs during their short run – 1998’s <a title=\"East of Monument\" href=\"http://hiddenshoal.bandcamp.com/album/east-of-monument\" target=\"_blank\"><em>East of Monument</em></a> and its 2000 follow-up, <a title=\"The Road To The Crater\" href=\"http://hiddenshoal.bandcamp.com/album/the-road-to-the-crater\" target=\"_blank\"><em>The Road to the Crater</em></a>, both of which were re-released by Hidden Shoal Recordings late last year.\r\n\r\nThe three have since scattered across the world – Jason hovered around California and now resides in Berkeley where he’s working on a new record for his sort-of-solo project <a href=\"http://mistandmast.tumblr.com/\" target=\"_blank\">Mist and Mast</a>. In 2002, Conor and Eimer joined with members of Swell to form <a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\">[the] caseworker</a> (whose last two albums <a title=\"Letters From The Coast\" href=\"http://hiddenshoal.bandcamp.com/album/letters-from-the-coast?\" target=\"_blank\"><em>Letters from the Coast</em></a> and <em><a title=\"Voices Out There\" href=\"http://hiddenshoal.bandcamp.com/album/voices-out-there\" target=\"_blank\">Voices Out There</a></em> were put out through Hidden Shoal) before going on an extended in hiatus in 2006. Conor moved to South Africa and now lives in Switzerland; Eimer left for Ireland but is back in Northern California. Along with the rest of [the] caseworker, they’ve spent the last few years demoing a third record by e-mail which they hope to complete in April. Over the last month I corresponded with Jason, Eimer and Conor about Half Film, San Francisco and the ills of the music industry.\r\n\r\n“We never felt [our records] got properly released for reasons I won’t go into,” Jason tells me over e-mail. I probe for a few days but it seems the frustrations are too deep to dig up. Eimer offers the same sentiment: “Just reading some of the references to old acquaintances gives me a stomach ulcer.” Conor opts not to name names, but chalks his discontent up to “a bottomless well of incompetence,” – label mismanagement, perennially intoxicated distributors and plain bad luck.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/63591460&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<strong>Half Film - \'Coated\'</strong>\r\n\r\nYet the resonance of the music over-powers any lingering angst over the machinations of a bloated industry. How could it not? Every track on <em>East of Monument</em> is catchy in the strangest possible way – almost anti-catchy. The songs embed themselves into that strange part of your brain that’s active when you’re halfway between sleep and wakefulness.\r\n\r\n<img class=\"alignright size-thumbnail wp-image-9533\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/The-Road-To-The-Crater-1000px-150x150.jpg\" alt=\"The Road To The Crater\" width=\"150\" height=\"150\" />“I have very good memories of writing the songs, the rehearsals, hanging out,” Conor says. “But as others will tell you, I find having to <em>listen</em> to the records very traumatic. I feel they were never as good as what we (or maybe just I) heard in our heads, and there’s a gap between what you <em>want </em>to do and what you’re <em>capable</em> of. And when I hear the records, I\'m hearing that gap and I assume everyone else hears it too. Having said that, when I had to hear the songs again recently to make sure the re-mastering went to plan, I could still hear very clearly what we were trying to express at the time, and I thought it was an honest expression of who and what we were at the time. We weren\'t faking anything. ”\r\n\r\nEimer puts it another way: “I commute over the Golden Gate bridge a few times a week and since listening to the Half Film records again, as my bus approaches the bridge in the evening in my head I hear Con and Jay singing Hang and it gets me in the gut every time. I think that song means the most to me of any Half Film song.” Listening to Hang, it’s easy to get that same sense of despairing endless space; as the closing track on <em>East of Monument</em>, it carries the heart-breaking weight of an elegy to a something precious long since lost.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/58676306&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<strong>Half Film - \'Machines, Hawks And The Perfect Equation\'</strong>\r\n\r\n<img class=\"alignleft size-thumbnail wp-image-9534\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/East-of-Monument-1000px-150x150.jpg\" alt=\"East of Monument\" width=\"150\" height=\"150\" />“Listening to the old Half Film discs - especially <em>East of Monument</em> - gives me a sense of nostalgia I don\'t get from recordings of any of my other bands throughout the years,” says Jason. “I listen to ‘Coated’ and I get visions of the patterns on the walls of a club we played, the smell of a bar we hung out in.\r\n\r\n“Another thing about that time – there were a lot of little scenes, but we weren\'t a part of any of them. I know that\'s what everyone says, but it’s true. Other band\'s members had played in each others bands for years. We were content along the sidelines, going to practice, then the bar (sometimes just the bar), then back to Conor and Eimer’s to listen to the day\'s record store finds.”\r\n\r\nConor concurs. “We were definitely not a part of the scene; it felt natural to stay away. It still does,” he says. “San Francisco feels like a long way in the past now, but it\'s great to look back and to have had such a unique experience while I was there. The memories are in the records.”\r\n\r\n<em>East of Monument</em> and <em>The Road to the Crater</em> are available now as <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\">digital downloads</a> and Half Film\'s music is also available for<a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\"> licensing</a> through Hidden Shoal.\r\n\r\n<strong>by Matt Tomich.</strong>','Half Film Interview','','inherit','closed','open','','9531-revision-v1','','','2014-07-16 03:34:26','2014-07-16 03:34:26','',9531,'http://hiddenshoalpublishing.onesmallcloud.com/9531-revision-v1/',0,'revision','',0),(9802,1,'2014-07-24 07:28:55','2014-07-24 07:28:55','\"The Folklore Sessions is an EP from the Colorado based dream-popper Kramies (AKA Kramies Windt). This EP collection features acoustic versions of songs from two of his EPs: The European (2011) and The Wooden Heart (2013). These sessions also feature piano contributions from one Grant Wilson (of Ghost Hunters TV show fame; it\'s some kind of a US paranormal reality TV series).\r\n\r\n<i>The Folklore Sessions</i> holds \"Antiquarian Days\" (off The European), \"The Wooden Heart\" and \"Sea Otter Cottage\" (off The Wooden Heart), plus the short, closing \"Potions\". This quiet quartet of songs once again proves the talent of Kramies being an amazing singer-songwriter and wonderful performer. This time its the power of the stripped and naked song performance that shows the strength and quality of the songs. Kramies\' voice and his acoustic guitar, plus Wilson\'s piano playing on two of the tracks, are all that the songs need. Plain and simple as that. No make-up, no special effects, no overdub-garnish. Just the power and the beauty of melodies carried out \'unplugged\'. \"The Wooden Heart\" is lovely. \"Antiquarian Days\" is exquisite. \"Sea Otter Cottage\" is simply gorgeous. Wonderful stuff.\"\r\n\r\n- <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\"><strong>Luna Kafe</strong></a>','Kramies \"The Folklore Sessions\" Reviewed at Luna Kafe','','publish','closed','open','','kramies-folklore-sessions-reviewed-luna-kafe','','','2014-07-24 09:02:48','2014-07-24 09:02:48','',0,'http://www.hiddenshoal.com/?p=9802',0,'post','',0),(9538,1,'2014-09-18 03:56:17','2014-09-17 19:56:17','We now get to intro another part of the new <a title=\"Hidden Shoal Features\" href=\"http://www.hiddenshoal.com/features/\">Features</a> section here at Hidden Shoal - <a title=\"Featured Track\" href=\"http://www.hiddenshoal.com/category/features-articles/featured-track/\">Featured Tracks</a>. Every week we\'ll be posting a pick from the Hidden Shoal catalogue and telling you why we love it. And without any further ado...\r\n\r\nThis weeks featured track is lifted from <a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\">Mukaizake</a>\'s sublime 2009 mini-album <a href=\"http://mukaizake.bandcamp.com/album/unknown-knowns\"><em>Unknown Knowns</em></a>. \'My Friend Flicker\' swings and sways with the deftness of a zero gravity dancer, all the while dripping in melancholia and unrequitedness. If you\'ve not had the pleasure yet then don\'t deny yourself - head <a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\">here</a> to stream the album in full and also nab yourself a copy.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/157788812&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Mukaizake \'My Friend Flicker\'','','publish','closed','open','','featured-track-mukaizake-my-friend-flicker','','\nhttp://hiddenshoalpublishing.onesmallcloud.com/project/mukaizake/','2016-06-20 10:42:02','2016-06-20 02:42:02','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?p=9538',0,'post','',0),(9539,1,'2014-07-16 03:56:17','2014-07-16 03:56:17','This weeks featured track is lifted from <a href=\"http://www.hiddenshoal.com/project/mukaizake/\">Mukaizake</a>\'s sublime 2009 mini-album <a href=\"http://mukaizake.bandcamp.com/album/unknown-knowns\"><em>Unknown Knowns</em></a>. \'My Friend Flicker\' swings and sways with the deftness of a zero gravity dancer, all the while dripping in melancholia and unrequitedness. If you\'ve not had the pleasure yet then don\'t deny yourself - head over to <a href=\"http://mukaizake.bandcamp.com/album/unknown-knowns\">Bandcamp</a> to stream the album in full and also nab yourself a copy.\r\n\r\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/157788812&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\"></iframe>','Featured Track - Mukaizake \'My Friend Flicker\'','','inherit','closed','open','','9538-revision-v1','','','2014-07-16 03:56:17','2014-07-16 03:56:17','',9538,'http://hiddenshoalpublishing.onesmallcloud.com/9538-revision-v1/',0,'revision','',0),(9542,1,'2014-07-16 03:57:50','2014-07-16 03:57:50','This weeks featured track is lifted from <a href=\"http://www.hiddenshoal.com/project/mukaizake/\">Mukaizake</a>\'s sublime 2009 mini-album <a href=\"http://mukaizake.bandcamp.com/album/unknown-knowns\"><em>Unknown Knowns</em></a>. \'My Friend Flicker\' swings and sways with the deftness of a zero gravity dancer, all the while dripping in melancholia and unrequitedness. If you\'ve not had the pleasure yet then don\'t deny yourself - head over to <a href=\"http://mukaizake.bandcamp.com/album/unknown-knowns\">Bandcamp</a> to stream the album in full and also nab yourself a copy.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/157788812&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Mukaizake \'My Friend Flicker\'','','inherit','closed','open','','9538-revision-v1','','','2014-07-16 03:57:50','2014-07-16 03:57:50','',9538,'http://hiddenshoalpublishing.onesmallcloud.com/9538-revision-v1/',0,'revision','',0),(9540,1,'2014-07-16 03:56:50','2014-07-16 03:56:50','<img class=\"alignleft size-thumbnail wp-image-9062\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Mukaizake-Press-Photo-1-Square-Lo-res1-150x150.jpg\" alt=\"Mukaizake\" width=\"150\" height=\"150\" />This weeks featured track is lifted from <a href=\"http://www.hiddenshoal.com/project/mukaizake/\">Mukaizake</a>\'s sublime 2009 mini-album <a href=\"http://mukaizake.bandcamp.com/album/unknown-knowns\"><em>Unknown Knowns</em></a>. \'My Friend Flicker\' swings and sways with the deftness of a zero gravity dancer, all the while dripping in melancholia and unrequitedness. If you\'ve not had the pleasure yet then don\'t deny yourself - head over to <a href=\"http://mukaizake.bandcamp.com/album/unknown-knowns\">Bandcamp</a> to stream the album in full and also nab yourself a copy.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/157788812&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Mukaizake \'My Friend Flicker\'','','inherit','closed','open','','9538-revision-v1','','','2014-07-16 03:56:50','2014-07-16 03:56:50','',9538,'http://hiddenshoalpublishing.onesmallcloud.com/9538-revision-v1/',0,'revision','',0),(9541,1,'2014-07-16 03:57:15','2014-07-16 03:57:15','<img class=\"alignleft  wp-image-9062\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Mukaizake-Press-Photo-1-Square-Lo-res1-150x150.jpg\" alt=\"Mukaizake\" width=\"120\" height=\"120\" />This weeks featured track is lifted from <a href=\"http://www.hiddenshoal.com/project/mukaizake/\">Mukaizake</a>\'s sublime 2009 mini-album <a href=\"http://mukaizake.bandcamp.com/album/unknown-knowns\"><em>Unknown Knowns</em></a>. \'My Friend Flicker\' swings and sways with the deftness of a zero gravity dancer, all the while dripping in melancholia and unrequitedness. If you\'ve not had the pleasure yet then don\'t deny yourself - head over to <a href=\"http://mukaizake.bandcamp.com/album/unknown-knowns\">Bandcamp</a> to stream the album in full and also nab yourself a copy.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/157788812&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Featured Track - Mukaizake \'My Friend Flicker\'','','inherit','closed','open','','9538-revision-v1','','','2014-07-16 03:57:15','2014-07-16 03:57:15','',9538,'http://hiddenshoalpublishing.onesmallcloud.com/9538-revision-v1/',0,'revision','',0),(9543,1,'2014-07-16 03:59:08','2014-07-16 03:59:08','<img class=\"alignleft size-full wp-image-9532\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/half-film.jpg\" alt=\"Half Film\" width=\"180\" height=\"115\" /><a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\">Half Film</a> plays trance music. Not the mindless beat-driven sort you find in sweaty clubs, but the kind of sounds that put you into a deeply meditative state where you confront your deepest fears and converse with your truest self. What little writing I can find about them dubbed them slowcore, a sub-genre which, like most things branded with the unfortunate –core suffix, barely scratches the surface of defining an aesthetic. They’re slow in the way evolution is slow, their music unfolding at a snail’s piece, substituting traditional song structure and climaxes for a measured burn of emotion. Perhaps more than anything they’re cinematic, carefully crafting scenes with repeated motifs, scenes unfolding like blooming flowers as Eimer Devlin, Conor Devlin and Jason Larkis narrate what feels like the end of the world over brooding textures and measured, haunting guitar lines.\r\n\r\nIt’s been over a decade since Half Film split. The San Francisco trio released two LPs during their short run – 1998’s <a title=\"East of Monument\" href=\"http://hiddenshoal.bandcamp.com/album/east-of-monument\" target=\"_blank\"><em>East of Monument</em></a> and its 2000 follow-up, <a title=\"The Road To The Crater\" href=\"http://hiddenshoal.bandcamp.com/album/the-road-to-the-crater\" target=\"_blank\"><em>The Road to the Crater</em></a>, both of which were re-released by Hidden Shoal Recordings late last year.\r\n\r\nThe three have since scattered across the world – Jason hovered around California and now resides in Berkeley where he’s working on a new record for his sort-of-solo project <a href=\"http://mistandmast.tumblr.com/\" target=\"_blank\">Mist and Mast</a>. In 2002, Conor and Eimer joined with members of Swell to form <a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\">[the] caseworker</a> (whose last two albums <a title=\"Letters From The Coast\" href=\"http://hiddenshoal.bandcamp.com/album/letters-from-the-coast?\" target=\"_blank\"><em>Letters from the Coast</em></a> and <em><a title=\"Voices Out There\" href=\"http://hiddenshoal.bandcamp.com/album/voices-out-there\" target=\"_blank\">Voices Out There</a></em> were put out through Hidden Shoal) before going on an extended in hiatus in 2006. Conor moved to South Africa and now lives in Switzerland; Eimer left for Ireland but is back in Northern California. Along with the rest of [the] caseworker, they’ve spent the last few years demoing a third record by e-mail which they hope to complete in April. Over the last month I corresponded with Jason, Eimer and Conor about Half Film, San Francisco and the ills of the music industry.\r\n\r\n“We never felt [our records] got properly released for reasons I won’t go into,” Jason tells me over e-mail. I probe for a few days but it seems the frustrations are too deep to dig up. Eimer offers the same sentiment: “Just reading some of the references to old acquaintances gives me a stomach ulcer.” Conor opts not to name names, but chalks his discontent up to “a bottomless well of incompetence,” – label mismanagement, perennially intoxicated distributors and plain bad luck.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/63591460&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<strong>Half Film - \'Coated\'</strong>\r\n\r\nYet the resonance of the music over-powers any lingering angst over the machinations of a bloated industry. How could it not? Every track on <em>East of Monument</em> is catchy in the strangest possible way – almost anti-catchy. The songs embed themselves into that strange part of your brain that’s active when you’re halfway between sleep and wakefulness.\r\n\r\n<img class=\"alignright size-thumbnail wp-image-9533\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/The-Road-To-The-Crater-1000px-150x150.jpg\" alt=\"The Road To The Crater\" width=\"150\" height=\"150\" />“I have very good memories of writing the songs, the rehearsals, hanging out,” Conor says. “But as others will tell you, I find having to <em>listen</em> to the records very traumatic. I feel they were never as good as what we (or maybe just I) heard in our heads, and there’s a gap between what you <em>want </em>to do and what you’re <em>capable</em> of. And when I hear the records, I\'m hearing that gap and I assume everyone else hears it too. Having said that, when I had to hear the songs again recently to make sure the re-mastering went to plan, I could still hear very clearly what we were trying to express at the time, and I thought it was an honest expression of who and what we were at the time. We weren\'t faking anything. ”\r\n\r\nEimer puts it another way: “I commute over the Golden Gate bridge a few times a week and since listening to the Half Film records again, as my bus approaches the bridge in the evening in my head I hear Con and Jay singing Hang and it gets me in the gut every time. I think that song means the most to me of any Half Film song.” Listening to Hang, it’s easy to get that same sense of despairing endless space; as the closing track on <em>East of Monument</em>, it carries the heart-breaking weight of an elegy to a something precious long since lost.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/58676306&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<strong>Half Film - \'Machines, Hawks And The Perfect Equation\'</strong>\r\n\r\n<img class=\"alignleft size-thumbnail wp-image-9534\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/East-of-Monument-1000px-150x150.jpg\" alt=\"East of Monument\" width=\"150\" height=\"150\" />“Listening to the old Half Film discs - especially <em>East of Monument</em> - gives me a sense of nostalgia I don\'t get from recordings of any of my other bands throughout the years,” says Jason. “I listen to ‘Coated’ and I get visions of the patterns on the walls of a club we played, the smell of a bar we hung out in.\r\n\r\n“Another thing about that time – there were a lot of little scenes, but we weren\'t a part of any of them. I know that\'s what everyone says, but it’s true. Other band\'s members had played in each others bands for years. We were content along the sidelines, going to practice, then the bar (sometimes just the bar), then back to Conor and Eimer’s to listen to the day\'s record store finds.”\r\n\r\nConor concurs. “We were definitely not a part of the scene; it felt natural to stay away. It still does,” he says. “San Francisco feels like a long way in the past now, but it\'s great to look back and to have had such a unique experience while I was there. The memories are in the records.”\r\n\r\n<em>East of Monument</em> and <em>The Road to the Crater</em> are available now as <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\">digital downloads</a> and Half Film\'s music is also available for<a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\"> licensing</a> through Hidden Shoal.\r\n\r\n<strong>by Matt Tomich.</strong>','Half Film Interview','','draft','closed','open','','half-film-interview','','http://hiddenshoalpublishing.onesmallcloud.com/project/half-film/\nhttp://hiddenshoalpublishing.onesmallcloud.com/project/the-caseworker/\nhttp://hiddenshoalpublishing.onesmallcloud.com/licensing/','2014-07-18 02:25:32','2014-07-18 02:25:32','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?p=9543',0,'post','',0),(9544,1,'2014-07-16 03:59:08','2014-07-16 03:59:08','<img class=\"alignleft size-full wp-image-9532\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/half-film.jpg\" alt=\"Half Film\" width=\"180\" height=\"115\" /><a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\">Half Film</a> plays trance music. Not the mindless beat-driven sort you find in sweaty clubs, but the kind of sounds that put you into a deeply meditative state where you confront your deepest fears and converse with your truest self. What little writing I can find about them dubbed them slowcore, a sub-genre which, like most things branded with the unfortunate –core suffix, barely scratches the surface of defining an aesthetic. They’re slow in the way evolution is slow, their music unfolding at a snail’s piece, substituting traditional song structure and climaxes for a measured burn of emotion. Perhaps more than anything they’re cinematic, carefully crafting scenes with repeated motifs, scenes unfolding like blooming flowers as Eimer Devlin, Conor Devlin and Jason Larkis narrate what feels like the end of the world over brooding textures and measured, haunting guitar lines.\r\n\r\nIt’s been over a decade since Half Film split. The San Francisco trio released two LPs during their short run – 1998’s <a title=\"East of Monument\" href=\"http://hiddenshoal.bandcamp.com/album/east-of-monument\" target=\"_blank\"><em>East of Monument</em></a> and its 2000 follow-up, <a title=\"The Road To The Crater\" href=\"http://hiddenshoal.bandcamp.com/album/the-road-to-the-crater\" target=\"_blank\"><em>The Road to the Crater</em></a>, both of which were re-released by Hidden Shoal Recordings late last year.\r\n\r\nThe three have since scattered across the world – Jason hovered around California and now resides in Berkeley where he’s working on a new record for his sort-of-solo project <a href=\"http://mistandmast.tumblr.com/\" target=\"_blank\">Mist and Mast</a>. In 2002, Conor and Eimer joined with members of Swell to form <a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\">[the] caseworker</a> (whose last two albums <a title=\"Letters From The Coast\" href=\"http://hiddenshoal.bandcamp.com/album/letters-from-the-coast?\" target=\"_blank\"><em>Letters from the Coast</em></a> and <em><a title=\"Voices Out There\" href=\"http://hiddenshoal.bandcamp.com/album/voices-out-there\" target=\"_blank\">Voices Out There</a></em> were put out through Hidden Shoal) before going on an extended in hiatus in 2006. Conor moved to South Africa and now lives in Switzerland; Eimer left for Ireland but is back in Northern California. Along with the rest of [the] caseworker, they’ve spent the last few years demoing a third record by e-mail which they hope to complete in April. Over the last month I corresponded with Jason, Eimer and Conor about Half Film, San Francisco and the ills of the music industry.\r\n\r\n“We never felt [our records] got properly released for reasons I won’t go into,” Jason tells me over e-mail. I probe for a few days but it seems the frustrations are too deep to dig up. Eimer offers the same sentiment: “Just reading some of the references to old acquaintances gives me a stomach ulcer.” Conor opts not to name names, but chalks his discontent up to “a bottomless well of incompetence,” – label mismanagement, perennially intoxicated distributors and plain bad luck.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/63591460&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<strong>Half Film - \'Coated\'</strong>\r\n\r\nYet the resonance of the music over-powers any lingering angst over the machinations of a bloated industry. How could it not? Every track on <em>East of Monument</em> is catchy in the strangest possible way – almost anti-catchy. The songs embed themselves into that strange part of your brain that’s active when you’re halfway between sleep and wakefulness.\r\n\r\n<img class=\"alignright size-thumbnail wp-image-9533\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/The-Road-To-The-Crater-1000px-150x150.jpg\" alt=\"The Road To The Crater\" width=\"150\" height=\"150\" />“I have very good memories of writing the songs, the rehearsals, hanging out,” Conor says. “But as others will tell you, I find having to <em>listen</em> to the records very traumatic. I feel they were never as good as what we (or maybe just I) heard in our heads, and there’s a gap between what you <em>want </em>to do and what you’re <em>capable</em> of. And when I hear the records, I\'m hearing that gap and I assume everyone else hears it too. Having said that, when I had to hear the songs again recently to make sure the re-mastering went to plan, I could still hear very clearly what we were trying to express at the time, and I thought it was an honest expression of who and what we were at the time. We weren\'t faking anything. ”\r\n\r\nEimer puts it another way: “I commute over the Golden Gate bridge a few times a week and since listening to the Half Film records again, as my bus approaches the bridge in the evening in my head I hear Con and Jay singing Hang and it gets me in the gut every time. I think that song means the most to me of any Half Film song.” Listening to Hang, it’s easy to get that same sense of despairing endless space; as the closing track on <em>East of Monument</em>, it carries the heart-breaking weight of an elegy to a something precious long since lost.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/58676306&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<strong>Half Film - \'Machines, Hawks And The Perfect Equation\'</strong>\r\n\r\n<img class=\"alignleft size-thumbnail wp-image-9534\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/East-of-Monument-1000px-150x150.jpg\" alt=\"East of Monument\" width=\"150\" height=\"150\" />“Listening to the old Half Film discs - especially <em>East of Monument</em> - gives me a sense of nostalgia I don\'t get from recordings of any of my other bands throughout the years,” says Jason. “I listen to ‘Coated’ and I get visions of the patterns on the walls of a club we played, the smell of a bar we hung out in.\r\n\r\n“Another thing about that time – there were a lot of little scenes, but we weren\'t a part of any of them. I know that\'s what everyone says, but it’s true. Other band\'s members had played in each others bands for years. We were content along the sidelines, going to practice, then the bar (sometimes just the bar), then back to Conor and Eimer’s to listen to the day\'s record store finds.”\r\n\r\nConor concurs. “We were definitely not a part of the scene; it felt natural to stay away. It still does,” he says. “San Francisco feels like a long way in the past now, but it\'s great to look back and to have had such a unique experience while I was there. The memories are in the records.”\r\n\r\n<em>East of Monument</em> and <em>The Road to the Crater</em> are available now as <a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\">digital downloads</a> and Half Film\'s music is also available for<a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\"> licensing</a> through Hidden Shoal.\r\n\r\n<strong>by Matt Tomich.</strong>','Half Film Interview','','inherit','closed','open','','9543-revision-v1','','','2014-07-16 03:59:08','2014-07-16 03:59:08','',9543,'http://hiddenshoalpublishing.onesmallcloud.com/9543-revision-v1/',0,'revision','',0),(9551,1,'2014-07-16 13:22:36','0000-00-00 00:00:00','<img class=\"alignleft\" title=\"Salli Lunn - &quot;Heresy and Rite&quot;\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/large/heresy_LRG.jpg\" alt=\"\" width=\"179\" height=\"179\" /><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=47\">Salli Lunn\'s</a> masterful 2010 album <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=47&amp;products_id=148\"><em>Heresy and Rite</em></a> gets a track by track exposition not only by the band but also by the man behind its stunning production, <a href=\"http://www.myspace.com/jonasmunk\" target=\"_blank\">Jonas Munk</a> (Manual, Causa Sui). This really is a wonderful window in to what is a very special album and also a lovely lead-in to the follow up release <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=47&amp;products_id=178\"><em>A Frame of Reference</em></a> which saw a selection of tracks from <em>Heresy and Rite</em> remixed and reworked by the likes of Scott Solter, Manual, Markus Mehr, City of Satellites and TV-Baby.\n\nContinuing in our love of all things Salli Lunn we\'re also giving away a CD copy of <em>Heresy and Rite</em>. All you have to do is send an email to contact [at] hiddenshoal.com with \"Salli Lunn Giveaway\" in the subject line. We\'ll draw a winner at the end of January.\n\n---\n\n<strong>Note: Stream the album in full at the bottom of this post\n</strong>\n\n<strong>#1 The Frame of Reference\n</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Though all of us come from different musical outlooks and take in different inspirations, we\'ve always had the common interest in exploring rhythms as the musical takeoff. Right before we started the recordings this song wasn’t finished and it was therefore close to not making the final cut. The whole track basicly came together from the same rhythmic patterns and the moods it spawned. In the eleventh hour we luckily found the right balance between the repetitious structures and atmospheric arrangement and the outcome remains a favourite today.</p>\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> Probably not the easiest track to get into on the album. It was still very open when we started recording so it basically came together in the process of recording and mixing. I think it\'s an interesting mix with the mood of the song being kinda cold and dark and the layers of drums and percussion having an ethnic, exotic kinda vibe. The band let me play around with the last instrumental part while mixing – very unusual for me to do something that noisy, but somehow this track demanded to be taken all out.</p>\n<strong>#2 Parachutes Forever</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> The oldest song of the record and at the same time it’s most immediate pophook. It was written after a concert with Speaker Bite Me - an earlier Danish bandfavorite and source of inspiration back in the days. Their respective mixtures of noise and minimalistic pop-melodies left a certain, though not that obvious, mark on the composition. Jonas did very well in picking up the shoegazy tendencies and pulling them out of the cupboard both here and throughout the album.</p>\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This song is so well put together. The instrumental part in the middle of the track is amazing. We wanted an atmospheric, shoegazy feel for this one while still emphasizing the punch and heaviness of the rhythm section. Generally we wanted a very natural sound for the album but still with a lot of layers and details in the mix, and I think this track is a good example of how nicely it worked out. It has the raw vibe of four people playing together in a room, but here and there some dubby echoes creep out of the soundscape. There are also synths and lots of guitar-overdubs in the mix but they weaved into the original framework very discretely and add a certain depth to it.</p>\n<strong>#3 The Invention of Steel</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Another track centered around repetitious patterns, but at the same time undergoing subtle musical developments creating these slowly building crescendos, which Jonas’ production really helped in shaping. The “intervening” parts separating the verse structures together with the noise sections are probably one way of enticing people to reference post rock when reviewing our music, but we’ve never really been trying to inhabit this set of musical idioms. For us it’s always just been about experimenting with the juxtaposition of different musical moods and movements.</p>\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> I love the guitars in this track – there\'s a very nice interplay between what Lasse is doing in the right side of the stereofield and what Christian is doing in the left.</p>\n<strong>#4 Fast Cars, Clean Bodies</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> In a hotchpotch of lyrical references this is the one proper love song of the album laid in a rewritten poem by William Carlos Williams. The film noir-narrative stages the progress of a relationship as a walk one late night. Compositionally, it is ironically also the heaviest track on the album with both postpunk- and stonerrock-aspirations, which in conclusion unites in a long descending spiral. Again Jonas did an amazing job producing and really brought out the sheer frightening cold of psychological mechanisms at play in the human spirit here.</p>\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This is the first track I fell in love with back when they sent me some recordings from their rehearsals. I was definitely attracted to the Slint-like feel of it and wanted to maintain that aspect of the track in the album version. But where Slint\'s guitars usually sounded very sharp and thin, we wanted the peaks in this track to sound earthy and heavy. I love Jan\'s bassplaying – he has a style that reminds me a lot early/mid 1990s Chicago/Washington post-hardcore bands such as Jawbox, Unwound and Unsane. Very few people play bass like that anymore. I ran Lasse\'s vocals through a small Fender amp to get that creepy lo-fi vocal sound.</p>\n<strong>#5 Mirror Girl</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Paradoxically this is a track that demanded us to play really tight but still letting go and play loose at the same time. Musically the song origins in a fascination of the French composer Olivier Messian’s use of, amongst others, octatonic scales coupled with the early noiserock of Blonde Redhead and 70s King Crimson.</p>\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> I think this track was the hardest one to nail. It has a super complex structure and it was tough getting each part right as well as keeping a logical continuity overall. The track has that wonderful 1990s northern US-vibe like the rest of the album but there\'s also a prog-rock feel to it. The band references King Crimson but I would go all the way and say it sounds a bit like an indie-version of Tool. We used a Leslie/rotating speaker-effect on the vocals in the breakdown section, which works marvellously. To be perfectly honest, I got that idea from Korn\'s 1999 hit “Freak on a Leash” - a guilty pleasure of mine.</p>\n<strong>#6 Belongings</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Belongings represents some of the more eerie and insidious sides of our songwriting placed in a short and compact format. Helping to bring out both the sinister and the pop-elements of the track was the coupling of both Lasse and Line’s vocals, which we hadn’t really tried before. This was also a tricky one to record because of all the skewed rhythmical shifts and we ended up using a take that featured an unintentional but really well-functioning transition near the ending.</p>\n<strong>#7 Birthmark</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Probably the song with the most obvious Unwound-inspiration and at the same time the most uncompromising song among the bunch featuring propulsive drumming in 5/8, atonal guitar patterns, clusterchords and Lasse\'s frenetic over-the-top screams. The ending is a favorite moment on the record; the sudden and very unnatural sounding complete silence came up coincidentally, but somehow it fits the intense and psychologically surreal mood of the song perfectly.</p>\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This is probably the track where the post-hardcore influence is most apparent. I love the guitars in the outro – again I\'m reminded of Jawbox. And Line plays some awesome drums. Great track.</p>\n<strong>#8 The First Cause</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> With The First Cause we set out to merge swirling soundscapes with ongoing, almost floating rhythms and distinct melodies in the midst of it all. Taking place in this setting of speed, the song evolves around the relationship to the past and the journey as rite. With the ending reaching a near-transcending effect it seemed very appropriate to let the song be the final statement on the album.</p>\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This track has a wonderful motoric groove from start to finish and the band manages to weave all the aspects of their sound into one homogenous piece. Again, there\'s a lot of different sounds in this track, but it doesn\'t sound too artificial or polished. It still sounds raw and natural even though there\'s a lot going on in the soundscape all the time.</p>\n[wp_bandcamp_player type=\"album\" id=\"1649241617\" size=\"grande2\" bg_color=\"#00000\" link_color=\"#4285BB\"]','Salli Lunn \"Heresy and Rite\" Track by Track','','draft','closed','open','','','','','2014-07-16 13:22:36','2014-07-16 13:22:36','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?page_id=9551',0,'page','',0),(9546,1,'2014-07-16 04:25:57','2014-07-16 04:25:57','[et_pb_section][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Features</h1>\r\nHere you\'ll get to read interviews with Hidden Shoal artists and other folk we call our friends, see us wax lyrical about our favourite tracks, wrap your ears around artist and label curated mixtapes and a host of other things we haven\'t even dreamed up yet. If you\'d like to keep up to date with Featured content and can\'t rely on your memory then subscribe via our <a title=\"Features RSS Feed\" href=\"http://feeds.feedburner.com/HiddenShoalFeaturesArticles\">RSS Feed</a>.\r\n\r\nEnjoy!\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"on\" /][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"10\" include_categories=\"2126\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"on\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Features','','publish','closed','open','','features','','','2015-01-16 11:42:27','2015-01-16 03:42:27','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?page_id=9546',0,'page','',0),(9547,1,'2014-07-16 04:25:57','2014-07-16 04:25:57','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"10\" include_categories=\"2126\" meta_date=\"M j, Y\" show_thumbnail=\"on\" show_content=\"off\" show_author=\"on\" show_date=\"on\" show_categories=\"on\" show_pagination=\"on\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Features','','inherit','closed','open','','9546-revision-v1','','','2014-07-16 04:25:57','2014-07-16 04:25:57','',9546,'http://hiddenshoalpublishing.onesmallcloud.com/9546-revision-v1/',0,'revision','',0),(9548,1,'2014-07-16 04:27:21','2014-07-16 04:27:21','[et_pb_section][et_pb_row][et_pb_column type=\"3_4\"][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"10\" include_categories=\"2126\" meta_date=\"M j, Y\" show_thumbnail=\"on\" show_content=\"off\" show_author=\"on\" show_date=\"on\" show_categories=\"on\" show_pagination=\"on\" background_layout=\"light\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Features','','inherit','closed','open','','9546-revision-v1','','','2014-07-16 04:27:21','2014-07-16 04:27:21','',9546,'http://hiddenshoalpublishing.onesmallcloud.com/9546-revision-v1/',0,'revision','',0),(9549,1,'2014-07-16 04:28:50','2014-07-16 04:28:50','[et_pb_section][et_pb_row][et_pb_column type=\"3_4\"][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"10\" include_categories=\"2126\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Features','','inherit','closed','open','','9546-revision-v1','','','2014-07-16 04:28:50','2014-07-16 04:28:50','',9546,'http://hiddenshoalpublishing.onesmallcloud.com/9546-revision-v1/',0,'revision','',0),(9552,1,'2014-07-16 13:24:46','2014-07-16 13:24:46','<img class=\"alignleft size-full wp-image-9555\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/heresy_MED.jpg\" alt=\"Heresy and Rite\" width=\"150\" height=\"150\" /><a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\">Salli Lunn\'s</a> masterful 2010 album <a title=\"Heresy and Rite\" href=\"http://hiddenshoal.bandcamp.com/album/heresy-and-rite\" target=\"_blank\"><em>Heresy and Rite</em></a> gets a track by track exposition not only by the band but also by the man behind its stunning production, <a title=\"Jonas Munk\" href=\"http://manual.bandcamp.com/\" target=\"_blank\">Jonas Munk</a> (Manual, Causa Sui). This really is a wonderful window in to what is a very special album and also a lovely lead-in to the follow up release <a title=\"A Frame Of Reference\" href=\"http://hiddenshoal.bandcamp.com/album/a-frame-of-reference\" target=\"_blank\"><em>A Frame of Reference</em></a> which saw a selection of tracks from <em>Heresy and Rite</em> remixed and reworked by the likes of Scott Solter, Manual, Markus Mehr, City of Satellites and TV-Baby.\r\n\r\n---\r\n\r\n<strong>Note: Stream the album in full at the bottom of this post\r\n</strong>\r\n\r\n<strong>#1 The Frame of Reference\r\n</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Though all of us come from different musical outlooks and take in different inspirations, we\'ve always had the common interest in exploring rhythms as the musical takeoff. Right before we started the recordings this song wasn’t finished and it was therefore close to not making the final cut. The whole track basicly came together from the same rhythmic patterns and the moods it spawned. In the eleventh hour we luckily found the right balance between the repetitious structures and atmospheric arrangement and the outcome remains a favourite today.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> Probably not the easiest track to get into on the album. It was still very open when we started recording so it basically came together in the process of recording and mixing. I think it\'s an interesting mix with the mood of the song being kinda cold and dark and the layers of drums and percussion having an ethnic, exotic kinda vibe. The band let me play around with the last instrumental part while mixing – very unusual for me to do something that noisy, but somehow this track demanded to be taken all out.</p>\r\n<strong>#2 Parachutes Forever</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> The oldest song of the record and at the same time it’s most immediate pophook. It was written after a concert with Speaker Bite Me - an earlier Danish bandfavorite and source of inspiration back in the days. Their respective mixtures of noise and minimalistic pop-melodies left a certain, though not that obvious, mark on the composition. Jonas did very well in picking up the shoegazy tendencies and pulling them out of the cupboard both here and throughout the album.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This song is so well put together. The instrumental part in the middle of the track is amazing. We wanted an atmospheric, shoegazy feel for this one while still emphasizing the punch and heaviness of the rhythm section. Generally we wanted a very natural sound for the album but still with a lot of layers and details in the mix, and I think this track is a good example of how nicely it worked out. It has the raw vibe of four people playing together in a room, but here and there some dubby echoes creep out of the soundscape. There are also synths and lots of guitar-overdubs in the mix but they weaved into the original framework very discretely and add a certain depth to it.</p>\r\n<strong>#3 The Invention of Steel</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Another track centered around repetitious patterns, but at the same time undergoing subtle musical developments creating these slowly building crescendos, which Jonas’ production really helped in shaping. The “intervening” parts separating the verse structures together with the noise sections are probably one way of enticing people to reference post rock when reviewing our music, but we’ve never really been trying to inhabit this set of musical idioms. For us it’s always just been about experimenting with the juxtaposition of different musical moods and movements.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> I love the guitars in this track – there\'s a very nice interplay between what Lasse is doing in the right side of the stereofield and what Christian is doing in the left.</p>\r\n<strong>#4 Fast Cars, Clean Bodies</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> In a hotchpotch of lyrical references this is the one proper love song of the album laid in a rewritten poem by William Carlos Williams. The film noir-narrative stages the progress of a relationship as a walk one late night. Compositionally, it is ironically also the heaviest track on the album with both postpunk- and stonerrock-aspirations, which in conclusion unites in a long descending spiral. Again Jonas did an amazing job producing and really brought out the sheer frightening cold of psychological mechanisms at play in the human spirit here.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This is the first track I fell in love with back when they sent me some recordings from their rehearsals. I was definitely attracted to the Slint-like feel of it and wanted to maintain that aspect of the track in the album version. But where Slint\'s guitars usually sounded very sharp and thin, we wanted the peaks in this track to sound earthy and heavy. I love Jan\'s bassplaying – he has a style that reminds me a lot early/mid 1990s Chicago/Washington post-hardcore bands such as Jawbox, Unwound and Unsane. Very few people play bass like that anymore. I ran Lasse\'s vocals through a small Fender amp to get that creepy lo-fi vocal sound.</p>\r\n<strong>#5 Mirror Girl</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Paradoxically this is a track that demanded us to play really tight but still letting go and play loose at the same time. Musically the song origins in a fascination of the French composer Olivier Messian’s use of, amongst others, octatonic scales coupled with the early noiserock of Blonde Redhead and 70s King Crimson.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> I think this track was the hardest one to nail. It has a super complex structure and it was tough getting each part right as well as keeping a logical continuity overall. The track has that wonderful 1990s northern US-vibe like the rest of the album but there\'s also a prog-rock feel to it. The band references King Crimson but I would go all the way and say it sounds a bit like an indie-version of Tool. We used a Leslie/rotating speaker-effect on the vocals in the breakdown section, which works marvellously. To be perfectly honest, I got that idea from Korn\'s 1999 hit “Freak on a Leash” - a guilty pleasure of mine.</p>\r\n<strong>#6 Belongings</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Belongings represents some of the more eerie and insidious sides of our songwriting placed in a short and compact format. Helping to bring out both the sinister and the pop-elements of the track was the coupling of both Lasse and Line’s vocals, which we hadn’t really tried before. This was also a tricky one to record because of all the skewed rhythmical shifts and we ended up using a take that featured an unintentional but really well-functioning transition near the ending.</p>\r\n<strong>#7 Birthmark</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Probably the song with the most obvious Unwound-inspiration and at the same time the most uncompromising song among the bunch featuring propulsive drumming in 5/8, atonal guitar patterns, clusterchords and Lasse\'s frenetic over-the-top screams. The ending is a favorite moment on the record; the sudden and very unnatural sounding complete silence came up coincidentally, but somehow it fits the intense and psychologically surreal mood of the song perfectly.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This is probably the track where the post-hardcore influence is most apparent. I love the guitars in the outro – again I\'m reminded of Jawbox. And Line plays some awesome drums. Great track.</p>\r\n<strong>#8 The First Cause</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> With The First Cause we set out to merge swirling soundscapes with ongoing, almost floating rhythms and distinct melodies in the midst of it all. Taking place in this setting of speed, the song evolves around the relationship to the past and the journey as rite. With the ending reaching a near-transcending effect it seemed very appropriate to let the song be the final statement on the album.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This track has a wonderful motoric groove from start to finish and the band manages to weave all the aspects of their sound into one homogenous piece. Again, there\'s a lot of different sounds in this track, but it doesn\'t sound too artificial or polished. It still sounds raw and natural even though there\'s a lot going on in the soundscape all the time.</p>\r\n<iframe style=\"border: 0; width: 400px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1649241617/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"320\" height=\"240\" seamless=\"\"></iframe>','Salli Lunn \"Heresy and Rite\" Track by Track','','draft','closed','open','','salli-lunn-heresy-and-rite-track-by-track','','\nhttp://hiddenshoalpublishing.onesmallcloud.com/project/salli-lunn/','2014-07-18 02:24:49','2014-07-18 02:24:49','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?p=9552',0,'post','',0),(9553,1,'2014-07-16 13:24:46','2014-07-16 13:24:46','<img class=\"alignleft\" title=\"Salli Lunn - &quot;Heresy and Rite&quot;\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/large/heresy_LRG.jpg\" alt=\"\" width=\"179\" height=\"179\" /><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=47\">Salli Lunn\'s</a> masterful 2010 album <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=47&amp;products_id=148\"><em>Heresy and Rite</em></a> gets a track by track exposition not only by the band but also by the man behind its stunning production, <a href=\"http://www.myspace.com/jonasmunk\" target=\"_blank\">Jonas Munk</a> (Manual, Causa Sui). This really is a wonderful window in to what is a very special album and also a lovely lead-in to the follow up release <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=47&amp;products_id=178\"><em>A Frame of Reference</em></a> which saw a selection of tracks from <em>Heresy and Rite</em> remixed and reworked by the likes of Scott Solter, Manual, Markus Mehr, City of Satellites and TV-Baby.\r\n\r\n---\r\n\r\n<strong>Note: Stream the album in full at the bottom of this post\r\n</strong>\r\n\r\n<strong>#1 The Frame of Reference\r\n</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Though all of us come from different musical outlooks and take in different inspirations, we\'ve always had the common interest in exploring rhythms as the musical takeoff. Right before we started the recordings this song wasn’t finished and it was therefore close to not making the final cut. The whole track basicly came together from the same rhythmic patterns and the moods it spawned. In the eleventh hour we luckily found the right balance between the repetitious structures and atmospheric arrangement and the outcome remains a favourite today.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> Probably not the easiest track to get into on the album. It was still very open when we started recording so it basically came together in the process of recording and mixing. I think it\'s an interesting mix with the mood of the song being kinda cold and dark and the layers of drums and percussion having an ethnic, exotic kinda vibe. The band let me play around with the last instrumental part while mixing – very unusual for me to do something that noisy, but somehow this track demanded to be taken all out.</p>\r\n<strong>#2 Parachutes Forever</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> The oldest song of the record and at the same time it’s most immediate pophook. It was written after a concert with Speaker Bite Me - an earlier Danish bandfavorite and source of inspiration back in the days. Their respective mixtures of noise and minimalistic pop-melodies left a certain, though not that obvious, mark on the composition. Jonas did very well in picking up the shoegazy tendencies and pulling them out of the cupboard both here and throughout the album.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This song is so well put together. The instrumental part in the middle of the track is amazing. We wanted an atmospheric, shoegazy feel for this one while still emphasizing the punch and heaviness of the rhythm section. Generally we wanted a very natural sound for the album but still with a lot of layers and details in the mix, and I think this track is a good example of how nicely it worked out. It has the raw vibe of four people playing together in a room, but here and there some dubby echoes creep out of the soundscape. There are also synths and lots of guitar-overdubs in the mix but they weaved into the original framework very discretely and add a certain depth to it.</p>\r\n<strong>#3 The Invention of Steel</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Another track centered around repetitious patterns, but at the same time undergoing subtle musical developments creating these slowly building crescendos, which Jonas’ production really helped in shaping. The “intervening” parts separating the verse structures together with the noise sections are probably one way of enticing people to reference post rock when reviewing our music, but we’ve never really been trying to inhabit this set of musical idioms. For us it’s always just been about experimenting with the juxtaposition of different musical moods and movements.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> I love the guitars in this track – there\'s a very nice interplay between what Lasse is doing in the right side of the stereofield and what Christian is doing in the left.</p>\r\n<strong>#4 Fast Cars, Clean Bodies</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> In a hotchpotch of lyrical references this is the one proper love song of the album laid in a rewritten poem by William Carlos Williams. The film noir-narrative stages the progress of a relationship as a walk one late night. Compositionally, it is ironically also the heaviest track on the album with both postpunk- and stonerrock-aspirations, which in conclusion unites in a long descending spiral. Again Jonas did an amazing job producing and really brought out the sheer frightening cold of psychological mechanisms at play in the human spirit here.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This is the first track I fell in love with back when they sent me some recordings from their rehearsals. I was definitely attracted to the Slint-like feel of it and wanted to maintain that aspect of the track in the album version. But where Slint\'s guitars usually sounded very sharp and thin, we wanted the peaks in this track to sound earthy and heavy. I love Jan\'s bassplaying – he has a style that reminds me a lot early/mid 1990s Chicago/Washington post-hardcore bands such as Jawbox, Unwound and Unsane. Very few people play bass like that anymore. I ran Lasse\'s vocals through a small Fender amp to get that creepy lo-fi vocal sound.</p>\r\n<strong>#5 Mirror Girl</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Paradoxically this is a track that demanded us to play really tight but still letting go and play loose at the same time. Musically the song origins in a fascination of the French composer Olivier Messian’s use of, amongst others, octatonic scales coupled with the early noiserock of Blonde Redhead and 70s King Crimson.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> I think this track was the hardest one to nail. It has a super complex structure and it was tough getting each part right as well as keeping a logical continuity overall. The track has that wonderful 1990s northern US-vibe like the rest of the album but there\'s also a prog-rock feel to it. The band references King Crimson but I would go all the way and say it sounds a bit like an indie-version of Tool. We used a Leslie/rotating speaker-effect on the vocals in the breakdown section, which works marvellously. To be perfectly honest, I got that idea from Korn\'s 1999 hit “Freak on a Leash” - a guilty pleasure of mine.</p>\r\n<strong>#6 Belongings</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Belongings represents some of the more eerie and insidious sides of our songwriting placed in a short and compact format. Helping to bring out both the sinister and the pop-elements of the track was the coupling of both Lasse and Line’s vocals, which we hadn’t really tried before. This was also a tricky one to record because of all the skewed rhythmical shifts and we ended up using a take that featured an unintentional but really well-functioning transition near the ending.</p>\r\n<strong>#7 Birthmark</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Probably the song with the most obvious Unwound-inspiration and at the same time the most uncompromising song among the bunch featuring propulsive drumming in 5/8, atonal guitar patterns, clusterchords and Lasse\'s frenetic over-the-top screams. The ending is a favorite moment on the record; the sudden and very unnatural sounding complete silence came up coincidentally, but somehow it fits the intense and psychologically surreal mood of the song perfectly.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This is probably the track where the post-hardcore influence is most apparent. I love the guitars in the outro – again I\'m reminded of Jawbox. And Line plays some awesome drums. Great track.</p>\r\n<strong>#8 The First Cause</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> With The First Cause we set out to merge swirling soundscapes with ongoing, almost floating rhythms and distinct melodies in the midst of it all. Taking place in this setting of speed, the song evolves around the relationship to the past and the journey as rite. With the ending reaching a near-transcending effect it seemed very appropriate to let the song be the final statement on the album.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This track has a wonderful motoric groove from start to finish and the band manages to weave all the aspects of their sound into one homogenous piece. Again, there\'s a lot of different sounds in this track, but it doesn\'t sound too artificial or polished. It still sounds raw and natural even though there\'s a lot going on in the soundscape all the time.</p>\r\n[wp_bandcamp_player type=\"album\" id=\"1649241617\" size=\"grande2\" bg_color=\"#00000\" link_color=\"#4285BB\"]','Salli Lunn \"Heresy and Rite\" Track by Track','','inherit','closed','open','','9552-revision-v1','','','2014-07-16 13:24:46','2014-07-16 13:24:46','',9552,'http://hiddenshoalpublishing.onesmallcloud.com/9552-revision-v1/',0,'revision','',0),(9554,1,'2014-07-16 14:52:55','2014-07-16 14:52:55','<img class=\"alignleft size-full wp-image-9555\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/heresy_MED.jpg\" alt=\"Heresy and Rite\" width=\"150\" height=\"150\" /><a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\">Salli Lunn\'s</a> masterful 2010 album <a title=\"Heresy and Rite\" href=\"http://hiddenshoal.bandcamp.com/album/heresy-and-rite\" target=\"_blank\"><em>Heresy and Rite</em></a> gets a track by track exposition not only by the band but also by the man behind its stunning production, <a title=\"Jonas Munk\" href=\"http://manual.bandcamp.com/\" target=\"_blank\">Jonas Munk</a> (Manual, Causa Sui). This really is a wonderful window in to what is a very special album and also a lovely lead-in to the follow up release <a title=\"A Frame Of Reference\" href=\"http://hiddenshoal.bandcamp.com/album/a-frame-of-reference\" target=\"_blank\"><em>A Frame of Reference</em></a> which saw a selection of tracks from <em>Heresy and Rite</em> remixed and reworked by the likes of Scott Solter, Manual, Markus Mehr, City of Satellites and TV-Baby.\n\n---\n\n<strong>Note: Stream the album in full at the bottom of this post\n</strong>\n\n<strong>#1 The Frame of Reference\n</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Though all of us come from different musical outlooks and take in different inspirations, we\'ve always had the common interest in exploring rhythms as the musical takeoff. Right before we started the recordings this song wasn’t finished and it was therefore close to not making the final cut. The whole track basicly came together from the same rhythmic patterns and the moods it spawned. In the eleventh hour we luckily found the right balance between the repetitious structures and atmospheric arrangement and the outcome remains a favourite today.</p>\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> Probably not the easiest track to get into on the album. It was still very open when we started recording so it basically came together in the process of recording and mixing. I think it\'s an interesting mix with the mood of the song being kinda cold and dark and the layers of drums and percussion having an ethnic, exotic kinda vibe. The band let me play around with the last instrumental part while mixing – very unusual for me to do something that noisy, but somehow this track demanded to be taken all out.</p>\n<strong>#2 Parachutes Forever</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> The oldest song of the record and at the same time it’s most immediate pophook. It was written after a concert with Speaker Bite Me - an earlier Danish bandfavorite and source of inspiration back in the days. Their respective mixtures of noise and minimalistic pop-melodies left a certain, though not that obvious, mark on the composition. Jonas did very well in picking up the shoegazy tendencies and pulling them out of the cupboard both here and throughout the album.</p>\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This song is so well put together. The instrumental part in the middle of the track is amazing. We wanted an atmospheric, shoegazy feel for this one while still emphasizing the punch and heaviness of the rhythm section. Generally we wanted a very natural sound for the album but still with a lot of layers and details in the mix, and I think this track is a good example of how nicely it worked out. It has the raw vibe of four people playing together in a room, but here and there some dubby echoes creep out of the soundscape. There are also synths and lots of guitar-overdubs in the mix but they weaved into the original framework very discretely and add a certain depth to it.</p>\n<strong>#3 The Invention of Steel</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Another track centered around repetitious patterns, but at the same time undergoing subtle musical developments creating these slowly building crescendos, which Jonas’ production really helped in shaping. The “intervening” parts separating the verse structures together with the noise sections are probably one way of enticing people to reference post rock when reviewing our music, but we’ve never really been trying to inhabit this set of musical idioms. For us it’s always just been about experimenting with the juxtaposition of different musical moods and movements.</p>\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> I love the guitars in this track – there\'s a very nice interplay between what Lasse is doing in the right side of the stereofield and what Christian is doing in the left.</p>\n<strong>#4 Fast Cars, Clean Bodies</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> In a hotchpotch of lyrical references this is the one proper love song of the album laid in a rewritten poem by William Carlos Williams. The film noir-narrative stages the progress of a relationship as a walk one late night. Compositionally, it is ironically also the heaviest track on the album with both postpunk- and stonerrock-aspirations, which in conclusion unites in a long descending spiral. Again Jonas did an amazing job producing and really brought out the sheer frightening cold of psychological mechanisms at play in the human spirit here.</p>\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This is the first track I fell in love with back when they sent me some recordings from their rehearsals. I was definitely attracted to the Slint-like feel of it and wanted to maintain that aspect of the track in the album version. But where Slint\'s guitars usually sounded very sharp and thin, we wanted the peaks in this track to sound earthy and heavy. I love Jan\'s bassplaying – he has a style that reminds me a lot early/mid 1990s Chicago/Washington post-hardcore bands such as Jawbox, Unwound and Unsane. Very few people play bass like that anymore. I ran Lasse\'s vocals through a small Fender amp to get that creepy lo-fi vocal sound.</p>\n<strong>#5 Mirror Girl</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Paradoxically this is a track that demanded us to play really tight but still letting go and play loose at the same time. Musically the song origins in a fascination of the French composer Olivier Messian’s use of, amongst others, octatonic scales coupled with the early noiserock of Blonde Redhead and 70s King Crimson.</p>\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> I think this track was the hardest one to nail. It has a super complex structure and it was tough getting each part right as well as keeping a logical continuity overall. The track has that wonderful 1990s northern US-vibe like the rest of the album but there\'s also a prog-rock feel to it. The band references King Crimson but I would go all the way and say it sounds a bit like an indie-version of Tool. We used a Leslie/rotating speaker-effect on the vocals in the breakdown section, which works marvellously. To be perfectly honest, I got that idea from Korn\'s 1999 hit “Freak on a Leash” - a guilty pleasure of mine.</p>\n<strong>#6 Belongings</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Belongings represents some of the more eerie and insidious sides of our songwriting placed in a short and compact format. Helping to bring out both the sinister and the pop-elements of the track was the coupling of both Lasse and Line’s vocals, which we hadn’t really tried before. This was also a tricky one to record because of all the skewed rhythmical shifts and we ended up using a take that featured an unintentional but really well-functioning transition near the ending.</p>\n<strong>#7 Birthmark</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Probably the song with the most obvious Unwound-inspiration and at the same time the most uncompromising song among the bunch featuring propulsive drumming in 5/8, atonal guitar patterns, clusterchords and Lasse\'s frenetic over-the-top screams. The ending is a favorite moment on the record; the sudden and very unnatural sounding complete silence came up coincidentally, but somehow it fits the intense and psychologically surreal mood of the song perfectly.</p>\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This is probably the track where the post-hardcore influence is most apparent. I love the guitars in the outro – again I\'m reminded of Jawbox. And Line plays some awesome drums. Great track.</p>\n<strong>#8 The First Cause</strong>\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> With The First Cause we set out to merge swirling soundscapes with ongoing, almost floating rhythms and distinct melodies in the midst of it all. Taking place in this setting of speed, the song evolves around the relationship to the past and the journey as rite. With the ending reaching a near-transcending effect it seemed very appropriate to let the song be the final statement on the album.</p>\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This track has a wonderful motoric groove from start to finish and the band manages to weave all the aspects of their sound into one homogenous piece. Again, there\'s a lot of different sounds in this track, but it doesn\'t sound too artificial or polished. It still sounds raw and natural even though there\'s a lot going on in the soundscape all the time.</p>\n\n<iframe style=\"border: 0; width: 400px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1649241617/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" height=\"240\" width=\"320\" seamless=\"\"></iframe>','Salli Lunn \"Heresy and Rite\" Track by Track','','inherit','closed','open','','9552-autosave-v1','','','2014-07-16 14:52:55','2014-07-16 14:52:55','',9552,'http://hiddenshoalpublishing.onesmallcloud.com/9552-autosave-v1/',0,'revision','',0),(9555,1,'2014-07-16 13:33:23','2014-07-16 13:33:23','','Heresy and Rite','','inherit','closed','open','','heresy_med','','','2014-07-16 13:33:23','2014-07-16 13:33:23','',9552,'http://www.hiddenshoal.com/wp-content/uploads/2014/07/heresy_MED.jpg',0,'attachment','image/jpeg',0),(9556,1,'2014-07-16 13:34:12','2014-07-16 13:34:12','<img class=\"alignleft size-full wp-image-9555\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/heresy_MED.jpg\" alt=\"Heresy and Rite\" width=\"150\" height=\"150\" /><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=47\">Salli Lunn\'s</a> masterful 2010 album <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=47&amp;products_id=148\"><em>Heresy and Rite</em></a> gets a track by track exposition not only by the band but also by the man behind its stunning production, <a href=\"http://www.myspace.com/jonasmunk\" target=\"_blank\">Jonas Munk</a> (Manual, Causa Sui). This really is a wonderful window in to what is a very special album and also a lovely lead-in to the follow up release <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=47&amp;products_id=178\"><em>A Frame of Reference</em></a> which saw a selection of tracks from <em>Heresy and Rite</em> remixed and reworked by the likes of Scott Solter, Manual, Markus Mehr, City of Satellites and TV-Baby.\r\n\r\n---\r\n\r\n<strong>Note: Stream the album in full at the bottom of this post\r\n</strong>\r\n\r\n<strong>#1 The Frame of Reference\r\n</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Though all of us come from different musical outlooks and take in different inspirations, we\'ve always had the common interest in exploring rhythms as the musical takeoff. Right before we started the recordings this song wasn’t finished and it was therefore close to not making the final cut. The whole track basicly came together from the same rhythmic patterns and the moods it spawned. In the eleventh hour we luckily found the right balance between the repetitious structures and atmospheric arrangement and the outcome remains a favourite today.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> Probably not the easiest track to get into on the album. It was still very open when we started recording so it basically came together in the process of recording and mixing. I think it\'s an interesting mix with the mood of the song being kinda cold and dark and the layers of drums and percussion having an ethnic, exotic kinda vibe. The band let me play around with the last instrumental part while mixing – very unusual for me to do something that noisy, but somehow this track demanded to be taken all out.</p>\r\n<strong>#2 Parachutes Forever</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> The oldest song of the record and at the same time it’s most immediate pophook. It was written after a concert with Speaker Bite Me - an earlier Danish bandfavorite and source of inspiration back in the days. Their respective mixtures of noise and minimalistic pop-melodies left a certain, though not that obvious, mark on the composition. Jonas did very well in picking up the shoegazy tendencies and pulling them out of the cupboard both here and throughout the album.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This song is so well put together. The instrumental part in the middle of the track is amazing. We wanted an atmospheric, shoegazy feel for this one while still emphasizing the punch and heaviness of the rhythm section. Generally we wanted a very natural sound for the album but still with a lot of layers and details in the mix, and I think this track is a good example of how nicely it worked out. It has the raw vibe of four people playing together in a room, but here and there some dubby echoes creep out of the soundscape. There are also synths and lots of guitar-overdubs in the mix but they weaved into the original framework very discretely and add a certain depth to it.</p>\r\n<strong>#3 The Invention of Steel</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Another track centered around repetitious patterns, but at the same time undergoing subtle musical developments creating these slowly building crescendos, which Jonas’ production really helped in shaping. The “intervening” parts separating the verse structures together with the noise sections are probably one way of enticing people to reference post rock when reviewing our music, but we’ve never really been trying to inhabit this set of musical idioms. For us it’s always just been about experimenting with the juxtaposition of different musical moods and movements.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> I love the guitars in this track – there\'s a very nice interplay between what Lasse is doing in the right side of the stereofield and what Christian is doing in the left.</p>\r\n<strong>#4 Fast Cars, Clean Bodies</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> In a hotchpotch of lyrical references this is the one proper love song of the album laid in a rewritten poem by William Carlos Williams. The film noir-narrative stages the progress of a relationship as a walk one late night. Compositionally, it is ironically also the heaviest track on the album with both postpunk- and stonerrock-aspirations, which in conclusion unites in a long descending spiral. Again Jonas did an amazing job producing and really brought out the sheer frightening cold of psychological mechanisms at play in the human spirit here.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This is the first track I fell in love with back when they sent me some recordings from their rehearsals. I was definitely attracted to the Slint-like feel of it and wanted to maintain that aspect of the track in the album version. But where Slint\'s guitars usually sounded very sharp and thin, we wanted the peaks in this track to sound earthy and heavy. I love Jan\'s bassplaying – he has a style that reminds me a lot early/mid 1990s Chicago/Washington post-hardcore bands such as Jawbox, Unwound and Unsane. Very few people play bass like that anymore. I ran Lasse\'s vocals through a small Fender amp to get that creepy lo-fi vocal sound.</p>\r\n<strong>#5 Mirror Girl</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Paradoxically this is a track that demanded us to play really tight but still letting go and play loose at the same time. Musically the song origins in a fascination of the French composer Olivier Messian’s use of, amongst others, octatonic scales coupled with the early noiserock of Blonde Redhead and 70s King Crimson.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> I think this track was the hardest one to nail. It has a super complex structure and it was tough getting each part right as well as keeping a logical continuity overall. The track has that wonderful 1990s northern US-vibe like the rest of the album but there\'s also a prog-rock feel to it. The band references King Crimson but I would go all the way and say it sounds a bit like an indie-version of Tool. We used a Leslie/rotating speaker-effect on the vocals in the breakdown section, which works marvellously. To be perfectly honest, I got that idea from Korn\'s 1999 hit “Freak on a Leash” - a guilty pleasure of mine.</p>\r\n<strong>#6 Belongings</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Belongings represents some of the more eerie and insidious sides of our songwriting placed in a short and compact format. Helping to bring out both the sinister and the pop-elements of the track was the coupling of both Lasse and Line’s vocals, which we hadn’t really tried before. This was also a tricky one to record because of all the skewed rhythmical shifts and we ended up using a take that featured an unintentional but really well-functioning transition near the ending.</p>\r\n<strong>#7 Birthmark</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Probably the song with the most obvious Unwound-inspiration and at the same time the most uncompromising song among the bunch featuring propulsive drumming in 5/8, atonal guitar patterns, clusterchords and Lasse\'s frenetic over-the-top screams. The ending is a favorite moment on the record; the sudden and very unnatural sounding complete silence came up coincidentally, but somehow it fits the intense and psychologically surreal mood of the song perfectly.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This is probably the track where the post-hardcore influence is most apparent. I love the guitars in the outro – again I\'m reminded of Jawbox. And Line plays some awesome drums. Great track.</p>\r\n<strong>#8 The First Cause</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> With The First Cause we set out to merge swirling soundscapes with ongoing, almost floating rhythms and distinct melodies in the midst of it all. Taking place in this setting of speed, the song evolves around the relationship to the past and the journey as rite. With the ending reaching a near-transcending effect it seemed very appropriate to let the song be the final statement on the album.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This track has a wonderful motoric groove from start to finish and the band manages to weave all the aspects of their sound into one homogenous piece. Again, there\'s a lot of different sounds in this track, but it doesn\'t sound too artificial or polished. It still sounds raw and natural even though there\'s a lot going on in the soundscape all the time.</p>\r\n[wp_bandcamp_player type=\"album\" id=\"1649241617\" size=\"grande2\" bg_color=\"#00000\" link_color=\"#4285BB\"]','Salli Lunn \"Heresy and Rite\" Track by Track','','inherit','closed','open','','9552-revision-v1','','','2014-07-16 13:34:12','2014-07-16 13:34:12','',9552,'http://hiddenshoalpublishing.onesmallcloud.com/9552-revision-v1/',0,'revision','',0),(9557,1,'2014-07-16 14:53:17','2014-07-16 14:53:17','<img class=\"alignleft size-full wp-image-9555\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/heresy_MED.jpg\" alt=\"Heresy and Rite\" width=\"150\" height=\"150\" /><a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\">Salli Lunn\'s</a> masterful 2010 album <a title=\"Heresy and Rite\" href=\"http://hiddenshoal.bandcamp.com/album/heresy-and-rite\" target=\"_blank\"><em>Heresy and Rite</em></a> gets a track by track exposition not only by the band but also by the man behind its stunning production, <a title=\"Jonas Munk\" href=\"http://manual.bandcamp.com/\" target=\"_blank\">Jonas Munk</a> (Manual, Causa Sui). This really is a wonderful window in to what is a very special album and also a lovely lead-in to the follow up release <a title=\"A Frame Of Reference\" href=\"http://hiddenshoal.bandcamp.com/album/a-frame-of-reference\" target=\"_blank\"><em>A Frame of Reference</em></a> which saw a selection of tracks from <em>Heresy and Rite</em> remixed and reworked by the likes of Scott Solter, Manual, Markus Mehr, City of Satellites and TV-Baby.\r\n\r\n---\r\n\r\n<strong>Note: Stream the album in full at the bottom of this post\r\n</strong>\r\n\r\n<strong>#1 The Frame of Reference\r\n</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Though all of us come from different musical outlooks and take in different inspirations, we\'ve always had the common interest in exploring rhythms as the musical takeoff. Right before we started the recordings this song wasn’t finished and it was therefore close to not making the final cut. The whole track basicly came together from the same rhythmic patterns and the moods it spawned. In the eleventh hour we luckily found the right balance between the repetitious structures and atmospheric arrangement and the outcome remains a favourite today.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> Probably not the easiest track to get into on the album. It was still very open when we started recording so it basically came together in the process of recording and mixing. I think it\'s an interesting mix with the mood of the song being kinda cold and dark and the layers of drums and percussion having an ethnic, exotic kinda vibe. The band let me play around with the last instrumental part while mixing – very unusual for me to do something that noisy, but somehow this track demanded to be taken all out.</p>\r\n<strong>#2 Parachutes Forever</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> The oldest song of the record and at the same time it’s most immediate pophook. It was written after a concert with Speaker Bite Me - an earlier Danish bandfavorite and source of inspiration back in the days. Their respective mixtures of noise and minimalistic pop-melodies left a certain, though not that obvious, mark on the composition. Jonas did very well in picking up the shoegazy tendencies and pulling them out of the cupboard both here and throughout the album.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This song is so well put together. The instrumental part in the middle of the track is amazing. We wanted an atmospheric, shoegazy feel for this one while still emphasizing the punch and heaviness of the rhythm section. Generally we wanted a very natural sound for the album but still with a lot of layers and details in the mix, and I think this track is a good example of how nicely it worked out. It has the raw vibe of four people playing together in a room, but here and there some dubby echoes creep out of the soundscape. There are also synths and lots of guitar-overdubs in the mix but they weaved into the original framework very discretely and add a certain depth to it.</p>\r\n<strong>#3 The Invention of Steel</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Another track centered around repetitious patterns, but at the same time undergoing subtle musical developments creating these slowly building crescendos, which Jonas’ production really helped in shaping. The “intervening” parts separating the verse structures together with the noise sections are probably one way of enticing people to reference post rock when reviewing our music, but we’ve never really been trying to inhabit this set of musical idioms. For us it’s always just been about experimenting with the juxtaposition of different musical moods and movements.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> I love the guitars in this track – there\'s a very nice interplay between what Lasse is doing in the right side of the stereofield and what Christian is doing in the left.</p>\r\n<strong>#4 Fast Cars, Clean Bodies</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> In a hotchpotch of lyrical references this is the one proper love song of the album laid in a rewritten poem by William Carlos Williams. The film noir-narrative stages the progress of a relationship as a walk one late night. Compositionally, it is ironically also the heaviest track on the album with both postpunk- and stonerrock-aspirations, which in conclusion unites in a long descending spiral. Again Jonas did an amazing job producing and really brought out the sheer frightening cold of psychological mechanisms at play in the human spirit here.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This is the first track I fell in love with back when they sent me some recordings from their rehearsals. I was definitely attracted to the Slint-like feel of it and wanted to maintain that aspect of the track in the album version. But where Slint\'s guitars usually sounded very sharp and thin, we wanted the peaks in this track to sound earthy and heavy. I love Jan\'s bassplaying – he has a style that reminds me a lot early/mid 1990s Chicago/Washington post-hardcore bands such as Jawbox, Unwound and Unsane. Very few people play bass like that anymore. I ran Lasse\'s vocals through a small Fender amp to get that creepy lo-fi vocal sound.</p>\r\n<strong>#5 Mirror Girl</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Paradoxically this is a track that demanded us to play really tight but still letting go and play loose at the same time. Musically the song origins in a fascination of the French composer Olivier Messian’s use of, amongst others, octatonic scales coupled with the early noiserock of Blonde Redhead and 70s King Crimson.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> I think this track was the hardest one to nail. It has a super complex structure and it was tough getting each part right as well as keeping a logical continuity overall. The track has that wonderful 1990s northern US-vibe like the rest of the album but there\'s also a prog-rock feel to it. The band references King Crimson but I would go all the way and say it sounds a bit like an indie-version of Tool. We used a Leslie/rotating speaker-effect on the vocals in the breakdown section, which works marvellously. To be perfectly honest, I got that idea from Korn\'s 1999 hit “Freak on a Leash” - a guilty pleasure of mine.</p>\r\n<strong>#6 Belongings</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Belongings represents some of the more eerie and insidious sides of our songwriting placed in a short and compact format. Helping to bring out both the sinister and the pop-elements of the track was the coupling of both Lasse and Line’s vocals, which we hadn’t really tried before. This was also a tricky one to record because of all the skewed rhythmical shifts and we ended up using a take that featured an unintentional but really well-functioning transition near the ending.</p>\r\n<strong>#7 Birthmark</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> Probably the song with the most obvious Unwound-inspiration and at the same time the most uncompromising song among the bunch featuring propulsive drumming in 5/8, atonal guitar patterns, clusterchords and Lasse\'s frenetic over-the-top screams. The ending is a favorite moment on the record; the sudden and very unnatural sounding complete silence came up coincidentally, but somehow it fits the intense and psychologically surreal mood of the song perfectly.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This is probably the track where the post-hardcore influence is most apparent. I love the guitars in the outro – again I\'m reminded of Jawbox. And Line plays some awesome drums. Great track.</p>\r\n<strong>#8 The First Cause</strong>\r\n<p style=\"padding-left: 30px;\"><strong>SL:</strong> With The First Cause we set out to merge swirling soundscapes with ongoing, almost floating rhythms and distinct melodies in the midst of it all. Taking place in this setting of speed, the song evolves around the relationship to the past and the journey as rite. With the ending reaching a near-transcending effect it seemed very appropriate to let the song be the final statement on the album.</p>\r\n<p style=\"padding-left: 30px;\"><strong>JM:</strong> This track has a wonderful motoric groove from start to finish and the band manages to weave all the aspects of their sound into one homogenous piece. Again, there\'s a lot of different sounds in this track, but it doesn\'t sound too artificial or polished. It still sounds raw and natural even though there\'s a lot going on in the soundscape all the time.</p>\r\n<iframe style=\"border: 0; width: 400px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1649241617/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"320\" height=\"240\" seamless=\"\"></iframe>','Salli Lunn \"Heresy and Rite\" Track by Track','','inherit','closed','open','','9552-revision-v1','','','2014-07-16 14:53:17','2014-07-16 14:53:17','',9552,'http://hiddenshoalpublishing.onesmallcloud.com/9552-revision-v1/',0,'revision','',0),(9558,1,'2014-07-17 02:31:41','2014-07-17 02:31:41','','HS_Header_new','','inherit','closed','open','','hs_header_new','','','2014-07-17 02:31:41','2014-07-17 02:31:41','',0,'http://www.hiddenshoal.com/wp-content/uploads/2014/07/HS_Header_new.jpg',0,'attachment','image/jpeg',0),(9559,1,'2014-07-17 03:26:30','2014-07-17 03:26:30','','HS_Header','','inherit','closed','open','','hs_header','','','2014-07-17 03:26:30','2014-07-17 03:26:30','',0,'http://www.hiddenshoal.com/wp-content/uploads/2014/07/HS_Header.jpg',0,'attachment','image/jpeg',0),(9564,1,'2014-07-17 04:00:12','2014-07-17 04:00:12','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Brother Earth</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft size-medium wp-image-9248\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Brother-Earth-Bio-Shot-300x188.jpg\" alt=\"Brother Earth\" width=\"300\" height=\"188\" /></a>Brother Earth brings together the formidable talents of multi-instrumentalist Todd Tobias (Circus Devils) and vocalist Steve Five (The Library is on Fire). Their shadowy, kaleidoscopic music vacillates between brooding textural pieces and exuberant rock-and-roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors.</p><p><a title=\"Facebook\" href=\"https://www.facebook.com/ohbrotherearth\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a> <a href=\"http://soundcloud.com/brotherearthmusic\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://tobias-music.com/id29.html\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div><em>Positive Haywires</em> out 16th September 2014</div>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Brother Earth is a collaboration between multi-instrumentalist/producer Todd Tobias and vocalist Steve Five. Todd’s darkly exotic instrumental music has featured on three Hidden Shoal releases to date (<i>Medicine Show</i>, <i>Night Above Ground </i>and <i>I Razor</i>). Todd is also a member of Circus Devils alongside brother Tim Tobias and vocalist Robert Pollard (Guided by Voices). Steve Five is the guitarist/vocalist/songwriter for the Brooklyn-based band The Library is on Fire<i>.</i></p><p>Todd and Steve first met in 2007 when TLIOF recorded an album with Todd as producer.  During the recording Steve and Todd struck up a friendship, leading to the pair creating backyard music videos for Circus Devils<i>. </i>In the videos Steve played a number of characters, and went on to play the main character in the experimental feature film <i>I Razor</i>, the soundtrack of which was released on Hidden Shoal. In 2008 Steve and Todd decided to begin recording their own songs as Brother Earth. <i>Positive Haywires</i> is a collection of Brother Earth songs recorded between 2008 and 2013.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=brother-earth-news content=yes pagination=no title_tag=h4 title_class=lcp_title]<br /> [/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=brother-earth-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<br /> [/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p>No press releases yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"9250\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No music videos yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Brother Earth\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Brother Earth','','inherit','closed','open','','9244-revision-v1','','','2014-07-17 04:00:12','2014-07-17 04:00:12','',9244,'http://hiddenshoalpublishing.onesmallcloud.com/9244-revision-v1/',0,'revision','',0),(9565,1,'2014-07-17 04:03:17','2014-07-17 04:03:17','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Brother Earth</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-9248\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Brother-Earth-Bio-Shot-300x188.jpg\" alt=\"Brother Earth\" width=\"271\" height=\"170\" /></a>Brother Earth brings together the formidable talents of multi-instrumentalist Todd Tobias (Circus Devils) and vocalist Steve Five (The Library is on Fire). Their shadowy, kaleidoscopic music vacillates between brooding textural pieces and exuberant rock-and-roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors.</p><p><a title=\"Facebook\" href=\"https://www.facebook.com/ohbrotherearth\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a> <a href=\"http://soundcloud.com/brotherearthmusic\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://tobias-music.com/id29.html\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div><em>Positive Haywires</em> out 16th September 2014</div>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Brother Earth is a collaboration between multi-instrumentalist/producer Todd Tobias and vocalist Steve Five. Todd’s darkly exotic instrumental music has featured on three Hidden Shoal releases to date (<i>Medicine Show</i>, <i>Night Above Ground </i>and <i>I Razor</i>). Todd is also a member of Circus Devils alongside brother Tim Tobias and vocalist Robert Pollard (Guided by Voices). Steve Five is the guitarist/vocalist/songwriter for the Brooklyn-based band The Library is on Fire<i>.</i></p><p>Todd and Steve first met in 2007 when TLIOF recorded an album with Todd as producer.  During the recording Steve and Todd struck up a friendship, leading to the pair creating backyard music videos for Circus Devils<i>. </i>In the videos Steve played a number of characters, and went on to play the main character in the experimental feature film <i>I Razor</i>, the soundtrack of which was released on Hidden Shoal. In 2008 Steve and Todd decided to begin recording their own songs as Brother Earth. <i>Positive Haywires</i> is a collection of Brother Earth songs recorded between 2008 and 2013.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=brother-earth-news content=yes pagination=no title_tag=h4 title_class=lcp_title]<br /> [/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=brother-earth-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<br /> [/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p>No press releases yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"9250\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No music videos yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Brother Earth\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Brother Earth','','inherit','closed','open','','9244-revision-v1','','','2014-07-17 04:03:17','2014-07-17 04:03:17','',9244,'http://hiddenshoalpublishing.onesmallcloud.com/9244-revision-v1/',0,'revision','',0),(9566,1,'2014-07-17 04:06:50','2014-07-17 04:06:50','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Brother Earth</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-9248\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Brother-Earth-Bio-Shot-300x188.jpg\" alt=\"Brother Earth\" width=\"271\" height=\"170\" /></a>Brother Earth brings together the formidable talents of multi-instrumentalist Todd Tobias (Circus Devils) and vocalist Steve Five (The Library is on Fire). Their shadowy, kaleidoscopic music vacillates between brooding textural pieces and exuberant rock-and-roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors. Their debut for Hidden Shoal, <em>Positive Haywires,</em> lands on 16th Sept 2014.</p><p><a title=\"Facebook\" href=\"https://www.facebook.com/ohbrotherearth\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a> <a href=\"http://soundcloud.com/brotherearthmusic\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://tobias-music.com/id29.html\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div><em>Positive Haywires</em> out 16th September 2014</div>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Brother Earth is a collaboration between multi-instrumentalist/producer Todd Tobias and vocalist Steve Five. Todd’s darkly exotic instrumental music has featured on three Hidden Shoal releases to date (<i>Medicine Show</i>, <i>Night Above Ground </i>and <i>I Razor</i>). Todd is also a member of Circus Devils alongside brother Tim Tobias and vocalist Robert Pollard (Guided by Voices). Steve Five is the guitarist/vocalist/songwriter for the Brooklyn-based band The Library is on Fire<i>.</i></p><p>Todd and Steve first met in 2007 when TLIOF recorded an album with Todd as producer.  During the recording Steve and Todd struck up a friendship, leading to the pair creating backyard music videos for Circus Devils<i>. </i>In the videos Steve played a number of characters, and went on to play the main character in the experimental feature film <i>I Razor</i>, the soundtrack of which was released on Hidden Shoal. In 2008 Steve and Todd decided to begin recording their own songs as Brother Earth. <i>Positive Haywires</i> is a collection of Brother Earth songs recorded between 2008 and 2013.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=brother-earth-news content=yes pagination=no title_tag=h4 title_class=lcp_title]<br /> [/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=brother-earth-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]<br /> [/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p>No press releases yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"9250\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No music videos yet, sorry!</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Brother Earth\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Brother Earth','','inherit','closed','open','','9244-revision-v1','','','2014-07-17 04:06:50','2014-07-17 04:06:50','',9244,'http://hiddenshoalpublishing.onesmallcloud.com/9244-revision-v1/',0,'revision','',0),(9567,1,'2014-07-17 04:24:55','2014-07-17 04:24:55','','hsheader','','inherit','closed','open','','hsheader','','','2014-07-17 04:24:55','2014-07-17 04:24:55','',0,'http://www.hiddenshoal.com/wp-content/uploads/2014/07/hsheader.jpg',0,'attachment','image/jpeg',0),(9734,1,'2014-07-18 03:05:19','2014-07-18 03:05:19','[et_pb_section background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Who We Are</h1><p>Hidden Shoal is an Australia-based independent publisher and label founded in 2006. Our core label team have extensive backgrounds in the Australian and international music scenes, and more importantly have an intense passion for good music, no matter the style. Our approach has earned us a reputation for releasing exciting and engaging new independent music that is not bound by genre.</p><p>Hidden Shoal was dubbed “this generation’s 4AD” by New York radio host DJ Mojo, and was described by The Mountain Goats’ John Darnielle as “one of the great wonders of our age.”</p><p>Since the label’s inception, we have prided ourselves on a diverse and lovingly curated catalogue of music. The artists we work with constantly inspire and surprise us. We only work with the music we love - the kind of music we fervently listen to as fans.</p><p>We provide a co-operative support framework for our artists to release their work, while allowing them to retain 100% of their retail sales. We act as publishers for our artists and pursue licensing opportunities on their behalf, and we are constantly looking for new ways to telescope our artists\' music into new arenas.</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Who We Are','','inherit','closed','open','','4-revision-v1','','','2014-07-18 03:05:19','2014-07-18 03:05:19','',4,'http://hiddenshoalpublishing.onesmallcloud.com/4-revision-v1/',0,'revision','',0),(9570,1,'2014-07-17 07:00:35','2014-07-17 07:00:35','[et_pb_section background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1 class=\"MsoNormal\">Who We Are</h1>\r\nHidden Shoal is an Australia-based independent publisher and label conceived in May 2006. The core label team have extensive backgrounds in the Australian and international music scenes, and most importantly have an intense passion for good music, no matter its style. Our approach has earned us a reputation for releasing exciting and engaging new independent music that is not bound by genre.\r\n\r\nHidden Shoal was chosen as one of Textura magazine’s favourite labels, has been dubbed “This generation’s 4AD” by prominent New York radio host DJ Mojo, and has been described by The Mountain Goats’ frontman John Darnielle as “one of the great wonders of our age”.\r\n\r\nSince the label’s inception we have prided ourselves on our diverse and lovingly curated catalogue of music. The artists we work with constantly inspire and surprise us. We only work with the music we love, the music we’d fervently listen to regardless of our connection with it.\r\nWe provide a co-operative support framework for our artists to release their work, while allowing them to retain 100% of their retail sales. We also act as publisher for their music and actively pursue publishing and licensing opportunities on their behalf. Along with the more traditional paths we are also constantly looking for new ways to telescope our artists music into new arenas.\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Who We Are','','inherit','closed','open','','4-revision-v1','','','2014-07-17 07:00:35','2014-07-17 07:00:35','',4,'http://hiddenshoalpublishing.onesmallcloud.com/4-revision-v1/',0,'revision','',0),(9571,1,'2014-07-17 07:05:00','2014-07-17 07:05:00','[et_pb_section background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h1>Who We Are</h1><p>Hidden Shoal is an Australia-based independent publisher and label conceived in May 2006. The core label team have extensive backgrounds in the Australian and international music scenes, and most importantly have an intense passion for good music, no matter its style. Our approach has earned us a reputation for releasing exciting and engaging new independent music that is not bound by genre.</p><p>Hidden Shoal was chosen as one of Textura magazine’s favourite labels, has been dubbed “This generation’s 4AD” by prominent New York radio host DJ Mojo, and has been described by The Mountain Goats’ frontman John Darnielle as “one of the great wonders of our age”.</p><p>Since the label’s inception we have prided ourselves on our diverse and lovingly curated catalogue of music. The artists we work with constantly inspire and surprise us. We only work with the music we love, the music we’d fervently listen to regardless of our connection with it.<br /> We provide a co-operative support framework for our artists to release their work, while allowing them to retain 100% of their retail sales. We also act as publisher for their music and actively pursue publishing and licensing opportunities on their behalf. Along with the more traditional paths we are also constantly looking for new ways to telescope our artists music into new arenas.</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Who We Are','','inherit','closed','open','','4-revision-v1','','','2014-07-17 07:05:00','2014-07-17 07:05:00','',4,'http://hiddenshoalpublishing.onesmallcloud.com/4-revision-v1/',0,'revision','',0),(9572,1,'2014-07-17 07:15:10','2014-07-17 07:15:10','[et_pb_section background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h1>Who We Are</h1>\r\n\r\nHidden Shoal is an Australia-based independent publisher and label conceived in May 2006. The core label team have extensive backgrounds in the Australian and international music scenes, and most importantly have an intense passion for good music, no matter its style. Our approach has earned us a reputation for releasing exciting and engaging new independent music that is not bound by genre.\r\n\r\nHidden Shoal was chosen as one of Textura magazine’s favourite labels, has been dubbed “This generation’s 4AD” by prominent New York radio host DJ Mojo, and has been described by The Mountain Goats’ frontman John Darnielle as “one of the great wonders of our age”.\r\n\r\nSince the label’s inception we have prided ourselves on our diverse and lovingly curated catalogue of music. The artists we work with constantly inspire and surprise us. We only work with the music we love, the music we’d fervently listen to regardless of our connection with it.\r\n\r\nWe provide a co-operative support framework for our artists to release their work, while allowing them to retain 100% of their retail sales. We also act as publisher for their music and actively pursue publishing and licensing opportunities on their behalf. Along with the more traditional paths we are also constantly looking for new ways to telescope our artists music into new arenas.[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Who We Are','','inherit','closed','open','','4-revision-v1','','','2014-07-17 07:15:10','2014-07-17 07:15:10','',4,'http://hiddenshoalpublishing.onesmallcloud.com/4-revision-v1/',0,'revision','',0),(9573,1,'2014-07-17 08:05:44','2014-07-17 08:05:44','[et_pb_section background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Who We Are</h1>\r\nHidden Shoal is an Australia-based independent publisher and label conceived in May 2006. The core label team have extensive backgrounds in the Australian and international music scenes, and most importantly have an intense passion for good music, no matter its style. Our approach has earned us a reputation for releasing exciting and engaging new independent music that is not bound by genre.\r\n\r\nHidden Shoal was chosen as one of Textura magazine’s favourite labels, has been dubbed “This generation’s 4AD” by prominent New York radio host DJ Mojo, and has been described by The Mountain Goats’ frontman John Darnielle as “one of the great wonders of our age”.\r\n\r\nSince the label’s inception we have prided ourselves on our diverse and lovingly curated catalogue of music. The artists we work with constantly inspire and surprise us. We only work with the music we love, the music we’d fervently listen to regardless of our connection with it.\r\n\r\nWe provide a co-operative support framework for our artists to release their work, while allowing them to retain 100% of their retail sales. We also act as publisher for their music and pursue licensing and publishing opportunities on their behalf. Along with the more traditional paths we are also constantly looking for new ways to telescope our artists music into new arenas.[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Who We Are','','inherit','closed','open','','4-revision-v1','','','2014-07-17 08:05:44','2014-07-17 08:05:44','',4,'http://hiddenshoalpublishing.onesmallcloud.com/4-revision-v1/',0,'revision','',0),(9575,1,'2014-07-17 08:16:08','2014-07-17 08:16:08','[et_pb_section][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\"]\r\n\r\nWant to talk to someone at Hidden Shoal? We’d love to hear from you! If you\'re enquiring about licensing some of our wonderful music then please provide some basic details about your project and the track(s) you wish to use. We\'re also always happy to pitch music if you don\'t have any specific tracks in mind as yet.  We\'ll be sure to get back to you straight away and can turn licenses around as quickly as your project requires.\r\n\r\nIf you\'re an artist and would like to submit work for us to listen to then please provide a link to stream a selection of your material along with a full download of the music you\'d like to submit. Please note that we do receive a lot of demos so some patience is require. We do try to listen to everything we get sent.\r\n\r\n[si-contact-form form=\'1\']\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Contact Us','','inherit','closed','open','','7944-revision-v1','','','2014-07-17 08:16:08','2014-07-17 08:16:08','',7944,'http://hiddenshoalpublishing.onesmallcloud.com/7944-revision-v1/',0,'revision','',0),(9576,1,'2014-07-17 08:16:54','2014-07-17 08:16:54','[et_pb_section][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Contact Us</h1><p>Want to talk to someone at Hidden Shoal? We’d love to hear from you! If you\'re enquiring about licensing some of our wonderful music then please provide some basic details about your project and the track(s) you wish to use. We\'re also always happy to pitch music if you don\'t have any specific tracks in mind as yet.  We\'ll be sure to get back to you straight away and can turn licenses around as quickly as your project requires.</p><p>If you\'re an artist and would like to submit work for us to listen to then please provide a link to stream a selection of your material along with a full download of the music you\'d like to submit. Please note that we do receive a lot of demos so some patience is require. We do try to listen to everything we get sent.</p><p>[si-contact-form form=\'1\']</p>[/et_pb_text][et_pb_text admin_label=\"Text\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Contact Us','','inherit','closed','open','','7944-revision-v1','','','2014-07-17 08:16:54','2014-07-17 08:16:54','',7944,'http://hiddenshoalpublishing.onesmallcloud.com/7944-revision-v1/',0,'revision','',0),(9577,1,'2014-07-17 08:17:10','2014-07-17 08:17:10','[et_pb_section][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Contact Us</h1>\r\nWant to talk to someone at Hidden Shoal? We’d love to hear from you! If you\'re enquiring about licensing some of our wonderful music then please provide some basic details about your project and the track(s) you wish to use. We\'re also always happy to pitch music if you don\'t have any specific tracks in mind as yet.  We\'ll be sure to get back to you straight away and can turn licenses around as quickly as your project requires.\r\n\r\nIf you\'re an artist and would like to submit work for us to listen to then please provide a link to stream a selection of your material along with a full download of the music you\'d like to submit. Please note that we do receive a lot of demos so some patience is require. We do try to listen to everything we get sent.\r\n\r\n[si-contact-form form=\'1\'] [/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Contact Us','','inherit','closed','open','','7944-revision-v1','','','2014-07-17 08:17:10','2014-07-17 08:17:10','',7944,'http://hiddenshoalpublishing.onesmallcloud.com/7944-revision-v1/',0,'revision','',0),(9578,1,'2014-07-17 08:17:35','2014-07-17 08:17:35','[et_pb_section][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Contact Us</h1><p>Want to talk to someone at Hidden Shoal? We’d love to hear from you! If you\'re enquiring about licensing some of our wonderful music then please provide some basic details about your project and the track(s) you wish to use. We\'re also always happy to pitch music if you don\'t have any specific tracks in mind as yet.  We\'ll be sure to get back to you straight away and can turn licenses around as quickly as your project requires.</p><p>If you\'re an artist and would like to submit work for us to listen to then please provide a link to stream a selection of your material along with a full download of the music you\'d like to submit. Please note that we do receive a lot of demos so some patience is require. We do try to listen to everything we get sent.</p><p> </p><p>[si-contact-form form=\'1\']</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Contact Us','','inherit','closed','open','','7944-revision-v1','','','2014-07-17 08:17:35','2014-07-17 08:17:35','',7944,'http://hiddenshoalpublishing.onesmallcloud.com/7944-revision-v1/',0,'revision','',0),(9579,1,'2014-07-17 08:18:22','2014-07-17 08:18:22','[et_pb_section][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Contact Us</h1>\r\nWant to talk to someone at Hidden Shoal? We’d love to hear from you! If you\'re enquiring about licensing some of our wonderful music then please provide some basic details about your project and the track(s) you wish to use. We\'re also always happy to pitch music if you don\'t have any specific tracks in mind as yet.  We\'ll be sure to get back to you straight away and can turn licenses around as quickly as your project requires.\r\n\r\nIf you\'re an artist and would like to submit work for us to listen to then please provide a link to stream a selection of your material along with a full download of the music you\'d like to submit. Please note that we do receive a lot of demos so some patience is require. We do try to listen to everything we get sent.\r\n\r\n<div></div>\r\n\r\n[si-contact-form form=\'1\'][/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Contact Us','','inherit','closed','open','','7944-revision-v1','','','2014-07-17 08:18:22','2014-07-17 08:18:22','',7944,'http://hiddenshoalpublishing.onesmallcloud.com/7944-revision-v1/',0,'revision','',0),(9580,1,'2014-07-17 09:08:48','2014-07-17 09:08:48','[et_pb_section][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Contact Us</h1><p>Want to talk to someone at Hidden Shoal? We’d love to hear from you! If you\'re enquiring about licensing some of our wonderful music then please provide some basic details about your project and the track(s) you wish to use. We\'re also always happy to pitch music if you don\'t have any specific tracks in mind as yet.  We\'ll be sure to get back to you straight away and can turn licenses around as quickly as your project requires. If you\'re an artist and would like to submit work for us to listen to then please provide a link to stream a selection of your material along with a full download of the music you\'d like to submit. Please note that we do receive a lot of demos so some patience is require. We do try to listen to everything we get sent.</p><p> </p><p>[si-contact-form form=\'1\']</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Contact Us','','inherit','closed','open','','7944-revision-v1','','','2014-07-17 09:08:48','2014-07-17 09:08:48','',7944,'http://hiddenshoalpublishing.onesmallcloud.com/7944-revision-v1/',0,'revision','',0),(9582,1,'2014-07-17 09:18:09','2014-07-17 09:18:09','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Licensing</h1><h2> </h2><h3>What We Do</h3><p>Hidden Shoal Publishing manages a growing catalogue of tracks, all available for your licensing needs. We provide a one-stop shop as we handle both master and sync rights worldwide and can turn clearance requests around as quickly as your project requires. We work with large and small clients alike from independent productions to big scale projects across film, tv, games, web and more.</p><h3>The Music</h3><p>This wonderful selection of music covers a broad spectrum of sounds and styles, from filmic neo-classical and expansive and emotive ambient instrumentals through to inventive indie and post-rock, electronica and all the spaces in-between. To give you an introductory feel for what we have to offer you can sample a small selection of sonic delights from the catalogue via our <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal\" target=\"_blank\">SoundCloud</a> playlist below or stream releases via our artist\'s profiles on this website.</p><p><a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">Contact us</a> for further information or with any licensing enquiries.</p><p><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/43771696&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"></iframe></p>[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Licensing','','inherit','closed','open','','8181-revision-v1','','','2014-07-17 09:18:09','2014-07-17 09:18:09','',8181,'http://hiddenshoalpublishing.onesmallcloud.com/8181-revision-v1/',0,'revision','',0),(9583,1,'2014-07-17 14:17:25','2014-07-17 14:17:25','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=932115624/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-cogent-sea\">The Cogent Sea by Slow Dancing Society</a></iframe> <br /><em>The Cogent Sea<br /></em>by <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1996143844/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/whats-your-utopia\">What&#39;s Your Utopia? by perth</a></iframe><em><br /> What\'s Your Utopia?</em><br /> by <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4096233157/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe><br /> <em>The Wooden Heart</em><em><br /> </em>by <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies<em><br /> </em></a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1320365364/size=large/bgcol=ffffff/linkcol=333333/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe><br />\r\n<em>The Licence to Interpret Dreams</em><br />\r\nby Antonymes</h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"9\" include_categories=\"47\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Landing Page','','inherit','closed','open','','7982-revision-v1','','','2014-07-17 14:17:25','2014-07-17 14:17:25','',7982,'http://hiddenshoalpublishing.onesmallcloud.com/7982-revision-v1/',0,'revision','',0),(9820,1,'2014-07-24 08:24:39','2014-07-24 08:24:39','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=932115624/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-cogent-sea\">The Cogent Sea by Slow Dancing Society</a></iframe><br /> <em>The Cogent Sea<br /> </em>by <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1996143844/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/whats-your-utopia\">What\'s Your Utopia? by perth</a></iframe><em><br /> What\'s Your Utopia?</em><br /> by <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4096233157/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe><br /> <em>The Wooden Heart</em><em><br /> </em>by <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies<em><br /> </em></a></h4>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2741704818/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/voices-out-there\">Voices Out There by [The] Caseworker</a></iframe><br /> <em>Voices Out There</em><br /> by <a title=\"[The] Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\">[The] Caseworker</a></h4>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"9\" include_categories=\"47\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','open','','7982-revision-v1','','','2014-07-24 08:24:39','2014-07-24 08:24:39','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(9795,1,'2014-07-22 09:11:56','2014-07-22 09:11:56','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=932115624/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-cogent-sea\">The Cogent Sea by Slow Dancing Society</a></iframe>\r\n<em>The Cogent Sea\r\n</em>by <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1996143844/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/whats-your-utopia\">What&#39;s Your Utopia? by perth</a></iframe><em>\r\nWhat\'s Your Utopia?</em>\r\nby <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4096233157/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe>\r\n<em>The Wooden Heart</em><em>\r\n</em>by <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies<em>\r\n</em></a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2741704818/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/voices-out-there\">Voices Out There by [The] Caseworker</a></iframe>\r\n<em>Voices Out There</em>\r\nby <a title=\"[The] Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\">[The] Caseworker</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"9\" include_categories=\"47\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','open','','7982-revision-v1','','','2014-07-22 09:11:56','2014-07-22 09:11:56','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(9584,1,'2014-07-17 14:25:38','2014-07-17 14:25:38','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=932115624/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-cogent-sea\">The Cogent Sea by Slow Dancing Society</a></iframe> <br /><em>The Cogent Sea<br /></em>by <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1996143844/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/whats-your-utopia\">What&#39;s Your Utopia? by perth</a></iframe><em><br /> What\'s Your Utopia?</em><br /> by <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<br />\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4096233157/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe><br /> <em>The Wooden Heart</em><em><br /> </em>by <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies<em><br /> </em></a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2741704818/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/voices-out-there\">Voices Out There by [The] Caseworker</a></iframe><br /> <em>Voices Out There</em><br /> by <a title=\"[The] Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\">[The] Caseworker</a></h4>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"9\" include_categories=\"47\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Landing Page','','inherit','closed','open','','7982-revision-v1','','','2014-07-17 14:25:38','2014-07-17 14:25:38','',7982,'http://hiddenshoalpublishing.onesmallcloud.com/7982-revision-v1/',0,'revision','',0),(14312,1,'2016-04-21 23:18:40','2016-04-21 15:18:40','<p title=\"Antonymes\"><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"270\" height=\"270\" /></a>We’re excited to announce the official release of <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>, the stunning new album by neo-classical ambient artist <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the acclaimed body of work that precedes them, drawing you into their evocative world and demanding engagement. The album includes contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring.</p>\r\n<p title=\"Antonymes\"><em>“Conveys a sense of wonder while underlining the bittersweet feeling of being finite in an infinite world.”</em><em> - </em><a title=\"A Closer Listen\" href=\"https://acloserlisten.com/2016/04/18/antonymes-for-now-we-see-through-a-glass-darkly/\" target=\"_blank\"><strong>A Closer Listen</strong></a></p>\r\nThe album is available on CD, in a glorious six-panel full-colour card sleeve with 8-page insert, and in digital formats. Head to <a title=\"BandCamp\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\">Antonymes Bandcamp</a> for CD and digital and iTunes, Amazon, Spotity et al for all your other digital needs.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/7ykDfoNyaGQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','New Antonymes Album Out Now!','','publish','closed','closed','','antonymes-new-album-out-now','','','2016-08-23 17:37:10','2016-08-23 09:37:10','',0,'http://www.hiddenshoal.com/?p=14312',0,'post','',0),(14313,1,'2016-04-21 07:22:49','2016-04-20 23:22:49','<p title=\"Antonymes\">We’re excited to announce the official release of <em>(For Now We See) Through A Glass Dimly</em>, the stunning new album by neo-classical ambient artist <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the acclaimed body of work that precedes them, drawing you into their evocative world and demanding engagement. The album includes contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring.</p>\r\nThe album is available on CD, in a glorious six-panel full-colour card sleeve with 8-page insert, and in digital formats. Head to <a title=\"BandCamp\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\">Antonymes Bandcamp</a> for CD and digital and iTunes, Amazon, Spotity et al for all yur other digital needs.','Antonymes New Album Out Now!','','inherit','closed','closed','','14312-revision-v1','','','2016-04-21 07:22:49','2016-04-20 23:22:49','',14312,'http://www.hiddenshoal.com/14312-revision-v1/',0,'revision','',0),(14314,1,'2016-04-21 07:25:00','2016-04-20 23:25:00','<p title=\"Antonymes\"><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"209\" height=\"209\" /></a>We’re excited to announce the official release of <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>, the stunning new album by neo-classical ambient artist <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the acclaimed body of work that precedes them, drawing you into their evocative world and demanding engagement. The album includes contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring.</p>\r\nThe album is available on CD, in a glorious six-panel full-colour card sleeve with 8-page insert, and in digital formats. Head to <a title=\"BandCamp\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\">Antonymes Bandcamp</a> for CD and digital and iTunes, Amazon, Spotity et al for all yur other digital needs.','New Antonymes Album Out Now!','','inherit','closed','closed','','14312-revision-v1','','','2016-04-21 07:25:00','2016-04-20 23:25:00','',14312,'http://www.hiddenshoal.com/14312-revision-v1/',0,'revision','',0),(9588,1,'2014-07-17 14:36:36','2014-07-17 14:36:36','http://youtu.be/iC-Sm-5450Q\r\n\r\n\'Voices Out There\' is the title track to the latest album by garage-dreampop trio [The] Caseworker. Video by experimental film-maker and Hidden Shoal manager Cam Merton.','[The] Caseworker - \'Voices Out There\' ','   ','inherit','closed','open','','8346-revision-v1','','','2014-07-17 14:36:36','2014-07-17 14:36:36','',8346,'http://hiddenshoalpublishing.onesmallcloud.com/8346-revision-v1/',0,'revision','',0),(9589,1,'2014-07-17 14:47:45','2014-07-17 14:47:45','https://www.youtube.com/watch?v=qTYQfnb71hE\r\n\r\nAnother wild and wonderful cut from from \"I Razor\", the no-budget experimental feature film directed by Todd Tobias. The soundtrack comprises work by <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a> and Circus Devils featuring  vocals from Robert Pollard (Guided by Voices) as well as instrumental versions of some of the bands existing songs. The album is a cinematic feast within itself, uncompromising, redemptive and always engaging.','Todd Tobias - \"Birth of the Homunculus\" ','  ','publish','closed','open','','todd-tobias-birth-of-the-homunculus','','\nhttp://hiddenshoalpublishing.onesmallcloud.com/project/todd-tobias/','2014-07-17 15:37:13','2014-07-17 15:37:13','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?p=9589',0,'post','',0),(9590,1,'2014-07-17 14:47:45','2014-07-17 14:47:45','https://www.youtube.com/watch?v=qTYQfnb71hE\r\n\r\nAnother wild and wonderful cut from from \"I Razor\", the no-budget experimental feature film directed by Todd Tobias. The track is available on the \"I Razor\" soundtrack album out through Hidden Shoal.\r\n\r\nThe soundtrack comprises work by Todd Tobias and Circus Devils featuring  vocals from Robert Pollard (Guided by Voices) as well as instrumental versions of some of the bands existing songs. The album is a cinematic feast within itself, uncompromising, redemptive and always engaging.','Todd Tobias - \"Birth of the Homunculus\" ','  ','inherit','closed','open','','9589-revision-v1','','','2014-07-17 14:47:45','2014-07-17 14:47:45','',9589,'http://hiddenshoalpublishing.onesmallcloud.com/9589-revision-v1/',0,'revision','',0),(9591,1,'2014-07-17 15:17:17','2014-07-17 15:17:17','https://www.youtube.com/watch?v=qTYQfnb71hE\n\nAnother wild and wonderful cut from from \"I Razor\", the no-budget experimental feature film directed by Todd Tobias. The soundtrack comprises work by Todd Tobias and Circus Devils featuring  vocals from Robert Pollard (Guided by Voices) as well as instrumental versions of some of the bands existing songs. The album is a cinematic feast within itself, uncompromising, redemptive and always engaging.','Todd Tobias - \"Birth of the Homunculus\" ','  ','inherit','closed','open','','9589-autosave-v1','','','2014-07-17 15:17:17','2014-07-17 15:17:17','',9589,'http://hiddenshoalpublishing.onesmallcloud.com/9589-autosave-v1/',0,'revision','',0),(9592,1,'2014-07-17 15:17:40','2014-07-17 15:17:40','https://www.youtube.com/watch?v=qTYQfnb71hE\r\n\r\nAnother wild and wonderful cut from from \"I Razor\", the no-budget experimental feature film directed by Todd Tobias. The soundtrack comprises work by <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a> and Circus Devils featuring  vocals from Robert Pollard (Guided by Voices) as well as instrumental versions of some of the bands existing songs. The album is a cinematic feast within itself, uncompromising, redemptive and always engaging.','Todd Tobias - \"Birth of the Homunculus\" ','  ','inherit','closed','open','','9589-revision-v1','','','2014-07-17 15:17:40','2014-07-17 15:17:40','',9589,'http://hiddenshoalpublishing.onesmallcloud.com/9589-revision-v1/',0,'revision','',0),(14316,1,'2016-04-21 23:15:57','2016-04-21 15:15:57','<p title=\"Antonymes\"><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"209\" height=\"209\" /></a>We’re excited to announce the official release of <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>, the stunning new album by neo-classical ambient artist <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the acclaimed body of work that precedes them, drawing you into their evocative world and demanding engagement. The album includes contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring.</p>\r\n<p title=\"Antonymes\"><em>“Conveys a sense of wonder while underlining the bittersweet feeling of being finite in an infinite world.”</em><em> - </em><a title=\"A Closer Listen\" href=\"https://acloserlisten.com/2016/04/18/antonymes-for-now-we-see-through-a-glass-darkly/\" target=\"_blank\"><strong>A Closer Listen</strong></a></p>\r\nThe album is available on CD, in a glorious six-panel full-colour card sleeve with 8-page insert, and in digital formats. Head to <a title=\"BandCamp\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\">Antonymes Bandcamp</a> for CD and digital and iTunes, Amazon, Spotity et al for all your other digital needs.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/7ykDfoNyaGQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','New Antonymes Album Out Now!','','inherit','closed','closed','','14312-revision-v1','','','2016-04-21 23:15:57','2016-04-21 15:15:57','',14312,'http://www.hiddenshoal.com/14312-revision-v1/',0,'revision','',0),(14315,1,'2016-04-21 22:09:41','2016-04-21 14:09:41','<p title=\"Antonymes\"><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"209\" height=\"209\" /></a>We’re excited to announce the official release of <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>, the stunning new album by neo-classical ambient artist <a href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the acclaimed body of work that precedes them, drawing you into their evocative world and demanding engagement. The album includes contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring.</p>\r\n<p title=\"Antonymes\"><em>“Conveys a sense of wonder while underlining the bittersweet feeling of being finite in an infinite world.”</em><em> - </em><a title=\"A Closer Listen\" href=\"https://acloserlisten.com/2016/04/18/antonymes-for-now-we-see-through-a-glass-darkly/\" target=\"_blank\"><strong>A Closer Listen</strong></a></p>\r\nThe album is available on CD, in a glorious six-panel full-colour card sleeve with 8-page insert, and in digital formats. Head to <a title=\"BandCamp\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\">Antonymes Bandcamp</a> for CD and digital and iTunes, Amazon, Spotity et al for all your other digital needs.','New Antonymes Album Out Now!','','inherit','closed','closed','','14312-revision-v1','','','2016-04-21 22:09:41','2016-04-21 14:09:41','',14312,'http://www.hiddenshoal.com/14312-revision-v1/',0,'revision','',0),(9596,1,'2014-07-17 15:23:09','2014-07-17 15:23:09','https://www.youtube.com/watch?v=1jIYi486n0c\n\nMuch like<em> Lava</em>\'s first single \'Hubble\' evoked the ink-black expanses of outer space, second single \'Cousteau\' casts its searchlight beneath the ocean. The track\'s slow, majestic burn is a thing to behold, and further proof of Mehr\'s mastery of dynamic drone. Bubbles of fizzy static gradually fade into view before a haunting backwards melody is introduced and then subsumed by liquiform particles and aching synths. The track builds in pressure until the elements fall away, leaving the backwards melody to sing anew before the process begins again, with a renewed feeling of heartbreaking intensity. The track\'s black-hole magnetism grows as it pulls in all around it, with the resultant build erupting into giant, arcing, electric tendrils.\n\nMehr\'s oft collaborator, visual artist Stefanie Sixt (Sixt Sense), has created an incredibly rich and layered widescreen visual accompaniment to \'Cousteau\'. Sixt\'s work traverses film, performance and animation, and has won her several key visual arts awards in Germany.\n\nDirected and produced by Stefanie Sixt, Sixt Sense (2010)\nhttp://sixt-sense.de\nUnderwater footage shot by Charles Finkbeiner','Markus Mehr - \'Cousteau\'','  ','inherit','closed','open','','8358-autosave-v1','','','2014-07-17 15:23:09','2014-07-17 15:23:09','',8358,'http://hiddenshoalpublishing.onesmallcloud.com/8358-autosave-v1/',0,'revision','',0),(9597,1,'2014-07-17 15:24:51','2014-07-17 15:24:51','https://www.youtube.com/watch?v=1jIYi486n0c\r\n\r\nMuch like<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><em> Lava</em></a>\'s first single \'Hubble\' evoked the ink-black expanses of outer space, second single \'Cousteau\' casts its searchlight beneath the ocean. The track\'s slow, majestic burn is a thing to behold, and further proof of Mehr\'s mastery of dynamic drone. Bubbles of fizzy static gradually fade into view before a haunting backwards melody is introduced and then subsumed by liquiform particles and aching synths. The track builds in pressure until the elements fall away, leaving the backwards melody to sing anew before the process begins again, with a renewed feeling of heartbreaking intensity. The track\'s black-hole magnetism grows as it pulls in all around it, with the resultant build erupting into giant, arcing, electric tendrils.\r\n\r\nMehr\'s oft collaborator, visual artist Stefanie Sixt (Sixt Sense), has created an incredibly rich and layered widescreen visual accompaniment to \'Cousteau\'. Sixt\'s work traverses film, performance and animation, and has won her several key visual arts awards in Germany.\r\n\r\nDirected and produced by Stefanie Sixt, Sixt Sense (2010)\r\nhttp://sixt-sense.de\r\nUnderwater footage shot by Charles Finkbeiner','Markus Mehr - \'Cousteau\'','  ','inherit','closed','open','','8358-revision-v1','','','2014-07-17 15:24:51','2014-07-17 15:24:51','',8358,'http://hiddenshoalpublishing.onesmallcloud.com/8358-revision-v1/',0,'revision','',0),(9598,1,'2014-07-17 15:27:08','2014-07-17 15:27:08','http://youtu.be/iC-Sm-5450Q\r\n\r\n\'Voices Out There\' is the title track to the latest album by garage-dreampop trio <a title=\"[The] Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\">[The] Caseworker</a>. Video by experimental film-maker and Hidden Shoal manager Cam Merton.','[The] Caseworker - \'Voices Out There\' ','   ','inherit','closed','open','','8346-revision-v1','','','2014-07-17 15:27:08','2014-07-17 15:27:08','',8346,'http://hiddenshoalpublishing.onesmallcloud.com/8346-revision-v1/',0,'revision','',0),(9599,1,'2014-07-17 15:29:07','2014-07-17 15:29:07','https://www.youtube.com/watch?v=ep6EpVZtJzE\r\nMS Paint artist James Spinks\' whimsical new video for the <a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\">perth</a> track \'Quantum Chronological\' beautifully captures the song\'s skewed charm. The simple see-sawing guitar and Casiotone refrain is accompanied by spiralling coffee pots, flashing city lights and a dancing figure who sings along to some of the track\'s unearthly effects-warped vocals. It\'s a beautiful marriage of lush, dreamy off-kilter pop and joyfully naive imagery.\r\n\r\n\'Quantum Chronological\' is taken from perth\'s sophomore album What\'s Your Utopia?, out now through Hidden Shoal. James Spinks is a Melbourne-based digital artist originally from Perth, whose aesthetic is built around the use of his primary digital tool, MS Paint. You can view more of James\'s work at his blog: http://cloglot.blogspot.com','perth - \'Quantum Chronological\'','      ','inherit','closed','open','','8157-revision-v1','','','2014-07-17 15:29:07','2014-07-17 15:29:07','',8157,'http://hiddenshoalpublishing.onesmallcloud.com/8157-revision-v1/',0,'revision','',0),(9600,1,'2014-07-17 15:33:34','2014-07-17 15:33:34','https://www.youtube.com/watch?v=uM1_Ov-ont0\n\nIn the new video for <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>\' gorgeous track \'Clocks Were All Broken\'   which features the instrumental and production talents of Jason Lytle (Grandaddy) the song\'s theme of time standing still is rendered visually by experimental film-maker (and label manager) Cam Merton as a never-ending summer\'s day at the beach. As the track\'s aching synth melodies and voices echo and fracture, the blurred beachgoers begin to fade and multiply, receding into nothingness.\n\n\'Clocks Were All Broken\' is taken from Kramies\' latest EP The Wooden Heart, which features collaboration and production from Jason Lytle and Todd Tobias (Circus Devils, Guided By Voices). The EP is available now through Hidden Shoal - http://store.hiddenshoal.com',' Kramies (feat. Jason Lytle) - \'Clocks Were All Broken\'','','inherit','closed','open','','8130-autosave-v1','','','2014-07-17 15:33:34','2014-07-17 15:33:34','',8130,'http://hiddenshoalpublishing.onesmallcloud.com/8130-autosave-v1/',0,'revision','',0),(9601,1,'2014-07-17 15:34:39','2014-07-17 15:34:39','https://www.youtube.com/watch?v=uM1_Ov-ont0\r\n\r\nIn the new video for <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>\' gorgeous track \'Clocks Were All Broken\'   which features the instrumental and production talents of Jason Lytle (Grandaddy) the song\'s theme of time standing still is rendered visually by experimental film-maker (and label manager) Cam Merton as a never-ending summer\'s day at the beach. As the track\'s aching synth melodies and voices echo and fracture, the blurred beachgoers begin to fade and multiply, receding into nothingness.\r\n\r\n\'Clocks Were All Broken\' is taken from Kramies\' latest EP <em>The Wooden Heart</em>, which features collaboration and production from Jason Lytle and Todd Tobias (Circus Devils, Guided By Voices).',' Kramies (feat. Jason Lytle) - \'Clocks Were All Broken\'','','inherit','closed','open','','8130-revision-v1','','','2014-07-17 15:34:39','2014-07-17 15:34:39','',8130,'http://hiddenshoalpublishing.onesmallcloud.com/8130-revision-v1/',0,'revision','',0),(9780,1,'2014-07-21 13:23:46','2014-07-21 13:23:46','[et_pb_section][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Hidden Shoal Store Closure</h1>\r\n&nbsp;\r\n\r\nYou\'ve landed here because you were trying to access the Hidden Shoal Store. Due to a number of changes we\'ve made here at Hidden Shoal, the store is no more! Instead you may purchase releases from our artists directly or find them on the usual 3rd party online stores such as iTunes, eMusic, Amazon and Google Play etc. Check the the artists profiles above for links to our artists albums.\r\n\r\nWe still offer full support for those who have made purchases from the store before it\'s closure - sales [at] hiddenshoal.com.[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal Store','','publish','closed','open','','hidden-shoal-store','','','2014-07-21 13:27:37','2014-07-21 13:27:37','',0,'http://www.hiddenshoal.com/?page_id=9780',0,'page','',0),(9778,1,'2014-07-20 02:58:41','2014-07-20 02:58:41','<img class=\"alignleft\" title=\"The Caseworker\" src=\"http://www.hiddenshoal.com/wp-content/uploads/thecaseworker.jpg\" alt=\"\" width=\"114\" height=\"171\" />Ahead of the release of his band\'s stunning third album <em>Letters From The Coast</em>, Conor Devlin from <a href=\"http://www.hiddenshoal.com/artists/the-caseworker/\">[The] Caseworker</a> throws down some musical love via the joy of vinyl. But before you get distracted by this wonderful read, be sure to grab your free download of the bands latest single \'<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=52&amp;products_id=176\">National Runner</a>\' and also head to <a href=\"http://n5mailorder.com/index.php?main_page=product_music_info&amp;products_id=1530\">n5mailorder</a> to pre-order the album on CD (with immediate digital album download) before its release next week. Enjoy!\r\n\r\nCam\r\n\r\n-----\r\n\r\nWe’ve been moving around for the last few years so all our records were abandoned to a damp storage facility out near San Francisco airport. All our music listening was done via an ipod….I’m talking about the <em>dock</em>. The dock provides an approximation of a record you like. We convinced ourselves it was okay (“it’s so much handier!”, “oh I agree!”), but it’s <em>not</em> okay and the weak sound quality burrowed deep into our souls and made us question records we love. Now that we’re finally settled in Lausanne, we got a new turntable, a tuner donated by our friend Duncan from ‘round the corner and speakers that were way too expensive from the nice man at ABC HiFi on Rue des Echelettes. Then we bought some records to listen to, properly, and remembered that there’s really nothing like it. It was great to re-learn and appreciate the process of listening to music in that familiar way again after three years of <em>docks</em>. Getting up to flip it over. Marvelling at the artwork. Feeling the warmth of the sound in the room. And of course sticking your hand up the other side of the gatefold in case they’d hidden something in there. There’s two great record stores in Lausanne – Disc a Brac and Belair Records. Both are stocked really well with new and old vinyl. Belair even has a Guru Guru vinyl section: their own tab and everything! Really impressive. We’ve spent the last couple of weekends buying records around town. Some highlights:\r\n\r\nFirst up was <strong>Low</strong>, who’ve returned from a four year hiatus this year and released “C’mon” on Sub Pop. I’ve run hot and cold over the years with Low, but they always seem to be there if I want to come back.  As I listened to this new one, I began to think that the Neil Youngish “Witches” might be one of my favourite Low songs of all time. But then “Especially Me” got completely under my skin after a few listens.  (To these ears) it’s another one of Low’s deadly accurate takes on a disintegrating relationship, which, considering they’ve been partners since high school and are happily married with two kids and seem to live a very tranquil church-going life up by the Great Lakes… is a very odd thing indeed. Or perhaps not.  Anyway, this is Mimi Parker’s tour-de-force, with glorious keening harmonies on the chorus. As she sings “cause if we knew where we belong, there\'d be no doubt where we\'re from; but as it stands, we don\'t have a clue, especially me and probably you”. It’s the ‘don’t have a clue’ that grips, the total helplessness in her delivery. Fantastic stuff.\r\n\r\n<strong>Gateway I</strong> – I found this in the Salvation Army store. Mint condition, and only one franc. I bought it because Dave Holland plays bass on it and I dig him. It’s 70’s avant garde jazzy fusion stuff but it’s a really warm listen for a lazy afternoon and God does it <em>sound</em> amazing. There’s double bass, electric guitar and drums and…..that’s all there is on it. So each instrument sounds crystal clear and right in the room with you. There’s also a tonne of “studio-air” 70’s vibes on there. It was released in ‘75 and it’s a great record to test speakers with and I mean that in the nicest possible way.\r\n\r\nThen there’s the new <strong>Iron Maiden</strong> record: ‘The Final Frontier’. Yeah yeah, Up The Irons and all that. 35 years, 15 studio albums, and, hilariously enough, this is one of their best. The first one I bought was ‘Number of the Beast’ back in ‘83 for 2 pounds second hand, and this time we spent 45 goddamn francs on the brand new double vinyl gatefold picture disc edition. It looks fucking awesome and sounds massive. The walls shook, the dog left the room etc. Three songs are about ten minutes long so it takes a lot of time to get familiar with them; you have to work at it. Hard concentration. The lyrics are printed on the inner sleeves and the thank you lists are still really long. Bruce Dickinson remains at full air raid siren level and you wonder how he crams all those words into ‘The Alchemist’…speaking of which, McBrain does this great tom-roll down the kit behind Dickinson’s vocals just before the second chorus. If you’re a Maiden fan you know what I’m talking about and you know it’s Heaven.\r\n\r\n<strong>Bill Callahan</strong>’s “Apocalypse”. What’s left to say? I remember seeing him (when he was still going by the name of Smog) at the Kilowatt in San Francisco in 1995 on the ‘Wild Love’ tour, just after Cindy Dall had joined. Her sister climbed up to add backing vocals to one song which soon disintegrated into a giggling impromptu ‘Happy Birthday’ to their father who was in the crowd. Meanwhile, Bill stood at the back, facing the wall and playing random distorted chords on an out of tune Flying V. The drummer stared into his unplayed ride cymbal. I was never sure if the whole show was an elaborate art-joke on the bewildered crowd, but I guess that was Smog: you never knew what you were going to get. This time around we get his third record since dropping the ‘Smog’ tag and it’s flawless. Easily as good as ‘Red Apple Falls’ or ‘Knock Knock’, if you’re looking for a Smog quality check. You’ve probably heard the clumping ‘America!’ by now, his bizarre love song to the USA, but there’s also “Free’s” strange combination of flute and whistling, the menace of “Drover”, and the sheer random beauty of Universal Applicant’s lyrics – “I found the bee’s nest in the buffalo’s chest” and “without work’s calving increments, or love’s coltish punch, what would I be? An animaless isthmus, beyond the sea”. Who the hell writes lyrics like that? They’re incredible. Bill Callahan is a genius, and I think I can say this with some authority after 18 years of listening (and staying to the end of that Kilowatt show.) Seven songs, and the vinyl is a lovely thing.\r\n\r\nThis one’s a year old but still worth mentioning: <strong>Black Mountain</strong>’s ‘Wilderness Heart’ on Jagjaguwar.  It’s a good confident step up from ‘In The Future’ - they sound more swinging, the songs are better, the production is thick with low end and there’s cool shades of Sandy Denny era Fairport Convention creeping into their Sabbath-plays-Zeppelin thing. It all works, and you get the sense they’re really enjoying this. Every Black Mountain song sort of reminds of you some old classic rock song but, at the same time, you can never name it. It’s weird. Is that a Bad Company chord change? A Zep riff? A BOC vocal? No, it’s all Black Mountain!\r\n\r\nSo it’s nice to have the vinyl bug again, even if we are paying astronomical amounts for the imports here in Switzerland. But Disc-A-Brac does the buy-10-vinyl-albums-get-one-free thing, so we’ll be busy earning that privilege again and again over the next few months……','Conor Devlin (The Caseworker) - Getting Back To Vinyl','','inherit','closed','open','','9777-revision-v1','','','2014-07-20 02:58:41','2014-07-20 02:58:41','',9777,'http://hiddenshoalpublishing.onesmallcloud.com/9777-revision-v1/',0,'revision','',0),(9776,1,'2014-07-20 02:57:23','2014-07-20 02:57:23','We\'ve been slowly building up our <a href=\"http://soundcloud.com/hidden_shoal\" target=\"_blank\">SoundCloud streams</a> and <a href=\"http://www.youtube.com/playlist?list=PLC2BB82525CCBFF47\" target=\"_blank\">YouTube Mp3 streams</a> so we\'ll drop a featured track regularly here on the blog for your delectation.\r\n\r\nFirst cab off the rank is the awesome Manual (aka Jonas Munk) remix of the Salli Lunn track \'The Invention of Steel\'. The track is lifted from the wonderful Salli Lunn remix album <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=47&amp;products_id=178\"><em>A Frame Of Reference</em></a> I which features remixes from the likes of Scott Solter, Markus Mehr, City of Satellites, TV Baby and Manual<em> </em>along with previously unreleased tracks.<em> </em>Its a gem so do have a <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=47&amp;products_id=178\">listen</a> if you\'ve not already.<em> </em>Those in the know will realise that Jonas Munk actually produced <em><a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=47&amp;products_id=148\">Heresy and Rite</a>, </em>the album that the remixed originals spring from. Jonas is also one third of the wonderful<a href=\"http://www.causasui.com/\" target=\"_blank\"> Causa Sui</a> along with Jess Kahr and Jakob Skott (Syntaks).\r\n\r\nEnjoy!\r\n\r\n[soundcloud params=\"auto_play=false&amp;show_comments=false\"]http://soundcloud.com/hidden_shoal/salli-lunn-the-invention-of-1[/soundcloud]\r\n<strong>Salli Lunn - \'The Invention of Steel (Manual Remix)\'</strong>','Featured Track - Salli Lunn - \'The Invention of Steel (Manual Remix)\'','','inherit','closed','open','','9775-revision-v1','','','2014-07-20 02:57:23','2014-07-20 02:57:23','',9775,'http://hiddenshoalpublishing.onesmallcloud.com/9775-revision-v1/',0,'revision','',0),(9774,1,'2014-07-20 02:56:07','2014-07-20 02:56:07','<a href=\"http://www.hiddenshoal.com/artists/markus-mehr/\">Markus Mehr</a> has just released his epic new album <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=46&amp;products_id=193\"><em>In</em></a>, the follow-up to his critically acclaimed solo debut <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=46&amp;products_id=145\"><em>Lava</em></a>,<em> </em>and the first in an ambitious yet perfectly realised trilogy, completed by the forthcoming <em>On </em>and <em>Off</em>. Markus chatted to video artist Stefanie Sixt about his music, her visuals, and their ongoing collaboration. Check at the bottom of the interview for competition details.\r\n\r\n<strong>Markus Mehr:</strong> Although I work with you, Stefanie, I’m not physically with you when you start to collect material and ideas to generate the visuals for our collaboration. Please tell us more about this process and your approach on my piece ‘Transit’ (featured in part three of the trilogy, <em>Off</em>, to be released in January 2013)?\r\n\r\n<strong>Stefanie Sixt:</strong> Well, the process is always dependent upon the subject and the sound. In the case of ‘Transit’, it all started with research about life, death and the question of a spiritual life after. Posing a thousand philosophical questions and reaching almost no answers, I had to make a decision about how to visualise an abstract field.\r\n\r\n<iframe src=\"http://www.youtube.com/embed/El8mpXEAuFQ\" frameborder=\"0\" width=\"490\" height=\"278\"></iframe>\r\n\r\nDuring my walks in nature with my dog, Sanzcha, I started taking fuzzy black-and-white photographs of light reflections. I’m using animation to create new worlds out of the footage, which in most cases aren’t reminiscent of the original shots at all. Turning the world upside down – that’s fun! Not everything is what it seems to be. We are just some narrow-minded humans, trying to understand a bit more of the world. Speaking of understanding, how did you get the idea to create a 50-minute piece comprising one repetitive mantra? Didn’t you worry that it would bore an audience to death?\r\n\r\n<strong>MM:</strong> ‘Transit’ actually comprises two different themes, so the piece has an A/B/A/B/A structure. By the time we were talking about collaborating on a new performance, I was working on a piece of music that would later become the B section of the composition. This particular part perfectly fitted what we’d been talking about in terms of theme. It’s the harmonic, bright and friendly part of the track. It loops around itself very slowly. I call it an electronic canon! Cyclical sounds or patterns are something you can find in almost all of my music, especially <em>In</em>, <em>On </em>and <em>Off</em>.\r\n\r\n<strong>SS:</strong> What prompted you to use your toothbrush to create sound?\r\n\r\n<strong>MM:</strong> A sense of fun and curiosity! I’m still fascinated by people like Keith Rowe, for example. He experimented with using things on the guitar; I tried something on my own. Devices like shavers or ventilators held over a guitar’s pick-up can do some really interesting things and create nice noises. Combining these two patterns turned out to be my inspiration on ‘Transit’. However, in comparison to ‘Komo’ (from <em>In</em>) or ‘Synchron’, the work on the live version of ‘Transit’ was a much closer collaboration between the two of us.\r\n\r\n<strong>SS:</strong> On our first project, ‘Cousteau’ (from <em>Lava</em>), we worked pretty much on our own until we got on stage.\r\n\r\n<iframe src=\"http://www.youtube.com/embed/1jIYi486n0c\" frameborder=\"0\" width=\"489\" height=\"278\"></iframe>\r\n\r\nNow we’re influencing each other while we’re creating the piece and rehearsing the performance. It’s much more complex, I would say. In your opinion, what do the visuals add that music can’t express?\r\n\r\n<strong>MM:</strong> For our live performances, the visuals are very, very important. It opens up new dimensions, intensifying and deepening the viewer’s emotional response. Our work together is really falling into place. Not all visual work fits my music – and vice versa. However, when it comes to listening to my albums, the music has to stand on its own. My approach is to offer a package of sound, sometimes brutal and distorted, sometimes moody, melancholic and relaxed, when we play live. But following up on my first question, the visuals on ‘Transit’ have a very clear, almost technocratic appeal, but without being cold.\r\n\r\n<strong>SS:</strong> Maybe it’s due to the origin of the visuals – it’s all organic. Within the process, the technocratic aspect is added. In the end, this might evoke the emotions people tell us about. Your sound compositions are similar, aren’t they? Even though your sounds sometimes build up into pure noise, there’s always enough melodic space to sink into. That’s why I’m into your music.\r\n\r\n<strong>MM:</strong> Very often the starting point is a musical phrase I found somewhere. Most of the time a harmony or melody attracts my attention. Once I’m attracted by a phrase I start to play around with it and see if the idea for a piece emerges. A lot of the time I do reject things because nothing comes up at all. But when an idea starts to work, the excitement builds. Arranging, distorting and playing around with the fragments is a very satisfying part of the process. It becomes easy, once you have a vision. I hope people will like it.\r\n\r\n<strong>SS:</strong> I’m convinced they will. Your music is like a dialogue, an inner journey. It’s awesome to add my visuals to your music, taking the audience even further on this audiovisual trip<strong>.</strong>\r\n\r\n<iframe src=\"http://www.youtube.com/embed/jUyhl1-x0T0\" frameborder=\"0\" width=\"490\" height=\"278\"></iframe>\r\n\r\nMarkus Mehr’s new album <em>In</em> is available now in limited edition CD and digital formats from the <a title=\"Markus Mehr - &quot;In&quot;\" href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=46&amp;products_id=193\">Hidden Shoal Store</a>. We are also offering a CD copy of Markus Mehr\'s <em>Lava</em> for one lucky winner. All we require is for you to tell us the name of the 2nd track on Mehr\'s latest release <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=46&amp;products_id=193\"><em>In</em></a>. Send your answer to contact[at]hiddenshoal.com with \"Markus Mehr Competition\" in the subject line. You\'ve got until April 21st, 2012.','Markus Mehr chats with Stefanie Sixt','','inherit','closed','open','','9773-revision-v1','','','2014-07-20 02:56:07','2014-07-20 02:56:07','',9773,'http://hiddenshoalpublishing.onesmallcloud.com/9773-revision-v1/',0,'revision','',0),(9773,1,'2014-07-20 02:56:07','0000-00-00 00:00:00','<a href=\"http://www.hiddenshoal.com/artists/markus-mehr/\">Markus Mehr</a> has just released his epic new album <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=46&amp;products_id=193\"><em>In</em></a>, the follow-up to his critically acclaimed solo debut <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=46&amp;products_id=145\"><em>Lava</em></a>,<em> </em>and the first in an ambitious yet perfectly realised trilogy, completed by the forthcoming <em>On </em>and <em>Off</em>. Markus chatted to video artist Stefanie Sixt about his music, her visuals, and their ongoing collaboration. Check at the bottom of the interview for competition details.\r\n\r\n<strong>Markus Mehr:</strong> Although I work with you, Stefanie, I’m not physically with you when you start to collect material and ideas to generate the visuals for our collaboration. Please tell us more about this process and your approach on my piece ‘Transit’ (featured in part three of the trilogy, <em>Off</em>, to be released in January 2013)?\r\n\r\n<strong>Stefanie Sixt:</strong> Well, the process is always dependent upon the subject and the sound. In the case of ‘Transit’, it all started with research about life, death and the question of a spiritual life after. Posing a thousand philosophical questions and reaching almost no answers, I had to make a decision about how to visualise an abstract field.\r\n\r\n<iframe src=\"http://www.youtube.com/embed/El8mpXEAuFQ\" frameborder=\"0\" width=\"490\" height=\"278\"></iframe>\r\n\r\nDuring my walks in nature with my dog, Sanzcha, I started taking fuzzy black-and-white photographs of light reflections. I’m using animation to create new worlds out of the footage, which in most cases aren’t reminiscent of the original shots at all. Turning the world upside down – that’s fun! Not everything is what it seems to be. We are just some narrow-minded humans, trying to understand a bit more of the world. Speaking of understanding, how did you get the idea to create a 50-minute piece comprising one repetitive mantra? Didn’t you worry that it would bore an audience to death?\r\n\r\n<strong>MM:</strong> ‘Transit’ actually comprises two different themes, so the piece has an A/B/A/B/A structure. By the time we were talking about collaborating on a new performance, I was working on a piece of music that would later become the B section of the composition. This particular part perfectly fitted what we’d been talking about in terms of theme. It’s the harmonic, bright and friendly part of the track. It loops around itself very slowly. I call it an electronic canon! Cyclical sounds or patterns are something you can find in almost all of my music, especially <em>In</em>, <em>On </em>and <em>Off</em>.\r\n\r\n<strong>SS:</strong> What prompted you to use your toothbrush to create sound?\r\n\r\n<strong>MM:</strong> A sense of fun and curiosity! I’m still fascinated by people like Keith Rowe, for example. He experimented with using things on the guitar; I tried something on my own. Devices like shavers or ventilators held over a guitar’s pick-up can do some really interesting things and create nice noises. Combining these two patterns turned out to be my inspiration on ‘Transit’. However, in comparison to ‘Komo’ (from <em>In</em>) or ‘Synchron’, the work on the live version of ‘Transit’ was a much closer collaboration between the two of us.\r\n\r\n<strong>SS:</strong> On our first project, ‘Cousteau’ (from <em>Lava</em>), we worked pretty much on our own until we got on stage.\r\n\r\n<iframe src=\"http://www.youtube.com/embed/1jIYi486n0c\" frameborder=\"0\" width=\"489\" height=\"278\"></iframe>\r\n\r\nNow we’re influencing each other while we’re creating the piece and rehearsing the performance. It’s much more complex, I would say. In your opinion, what do the visuals add that music can’t express?\r\n\r\n<strong>MM:</strong> For our live performances, the visuals are very, very important. It opens up new dimensions, intensifying and deepening the viewer’s emotional response. Our work together is really falling into place. Not all visual work fits my music – and vice versa. However, when it comes to listening to my albums, the music has to stand on its own. My approach is to offer a package of sound, sometimes brutal and distorted, sometimes moody, melancholic and relaxed, when we play live. But following up on my first question, the visuals on ‘Transit’ have a very clear, almost technocratic appeal, but without being cold.\r\n\r\n<strong>SS:</strong> Maybe it’s due to the origin of the visuals – it’s all organic. Within the process, the technocratic aspect is added. In the end, this might evoke the emotions people tell us about. Your sound compositions are similar, aren’t they? Even though your sounds sometimes build up into pure noise, there’s always enough melodic space to sink into. That’s why I’m into your music.\r\n\r\n<strong>MM:</strong> Very often the starting point is a musical phrase I found somewhere. Most of the time a harmony or melody attracts my attention. Once I’m attracted by a phrase I start to play around with it and see if the idea for a piece emerges. A lot of the time I do reject things because nothing comes up at all. But when an idea starts to work, the excitement builds. Arranging, distorting and playing around with the fragments is a very satisfying part of the process. It becomes easy, once you have a vision. I hope people will like it.\r\n\r\n<strong>SS:</strong> I’m convinced they will. Your music is like a dialogue, an inner journey. It’s awesome to add my visuals to your music, taking the audience even further on this audiovisual trip<strong>.</strong>\r\n\r\n<iframe src=\"http://www.youtube.com/embed/jUyhl1-x0T0\" frameborder=\"0\" width=\"490\" height=\"278\"></iframe>\r\n\r\nMarkus Mehr’s new album <em>In</em> is available now in limited edition CD and digital formats from the <a title=\"Markus Mehr - &quot;In&quot;\" href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=46&amp;products_id=193\">Hidden Shoal Store</a>. We are also offering a CD copy of Markus Mehr\'s <em>Lava</em> for one lucky winner. All we require is for you to tell us the name of the 2nd track on Mehr\'s latest release <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=46&amp;products_id=193\"><em>In</em></a>. Send your answer to contact[at]hiddenshoal.com with \"Markus Mehr Competition\" in the subject line. You\'ve got until April 21st, 2012.','Markus Mehr chats with Stefanie Sixt','','draft','closed','open','','','','','2014-07-20 02:56:07','2014-07-20 02:56:07','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?p=9773',0,'post','',0),(9768,1,'2014-07-18 09:03:29','2014-07-18 09:03:29','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\nOctober 2011\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\nMay 2011\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\nApril 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','closed','open','','8572-revision-v1','','','2014-07-18 09:03:29','2014-07-18 09:03:29','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(9743,1,'2014-07-18 07:47:04','2014-07-18 07:47:04','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it. <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Liminal Drifter','','inherit','closed','open','','9259-revision-v1','','','2014-07-18 07:47:04','2014-07-18 07:47:04','',9259,'http://hiddenshoalpublishing.onesmallcloud.com/9259-revision-v1/',0,'revision','',0),(9742,1,'2014-07-18 07:46:56','2014-07-18 07:46:56','<p>[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]</p><h1>Antonymes</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it. <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]</p><h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]</p><h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]</p><h3>News</h3><p>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]</p><h2>Reviews</h2><p>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]</p><h3>Press Releases</h3><p>  <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]</p><h3>Artist Photos</h3><p> </p><p>[gallery ids=\"8222,8221,8220,8219\"]</p><p>[/et_pb_tab][et_pb_tab title=\"Video\"]</p><h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]</p><h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]</p>','Master Artist Profile V30','','publish','closed','open','','master-artist-profile-v30','','','2014-07-18 07:46:56','2014-07-18 07:46:56','',0,'http://hiddenshoalpublishing.onesmallcloud.com/et_pb_layout/master-artist-profile-v30/',0,'et_pb_layout','',0),(9762,1,'2014-07-18 08:56:41','2014-07-18 08:56:41','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Enargeia</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8839 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enargeia-800px-300x300.jpg\" alt=\"Enargeia\" width=\"161\" height=\"161\" /></a>Ambient industrial soundscape artists Enargeia are a performance based improvisational duo originally working out of Perth Western Australia. Having formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>UFO: Stryker Force</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=369311426/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/ufo-stryker-force\">UFO: Stryker Force by Enargeia</a></iframe>\r\nJune 2006\r\n<div></div>\r\nIndustrial ambient pioneers, Enargeia release their long awaited first album with Hidden Shoal Recordings. Stretching out like a dark cloud to the horizon, this work is a long range map, acting both as navigator and vehicle. Abduction has never been so engaging.\r\n<div></div>\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAmbient industrial soundscape artists Enargeia are a performance based improvisational duo working out of Perth Western Australia.\r\n\r\nHaving formed from the ashes of Thou Gideon’s Poons Head studio recordings in 1991 Enargeia have worked in collaboration with various audiovisual artists on the live performance circuit, experimenting online since 1995 including participation in the Time’s Up <a href=\"http://www.timesup.org/closing/transient-series.html\" target=\"_blank\">Transient Series</a>, and producing a library of studio and live recordings.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=enargeia content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=enargeia-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n&nbsp;\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_8th_June.pdf\">Label sampler album release, Enargeia “UFO: Stryker Force” release and Glassacre “Slow Attack” release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_24th_Oct.pdf\">Enargeia “Gulag! 25.9.98″ live release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8842\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n&nbsp;\r\n\r\nNo videos yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonyEnargeia\'s mes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Enargeia','','inherit','closed','open','','8834-revision-v1','','','2014-07-18 08:56:41','2014-07-18 08:56:41','',8834,'http://hiddenshoalpublishing.onesmallcloud.com/8834-revision-v1/',0,'revision','',0),(9736,1,'2014-07-18 03:25:52','2014-07-18 03:25:52','[et_pb_section background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Who We Are</h1><p>Hidden Shoal is an Australia-based independent publisher and label founded in 2006. Our core label team have extensive backgrounds in the Australian and international music scenes, and more importantly have an intense passion for good music, no matter the style. Our approach has earned us a reputation for releasing exciting and engaging new independent music that is not bound by genre.</p><p>Hidden Shoal was dubbed “this generation’s 4AD” by New York radio host DJ Mojo, and was described by The Mountain Goats’ John Darnielle as “one of the great wonders of our age.”</p><p>Since the label’s inception, we have prided ourselves on a diverse and lovingly curated catalogue of music. The artists we work with constantly inspire and surprise us. We only work with the music we love - the kind of music we fervently listen to as fans.</p><p>We provide a co-operative support framework for our artists to release their work, while allowing them to retain 100% of their retail sales. We act as publishers for our artists and pursue licensing opportunities on their behalf, and we are constantly looking for new ways to telescope our artists\' music into new arenas.</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Who We Are','','inherit','closed','open','','4-revision-v1','','','2014-07-18 03:25:52','2014-07-18 03:25:52','',4,'http://hiddenshoalpublishing.onesmallcloud.com/4-revision-v1/',0,'revision','',0),(9735,1,'2014-07-18 03:24:48','2014-07-18 03:24:48','[et_pb_section background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Who We Are</h1>\r\nHidden Shoal is an Australia-based independent publisher and label conceived in May 2006. The core label team have extensive backgrounds in the Australian and international music scenes, and most importantly have an intense passion for good music, no matter its style. Our approach has earned us a reputation for releasing exciting and engaging new independent music that is not bound by genre.\r\n\r\nHidden Shoal was chosen as one of Textura magazine’s favourite labels, has been dubbed “This generation’s 4AD” by prominent New York radio host DJ Mojo, and has been described by The Mountain Goats’ frontman John Darnielle as “one of the great wonders of our age”.\r\n\r\nSince the label’s inception we have prided ourselves on our diverse and lovingly curated catalogue of music. The artists we work with constantly inspire and surprise us. We only work with the music we love, the music we’d fervently listen to regardless of our connection with it.\r\n\r\nWe provide a co-operative support framework for our artists to release their work, while allowing them to retain 100% of their retail sales. We also act as publisher for their music and pursue licensing and publishing opportunities on their behalf. Along with the more traditional paths we are also constantly looking for new ways to telescope our artists music into new arenas.[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Who We Are','','inherit','closed','open','','4-revision-v1','','','2014-07-18 03:24:48','2014-07-18 03:24:48','',4,'http://hiddenshoalpublishing.onesmallcloud.com/4-revision-v1/',0,'revision','',0),(9749,1,'2014-07-18 07:51:34','2014-07-18 07:51:34','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Sleeping Me</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Sleeping_Me_1_Web.jpg\"><img class=\"alignleft size-full wp-image-9109\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Sleeping_Me_1_Web.jpg\" alt=\"Sleeping Me\" width=\"300\" height=\"225\" /></a><em>“... a sweeping, melancholic grandeur which never threatens to turn into bombast, but is almost enough to induce tears.”</em> –<strong> [sic] Magazine\r\n</strong>\r\n\r\nTextural and meticulously composed, the droning and emotive ambience of Sleeping Me is a quiet reminder of all the beauty and personal strife that is experienced in solitude. This music is an homage to the bittersweet rise and fall of fortune, the discovery and evasiveness of identity and truth, and the acceptance of distance, disappointment, and the poignancy of an ever-elusive yet omnipresent love.\r\n\r\n<strong>       </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Cradlesongs</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4198502662/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://sleepingme.bandcamp.com/album/cradlesongs\">Cradlesongs by Sleeping Me</a></iframe>\r\nMay 2009\r\n<div></div>\r\nTextural and meticulously composed, the emotive ambience of Sleeping Me is a quiet reminder of all the beauty and personal strife that is experienced in solitude. Tidal currents of delayed guitar carry the listener across an ocean of reverb, cast adrift beneath a brooding sky. Each track hands an elusive secret to the next, hinted at but never revealed.\r\n\r\nSleeping Me’s masterful debut album <em>Cradlesongs</em> is an homage to the bittersweet rise and fall of fortune, the discovery and evasiveness of identity and truth, the acceptance of distance and disappointment, and the poignancy of an ever-elusive yet omnipresent love. From the sad, sparse introductory piece ‘Empty Cradle’ to the epic melancholy of closing track ‘The Rattle In Our Throats’, <em>Cradlesongs</em> demonstrates an unmatchable elegance and poise, allowing these sorrowful symphonies to extend far beyond their own discrete edges and breathe new life into a crowded genre.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nClayton McEvoy grew up in the vast expanse of desert and concrete that is California’s Inland Empire. Though initially deciding to play music for very different reasons (girls and free booze), the discovery of shoegaze and ambient music, followed by an interest in minimalist composition, would become the foundation for more focused experimentation as Sleeping Me.\r\n\r\nClayton has also collaborated on the new album by The Refractors (Dynamophone, 2009), and collaborates with Jorge Mantas under the name The Beautiful Schizophonic.”\r\n\r\nSleeping Me’s debut release Cradlesongs is an homage to the bittersweet rise and fall of fortune, the discovery and evasiveness of identity and truth, and the acceptance of distance, disappointment, and the poignancy of an ever-elusive yet omnipresent love.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=sleeping-me content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=sleeping-me-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Sleeping_Me_Cradlesongs_Release.pdf\">Sleeping Me <em>Cradlesongs </em>Album Release.</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Sleeping_Me_Single_Release.pdf\">Sleeping Me ‘Legs Like Gravestone’ Single Release.</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Sleeping_Me_Signing.pdf\">Sleeping Me Signs to Hidden Shoal.</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9112,9113,9114\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry!\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSleeping Me\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Sleeping Me','','inherit','closed','open','','9107-revision-v1','','','2014-07-18 07:51:34','2014-07-18 07:51:34','',9107,'http://hiddenshoalpublishing.onesmallcloud.com/9107-revision-v1/',0,'revision','',0),(9757,1,'2014-07-18 07:56:07','2014-07-18 07:56:07','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>The Hero Cycle</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/TheHeroCycle5.jpg\"><img class=\"alignleft size-medium wp-image-8931\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/TheHeroCycle5-300x225.jpg\" alt=\"The Hero Cycle\" width=\"300\" height=\"225\" /></a><em>\"The Hero Cycle are one of those rare bands that has the ability to mesh brilliant instrumentation, artistic lyrics, and great guitar indie pop melodies.\"</em> -  <strong>Your Standard Life</strong>\r\n\r\nWith seven band members feeding into the mix The Hero Cycle create a joyously large, textured sound coupled with complex arrangements to produce a feel that is at once spontaneous and measured. The band possess that magic combination of sound and song, pooling all the ingredients of shoegaze rock and indie pop and distilling them into undeniably catchy and driving tunes.<strong>       </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" height=\"5px\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Lakes &amp; Ponds</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1036275707/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://theherocycle.bandcamp.com/album/lakes-ponds\">Lakes &#038; Ponds by The Hero Cycle</a></iframe>\r\nJanuary 2007\r\n<div></div>\r\nFrom the exultant indie rock joyride of \"Breathing In\" to the bursting pop immediacy of \"Lovers Crime\", \"Lakes and Ponds\" grabs you by the hand, tickles your palm and propels you into it\'s spacious and twisting trajectory. The EP manages that perfect balance between viscera and brains where pop hooks and songcraft walk hand in hand with a big layered sound.\r\n<div></div>\r\n<div></div>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nThe Hero Cycle started in the Green Mountains of Vermont in 2005, combining the varied talents of drummer John Gorman, synthist Tom Kelly, and guitarists Mike Prall and Frank Smecker (ex-Drowningman and ex-Escapist). Soon after, the band quickly grew, including fellow Burlington residents Hannah Wall (Magogs) on keyboards, Shawn Flanagan (Fire the Cannons and ex-Starlight Conspiracy) on bass, and third guitarist Adam Fuller (The Year’s Best). Thus, The Hero Cycle’s unique sound has been shaped by the eclectic mix of energy brought forth by each individual member.\r\n\r\nThe band’s sound remains solid, despite the unique influences of the many members, and hopes to continue a successful trend of interesting and powerful performances as well as recordings. Bringing years of musical experience to the table, the project acts as a creative haven for everyone involved. The music demands attention. Overall, The Hero Cycle shares their musical tastes and influences of the 80′s to current day and emotional attachments to vice and pleasure with a hopeful ever evoloving crowd of music-lovers.\r\n\r\n<strong>Instrumentation</strong>\r\nFrank Smecker – Guitar, Vocals\r\nJohn Gorman – Drums\r\nMike Prall – Guitar\r\nAdam Fuller – Guitar\r\nHannah Wall – Synth, Vocals\r\nTom Kelly – Synth, Vocals\r\nCharlie Gerry – Bass\r\nKristen L’Esperance – Art\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=the-hero-cycle content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=the-hero-cycle-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-The_Hero_Cycle_EP.pdf\" target=\"_blank\">Lakes And Ponds EP Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"8927,8928,8929,8930,8931\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nThe Hero Cycle\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','The Hero Cycle','','inherit','closed','open','','8922-revision-v1','','','2014-07-18 07:56:07','2014-07-18 07:56:07','',8922,'http://hiddenshoalpublishing.onesmallcloud.com/8922-revision-v1/',0,'revision','',0),(9790,1,'2014-07-22 04:46:52','2014-07-22 04:46:52','If you\'re reading this on our new website then it\'s hardly news that we have a new website. But damn it we do! It\'s not just a makeover though as it represents some really exciting changes that we\'ve been working on at Hidden Shoal over the last 3 or so months. These changes mean we will be working in a much more collaborative way with our artists and you will now be able to buy all releases directly from them with 100% of the sales going to the artist. Cool! This means that the Hidden Shoal Store has met it\'s maker however and you can read a little note on that <a title=\"Store Notes\" href=\"http://www.hiddenshoal.com/hidden-shoal-store/\" target=\"_blank\">here</a>. We will also be acting as <a href=\"http://www.hiddenshoal.com/licensing/\">publisher</a> of our artists songs, working our respective asses off to gain film, tv, web, game placements and other publishing opportunities.We\'re extremely excited about growing this aspect of Hidden Shoal\'s endeavours and building on the all the fantastic film and tv placements we\'ve secured over the last couple of years.\r\n\r\nWe will also be using this spanking new website to do lots more artist features, interviews, mixtapes and spotlight tracks amongst other fun things. The first of these features will be up in a few weeks so <a title=\"Subscribe\" href=\"http://www.hiddenshoal.com/subscribe-to-our-mailing-list/\">stay tuned</a>. And if all that wasn\'t enough we have some ridiculously exciting new artists and releases to announce over the coming months. First of which we\'ll tell you about tomorrow!\r\n\r\n&nbsp;','New Website, New Moves!','','inherit','closed','open','','9786-revision-v1','','','2014-07-22 04:46:52','2014-07-22 04:46:52','',9786,'http://www.hiddenshoal.com/9786-revision-v1/',0,'revision','',0),(9791,1,'2014-07-22 04:52:51','2014-07-22 04:52:51','','New Hidden Shoal Website','','inherit','closed','open','','hs_web_screen','','','2014-07-22 04:52:51','2014-07-22 04:52:51','',9786,'http://www.hiddenshoal.com/wp-content/uploads/2014/07/hs_web_screen.jpg',0,'attachment','image/jpeg',0),(9794,1,'2014-07-22 07:13:15','2014-07-22 07:13:15','<img class=\"alignleft size-medium wp-image-9791\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/hs_web_screen-300x213.jpg\" alt=\"New Hidden Shoal Website\" width=\"300\" height=\"213\" />\r\n\r\nIf you\'re reading this on our new website then it\'s hardly news that we have a new website. But damn it we do! It\'s not just a makeover though - it represents some exciting changes that we\'ve been working on at Hidden Shoal over the last several months. These changes mean we\'ll be working more collaboratively with our artists, and part of that is allowing you to buy all of the releases directly from them, so they receive 100% of the sale. Cool! That means that the Hidden Shoal Store has met its maker - you can read a little note on that <a href=\"http://www.hiddenshoal.com/hidden-shoal-store/\">here</a>.\r\n\r\nWe\'ll also be acting as <a href=\"http://www.hiddenshoal.com/licensing/\">publisher</a> for our roster, seeking film, TV, web and game placements, and tackling other publishing avenues. We\'re extremely excited about growing this aspect of Hidden Shoal\'s endeavours and we can\'t wait to build on the all the fantastic film and TV placements we\'ve secured over the last couple of years.\r\n\r\nWe\'ll also be using this spanking new website to let you get to know our artists a little better, with interviews, mixtapes, videos and more. The first of these features will be up in a few weeks, so <a href=\"http://www.hiddenshoal.com/subscribe-to-our-mailing-list/\">stay tuned</a>.\r\n\r\nAnd if all that wasn\'t enough, we have some ridiculously talented new artists and exciting new releases to announce over the coming months, the first of which we\'ll tell you about tomorrow. Watch this space.','New Website, New Moves!','','inherit','closed','open','','9786-revision-v1','','','2014-07-22 07:13:15','2014-07-22 07:13:15','',9786,'http://www.hiddenshoal.com/9786-revision-v1/',0,'revision','',0),(9792,1,'2014-07-22 04:53:23','2014-07-22 04:53:23','<img class=\"alignleft size-medium wp-image-9791\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/hs_web_screen-300x213.jpg\" alt=\"New Hidden Shoal Website\" width=\"300\" height=\"213\" />If you\'re reading this on our new website then it\'s hardly news that we have a new website. But damn it we do! It\'s not just a makeover though as it represents some really exciting changes that we\'ve been working on at Hidden Shoal over the last 3 or so months. These changes mean we will be working in a much more collaborative way with our artists and you will now be able to buy all releases directly from them with 100% of the sales going to the artist. Cool! This means that the Hidden Shoal Store has met it\'s maker however and you can read a little note on that <a title=\"Store Notes\" href=\"http://www.hiddenshoal.com/hidden-shoal-store/\" target=\"_blank\">here</a>. We will also be acting as <a href=\"http://www.hiddenshoal.com/licensing/\">publisher</a> of our artists songs, working our respective asses off to gain film, tv, web, game placements and other publishing opportunities.We\'re extremely excited about growing this aspect of Hidden Shoal\'s endeavours and building on the all the fantastic film and tv placements we\'ve secured over the last couple of years.\r\n\r\nWe will also be using this spanking new website to do lots more artist features, interviews, mixtapes and spotlight tracks amongst other fun things. The first of these features will be up in a few weeks so <a title=\"Subscribe\" href=\"http://www.hiddenshoal.com/subscribe-to-our-mailing-list/\">stay tuned</a>. And if all that wasn\'t enough we have some ridiculously exciting new artists and releases to announce over the coming months. First of which we\'ll tell you about tomorrow!\r\n\r\n&nbsp;','New Website, New Moves!','','inherit','closed','open','','9786-revision-v1','','','2014-07-22 04:53:23','2014-07-22 04:53:23','',9786,'http://www.hiddenshoal.com/9786-revision-v1/',0,'revision','',0),(9793,1,'2014-07-22 07:01:31','2014-07-22 07:01:31','<img class=\"alignleft size-medium wp-image-9791\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/hs_web_screen-300x213.jpg\" alt=\"New Hidden Shoal Website\" width=\"300\" height=\"213\" />\r\n\r\nIf you\'re reading this on our new website then it\'s hardly news that we have a new website. But damn it we do! It\'s not just a makeover though - it represents some exciting changes that we\'ve been working on at Hidden Shoal over the last several months. These changes mean we\'ll be working more collaboratively with our artists, and part of that is allowing you to buy all of the releases directly from them, so they receive 100% of the sale. Cool! That means that the Hidden Shoal Store has met its maker - you can read a little note on that <a href=\"http://www.hiddenshoal.com/hidden-shoal-store/\">here</a>.\r\n\r\nWe\'ll also be acting as <a href=\"http://www.hiddenshoal.com/licensing/\">publisher</a> for our roster, working our asses off to gain film, TV, web, game placements and tackle other publishing avenues. We\'re extremely excited about growing this aspect of Hidden Shoal\'s endeavours and we can\'t wait to build on the all the fantastic film and TV placements we\'ve secured over the last couple of years.\r\n\r\nWe\'ll also be using this spanking new website to let you get to know our artists a little better, with interviews, mixtapes, videos and more. The first of these features will be up in a few weeks, so <a href=\"http://www.hiddenshoal.com/subscribe-to-our-mailing-list/\">stay tuned</a>.\r\n\r\nAnd if all that wasn\'t enough, we have some ridiculously talented new artists and exciting new releases to announce over the coming months, the first of which we\'ll tell you about tomorrow. Watch this space.\r\n\r\n&nbsp;','New Website, New Moves!','','inherit','closed','open','','9786-revision-v1','','','2014-07-22 07:01:31','2014-07-22 07:01:31','',9786,'http://www.hiddenshoal.com/9786-revision-v1/',0,'revision','',0),(9796,1,'2014-07-23 03:18:18','2014-07-23 03:18:18','<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignleft size-medium wp-image-9250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Brother-Earth-Bio-Shot1-300x188.jpg\" alt=\"Brother Earth\" width=\"300\" height=\"188\" /></a>As promised in our previous post we have more fantastic news to share. We\'re extremely excited to be able to announce the signing of American duo <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\">Brother Earth</a>. The band will release the amazing full length <em>Positive Haywires on </em>16th September preceded by two singles, the first of which drops next week (30th July)!  <em>Positive Haywires </em>vacillates between brooding textural pieces and exuberant rock’n’roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors. It\'s an amazing album and we can\'t wait for you all to hear it.\r\n\r\nBrother Earth is a collaboration between multi-instrumentalist/producer <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a> and vocalist Steve Five. Todd’s darkly exotic instrumental music has featured on three Hidden Shoal releases to date (<i>Medicine Show</i>, <i>Night Above Ground </i>and <i>I Razor</i>). Todd is also a member of Circus Devils alongside brother Tim Tobias and vocalist Robert Pollard (Guided by Voices). Steve Five is the guitarist/vocalist/songwriter for the wonderful Brooklyn-based band <a title=\"The Library Is On Fire\" href=\"https://www.facebook.com/thelibraryisonfire\" target=\"_blank\">The Library is on Fire</a><i>.</i>\r\n\r\nBe sure to <a title=\"Mailing List\" href=\"http://www.hiddenshoal.com/subscribe-to-our-mailing-list/\">sign up</a> to our mailing list to get first dibs on the single next week.','Brother Earth Signs to Hidden Shoal','','publish','closed','open','','brother-earth-signs-hidden-shoal','','http://www.hiddenshoal.com/project/brother-earth/\nhttp://www.hiddenshoal.com/subscribe-to-our-mailing-list/','2016-02-03 13:51:37','2016-02-03 05:51:37','',0,'http://www.hiddenshoal.com/?p=9796',0,'post','',0),(9797,1,'2014-07-23 03:03:03','2014-07-23 03:03:03',' ','','','publish','closed','closed','','9797','','','2017-03-16 12:02:56','2017-03-16 04:02:56','',0,'http://www.hiddenshoal.com/?p=9797',8,'nav_menu_item','',0),(9798,1,'2014-07-23 03:16:53','2014-07-23 03:16:53','<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignleft size-medium wp-image-9250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Brother-Earth-Bio-Shot1-300x188.jpg\" alt=\"Brother Earth\" width=\"300\" height=\"188\" /></a>As promised in our previous post we have more fantastic news to share. We\'re extremely excited to be able to announce the signing of American duo <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\">Brother Earth</a>. The band will release the amazing full length <em>Positive Haywires on </em>16<sup>th</sup> September preceded by two singles, the first of which drops next week (30th July)!  <em>Positive Haywires </em>vacillates between brooding textural pieces and exuberant rock’n’roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors. It\'s an amazing album and we can\'t wait for you all to hear it.\r\n\r\nBrother Earth is a collaboration between multi-instrumentalist/producer Todd Tobias and vocalist Steve Five. Todd’s darkly exotic instrumental music has featured on three Hidden Shoal releases to date (<i>Medicine Show</i>, <i>Night Above Ground </i>and <i>I Razor</i>). Todd is also a member of Circus Devils alongside brother Tim Tobias and vocalist Robert Pollard (Guided by Voices). Steve Five is the guitarist/vocalist/songwriter for the Brooklyn-based band The Library is on Fire<i>.</i>\r\n\r\nBe sure to <a title=\"Mailing List\" href=\"http://www.hiddenshoal.com/subscribe-to-our-mailing-list/\">sign up</a> to our mailing list to get first dibs on the single next week.','Brother Earth Signs to Hidden Shoal','','inherit','closed','open','','9796-revision-v1','','','2014-07-23 03:16:53','2014-07-23 03:16:53','',9796,'http://www.hiddenshoal.com/9796-revision-v1/',0,'revision','',0),(9799,1,'2014-07-23 03:18:18','2014-07-23 03:18:18','<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignleft size-medium wp-image-9250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Brother-Earth-Bio-Shot1-300x188.jpg\" alt=\"Brother Earth\" width=\"300\" height=\"188\" /></a>As promised in our previous post we have more fantastic news to share. We\'re extremely excited to be able to announce the signing of American duo <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\">Brother Earth</a>. The band will release the amazing full length <em>Positive Haywires on </em>16th September preceded by two singles, the first of which drops next week (30th July)!  <em>Positive Haywires </em>vacillates between brooding textural pieces and exuberant rock’n’roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors. It\'s an amazing album and we can\'t wait for you all to hear it.\r\n\r\nBrother Earth is a collaboration between multi-instrumentalist/producer Todd Tobias and vocalist Steve Five. Todd’s darkly exotic instrumental music has featured on three Hidden Shoal releases to date (<i>Medicine Show</i>, <i>Night Above Ground </i>and <i>I Razor</i>). Todd is also a member of Circus Devils alongside brother Tim Tobias and vocalist Robert Pollard (Guided by Voices). Steve Five is the guitarist/vocalist/songwriter for the Brooklyn-based band The Library is on Fire<i>.</i>\r\n\r\nBe sure to <a title=\"Mailing List\" href=\"http://www.hiddenshoal.com/subscribe-to-our-mailing-list/\">sign up</a> to our mailing list to get first dibs on the single next week.','Brother Earth Signs to Hidden Shoal','','inherit','closed','open','','9796-revision-v1','','','2014-07-23 03:18:18','2014-07-23 03:18:18','',9796,'http://www.hiddenshoal.com/9796-revision-v1/',0,'revision','',0),(9800,1,'2014-07-23 03:19:27','2014-07-23 03:19:27','<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignleft size-medium wp-image-9250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Brother-Earth-Bio-Shot1-300x188.jpg\" alt=\"Brother Earth\" width=\"300\" height=\"188\" /></a>As promised in our previous post we have more fantastic news to share. We\'re extremely excited to be able to announce the signing of American duo <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\">Brother Earth</a>. The band will release the amazing full length <em>Positive Haywires on </em>16th September preceded by two singles, the first of which drops next week (30th July)!  <em>Positive Haywires </em>vacillates between brooding textural pieces and exuberant rock’n’roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors. It\'s an amazing album and we can\'t wait for you all to hear it.\n\nBrother Earth is a collaboration between multi-instrumentalist/producer <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a> and vocalist Steve Five. Todd’s darkly exotic instrumental music has featured on three Hidden Shoal releases to date (<i>Medicine Show</i>, <i>Night Above Ground </i>and <i>I Razor</i>). Todd is also a member of Circus Devils alongside brother Tim Tobias and vocalist Robert Pollard (Guided by Voices). Steve Five is the guitarist/vocalist/songwriter for the Brooklyn-based band The Library is on Fire<i>.</i>\n\nBe sure to <a title=\"Mailing List\" href=\"http://www.hiddenshoal.com/subscribe-to-our-mailing-list/\">sign up</a> to our mailing list to get first dibs on the single next week.','Brother Earth Signs to Hidden Shoal','','inherit','closed','open','','9796-autosave-v1','','','2014-07-23 03:19:27','2014-07-23 03:19:27','',9796,'http://www.hiddenshoal.com/9796-autosave-v1/',0,'revision','',0),(9801,1,'2014-07-23 03:20:07','2014-07-23 03:20:07','<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignleft size-medium wp-image-9250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Brother-Earth-Bio-Shot1-300x188.jpg\" alt=\"Brother Earth\" width=\"300\" height=\"188\" /></a>As promised in our previous post we have more fantastic news to share. We\'re extremely excited to be able to announce the signing of American duo <a title=\"Brother Earth\" href=\"http://www.hiddenshoal.com/project/brother-earth/\">Brother Earth</a>. The band will release the amazing full length <em>Positive Haywires on </em>16th September preceded by two singles, the first of which drops next week (30th July)!  <em>Positive Haywires </em>vacillates between brooding textural pieces and exuberant rock’n’roll at the drop of a hat, chasing the ghosts of pop music past into a hall of cracked mirrors. It\'s an amazing album and we can\'t wait for you all to hear it.\r\n\r\nBrother Earth is a collaboration between multi-instrumentalist/producer <a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\">Todd Tobias</a> and vocalist Steve Five. Todd’s darkly exotic instrumental music has featured on three Hidden Shoal releases to date (<i>Medicine Show</i>, <i>Night Above Ground </i>and <i>I Razor</i>). Todd is also a member of Circus Devils alongside brother Tim Tobias and vocalist Robert Pollard (Guided by Voices). Steve Five is the guitarist/vocalist/songwriter for the wonderful Brooklyn-based band <a title=\"The Library Is On Fire\" href=\"https://www.facebook.com/thelibraryisonfire\" target=\"_blank\">The Library is on Fire</a><i>.</i>\r\n\r\nBe sure to <a title=\"Mailing List\" href=\"http://www.hiddenshoal.com/subscribe-to-our-mailing-list/\">sign up</a> to our mailing list to get first dibs on the single next week.','Brother Earth Signs to Hidden Shoal','','inherit','closed','open','','9796-revision-v1','','','2014-07-23 03:20:07','2014-07-23 03:20:07','',9796,'http://www.hiddenshoal.com/9796-revision-v1/',0,'revision','',0),(9803,1,'2014-07-24 07:28:55','2014-07-24 07:28:55','\"<i>The Folklore Sessions</i> is an EP from the Colorado based dream-popper Kramies (AKA Kramies Windt). This EP collection features acoustic versions of songs from two of his EPs: The European (2011) and The Wooden Heart (2013). These sessions also feature piano contributions from one Grant Wilson (of <i>Ghost Hunters</i> TV show fame; it\'s some kind of a US paranormal reality TV series).\r\n\r\n<i>The Folklore Sessions</i> holds \"Antiquarian Days\" (off <i>The European</i>), \"The Wooden Heart\" and \"Sea Otter Cottage\" (off <i>The Wooden Heart</i>), plus the short, closing \"Potions\". This quiet quartet of songs once again proves the talent of Kramies being an amazing singer-songwriter and wonderful performer. This time its the power of the stripped and naked song performance that shows the strength and quality of the songs. Kramies\' voice and his acoustic guitar, plus Wilson\'s piano playing on two of the tracks, are all that the songs need. Plain and simple as that. No make-up, no special effects, no overdub-garnish. Just the power and the beauty of melodies carried out \'unplugged\'. \"The Wooden Heart\" is lovely. \"Antiquarian Days\" is exquisite. \"Sea Otter Cottage\" is simply gorgeous. Wonderful stuff.\"\r\n\r\n- <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\"><strong>Luna Kafe</strong></a>','Kramies \"The Folklore Sessions\" Reviewed at Luna Kafe','','inherit','closed','open','','9802-revision-v1','','','2014-07-24 07:28:55','2014-07-24 07:28:55','',9802,'http://www.hiddenshoal.com/9802-revision-v1/',0,'revision','',0),(9804,1,'2014-07-24 07:39:28','2014-07-24 07:39:28','<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignleft size-full wp-image-7527\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/12/Kramies-Sea-Otter-Frame-Small.jpg\" alt=\"Kramies - Sea Otter Frame\" width=\"300\" height=\"169\" /></a><a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a> gorgeous new EP <em>The Folklore Sessions </em>(featuring Grant Wilson of Ghost Hunters) has just received a glowing review at <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\">Luna Kafe</a>,\r\n\r\n<em>\"No make-up, no special effects, no overdub-garnish. Just the power and the beauty of melodies carried out \'unplugged\'. \"The Wooden Heart\" is lovely. \"Antiquarian Days\" is exquisite. \"Sea Otter Cottage\" is simply gorgeous. Wonderful stuff.\"</em> - <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\">Luna Kafe</a>\r\n\r\nThe dream pop troubadour has also just been interviewed at the <a title=\"Hipster Approved\" href=\"http://hipsterapproved.net/2014/07/16/hipsterapproved-interview-with-singersongwriter-kramies/\" target=\"_blank\">Hipster Approved</a> blog where he waxes lyrical about cheese, goats, headphones, music, Hidden Shoal, Cam Merton, Jason Lytle, Grant Wilson, castles, ghosts and cookies. What\'s not to like about all those things!\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/150581449&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\nKramies - \'Antiquarian Days\' (featuring Grant Wilson)','New Kramies Review and Interview','','publish','closed','open','','new-kramies-review-interview','','http://www.hiddenshoal.com/project/kramies/\nhttp://hipsterapproved.net/2014/07/16/hipsterapproved-interview-with-singersongwriter-kramies/','2016-02-03 15:46:31','2016-02-03 07:46:31','',0,'http://www.hiddenshoal.com/?p=9804',0,'post','',0),(9805,1,'2014-07-24 07:39:28','2014-07-24 07:39:28','<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a> gorgeous new EP <em>The Folklore Sessions </em>(featuring Grant Wilson of Ghost Hunters) has just received a glowing review at <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\">Luna Kafe</a>,\r\n\r\n<em>\"No make-up, no special effects, no overdub-garnish. Just the power and the beauty of melodies carried out \'unplugged\'. \"The Wooden Heart\" is lovely. \"Antiquarian Days\" is exquisite. \"Sea Otter Cottage\" is simply gorgeous. Wonderful stuff.\"</em> - <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\">Luna Kafe</a>\r\n\r\nThe dream pop troubadour has also just been interviewed at the <a title=\"Hipster Approved\" href=\"http://hipsterapproved.net/2014/07/16/hipsterapproved-interview-with-singersongwriter-kramies/\" target=\"_blank\">Hipster Approved</a> blog where he waxes lyrical about <span class=\"userContent\">cheese, goats, headphones, music, Hidden Shoal, Cam Merton, Jason Lytle, Grant Wilson, castles, ghosts and cookies</span>. What\'s not to like about all those things!','New Kramies Review and Interview','','inherit','closed','open','','9804-revision-v1','','','2014-07-24 07:39:28','2014-07-24 07:39:28','',9804,'http://www.hiddenshoal.com/9804-revision-v1/',0,'revision','',0),(9806,1,'2014-07-24 07:40:34','2014-07-24 07:40:34','<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignleft size-full wp-image-7527\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/12/Kramies-Sea-Otter-Frame-Small.jpg\" alt=\"Kramies - Sea Otter Frame\" width=\"300\" height=\"169\" /></a><a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a> gorgeous new EP <em>The Folklore Sessions </em>(featuring Grant Wilson of Ghost Hunters) has just received a glowing review at <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\">Luna Kafe</a>,\n\n<em>\"No make-up, no special effects, no overdub-garnish. Just the power and the beauty of melodies carried out \'unplugged\'. \"The Wooden Heart\" is lovely. \"Antiquarian Days\" is exquisite. \"Sea Otter Cottage\" is simply gorgeous. Wonderful stuff.\"</em> - <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\">Luna Kafe</a>\n\nThe dream pop troubadour has also just been interviewed at the <a title=\"Hipster Approved\" href=\"http://hipsterapproved.net/2014/07/16/hipsterapproved-interview-with-singersongwriter-kramies/\" target=\"_blank\">Hipster Approved</a> blog where he waxes lyrical about <span class=\"userContent\">cheese, goats, headphones, music, Hidden Shoal, Cam Merton, Jason Lytle, Grant Wilson, castles, ghosts and cookies</span>. What\'s not to like about all those things!\n\n&nbsp;','New Kramies Review and Interview','','inherit','closed','open','','9804-autosave-v1','','','2014-07-24 07:40:34','2014-07-24 07:40:34','',9804,'http://www.hiddenshoal.com/9804-autosave-v1/',0,'revision','',0),(9807,1,'2014-07-24 07:42:00','2014-07-24 07:42:00','<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignleft size-full wp-image-7527\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/12/Kramies-Sea-Otter-Frame-Small.jpg\" alt=\"Kramies - Sea Otter Frame\" width=\"300\" height=\"169\" /></a><a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a> gorgeous new EP <em>The Folklore Sessions </em>(featuring Grant Wilson of Ghost Hunters) has just received a glowing review at <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\">Luna Kafe</a>,\r\n\r\n<em>\"No make-up, no special effects, no overdub-garnish. Just the power and the beauty of melodies carried out \'unplugged\'. \"The Wooden Heart\" is lovely. \"Antiquarian Days\" is exquisite. \"Sea Otter Cottage\" is simply gorgeous. Wonderful stuff.\"</em> - <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\">Luna Kafe</a>\r\n\r\nThe dream pop troubadour has also just been interviewed at the <a title=\"Hipster Approved\" href=\"http://hipsterapproved.net/2014/07/16/hipsterapproved-interview-with-singersongwriter-kramies/\" target=\"_blank\">Hipster Approved</a> blog where he waxes lyrical about <span class=\"userContent\">cheese, goats, headphones, music, Hidden Shoal, Cam Merton, Jason Lytle, Grant Wilson, castles, ghosts and cookies</span>. What\'s not to like about all those things!\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/150581449&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\nKramies - \'Antiquarian Days\' (featuring Grant Wilson)','New Kramies Review and Interview','','inherit','closed','open','','9804-revision-v1','','','2014-07-24 07:42:00','2014-07-24 07:42:00','',9804,'http://www.hiddenshoal.com/9804-revision-v1/',0,'revision','',0),(9808,1,'2014-07-24 07:58:35','2014-07-24 07:58:35','\"Silence the phone, draw the blinds and zone out to some experimental rock delights.\r\n\r\nIt’s a hard task negotiating the tropes of ambient music, trying to avoid the ever present threat of boredom while nurturing those moments of solitary intimacy that exist within the genre’s finest work.\r\n\r\nOn Slow Dancing Society’s sixth album, sole member Drew Sullivan hits a sweet spot of gently gliding musical fantasia, and with the help of non-ambient instruments, finds a real reason to pay attention to the sounds hovering above.\r\n\r\n<span class=\"quo\">‘</span>By Morning This Will All Seem Like A Dream’ achieves the unenviable task of marrying cheesy 80’s music touchstones of dance floor synths, big ballad guitar leads and Kenny G sax, repackaged and twisted into something genuinely touching. It’s an impressive feat of futuristic musical reimagining and a common theme that emerges throughout the album.\r\n\r\nOther moments follow a different course: ‘A Clearing’ channels tripped out methods of alien sound crafting, complete with X-Files styled laser beam synth and the cavernous background echo of a skeletal beat. The result is otherworldly: like the score to a science fiction movie from another dimension.\"\r\n\r\n- <a title=\"Lif is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\"><strong>Life is Noise</strong></a>','Slow Dancing Society \"The Cogent Sea\" Reviewed at Life Is Noise','','publish','closed','open','','slow-dancing-society-cogent-sea-reviewed-life-noise','','','2014-07-24 07:58:35','2014-07-24 07:58:35','',0,'http://www.hiddenshoal.com/?p=9808',0,'post','',0),(9809,1,'2014-07-24 07:58:35','2014-07-24 07:58:35','\"Silence the phone, draw the blinds and zone out to some experimental rock delights.\r\n\r\nIt’s a hard task negotiating the tropes of ambient music, trying to avoid the ever present threat of boredom while nurturing those moments of solitary intimacy that exist within the genre’s finest work.\r\n\r\nOn Slow Dancing Society’s sixth album, sole member Drew Sullivan hits a sweet spot of gently gliding musical fantasia, and with the help of non-ambient instruments, finds a real reason to pay attention to the sounds hovering above.\r\n\r\n<span class=\"quo\">‘</span>By Morning This Will All Seem Like A Dream’ achieves the unenviable task of marrying cheesy 80’s music touchstones of dance floor synths, big ballad guitar leads and Kenny G sax, repackaged and twisted into something genuinely touching. It’s an impressive feat of futuristic musical reimagining and a common theme that emerges throughout the album.\r\n\r\nOther moments follow a different course: ‘A Clearing’ channels tripped out methods of alien sound crafting, complete with X-Files styled laser beam synth and the cavernous background echo of a skeletal beat. The result is otherworldly: like the score to a science fiction movie from another dimension.\"\r\n\r\n- <a title=\"Lif is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\"><strong>Life is Noise</strong></a>','Slow Dancing Society \"The Cogent Sea\" Reviewed at Life Is Noise','','inherit','closed','open','','9808-revision-v1','','','2014-07-24 07:58:35','2014-07-24 07:58:35','',9808,'http://www.hiddenshoal.com/9808-revision-v1/',0,'revision','',0),(9810,1,'2014-07-24 08:02:18','2014-07-24 08:02:18','\"Cinematic ambient-gaze specialist Drew Sullivan (<a href=\"http://slowdancingsociety.bandcamp.com/\" target=\"_blank\">Slow Dancing Society</a>) strikes once again. I fell in love with SDS’ music back in 2010 after grabbing a copy of his <strong>Under The Sodium Lights</strong> album. Those lush sound swells were impossible to resist. While so much ambient music out there is just so boring and empty, presented by the labels and artists as something esoteric and innovative in order to disguise the lack of depth, creativity and talent, SDS’ music is full of depth, movement, creativity and talent. Sure, it’s not highly innovative music, but it does contain refreshing scents, and most importantly has a unique personality, a distinctive charm. And that cannot be said on most ambient efforts out there.\r\n\r\nUnder his SDS alias Sullivan simply and continuously finds the right notes, the right sequences and textures, and blends them into this moving, warm nostalgia-drenched and straightforward mix that crashes right into the soul. In this sixth album as SDS for the lovely <a href=\"http://www.hiddenshoal.com/\" target=\"_blank\">Hidden Shoal</a> imprint, Sullivan continues to generate subtle yet engaging sonic movements and explores previously uncharted regions in his self-created sonic universe once again. If you are a fan of SDS’ previous outputs, you probably quite enjoy the way he uses his guitars. On <strong>The Cogent Sea</strong> there’s a lovely and hefty dose of his signature guitar style of playing, but also more synth work and electronics than on his previous outputs. The music captivatingly circulates, undulates, croons, chimes and glides. All the tracks are dynamic and full of interest and luminosity. They are relatively short, but don’t feel unfinished or hasty. Sullivan doesn’t waste time on anemic buildups, he doesn’t stretch out his tunes more than what is necessary. Therefore, each tune remains effective from start to finish and works as a revealing and evocative glimpse into the artist’s soul.\r\n\r\nIn this twelve-track ride, shades of Talk Talk, Eno, U2 and Phil Collins among others shine subtly. Sullivan is not an imitator though. One can see him more as a torch carrier, a seeker and developer of this timeless sound, driven by an urge to explore modern possibilities. He takes what he wants from whatever and whoever he wants, and creates something entirely his own. SDS is back with what feels like his most emotionally exposed and atmospherically lucid album to date.\"\r\n\r\n- <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\"><strong>Igloo Mag</strong></a>','Slow Dancing Society \"The Cogent Sea\" Reviewed at Igloo Mag','','publish','closed','open','','slow-dancing-society-cogent-sea-reviewed-igloo-mag','','','2014-07-24 08:02:18','2014-07-24 08:02:18','',0,'http://www.hiddenshoal.com/?p=9810',0,'post','',0),(9811,1,'2014-07-24 08:02:18','2014-07-24 08:02:18','\"Cinematic ambient-gaze specialist Drew Sullivan (<a href=\"http://slowdancingsociety.bandcamp.com/\" target=\"_blank\">Slow Dancing Society</a>) strikes once again. I fell in love with SDS’ music back in 2010 after grabbing a copy of his <strong>Under The Sodium Lights</strong> album. Those lush sound swells were impossible to resist. While so much ambient music out there is just so boring and empty, presented by the labels and artists as something esoteric and innovative in order to disguise the lack of depth, creativity and talent, SDS’ music is full of depth, movement, creativity and talent. Sure, it’s not highly innovative music, but it does contain refreshing scents, and most importantly has a unique personality, a distinctive charm. And that cannot be said on most ambient efforts out there.\r\n\r\nUnder his SDS alias Sullivan simply and continuously finds the right notes, the right sequences and textures, and blends them into this moving, warm nostalgia-drenched and straightforward mix that crashes right into the soul. In this sixth album as SDS for the lovely <a href=\"http://www.hiddenshoal.com/\" target=\"_blank\">Hidden Shoal</a> imprint, Sullivan continues to generate subtle yet engaging sonic movements and explores previously uncharted regions in his self-created sonic universe once again. If you are a fan of SDS’ previous outputs, you probably quite enjoy the way he uses his guitars. On <strong>The Cogent Sea</strong> there’s a lovely and hefty dose of his signature guitar style of playing, but also more synth work and electronics than on his previous outputs. The music captivatingly circulates, undulates, croons, chimes and glides. All the tracks are dynamic and full of interest and luminosity. They are relatively short, but don’t feel unfinished or hasty. Sullivan doesn’t waste time on anemic buildups, he doesn’t stretch out his tunes more than what is necessary. Therefore, each tune remains effective from start to finish and works as a revealing and evocative glimpse into the artist’s soul.\r\n\r\nIn this twelve-track ride, shades of Talk Talk, Eno, U2 and Phil Collins among others shine subtly. Sullivan is not an imitator though. One can see him more as a torch carrier, a seeker and developer of this timeless sound, driven by an urge to explore modern possibilities. He takes what he wants from whatever and whoever he wants, and creates something entirely his own. SDS is back with what feels like his most emotionally exposed and atmospherically lucid album to date.\"\r\n\r\n- <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\"><strong>Igloo Mag</strong></a>','Slow Dancing Society \"The Cogent Sea\" Reviewed at Igloo Mag','','inherit','closed','open','','9810-revision-v1','','','2014-07-24 08:02:18','2014-07-24 08:02:18','',9810,'http://www.hiddenshoal.com/9810-revision-v1/',0,'revision','',0),(9812,1,'2014-07-24 08:19:51','2014-07-24 08:19:51','<img class=\"alignleft wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - &quot;The Cogent Sea&quot;\" width=\"192\" height=\"192\" />Slow Dancing Society\'s stunning 6th album, <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><em>The Cogent Sea</em></a><em>, </em>continues to receive praise at some of our favourite music sites. Both <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\">Igloo Mag</a> and <a title=\"Life is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\">Life is Noise</a> have delivered glowing reviews for the album in the last week. Here\'s some snippets to get you in the mood,\r\n\r\n<em>\"The music captivatingly circulates, undulates, croons, chimes and glides... SDS is back with what feels like his most emotionally exposed and atmospherically lucid album to date.\"</em> - <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\"><strong>Igloo Mag</strong></a>\r\n\r\n<em><span class=\"quo\">\"... ‘</span>By Morning This Will All Seem Like A Dream’ achieves the unenviable task of marrying cheesy 80’s music touchstones of dance floor synths, big ballad guitar leads and Kenny G sax, repackaged and twisted into something genuinely touching. It’s an impressive feat of futuristic musical reimagining and a common theme that emerges throughout the album.\"</em> - <a title=\"Life is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\"><strong>Life is Noise</strong></a>\r\n\r\nCheck out the album and the rest of the SDS discography <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/151198781&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\nSlow Dancing Society - \'Pull\'','Slow Dancing Society Reviews at Life is Noise and Igloo Mag','','publish','closed','open','','slow-dancing-society-reviews-life-noise-igloo-mag','','http://www.hiddenshoal.com/project/slow-dancing-society/\nhttp://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\nhttp://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/','2016-08-23 17:38:31','2016-08-23 09:38:31','',0,'http://www.hiddenshoal.com/?p=9812',0,'post','',0),(9813,1,'2014-07-24 08:06:21','2014-07-24 08:06:21','','Slow Dancing Society Reviews at Life is Noise and Igloo Mag','','inherit','closed','open','','9812-revision-v1','','','2014-07-24 08:06:21','2014-07-24 08:06:21','',9812,'http://www.hiddenshoal.com/9812-revision-v1/',0,'revision','',0),(9814,1,'2014-07-24 08:13:40','2014-07-24 08:13:40','<img class=\"alignleft wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - &quot;The Cogent Sea&quot;\" width=\"192\" height=\"192\" />Slow Dancing Society\'s stunning 6th album, <em>The Cogent Sea</em><em>, </em>continues to receive praise at some of our favourite music sites. Both Igloo Mag and Life is Noise have delivered glowing reviews for the album in the last week. Here\'s some snippets to get you in the mood,\r\n\r\n<em>\"The music captivatingly circulates, undulates, croons, chimes and glides... SDS is back with what feels like his most emotionally exposed and atmospherically lucid album to date.\"</em> - <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\"><strong>Igloo Mag</strong></a>\r\n\r\n<span class=\"quo\">\"... ‘</span>By Morning This Will All Seem Like A Dream’ achieves the unenviable task of marrying cheesy 80’s music touchstones of dance floor synths, big ballad guitar leads and Kenny G sax, repackaged and twisted into something genuinely touching. It’s an impressive feat of futuristic musical reimagining and a common theme that emerges throughout the album.\" - <a title=\"Lif is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\"><strong>Life is Noise</strong></a>','Slow Dancing Society Reviews at Life is Noise and Igloo Mag','','inherit','closed','open','','9812-revision-v1','','','2014-07-24 08:13:40','2014-07-24 08:13:40','',9812,'http://www.hiddenshoal.com/9812-revision-v1/',0,'revision','',0),(9815,1,'2014-07-24 08:14:21','2014-07-24 08:14:21','<img class=\"alignleft wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - &quot;The Cogent Sea&quot;\" width=\"192\" height=\"192\" />Slow Dancing Society\'s stunning 6th album, <em>The Cogent Sea</em><em>, </em>continues to receive praise at some of our favourite music sites. Both <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\">Igloo Mag</a> and <a title=\"Life is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\">Life is Noise</a> have delivered glowing reviews for the album in the last week. Here\'s some snippets to get you in the mood,\r\n\r\n<em>\"The music captivatingly circulates, undulates, croons, chimes and glides... SDS is back with what feels like his most emotionally exposed and atmospherically lucid album to date.\"</em> - <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\"><strong>Igloo Mag</strong></a>\r\n\r\n<span class=\"quo\">\"... ‘</span>By Morning This Will All Seem Like A Dream’ achieves the unenviable task of marrying cheesy 80’s music touchstones of dance floor synths, big ballad guitar leads and Kenny G sax, repackaged and twisted into something genuinely touching. It’s an impressive feat of futuristic musical reimagining and a common theme that emerges throughout the album.\" - <a title=\"Life is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\"><strong>Life is Noise</strong></a>','Slow Dancing Society Reviews at Life is Noise and Igloo Mag','','inherit','closed','open','','9812-revision-v1','','','2014-07-24 08:14:21','2014-07-24 08:14:21','',9812,'http://www.hiddenshoal.com/9812-revision-v1/',0,'revision','',0),(9816,1,'2014-07-24 08:17:20','2014-07-24 08:17:20','<img class=\"alignleft wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - &quot;The Cogent Sea&quot;\" width=\"192\" height=\"192\" />Slow Dancing Society\'s stunning 6th album, <em>The Cogent Sea</em><em>, </em>continues to receive praise at some of our favourite music sites. Both <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\">Igloo Mag</a> and <a title=\"Life is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\">Life is Noise</a> have delivered glowing reviews for the album in the last week. Here\'s some snippets to get you in the mood,\r\n\r\n<em>\"The music captivatingly circulates, undulates, croons, chimes and glides... SDS is back with what feels like his most emotionally exposed and atmospherically lucid album to date.\"</em> - <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\"><strong>Igloo Mag</strong></a>\r\n\r\n<em><span class=\"quo\">\"... ‘</span>By Morning This Will All Seem Like A Dream’ achieves the unenviable task of marrying cheesy 80’s music touchstones of dance floor synths, big ballad guitar leads and Kenny G sax, repackaged and twisted into something genuinely touching. It’s an impressive feat of futuristic musical reimagining and a common theme that emerges throughout the album.\"</em> - <a title=\"Life is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\"><strong>Life is Noise</strong></a>\r\n\r\nCheck out the album and the rest of the SDS discography <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">here</a>.','Slow Dancing Society Reviews at Life is Noise and Igloo Mag','','inherit','closed','open','','9812-revision-v1','','','2014-07-24 08:17:20','2014-07-24 08:17:20','',9812,'http://www.hiddenshoal.com/9812-revision-v1/',0,'revision','',0),(9817,1,'2014-07-24 08:19:51','2014-07-24 08:19:51','<img class=\"alignleft wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - &quot;The Cogent Sea&quot;\" width=\"192\" height=\"192\" />Slow Dancing Society\'s stunning 6th album, <em>The Cogent Sea</em><em>, </em>continues to receive praise at some of our favourite music sites. Both <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\">Igloo Mag</a> and <a title=\"Life is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\">Life is Noise</a> have delivered glowing reviews for the album in the last week. Here\'s some snippets to get you in the mood,\r\n\r\n<em>\"The music captivatingly circulates, undulates, croons, chimes and glides... SDS is back with what feels like his most emotionally exposed and atmospherically lucid album to date.\"</em> - <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\"><strong>Igloo Mag</strong></a>\r\n\r\n<em><span class=\"quo\">\"... ‘</span>By Morning This Will All Seem Like A Dream’ achieves the unenviable task of marrying cheesy 80’s music touchstones of dance floor synths, big ballad guitar leads and Kenny G sax, repackaged and twisted into something genuinely touching. It’s an impressive feat of futuristic musical reimagining and a common theme that emerges throughout the album.\"</em> - <a title=\"Life is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\"><strong>Life is Noise</strong></a>\r\n\r\nCheck out the album and the rest of the SDS discography <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/151198781&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<strong>Slow Dancing Society - \'Pull\'</strong>','Slow Dancing Society Reviews at Life is Noise and Igloo Mag','','inherit','closed','open','','9812-revision-v1','','','2014-07-24 08:19:51','2014-07-24 08:19:51','',9812,'http://www.hiddenshoal.com/9812-revision-v1/',0,'revision','',0),(9818,1,'2014-07-24 08:21:07','2014-07-24 08:21:07','<img class=\"alignleft wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - &quot;The Cogent Sea&quot;\" width=\"192\" height=\"192\" />Slow Dancing Society\'s stunning 6th album, <em>The Cogent Sea</em><em>, </em>continues to receive praise at some of our favourite music sites. Both <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\">Igloo Mag</a> and <a title=\"Life is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\">Life is Noise</a> have delivered glowing reviews for the album in the last week. Here\'s some snippets to get you in the mood,\r\n\r\n<em>\"The music captivatingly circulates, undulates, croons, chimes and glides... SDS is back with what feels like his most emotionally exposed and atmospherically lucid album to date.\"</em> - <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\"><strong>Igloo Mag</strong></a>\r\n\r\n<em><span class=\"quo\">\"... ‘</span>By Morning This Will All Seem Like A Dream’ achieves the unenviable task of marrying cheesy 80’s music touchstones of dance floor synths, big ballad guitar leads and Kenny G sax, repackaged and twisted into something genuinely touching. It’s an impressive feat of futuristic musical reimagining and a common theme that emerges throughout the album.\"</em> - <a title=\"Life is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\"><strong>Life is Noise</strong></a>\r\n\r\nCheck out the album and the rest of the SDS discography <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/151198781&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\nSlow Dancing Society - \'Pull\'','Slow Dancing Society Reviews at Life is Noise and Igloo Mag','','inherit','closed','open','','9812-revision-v1','','','2014-07-24 08:21:07','2014-07-24 08:21:07','',9812,'http://www.hiddenshoal.com/9812-revision-v1/',0,'revision','',0),(9819,1,'2014-07-24 08:21:37','2014-07-24 08:21:37','<img class=\"alignleft wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - &quot;The Cogent Sea&quot;\" width=\"192\" height=\"192\" />Slow Dancing Society\'s stunning 6th album, <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><em>The Cogent Sea</em></a><em>, </em>continues to receive praise at some of our favourite music sites. Both <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\">Igloo Mag</a> and <a title=\"Life is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\">Life is Noise</a> have delivered glowing reviews for the album in the last week. Here\'s some snippets to get you in the mood,\r\n\r\n<em>\"The music captivatingly circulates, undulates, croons, chimes and glides... SDS is back with what feels like his most emotionally exposed and atmospherically lucid album to date.\"</em> - <a title=\"Igloo Mag\" href=\"http://igloomag.com/reviews/slow-dancing-society-the-cogent-sea-hidden-shoal\" target=\"_blank\"><strong>Igloo Mag</strong></a>\r\n\r\n<em><span class=\"quo\">\"... ‘</span>By Morning This Will All Seem Like A Dream’ achieves the unenviable task of marrying cheesy 80’s music touchstones of dance floor synths, big ballad guitar leads and Kenny G sax, repackaged and twisted into something genuinely touching. It’s an impressive feat of futuristic musical reimagining and a common theme that emerges throughout the album.\"</em> - <a title=\"Life is Noise\" href=\"http://lifeisnoise.com/2014/07/21/antennas-to-heaven-slow-dancing-society/\" target=\"_blank\"><strong>Life is Noise</strong></a>\r\n\r\nCheck out the album and the rest of the SDS discography <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/151198781&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\nSlow Dancing Society - \'Pull\'','Slow Dancing Society Reviews at Life is Noise and Igloo Mag','','inherit','closed','open','','9812-revision-v1','','','2014-07-24 08:21:37','2014-07-24 08:21:37','',9812,'http://www.hiddenshoal.com/9812-revision-v1/',0,'revision','',0),(9821,1,'2014-07-24 08:53:58','2014-07-24 08:53:58','\"The Folklore Sessions is an EP from the Colorado based dream-popper Kramies (AKA Kramies Windt). This EP collection features acoustic versions of songs from two of his EPs: The European (2011) and The Wooden Heart (2013). These sessions also feature piano contributions from one Grant Wilson (of Ghost Hunters TV show fame; it\'s some kind of a US paranormal reality TV series).\r\n\r\n<i>The Folklore Sessions</i> holds \"Antiquarian Days\" (off The European), \"The Wooden Heart\" and \"Sea Otter Cottage\" (off The Wooden Heart), plus the short, closing \"Potions\". This quiet quartet of songs once again proves the talent of Kramies being an amazing singer-songwriter and wonderful performer. This time its the power of the stripped and naked song performance that shows the strength and quality of the songs. Kramies\' voice and his acoustic guitar, plus Wilson\'s piano playing on two of the tracks, are all that the songs need. Plain and simple as that. No make-up, no special effects, no overdub-garnish. Just the power and the beauty of melodies carried out \'unplugged\'. \"The Wooden Heart\" is lovely. \"Antiquarian Days\" is exquisite. \"Sea Otter Cottage\" is simply gorgeous. Wonderful stuff.\"\r\n\r\n- <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\"><strong>Luna Kafe</strong></a>','Kramies \"The Folklore Sessions\" Reviewed at Luna Kafe','','inherit','closed','open','','9802-revision-v1','','','2014-07-24 08:53:58','2014-07-24 08:53:58','',9802,'http://www.hiddenshoal.com/9802-revision-v1/',0,'revision','',0),(9822,1,'2014-07-24 08:54:40','2014-07-24 08:54:40','\"The Folklore Sessions is an EP from the Colorado based dream-popper Kramies (AKA Kramies Windt). This EP collection features acoustic versions of songs from two of his EPs: The European (2011) and The Wooden Heart (2013). These sessions also feature piano contributions from one Grant Wilson (of Ghost Hunters TV show fame; it\'s some kind of a US paranormal reality TV series).\r\n\r\n<i>The Folklore Sessions</i> holds \"Antiquarian Days\" (off The European), \"The Wooden Heart\" and \"Sea Otter Cottage\" (off The Wooden Heart), plus the short, closing \"Potions\". This quiet quartet of songs once again proves the talent of Kramies being an amazing singer-songwriter and wonderful performer. This time its the power of the stripped and naked song performance that shows the strength and quality of the songs. Kramies\' voice and his acoustic guitar, plus Wilson\'s piano playing on two of the tracks, are all that the songs need. Plain and simple as that. No make-up, no special effects, no overdub-garnish. Just the power and the beauty of melodies carried out \'unplugged\'. \"The Wooden Heart\" is lovely. \"Antiquarian Days\" is exquisite. \"Sea Otter Cottage\" is simply gorgeous. Wonderful stuff.\"\r\n\r\n- <strong><a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\">Luna Kafe</a></strong>','Kramies \"The Folklore Sessions\" Reviewed at Luna Kafe','','inherit','closed','open','','9802-revision-v1','','','2014-07-24 08:54:40','2014-07-24 08:54:40','',9802,'http://www.hiddenshoal.com/9802-revision-v1/',0,'revision','',0),(9823,1,'2014-07-24 08:57:50','2014-07-24 08:57:50','\"The Folklore Sessions is an EP from the Colorado based dream-popper Kramies (AKA Kramies Windt). This EP collection features acoustic versions of songs from two of his EPs: The European (2011) and The Wooden Heart (2013). These sessions also feature piano contributions from one Grant Wilson (of Ghost Hunters TV show fame; it\'s some kind of a US paranormal reality TV series).\n\n<i>The Folklore Sessions</i> holds \"Antiquarian Days\" (off The European), \"The Wooden Heart\" and \"Sea Otter Cottage\" (off The Wooden Heart), plus the short, closing \"Potions\". This quiet quartet of songs once again proves the talent of Kramies being an amazing singer-songwriter and wonderful performer. This time its the power of the stripped and naked song performance that shows the strength and quality of the songs. Kramies\' voice and his acoustic guitar, plus Wilson\'s piano playing on two of the tracks, are all that the songs need. Plain and simple as that. No make-up, no special effects, no overdub-garnish. Just the power and the beauty of melodies carried out \'unplugged\'. \"The Wooden Heart\" is lovely. \"Antiquarian Days\" is exquisite. \"Sea Otter Cottage\" is simply gorgeous. Wonderful stuff.\"\n\n- <strong><a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\">Luna Kafe</strong></a>','Kramies \"The Folklore Sessions\" Reviewed at Luna Kafe','','inherit','closed','open','','9802-autosave-v1','','','2014-07-24 08:57:50','2014-07-24 08:57:50','',9802,'http://www.hiddenshoal.com/9802-autosave-v1/',0,'revision','',0),(9824,1,'2014-07-24 08:57:55','2014-07-24 08:57:55','\"The Folklore Sessions is an EP from the Colorado based dream-popper Kramies (AKA Kramies Windt). This EP collection features acoustic versions of songs from two of his EPs: The European (2011) and The Wooden Heart (2013). These sessions also feature piano contributions from one Grant Wilson (of Ghost Hunters TV show fame; it\'s some kind of a US paranormal reality TV series).\r\n\r\n<i>The Folklore Sessions</i> holds \"Antiquarian Days\" (off The European), \"The Wooden Heart\" and \"Sea Otter Cottage\" (off The Wooden Heart), plus the short, closing \"Potions\". This quiet quartet of songs once again proves the talent of Kramies being an amazing singer-songwriter and wonderful performer. This time its the power of the stripped and naked song performance that shows the strength and quality of the songs. Kramies\' voice and his acoustic guitar, plus Wilson\'s piano playing on two of the tracks, are all that the songs need. Plain and simple as that. No make-up, no special effects, no overdub-garnish. Just the power and the beauty of melodies carried out \'unplugged\'. \"The Wooden Heart\" is lovely. \"Antiquarian Days\" is exquisite. \"Sea Otter Cottage\" is simply gorgeous. Wonderful stuff.\"\r\n\r\n- <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\"><strong>Luna Kafe</strong></a>','Kramies \"The Folklore Sessions\" Reviewed at Luna Kafe','','inherit','closed','open','','9802-revision-v1','','','2014-07-24 08:57:55','2014-07-24 08:57:55','',9802,'http://www.hiddenshoal.com/9802-revision-v1/',0,'revision','',0),(9825,1,'2014-07-24 08:59:32','2014-07-24 08:59:32','<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignleft size-full wp-image-7527\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/12/Kramies-Sea-Otter-Frame-Small.jpg\" alt=\"Kramies - Sea Otter Frame\" width=\"300\" height=\"169\" /></a><a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a> gorgeous new EP <em>The Folklore Sessions </em>(featuring Grant Wilson of Ghost Hunters) has just received a glowing review at <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\">Luna Kafe</a>,\r\n\r\n<em>\"No make-up, no special effects, no overdub-garnish. Just the power and the beauty of melodies carried out \'unplugged\'. \"The Wooden Heart\" is lovely. \"Antiquarian Days\" is exquisite. \"Sea Otter Cottage\" is simply gorgeous. Wonderful stuff.\"</em> - <a title=\"Luna Kafe\" href=\"http://www.lunakafe.com/moon219/usco219.php\" target=\"_blank\">Luna Kafe</a>\r\n\r\nThe dream pop troubadour has also just been interviewed at the <a title=\"Hipster Approved\" href=\"http://hipsterapproved.net/2014/07/16/hipsterapproved-interview-with-singersongwriter-kramies/\" target=\"_blank\">Hipster Approved</a> blog where he waxes lyrical about cheese, goats, headphones, music, Hidden Shoal, Cam Merton, Jason Lytle, Grant Wilson, castles, ghosts and cookies. What\'s not to like about all those things!\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/150581449&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\nKramies - \'Antiquarian Days\' (featuring Grant Wilson)','New Kramies Review and Interview','','inherit','closed','open','','9804-revision-v1','','','2014-07-24 08:59:32','2014-07-24 08:59:32','',9804,'http://www.hiddenshoal.com/9804-revision-v1/',0,'revision','',0),(9829,1,'2014-07-25 02:51:05','2014-07-25 02:51:05','So how about we divide this up into website sections? As in:\n<table width=\"100%\" cellpadding=\"4\" border=\"0\">\n<tr>\n<td>\n<h2>HSP</h2>\n</td>\n<td><strong> Date started</strong></td>\n<td><strong>Due Date</strong></td>\n<td><strong> Status</strong></td>\n<td><strong>Führer</strong></td>\n</tr>\n<tr>\n<td valign=\"top\">Develop Smart Drop Down XPSF Playlist System</td>\n<td valign=\"top\">asap</td>\n<td valign=\"top\">December</td>\n<td valign=\"top\"></td>\n<td>mal/cam</td>\n</tr>\n<tr>\n<td>\n<h2>Recordings</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td>Write xspf player embeds as js + revamp graphics</td>\n<td>asap</td>\n<td>Late nov</td>\n<td>Pending</td>\n<td>mal/stu</td>\n</tr>\n<tr>\n<td>Look at Email Subscription - Create Email List as opposed to Wp System and send weekly/monthly newsletters</td>\n<td>asap</td>\n<td>Late Nov</td>\n<td>&nbsp;</td>\n<td>mal/cam</td>\n</tr>\n<tr>\n<td>Create Email Subscribe Banner for HSR Myspace</td>\n<td>asap</td>\n<td>Late Nov</td>\n<td>&nbsp;</td>\n<td>cam/mal</td>\n</tr>\n<tr>\n<td>\n<h2>Artists</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td valign=\"top\">Links page swap pics for banner pics</td>\n<td valign=\"top\">asap</td>\n<td>Early dec</td>\n<td valign=\"top\"><font color=\"#00cc00\">Done</font></td>\n<td valign=\"top\">mal/stu</td>\n</tr>\n<tr>\n<td>\n<h2>Store</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td valign=\"top\"></td>\n<td valign=\"top\"></td>\n<td valign=\"top\"></td>\n<td valign=\"top\"></td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td>\n<h2>eZine</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td>Update Mu server to full version 1.0 (will include writing a few bug fixes tho)</td>\n<td valign=\"top\">--</td>\n<td valign=\"top\">xmas/ny</td>\n<td valign=\"top\">Pending</td>\n<td valign=\"top\">mal</td>\n</tr>\n<tr>\n<td>Install/trial global categories plugin</td>\n<td>--</td>\n<td>xmas/ny</td>\n<td>Pending</td>\n<td valign=\"top\">mal</td>\n</tr>\n<tr>\n<td>Install Mu Friends plugin</td>\n<td>--</td>\n<td>xmas/ny</td>\n<td>Pending</td>\n<td valign=\"top\">mal</td>\n</tr>\n<tr>\n<td>Reconfigure eZine front page layout - zine style</td>\n<td>asap</td>\n<td>Early Dec</td>\n<td>Pending</td>\n<td valign=\"top\">mal</td>\n</tr>\n<tr>\n<td>\n<h2>Forums</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td valign=\"top\">Either upgrade BBPress to use Mu userbase or install/trial Mu RsDiscuss</td>\n<td valign=\"top\">--</td>\n<td valign=\"top\">xmas/ny</td>\n<td valign=\"top\">Pending</td>\n<td valign=\"top\">mal</td>\n</tr>\n<tr>\n<td>\n<h2>Wiki</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td valign=\"top\"></td>\n<td valign=\"top\"></td>\n<td valign=\"top\"></td>\n<td valign=\"top\"></td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td>\n<h2>Friends</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td>Patch Friends page into HSR page template (add links via HSR WP page editor)</td>\n<td>--</td>\n<td>xmas/ny</td>\n<td>Pending</td>\n<td>mal</td>\n</tr>\n<tr>\n<td>\n<h2>Server</h2>\n</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n<td>&nbsp;</td>\n</tr>\n<tr>\n<td valign=\"top\">VPS purchase - start one month transition from shared host\n<ol>\n	<li>Configure nameservers</li>\n	<li>Install/secure firewall</li>\n	<li>Install Apache mod_security & gzip</li>\n	<li>Install eAccelerator</li>\n	<li>Install gd (add to php.ini)</li>\n	<li>Add wildcard dns</li>\n	<li>Add Apache wildcards</li>\n	<li>Start transfering WHM accounts</li>\n</ol>\n</td>\n<td valign=\"top\">Late jan</td>\n<td valign=\"top\">End feb</td>\n<td valign=\"top\">Pending</td>\n<td valign=\"top\">mal</td>\n</tr>\n</table>','ToDo','','inherit','closed','open','','186-revision-v1','','','2014-07-25 02:51:05','2014-07-25 02:51:05','',186,'http://www.hiddenshoal.com/186-revision-v1/',0,'revision','',0),(9830,1,'2014-07-25 02:51:37','2014-07-25 02:51:37','<img src=\"/wp-content/uploads/the-caribbean.jpg\" id=\"artist-img\" alt=\"<!--more-->The Caribbean\" align=\"right\" />\n<ul>\n	<li><a href=\"/artists/the-caribbean/\">About</a></li>\n	<li><a href=\"/cat/news/the-caribbean/\">News</a></li>\n	<li><a href=\"/artists/the-caribbean/the-caribbean-bio\">Bio</a></li>\n	<li><a href=\"/cat/reviews/the-caribbean-reviews/\">Reviews</a></li>\n	<li><a href=\"/artists/the-caribbean/the-caribbean-gallery/\">Gallery</a></li>\n	<li><a href=\"/artists/the-caribbean/the-caribbean-press\">Press</a></li>\n	<li><a href=\"/artists/the-caribbean/the-caribbean-sites\">Artist Sites</a></li>\n	<li><a href=\"/artists/the-caribbean/the-caribbean-music\">Buy Music Releases</a></li>\n</ul>\n<p><!--lazy-k-gallery:subgallery=The_Caribbean--></p>\n','The Caribbean Gallery','','inherit','closed','open','','1177-revision-v1','','','2014-07-25 02:51:37','2014-07-25 02:51:37','',1177,'http://www.hiddenshoal.com/1177-revision-v1/',0,'revision','',0);
