The title of Ian Hazeldine's latest Antonymes opus obviously calls to mind two things in particular: Ingmar Bergman's 1961 film Through a Glass Darkly, whose title is itself drawn from the Biblical passage “For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known” (1 Corinthians 13). No one, however, needs to obsess too much over the title and its associated meanings when the album's fifty minutes of music already prove so captivating in their own right.