(15410,1,'2017-03-30 13:50:54','2017-03-30 05:50:54','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Chloë March</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"246\" height=\"246\" /></a><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a href=\"https://geo.itunes.apple.com/au/artist/chloe-march/id47255965?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Sennen (Single)</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=1869261660/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/track/sennen\">sennen by Chloë March</a></iframe>\r\nMarch 2017\r\n\r\n\'Sennen\' is the first taste of the new album by English dream-pop artist Chloë March, scheduled for release later in the year. The song is another stunning exercise in atmosphere and melody, all held together by March\'s unmistakably honey-glazed vocals. In her own words,\r\n\r\n\"I love watching or being in the sea when it’s raining and this track is inspired by that sensory experience. I wanted to get a sense of that hypnotic state induced by the waves and the falling rain and that hazy, misty light that can be quite hallucinatory.\"\r\n\r\n&nbsp;\r\n<h4>The Orpheus Pavement</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2106000878/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/the-orpheus-pavement\">The Orpheus Pavement by Chloë March</a></iframe>\r\nMarch 14 2016\r\n\r\n<i>The Orpheus Pavement </i>is the new six-track EP by English artist Chloë March, featuring new song ‘The Orpheus Pavement’, along with two originals from her acclaimed album <i>Nights Bright Days </i>and three remixes (by Lvmark, Sam Atkin, and Chloë March). <i>The Orpheus Pavement</i> is dreamy, slow-motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark </a>is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. <a title=\"Sam Atkin\" href=\"http://samatkin.bandcamp.com/\" target=\"_blank\">Sam Atkin</a> is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.\r\n<h4>To Set The River On Fire</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe>\r\nFebruary 2015\r\n\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<h4>Nights Bright Days</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe>\r\nNovember 2014\r\n\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.\r\n<h4>Under The Day</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe>\r\nNovember 2014\r\n\r\nA set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.\r\n<h4>Politik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe>\r\nJuly 2012\r\n\r\nChloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.\r\n<h4>Garden On The Boulevard</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe>\r\nNovember 2009\r\n\r\n<em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.\r\n<h4>Divining</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe>\r\nNovember 2008\r\n\r\nChloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.\r\n<div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div>\r\n&nbsp;\r\n<h4>Snowdrop</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe>\r\nNovember 2004\r\n\r\nChloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"10523,14219,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/_tJHFgi6FXM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/UDmvHmMWV6o?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2017-03-30 13:50:54','2017-03-30 05:50:54','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(15409,1,'2017-03-30 13:48:33','2017-03-30 05:48:33','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Chloë March</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"246\" height=\"246\" /></a><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a href=\"https://geo.itunes.apple.com/au/artist/chloe-march/id47255965?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><p> </p><h4>Sennen (Single)</h4><p><iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=1869261660/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/track/sennen\">sennen by Chloë March</a></iframe><br />March 2017</p><p>\'Sennen\' is the first taste of the new album by English dream-pop artist Chloë March, scheduled for release later in the year. The song is another stunning exercise in atmosphere and melody, all held together by March\'s unmistakably honey-glazed vocals. In her own words,</p><p>\"I love watching or being in the sea when it’s raining and this track is inspired by that sensory experience. I wanted to get a sense of that hypnotic state induced by the waves and the falling rain and that hazy, misty light that can be quite hallucinatory.\"</p><p><br />  </p><h4>The Orpheus Pavement</h4><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2106000878/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/the-orpheus-pavement\">The Orpheus Pavement by Chloë March</a></iframe> March 14 2016 <i>The Orpheus Pavement </i>is the new six-track EP by English artist Chloë March, featuring new song ‘The Orpheus Pavement’, along with two originals from her acclaimed album <i>Nights Bright Days </i>and three remixes (by Lvmark, Sam Atkin, and Chloë March). <i>The Orpheus Pavement</i> is dreamy, slow-motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark </a>is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. <a title=\"Sam Atkin\" href=\"http://samatkin.bandcamp.com/\" target=\"_blank\">Sam Atkin</a> is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.<br />  </p><h4>To Set The River On Fire</h4><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe> February 2015 The new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.<br />  </p><h4>Nights Bright Days</h4><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe> November 2014 Although often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.<br />  </p><h4>Under The Day</h4><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe> November 2014 A set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.<br />  </p><h4>Politik</h4><p><iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe> July 2012 Chloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.<br />  </p><h4>Garden On The Boulevard</h4><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe> November 2009 <em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.<br />  </p><h4>Divining</h4><p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe> November 2008 Chloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.</p><div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div><p> </p><h4>Snowdrop</h4><p><iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe> November 2004 Chloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong></p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery columns=\"2\" ids=\"10523,14219,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/_tJHFgi6FXM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/UDmvHmMWV6o?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2017-03-30 13:48:33','2017-03-30 05:48:33','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(15411,1,'2017-03-30 13:54:53','2017-03-30 05:54:53','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic.jpg\"><img class=\"alignleft  wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"225\" height=\"129\" /></a>\'Sennen\' is the first taste of the new album by English dream-pop artist <a title=\"Chloe March\" href=\"%20http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, scheduled for release later in the year. The song is another stunning exercise in atmosphere and melody, all held together by March\'s unmistakably honey-glazed vocals. In her own words,\r\n\r\n<em>\"I love watching or being in the sea when it’s raining and this track is inspired by that sensory experience. I wanted to get a sense of that hypnotic state induced by the waves and the falling rain and that hazy, misty light that can be quite hallucinatory.\"</em>\r\n\r\nThe track is available as a pay what you want download via <a title=\"BandCamp\" href=\"https://chloemarch.bandcamp.com/track/sennen\" target=\"_blank\">BandCamp</a>.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/315173532&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Gorgeous New Chloë March Track!','','publish','closed','closed','','gorgeous-new-track-from','','','2017-03-30 15:19:04','2017-03-30 07:19:04','',0,'http://www.hiddenshoal.com/?p=15411',0,'post','',0),(15412,1,'2017-03-30 13:54:53','2017-03-30 05:54:53','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic.jpg\"><img class=\"alignleft size-medium wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"300\" height=\"172\" /></a>\'Sennen\' is the first taste of the new album by English dream-pop artist <a title=\"Chloe March\" href=\"%20http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, scheduled for release later in the year. The song is another stunning exercise in atmosphere and melody, all held together by March\'s unmistakably honey-glazed vocals. In her own words,\r\n\r\n<em>\"I love watching or being in the sea when it’s raining and this track is inspired by that sensory experience. I wanted to get a sense of that hypnotic state induced by the waves and the falling rain and that hazy, misty light that can be quite hallucinatory.\"</em>\r\n\r\nThe track is available as a pay what you want download via <a title=\"BandCamp\" href=\"https://chloemarch.bandcamp.com/track/sennen\" target=\"_blank\">BandCamp</a>.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/315173532&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Gorgeous New Chloë March Track!','','inherit','closed','closed','','15411-revision-v1','','','2017-03-30 13:54:53','2017-03-30 05:54:53','',15411,'http://www.hiddenshoal.com/15411-revision-v1/',0,'revision','',0),(15413,1,'2017-03-30 14:00:52','2017-03-30 06:00:52','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic.jpg\"><img class=\"alignleft  wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"239\" height=\"137\" /></a>\'Sennen\' is the first taste of the new album by English dream-pop artist <a title=\"Chloe March\" href=\"%20http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, scheduled for release later in the year. The song is another stunning exercise in atmosphere and melody, all held together by March\'s unmistakably honey-glazed vocals. In her own words,\r\n\r\n<em>\"I love watching or being in the sea when it’s raining and this track is inspired by that sensory experience. I wanted to get a sense of that hypnotic state induced by the waves and the falling rain and that hazy, misty light that can be quite hallucinatory.\"</em>\r\n\r\nThe track is available as a pay what you want download via <a title=\"BandCamp\" href=\"https://chloemarch.bandcamp.com/track/sennen\" target=\"_blank\">BandCamp</a>.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/315173532&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Gorgeous New Chloë March Track!','','inherit','closed','closed','','15411-revision-v1','','','2017-03-30 14:00:52','2017-03-30 06:00:52','',15411,'http://www.hiddenshoal.com/15411-revision-v1/',0,'revision','',0),(15414,1,'2017-03-30 14:01:45','2017-03-30 06:01:45','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic.jpg\"><img class=\"alignleft  wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"213\" height=\"122\" /></a>\'Sennen\' is the first taste of the new album by English dream-pop artist <a title=\"Chloe March\" href=\"%20http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, scheduled for release later in the year. The song is another stunning exercise in atmosphere and melody, all held together by March\'s unmistakably honey-glazed vocals. In her own words,\r\n\r\n<em>\"I love watching or being in the sea when it’s raining and this track is inspired by that sensory experience. I wanted to get a sense of that hypnotic state induced by the waves and the falling rain and that hazy, misty light that can be quite hallucinatory.\"</em>\r\n\r\nThe track is available as a pay what you want download via <a title=\"BandCamp\" href=\"https://chloemarch.bandcamp.com/track/sennen\" target=\"_blank\">BandCamp</a>.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/315173532&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Gorgeous New Chloë March Track!','','inherit','closed','closed','','15411-revision-v1','','','2017-03-30 14:01:45','2017-03-30 06:01:45','',15411,'http://www.hiddenshoal.com/15411-revision-v1/',0,'revision','',0),(15415,1,'2017-03-30 15:18:22','2017-03-30 07:18:22','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic.jpg\"><img class=\"alignleft  wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"283\" height=\"162\" /></a>\'Sennen\' is the first taste of the new album by English dream-pop artist <a title=\"Chloe March\" href=\"%20http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, scheduled for release later in the year. The song is another stunning exercise in atmosphere and melody, all held together by March\'s unmistakably honey-glazed vocals. In her own words,\r\n\r\n<em>\"I love watching or being in the sea when it’s raining and this track is inspired by that sensory experience. I wanted to get a sense of that hypnotic state induced by the waves and the falling rain and that hazy, misty light that can be quite hallucinatory.\"</em>\r\n\r\nThe track is available as a pay what you want download via <a title=\"BandCamp\" href=\"https://chloemarch.bandcamp.com/track/sennen\" target=\"_blank\">BandCamp</a>.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/315173532&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Gorgeous New Chloë March Track!','','inherit','closed','closed','','15411-revision-v1','','','2017-03-30 15:18:22','2017-03-30 07:18:22','',15411,'http://www.hiddenshoal.com/15411-revision-v1/',0,'revision','',0),(15416,1,'2017-03-30 15:19:04','2017-03-30 07:19:04','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic.jpg\"><img class=\"alignleft  wp-image-10525\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/CM5BioPic-300x172.jpg\" alt=\"Chloë March\" width=\"225\" height=\"129\" /></a>\'Sennen\' is the first taste of the new album by English dream-pop artist <a title=\"Chloe March\" href=\"%20http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, scheduled for release later in the year. The song is another stunning exercise in atmosphere and melody, all held together by March\'s unmistakably honey-glazed vocals. In her own words,\r\n\r\n<em>\"I love watching or being in the sea when it’s raining and this track is inspired by that sensory experience. I wanted to get a sense of that hypnotic state induced by the waves and the falling rain and that hazy, misty light that can be quite hallucinatory.\"</em>\r\n\r\nThe track is available as a pay what you want download via <a title=\"BandCamp\" href=\"https://chloemarch.bandcamp.com/track/sennen\" target=\"_blank\">BandCamp</a>.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/315173532&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Gorgeous New Chloë March Track!','','inherit','closed','closed','','15411-revision-v1','','','2017-03-30 15:19:04','2017-03-30 07:19:04','',15411,'http://www.hiddenshoal.com/15411-revision-v1/',0,'revision','',0),(15442,1,'2017-05-12 11:55:33','2017-05-12 03:55:33','[Translated from the Italian via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/12/13/joe-sampson-chansons-de-parade/\" target=\"_blank\">here</a>.]\r\n\r\n\"From the twelve minutes of the EP\'s \" Songs Of Delay \" debut at just over twenty, for nine songs, of \"Chansons de Parade\", the concision is certainly among the talents of Joe Sampson, singer of Denver who after recognition and Collaborations seem to have finally found their way to writing and producing the official music.\r\n\r\nThe concision does not exhaust, however, of course, the artistic representation of Sampson, which in the new collection amplifies the expressive breathing already highlighted in the previous Ep and consists of a flat writing, a soft baritone stamp and a way to play the guitar to a Gentle picking combines more decisive arrangements and extremely sliding harmonies.\r\nAs part of a wider song, the nine \"Chansons de Parade\" amplify these characters in ballads of umbratile intimacy, referring to the first Iron &amp; Wine (\"Was not Was not\"), ranging from muffled environments, from the tasteful sixties (\"Wealth\") to a country-folk lyricism, however, always obscured by a mere introspective (\"Come What May\").\r\n\r\nIn the sequel of songs that follow in an agile parade, there are some of the most vibrant harmonic structures, accompanied by more definite dynamics (\"Gown\" and especially \"Otherwise The Pull\"), but all of them Characterized by an extraordinary naturalness of writing and interpretation, that of a craftsman of songs able to create small wonders that, while being made up of those same elements, travalicano of momentum every cliché of the songwriter guitar and voice.\"\r\n\r\n- <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/12/13/joe-sampson-chansons-de-parade/\" target=\"_blank\"><strong>Music Won\'t Save You</strong></a>','Joe Sampson \"Chansons de Parade\" Reviewed at Music Won\'t Save You','In the sequel of songs that follow in an agile parade, there are some of the most vibrant harmonic structures, accompanied by more definite dynamics (\"Gown\" and especially \"Otherwise The Pull\"), but all of them Characterized by an extraordinary naturalness of writing and interpretation, that of a craftsman of songs able to create small wonders that, while being made up of those same elements, travalicano of momentum every cliché of the songwriter guitar and voice.','publish','closed','closed','','joe-sampson-chansons-de-parade-reviewed-at-music-wont-save-you','','','2017-05-12 12:19:32','2017-05-12 04:19:32','',0,'http://www.hiddenshoal.com/?p=15442',0,'post','',0),(15418,1,'2017-03-30 15:34:44','2017-03-30 07:34:44','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/02/Washington-Hebrew.jpg\"><img class=\"alignleft  wp-image-15294\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/02/Washington-Hebrew-300x300.jpg\" alt=\"Washington Hebrew\" width=\"135\" height=\"135\" /></a>Head over to Italy\'s wonderful <a title=\"Ondarock\" href=\"http://www.ondarock.it/news.php?&amp;id=5272\" target=\"_blank\">Ondarock</a> for an exclusive stream of the <a title=\"Washington Hebrew\" href=\"http://www.hiddenshoal.com/project/washington-hebrew/\">Washington Hebrew</a> track \'Ima Try\' lifted from his forthcoming self titled debut. The exclusive follows the release of first single \'Bank Holiday Wknd\', available now for <a title=\"BandCamp\" href=\"https://washingtonhebrew.bandcamp.com/releases\" target=\"_blank\">free download</a> and <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/washington-hebrew-bank-holiday-wknd\" target=\"_blank\">stream</a>. <em>Washington Hebrew</em> will see release on 28th April 2017.','Exclusive Washington Hebrew Track Stream at Ondarock','','publish','closed','closed','','exclusive-washington-hebrew-track-stream-at-ondarock','','','2017-03-30 15:35:14','2017-03-30 07:35:14','',0,'http://www.hiddenshoal.com/?p=15418',0,'post','',0),(15419,1,'2017-03-30 15:34:17','2017-03-30 07:34:17','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/02/Washington-Hebrew.jpg\"><img class=\"alignleft  wp-image-15294\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/02/Washington-Hebrew-300x300.jpg\" alt=\"Washington Hebrew\" width=\"135\" height=\"135\" /></a>Head over to Italy\'s wonderful <a title=\"Ondarock\" href=\"http://www.ondarock.it/news.php?&amp;id=5272\" target=\"_blank\">Ondarock</a> for an exclusive stream of the <a title=\"Washington Hebrew\" href=\"http://www.hiddenshoal.com/project/washington-hebrew/\">Washington Hebrew</a> track \'Ima Try\' lifted from his forthcoming self titled debut. The exclusive follows the release of first single \'Bank Holiday Wknd\', available now for <a title=\"BandCamp\" href=\"https://washingtonhebrew.bandcamp.com/releases\" target=\"_blank\">free download</a> and <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/washington-hebrew-bank-holiday-wknd\" target=\"_blank\">stream</a>. <em>Washington Hebrew</em> will see release on 28th April 2017.','Exclusive Washington Hebrew Track Stream at Ondarock','','inherit','closed','closed','','15418-revision-v1','','','2017-03-30 15:34:17','2017-03-30 07:34:17','',15418,'http://www.hiddenshoal.com/15418-revision-v1/',0,'revision','',0),(15422,1,'2017-04-13 15:16:29','2017-04-13 07:16:29','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4072769729/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-sound-of-lights-when-dim-2017-remaster\">The Sound of Lights When Dim (2017 Remaster) by Slow Dancing Society</a></iframe>\r\n<em>The Sound of Lights When Dim (2017  Reissue)</em>\r\nby <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2458535209/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/eat-your-friends\">Eat Your Friends by Hidden Shoal</a></iframe>\r\n<em>Eat Your Friends</em>\r\nby <a title=\"Hidden Shoal Artists\" href=\"https://hiddenshoal.bandcamp.com/album/eat-your-friends\">Hidden Shoal</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3325362642/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://joesampson1.bandcamp.com/album/chansons-de-parade\">Chansons de Parade by Joe Sampson</a></iframe>\r\n<em>Chansons de Parade</em>\r\nby <a title=\"Joe Sampson\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\">Joe Sampson</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2136960613/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://craighallsworth.bandcamp.com/album/whats-the-story-with-this-hole\">What\'s The Story With This Hole? by Craig Hallsworth</a></iframe>\r\n<em>What\'s The Story With This Hole?</em>\r\nby<a title=\"Craig Hallsworth\" href=\"http://www.hiddenshoal.com/project/craig-hallsworth/\"> Craig Hallsworth</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal is an Australia-based independent music label &amp; licensing agency releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2017-04-13 15:16:29','2017-04-13 07:16:29','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(15423,1,'2017-04-20 20:20:27','2017-04-20 12:20:27','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\n<h1>Washington Hebrew</h1>\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/02/Washington-Hebrew.jpg\"><img class=\"alignleft  wp-image-15294\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/02/Washington-Hebrew-300x300.jpg\" alt=\"Washington Hebrew\" width=\"246\" height=\"246\" /></a><i>“They are bound to confound your expectations several times on any given album, and if you\'re into that, they\'re good enough at putting these weird songs together that they can pull you in with surprising ease.”</i> – <b>Pitchfork on The Caribbean</b>\n\nHaving performed in The Caribbean since 2000 and with no pressing desire to go ‘solo’ or work outside that secure, familiar context, Washington Hebrew acts as both a leap and bridge for Michael Kentoff. Inspired by his use of samples and loops for installations, remixes and soundtrack projects, Kentoff has employed these raw materials to craft new songs akin to the wonderfully skewed and melodic pop of The Caribbean, but with a magic all its own.<strong><a title=\"Facebook\" href=\"https://www.facebook.com/WashingtonHebrew/\" target=\"_blank\">\n<img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>       </strong>\n\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\n<h3>Discography</h3>\n<div></div>\n<div></div>\n<h4>Washington Hebrew</h4>\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1139101282/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://washingtonhebrew.bandcamp.com/album/washington-hebrew\">Washington Hebrew by Washington Hebrew</a></iframe>\nApril 2017\n\nHaving performed in The Caribbean since 2000 and with no pressing desire to go ‘solo’ or work outside that secure, familiar context, Washington Hebrew acts as both a leap and bridge for Kentoff. Inspired by his use of samples and loops for installations, remixes and soundtrack projects, Kentoff has employed these raw materials to craft new songs akin to the wonderfully skewed and melodic pop of The Caribbean, but with a magic all its own.\n\nIn Michael’s own words, “I wanted Washington Hebrew to take what I loved of Chicago footwork, soundtracks, Dilla, and broken beats, take existing sounds and music, sample them, chop them up (often beyond recognition), and create completely new hooks and songs out of the raw, pulpy material. Recorded largely (although not entirely) alone, I was able to work on the nine songs making up Washington Hebrew in the studio, at coffee shops, at work, helping the record radiate an intimate, sneaky, and slightly indulgent glow while emphasizing the glitchy, danceable beats that made me look really weird while I mixed tracks at Starbucks.”\n\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\n<h3>Biography</h3>\n“To people of a certain age or perspective, Washington Hebrew might be a troublesome handle. Some may well see it as repudiation of or contempt for religion and/or me flipping the bird to the site of my bar mitzvah. The truth isn’t so contentious: indifference to the faith and/or my childhood synagogue aside, it recently occurred to me — with the clarity of distance — that the name Washington Hebrew is elegant, spellbinding, and odd. First, it is the only temple I know of without any actual Hebrew in its name. Second, it gives the city stylish primacy. Third, it has a strange heaviness.\n\n\"Having performed in The Caribbean since 2000, I haven’t harbored any pressing desire to go “solo” or work outside that secure, familiar context. But, with a boring day job and an obsession with Ableton Live, it just sort of happened. And once the project started coming into being, I set out for it two primary tenets: (1) don\'t take songs away from The Caribbean and (2) transport me into uncomfortable, uncharted territory.\n\n\"Having long sampled and looped music and sounds for installation, remix, and soundtrack projects, I wanted, with Washington Hebrew, to take what I loved of Chicago footwork, soundtracks, Dilla, and broken beats, take existing sounds and music, sample them, chop them up (often beyond recognition), and create completely new hooks and songs out of the raw, pulpy material. I could best write my own songs that didn’t breach tenet (1) by treating sounds and disparate samples as guitar and piano – and then laying new melodies and lyrics over the hot mess.\n\n\"Recorded largely (although not entirely) alone, I was able to work on the nine songs making up Washington Hebrew in the studio, at coffee shops, at work . . . helping the record radiate an intimate, sneaky, and slightly indulgent glow while emphasizing the glitchy, danceable beats that made me look really weird while I mixed tracks at Starbucks. Legitimate goals, all. As is in the inevitable sigh the name Washington Hebrew will elicit from my parents. Can’t wait.”\n\n– <strong>Michael Kentoff</strong>\n\n[/et_pb_tab][et_pb_tab title=\"News\"]\n<h3>News</h3>\n[catlist name=washingtonhebrew-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\n<h2>Reviews</h2>\n[catlist name=washingtonhebrew-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\n\nNo reviews yet, sorry.\n\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\n<h3>Press Releases</h3>\nNo press releases yet, sorry.\n\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\n<h3>Artist Photos</h3>\n&nbsp;\n\n[gallery ids=\"15294,15403\"]\n\n[/et_pb_tab][et_pb_tab title=\"Video\"]\n<h3>Music Videos</h3>\nNo music videos yet, sorry.\n\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\n<h3>Licensing</h3>\nWashington Hebrew\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\n\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Washington Hebrew','','inherit','closed','closed','','15291-autosave-v1','','','2017-04-20 20:20:27','2017-04-20 12:20:27','',15291,'http://www.hiddenshoal.com/15291-autosave-v1/',0,'revision','',0),(15424,1,'2017-04-20 20:20:29','2017-04-20 12:20:29','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Washington Hebrew</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/02/Washington-Hebrew.jpg\"><img class=\"alignleft  wp-image-15294\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/02/Washington-Hebrew-300x300.jpg\" alt=\"Washington Hebrew\" width=\"246\" height=\"246\" /></a><i>“They are bound to confound your expectations several times on any given album, and if you\'re into that, they\'re good enough at putting these weird songs together that they can pull you in with surprising ease.”</i> – <b>Pitchfork on The Caribbean</b>\r\n\r\nHaving performed in The Caribbean since 2000 and with no pressing desire to go ‘solo’ or work outside that secure, familiar context, Washington Hebrew acts as both a leap and bridge for Michael Kentoff. Inspired by his use of samples and loops for installations, remixes and soundtrack projects, Kentoff has employed these raw materials to craft new songs akin to the wonderfully skewed and melodic pop of The Caribbean, but with a magic all its own.<strong><a title=\"Facebook\" href=\"https://www.facebook.com/WashingtonHebrew/\" target=\"_blank\">\r\n<img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>       </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Washington Hebrew</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1139101282/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://washingtonhebrew.bandcamp.com/album/washington-hebrew\">Washington Hebrew by Washington Hebrew</a></iframe>\r\nApril 2017\r\n\r\nHaving performed in The Caribbean since 2000 and with no pressing desire to go ‘solo’ or work outside that secure, familiar context, Washington Hebrew acts as both a leap and bridge for Kentoff. Inspired by his use of samples and loops for installations, remixes and soundtrack projects, Kentoff has employed these raw materials to craft new songs akin to the wonderfully skewed and melodic pop of The Caribbean, but with a magic all its own.\r\n\r\nIn Michael’s own words, “I wanted Washington Hebrew to take what I loved of Chicago footwork, soundtracks, Dilla, and broken beats, take existing sounds and music, sample them, chop them up (often beyond recognition), and create completely new hooks and songs out of the raw, pulpy material. Recorded largely (although not entirely) alone, I was able to work on the nine songs making up Washington Hebrew in the studio, at coffee shops, at work, helping the record radiate an intimate, sneaky, and slightly indulgent glow while emphasizing the glitchy, danceable beats that made me look really weird while I mixed tracks at Starbucks.”\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n“To people of a certain age or perspective, Washington Hebrew might be a troublesome handle. Some may well see it as repudiation of or contempt for religion and/or me flipping the bird to the site of my bar mitzvah. The truth isn’t so contentious: indifference to the faith and/or my childhood synagogue aside, it recently occurred to me — with the clarity of distance — that the name Washington Hebrew is elegant, spellbinding, and odd. First, it is the only temple I know of without any actual Hebrew in its name. Second, it gives the city stylish primacy. Third, it has a strange heaviness.\r\n\r\n\"Having performed in The Caribbean since 2000, I haven’t harbored any pressing desire to go “solo” or work outside that secure, familiar context. But, with a boring day job and an obsession with Ableton Live, it just sort of happened. And once the project started coming into being, I set out for it two primary tenets: (1) don\'t take songs away from The Caribbean and (2) transport me into uncomfortable, uncharted territory.\r\n\r\n\"Having long sampled and looped music and sounds for installation, remix, and soundtrack projects, I wanted, with Washington Hebrew, to take what I loved of Chicago footwork, soundtracks, Dilla, and broken beats, take existing sounds and music, sample them, chop them up (often beyond recognition), and create completely new hooks and songs out of the raw, pulpy material. I could best write my own songs that didn’t breach tenet (1) by treating sounds and disparate samples as guitar and piano – and then laying new melodies and lyrics over the hot mess.\r\n\r\n\"Recorded largely (although not entirely) alone, I was able to work on the nine songs making up Washington Hebrew in the studio, at coffee shops, at work . . . helping the record radiate an intimate, sneaky, and slightly indulgent glow while emphasizing the glitchy, danceable beats that made me look really weird while I mixed tracks at Starbucks. Legitimate goals, all. As is in the inevitable sigh the name Washington Hebrew will elicit from my parents. Can’t wait.”\r\n\r\n– <strong>Michael Kentoff</strong>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=washingtonhebrew-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=washingtonhebrew-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"15294,15403\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nWashington Hebrew\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Washington Hebrew','','inherit','closed','closed','','15291-revision-v1','','','2017-04-20 20:20:29','2017-04-20 12:20:29','',15291,'http://www.hiddenshoal.com/15291-revision-v1/',0,'revision','',0),(15425,1,'2017-04-20 20:29:44','2017-04-20 12:29:44','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/04/Washington-Hebrew-Cover-Art.jpg\"><img class=\"alignleft  wp-image-15427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/04/Washington-Hebrew-Cover-Art-300x300.jpg\" alt=\"Washington Hebrew\" width=\"274\" height=\"274\" /></a>The time has come for this wild sonic ride to be unleashed upon the world. The debut solo album from <a title=\"Washington Hebrew\" href=\"http://www.hiddenshoal.com/project/washington-hebrew/\">Washington Hebrew</a> (aka Michael Kentoff of The Caribbean) is now officially with us, available via <a title=\"Washington Hebrew\" href=\"https://washingtonhebrew.bandcamp.com/album/washington-hebrew\" target=\"_blank\">Bandcamp</a> and the usual online stores and streaming services. Featuring the brilliant single \'<a title=\"Bank Holiday Wknd\" href=\"https://soundcloud.com/hidden_shoal/washington-hebrew-bank-holiday-wknd\" target=\"_blank\">Bank Holiday Wknd</a>\', Washington Hebrew acts as both a leap and bridge for Kentoff. Inspired by his use of samples and loops for installations, remixes and soundtrack projects, Kentoff has employed these raw materials to craft new songs akin to the wonderfully skewed and melodic pop of The Caribbean, but with a magic all its own.\r\n\r\n<em>“They are bound to confound your expectations several times on any given album, and if you\'re into that, they\'re good enough at putting these weird songs together that they can pull you in with surprising ease.”</em> – <strong>Pitchfork on The Caribbean</strong>\r\n\r\nIn Michael’s own words, <em>“I wanted Washington Hebrew to take what I loved of Chicago footwork, soundtracks, Dilla, and broken beats, take existing sounds and music, sample them, chop them up (often beyond recognition), and create completely new hooks and songs out of the raw, pulpy material. Recorded largely (although not entirely) alone, I was able to work on the nine songs making up Washington Hebrew in the studio, at coffee shops, at work, helping the record radiate an intimate, sneaky, and slightly indulgent glow while emphasizing the glitchy, danceable beats that made me look really weird while I mixed tracks at Starbucks.”</em>\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/311140939&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Washington Hebrew s/t Debut Out Now!','','publish','closed','closed','','washington-hebrew-st-debut-out-now','','','2017-04-20 20:31:39','2017-04-20 12:31:39','',0,'http://www.hiddenshoal.com/?p=15425',0,'post','',0),(15426,1,'2017-04-20 20:28:09','2017-04-20 12:28:09','The time has come for this wild sonic ride to be unleashed upon the world. The debut solo album from <a title=\"Washington Hebrew\" href=\"http://www.hiddenshoal.com/project/washington-hebrew/\">Washington Hebrew</a> (aka Michael Kentoff of The Caribbean) is now officially available via <a title=\"Washington Hebrew\" href=\"https://washingtonhebrew.bandcamp.com/album/washington-hebrew\" target=\"_blank\">Bandcamp</a> and the usual online stores and streaming services. Featuring the brilliant single \'<a title=\"Bank Holiday Wknd\" href=\"https://soundcloud.com/hidden_shoal/washington-hebrew-bank-holiday-wknd\" target=\"_blank\">Bank Holiday Wknd</a>\', Washington Hebrew acts as both a leap and bridge for Kentoff. Inspired by his use of samples and loops for installations, remixes and soundtrack projects, Kentoff has employed these raw materials to craft new songs akin to the wonderfully skewed and melodic pop of The Caribbean, but with a magic all its own.\r\n\r\n<em>“They are bound to confound your expectations several times on any given album, and if you\'re into that, they\'re good enough at putting these weird songs together that they can pull you in with surprising ease.”</em> – <strong>Pitchfork on The Caribbean</strong>\r\n\r\nIn Michael’s own words, <em>“I wanted Washington Hebrew to take what I loved of Chicago footwork, soundtracks, Dilla, and broken beats, take existing sounds and music, sample them, chop them up (often beyond recognition), and create completely new hooks and songs out of the raw, pulpy material. Recorded largely (although not entirely) alone, I was able to work on the nine songs making up Washington Hebrew in the studio, at coffee shops, at work, helping the record radiate an intimate, sneaky, and slightly indulgent glow while emphasizing the glitchy, danceable beats that made me look really weird while I mixed tracks at Starbucks.”</em>\r\n&nbsp;','Washington Hebrew s/t Debut Out Now!','','inherit','closed','closed','','15425-revision-v1','','','2017-04-20 20:28:09','2017-04-20 12:28:09','',15425,'http://www.hiddenshoal.com/15425-revision-v1/',0,'revision','',0),(15427,1,'2017-04-20 20:28:58','2017-04-20 12:28:58','','Washington Hebrew','','inherit','closed','closed','','washington-hebrew-cover-art','','','2017-04-20 20:29:08','2017-04-20 12:29:08','',15425,'http://www.hiddenshoal.com/wp-content/uploads/2017/04/Washington-Hebrew-Cover-Art.jpg',0,'attachment','image/jpeg',0),(15428,1,'2017-04-20 20:29:39','2017-04-20 12:29:39','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/04/Washington-Hebrew-Cover-Art.jpg\"><img class=\"alignleft size-medium wp-image-15427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/04/Washington-Hebrew-Cover-Art-300x300.jpg\" alt=\"Washington Hebrew\" width=\"300\" height=\"300\" /></a>The time has come for this wild sonic ride to be unleashed upon the world. The debut solo album from <a title=\"Washington Hebrew\" href=\"http://www.hiddenshoal.com/project/washington-hebrew/\">Washington Hebrew</a> (aka Michael Kentoff of The Caribbean) is now officially with us, available via <a title=\"Washington Hebrew\" href=\"https://washingtonhebrew.bandcamp.com/album/washington-hebrew\" target=\"_blank\">Bandcamp</a> and the usual online stores and streaming services. Featuring the brilliant single \'<a title=\"Bank Holiday Wknd\" href=\"https://soundcloud.com/hidden_shoal/washington-hebrew-bank-holiday-wknd\" target=\"_blank\">Bank Holiday Wknd</a>\', Washington Hebrew acts as both a leap and bridge for Kentoff. Inspired by his use of samples and loops for installations, remixes and soundtrack projects, Kentoff has employed these raw materials to craft new songs akin to the wonderfully skewed and melodic pop of The Caribbean, but with a magic all its own.\r\n\r\n<em>“They are bound to confound your expectations several times on any given album, and if you\'re into that, they\'re good enough at putting these weird songs together that they can pull you in with surprising ease.”</em> – <strong>Pitchfork on The Caribbean</strong>\r\n\r\nIn Michael’s own words, <em>“I wanted Washington Hebrew to take what I loved of Chicago footwork, soundtracks, Dilla, and broken beats, take existing sounds and music, sample them, chop them up (often beyond recognition), and create completely new hooks and songs out of the raw, pulpy material. Recorded largely (although not entirely) alone, I was able to work on the nine songs making up Washington Hebrew in the studio, at coffee shops, at work, helping the record radiate an intimate, sneaky, and slightly indulgent glow while emphasizing the glitchy, danceable beats that made me look really weird while I mixed tracks at Starbucks.”</em>\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/311140939&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Washington Hebrew s/t Debut Out Now!','','inherit','closed','closed','','15425-revision-v1','','','2017-04-20 20:29:39','2017-04-20 12:29:39','',15425,'http://www.hiddenshoal.com/15425-revision-v1/',0,'revision','',0),(15430,1,'2017-04-20 20:31:39','2017-04-20 12:31:39','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/04/Washington-Hebrew-Cover-Art.jpg\"><img class=\"alignleft  wp-image-15427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/04/Washington-Hebrew-Cover-Art-300x300.jpg\" alt=\"Washington Hebrew\" width=\"274\" height=\"274\" /></a>The time has come for this wild sonic ride to be unleashed upon the world. The debut solo album from <a title=\"Washington Hebrew\" href=\"http://www.hiddenshoal.com/project/washington-hebrew/\">Washington Hebrew</a> (aka Michael Kentoff of The Caribbean) is now officially with us, available via <a title=\"Washington Hebrew\" href=\"https://washingtonhebrew.bandcamp.com/album/washington-hebrew\" target=\"_blank\">Bandcamp</a> and the usual online stores and streaming services. Featuring the brilliant single \'<a title=\"Bank Holiday Wknd\" href=\"https://soundcloud.com/hidden_shoal/washington-hebrew-bank-holiday-wknd\" target=\"_blank\">Bank Holiday Wknd</a>\', Washington Hebrew acts as both a leap and bridge for Kentoff. Inspired by his use of samples and loops for installations, remixes and soundtrack projects, Kentoff has employed these raw materials to craft new songs akin to the wonderfully skewed and melodic pop of The Caribbean, but with a magic all its own.\r\n\r\n<em>“They are bound to confound your expectations several times on any given album, and if you\'re into that, they\'re good enough at putting these weird songs together that they can pull you in with surprising ease.”</em> – <strong>Pitchfork on The Caribbean</strong>\r\n\r\nIn Michael’s own words, <em>“I wanted Washington Hebrew to take what I loved of Chicago footwork, soundtracks, Dilla, and broken beats, take existing sounds and music, sample them, chop them up (often beyond recognition), and create completely new hooks and songs out of the raw, pulpy material. Recorded largely (although not entirely) alone, I was able to work on the nine songs making up Washington Hebrew in the studio, at coffee shops, at work, helping the record radiate an intimate, sneaky, and slightly indulgent glow while emphasizing the glitchy, danceable beats that made me look really weird while I mixed tracks at Starbucks.”</em>\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/311140939&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Washington Hebrew s/t Debut Out Now!','','inherit','closed','closed','','15425-revision-v1','','','2017-04-20 20:31:39','2017-04-20 12:31:39','',15425,'http://www.hiddenshoal.com/15425-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (15429,1,'2017-04-20 20:29:44','2017-04-20 12:29:44','<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/04/Washington-Hebrew-Cover-Art.jpg\"><img class=\"alignleft size-medium wp-image-15427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/04/Washington-Hebrew-Cover-Art-300x300.jpg\" alt=\"Washington Hebrew\" width=\"300\" height=\"300\" /></a>The time has come for this wild sonic ride to be unleashed upon the world. The debut solo album from <a title=\"Washington Hebrew\" href=\"http://www.hiddenshoal.com/project/washington-hebrew/\">Washington Hebrew</a> (aka Michael Kentoff of The Caribbean) is now officially with us, available via <a title=\"Washington Hebrew\" href=\"https://washingtonhebrew.bandcamp.com/album/washington-hebrew\" target=\"_blank\">Bandcamp</a> and the usual online stores and streaming services. Featuring the brilliant single \'<a title=\"Bank Holiday Wknd\" href=\"https://soundcloud.com/hidden_shoal/washington-hebrew-bank-holiday-wknd\" target=\"_blank\">Bank Holiday Wknd</a>\', Washington Hebrew acts as both a leap and bridge for Kentoff. Inspired by his use of samples and loops for installations, remixes and soundtrack projects, Kentoff has employed these raw materials to craft new songs akin to the wonderfully skewed and melodic pop of The Caribbean, but with a magic all its own.</p>\r\n<p><em>“They are bound to confound your expectations several times on any given album, and if you\'re into that, they\'re good enough at putting these weird songs together that they can pull you in with surprising ease.”</em> – <strong>Pitchfork on The Caribbean</strong></p>\r\n<p>In Michael’s own words, <em>“I wanted Washington Hebrew to take what I loved of Chicago footwork, soundtracks, Dilla, and broken beats, take existing sounds and music, sample them, chop them up (often beyond recognition), and create completely new hooks and songs out of the raw, pulpy material. Recorded largely (although not entirely) alone, I was able to work on the nine songs making up Washington Hebrew in the studio, at coffee shops, at work, helping the record radiate an intimate, sneaky, and slightly indulgent glow while emphasizing the glitchy, danceable beats that made me look really weird while I mixed tracks at Starbucks.”</em></p>\r\n<p><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/311140939&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe></p>\r\n','Washington Hebrew s/t Debut Out Now!','','inherit','closed','closed','','15425-revision-v1','','','2017-04-20 20:29:44','2017-04-20 12:29:44','',15425,'http://www.hiddenshoal.com/15425-revision-v1/',0,'revision','',0),(15431,1,'2017-04-20 20:41:04','2017-04-20 12:41:04','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1139101282/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://washingtonhebrew.bandcamp.com/album/washington-hebrew\">Washington Hebrew by Washington Hebrew</a></iframe>\r\n<em>Washington Hebrew</em>\r\nby <a title=\"Washington Hebrew\" href=\"http://www.hiddenshoal.com/project/washington-hebrew/\">Washington Hebrew</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4072769729/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-sound-of-lights-when-dim-2017-remaster\">The Sound of Lights When Dim (2017 Remaster) by Slow Dancing Society</a></iframe>\r\n<em>The Sound of Lights When Dim (2017  Reissue)</em>\r\nby <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2458535209/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/eat-your-friends\">Eat Your Friends by Hidden Shoal</a></iframe>\r\n<em>Eat Your Friends</em>\r\nby <a title=\"Hidden Shoal Artists\" href=\"https://hiddenshoal.bandcamp.com/album/eat-your-friends\">Hidden Shoal</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3325362642/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://joesampson1.bandcamp.com/album/chansons-de-parade\">Chansons de Parade by Joe Sampson</a></iframe>\r\n<em>Chansons de Parade</em>\r\nby <a title=\"Joe Sampson\" href=\"http://www.hiddenshoal.com/project/joe-sampson/\">Joe Sampson</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal is an Australia-based independent music label &amp; licensing agency releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2017-04-20 20:41:04','2017-04-20 12:41:04','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(15432,1,'2017-04-20 20:44:53','2017-04-20 12:44:53','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2017\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2017</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Washington Hebrew\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/washington-hebrew/\"><img class=\"alignnone wp-image-15427 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/04/Washington-Hebrew-Cover-Art-300x300.jpg\" alt=\"Washington Hebrew\" width=\"300\" height=\"300\" /></a>\r\nWashington Hebrew\r\n<em>Washington Hebrew</em>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Sound of Lights When Dim Reissue\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-15279 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/02/The-Sound-Of-Lights-When-Dim-Cover-Art-300x300.jpg\" alt=\"The Sound Of Lights When Dim (2017)\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Sound Of Lights When Dim</em> (2017 Reissue)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2016\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2016</h3>\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eat Your Friends\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"https://hiddenshoal.bandcamp.com/album/eat-your-friends\"><img class=\"alignnone wp-image-15227 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/12/Eat-Your-Friends-Cover-Art-300x300.jpg\" alt=\"Eat Your Friends\" width=\"300\" height=\"300\" /></a>\r\nVarious Hidden Shoal Artists\r\n<em>Eat Your Friends</em> (2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Chansons\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/joe-sampson/\"><img class=\"alignnone wp-image-15209 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Chansons-de-Parade-Cover-Art-300x300.jpg\" alt=\"Chansons de Parade\" width=\"300\" height=\"300\" /></a>\r\nJoe Sampson\r\n<em>Chansons de Parade</em> (2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Iso Remixes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><img class=\"alignnone wp-image-15149 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Isometrik-Remixes-Cover-300x300.png\" alt=\"Isometrik Remixes\" width=\"300\" height=\"300\" /></a>\r\nGlanko &amp; Daniel Bailey\r\n<em>Isometrik Remixes</em> (2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Whats The Story\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/craig-hallsworth/\"><img class=\"alignnone wp-image-15057 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/10/Whats-The-Story-With-This-Hole-Cover-Art-1000px-300x300.jpg\" alt=\"What\'s The Story With This Hole?\" width=\"300\" height=\"300\" /></a>\r\nCraig Hallsworth\r\n<em>What\'s The Story with This Hole?</em> (2016)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"gila man\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-14847 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/09/Gila-Man-Cover-Art-300x300.jpg\" alt=\"Todd Tobias - Gila Man\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Gila Man </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"songs of delay\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/joe-sampson/\"><img class=\"alignnone wp-image-14862 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/09/Songs-of-Delay-Cover-Art-300x300.jpg\" alt=\"Songs of Delay\" width=\"300\" height=\"300\" /></a>\r\nJoe Sampson\r\n<em>Songs of Delay </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Wagers\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-14666 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/07/The-Wagers-of-Love-and-Their-Songs-from-the-Witching-Hour-1400px-300x300.jpg\" alt=\"The Wagers of Love and Their Songs from the Witching Hour\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em> The Wagers Of Love And Their Songs From The Witching Hour</em> (2016)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Anthem\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/arc-lab/\"><img class=\"alignnone size-medium wp-image-14609\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/06/Anthem-Cover-1000px-300x300.jpg\" alt=\"Arc Lab &quot;Anthem&quot;\" width=\"300\" height=\"300\" /></a>\r\nArc Lab\r\n<em>Anthem </em>(2016)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Obsolete\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/memorybell/\"><img class=\"alignnone wp-image-14571 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Obsolete-Cover-Art-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" /></a>\r\nMemorybell\r\n<em>Obsolete </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Delicate Power\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone wp-image-14511 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art-300x300.jpg\" alt=\"Delicate Power (In The Hands of Others) Cover Art\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Delicate Power (In The Hands Of Others) </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Recollage\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><img class=\"alignnone wp-image-14296 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px-300x300.jpg\" alt=\"Recollage\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Recollage </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Into The Sparks\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-14483 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>Into The Sparks </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"isometrik\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><img class=\"alignnone size-medium wp-image-14392\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Isometrik-Cover-Art-300x300.jpg\" alt=\"Isometrik Cover Art\" width=\"300\" height=\"300\" /></a>\r\nGlanko and Daniel Bailey\r\n<em>Isometrik </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"re-directed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Re-Directed </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"glass dimly\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<em><a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"300\" height=\"300\" /></a></em>\r\nAntonymes\r\n<em>(For Now We See) Through A Glass Dimly </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"orpheus pavement\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-14243 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>The Orpheus Pavement </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2015\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2015</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"white guilt\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/crisis-actors/\"><img class=\"alignnone wp-image-13203 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/12/CA-cover-300x300.jpg\" alt=\"Crisis Actors - White Guilt, White Heat EP\" width=\"300\" height=\"300\" /></a>\r\nCrisis Actors\r\n<em>White Guilt, White Heat</em> (2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"long range\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"https://hiddenshoal.bandcamp.com/album/long-range-transmissions\"><img class=\"alignnone wp-image-13139 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/11/Long-Range-Transmissions-300.jpg\" alt=\"Long Range Transmissions\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Long Range Transmissions</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"forets\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-13061 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"forêts antiques\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>forêts antiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Palm\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-13050\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork-300x300.jpg\" alt=\"In The Palm of Your Hand - The Remix EP\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In The Palm of Your Hand - The Remix EP </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"AWMA\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/awma/\"><img class=\"alignnone wp-image-13036 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/AWMA-1000-300x300.jpg\" alt=\"AWMA EP\" width=\"300\" height=\"300\" /></a>\r\nAWMA\r\n<em>AWMA </em>(2015)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Extent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/battlestations/\"><img class=\"alignnone wp-image-12955 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/09/The-Extent-of-Damage-Cover-1200px-300x300.jpg\" alt=\"The Extent of Damage\" width=\"300\" height=\"300\" /></a>\r\nBattlestations\r\n<em>The Extent of Damage </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"New York\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/medard-fischer/\"><img class=\"alignnone size-medium wp-image-12847\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Cover-art-300x300.jpg\" alt=\"Four Songs for the City of New York\" width=\"300\" height=\"300\" /></a>\r\nMedard Fischer\r\n<em>Four Songs for the City of New York </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Troubled Mystic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/liminal-drifter/\"><img class=\"alignnone wp-image-12861 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Troubled-Mystic-Album-1000px-300x300.jpg\" alt=\"Liminal Drifter - Troubled Mystic\" width=\"300\" height=\"300\" /></a>\r\nLiminal Drifter\r\n<em>Troubled Mystic </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Olive Skinned\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/rew/\"><img class=\"alignnone wp-image-12249 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Olive-Skinned-Cover-1400x1400-pxl-300x300.jpg\" alt=\"Olive Skinned, Silver Tongued Sirens Sing Swan Songs\" width=\"300\" height=\"300\" /></a>\r\nREW&lt;&lt;\r\n<em>Olive Skinned, Silver Tongued Sirens Sing Swan Songs </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Pea Green\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/the-star-department/\"><img class=\"alignnone wp-image-12312 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Pea-Green-Boat-Cover-Art-1000px-300x300.jpg\" alt=\"The Pea Green Boat\" width=\"300\" height=\"300\" /></a>\r\nThe Star Department\r\n<em>The Pea Green Boat </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearing Things\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><img class=\"alignnone size-medium wp-image-12629\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Hearing-Things-Front-Cover-1000px-300x300.jpg\" alt=\"Erik Nilsson - Hearing Things\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Hearing Things </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Rough\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12669\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Rough-Cover-Art-1400px-300x300.jpg\" alt=\"Rough\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Rough </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Tristes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-12367 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Tristes-Tropiques-Cover-300px.jpg\" alt=\"Todd Tobias - Tristes Tropiques\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Tristes Tropiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"les limbes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/les-limbes/\"><img class=\"alignnone wp-image-12271 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Les-Limbes-EP-Cover-300px.jpg\" alt=\"Les Limbes EP\" width=\"300\" height=\"300\" /></a>\r\nLes Limbes\r\n<em>Les Limbes </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"fate\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-12109 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/03/Kramies-The-Fate-300px-300x300.jpg\" alt=\"Kramies \'The Fate That Never Favored Us\'\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Fate That Never Favored Us</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"river fire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-12036 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/To-Set-The-River-On-Fire-300px.jpg\" alt=\"To-Set-The-River-On-Fire-300px\" width=\"300\" height=\"300\" /></a>\r\nChloe March vs. Markus Mehr\r\n<em>To Set The River on Fire </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2014\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2014</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"dusk recital\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-11402 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/duskrecital_300.jpg\" alt=\"The Dusk Recital\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Dusk Recital</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"makee\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/makee/\"><img class=\"alignnone wp-image-11088 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Makee-EP-300px.jpg\" alt=\"Makee EP\" width=\"300\" height=\"300\" /></a>\r\nmakee\r\n<em>makee</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Nights Bright Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-11189 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Nights-Bright-Days-Cover-1000px-300x300.jpg\" alt=\"Nights Bright Days\" width=\"300\" height=\"300\" /></a>\r\nChloë March\r\n<em>Nights bright Days</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under The Day\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone size-medium wp-image-11191\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderTheDayCov350-300x300.jpg\" alt=\"Under The Day\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>Under The Day</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Enchanting Gaze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone wp-image-11190 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enchanting-Gaze-1000px-300x300.jpg\" alt=\"Enchanting Gaze\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Enchanting Gaze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-medium wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities 2\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-11192 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Impossible-Cites-2-1000px-300x300.jpg\" alt=\"Impossible Cites 2\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities 2</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Binary Rooms\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-10985 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - \" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Binary Rooms</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deconstruction Manual\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\"><img class=\"alignnone wp-image-10803 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Deconstruction Manual</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"In Between\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-10470 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/In-Between-Cover-1000px-300x300.jpg\" alt=\"Kryshe - In Between\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>In Between</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Revolving Maze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignnone wp-image-10715 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Revolving-Maze-Front-Cover-300x300.jpg\" alt=\"Revolving Maze\" width=\"300\" height=\"300\" /></a>\r\nInvolved\r\n<em>Revolving Maze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Positive Haywires\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignnone size-medium wp-image-10728\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Positive-Haywires-Front-Cover-1000px-300x300.jpg\" alt=\"Positive Haywires\" width=\"300\" height=\"300\" /></a>\r\nBrother Earth\r\n<em>Positive Haywires</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under Songs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/draliensmith/\"><img class=\"alignnone wp-image-10373 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderSongsCoverArt-300x300.jpg\" alt=\"Under Songs\" width=\"300\" height=\"300\" /></a>\r\nDrAlienSmith\r\n<em>Under Songs</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Cogent Sea</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Growing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-11052 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Growing-Cover-300x300.jpg\" alt=\"Growing\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Growing</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em> The Folklore Sessions</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone wp-image-9399 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /></a>\r\nperth\r\nWhere\'s Utopia (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2013\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2013</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a>\r\nperth\r\n<em>What’s Your Utopia?</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"No True Beauty\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/NO-TRUE-BEAUTY-300x300.jpg\" alt=\"There Can Be True Beauty Without Decay\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>There Can Be No True Beauty Without Decay </em></em>(2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Voices Out There</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Wooden Heart</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Live in Bari</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Let\'s Adjourn To The Garden</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope III\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12430 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemacope-III-cover-CMYK-300x300.jpg\" alt=\"Cinemacope III\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope III</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias &amp; Circus Devils\r\n<em>I Razor </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em>Quarrels</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Off</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2012\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2012</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>East of Monument </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>The Road To The Crater </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope II\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone wp-image-12434 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover1-300x300.jpg\" alt=\"Cinemascope II\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope II</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>Terrane </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Laterna Magica</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>On</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Un Giorno Sospeso</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dreamland\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone size-medium wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Dreamland </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope I\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-12433 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemascope-I-Cover-1000px-300x300.jpg\" alt=\"Cinemascope I\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope I</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Medicine Show </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Light Dispersed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11492\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIGHT-DISPERSED-300x300.jpg\" alt=\"Light Dispersed\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Light Dispersed </em>(2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2011\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2011</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The European</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Remixed</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a>\r\nAntonymes meets Slow Dancing Society\r\n<em><em>We Don’t Look Back For Very Long</em> </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Letters From The Coast </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hong Kong\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone wp-image-12038 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Hong-Kong-Express-Cover-Art-1400px-300x300.jpg\" alt=\"Hong Kong Express\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\n<em>Hong Kong Express </em>(2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Like Rumours\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIKE-RUMOURS-300x300.jpg\" alt=\"Like Rumours Of Hushed Thunder\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Like Rumours Of Hushed Thunder</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>A Frame of Reference</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"casino\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone wp-image-12431 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/On-The-Casino-Floor-Cover-300x300.jpg\" alt=\"On The Casino Floor\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>On The Casino Floor</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Now We\'re Active</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Lost in Waves of Light </em></em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>The Licence To Interpret Dreams </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>The Stones And The Rabbits</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"hears like a bat\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12428 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Heart-That-Hears-Like-A-Bat-Cover-Art-1-300x300.jpg\" alt=\"The Heart That Hears Like A Bat\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>The Heart That Hears Like A Bat</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2010\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2010</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em><em>Under The Sodium Lights </em></em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Lava </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>Heresy and Rite</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Before The Light Fails\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/BEFORE-THE-LIGHT-FAILS-300x300.jpg\" alt=\"31: Before The Light Fails\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>31: Before The Light Fails</em> (2010)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2009\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2009</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"beauty becomes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone wp-image-14754 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Beauty-Artwork-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Beauty Becomes The Enemy Of The Future </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em><em>Unknown Knowns </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>I Haven’t Got It In Me</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"soundcheck\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12040\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Soundcheck_Mp3-300x300.jpg\" alt=\"Soundcheck For A Missing Movie\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Soundcheck For A Missing Movie</em> (2009)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Umpire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-medium wp-image-11478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Umpire-EP-Cover-Art-1000px-300x300.jpg\" alt=\"Umpire\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Umpire</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Chromatic Sigh</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a>\r\nDown Review\r\n<em>From Here, For Anyone</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em><em>Apricot Rail </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>That Time</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a>\r\nSleeping Me\r\n<em>Cradlesongs</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearts\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/hotels/\"><img class=\"alignnone wp-image-12426 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Where-Hearts-Go-Broke-mp3-300x300.jpg\" alt=\"Where Hearts Go Broke\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Where Hearts Go Broke</em>  (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2008\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2008</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Too Late, The Day</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"touch me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone size-medium wp-image-12039\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Touch-Me-Cover-Art-1400px-300x300.jpg\" alt=\"Touch me and i will save you\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\nTouch me and i will save you (2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Priest Lake Circa \'88 </em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a>\r\nThe Slow Beings\r\n<em>We Know Why The Earth Moves</em>  (2008)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em><em>Evergreen </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Our Man in Eden Hill</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2007\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2007</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>September 16th </em>(2007)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Slow And Steady Winter</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a>\r\nCheekbone\r\n<em><em>Yesterday </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Restless </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Fining</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em><em>It\'s Now Or Later </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes &amp; Ponds\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a>\r\nThe Hero Cycle\r\n<em>Lakes and Ponds </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2006\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2006</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Sound Of Lights When Dim</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>Golden Days </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a>\r\nEnargeia\r\n<em><em>UFO: Stryker Force </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a>\r\nMotor Eye\r\n<em>Motor Eye </em>(2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>Slow Attack</em> (2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Up Down Up </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em><em>Ideas Are The Answer </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a>\r\nWayne Harriss\r\n<em>Aerospace</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2005\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2005</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Thank You For Choosing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone wp-image-12424 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover-300x300.jpg\" alt=\"Thank You For Choosing...\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Thank You For Choosing</em> (2005)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2003\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2003</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Mapping the static\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-medium wp-image-11477\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Mapping-The-Static-Cover-Art-1000px-300x300.jpg\" alt=\"Mapping The Static\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em>Mapping The Static</em> (2003)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','closed','','8417-revision-v1','','','2017-04-20 20:44:53','2017-04-20 12:44:53','',8417,'http://www.hiddenshoal.com/8417-revision-v1/',0,'revision','',0),(15463,1,'2017-06-08 16:33:11','2017-06-08 08:33:11','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Vixit.png\"><img class=\"alignleft size-medium wp-image-15467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Vixit-300x300.png\" alt=\"Vixit\" width=\"300\" height=\"300\" /></a>Battlestations\' fans and those inevitably  about to be, prepare yourself! We’re excited to be able to present a <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/battlestations-i-excerpt\" target=\"_blank\">preview </a>of <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\" target=\"_blank\">Battlestations</a>\' majestic new album <em>Vixit</em>. The album drops on the 23rd of June through Hidden Shoal and will be available from Battlestations\' <a title=\"Bandcamp\" href=\"https://battlestations-be.bandcamp.com\" target=\"_blank\">Bandcamp </a>and all good 3rd party stores. Check out the excerpt of the opening track \'I\' on <a title=\"Battlestations - \'I\'\" href=\"https://soundcloud.com/hidden_shoal/battlestations-i-excerpt\" target=\"_blank\">SoundCloud</a>.\r\n\r\nWhile 2015’s The Extent of Damage felt like a high-definition camera roving across a ruined world, listening to <em>Vixit</em> feels like witnessing an intimidating new dawn, barely comprehensible from a merely human perspective. Massive and awe-inspiring, this three-part composition is breathtaking in scope and stunning in execution. Synthesizers, orchestra and choirs interweave into a billowing tapestry of glorious sound that completely envelopes the listener.\r\n\r\nBrief centrepiece ‘II’ is the calm at the eye of the storm, a ruminative piano piece that brings a sense of intimacy to a suite of music that is all about challenging the listener’s sense of scale. To either side, massive tracks ‘I’ and ‘III’ stretch out into multi-part compositions that are as deep and wide as any orchestral piece, tempered with a sensibility akin to ‘70s kosmische music and the most progressive neo-classical ambient.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/326887020&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Battlestations Preview!','','publish','closed','closed','','new-battlestations-preview','','','2017-06-13 08:51:25','2017-06-13 00:51:25','',0,'http://www.hiddenshoal.com/?p=15463',0,'post','',0),(15435,1,'2017-04-28 13:38:55','2017-04-28 05:38:55','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Kramies-Sea-Otter-Frame-Cropped.jpg\"><img class=\"alignleft size-medium wp-image-10625\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Kramies-Sea-Otter-Frame-Cropped-300x185.jpg\" alt=\"Kramies\" width=\"300\" height=\"185\" /></a>Check out this lovely little interview with <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies </a>along with a live rendition of \'The Fate That Never Favored Us\' by the cool Irish project <a title=\"Balcony TV\" href=\"http://www.balconytv.com/videos/kramies-windt-the-fate-that-never-favored-is\" target=\"_blank\">Balcony TV</a>. Ireland you ask? Kramies\' currently finds himself in Irish castle as part of an artists residency in a stunning Irish castle where he is currently writing and finishing his next release. Expect more magic from our dreampop troubadour very soon.\r\n\r\nIn the meanwhile check out the interview below or head to the <a title=\"Balcony TV\" href=\"http://www.balconytv.com/videos/kramies-windt-the-fate-that-never-favored-is\" target=\"_blank\">Balcony TV website</a>.\r\n<iframe src=\"https://www.youtube.com/embed/My9Ur1BWuUs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Kramies Live on Balcony TV, Ireland','','publish','closed','closed','','kramies-live-on-balcony-tv','','','2017-05-01 15:39:05','2017-05-01 07:39:05','',0,'http://www.hiddenshoal.com/?p=15435',0,'post','',0),(15436,1,'2017-04-28 13:34:04','2017-04-28 05:34:04','Check out this lovely little interview Kramies along with a live rendition of \'The Fate That Never Favored Us\' by the cool Irish project Balcony TV. Ireland you ask? Kramies\' currently finds himself in Irish castle as part of an artists residency in a stunning Irish castle where he is currently writing and finishing his next release. Expect more magic from our dreampop troubadour very soon.\r\n\r\nIn the meanwhile check out the interview below or head to the Balcony TV website.','Kramies Live on Balcony TV','','inherit','closed','closed','','15435-revision-v1','','','2017-04-28 13:34:04','2017-04-28 05:34:04','',15435,'http://www.hiddenshoal.com/15435-revision-v1/',0,'revision','',0),(15438,1,'2017-04-28 13:38:00','2017-04-28 05:38:00','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Kramies-Sea-Otter-Frame-Cropped.jpg\"><img class=\"alignleft size-medium wp-image-10625\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Kramies-Sea-Otter-Frame-Cropped-300x185.jpg\" alt=\"Kramies\" width=\"300\" height=\"185\" /></a>Check out this lovely little interview <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies </a>along with a live rendition of \'The Fate That Never Favored Us\' by the cool Irish project <a title=\"Balcony TV\" href=\"http://www.balconytv.com/videos/kramies-windt-the-fate-that-never-favored-is\" target=\"_blank\">Balcony TV</a>. Ireland you ask? Kramies\' currently finds himself in Irish castle as part of an artists residency in a stunning Irish castle where he is currently writing and finishing his next release. Expect more magic from our dreampop troubadour very soon.\r\n\r\nIn the meanwhile check out the interview below or head to the <a title=\"Balcony TV\" href=\"http://www.balconytv.com/videos/kramies-windt-the-fate-that-never-favored-is\" target=\"_blank\">Balcony TV website</a>.\r\n<iframe src=\"https://www.youtube.com/embed/My9Ur1BWuUs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Kramies Live on Balcony TV','','inherit','closed','closed','','15435-revision-v1','','','2017-04-28 13:38:00','2017-04-28 05:38:00','',15435,'http://www.hiddenshoal.com/15435-revision-v1/',0,'revision','',0),(15437,1,'2017-04-28 13:37:18','2017-04-28 05:37:18','[caption id=\"attachment_12323\" align=\"alignleft\" width=\"200\"]<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/KRAMIES_BW-©-Jérôme-Sevrette-5.jpg\"><img class=\"size-medium wp-image-12323\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/KRAMIES_BW-©-Jérôme-Sevrette-5-200x300.jpg\" alt=\"Kramies\" width=\"200\" height=\"300\" /></a> Photo by Jérôme Sevrette[/caption]\r\n\r\nCheck out this lovely little interview <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies </a>along with a live rendition of \'The Fate That Never Favored Us\' by the cool Irish project <a title=\"Balcony TV\" href=\"http://www.balconytv.com/videos/kramies-windt-the-fate-that-never-favored-is\" target=\"_blank\">Balcony TV</a>. Ireland you ask? Kramies\' currently finds himself in Irish castle as part of an artists residency in a stunning Irish castle where he is currently writing and finishing his next release. Expect more magic from our dreampop troubadour very soon.\r\n\r\nIn the meanwhile check out the interview below or head to the <a title=\"Balcony TV\" href=\"http://www.balconytv.com/videos/kramies-windt-the-fate-that-never-favored-is\" target=\"_blank\">Balcony TV website</a>.\r\n<iframe src=\"https://www.youtube.com/embed/My9Ur1BWuUs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Kramies Live on Balcony TV','','inherit','closed','closed','','15435-revision-v1','','','2017-04-28 13:37:18','2017-04-28 05:37:18','',15435,'http://www.hiddenshoal.com/15435-revision-v1/',0,'revision','',0),(15439,1,'2017-04-28 13:40:09','2017-04-28 05:40:09','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Kramies-Sea-Otter-Frame-Cropped.jpg\"><img class=\"alignleft size-medium wp-image-10625\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Kramies-Sea-Otter-Frame-Cropped-300x185.jpg\" alt=\"Kramies\" width=\"300\" height=\"185\" /></a>Check out this lovely little interview <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies </a>along with a live rendition of \'The Fate That Never Favored Us\' by the cool Irish project <a title=\"Balcony TV\" href=\"http://www.balconytv.com/videos/kramies-windt-the-fate-that-never-favored-is\" target=\"_blank\">Balcony TV</a>. Ireland you ask? Kramies\' currently finds himself in Irish castle as part of an artists residency in a stunning Irish castle where he is currently writing and finishing his next release. Expect more magic from our dreampop troubadour very soon.\r\n\r\nIn the meanwhile check out the interview below or head to the <a title=\"Balcony TV\" href=\"http://www.balconytv.com/videos/kramies-windt-the-fate-that-never-favored-is\" target=\"_blank\">Balcony TV website</a>.\r\n<iframe src=\"https://www.youtube.com/embed/My9Ur1BWuUs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Kramies Live on Balcony TV, Ireland','','inherit','closed','closed','','15435-revision-v1','','','2017-04-28 13:40:09','2017-04-28 05:40:09','',15435,'http://www.hiddenshoal.com/15435-revision-v1/',0,'revision','',0),(15440,1,'2017-05-01 15:39:05','2017-05-01 07:39:05','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Kramies-Sea-Otter-Frame-Cropped.jpg\"><img class=\"alignleft size-medium wp-image-10625\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Kramies-Sea-Otter-Frame-Cropped-300x185.jpg\" alt=\"Kramies\" width=\"300\" height=\"185\" /></a>Check out this lovely little interview with <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies </a>along with a live rendition of \'The Fate That Never Favored Us\' by the cool Irish project <a title=\"Balcony TV\" href=\"http://www.balconytv.com/videos/kramies-windt-the-fate-that-never-favored-is\" target=\"_blank\">Balcony TV</a>. Ireland you ask? Kramies\' currently finds himself in Irish castle as part of an artists residency in a stunning Irish castle where he is currently writing and finishing his next release. Expect more magic from our dreampop troubadour very soon.\r\n\r\nIn the meanwhile check out the interview below or head to the <a title=\"Balcony TV\" href=\"http://www.balconytv.com/videos/kramies-windt-the-fate-that-never-favored-is\" target=\"_blank\">Balcony TV website</a>.\r\n<iframe src=\"https://www.youtube.com/embed/My9Ur1BWuUs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Kramies Live on Balcony TV, Ireland','','inherit','closed','closed','','15435-revision-v1','','','2017-05-01 15:39:05','2017-05-01 07:39:05','',15435,'http://www.hiddenshoal.com/15435-revision-v1/',0,'revision','',0),(15443,1,'2017-05-12 11:55:33','2017-05-12 03:55:33','[Translated from the Italian via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/12/13/joe-sampson-chansons-de-parade/\" target=\"_blank\">here</a>.]\r\n\r\n\"From the twelve minutes of the EP\'s \" Songs Of Delay \" debut at just over twenty, for nine songs, of \"Chansons de Parade\", the concision is certainly among the talents of Joe Sampson, singer of Denver who after recognition and Collaborations seem to have finally found their way to writing and producing the official music.\r\n\r\nThe concision does not exhaust, however, of course, the artistic representation of Sampson, which in the new collection amplifies the expressive breathing already highlighted in the previous Ep and consists of a flat writing, a soft baritone stamp and a way to play the guitar to a Gentle picking combines more decisive arrangements and extremely sliding harmonies.\r\nAs part of a wider song, the nine \"Chansons de Parade\" amplify these characters in ballads of umbratile intimacy, referring to the first Iron &amp; Wine (\"Was not Was not\"), ranging from muffled environments, from the tasteful sixties (\"Wealth\") to a country-folk lyricism, however, always obscured by a mere introspective (\"Come What May\").\r\n\r\nIn the sequel of songs that follow in an agile parade, there are some of the most vibrant harmonic structures, accompanied by more definite dynamics (\"Gown\" and especially \"Otherwise The Pull\"), but all of them Characterized by an extraordinary naturalness of writing and interpretation, that of a craftsman of songs able to create small wonders that, while being made up of those same elements, travalicano of momentum every cliché of the songwriter guitar and voice.\"\r\n\r\n- <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/12/13/joe-sampson-chansons-de-parade/\" target=\"_blank\"><strong>Music Won\'t Save You</strong></a>','Joe Sampson \"Chansons de Parade\" Reviewed at Music Won\'t Save You','','inherit','closed','closed','','15442-revision-v1','','','2017-05-12 11:55:33','2017-05-12 03:55:33','',15442,'http://www.hiddenshoal.com/15442-revision-v1/',0,'revision','',0),(15444,1,'2017-05-12 11:57:44','2017-05-12 03:57:44','[Translated from the Italian via Google. Read the original <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/12/13/joe-sampson-chansons-de-parade/\" target=\"_blank\">here</a>.]\r\n\r\n\"From the twelve minutes of the EP\'s \" Songs Of Delay \" debut at just over twenty, for nine songs, of \"Chansons de Parade\", the concision is certainly among the talents of Joe Sampson, singer of Denver who after recognition and Collaborations seem to have finally found their way to writing and producing the official music.\r\n\r\nThe concision does not exhaust, however, of course, the artistic representation of Sampson, which in the new collection amplifies the expressive breathing already highlighted in the previous Ep and consists of a flat writing, a soft baritone stamp and a way to play the guitar to a Gentle picking combines more decisive arrangements and extremely sliding harmonies.\r\nAs part of a wider song, the nine \"Chansons de Parade\" amplify these characters in ballads of umbratile intimacy, referring to the first Iron &amp; Wine (\"Was not Was not\"), ranging from muffled environments, from the tasteful sixties (\"Wealth\") to a country-folk lyricism, however, always obscured by a mere introspective (\"Come What May\").\r\n\r\nIn the sequel of songs that follow in an agile parade, there are some of the most vibrant harmonic structures, accompanied by more definite dynamics (\"Gown\" and especially \"Otherwise The Pull\"), but all of them Characterized by an extraordinary naturalness of writing and interpretation, that of a craftsman of songs able to create small wonders that, while being made up of those same elements, travalicano of momentum every cliché of the songwriter guitar and voice.\"\r\n\r\n- <a title=\"Music Won\'t Save You\" href=\"https://musicwontsaveyou.com/2016/12/13/joe-sampson-chansons-de-parade/\" target=\"_blank\"><strong>Music Won\'t Save You</strong></a>','Joe Sampson \"Chansons de Parade\" Reviewed at Music Won\'t Save You','In the sequel of songs that follow in an agile parade, there are some of the most vibrant harmonic structures, accompanied by more definite dynamics (\"Gown\" and especially \"Otherwise The Pull\"), but all of them Characterized by an extraordinary naturalness of writing and interpretation, that of a craftsman of songs able to create small wonders that, while being made up of those same elements, travalicano of momentum every cliché of the songwriter guitar and voice.','inherit','closed','closed','','15442-revision-v1','','','2017-05-12 11:57:44','2017-05-12 03:57:44','',15442,'http://www.hiddenshoal.com/15442-revision-v1/',0,'revision','',0),(15445,1,'2017-05-16 14:25:17','2017-05-16 06:25:17','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/05/Dyschronia.jpg\"><img class=\"alignleft size-medium wp-image-15446\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/05/Dyschronia-300x300.jpg\" alt=\"Dyschronia\" width=\"300\" height=\"300\" /></a><em>Dyschronia</em>, the brilliant seventh album by prolific German experimentalist <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> is now officially out! The album is available via <a title=\"Bandcamp\" href=\"https://markusmehr.bandcamp.com/album/dyschronia\" target=\"_blank\">Bandcamp </a>in digital and limited edition cassette formats and available for streaming and download via the usual 3rd party stores.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory... Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on <em>Binary Rooms</em></strong>\r\n\r\n<em>Dyschronia</em> is a complex, musically exhilarating exploration of our modern perception of time. As our temporal relationships have become unmoored from natural rhythms, we experience profound disconnection and distortion, leaving us disoriented and disturbed. Mehr crafted the seven pieces over the course of more than five years, resulting in a dizzying collage of sound that both conveys and charts a path through digital consciousness.\r\n\r\n<em>Dyschronia</em> simultaneously employs and dissolves electronic markers, creating a heady and at times groundless ride. As with all Mehr’s work, the album is challenging yet incredibly satisfying, shot through with moments of quite staggering beauty, such as the haunting acoustic guitar melody in ‘Dyschronia 4’. At the album’s conclusion, the sample “Why didn’t you destroy the tapes?” speaks to our inability to escape surveillance, our very lives enmeshed in the technology we have created in our attempts at liberation.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/314795650&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Markus Mehr\'s \"Dyschronia\" Out Now!','','publish','closed','closed','','markus-mehr-dyschronia','','','2017-05-16 14:26:58','2017-05-16 06:26:58','',0,'http://www.hiddenshoal.com/?p=15445',0,'post','',0),(15446,1,'2017-05-16 14:22:09','2017-05-16 06:22:09','','Dyschronia','','inherit','closed','closed','','dyschronia','','','2017-05-16 14:22:20','2017-05-16 06:22:20','',15445,'http://www.hiddenshoal.com/wp-content/uploads/2017/05/Dyschronia.jpg',0,'attachment','image/jpeg',0),(15447,1,'2017-05-16 14:25:17','2017-05-16 06:25:17','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/05/Dyschronia.jpg\"><img class=\"alignleft size-medium wp-image-15446\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/05/Dyschronia-300x300.jpg\" alt=\"Dyschronia\" width=\"300\" height=\"300\" /></a><em>Dyschronia</em>, the brilliant seventh album by prolific German experimentalist <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> is now officially available. The album is available via <a title=\"Bandcamp\" href=\"https://markusmehr.bandcamp.com/album/dyschronia\" target=\"_blank\">Bandcamp </a>in digital and limited edition cassette formats and available for streaming and download via the usual 3rd party stores.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory... Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on <em>Binary Rooms</em></strong>\r\n\r\n<em>Dyschronia</em> is a complex, musically exhilarating exploration of our modern perception of time. As our temporal relationships have become unmoored from natural rhythms, we experience profound disconnection and distortion, leaving us disoriented and disturbed. Mehr crafted the seven pieces over the course of more than five years, resulting in a dizzying collage of sound that both conveys and charts a path through digital consciousness.\r\n\r\n<em>Dyschronia</em> simultaneously employs and dissolves electronic markers, creating a heady and at times groundless ride. As with all Mehr’s work, the album is challenging yet incredibly satisfying, shot through with moments of quite staggering beauty, such as the haunting acoustic guitar melody in ‘Dyschronia 4’. At the album’s conclusion, the sample “Why didn’t you destroy the tapes?” speaks to our inability to escape surveillance, our very lives enmeshed in the technology we have created in our attempts at liberation.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/314795650&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','','','inherit','closed','closed','','15445-revision-v1','','','2017-05-16 14:25:17','2017-05-16 06:25:17','',15445,'http://www.hiddenshoal.com/15445-revision-v1/',0,'revision','',0),(15448,1,'2017-05-16 14:26:09','2017-05-16 06:26:09','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/05/Dyschronia.jpg\"><img class=\"alignleft size-medium wp-image-15446\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/05/Dyschronia-300x300.jpg\" alt=\"Dyschronia\" width=\"300\" height=\"300\" /></a><em>Dyschronia</em>, the brilliant seventh album by prolific German experimentalist <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> is now officially out! The album is available via <a title=\"Bandcamp\" href=\"https://markusmehr.bandcamp.com/album/dyschronia\" target=\"_blank\">Bandcamp </a>in digital and limited edition cassette formats and available for streaming and download via the usual 3rd party stores.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory... Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on <em>Binary Rooms</em></strong>\r\n\r\n<em>Dyschronia</em> is a complex, musically exhilarating exploration of our modern perception of time. As our temporal relationships have become unmoored from natural rhythms, we experience profound disconnection and distortion, leaving us disoriented and disturbed. Mehr crafted the seven pieces over the course of more than five years, resulting in a dizzying collage of sound that both conveys and charts a path through digital consciousness.\r\n\r\n<em>Dyschronia</em> simultaneously employs and dissolves electronic markers, creating a heady and at times groundless ride. As with all Mehr’s work, the album is challenging yet incredibly satisfying, shot through with moments of quite staggering beauty, such as the haunting acoustic guitar melody in ‘Dyschronia 4’. At the album’s conclusion, the sample “Why didn’t you destroy the tapes?” speaks to our inability to escape surveillance, our very lives enmeshed in the technology we have created in our attempts at liberation.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/314795650&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','','','inherit','closed','closed','','15445-revision-v1','','','2017-05-16 14:26:09','2017-05-16 06:26:09','',15445,'http://www.hiddenshoal.com/15445-revision-v1/',0,'revision','',0),(15449,1,'2017-05-16 14:26:58','2017-05-16 06:26:58','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/05/Dyschronia.jpg\"><img class=\"alignleft size-medium wp-image-15446\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/05/Dyschronia-300x300.jpg\" alt=\"Dyschronia\" width=\"300\" height=\"300\" /></a><em>Dyschronia</em>, the brilliant seventh album by prolific German experimentalist <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> is now officially out! The album is available via <a title=\"Bandcamp\" href=\"https://markusmehr.bandcamp.com/album/dyschronia\" target=\"_blank\">Bandcamp </a>in digital and limited edition cassette formats and available for streaming and download via the usual 3rd party stores.\r\n\r\n<em>“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory... Totally mesmerizing and beautiful.”</em> – <strong>Decoder Magazine on <em>Binary Rooms</em></strong>\r\n\r\n<em>Dyschronia</em> is a complex, musically exhilarating exploration of our modern perception of time. As our temporal relationships have become unmoored from natural rhythms, we experience profound disconnection and distortion, leaving us disoriented and disturbed. Mehr crafted the seven pieces over the course of more than five years, resulting in a dizzying collage of sound that both conveys and charts a path through digital consciousness.\r\n\r\n<em>Dyschronia</em> simultaneously employs and dissolves electronic markers, creating a heady and at times groundless ride. As with all Mehr’s work, the album is challenging yet incredibly satisfying, shot through with moments of quite staggering beauty, such as the haunting acoustic guitar melody in ‘Dyschronia 4’. At the album’s conclusion, the sample “Why didn’t you destroy the tapes?” speaks to our inability to escape surveillance, our very lives enmeshed in the technology we have created in our attempts at liberation.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/314795650&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Markus Mehr\'s \"Dyschronia\" Out Now!','','inherit','closed','closed','','15445-revision-v1','','','2017-05-16 14:26:58','2017-05-16 06:26:58','',15445,'http://www.hiddenshoal.com/15445-revision-v1/',0,'revision','',0),(15450,1,'2017-05-16 14:28:57','2017-05-16 06:28:57','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Markus Mehr</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Press-1-Markus-Mehr-Foto-by-Frauke-Wichmann.jpg\"><img class=\"alignleft size-medium wp-image-15376\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Press-1-Markus-Mehr-Foto-by-Frauke-Wichmann-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" /></a><em>“... prepare for a shuddering, near chaotic, kaleidoscopic </em><em>experience as Mehr challenges our and his own </em><em>preconceptions of what “electronica” is, what it represents </em><em>and of what his instrumentation can achieve.”<strong> – Delusions of Adequacy</strong></em>\r\n\r\nMarkus Mehr’s debut, <em>Lava</em>, holds true to its title – it is a dense, steaming surge of glue-thick sound. But, after any destructive force there is new growth. Green shoots of melody arc out of the surface and populate the terrain as new possibilities emerge. <span class=\"_5yl5\" data-reactid=\".27.$mid=11404191394044=243362f841034556913.2:0.0.0.0.0\"><span class=\"null\">His follow-up triptych of works (<em>In</em>, <em>On</em> and <em>Off</em>) brought another level of conceptual and sonic experimentation to the table, advancing his stature in the field of contemporary experimental music.</span></span>\r\n\r\n<a title=\"Facebook\" href=\"http://www.facebook.com/markus.mehr\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/MarkusMehr\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/markus-mehr\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.markusmehr.de/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/us/album/binary-rooms/id924187856?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Dyschronia</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=774256714/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/dyschronia\">DYSCHRONIA by Markus Mehr</a></iframe>\r\nMay 2017\r\n\r\n<em>Dyschronia</em> is a complex, musically exhilarating exploration of our modern perception of time. As our temporal relationships have become unmoored from natural rhythms, we experience profound disconnection and distortion, leaving us disoriented and disturbed. Mehr crafted the seven pieces over the course of more than five years, resulting in a dizzying collage of sound that both conveys and charts a path through digital consciousness.\r\n\r\n<em>Dyschronia</em> simultaneously employs and dissolves electronic markers, creating a heady and at times groundless ride. As with all Mehr’s work, the album is challenging yet incredibly satisfying, shot through with moments of quite staggering beauty, such as the haunting acoustic guitar melody in ‘Dyschronia 4’. At the album’s conclusion, the sample “Why didn’t you destroy the tapes?” speaks to our inability to escape surveillance, our very lives enmeshed in the technology we have created in our attempts at liberation.\r\n\r\n&nbsp;\r\n<div></div>\r\n<div></div>\r\n<h4>Re-Directed</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=799048543/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/re-directed\">RE DIRECTED by Markus Mehr</a></iframe>\r\nApril 2016\r\n\r\n<em>Re-Directed</em> is a confrontational soundwork of digital surrealism, underpinned by a potent and timely theme: our dependence upon digital technology and communication, and how this dependence renders us vulnerable to exploitation. The project originated as an audiovisual performance with long-time collaborator Stefanie Sixt, for which Markus Mehr recorded hours of sound from servers, hard disks and mobile phones using induction microphones, rendering the inaudible audible and bringing the background noise of digital life into focus. Mehr’s lens is trained on our uncritical reliance upon the invisible systems that infiltrate our everyday lives, silently eating away at our capacity for self-determination.\r\n\r\nPerhaps the most confrontational and abstract release in Mehr’s discography thus far, <em>Re-Directed</em> challenges the narrow confines of music, moving towards the realm of musique concrète. It demands active engagement from the listener, alongside acknowledgement of its conceptual nature. As challenging and complex as it may be, <em>Re-Directed</em> is an incredibly powerful and immersive listening experience for those willing to undertake the journey on Mehr’s terms.\r\n\r\n&nbsp;\r\n<div></div>\r\n<div></div>\r\n<h4>In The Palm Of Your Hand - The Remix EP</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4074111254/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in-the-palm-of-your-hand-the-remix-ep\">In The Palm Of Your Hand - The Remix EP by Markus Mehr</a></iframe>\r\nOctober 2015\r\n\r\n<em>In the Palm of Your Hand – The Remix EP</em> brings together four unique remixes of the track ‘In the Palm of Your Hand’, lifted from Mehr’s latest album, <em>Binary Rooms</em>.\r\n\r\nThe original album mix of ‘In the Palm of Your Hand’ maps out the dichotomy at the heart of <em>Binary Rooms</em>. While plaintive piano chords suggest openness and possibility, they’re perpetually hemmed in by a claustrophobic industrial throb, creating a tension that aches to be resolved. The first remix, by Hamburg duo <a title=\"incite/\" href=\"http://www.incite.hamburg/\" target=\"_blank\">incite/</a>, ramps up the tension by slicing and dicing the ambient throb into a glitchy tapestry and smothering the piano in sonic gauze. <a title=\"Conga Fever\" href=\"https://soundcloud.com/congafever\" target=\"_blank\">Conga Fever</a> dials back the ambience and juxtaposes the piano against a sun-dappled beatscape. Hidden Shoal labelmate <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\" target=\"_blank\">Erik Nilsson</a> makes the piano the focus, bringing in field recordings to create the feeling of a beautiful jazz improvisation taking place on a demolition site. And finally, <a title=\"David Kochs\" href=\"https://soundcloud.com/davidkochs\" target=\"_blank\">David Kochs</a>’ remix filters the haze of the original into sharp yet dreamy minimal techno.\r\n<div></div>\r\n<div></div>\r\n<h4>Gymnasium​/​Swarms - Live with Orchestra</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=641842681/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/gymnasium-swarms-live-with-orchestra\">Gymnasium/Swarms - Live with Orchestra by Markus Mehr</a></iframe>\r\nSeptember 2015\r\n<div></div>\r\n‘Gymnasium/Swarms Live with Orchestra’ is a an amazing re-working of the original track, which appears in its original form on Mehr’s latest album, Binary Rooms. This special performance includes live orchestra and choir along with visuals by Stefanie Sixt.\r\n\r\nAs Markus Mehr explains in a new interview with Hidden Shoal’s Matthew Tomich, the live performance of ‘Gymnasium/Swarms’, which opened this year’s Modular Festival in Augsburg, Germany, involved Mehr’s collaboration with conductor Michael Kamm, plus the Modular Orchestra and Chamber Choir of Augsburg University. The live video by Florian Strandl depicts the musicians masterful reinterpretation of the music’s evocative, beatless soundworld via the clever use of clocks and Michael Kamm’s conducting. From rustling paper and shuffling feet, to gorgeous sustained choral tones and vibraphone, ‘Gymnasium/Swarms Live with Orchestra’ is a unique performance of a deeply evocative piece of sound art.\r\n<div></div>\r\n<div></div>\r\n<h4>To Set The River On Fire</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe>\r\nFebruary 2015\r\n<div></div>\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<div></div>\r\n<div></div>\r\n<h4>Binary Rooms</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3445084080/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/binary-rooms\">Binary Rooms by Markus Mehr</a></iframe>\r\nOctober 2014\r\n<div></div>\r\nMehr’s work has seen a subtle shift in scale across his five studio albums. From the widescreen cosmic vistas of <em>Lava</em> to some of the more intimate moments of his 42-minute single-track opus <em>Off</em>, Mehr has now come to examine the most challenging space yet – that of our everyday lives and the spatial narratives that surround us. Mehr’s music has always possessed a keen sense of and negotiation with scale, and on <em>Binary Rooms</em> he challenges notions of personal space, juxtaposing the human against the industrial, the gentle and intimate against the jolting and harsh. Mehr acts as a fragment hunter, meshing machine-like tones with the discarded elements of humanity; narrative with anti-narrative. On <em>Binary Rooms</em> he manages to create a spatial remix – a striking re-design of aural reality filled with a living, digital biology. Experimental filmmaker and Markus Mehr collaborator <a href=\"https://vimeo.com/sixtsense/videos\">Stefanie Sixt</a> has created a stunning new video work for the track \'Gymnasium/Swarms\' which can be viewed in full at <a href=\"https://vimeo.com/105644655\" rel=\"lightbox-video-0\">Vimeo.</a>\r\n<div></div>\r\n<div></div>\r\n<h4>Off</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 170px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=398032740/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/off\">Off by Markus Mehr</a></iframe>\r\nJanuary 2013\r\n<div></div>\r\n<em>Off</em>  by German experimental ambient artist Markus Mehr, is the third and final part of a trilogy that includes the critically acclaimed releases <em>In</em> and <em>On</em>. <em>Off</em>  is not only the culmination of Markus Mehr’s trilogy, but it may also be the culmination of his career’s work thus far. The single-track album begins in silence, as a thrumming loop gradually emerges. From there, a beautiful piano refrain is introduced, noise ebbs and flows, threatening to engulf the piece, while field recordings and swooningly transportive synth patterns drift into focus. During its 42-minute runtime, the piece immerses the listener in a dizzyingly beautiful soundworld that’s ever-shifting. Certain passages allude to other sequences and samples in the preceding albums, linking the three albums into a kaleidoscopic mobius strip.\r\n<div></div>\r\n<div></div>\r\n<h4>On</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2332510059/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/on\">On by Markus Mehr</a></iframe>\r\nJuly 2012\r\n<div></div>\r\nThe new album <em>On</em> by German experimental ambient artist Markus Mehr, forms the second part of a triptych that also includes recent release <em>In</em> and the forthcoming <em>Off</em>. <em>On</em> is a continuation of the experimental direction of Markus Mehr’s previous releases, with eight diverse tracks employing samples, field recordings and slathers of Mehr’s trademark distorted drones. This approach is apparent right from opener ‘Gonna Make You Mine’, as scything slashes of sound leap from the speakers. Single ‘Flaming Youth’ counterbalances fragments of static against a gorgeous sleepy-eyed loop of mangled lounge-jazz. A track as expansive and moving as ‘Duck Became Swan’ is followed by brief rhythmic piece ‘Olympia’. This tightrope walk between dizzying samples and exacting digital manipulation is walked with aplomb throughout <em>On</em>’s adventurous and thrilling 45-minute runtime. <em>On</em> is preceded by <em>In</em>, the first part of the triptych, which comprises two monumental tracks, ‘Komo’ and ‘Ostinato’, each of which clocks in at around 25 minutes, circling around and building upon hypnotic instrumental motifs. The final part of the triptych, Off, released on 24 January 2013, includes the most epic piece yet, ‘Transit’, which clocks in at 49 minutes and will be performed live in collaboration with video artist Stefanie Sixt, who created the video to Mehr’s single ‘Cousteau’.\r\n<div></div>\r\n<div></div>\r\n<h4>In</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 210px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4000928914/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/in\">In by Markus Mehr</a></iframe>\r\nJanuary 2012\r\n<div></div>\r\nMarkus Mehr follows up his stunning debut album <em>Lava</em> with three new releases released over a 12 month period. In is the first part of the triptych, comprising two monumental tracks, ‘Komo’ and ‘Ostinato’, each of which clocks in at around 25 minutes, circling around and building upon hypnotic instrumental motifs. ‘Komo’ gradually emerges from silence, its distant, filtered throb reluctantly revealing its source material – a heartbreaking string part whose emotional impact intensifies as the loop clarifies. ‘Ostinato’ is an altogether darker, gnarlier experience, its string loops chewed into distorted knots which are highlighted by treated guitars and crafted electronics. The second part, <em>On</em>, released on 21 June 2012, takes a more experimental direction, with eight diverse tracks employing samples, field recordings and slathers of Mehr’s trademark distorted drones. And finally, <em>Off</em>, released on 24 January 2013, includes the most epic piece yet, ‘Transit’, which clocks in at 49 minutes and will be performed live in collaboration with video artist Stefanie Sixt, who created the video to Mehr’s single ‘Cousteau’.\r\n<div></div>\r\n<div></div>\r\n<h4>Lava</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=634202850/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/lava\">Lava by Markus Mehr</a></iframe>\r\nAugust 2010\r\n<div></div>\r\n<em>Lava</em> holds true to its title – it is a dense surge of glue-think sound, making new paths as it pushes through the landscape. But, after any destructive force there is new growth. Green shoots of melody arc out of the surface and populate the terrain as new possibilities emerge. A new master of heartbreaking ambient drone has arrived. These tracks evoke time spent transfixed, gazing through a giant looking glass, waiting wide-eyed as new discoveries are revealed in the album’s textured contours. On epic opener ‘Agenda’, layers of gorgeous synth gradually accumulate into a gloriously massive chord. On single ‘Hubble’, a bedrock of fuzzed drone is decorated with glistening counter-melodies, tracing shards of light across the coal-black skies. ‘Softwar’ builds and then falls away, only to return with a spine-tingling theme that crumbles under its own majesty. <em>Lava</em>’s ability to both suspend the listener in its abstracted liquid vapours and at the same time imprint its affecting narrative is a special thing. It is one of those albums whose emotional impact stays with you long after you feel its last touch.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nBased in Augsburg, south Germany, Markus Mehr’s musical journey began with the guitar. He grew up listening to bands like Black Sabbath and AC/DC, before turning his ears to darker sounds and the ethereal, experimental pop of David Sylvian. After recording and touring with several bands, he struck out on his own with home studio project Aroma.\r\n\r\nNow working under his own name, Mehr wrote and recorded his debut album <em>Lava</em> at his home studio using guitars and synths, plus any noise-making accoutrements at hand – electric shavers, ventilators, electric tooth brushes and field recordings –all processed and distorted to create a gorgeous wall of sound, akin to the classic ’70s Kosmische music of Klaus Schulze and Tangerine Dream, but also the contemporary masters of textured luminosity, Fennesz and Tim Hecker. His follow up albums, <em>In</em>, <em>On</em> and <em>Off </em> pushed the sonic and structural envelope even further and created a triptych of works that stands amongst the most engaging contemporary experimental music of our days.\r\n\r\nMehr’s extensive live performances across Europe include collaborations with visual artist Stefanie Sixt and performances in churches, galleries and large disused gas tanks amongst the more traditional festival shows.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n\r\n&nbsp;\r\n<h3>News</h3>\r\n[catlist name=markus-mehr content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=markus-mehr-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Slow Dancing Society Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/markus-mehr-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Live_In_Bari.pdf\"><em>Live in Bari</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Off.pdf\"><em>Off</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Duck_Became_Swan.pdf\">‘Duck Became Swan’ Single Release and Music Video</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-Flaming_Youth.pdf\">‘Flaming Youth’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr-In.pdf\"><em>In</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Cousteau.pdf\">‘Cousteau’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Lava_Digital_Release.pdf\"><em>Lava</em> Album Digital Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Hubble_Single.pdf\">‘Hubble’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Markus_Mehr_Signing.pdf\">Markus Mehr Signs to Hidden Shoal</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"10433,10435,9020,9021,9022,9023,9024,9025,9019,15376\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://player.vimeo.com/video/158045979\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/NNOsYOGPyik?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/Ghve0iRVjOI?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/dGRCY37hMm4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/PcfMLHZZomw?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/1jIYi486n0c?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMarkus Mehr\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Markus Mehr','','inherit','closed','closed','','9007-revision-v1','','','2017-05-16 14:28:57','2017-05-16 06:28:57','',9007,'http://www.hiddenshoal.com/9007-revision-v1/',0,'revision','',0),(15452,1,'2017-05-16 14:37:00','2017-05-16 06:37:00','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2017\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2017</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dyschronia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-15446\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/05/Dyschronia-300x300.jpg\" alt=\"Dyschronia\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<i>Dyschronia</i>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Washington Hebrew\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/washington-hebrew/\"><img class=\"alignnone wp-image-15427 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/04/Washington-Hebrew-Cover-Art-300x300.jpg\" alt=\"Washington Hebrew\" width=\"300\" height=\"300\" /></a>\r\nWashington Hebrew\r\n<em>Washington Hebrew</em>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Sound of Lights When Dim Reissue\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-15279 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/02/The-Sound-Of-Lights-When-Dim-Cover-Art-300x300.jpg\" alt=\"The Sound Of Lights When Dim (2017)\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Sound Of Lights When Dim</em> (2017 Reissue)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2016\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2016</h3>\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eat Your Friends\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"https://hiddenshoal.bandcamp.com/album/eat-your-friends\"><img class=\"alignnone wp-image-15227 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/12/Eat-Your-Friends-Cover-Art-300x300.jpg\" alt=\"Eat Your Friends\" width=\"300\" height=\"300\" /></a>\r\nVarious Hidden Shoal Artists\r\n<em>Eat Your Friends</em> (2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Chansons\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/joe-sampson/\"><img class=\"alignnone wp-image-15209 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Chansons-de-Parade-Cover-Art-300x300.jpg\" alt=\"Chansons de Parade\" width=\"300\" height=\"300\" /></a>\r\nJoe Sampson\r\n<em>Chansons de Parade</em> (2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Iso Remixes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><img class=\"alignnone wp-image-15149 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/11/Isometrik-Remixes-Cover-300x300.png\" alt=\"Isometrik Remixes\" width=\"300\" height=\"300\" /></a>\r\nGlanko &amp; Daniel Bailey\r\n<em>Isometrik Remixes</em> (2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Whats The Story\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/craig-hallsworth/\"><img class=\"alignnone wp-image-15057 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/10/Whats-The-Story-With-This-Hole-Cover-Art-1000px-300x300.jpg\" alt=\"What\'s The Story With This Hole?\" width=\"300\" height=\"300\" /></a>\r\nCraig Hallsworth\r\n<em>What\'s The Story with This Hole?</em> (2016)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"gila man\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-14847 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/09/Gila-Man-Cover-Art-300x300.jpg\" alt=\"Todd Tobias - Gila Man\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Gila Man </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"songs of delay\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/joe-sampson/\"><img class=\"alignnone wp-image-14862 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/09/Songs-of-Delay-Cover-Art-300x300.jpg\" alt=\"Songs of Delay\" width=\"300\" height=\"300\" /></a>\r\nJoe Sampson\r\n<em>Songs of Delay </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Wagers\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-14666 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/07/The-Wagers-of-Love-and-Their-Songs-from-the-Witching-Hour-1400px-300x300.jpg\" alt=\"The Wagers of Love and Their Songs from the Witching Hour\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em> The Wagers Of Love And Their Songs From The Witching Hour</em> (2016)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Anthem\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/arc-lab/\"><img class=\"alignnone size-medium wp-image-14609\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/06/Anthem-Cover-1000px-300x300.jpg\" alt=\"Arc Lab &quot;Anthem&quot;\" width=\"300\" height=\"300\" /></a>\r\nArc Lab\r\n<em>Anthem </em>(2016)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Obsolete\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/memorybell/\"><img class=\"alignnone wp-image-14571 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Obsolete-Cover-Art-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" /></a>\r\nMemorybell\r\n<em>Obsolete </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Delicate Power\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone wp-image-14511 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art-300x300.jpg\" alt=\"Delicate Power (In The Hands of Others) Cover Art\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Delicate Power (In The Hands Of Others) </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Recollage\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><img class=\"alignnone wp-image-14296 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px-300x300.jpg\" alt=\"Recollage\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Recollage </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Into The Sparks\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-14483 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>Into The Sparks </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"isometrik\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><img class=\"alignnone size-medium wp-image-14392\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Isometrik-Cover-Art-300x300.jpg\" alt=\"Isometrik Cover Art\" width=\"300\" height=\"300\" /></a>\r\nGlanko and Daniel Bailey\r\n<em>Isometrik </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"re-directed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Re-Directed </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"glass dimly\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<em><a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"300\" height=\"300\" /></a></em>\r\nAntonymes\r\n<em>(For Now We See) Through A Glass Dimly </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"orpheus pavement\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-14243 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>The Orpheus Pavement </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2015\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2015</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"white guilt\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/crisis-actors/\"><img class=\"alignnone wp-image-13203 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/12/CA-cover-300x300.jpg\" alt=\"Crisis Actors - White Guilt, White Heat EP\" width=\"300\" height=\"300\" /></a>\r\nCrisis Actors\r\n<em>White Guilt, White Heat</em> (2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"long range\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"https://hiddenshoal.bandcamp.com/album/long-range-transmissions\"><img class=\"alignnone wp-image-13139 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/11/Long-Range-Transmissions-300.jpg\" alt=\"Long Range Transmissions\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Long Range Transmissions</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"forets\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-13061 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"forêts antiques\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>forêts antiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Palm\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-13050\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork-300x300.jpg\" alt=\"In The Palm of Your Hand - The Remix EP\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In The Palm of Your Hand - The Remix EP </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"AWMA\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/awma/\"><img class=\"alignnone wp-image-13036 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/AWMA-1000-300x300.jpg\" alt=\"AWMA EP\" width=\"300\" height=\"300\" /></a>\r\nAWMA\r\n<em>AWMA </em>(2015)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Extent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/battlestations/\"><img class=\"alignnone wp-image-12955 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/09/The-Extent-of-Damage-Cover-1200px-300x300.jpg\" alt=\"The Extent of Damage\" width=\"300\" height=\"300\" /></a>\r\nBattlestations\r\n<em>The Extent of Damage </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"New York\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/medard-fischer/\"><img class=\"alignnone size-medium wp-image-12847\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Cover-art-300x300.jpg\" alt=\"Four Songs for the City of New York\" width=\"300\" height=\"300\" /></a>\r\nMedard Fischer\r\n<em>Four Songs for the City of New York </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Troubled Mystic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/liminal-drifter/\"><img class=\"alignnone wp-image-12861 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Troubled-Mystic-Album-1000px-300x300.jpg\" alt=\"Liminal Drifter - Troubled Mystic\" width=\"300\" height=\"300\" /></a>\r\nLiminal Drifter\r\n<em>Troubled Mystic </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Olive Skinned\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/rew/\"><img class=\"alignnone wp-image-12249 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Olive-Skinned-Cover-1400x1400-pxl-300x300.jpg\" alt=\"Olive Skinned, Silver Tongued Sirens Sing Swan Songs\" width=\"300\" height=\"300\" /></a>\r\nREW&lt;&lt;\r\n<em>Olive Skinned, Silver Tongued Sirens Sing Swan Songs </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Pea Green\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/the-star-department/\"><img class=\"alignnone wp-image-12312 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Pea-Green-Boat-Cover-Art-1000px-300x300.jpg\" alt=\"The Pea Green Boat\" width=\"300\" height=\"300\" /></a>\r\nThe Star Department\r\n<em>The Pea Green Boat </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearing Things\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><img class=\"alignnone size-medium wp-image-12629\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Hearing-Things-Front-Cover-1000px-300x300.jpg\" alt=\"Erik Nilsson - Hearing Things\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Hearing Things </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Rough\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12669\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Rough-Cover-Art-1400px-300x300.jpg\" alt=\"Rough\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Rough </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Tristes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-12367 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Tristes-Tropiques-Cover-300px.jpg\" alt=\"Todd Tobias - Tristes Tropiques\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Tristes Tropiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"les limbes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/les-limbes/\"><img class=\"alignnone wp-image-12271 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Les-Limbes-EP-Cover-300px.jpg\" alt=\"Les Limbes EP\" width=\"300\" height=\"300\" /></a>\r\nLes Limbes\r\n<em>Les Limbes </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"fate\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-12109 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/03/Kramies-The-Fate-300px-300x300.jpg\" alt=\"Kramies \'The Fate That Never Favored Us\'\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Fate That Never Favored Us</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"river fire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-12036 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/To-Set-The-River-On-Fire-300px.jpg\" alt=\"To-Set-The-River-On-Fire-300px\" width=\"300\" height=\"300\" /></a>\r\nChloe March vs. Markus Mehr\r\n<em>To Set The River on Fire </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2014\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2014</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"dusk recital\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-11402 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/duskrecital_300.jpg\" alt=\"The Dusk Recital\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Dusk Recital</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"makee\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/makee/\"><img class=\"alignnone wp-image-11088 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Makee-EP-300px.jpg\" alt=\"Makee EP\" width=\"300\" height=\"300\" /></a>\r\nmakee\r\n<em>makee</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Nights Bright Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-11189 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Nights-Bright-Days-Cover-1000px-300x300.jpg\" alt=\"Nights Bright Days\" width=\"300\" height=\"300\" /></a>\r\nChloë March\r\n<em>Nights bright Days</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under The Day\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone size-medium wp-image-11191\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderTheDayCov350-300x300.jpg\" alt=\"Under The Day\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>Under The Day</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Enchanting Gaze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone wp-image-11190 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enchanting-Gaze-1000px-300x300.jpg\" alt=\"Enchanting Gaze\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Enchanting Gaze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-medium wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities 2\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-11192 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Impossible-Cites-2-1000px-300x300.jpg\" alt=\"Impossible Cites 2\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities 2</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Binary Rooms\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-10985 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - \" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Binary Rooms</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deconstruction Manual\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\"><img class=\"alignnone wp-image-10803 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Deconstruction Manual</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"In Between\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-10470 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/In-Between-Cover-1000px-300x300.jpg\" alt=\"Kryshe - In Between\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>In Between</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Revolving Maze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignnone wp-image-10715 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Revolving-Maze-Front-Cover-300x300.jpg\" alt=\"Revolving Maze\" width=\"300\" height=\"300\" /></a>\r\nInvolved\r\n<em>Revolving Maze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Positive Haywires\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignnone size-medium wp-image-10728\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Positive-Haywires-Front-Cover-1000px-300x300.jpg\" alt=\"Positive Haywires\" width=\"300\" height=\"300\" /></a>\r\nBrother Earth\r\n<em>Positive Haywires</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under Songs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/draliensmith/\"><img class=\"alignnone wp-image-10373 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderSongsCoverArt-300x300.jpg\" alt=\"Under Songs\" width=\"300\" height=\"300\" /></a>\r\nDrAlienSmith\r\n<em>Under Songs</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Cogent Sea</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Growing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-11052 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Growing-Cover-300x300.jpg\" alt=\"Growing\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Growing</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em> The Folklore Sessions</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone wp-image-9399 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /></a>\r\nperth\r\nWhere\'s Utopia (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2013\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2013</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a>\r\nperth\r\n<em>What’s Your Utopia?</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"No True Beauty\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/NO-TRUE-BEAUTY-300x300.jpg\" alt=\"There Can Be True Beauty Without Decay\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>There Can Be No True Beauty Without Decay </em></em>(2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Voices Out There</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Wooden Heart</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Live in Bari</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Let\'s Adjourn To The Garden</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope III\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12430 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemacope-III-cover-CMYK-300x300.jpg\" alt=\"Cinemacope III\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope III</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias &amp; Circus Devils\r\n<em>I Razor </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em>Quarrels</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Off</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2012\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2012</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>East of Monument </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>The Road To The Crater </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope II\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone wp-image-12434 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover1-300x300.jpg\" alt=\"Cinemascope II\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope II</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>Terrane </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Laterna Magica</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>On</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Un Giorno Sospeso</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dreamland\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone size-medium wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Dreamland </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope I\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-12433 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemascope-I-Cover-1000px-300x300.jpg\" alt=\"Cinemascope I\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope I</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Medicine Show </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Light Dispersed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11492\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIGHT-DISPERSED-300x300.jpg\" alt=\"Light Dispersed\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Light Dispersed </em>(2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2011\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2011</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The European</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Remixed</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a>\r\nAntonymes meets Slow Dancing Society\r\n<em><em>We Don’t Look Back For Very Long</em> </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Letters From The Coast </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hong Kong\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone wp-image-12038 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Hong-Kong-Express-Cover-Art-1400px-300x300.jpg\" alt=\"Hong Kong Express\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\n<em>Hong Kong Express </em>(2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Like Rumours\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIKE-RUMOURS-300x300.jpg\" alt=\"Like Rumours Of Hushed Thunder\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Like Rumours Of Hushed Thunder</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>A Frame of Reference</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"casino\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone wp-image-12431 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/On-The-Casino-Floor-Cover-300x300.jpg\" alt=\"On The Casino Floor\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>On The Casino Floor</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Now We\'re Active</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Lost in Waves of Light </em></em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>The Licence To Interpret Dreams </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>The Stones And The Rabbits</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"hears like a bat\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12428 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Heart-That-Hears-Like-A-Bat-Cover-Art-1-300x300.jpg\" alt=\"The Heart That Hears Like A Bat\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>The Heart That Hears Like A Bat</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2010\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2010</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em><em>Under The Sodium Lights </em></em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Lava </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>Heresy and Rite</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Before The Light Fails\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/BEFORE-THE-LIGHT-FAILS-300x300.jpg\" alt=\"31: Before The Light Fails\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>31: Before The Light Fails</em> (2010)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2009\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2009</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"beauty becomes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone wp-image-14754 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Beauty-Artwork-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Beauty Becomes The Enemy Of The Future </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em><em>Unknown Knowns </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>I Haven’t Got It In Me</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"soundcheck\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12040\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Soundcheck_Mp3-300x300.jpg\" alt=\"Soundcheck For A Missing Movie\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Soundcheck For A Missing Movie</em> (2009)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Umpire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-medium wp-image-11478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Umpire-EP-Cover-Art-1000px-300x300.jpg\" alt=\"Umpire\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Umpire</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Chromatic Sigh</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a>\r\nDown Review\r\n<em>From Here, For Anyone</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em><em>Apricot Rail </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>That Time</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a>\r\nSleeping Me\r\n<em>Cradlesongs</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearts\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/hotels/\"><img class=\"alignnone wp-image-12426 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Where-Hearts-Go-Broke-mp3-300x300.jpg\" alt=\"Where Hearts Go Broke\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Where Hearts Go Broke</em>  (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2008\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2008</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Too Late, The Day</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"touch me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone size-medium wp-image-12039\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Touch-Me-Cover-Art-1400px-300x300.jpg\" alt=\"Touch me and i will save you\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\nTouch me and i will save you (2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Priest Lake Circa \'88 </em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a>\r\nThe Slow Beings\r\n<em>We Know Why The Earth Moves</em>  (2008)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em><em>Evergreen </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Our Man in Eden Hill</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2007\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2007</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>September 16th </em>(2007)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Slow And Steady Winter</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a>\r\nCheekbone\r\n<em><em>Yesterday </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Restless </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Fining</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em><em>It\'s Now Or Later </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes &amp; Ponds\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a>\r\nThe Hero Cycle\r\n<em>Lakes and Ponds </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2006\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2006</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Sound Of Lights When Dim</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>Golden Days </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a>\r\nEnargeia\r\n<em><em>UFO: Stryker Force </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a>\r\nMotor Eye\r\n<em>Motor Eye </em>(2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>Slow Attack</em> (2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Up Down Up </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em><em>Ideas Are The Answer </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a>\r\nWayne Harriss\r\n<em>Aerospace</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2005\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2005</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Thank You For Choosing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone wp-image-12424 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover-300x300.jpg\" alt=\"Thank You For Choosing...\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Thank You For Choosing</em> (2005)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2003\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2003</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Mapping the static\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-medium wp-image-11477\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Mapping-The-Static-Cover-Art-1000px-300x300.jpg\" alt=\"Mapping The Static\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em>Mapping The Static</em> (2003)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','closed','','8417-revision-v1','','','2017-05-16 14:37:00','2017-05-16 06:37:00','',8417,'http://www.hiddenshoal.com/8417-revision-v1/',0,'revision','',0),(15454,1,'2017-05-30 13:33:56','2017-05-30 05:33:56','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141.jpg\"><img class=\"alignleft  wp-image-9155\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141-300x300.jpg\" alt=\"Slow Dancing Society\" width=\"221\" height=\"221\" /></a>\'<a title=\"Overture\" href=\"https://soundcloud.com/hidden_shoal/slow-dancing-society-overture\" target=\"_blank\">Overture</a>\' is the first taste of the forthcoming <em>Lilac Lullabies</em>, the first in a series of four new <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a> EPs. The EP follows hot on the heels of the reissue of his acclaimed debut album <em><a title=\"The Sound of Lights When Dim\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">The Sound of Lights When Dim</a>.</em> Each of the new EPs will be released digitally, one per month from June to September 2017, with the four EPs released collectively on double vinyl later in the year. \'Overture\' is available now for streaming on <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/slow-dancing-society-overture\" target=\"_blank\">SoundCloud </a>and the EP is available for pre-order via <a title=\"Bandcamp\" href=\"https://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\" target=\"_blank\">Bandcamp</a>.\r\n\r\n<em>Lilac Lullabies</em> is a concise, five-song serving of SDS’s sensual, free-flowing ambient. It revisits the atmospheric feel of earlier albums <em>The Sound of Lights When Dim</em>, <em>The Slow and Steady Winter</em> and <em>Priest Lake Circa ’88</em>, with a delicious sense of space and restraint. Centrepiece ‘A Quiet Storm’ reaches heavenwards with its Gilmour-esque guitar lines, while ‘Before We Wake’ is a meditation on weightlessness, with gently pulsing bass and an ephemeral shroud of synth. And ‘The Dusty Morning Light’ brings the EP to a reflective close with its beautifully wistful Mellotron line.\r\n\r\nSlow Dancing Society is Washington-based producer and musician Drew Sullivan, who has released 7 albums on Hidden Shoal over the last 11 years. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/324396478&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Slow Dancing Society Single and EP Pre-Order','','publish','closed','closed','','new-slow-dancing-society-single-and-forthcoming-ep','','','2017-05-30 13:37:12','2017-05-30 05:37:12','',0,'http://www.hiddenshoal.com/?p=15454',0,'post','',0),(15455,1,'2017-05-30 11:12:00','2017-05-30 03:12:00','','New Slow Dancing Society Single and Forthcoming EP','','inherit','closed','closed','','15454-revision-v1','','','2017-05-30 11:12:00','2017-05-30 03:12:00','',15454,'http://www.hiddenshoal.com/15454-revision-v1/',0,'revision','',0),(15456,1,'2017-05-30 12:59:43','2017-05-30 04:59:43','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Slow Dancing Society</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-9141\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-2014-300x300.jpg\" alt=\"Slow Dancing Society\" width=\"259\" height=\"259\" /></a><em>““a complexity of sound that allows it to stand out from traditionally ambient music… It is easy to get dissolved in this album, to let yourself fall into meditation as the music plays… an aural delight”</em> –<strong> The Silent Ballet </strong>\r\n\r\nSlow Dancing Society is Washington-based producer and musician Drew Sullivan. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n\r\n<a href=\"https://geo.itunes.apple.com/us/artist/slow-dancing-society/id204837919?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>  <a title=\"Facebook\" href=\"https://www.facebook.com/pages/Slow-Dancing-Society/260874147036?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SoundOfElegance\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/soundofelegance\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"https://open.spotify.com/artist/4DTUmkn8z1XIzHPr5b0yEc\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Lilac Lullabies EP Pre-Order</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1900339131/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\">I • Lilac Lullabies by Slow Dancing Society</a></iframe>\r\n16th June 2017\r\n<div></div>\r\nFollowing hot on the heels of the reissue of his acclaimed debut album <em>The Sound of Lights When Dim</em>, Drew Sullivan presents <em>Lilac Lullabies</em>, the first in a series of four new Slow Dancing Society EPs, lovingly mastered by Taylor Deupree. Each of the EPs will be released digitally, one per month from June to September 2017, with the four EPs released collectively on double vinyl later in the year.\r\n\r\n<em>Lilac Lullabies</em> is a concise, five-song serving of SDS’s sensual, free-flowing ambient. It revisits the atmospheric feel of earlier albums <em>The Sound of Lights When Dim</em>, <em>The Slow and Steady Winter</em> and <em>Priest Lake Circa ’88</em>, with a delicious sense of space and restraint. Centrepiece ‘A Quiet Storm’ reaches heavenwards with its Gilmour-esque guitar lines, while ‘Before We Wake’ is a meditation on weightlessness, with gently pulsing bass and an ephemeral shroud of synth. And ‘The Dusty Morning Light’ brings the EP to a reflective close with its beautifully wistful Mellotron line.\r\n\r\n&nbsp;\r\n<h4>The Sound of Lights When Dim (2017 Remaster)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4072769729/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-sound-of-lights-when-dim-2017-remaster\">The Sound of Lights When Dim (2017 Remaster) by Slow Dancing Society</a></iframe>\r\n28th February 2017\r\n<div></div>\r\nFirst released back in 2006, <em>The Sound of Lights When Dim</em> was one of Hidden Shoal’s most acclaimed early releases, landing on many ‘best of’ ambient lists. It introduced Drew Sullivan as an artist capable of imbuing minimal ambient compositions with enviable depth and emotion. While he has gone on to release another six full-length albums, his debut album still stands among his best work, unfolding as one long sumptuous ride towards a fading horizon.\r\n\r\nAs with Eno’s finest moments and Sylvian’s ambient explorations, <em>The Sound of Lights When Dim</em> manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling, while never sullying itself with literality or simple documentation. The fact that album track ‘A Song That Will Help You Remember to Forget’ has been streamed over 5 million times on Spotify speaks to the album’s lasting appeal.\r\n\r\n<em>The Sound of Lights When Dim</em> is available as a limited edition clear vinyl and in digital formats. To coincide with the release, the reissue is accompanied by a set of remixes of tracks from the original album by Echo Grid, Antonymes, Fr33dom People, Candlepark Stars, Startle the Heavens, Spenzar, Chloe March, and Monte Xannic.\r\n\r\n&nbsp;\r\n<h4>The Wagers Of Love And Their Songs From The Witching Hour</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2556548653/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-wagers-of-love-and-their-songs-from-the-witching-hour\">The Wagers of Love and Their Songs from the Witching Hour by Slow Dancing Society</a></iframe>\r\n23rd August 2016\r\n<div></div>\r\nOn his seventh full-length release as Slow Dancing Society, Drew Sullivan’s sound continues to evolve. This 19-track epic meshes the warm, rich SDS sound with a new set of textures, bringing these musical snapshots into vivid definition. Trumpet and saxophone nestle amidst lyrical guitar lines, pulsing rhythms and expansive synths, creating an immersive and melancholy listen, tempered with rays of hope.\r\n\r\nSullivan’s work is as cinematic as ever, yet here he’s scoring a more personal film. Profoundly influenced by Sullivan’s experience of becoming a father for the first time, the album took shape around the creation of single ‘The Color of Despair’. The track distilled his anxieties about his new life and responsibilities, and became ground zero for the album’s sound and production, with many other songs on the album evolving out of its instrumentation and feel. The ambient lyricism present here is a testament to the narrative possibilities of instrumental music, resulting in a strikingly complete-sounding album.\r\n\r\n&nbsp;\r\n<h4>The Dusk Recital</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 340px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3114138192/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-dusk-recital\">The Dusk Recital by Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>The Dusk Recital</em> was borne out of the sessions for Slow Dancing Society’s last album <em>The Cogent Sea</em> and is, in part, an instrumental homage to the mainstream dream-pop of the 90s. Cavernous drums, minimal guitar licks a la Roxy Music, and smooth saxophone lines feature prominently across these six tracks, all enveloped in the unmistakable Slow Dancing Society sound and feel. This is Drew Sullivan at his most playful, offering us a glimpse into some of the guilty pleasures he acknowledges as influences, while also delivering a deliciously smooth and immersive listening experience.\r\n<h4>The Cogent Sea</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=932115624/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-cogent-sea\">The Cogent Sea by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nSlow Dancing Society’s sixth album <em>The Cogent Sea</em> is another absorbing progression in Drew Sullivan’s mesmerising discography. The album continues the submersed exploration of Sullivan’s ’80s influences while also drawing upon an incredibly focused and cinematic ambient minimalism. There are trademark elements from across Slow Dancing Society’s stunning, critically acclaimed back catalogue, but rather than being throwbacks they present a continuity of narrative that is rarely found over such a large body of work. On single ‘A Clearing’, gently overlapping waves of synthesizer are suspended amid sustained tones, holding the listener transfixed before Sullivan’s trademark guitar sound gently brings the listener back down to earth, transformed. Second single ‘Pull’ is aptly titled, its droning radiance, warm piano chords and magnetic guitar figures pulling the listener irresistibly into its enveloping glow. This is Slow Dancing Society at his masterful, immersive best.\r\n<h4>Laterna Magica</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3307423845/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/laterna-magica\">Laterna Magica by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nSlow Dancing Society’s fifth album <em>Laterna Magica</em> demonstrates another key progression in the Slow Dancing Society discography, which is becoming one of the essential bodies of work in contemporary ambient music. The tracks are underpinned by gorgeous guitar drift and warm synth wash, sparingly propelled by throbbing electronic undercurrents. From the soft-focus exhalation of ‘A Few Moments’, via the gleaming musical universe of recently released single ‘I’ll Leave A Light On’, through to the hypnotic pulse and drifting melancholic piano of finale ‘Tomorrow’s Another Day’, <em>Laterna Magica</em> is a definitive Slow Dancing Society release.\r\n<h4>Under The Sodium Lights</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 373px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1884357437/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/under-the-sodium-lights\">Under The Sodium Lights by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nFollowing on from the ebullient warmth of the critically acclaimed <em>Priest Lake Circa ’88</em>, <em>Under The Sodium Lights</em> is Drew Sullivan’s latest ambient epic. The album feels like a distillation of the three stunning releases that preceded it – and as such is Sullivan’s finest work to date. The delicate interplay between focused melodic details and blurred washes of sound draws the listener into a hypnotised state, where the waking world and the world of sleep cascade in and out of balance. First single ‘…and to the dust we shall return’ sees the gradual accretion of reverberant guitar tones, emerging from the silence as sparse reflections across the stereo field. Slow searching melodies overlap and accumulate before a descending bass figure carries the song home to its elegiac conclusion. From the luscious, tactile dream of ‘The Songs In Your Eyes’ to hopeful finale ‘Love Is On The Way’, <em>Under The Sodium Lights</em> resonates with a rich emotional core – and the choking realisation of our own transience. The album rewards immersive listening from start to finish, to really soak in its beauty.\r\n<h4>Priest Lake Circa \'88</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3949085097/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/priest-lake-circa-88\">Priest Lake Circa \'88 by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nFollowing on from the ice-sculpted cinematics of the critically praised <em>The Slow and Steady Winter</em>, <em>Priest Lake Circa ’88</em> is Drew Sullivan’s finest work to date. In essence, it is the second part of a double album that began with <em>The Slow and Steady Winter</em>, acting as a long-distance conclusion to the double album’s narrative arc. <em>Priest Lake Circa ’88</em> exudes restraint and repose, yet is so richly melodic and full. While the album draws its raw form from ambient music, post rock and even dream pop, it is masterfully crafted into something that could only ever find itself under the Slow Dancing Society moniker. The album speaks of both departure and eventual return, and perhaps in its broadest sense the notion of “home”. Above all, this is music to bathe in: warm, steamy and all-encompassing.\r\n<h4>The Slow and Steady Winter</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1874510603/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-slow-and-steady-winter\">The Slow and Steady Winter by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nFrom the outset<em> The Slow and Steady Winter</em> sets itself up to be an epic. Clocking in at over an hour long and comprising of only eight tracks the album paints its majestic landscapes with both measure and purpose, unfolding a sound that moves from immersive ambient evocations to beatific bliss rock. <em>The Slow and Steady Winter</em> is not concerned with singularity but rather the totality of experience. The album is a gorgeously choreographed chronicle of a Spokane winter from the ice covered fields of ‘The Early Stages of Decline’ to the thawed warm edges of spring in ‘February Sun’. The album serves as a wonderful progression from Slow Dancing Society’s previous work both in sound and mood. In part it presents a much darker vision while still radiating an ineffable sense of humanity and heart.\r\n<h4>The Sound of Lights When Dim</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=29030174/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-sound-of-lights-when-dim\">The Sound Of Lights When Dim by Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>The Sound of Lights When Dim</em> is a sumptuous unfolding ride towards a fading horizon. As with Eno’s finest moments and Sylvian’s ambient explorations, this work manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n<div></div>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSlow Dancing Society is Washington based musician/producer and nostalgist extraordinaire, Drew Sullivan. If ever there was an artist who truly expressed themselves in a way that defies everything music and art expects, and at times demands, then Slow Dancing Society would be that artist. With influences ranging from classic artists such as Brian Eno, Def Leppard, Tears For Fears, The Cure, Eddie Money, Pink Floyd, Prince, Spandeau Ballet and U2 to contemporary artists like Manual, Charles Webster, Explosions In The Sky, Sigur Rós, Hammock, Red House Painters and My Morning Jacket, one might begin to understand what they are in for when they hear something coming from Slow Dancing Society.\r\n\r\nAt times there is a pure abandonment of structure, continuity, consistancy and most importantly, hipness. If one were to compare the music of Slow Dancing Society to anything, it would be our memories and our past. Which is probably why one will experience such a sense of nostalgia and an overall coloring of sentimental values when they listen to the music. One cannot refute the notions that life is abstract, doesn’t always make sense, isn’t always beautiful (though at times the contrary) and never what it seems. So why then does the music have to be?\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=slow-dancing-society content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Slow Dancing Society News\" href=\"http://www.hiddenshoal.com/category/news/slow-dancing-society/\"><strong>More News</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=slow-dancing-society-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Slow Dancing Society Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/slow-dancing-society-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"The Dusk Recital Press Release\" href=\"http://www.hiddenshoal.com/publicity/slow-dancing-society/Slow_Dancing_Society-The_Dusk_Recital-Press_Release.pdf\" target=\"_blank\"><em>The Dusk Recital</em></a> EP Release\r\n\r\n<a href=\"../../publicity/press-releases/Slow_Dancing_Society-The_Cogent_Sea-Press Release.pdf\"><em>The Cogent Sea</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/Slow_Dancing_Society-Pull_Press_Release.pdf\">‘Pull’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-A_Clearing.pdf\">‘A Clearing’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Laterna_Magica.pdf\"><em>Laterna Magica</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Ill_Leave_a_Light_On.pdf\">‘I’ll Leave a Light On’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Under_The_Sodium_Lights.pdf\"> <em>Under The Sodium Lights</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-and_to_the_dust_we_shall_remain.pdf\">‘…and to the dust we shall return’ Single and Video Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Priest_Lake_Circa_88.pdf\" target=\"_blank\"><em>Priest Lake Circa ’88</em> Album Release </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society_Single.pdf\" target=\"_blank\">\'A Warm Glow\' Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-New_Slow_Dancing_Society_Album.pdf\"><em>The Slow and Steady Winter</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society_Album.pdf\" target=\"_blank\"><em>The Sounds Of Lights When Dim</em> Album Release </a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9155,9156,9157,9158,9159,9160\"]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/oRRxPZf5yO4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSlow Dancing Society\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Slow Dancing Society','','inherit','closed','closed','','9140-revision-v1','','','2017-05-30 12:59:43','2017-05-30 04:59:43','',9140,'http://www.hiddenshoal.com/9140-revision-v1/',0,'revision','',0),(15457,1,'2017-05-30 13:17:39','2017-05-30 05:17:39','','Lilac Lullabies','','inherit','closed','closed','','lilac-lullabies-cover-art-1400px','','','2017-05-30 13:20:24','2017-05-30 05:20:24','',15454,'http://www.hiddenshoal.com/wp-content/uploads/2017/05/Lilac-Lullabies-Cover-Art-1400px.jpg',0,'attachment','image/jpeg',0),(15458,1,'2017-05-30 13:24:22','2017-05-30 05:24:22','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/05/Lilac-Lullabies-Cover-Art-1400px.jpg\"><img class=\"alignleft  wp-image-15457\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/05/Lilac-Lullabies-Cover-Art-1400px-300x300.jpg\" alt=\"Lilac Lullabies\" width=\"165\" height=\"165\" /></a>\'<a title=\"Overture\" href=\"https://soundcloud.com/hidden_shoal/slow-dancing-society-overture\" target=\"_blank\">Overture</a>\' is the first taste of the forthcoming <em>Lilac Lullabies</em>, the first in a series of four new <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a> EPs. The EP follows hot on the heels of the reissue of his acclaimed debut album <em>The Sound of Lights When Dim.</em> Each of the new EPs will be released digitally, one per month from June to September 2017, with the four EPs released collectively on double vinyl later in the year. \'Overture\' is available now for streaming on <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/slow-dancing-society-overture\" target=\"_blank\">SoundCloud </a>and the EP is available for pre-order via <a title=\"Bandcamp\" href=\"https://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\" target=\"_blank\">Bandcamp</a>.\r\n\r\n<em>Lilac Lullabies</em> is a concise, five-song serving of SDS’s sensual, free-flowing ambient. It revisits the atmospheric feel of earlier albums <em>The Sound of Lights When Dim</em>, <em>The Slow and Steady Winter</em> and <em>Priest Lake Circa ’88</em>, with a delicious sense of space and restraint. Centrepiece ‘A Quiet Storm’ reaches heavenwards with its Gilmour-esque guitar lines, while ‘Before We Wake’ is a meditation on weightlessness, with gently pulsing bass and an ephemeral shroud of synth. And ‘The Dusty Morning Light’ brings the EP to a reflective close with its beautifully wistful Mellotron line.\r\n\r\nSlow Dancing Society is Washington-based producer and musician Drew Sullivan, who has released 7 albums on Hidden Shoal over the last 11 years. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/324396478&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Slow Dancing Society Single and New EP Pre-Order','','inherit','closed','closed','','15454-revision-v1','','','2017-05-30 13:24:22','2017-05-30 05:24:22','',15454,'http://www.hiddenshoal.com/15454-revision-v1/',0,'revision','',0),(15459,1,'2017-05-30 13:26:41','2017-05-30 05:26:41','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141.jpg\"><img class=\"alignleft  wp-image-9155\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141-300x300.jpg\" alt=\"Slow Dancing Society\" width=\"221\" height=\"221\" /></a>\'<a title=\"Overture\" href=\"https://soundcloud.com/hidden_shoal/slow-dancing-society-overture\" target=\"_blank\">Overture</a>\' is the first taste of the forthcoming <em>Lilac Lullabies</em>, the first in a series of four new <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a> EPs. The EP follows hot on the heels of the reissue of his acclaimed debut album <em>The Sound of Lights When Dim.</em> Each of the new EPs will be released digitally, one per month from June to September 2017, with the four EPs released collectively on double vinyl later in the year. \'Overture\' is available now for streaming on <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/slow-dancing-society-overture\" target=\"_blank\">SoundCloud </a>and the EP is available for pre-order via <a title=\"Bandcamp\" href=\"https://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\" target=\"_blank\">Bandcamp</a>.\r\n\r\n<em>Lilac Lullabies</em> is a concise, five-song serving of SDS’s sensual, free-flowing ambient. It revisits the atmospheric feel of earlier albums <em>The Sound of Lights When Dim</em>, <em>The Slow and Steady Winter</em> and <em>Priest Lake Circa ’88</em>, with a delicious sense of space and restraint. Centrepiece ‘A Quiet Storm’ reaches heavenwards with its Gilmour-esque guitar lines, while ‘Before We Wake’ is a meditation on weightlessness, with gently pulsing bass and an ephemeral shroud of synth. And ‘The Dusty Morning Light’ brings the EP to a reflective close with its beautifully wistful Mellotron line.\r\n\r\nSlow Dancing Society is Washington-based producer and musician Drew Sullivan, who has released 7 albums on Hidden Shoal over the last 11 years. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/324396478&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Slow Dancing Society Single and New EP Pre-Order','','inherit','closed','closed','','15454-revision-v1','','','2017-05-30 13:26:41','2017-05-30 05:26:41','',15454,'http://www.hiddenshoal.com/15454-revision-v1/',0,'revision','',0),(15460,1,'2017-05-30 13:33:56','2017-05-30 05:33:56','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141.jpg\"><img class=\"alignleft  wp-image-9155\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141-300x300.jpg\" alt=\"Slow Dancing Society\" width=\"221\" height=\"221\" /></a>\'<a title=\"Overture\" href=\"https://soundcloud.com/hidden_shoal/slow-dancing-society-overture\" target=\"_blank\">Overture</a>\' is the first taste of the forthcoming <em>Lilac Lullabies</em>, the first in a series of four new <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a> EPs. The EP follows hot on the heels of the reissue of his acclaimed debut album <em>The Sound of Lights When Dim.</em> Each of the new EPs will be released digitally, one per month from June to September 2017, with the four EPs released collectively on double vinyl later in the year. \'Overture\' is available now for streaming on <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/slow-dancing-society-overture\" target=\"_blank\">SoundCloud </a>and the EP is available for pre-order via <a title=\"Bandcamp\" href=\"https://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\" target=\"_blank\">Bandcamp</a>.\r\n\r\n<em>Lilac Lullabies</em> is a concise, five-song serving of SDS’s sensual, free-flowing ambient. It revisits the atmospheric feel of earlier albums <em>The Sound of Lights When Dim</em>, <em>The Slow and Steady Winter</em> and <em>Priest Lake Circa ’88</em>, with a delicious sense of space and restraint. Centrepiece ‘A Quiet Storm’ reaches heavenwards with its Gilmour-esque guitar lines, while ‘Before We Wake’ is a meditation on weightlessness, with gently pulsing bass and an ephemeral shroud of synth. And ‘The Dusty Morning Light’ brings the EP to a reflective close with its beautifully wistful Mellotron line.\r\n\r\nSlow Dancing Society is Washington-based producer and musician Drew Sullivan, who has released 7 albums on Hidden Shoal over the last 11 years. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/324396478&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Slow Dancing Society Single and EP Pre-Order','','inherit','closed','closed','','15454-revision-v1','','','2017-05-30 13:33:56','2017-05-30 05:33:56','',15454,'http://www.hiddenshoal.com/15454-revision-v1/',0,'revision','',0),(15461,1,'2017-05-30 13:34:26','2017-05-30 05:34:26','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141.jpg\"><img class=\"alignleft  wp-image-9155\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141-300x300.jpg\" alt=\"Slow Dancing Society\" width=\"221\" height=\"221\" /></a>\'<a title=\"Overture\" href=\"https://soundcloud.com/hidden_shoal/slow-dancing-society-overture\" target=\"_blank\">Overture</a>\' is the first taste of the forthcoming <em>Lilac Lullabies</em>, the first in a series of four new <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a> EPs. The EP follows hot on the heels of the reissue of his acclaimed debut album <em><a title=\"The Sound of Lights When Dim\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">The Sound of Lights When Dim</a>.</em> Each of the new EPs will be released digitally, one per month from June to September 2017, with the four EPs released collectively on double vinyl later in the year. \'Overture\' is available now for streaming on <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/slow-dancing-society-overture\" target=\"_blank\">SoundCloud </a>and the EP is available for pre-order via <a title=\"Bandcamp\" href=\"https://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\" target=\"_blank\">Bandcamp</a>.\r\n\r\n<em>Lilac Lullabies</em> is a concise, five-song serving of SDS’s sensual, free-flowing ambient. It revisits the atmospheric feel of earlier albums <em>The Sound of Lights When Dim</em>, <em>The Slow and Steady Winter</em> and <em>Priest Lake Circa ’88</em>, with a delicious sense of space and restraint. Centrepiece ‘A Quiet Storm’ reaches heavenwards with its Gilmour-esque guitar lines, while ‘Before We Wake’ is a meditation on weightlessness, with gently pulsing bass and an ephemeral shroud of synth. And ‘The Dusty Morning Light’ brings the EP to a reflective close with its beautifully wistful Mellotron line.\r\n\r\nSlow Dancing Society is Washington-based producer and musician Drew Sullivan, who has released 7 albums on Hidden Shoal over the last 11 years. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/324396478&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Slow Dancing Society Single and EP Pre-Order','','inherit','closed','closed','','15454-revision-v1','','','2017-05-30 13:34:26','2017-05-30 05:34:26','',15454,'http://www.hiddenshoal.com/15454-revision-v1/',0,'revision','',0),(15462,1,'2017-06-06 13:37:57','2017-06-06 05:37:57','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Battlestations</h1>\r\n<img class=\"alignleft wp-image-11765\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Battlestations-300x297.jpg\" alt=\"Battlestations\" width=\"269\" height=\"266\" /><em>“one of those bands that is doing amazing things despite the fact that no one seems to have heard of them… drop whatever it is you are doing and go listen”</em> –<strong> Scene Point Blank</strong>\r\n\r\nBattlestations interweave the subtle with the dramatic, the intimate with the cinematic, the introverted with the bombastic. Across their eclectic and atmospheric instrumental rock, industrial ambience is counterbalanced by beautiful piano melodies, eerie samples and lyrical guitar lines. The result is incredibly evocative music, complex in both its narratives and textural composition.\r\n\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/Battlestations.music\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>    <a title=\"SoundCloud\" href=\"https://soundcloud.com/battlestations-music\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://music.battlestations.ws/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n&nbsp;\r\n<h4>The Extent of Damage</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 307px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2161629676/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://battlestations-be.bandcamp.com/album/the-extent-of-damage\">The extent of damage by Battlestations</a></iframe>\r\nOctober 2015\r\n\r\nLike a high-definition camera roving across a ruined world, <em>The Extent of Damage</em> is both unflinchingly bleak and stirringly beautiful. Akin to Ennio Morricone at his most dark and doleful, and Portishead’s majestic self-titled second record, this music’s atmosphere of urban oppression is leavened with passages of sublime, redemptive beauty. Battlestations interweave the subtle with the dramatic, the intimate with the cinematic, the introverted with the bombastic. Across their eclectic and atmospheric instrumental rock, industrial ambience is counterbalanced by beautiful piano melodies, eerie samples and lyrical guitar lines. The result is incredibly evocative music, complex in both its narratives and textural composition.\r\n\r\n&nbsp;\r\n<h4>The Death Of The Day</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 241px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=690545180/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://battlestations-be.bandcamp.com/album/the-death-of-the-day\">The Death Of The Day by Battlestations</a></iframe>\r\nAugust 2013\r\n\r\nMelding elements of post-rock, ambient, industrial and prog, <i>The Death Of The Day</i> further refines Battlestations’ incredibly atmospheric and affecting musical output. The often dramatic shifts in mood are deftly handled, wielding enviable emotional weight.\r\n\r\n&nbsp;\r\n<h4>In a Cold Embrace</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 307px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1184022536/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://battlestations-be.bandcamp.com/album/in-a-cold-embrace\">In a cold embrace by Battlestations</a></iframe>\r\nApril 2012\r\n<div></div>\r\nBattlestations’ second full-length is a masterfully crafted tableau, its scale and flow only fully apparent when the last note has faded. <i>In A Cold Embrace</i> is narratively rich music, realising the potential of the album format in a way that so much music misses. This is film as sound.\r\n\r\n&nbsp;\r\n<h4>Return / Mr. Abject</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"http://bandcamp.com/EmbeddedPlayer/track=1950736445/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://battlestations-be.bandcamp.com/track/return-mr-abject\">Return / Mr. Abject by Battlestations</a></iframe>\r\nDecember 2011\r\n<div></div>\r\nThis 11-minute opus is an exercise in urgency and restraint. Layers of guitars slowly thicken over an insistent beat as an atmosphere of paranoia takes over. As with every Battlestations song \'Return / Mr. Abject\' has striking narrative detours that add another level of depth to the listening experience.\r\n\r\n&nbsp;\r\n<h4>Battlestations</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 241px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=761205938/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://battlestations-be.bandcamp.com/album/battlestations\">Battlestations by Battlestations</a></iframe>\r\nJune 2011\r\n<div></div>\r\nBattlestations\' self-titled debut album is such a wonderfully sprawling and complex piece of work that distinguishing individual songs within the whole soon becomes meaningless. Comprising three tracks, two of which are over 18 minutes long, <i>Battlestations</i> presents a shifting instrumental narrative that effortlessly moves between dystopia and hope.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nLittle is known about Battlestations other than the basic facts: formed in Brussels, Belgium in 2009; released two albums (<em>Battlestations</em> and <em>In A Cold Embrace</em>) and two EPs (<em>Return/Mr. Abject</em> and <em>The Death Of The Day</em>); collaboration with Joe Dorsey on the Involved project. However, this shroud of anonymity feels fitting when listening to their enigmatic music. It often feels too big to attach to singular identities, and the atmosphere and mystique surrounding the songs suspends them, weightless, into a listening space unmoored from conventional reference points.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=battlestations-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=battlestations-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"11765\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos, sorry!\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nBattlestations music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Battlestations','','inherit','closed','closed','','11763-revision-v1','','','2017-06-06 13:37:57','2017-06-06 05:37:57','',11763,'http://www.hiddenshoal.com/11763-revision-v1/',0,'revision','',0),(15464,1,'2017-06-08 09:31:33','2017-06-08 01:31:33','','New Battlestations Preview!','','inherit','closed','closed','','15463-revision-v1','','','2017-06-08 09:31:33','2017-06-08 01:31:33','',15463,'http://www.hiddenshoal.com/15463-revision-v1/',0,'revision','',0),(15465,1,'2017-06-08 14:01:19','2017-06-08 06:01:19','We’re very excited to be able to present a preview of the new album <em>Vixit</em> by enigmatic instrumental artist Battlestations. The album drops on the 23rd of June through Hidden Shoal and will be available from Battlestations\' Bandcamp and all good 3rd party stores - <a title=\"https://battlestations-be.bandcamp.com\" href=\"https://exit.sc?url=https%3A%2F%2Fbattlestations-be.bandcamp.com\" target=\"_blank\" rel=\"nofollow\">battlestations-be.bandcamp.com</a>. More on Battlestations here: <a title=\"http://www.hiddenshoal.com/project/battlestations/\" href=\"https://exit.sc?url=http%3A%2F%2Fwww.hiddenshoal.com%2Fproject%2Fbattlestations%2F\" target=\"_blank\" rel=\"nofollow\">www.hiddenshoal.com/project/battlestations/</a>\r\n\r\n\"Vixit\"\r\nWhile 2015’s The Extent of Damage felt like a high-definition camera roving across a ruined world, listening to Vixit feels like witnessing an intimidating new dawn, barely comprehensible from a merely human perspective. Massive and awe-inspiring, this three-part composition is breathtaking in scope and stunning in execution. Synthesizers, orchestra and choirs interweave into a billowing tapestry of glorious sound that completely envelopes the listener.\r\n\r\nBrief centrepiece ‘II’ is the calm at the eye of the storm, a ruminative piano piece that brings a sense of intimacy to a suite of music that is all about challenging the listener’s sense of scale. To either side, massive tracks ‘I’ and ‘III’ stretch out into multi-part compositions that are as deep and wide as any orchestral piece, tempered with a sensibility akin to ‘70s kosmische music and the most progressive neo-classical ambient.\r\n\r\nLittle has been made public about Battlestations other than the basic facts: formed in Brussels, Belgium in 2009; released three albums (Battlestations, In A Cold Embrace and The Extent of Damage) and two EPs (Return/Mr. Abject and The Death Of The Day); collaboration with Joe Dorsey on the Involved project (releasing the album Revolving Maze on Hidden Shoal in 2013). However, this shroud of anonymity feels fitting when listening to their enigmatic music. It often feels too big to attach to singular identities, and the atmosphere and mystique surrounding the songs suspends them, weightless, into a listening space unmoored from conventional reference points.','New Battlestations Preview!','','inherit','closed','closed','','15463-revision-v1','','','2017-06-08 14:01:19','2017-06-08 06:01:19','',15463,'http://www.hiddenshoal.com/15463-revision-v1/',0,'revision','',0),(15466,1,'2017-06-08 14:04:35','2017-06-08 06:04:35','Battlestation fans and those about to be, prepare yourself! We’re excited to be able to present a <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/battlestations-i-excerpt\" target=\"_blank\">preview </a>of <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\" target=\"_blank\">Battlestations</a>\' majestic new album <em>Vixit</em>. The album drops on the 23rd of June through Hidden Shoal and will be available from Battlestations\' <a title=\"Bandcamp\" href=\"https://battlestations-be.bandcamp.com\" target=\"_blank\">Bandcamp </a>and all good 3rd party stores. Check out the excerpt of the opening track \'I\' on <a title=\"Battlestations - \'I\'\" href=\"https://soundcloud.com/hidden_shoal/battlestations-i-excerpt\" target=\"_blank\">SoundCloud</a>.\r\n\r\n\"Vixit\"\r\nWhile 2015’s The Extent of Damage felt like a high-definition camera roving across a ruined world, listening to Vixit feels like witnessing an intimidating new dawn, barely comprehensible from a merely human perspective. Massive and awe-inspiring, this three-part composition is breathtaking in scope and stunning in execution. Synthesizers, orchestra and choirs interweave into a billowing tapestry of glorious sound that completely envelopes the listener.\r\n\r\nBrief centrepiece ‘II’ is the calm at the eye of the storm, a ruminative piano piece that brings a sense of intimacy to a suite of music that is all about challenging the listener’s sense of scale. To either side, massive tracks ‘I’ and ‘III’ stretch out into multi-part compositions that are as deep and wide as any orchestral piece, tempered with a sensibility akin to ‘70s kosmische music and the most progressive neo-classical ambient.\r\n\r\nLittle has been made public about Battlestations other than the basic facts: formed in Brussels, Belgium in 2009; released three albums (Battlestations, In A Cold Embrace and The Extent of Damage) and two EPs (Return/Mr. Abject and The Death Of The Day); collaboration with Joe Dorsey on the Involved project (releasing the album Revolving Maze on Hidden Shoal in 2013). However, this shroud of anonymity feels fitting when listening to their enigmatic music. It often feels too big to attach to singular identities, and the atmosphere and mystique surrounding the songs suspends them, weightless, into a listening space unmoored from conventional reference points.','New Battlestations Preview!','','inherit','closed','closed','','15463-revision-v1','','','2017-06-08 14:04:35','2017-06-08 06:04:35','',15463,'http://www.hiddenshoal.com/15463-revision-v1/',0,'revision','',0),(15467,1,'2017-06-08 16:30:34','2017-06-08 08:30:34','','Vixit','','inherit','closed','closed','','vixit','','','2017-06-08 16:30:45','2017-06-08 08:30:45','',15463,'http://www.hiddenshoal.com/wp-content/uploads/2017/06/Vixit.png',0,'attachment','image/png',0),(15468,1,'2017-06-08 16:31:20','2017-06-08 08:31:20','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Vixit.png\"><img class=\"alignleft size-medium wp-image-15467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Vixit-300x300.png\" alt=\"Vixit\" width=\"300\" height=\"300\" /></a>Battlestation fans and those inevitably  about to be, prepare yourself! We’re excited to be able to present a <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/battlestations-i-excerpt\" target=\"_blank\">preview </a>of <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\" target=\"_blank\">Battlestations</a>\' majestic new album <em>Vixit</em>. The album drops on the 23rd of June through Hidden Shoal and will be available from Battlestations\' <a title=\"Bandcamp\" href=\"https://battlestations-be.bandcamp.com\" target=\"_blank\">Bandcamp </a>and all good 3rd party stores. Check out the excerpt of the opening track \'I\' on <a title=\"Battlestations - \'I\'\" href=\"https://soundcloud.com/hidden_shoal/battlestations-i-excerpt\" target=\"_blank\">SoundCloud</a>.\r\n\r\nWhile 2015’s The Extent of Damage felt like a high-definition camera roving across a ruined world, listening to <em>Vixit</em> feels like witnessing an intimidating new dawn, barely comprehensible from a merely human perspective. Massive and awe-inspiring, this three-part composition is breathtaking in scope and stunning in execution. Synthesizers, orchestra and choirs interweave into a billowing tapestry of glorious sound that completely envelopes the listener.\r\n\r\nBrief centrepiece ‘II’ is the calm at the eye of the storm, a ruminative piano piece that brings a sense of intimacy to a suite of music that is all about challenging the listener’s sense of scale. To either side, massive tracks ‘I’ and ‘III’ stretch out into multi-part compositions that are as deep and wide as any orchestral piece, tempered with a sensibility akin to ‘70s kosmische music and the most progressive neo-classical ambient.\r\n\r\n&nbsp;','New Battlestations Preview!','','inherit','closed','closed','','15463-revision-v1','','','2017-06-08 16:31:20','2017-06-08 08:31:20','',15463,'http://www.hiddenshoal.com/15463-revision-v1/',0,'revision','',0),(15469,1,'2017-06-08 16:31:56','2017-06-08 08:31:56','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Vixit.png\"><img class=\"alignleft size-medium wp-image-15467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Vixit-300x300.png\" alt=\"Vixit\" width=\"300\" height=\"300\" /></a>Battlestation fans and those inevitably  about to be, prepare yourself! We’re excited to be able to present a <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/battlestations-i-excerpt\" target=\"_blank\">preview </a>of <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\" target=\"_blank\">Battlestations</a>\' majestic new album <em>Vixit</em>. The album drops on the 23rd of June through Hidden Shoal and will be available from Battlestations\' <a title=\"Bandcamp\" href=\"https://battlestations-be.bandcamp.com\" target=\"_blank\">Bandcamp </a>and all good 3rd party stores. Check out the excerpt of the opening track \'I\' on <a title=\"Battlestations - \'I\'\" href=\"https://soundcloud.com/hidden_shoal/battlestations-i-excerpt\" target=\"_blank\">SoundCloud</a>.\r\n\r\nWhile 2015’s The Extent of Damage felt like a high-definition camera roving across a ruined world, listening to <em>Vixit</em> feels like witnessing an intimidating new dawn, barely comprehensible from a merely human perspective. Massive and awe-inspiring, this three-part composition is breathtaking in scope and stunning in execution. Synthesizers, orchestra and choirs interweave into a billowing tapestry of glorious sound that completely envelopes the listener.\r\n\r\nBrief centrepiece ‘II’ is the calm at the eye of the storm, a ruminative piano piece that brings a sense of intimacy to a suite of music that is all about challenging the listener’s sense of scale. To either side, massive tracks ‘I’ and ‘III’ stretch out into multi-part compositions that are as deep and wide as any orchestral piece, tempered with a sensibility akin to ‘70s kosmische music and the most progressive neo-classical ambient.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/326887020&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Battlestations Preview!','','inherit','closed','closed','','15463-revision-v1','','','2017-06-08 16:31:56','2017-06-08 08:31:56','',15463,'http://www.hiddenshoal.com/15463-revision-v1/',0,'revision','',0),(15470,1,'2017-06-13 08:38:59','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2017-06-13 08:38:59','0000-00-00 00:00:00','',0,'http://www.hiddenshoal.com/?p=15470',0,'post','',0),(15471,1,'2017-06-13 08:44:10','2017-06-13 00:44:10','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Vixit.png\"><img class=\"alignleft size-medium wp-image-15467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Vixit-300x300.png\" alt=\"Vixit\" width=\"300\" height=\"300\" /></a>Battlestations\' fans and those inevitably  about to be, prepare yourself! We’re excited to be able to present a <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/battlestations-i-excerpt\" target=\"_blank\">preview </a>of <a title=\"Battlestations\" href=\"http://www.hiddenshoal.com/project/battlestations/\" target=\"_blank\">Battlestations</a>\' majestic new album <em>Vixit</em>. The album drops on the 23rd of June through Hidden Shoal and will be available from Battlestations\' <a title=\"Bandcamp\" href=\"https://battlestations-be.bandcamp.com\" target=\"_blank\">Bandcamp </a>and all good 3rd party stores. Check out the excerpt of the opening track \'I\' on <a title=\"Battlestations - \'I\'\" href=\"https://soundcloud.com/hidden_shoal/battlestations-i-excerpt\" target=\"_blank\">SoundCloud</a>.\r\n\r\nWhile 2015’s The Extent of Damage felt like a high-definition camera roving across a ruined world, listening to <em>Vixit</em> feels like witnessing an intimidating new dawn, barely comprehensible from a merely human perspective. Massive and awe-inspiring, this three-part composition is breathtaking in scope and stunning in execution. Synthesizers, orchestra and choirs interweave into a billowing tapestry of glorious sound that completely envelopes the listener.\r\n\r\nBrief centrepiece ‘II’ is the calm at the eye of the storm, a ruminative piano piece that brings a sense of intimacy to a suite of music that is all about challenging the listener’s sense of scale. To either side, massive tracks ‘I’ and ‘III’ stretch out into multi-part compositions that are as deep and wide as any orchestral piece, tempered with a sensibility akin to ‘70s kosmische music and the most progressive neo-classical ambient.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/326887020&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Battlestations Preview!','','inherit','closed','closed','','15463-revision-v1','','','2017-06-13 08:44:10','2017-06-13 00:44:10','',15463,'http://www.hiddenshoal.com/15463-revision-v1/',0,'revision','',0),(15472,1,'2017-06-16 11:30:20','2017-06-16 03:30:20','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Slow Dancing Society</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-9141\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-2014-300x300.jpg\" alt=\"Slow Dancing Society\" width=\"259\" height=\"259\" /></a><em>““a complexity of sound that allows it to stand out from traditionally ambient music… It is easy to get dissolved in this album, to let yourself fall into meditation as the music plays… an aural delight”</em> –<strong> The Silent Ballet </strong>\r\n\r\nSlow Dancing Society is Washington-based producer and musician Drew Sullivan. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n\r\n<a href=\"https://geo.itunes.apple.com/us/artist/slow-dancing-society/id204837919?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>  <a title=\"Facebook\" href=\"https://www.facebook.com/pages/Slow-Dancing-Society/260874147036?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/SoundOfElegance\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/soundofelegance\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"https://open.spotify.com/artist/4DTUmkn8z1XIzHPr5b0yEc\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Lilac Lullabies EP</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1900339131/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\">I • Lilac Lullabies by Slow Dancing Society</a></iframe>\r\n16th June 2017\r\n<div></div>\r\nFollowing hot on the heels of the reissue of his acclaimed debut album <em>The Sound of Lights When Dim</em>, Drew Sullivan presents <em>Lilac Lullabies</em>, the first in a series of four new Slow Dancing Society EPs, lovingly mastered by Taylor Deupree. Each of the EPs will be released digitally, one per month from June to September 2017, with the four EPs released collectively on double vinyl later in the year.\r\n\r\n<em>Lilac Lullabies</em> is a concise, five-song serving of SDS’s sensual, free-flowing ambient. It revisits the atmospheric feel of earlier albums <em>The Sound of Lights When Dim</em>, <em>The Slow and Steady Winter</em> and <em>Priest Lake Circa ’88</em>, with a delicious sense of space and restraint. Centrepiece ‘A Quiet Storm’ reaches heavenwards with its Gilmour-esque guitar lines, while ‘Before We Wake’ is a meditation on weightlessness, with gently pulsing bass and an ephemeral shroud of synth. And ‘The Dusty Morning Light’ brings the EP to a reflective close with its beautifully wistful Mellotron line.\r\n\r\n&nbsp;\r\n<h4>The Sound of Lights When Dim (2017 Remaster)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4072769729/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-sound-of-lights-when-dim-2017-remaster\">The Sound of Lights When Dim (2017 Remaster) by Slow Dancing Society</a></iframe>\r\n28th February 2017\r\n<div></div>\r\nFirst released back in 2006, <em>The Sound of Lights When Dim</em> was one of Hidden Shoal’s most acclaimed early releases, landing on many ‘best of’ ambient lists. It introduced Drew Sullivan as an artist capable of imbuing minimal ambient compositions with enviable depth and emotion. While he has gone on to release another six full-length albums, his debut album still stands among his best work, unfolding as one long sumptuous ride towards a fading horizon.\r\n\r\nAs with Eno’s finest moments and Sylvian’s ambient explorations, <em>The Sound of Lights When Dim</em> manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling, while never sullying itself with literality or simple documentation. The fact that album track ‘A Song That Will Help You Remember to Forget’ has been streamed over 5 million times on Spotify speaks to the album’s lasting appeal.\r\n\r\n<em>The Sound of Lights When Dim</em> is available as a limited edition clear vinyl and in digital formats. To coincide with the release, the reissue is accompanied by a set of remixes of tracks from the original album by Echo Grid, Antonymes, Fr33dom People, Candlepark Stars, Startle the Heavens, Spenzar, Chloe March, and Monte Xannic.\r\n\r\n&nbsp;\r\n<h4>The Wagers Of Love And Their Songs From The Witching Hour</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2556548653/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-wagers-of-love-and-their-songs-from-the-witching-hour\">The Wagers of Love and Their Songs from the Witching Hour by Slow Dancing Society</a></iframe>\r\n23rd August 2016\r\n<div></div>\r\nOn his seventh full-length release as Slow Dancing Society, Drew Sullivan’s sound continues to evolve. This 19-track epic meshes the warm, rich SDS sound with a new set of textures, bringing these musical snapshots into vivid definition. Trumpet and saxophone nestle amidst lyrical guitar lines, pulsing rhythms and expansive synths, creating an immersive and melancholy listen, tempered with rays of hope.\r\n\r\nSullivan’s work is as cinematic as ever, yet here he’s scoring a more personal film. Profoundly influenced by Sullivan’s experience of becoming a father for the first time, the album took shape around the creation of single ‘The Color of Despair’. The track distilled his anxieties about his new life and responsibilities, and became ground zero for the album’s sound and production, with many other songs on the album evolving out of its instrumentation and feel. The ambient lyricism present here is a testament to the narrative possibilities of instrumental music, resulting in a strikingly complete-sounding album.\r\n\r\n&nbsp;\r\n<h4>The Dusk Recital</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 340px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3114138192/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-dusk-recital\">The Dusk Recital by Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>The Dusk Recital</em> was borne out of the sessions for Slow Dancing Society’s last album <em>The Cogent Sea</em> and is, in part, an instrumental homage to the mainstream dream-pop of the 90s. Cavernous drums, minimal guitar licks a la Roxy Music, and smooth saxophone lines feature prominently across these six tracks, all enveloped in the unmistakable Slow Dancing Society sound and feel. This is Drew Sullivan at his most playful, offering us a glimpse into some of the guilty pleasures he acknowledges as influences, while also delivering a deliciously smooth and immersive listening experience.\r\n<h4>The Cogent Sea</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=932115624/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-cogent-sea\">The Cogent Sea by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nSlow Dancing Society’s sixth album <em>The Cogent Sea</em> is another absorbing progression in Drew Sullivan’s mesmerising discography. The album continues the submersed exploration of Sullivan’s ’80s influences while also drawing upon an incredibly focused and cinematic ambient minimalism. There are trademark elements from across Slow Dancing Society’s stunning, critically acclaimed back catalogue, but rather than being throwbacks they present a continuity of narrative that is rarely found over such a large body of work. On single ‘A Clearing’, gently overlapping waves of synthesizer are suspended amid sustained tones, holding the listener transfixed before Sullivan’s trademark guitar sound gently brings the listener back down to earth, transformed. Second single ‘Pull’ is aptly titled, its droning radiance, warm piano chords and magnetic guitar figures pulling the listener irresistibly into its enveloping glow. This is Slow Dancing Society at his masterful, immersive best.\r\n<h4>Laterna Magica</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3307423845/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/laterna-magica\">Laterna Magica by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nSlow Dancing Society’s fifth album <em>Laterna Magica</em> demonstrates another key progression in the Slow Dancing Society discography, which is becoming one of the essential bodies of work in contemporary ambient music. The tracks are underpinned by gorgeous guitar drift and warm synth wash, sparingly propelled by throbbing electronic undercurrents. From the soft-focus exhalation of ‘A Few Moments’, via the gleaming musical universe of recently released single ‘I’ll Leave A Light On’, through to the hypnotic pulse and drifting melancholic piano of finale ‘Tomorrow’s Another Day’, <em>Laterna Magica</em> is a definitive Slow Dancing Society release.\r\n<h4>Under The Sodium Lights</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 373px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1884357437/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/under-the-sodium-lights\">Under The Sodium Lights by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nFollowing on from the ebullient warmth of the critically acclaimed <em>Priest Lake Circa ’88</em>, <em>Under The Sodium Lights</em> is Drew Sullivan’s latest ambient epic. The album feels like a distillation of the three stunning releases that preceded it – and as such is Sullivan’s finest work to date. The delicate interplay between focused melodic details and blurred washes of sound draws the listener into a hypnotised state, where the waking world and the world of sleep cascade in and out of balance. First single ‘…and to the dust we shall return’ sees the gradual accretion of reverberant guitar tones, emerging from the silence as sparse reflections across the stereo field. Slow searching melodies overlap and accumulate before a descending bass figure carries the song home to its elegiac conclusion. From the luscious, tactile dream of ‘The Songs In Your Eyes’ to hopeful finale ‘Love Is On The Way’, <em>Under The Sodium Lights</em> resonates with a rich emotional core – and the choking realisation of our own transience. The album rewards immersive listening from start to finish, to really soak in its beauty.\r\n<h4>Priest Lake Circa \'88</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3949085097/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/priest-lake-circa-88\">Priest Lake Circa \'88 by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nFollowing on from the ice-sculpted cinematics of the critically praised <em>The Slow and Steady Winter</em>, <em>Priest Lake Circa ’88</em> is Drew Sullivan’s finest work to date. In essence, it is the second part of a double album that began with <em>The Slow and Steady Winter</em>, acting as a long-distance conclusion to the double album’s narrative arc. <em>Priest Lake Circa ’88</em> exudes restraint and repose, yet is so richly melodic and full. While the album draws its raw form from ambient music, post rock and even dream pop, it is masterfully crafted into something that could only ever find itself under the Slow Dancing Society moniker. The album speaks of both departure and eventual return, and perhaps in its broadest sense the notion of “home”. Above all, this is music to bathe in: warm, steamy and all-encompassing.\r\n<h4>The Slow and Steady Winter</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1874510603/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-slow-and-steady-winter\">The Slow and Steady Winter by Slow Dancing Society</a></iframe>\r\n<div></div>\r\nFrom the outset<em> The Slow and Steady Winter</em> sets itself up to be an epic. Clocking in at over an hour long and comprising of only eight tracks the album paints its majestic landscapes with both measure and purpose, unfolding a sound that moves from immersive ambient evocations to beatific bliss rock. <em>The Slow and Steady Winter</em> is not concerned with singularity but rather the totality of experience. The album is a gorgeously choreographed chronicle of a Spokane winter from the ice covered fields of ‘The Early Stages of Decline’ to the thawed warm edges of spring in ‘February Sun’. The album serves as a wonderful progression from Slow Dancing Society’s previous work both in sound and mood. In part it presents a much darker vision while still radiating an ineffable sense of humanity and heart.\r\n<h4>The Sound of Lights When Dim</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=29030174/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://slowdancingsociety.bandcamp.com/album/the-sound-of-lights-when-dim\">The Sound Of Lights When Dim by Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>The Sound of Lights When Dim</em> is a sumptuous unfolding ride towards a fading horizon. As with Eno’s finest moments and Sylvian’s ambient explorations, this work manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n<div></div>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSlow Dancing Society is Washington based musician/producer and nostalgist extraordinaire, Drew Sullivan. If ever there was an artist who truly expressed themselves in a way that defies everything music and art expects, and at times demands, then Slow Dancing Society would be that artist. With influences ranging from classic artists such as Brian Eno, Def Leppard, Tears For Fears, The Cure, Eddie Money, Pink Floyd, Prince, Spandeau Ballet and U2 to contemporary artists like Manual, Charles Webster, Explosions In The Sky, Sigur Rós, Hammock, Red House Painters and My Morning Jacket, one might begin to understand what they are in for when they hear something coming from Slow Dancing Society.\r\n\r\nAt times there is a pure abandonment of structure, continuity, consistancy and most importantly, hipness. If one were to compare the music of Slow Dancing Society to anything, it would be our memories and our past. Which is probably why one will experience such a sense of nostalgia and an overall coloring of sentimental values when they listen to the music. One cannot refute the notions that life is abstract, doesn’t always make sense, isn’t always beautiful (though at times the contrary) and never what it seems. So why then does the music have to be?\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=slow-dancing-society content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Slow Dancing Society News\" href=\"http://www.hiddenshoal.com/category/news/slow-dancing-society/\"><strong>More News</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=slow-dancing-society-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Slow Dancing Society Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/slow-dancing-society-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"The Dusk Recital Press Release\" href=\"http://www.hiddenshoal.com/publicity/slow-dancing-society/Slow_Dancing_Society-The_Dusk_Recital-Press_Release.pdf\" target=\"_blank\"><em>The Dusk Recital</em></a> EP Release\r\n\r\n<a href=\"../../publicity/press-releases/Slow_Dancing_Society-The_Cogent_Sea-Press Release.pdf\"><em>The Cogent Sea</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/Slow_Dancing_Society-Pull_Press_Release.pdf\">‘Pull’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-A_Clearing.pdf\">‘A Clearing’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Laterna_Magica.pdf\"><em>Laterna Magica</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Ill_Leave_a_Light_On.pdf\">‘I’ll Leave a Light On’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Under_The_Sodium_Lights.pdf\"> <em>Under The Sodium Lights</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-and_to_the_dust_we_shall_remain.pdf\">‘…and to the dust we shall return’ Single and Video Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society-Priest_Lake_Circa_88.pdf\" target=\"_blank\"><em>Priest Lake Circa ’88</em> Album Release </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society_Single.pdf\" target=\"_blank\">\'A Warm Glow\' Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-New_Slow_Dancing_Society_Album.pdf\"><em>The Slow and Steady Winter</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Slow_Dancing_Society_Album.pdf\" target=\"_blank\"><em>The Sounds Of Lights When Dim</em> Album Release </a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9155,9156,9157,9158,9159,9160\"]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/oRRxPZf5yO4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSlow Dancing Society\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Slow Dancing Society','','inherit','closed','closed','','9140-revision-v1','','','2017-06-16 11:30:20','2017-06-16 03:30:20','',9140,'http://www.hiddenshoal.com/9140-revision-v1/',0,'revision','',0),(15473,1,'2017-06-16 11:33:09','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2017-06-16 11:33:09','0000-00-00 00:00:00','',0,'http://www.hiddenshoal.com/?p=15473',0,'post','',0),(15474,1,'2017-06-16 11:40:46','2017-06-16 03:40:46','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141.jpg\"><img class=\"alignleft  wp-image-9155\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141-300x300.jpg\" alt=\"Slow Dancing Society\" width=\"221\" height=\"221\" /></a>We\'re excited to announce the release <a title=\"Lilac Lullabies\" href=\"https://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\" target=\"_blank\"><em>Lilac Lullabies</em></a>, the first in a series of four new <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a> EPs. The EP follows hot on the heels of the reissue of his acclaimed debut album <em><a title=\"The Sound of Lights When Dim\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">The Sound of Lights When Dim</a>.</em> Each of the new EPs will be released digitally, one per month from June to September 2017, with the four EPs released collectively on double vinyl later in the year. Lilac Lullabies is available now via <a title=\"Bandcamp\" href=\"https://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\" target=\"_blank\">Bandcamp</a>, Spotify, iTunes and the other usual outlets.\r\n\r\n<em>Lilac Lullabies</em> is a concise, five-song serving of SDS’s sensual, free-flowing ambient. It revisits the atmospheric feel of earlier albums <em>The Sound of Lights When Dim</em>, <em>The Slow and Steady Winter</em> and <em>Priest Lake Circa ’88</em>, with a delicious sense of space and restraint. Centrepiece ‘A Quiet Storm’ reaches heavenwards with its Gilmour-esque guitar lines, while ‘Before We Wake’ is a meditation on weightlessness, with gently pulsing bass and an ephemeral shroud of synth. And ‘The Dusty Morning Light’ brings the EP to a reflective close with its beautifully wistful Mellotron line.\r\n\r\nSlow Dancing Society is Washington-based producer and musician Drew Sullivan, who has released 7 albums on Hidden Shoal over the last 11 years. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/324396478&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Slow Dancing Society\'s \"Lilac Lullabies\" EP Out Now!','','publish','closed','closed','','lilac-lullabies','','','2017-06-16 11:42:20','2017-06-16 03:42:20','',0,'http://www.hiddenshoal.com/?p=15474',0,'post','',0),(15475,1,'2017-06-16 11:40:46','2017-06-16 03:40:46','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141.jpg\"><img class=\"alignleft  wp-image-9155\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141-300x300.jpg\" alt=\"Slow Dancing Society\" width=\"221\" height=\"221\" /></a>We\'re excited to announce the release <a title=\"Lilac Lullabies\" href=\"https://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\" target=\"_blank\"><em>Lilac Lullabies</em></a>, the first in a series of four new <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a> EPs. The EP follows hot on the heels of the reissue of his acclaimed debut album <em><a title=\"The Sound of Lights When Dim\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">The Sound of Lights When Dim</a>.</em> Each of the new EPs will be released digitally, one per month from June to September 2017, with the four EPs released collectively on double vinyl later in the year. Lilac Lullabies is available now via <a title=\"Bandcamp\" href=\"https://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\" target=\"_blank\">Bandcamp</a>, Spotify, iTunes and the other usual outlets.\r\n\r\n<em>Lilac Lullabies</em> is a concise, five-song serving of SDS’s sensual, free-flowing ambient. It revisits the atmospheric feel of earlier albums <em>The Sound of Lights When Dim</em>, <em>The Slow and Steady Winter</em> and <em>Priest Lake Circa ’88</em>, with a delicious sense of space and restraint. Centrepiece ‘A Quiet Storm’ reaches heavenwards with its Gilmour-esque guitar lines, while ‘Before We Wake’ is a meditation on weightlessness, with gently pulsing bass and an ephemeral shroud of synth. And ‘The Dusty Morning Light’ brings the EP to a reflective close with its beautifully wistful Mellotron line.\r\n\r\nSlow Dancing Society is Washington-based producer and musician Drew Sullivan, who has released 7 albums on Hidden Shoal over the last 11 years. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/324396478&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','','','inherit','closed','closed','','15474-revision-v1','','','2017-06-16 11:40:46','2017-06-16 03:40:46','',15474,'http://www.hiddenshoal.com/15474-revision-v1/',0,'revision','',0),(15476,1,'2017-06-16 11:41:50','2017-06-16 03:41:50','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141.jpg\"><img class=\"alignleft  wp-image-9155\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141-300x300.jpg\" alt=\"Slow Dancing Society\" width=\"221\" height=\"221\" /></a>We\'re excited to announce the release <a title=\"Lilac Lullabies\" href=\"https://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\" target=\"_blank\"><em>Lilac Lullabies</em></a>, the first in a series of four new <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a> EPs. The EP follows hot on the heels of the reissue of his acclaimed debut album <em><a title=\"The Sound of Lights When Dim\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">The Sound of Lights When Dim</a>.</em> Each of the new EPs will be released digitally, one per month from June to September 2017, with the four EPs released collectively on double vinyl later in the year. Lilac Lullabies is available now via <a title=\"Bandcamp\" href=\"https://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\" target=\"_blank\">Bandcamp</a>, Spotify, iTunes and the other usual outlets.\n\n<em>Lilac Lullabies</em> is a concise, five-song serving of SDS’s sensual, free-flowing ambient. It revisits the atmospheric feel of earlier albums <em>The Sound of Lights When Dim</em>, <em>The Slow and Steady Winter</em> and <em>Priest Lake Circa ’88</em>, with a delicious sense of space and restraint. Centrepiece ‘A Quiet Storm’ reaches heavenwards with its Gilmour-esque guitar lines, while ‘Before We Wake’ is a meditation on weightlessness, with gently pulsing bass and an ephemeral shroud of synth. And ‘The Dusty Morning Light’ brings the EP to a reflective close with its beautifully wistful Mellotron line.\n\nSlow Dancing Society is Washington-based producer and musician Drew Sullivan, who has released 7 albums on Hidden Shoal over the last 11 years. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/324396478&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Slow Dancing Society \"Lilac Lullabi','','inherit','closed','closed','','15474-autosave-v1','','','2017-06-16 11:41:50','2017-06-16 03:41:50','',15474,'http://www.hiddenshoal.com/15474-autosave-v1/',0,'revision','',0),(15477,1,'2017-06-16 11:42:20','2017-06-16 03:42:20','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141.jpg\"><img class=\"alignleft  wp-image-9155\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Drew-Sullivan-20141-300x300.jpg\" alt=\"Slow Dancing Society\" width=\"221\" height=\"221\" /></a>We\'re excited to announce the release <a title=\"Lilac Lullabies\" href=\"https://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\" target=\"_blank\"><em>Lilac Lullabies</em></a>, the first in a series of four new <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a> EPs. The EP follows hot on the heels of the reissue of his acclaimed debut album <em><a title=\"The Sound of Lights When Dim\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">The Sound of Lights When Dim</a>.</em> Each of the new EPs will be released digitally, one per month from June to September 2017, with the four EPs released collectively on double vinyl later in the year. Lilac Lullabies is available now via <a title=\"Bandcamp\" href=\"https://slowdancingsociety.bandcamp.com/album/i-lilac-lullabies\" target=\"_blank\">Bandcamp</a>, Spotify, iTunes and the other usual outlets.\r\n\r\n<em>Lilac Lullabies</em> is a concise, five-song serving of SDS’s sensual, free-flowing ambient. It revisits the atmospheric feel of earlier albums <em>The Sound of Lights When Dim</em>, <em>The Slow and Steady Winter</em> and <em>Priest Lake Circa ’88</em>, with a delicious sense of space and restraint. Centrepiece ‘A Quiet Storm’ reaches heavenwards with its Gilmour-esque guitar lines, while ‘Before We Wake’ is a meditation on weightlessness, with gently pulsing bass and an ephemeral shroud of synth. And ‘The Dusty Morning Light’ brings the EP to a reflective close with its beautifully wistful Mellotron line.\r\n\r\nSlow Dancing Society is Washington-based producer and musician Drew Sullivan, who has released 7 albums on Hidden Shoal over the last 11 years. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/324396478&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Slow Dancing Society\'s \"Lilac Lullabies\" EP Out Now!','','inherit','closed','closed','','15474-revision-v1','','','2017-06-16 11:42:20','2017-06-16 03:42:20','',15474,'http://www.hiddenshoal.com/15474-revision-v1/',0,'revision','',0),(15478,1,'2017-06-16 12:59:05','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2017-06-16 12:59:05','0000-00-00 00:00:00','',0,'http://www.hiddenshoal.com/?p=15478',0,'post','',0),(15479,1,'2017-06-16 17:17:24','0000-00-00 00:00:00','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Summon The Birds</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg\"><img class=\"alignleft wp-image-15480 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-300x200.jpg\" alt=\"Summon The Birds\" width=\"300\" height=\"200\" /></a>Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. The canvas weaving these disparate threads together is the ornate musical setting in which the song-stories become an unflinching and expanding whole. Imagine latter-day Talk Talk picking the locks to Spoon’s basement as The Drones circle, restless, looking for the pink pill...\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/summonthebirds/?ref=br_rs\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>    <a title=\"SoundCloud\" href=\"https://soundcloud.com/summonthebirds\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>    <a href=\"https://play.spotify.com/artist/4LoH0XhcxumBpn8EVSmslK?play=true&amp;utm_source=open.spotify.com&amp;utm_medium=open\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Digger (Single)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=2348712011/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://summonthebirds.bandcamp.com/track/digger\">Digger by Summon the Birds</a></iframe>\r\n<div></div>\r\nXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<h4>48</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=572848825/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://summonthebirds.bandcamp.com/album/48-2\">48 by Summon the Birds</a></iframe>\r\n<div></div>\r\nXXXXXXxxxxxxxx\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSummon the Birds began in 2007, when singer-songwriter Jonathan Shaw and bassist/producer Peter Woodlands kicked up an idea for a record called <i>48</i>, based on the iChing. Kris Arrowsmith joined on drums, with guitarist Tim Clarke seduced into the fray after the dissolution of instrumental shoegaze band Bury the Sound. <i>48</i> saw release in 2012, launched alongside Melbourne space-rock compatriots All India Radio, closely followed by single ‘Digger’ in 2013.\r\n\r\nThe seeds of second album <i>Blood Love</i> were sown back in 2009, with song sketches dreamt up by Shaw massaged into shape in the band’s Hurstbridge rehearsal room. These new songs had a lyrical intensity that lent itself to a more dynamic musical setting, inspired by Clarke’s measured guitar playing, tracing itself like gold wire over the regal patter of Arrowsmith’s drums and Woodlands’ bass runs. Labyrinthine pieces like ‘The Anatomy Lesson’ – based on the famous painting by Rembrandt – nine-minute opus ‘Journey to the Centre of the Earth’ and instrumental tracks ‘Tactile Hallucination’ and ‘Cloud Cars’ began to realise the reach of the band’s ambition.\r\n\r\nIn 2014, bassist Drew Corby replaced original member Peter Woodlands, and the recording of <i>Blood Love</i> began in earnest, bolstered by Paul Spurling on keyboards, Marlene Samson on backing vocals, and Adrian Perger on horns. Producer and engineer Tim Johnston (Nick Cave &amp; The Bad Seeds, The Dandy Warhols, The Drones) oversaw the sessions and lent his golden ears to the mixes, and the album was mastered by John Ruberto (Courtney Barnett, The Drones, Electric Mary).\r\n\r\n<i>Blood Love</i> is dedicated to the late Peter Woodlands, who died far too soon, but whose song rings on in the vault of the endless sky.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=summon-the-birds-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=summon-the-birds-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Lyrics\"]\r\n<h3>Lyrics</h3>\r\nNo lyrics list as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[gallery columns=\"4\" ids=\"15485,15486,15487,15480\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSummon The Birds music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Summon The Birds','','draft','closed','closed','','summon-the-birds','','','2017-06-16 17:17:24','2017-06-16 09:17:24','',0,'http://www.hiddenshoal.com/?post_type=project&#038;p=15479',0,'project','',0),(15493,1,'2017-06-16 17:10:00','2017-06-16 09:10:00','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Summon The Birds</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg\"><img class=\"alignleft wp-image-15480 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-300x200.jpg\" alt=\"Summon The Birds\" width=\"300\" height=\"200\" /></a>Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. The canvas weaving these disparate threads together is the ornate musical setting in which the song-stories become an unflinching and expanding whole. Imagine latter-day Talk Talk picking the locks to Spoon’s basement as The Drones circle, restless, looking for the pink pill...\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/summonthebirds/?ref=br_rs\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>    <a title=\"SoundCloud\" href=\"https://soundcloud.com/summonthebirds\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>    <a href=\"https://play.spotify.com/artist/4LoH0XhcxumBpn8EVSmslK?play=true&amp;utm_source=open.spotify.com&amp;utm_medium=open\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Digger (Single)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=2348712011/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://summonthebirds.bandcamp.com/track/digger\">Digger by Summon the Birds</a></iframe></p><div> </div><p>XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX</p><div> </div><div> </div><h4>48</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=572848825/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://summonthebirds.bandcamp.com/album/48-2\">48 by Summon the Birds</a></iframe></p><div> </div><p>XXXXXXxxxxxxxx</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSummon the Birds began in 2007, when singer-songwriter Jonathan Shaw and bassist/producer Peter Woodlands kicked up an idea for a record called <i>48</i>, based on the iChing. Kris Arrowsmith joined on drums, with guitarist Tim Clarke seduced into the fray after the dissolution of instrumental shoegaze band Bury the Sound. <i>48</i> saw release in 2012, launched alongside Melbourne space-rock compatriots All India Radio, closely followed by single ‘Digger’ in 2013.\r\n\r\nThe seeds of second album <i>Blood Love</i> were sown back in 2009, with song sketches dreamt up by Shaw massaged into shape in the band’s Hurstbridge rehearsal room. These new songs had a lyrical intensity that lent itself to a more dynamic musical setting, inspired by Clarke’s measured guitar playing, tracing itself like gold wire over the regal patter of Arrowsmith’s drums and Woodlands’ bass runs. Labyrinthine pieces like ‘The Anatomy Lesson’ – based on the famous painting by Rembrandt – nine-minute opus ‘Journey to the Centre of the Earth’ and instrumental tracks ‘Tactile Hallucination’ and ‘Cloud Cars’ began to realise the reach of the band’s ambition.\r\n\r\nIn 2014, bassist Drew Corby replaced original member Peter Woodlands, and the recording of <i>Blood Love</i> began in earnest, bolstered by Paul Spurling on keyboards, Marlene Samson on backing vocals, and Adrian Perger on horns. Producer and engineer Tim Johnston (Nick Cave & The Bad Seeds, The Dandy Warhols, The Drones) oversaw the sessions and lent his golden ears to the mixes, and the album was mastered by John Ruberto (Courtney Barnett, The Drones, Electric Mary).\r\n\r\n<i>Blood Love</i> is dedicated to the late Peter Woodlands, who died far too soon, but whose song rings on in the vault of the endless sky.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=summon-the-birds-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=summon-the-birds-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Lyrics\"]\r\n<h3>Lyrics</h3>\r\nNo lyrics list as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n \r\n\r\n[gallery columns=\"4\" ids=\"15485,15486,15487,15480\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSummon The Birds music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Summon The Birds','','inherit','closed','closed','','15479-revision-v1','','','2017-06-16 17:10:00','2017-06-16 09:10:00','',15479,'http://www.hiddenshoal.com/15479-revision-v1/',0,'revision','',0),(15492,1,'2017-06-16 17:09:08','2017-06-16 09:09:08','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Summon The Birds</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg\"><img class=\"alignleft wp-image-15480 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-300x200.jpg\" alt=\"Summon The Birds\" width=\"300\" height=\"200\" /></a>Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. The canvas weaving these disparate threads together is the ornate musical setting in which the song-stories become an unflinching and expanding whole. Imagine latter-day Talk Talk picking the locks to Spoon’s basement as The Drones circle, restless, looking for the pink pill...\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/summonthebirds/?ref=br_rs\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>    <a title=\"SoundCloud\" href=\"https://soundcloud.com/summonthebirds\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>    <a href=\"https://play.spotify.com/artist/4LoH0XhcxumBpn8EVSmslK?play=true&amp;utm_source=open.spotify.com&amp;utm_medium=open\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Digger (Single)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=2348712011/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://summonthebirds.bandcamp.com/track/digger\">Digger by Summon the Birds</a></iframe>\r\n<div></div>\r\nXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX\r\n<div></div>\r\n<div></div>\r\n<h4>48</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=572848825/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://summonthebirds.bandcamp.com/album/48-2\">48 by Summon the Birds</a></iframe>\r\n<div></div>\r\nXXXXXX us piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSummon the Birds began in 2007, when singer-songwriter Jonathan Shaw and bassist/producer Peter Woodlands kicked up an idea for a record called <i>48</i>, based on the iChing. Kris Arrowsmith joined on drums, with guitarist Tim Clarke seduced into the fray after the dissolution of instrumental shoegaze band Bury the Sound. <i>48</i> saw release in 2012, launched alongside Melbourne space-rock compatriots All India Radio, closely followed by single ‘Digger’ in 2013.\r\n\r\nThe seeds of second album <i>Blood Love</i> were sown back in 2009, with song sketches dreamt up by Shaw massaged into shape in the band’s Hurstbridge rehearsal room. These new songs had a lyrical intensity that lent itself to a more dynamic musical setting, inspired by Clarke’s measured guitar playing, tracing itself like gold wire over the regal patter of Arrowsmith’s drums and Woodlands’ bass runs. Labyrinthine pieces like ‘The Anatomy Lesson’ – based on the famous painting by Rembrandt – nine-minute opus ‘Journey to the Centre of the Earth’ and instrumental tracks ‘Tactile Hallucination’ and ‘Cloud Cars’ began to realise the reach of the band’s ambition.\r\n\r\nIn 2014, bassist Drew Corby replaced original member Peter Woodlands, and the recording of <i>Blood Love</i> began in earnest, bolstered by Paul Spurling on keyboards, Marlene Samson on backing vocals, and Adrian Perger on horns. Producer and engineer Tim Johnston (Nick Cave &amp; The Bad Seeds, The Dandy Warhols, The Drones) oversaw the sessions and lent his golden ears to the mixes, and the album was mastered by John Ruberto (Courtney Barnett, The Drones, Electric Mary).\r\n\r\n<i>Blood Love</i> is dedicated to the late Peter Woodlands, who died far too soon, but whose song rings on in the vault of the endless sky.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=summon-the-birds-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=summon-the-birds-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Lyrics\"]\r\n<h3>Lyrics</h3>\r\nNo lyrics list as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[gallery columns=\"4\" ids=\"15485,15486,15487,15480\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSummon The Birds music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Summon The Birds','','inherit','closed','closed','','15479-revision-v1','','','2017-06-16 17:09:08','2017-06-16 09:09:08','',15479,'http://www.hiddenshoal.com/15479-revision-v1/',0,'revision','',0),(15490,1,'2017-06-16 13:55:45','2017-06-16 05:55:45','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Summon The Birds</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg\"><img class=\"alignleft wp-image-15480 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-300x200.jpg\" alt=\"Summon The Birds\" width=\"300\" height=\"200\" /></a>Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. The canvas weaving these disparate threads together is the ornate musical setting in which the song-stories become an unflinching and expanding whole. Imagine latter-day Talk Talk picking the locks to Spoon’s basement as The Drones circle, restless, looking for the pink pill...\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/summonthebirds/?ref=br_rs\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>    <a title=\"SoundCloud\" href=\"https://soundcloud.com/summonthebirds\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>    <a href=\"https://play.spotify.com/artist/4LoH0XhcxumBpn8EVSmslK?play=true&amp;utm_source=open.spotify.com&amp;utm_medium=open\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSummon the Birds began in 2007, when singer-songwriter Jonathan Shaw and bassist/producer Peter Woodlands kicked up an idea for a record called <i>48</i>, based on the iChing. Kris Arrowsmith joined on drums, with guitarist Tim Clarke seduced into the fray after the dissolution of instrumental shoegaze band Bury the Sound. <i>48</i> saw release in 2012, launched alongside Melbourne space-rock compatriots All India Radio, closely followed by single ‘Digger’ in 2013.\r\n\r\nThe seeds of second album <i>Blood Love</i> were sown back in 2009, with song sketches dreamt up by Shaw massaged into shape in the band’s Hurstbridge rehearsal room. These new songs had a lyrical intensity that lent itself to a more dynamic musical setting, inspired by Clarke’s measured guitar playing, tracing itself like gold wire over the regal patter of Arrowsmith’s drums and Woodlands’ bass runs. Labyrinthine pieces like ‘The Anatomy Lesson’ – based on the famous painting by Rembrandt – nine-minute opus ‘Journey to the Centre of the Earth’ and instrumental tracks ‘Tactile Hallucination’ and ‘Cloud Cars’ began to realise the reach of the band’s ambition.\r\n\r\nIn 2014, bassist Drew Corby replaced original member Peter Woodlands, and the recording of <i>Blood Love</i> began in earnest, bolstered by Paul Spurling on keyboards, Marlene Samson on backing vocals, and Adrian Perger on horns. Producer and engineer Tim Johnston (Nick Cave &amp; The Bad Seeds, The Dandy Warhols, The Drones) oversaw the sessions and lent his golden ears to the mixes, and the album was mastered by John Ruberto (Courtney Barnett, The Drones, Electric Mary).\r\n\r\n<i>Blood Love</i> is dedicated to the late Peter Woodlands, who died far too soon, but whose song rings on in the vault of the endless sky.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=summon-the-birds-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=summon-the-birds-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Lyrics</h3>\r\nNo lyrics list as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[gallery columns=\"4\" ids=\"15485,15486,15487,15480\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSummon The Birds music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Summon The Birds','','inherit','closed','closed','','15479-revision-v1','','','2017-06-16 13:55:45','2017-06-16 05:55:45','',15479,'http://www.hiddenshoal.com/15479-revision-v1/',0,'revision','',0),(15481,1,'2017-06-16 13:11:35','2017-06-16 05:11:35','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Summon The Birds</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg\"><img class=\"alignleft wp-image-15480 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-300x200.jpg\" alt=\"Summon The Birds\" width=\"300\" height=\"200\" /></a>Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. The canvas weaving these disparate threads together is the ornate musical setting in which the song-stories become an unflinching and expanding whole. Imagine latter-day Talk Talk picking the locks to Spoon’s basement as The Drones circle, restless, looking for the pink pill... <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Summon The Birds','','inherit','closed','closed','','15479-revision-v1','','','2017-06-16 13:11:35','2017-06-16 05:11:35','',15479,'http://www.hiddenshoal.com/15479-revision-v1/',0,'revision','',0),(15480,1,'2017-06-16 13:08:18','2017-06-16 05:08:18','','Summon The Birds','','inherit','closed','closed','','summon-the-birds-2','','','2017-06-16 13:11:11','2017-06-16 05:11:11','',15479,'http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg',0,'attachment','image/jpeg',0),(15484,1,'2017-06-16 13:26:29','2017-06-16 05:26:29','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Summon The Birds</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg\"><img class=\"alignleft wp-image-15480 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-300x200.jpg\" alt=\"Summon The Birds\" width=\"300\" height=\"200\" /></a>Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. The canvas weaving these disparate threads together is the ornate musical setting in which the song-stories become an unflinching and expanding whole. Imagine latter-day Talk Talk picking the locks to Spoon’s basement as The Drones circle, restless, looking for the pink pill...\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/summonthebirds/?ref=br_rs\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>    <a title=\"SoundCloud\" href=\"https://soundcloud.com/summonthebirds\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>    <a href=\"https://play.spotify.com/artist/4LoH0XhcxumBpn8EVSmslK?play=true&amp;utm_source=open.spotify.com&amp;utm_medium=open\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSummon the Birds began in 2007, when singer-songwriter Jonathan Shaw and bassist/producer Peter Woodlands kicked up an idea for a record called <i>48</i>, based on the iChing. Kris Arrowsmith joined on drums, with guitarist Tim Clarke seduced into the fray after the dissolution of instrumental shoegaze band Bury the Sound. <i>48</i> saw release in 2012, launched alongside Melbourne space-rock compatriots All India Radio, closely followed by single ‘Digger’ in 2013.\r\n\r\nThe seeds of second album <i>Blood Love</i> were sown back in 2009, with song sketches dreamt up by Shaw massaged into shape in the band’s Hurstbridge rehearsal room. These new songs had a lyrical intensity that lent itself to a more dynamic musical setting, inspired by Clarke’s measured guitar playing, tracing itself like gold wire over the regal patter of Arrowsmith’s drums and Woodlands’ bass runs. Labyrinthine pieces like ‘The Anatomy Lesson’ – based on the famous painting by Rembrandt – nine-minute opus ‘Journey to the Centre of the Earth’ and instrumental tracks ‘Tactile Hallucination’ and ‘Cloud Cars’ began to realise the reach of the band’s ambition.\r\n\r\nIn 2014, bassist Drew Corby replaced original member Peter Woodlands, and the recording of <i>Blood Love</i> began in earnest, bolstered by Paul Spurling on keyboards, Marlene Samson on backing vocals, and Adrian Perger on horns. Producer and engineer Tim Johnston (Nick Cave &amp; The Bad Seeds, The Dandy Warhols, The Drones) oversaw the sessions and lent his golden ears to the mixes, and the album was mastered by John Ruberto (Courtney Barnett, The Drones, Electric Mary).\r\n\r\n<i>Blood Love</i> is dedicated to the late Peter Woodlands, who died far too soon, but whose song rings on in the vault of the endless sky.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Summon The Birds','','inherit','closed','closed','','15479-revision-v1','','','2017-06-16 13:26:29','2017-06-16 05:26:29','',15479,'http://www.hiddenshoal.com/15479-revision-v1/',0,'revision','',0),(15482,1,'2017-06-16 13:13:48','2017-06-16 05:13:48','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Summon The Birds</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg\"><img class=\"alignleft wp-image-15480 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-300x200.jpg\" alt=\"Summon The Birds\" width=\"300\" height=\"200\" /></a>Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. The canvas weaving these disparate threads together is the ornate musical setting in which the song-stories become an unflinching and expanding whole. Imagine latter-day Talk Talk picking the locks to Spoon’s basement as The Drones circle, restless, looking for the pink pill... <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSummon the Birds began in 2007, when singer-songwriter Jonathan Shaw and bassist/producer Peter Woodlands kicked up an idea for a record called <i>48</i>, based on the iChing. Kris Arrowsmith joined on drums, with guitarist Tim Clarke seduced into the fray after the dissolution of instrumental shoegaze band Bury the Sound. <i>48</i> saw release in 2012, launched alongside Melbourne space-rock compatriots All India Radio, closely followed by single ‘Digger’ in 2013.\r\n\r\nThe seeds of second album <i>Blood Love</i> were sown back in 2009, with song sketches dreamt up by Shaw massaged into shape in the band’s Hurstbridge rehearsal room. These new songs had a lyrical intensity that lent itself to a more dynamic musical setting, inspired by Clarke’s measured guitar playing, tracing itself like gold wire over the regal patter of Arrowsmith’s drums and Woodlands’ bass runs. Labyrinthine pieces like ‘The Anatomy Lesson’ – based on the famous painting by Rembrandt – nine-minute opus ‘Journey to the Centre of the Earth’ and instrumental tracks ‘Tactile Hallucination’ and ‘Cloud Cars’ began to realise the reach of the band’s ambition.\r\n\r\nIn 2014, bassist Drew Corby replaced original member Peter Woodlands, and the recording of <i>Blood Love</i> began in earnest, bolstered by Paul Spurling on keyboards, Marlene Samson on backing vocals, and Adrian Perger on horns. Producer and engineer Tim Johnston (Nick Cave &amp; The Bad Seeds, The Dandy Warhols, The Drones) oversaw the sessions and lent his golden ears to the mixes, and the album was mastered by John Ruberto (Courtney Barnett, The Drones, Electric Mary).\r\n\r\n<i>Blood Love</i> is dedicated to the late Peter Woodlands, who died far too soon, but whose song rings on in the vault of the endless sky.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Summon The Birds','','inherit','closed','closed','','15479-revision-v1','','','2017-06-16 13:13:48','2017-06-16 05:13:48','',15479,'http://www.hiddenshoal.com/15479-revision-v1/',0,'revision','',0),(15483,1,'2017-06-16 13:20:46','2017-06-16 05:20:46','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Summon The Birds</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg\"><img class=\"alignleft wp-image-15480 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-300x200.jpg\" alt=\"Summon The Birds\" width=\"300\" height=\"200\" /></a>Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. The canvas weaving these disparate threads together is the ornate musical setting in which the song-stories become an unflinching and expanding whole. Imagine latter-day Talk Talk picking the locks to Spoon’s basement as The Drones circle, restless, looking for the pink pill... <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSummon the Birds began in 2007, when singer-songwriter Jonathan Shaw and bassist/producer Peter Woodlands kicked up an idea for a record called <i>48</i>, based on the iChing. Kris Arrowsmith joined on drums, with guitarist Tim Clarke seduced into the fray after the dissolution of instrumental shoegaze band Bury the Sound. <i>48</i> saw release in 2012, launched alongside Melbourne space-rock compatriots All India Radio, closely followed by single ‘Digger’ in 2013.\r\n\r\nThe seeds of second album <i>Blood Love</i> were sown back in 2009, with song sketches dreamt up by Shaw massaged into shape in the band’s Hurstbridge rehearsal room. These new songs had a lyrical intensity that lent itself to a more dynamic musical setting, inspired by Clarke’s measured guitar playing, tracing itself like gold wire over the regal patter of Arrowsmith’s drums and Woodlands’ bass runs. Labyrinthine pieces like ‘The Anatomy Lesson’ – based on the famous painting by Rembrandt – nine-minute opus ‘Journey to the Centre of the Earth’ and instrumental tracks ‘Tactile Hallucination’ and ‘Cloud Cars’ began to realise the reach of the band’s ambition.\r\n\r\nIn 2014, bassist Drew Corby replaced original member Peter Woodlands, and the recording of <i>Blood Love</i> began in earnest, bolstered by Paul Spurling on keyboards, Marlene Samson on backing vocals, and Adrian Perger on horns. Producer and engineer Tim Johnston (Nick Cave &amp; The Bad Seeds, The Dandy Warhols, The Drones) oversaw the sessions and lent his golden ears to the mixes, and the album was mastered by John Ruberto (Courtney Barnett, The Drones, Electric Mary).\r\n\r\n<i>Blood Love</i> is dedicated to the late Peter Woodlands, who died far too soon, but whose song rings on in the vault of the endless sky.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Summon The Birds','','inherit','closed','closed','','15479-revision-v1','','','2017-06-16 13:20:46','2017-06-16 05:20:46','',15479,'http://www.hiddenshoal.com/15479-revision-v1/',0,'revision','',0),(15485,1,'2017-06-16 13:31:42','2017-06-16 05:31:42','','Summon The Birds','','inherit','closed','closed','','summon-the-birds-2-2','','','2017-06-16 13:33:28','2017-06-16 05:33:28','',15479,'http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-2.jpg',0,'attachment','image/jpeg',0),(15486,1,'2017-06-16 13:31:45','2017-06-16 05:31:45','','Summon The Birds','','inherit','closed','closed','','summon-the-birds-3','','','2017-06-16 13:33:30','2017-06-16 05:33:30','',15479,'http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-3.jpg',0,'attachment','image/jpeg',0),(15487,1,'2017-06-16 13:32:18','2017-06-16 05:32:18','','Summon The Birds','','inherit','closed','closed','','summon-the-birds-4','','','2017-06-16 13:33:33','2017-06-16 05:33:33','',15479,'http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-4.jpg',0,'attachment','image/jpeg',0),(15489,1,'2017-06-16 13:54:12','2017-06-16 05:54:12','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Summon The Birds</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg\"><img class=\"alignleft wp-image-15480 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-300x200.jpg\" alt=\"Summon The Birds\" width=\"300\" height=\"200\" /></a>Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. The canvas weaving these disparate threads together is the ornate musical setting in which the song-stories become an unflinching and expanding whole. Imagine latter-day Talk Talk picking the locks to Spoon’s basement as The Drones circle, restless, looking for the pink pill...\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/summonthebirds/?ref=br_rs\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>    <a title=\"SoundCloud\" href=\"https://soundcloud.com/summonthebirds\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>    <a href=\"https://play.spotify.com/artist/4LoH0XhcxumBpn8EVSmslK?play=true&amp;utm_source=open.spotify.com&amp;utm_medium=open\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSummon the Birds began in 2007, when singer-songwriter Jonathan Shaw and bassist/producer Peter Woodlands kicked up an idea for a record called <i>48</i>, based on the iChing. Kris Arrowsmith joined on drums, with guitarist Tim Clarke seduced into the fray after the dissolution of instrumental shoegaze band Bury the Sound. <i>48</i> saw release in 2012, launched alongside Melbourne space-rock compatriots All India Radio, closely followed by single ‘Digger’ in 2013.\r\n\r\nThe seeds of second album <i>Blood Love</i> were sown back in 2009, with song sketches dreamt up by Shaw massaged into shape in the band’s Hurstbridge rehearsal room. These new songs had a lyrical intensity that lent itself to a more dynamic musical setting, inspired by Clarke’s measured guitar playing, tracing itself like gold wire over the regal patter of Arrowsmith’s drums and Woodlands’ bass runs. Labyrinthine pieces like ‘The Anatomy Lesson’ – based on the famous painting by Rembrandt – nine-minute opus ‘Journey to the Centre of the Earth’ and instrumental tracks ‘Tactile Hallucination’ and ‘Cloud Cars’ began to realise the reach of the band’s ambition.\r\n\r\nIn 2014, bassist Drew Corby replaced original member Peter Woodlands, and the recording of <i>Blood Love</i> began in earnest, bolstered by Paul Spurling on keyboards, Marlene Samson on backing vocals, and Adrian Perger on horns. Producer and engineer Tim Johnston (Nick Cave &amp; The Bad Seeds, The Dandy Warhols, The Drones) oversaw the sessions and lent his golden ears to the mixes, and the album was mastered by John Ruberto (Courtney Barnett, The Drones, Electric Mary).\r\n\r\n<i>Blood Love</i> is dedicated to the late Peter Woodlands, who died far too soon, but whose song rings on in the vault of the endless sky.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=summon-the-birds-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=summon-the-birds-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Lyrics</h3>\r\nNo lyrics list as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[gallery columns=\"4\" ids=\"15485,15486,15487,15480\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSummon The Birds music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Summon The Birds','','inherit','closed','closed','','15479-revision-v1','','','2017-06-16 13:54:12','2017-06-16 05:54:12','',15479,'http://www.hiddenshoal.com/15479-revision-v1/',0,'revision','',0),(15488,1,'2017-06-16 13:33:59','2017-06-16 05:33:59','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Summon The Birds</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg\"><img class=\"alignleft wp-image-15480 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-300x200.jpg\" alt=\"Summon The Birds\" width=\"300\" height=\"200\" /></a>Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. The canvas weaving these disparate threads together is the ornate musical setting in which the song-stories become an unflinching and expanding whole. Imagine latter-day Talk Talk picking the locks to Spoon’s basement as The Drones circle, restless, looking for the pink pill...\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/summonthebirds/?ref=br_rs\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>    <a title=\"SoundCloud\" href=\"https://soundcloud.com/summonthebirds\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>    <a href=\"https://play.spotify.com/artist/4LoH0XhcxumBpn8EVSmslK?play=true&amp;utm_source=open.spotify.com&amp;utm_medium=open\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSummon the Birds began in 2007, when singer-songwriter Jonathan Shaw and bassist/producer Peter Woodlands kicked up an idea for a record called <i>48</i>, based on the iChing. Kris Arrowsmith joined on drums, with guitarist Tim Clarke seduced into the fray after the dissolution of instrumental shoegaze band Bury the Sound. <i>48</i> saw release in 2012, launched alongside Melbourne space-rock compatriots All India Radio, closely followed by single ‘Digger’ in 2013.\r\n\r\nThe seeds of second album <i>Blood Love</i> were sown back in 2009, with song sketches dreamt up by Shaw massaged into shape in the band’s Hurstbridge rehearsal room. These new songs had a lyrical intensity that lent itself to a more dynamic musical setting, inspired by Clarke’s measured guitar playing, tracing itself like gold wire over the regal patter of Arrowsmith’s drums and Woodlands’ bass runs. Labyrinthine pieces like ‘The Anatomy Lesson’ – based on the famous painting by Rembrandt – nine-minute opus ‘Journey to the Centre of the Earth’ and instrumental tracks ‘Tactile Hallucination’ and ‘Cloud Cars’ began to realise the reach of the band’s ambition.\r\n\r\nIn 2014, bassist Drew Corby replaced original member Peter Woodlands, and the recording of <i>Blood Love</i> began in earnest, bolstered by Paul Spurling on keyboards, Marlene Samson on backing vocals, and Adrian Perger on horns. Producer and engineer Tim Johnston (Nick Cave &amp; The Bad Seeds, The Dandy Warhols, The Drones) oversaw the sessions and lent his golden ears to the mixes, and the album was mastered by John Ruberto (Courtney Barnett, The Drones, Electric Mary).\r\n\r\n<i>Blood Love</i> is dedicated to the late Peter Woodlands, who died far too soon, but whose song rings on in the vault of the endless sky.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[gallery columns=\"4\" ids=\"15485,15486,15487,15480\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Summon The Birds','','inherit','closed','closed','','15479-revision-v1','','','2017-06-16 13:33:59','2017-06-16 05:33:59','',15479,'http://www.hiddenshoal.com/15479-revision-v1/',0,'revision','',0),(15491,1,'2017-06-16 16:09:17','2017-06-16 08:09:17','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Summon The Birds</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg\"><img class=\"alignleft wp-image-15480 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-300x200.jpg\" alt=\"Summon The Birds\" width=\"300\" height=\"200\" /></a>Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. The canvas weaving these disparate threads together is the ornate musical setting in which the song-stories become an unflinching and expanding whole. Imagine latter-day Talk Talk picking the locks to Spoon’s basement as The Drones circle, restless, looking for the pink pill...\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/summonthebirds/?ref=br_rs\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>    <a title=\"SoundCloud\" href=\"https://soundcloud.com/summonthebirds\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>    <a href=\"https://play.spotify.com/artist/4LoH0XhcxumBpn8EVSmslK?play=true&amp;utm_source=open.spotify.com&amp;utm_medium=open\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSummon the Birds began in 2007, when singer-songwriter Jonathan Shaw and bassist/producer Peter Woodlands kicked up an idea for a record called <i>48</i>, based on the iChing. Kris Arrowsmith joined on drums, with guitarist Tim Clarke seduced into the fray after the dissolution of instrumental shoegaze band Bury the Sound. <i>48</i> saw release in 2012, launched alongside Melbourne space-rock compatriots All India Radio, closely followed by single ‘Digger’ in 2013.\r\n\r\nThe seeds of second album <i>Blood Love</i> were sown back in 2009, with song sketches dreamt up by Shaw massaged into shape in the band’s Hurstbridge rehearsal room. These new songs had a lyrical intensity that lent itself to a more dynamic musical setting, inspired by Clarke’s measured guitar playing, tracing itself like gold wire over the regal patter of Arrowsmith’s drums and Woodlands’ bass runs. Labyrinthine pieces like ‘The Anatomy Lesson’ – based on the famous painting by Rembrandt – nine-minute opus ‘Journey to the Centre of the Earth’ and instrumental tracks ‘Tactile Hallucination’ and ‘Cloud Cars’ began to realise the reach of the band’s ambition.\r\n\r\nIn 2014, bassist Drew Corby replaced original member Peter Woodlands, and the recording of <i>Blood Love</i> began in earnest, bolstered by Paul Spurling on keyboards, Marlene Samson on backing vocals, and Adrian Perger on horns. Producer and engineer Tim Johnston (Nick Cave &amp; The Bad Seeds, The Dandy Warhols, The Drones) oversaw the sessions and lent his golden ears to the mixes, and the album was mastered by John Ruberto (Courtney Barnett, The Drones, Electric Mary).\r\n\r\n<i>Blood Love</i> is dedicated to the late Peter Woodlands, who died far too soon, but whose song rings on in the vault of the endless sky.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=summon-the-birds-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=summon-the-birds-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Lyrics\"]\r\n<h3>Lyrics</h3>\r\nNo lyrics list as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[gallery columns=\"4\" ids=\"15485,15486,15487,15480\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSummon The Birds music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Summon The Birds','','inherit','closed','closed','','15479-revision-v1','','','2017-06-16 16:09:17','2017-06-16 08:09:17','',15479,'http://www.hiddenshoal.com/15479-revision-v1/',0,'revision','',0),(15494,1,'2017-06-16 17:10:15','2017-06-16 09:10:15','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Summon The Birds</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg\"><img class=\"alignleft wp-image-15480 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-300x200.jpg\" alt=\"Summon The Birds\" width=\"300\" height=\"200\" /></a>Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. The canvas weaving these disparate threads together is the ornate musical setting in which the song-stories become an unflinching and expanding whole. Imagine latter-day Talk Talk picking the locks to Spoon’s basement as The Drones circle, restless, looking for the pink pill...\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/summonthebirds/?ref=br_rs\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>    <a title=\"SoundCloud\" href=\"https://soundcloud.com/summonthebirds\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>    <a href=\"https://play.spotify.com/artist/4LoH0XhcxumBpn8EVSmslK?play=true&amp;utm_source=open.spotify.com&amp;utm_medium=open\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Digger (Single)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=2348712011/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://summonthebirds.bandcamp.com/track/digger\">Digger by Summon the Birds</a></iframe>\r\n<div></div>\r\nXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX\r\n<div></div>\r\n<div></div>\r\n<h4>48</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=572848825/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://summonthebirds.bandcamp.com/album/48-2\">48 by Summon the Birds</a></iframe>\r\n<div></div>\r\nXXXXXXxxxxxxxx\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSummon the Birds began in 2007, when singer-songwriter Jonathan Shaw and bassist/producer Peter Woodlands kicked up an idea for a record called <i>48</i>, based on the iChing. Kris Arrowsmith joined on drums, with guitarist Tim Clarke seduced into the fray after the dissolution of instrumental shoegaze band Bury the Sound. <i>48</i> saw release in 2012, launched alongside Melbourne space-rock compatriots All India Radio, closely followed by single ‘Digger’ in 2013.\r\n\r\nThe seeds of second album <i>Blood Love</i> were sown back in 2009, with song sketches dreamt up by Shaw massaged into shape in the band’s Hurstbridge rehearsal room. These new songs had a lyrical intensity that lent itself to a more dynamic musical setting, inspired by Clarke’s measured guitar playing, tracing itself like gold wire over the regal patter of Arrowsmith’s drums and Woodlands’ bass runs. Labyrinthine pieces like ‘The Anatomy Lesson’ – based on the famous painting by Rembrandt – nine-minute opus ‘Journey to the Centre of the Earth’ and instrumental tracks ‘Tactile Hallucination’ and ‘Cloud Cars’ began to realise the reach of the band’s ambition.\r\n\r\nIn 2014, bassist Drew Corby replaced original member Peter Woodlands, and the recording of <i>Blood Love</i> began in earnest, bolstered by Paul Spurling on keyboards, Marlene Samson on backing vocals, and Adrian Perger on horns. Producer and engineer Tim Johnston (Nick Cave &amp; The Bad Seeds, The Dandy Warhols, The Drones) oversaw the sessions and lent his golden ears to the mixes, and the album was mastered by John Ruberto (Courtney Barnett, The Drones, Electric Mary).\r\n\r\n<i>Blood Love</i> is dedicated to the late Peter Woodlands, who died far too soon, but whose song rings on in the vault of the endless sky.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=summon-the-birds-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=summon-the-birds-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Lyrics\"]\r\n<h3>Lyrics</h3>\r\nNo lyrics list as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[gallery columns=\"4\" ids=\"15485,15486,15487,15480\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSummon The Birds music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Summon The Birds','','inherit','closed','closed','','15479-revision-v1','','','2017-06-16 17:10:15','2017-06-16 09:10:15','',15479,'http://www.hiddenshoal.com/15479-revision-v1/',0,'revision','',0),(15496,1,'2017-06-16 17:17:24','2017-06-16 09:17:24','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Summon The Birds</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg\"><img class=\"alignleft wp-image-15480 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-300x200.jpg\" alt=\"Summon The Birds\" width=\"300\" height=\"200\" /></a>Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. The canvas weaving these disparate threads together is the ornate musical setting in which the song-stories become an unflinching and expanding whole. Imagine latter-day Talk Talk picking the locks to Spoon’s basement as The Drones circle, restless, looking for the pink pill...\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/summonthebirds/?ref=br_rs\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>    <a title=\"SoundCloud\" href=\"https://soundcloud.com/summonthebirds\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>    <a href=\"https://play.spotify.com/artist/4LoH0XhcxumBpn8EVSmslK?play=true&amp;utm_source=open.spotify.com&amp;utm_medium=open\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Digger (Single)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=2348712011/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://summonthebirds.bandcamp.com/track/digger\">Digger by Summon the Birds</a></iframe>\r\n<div></div>\r\nXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<h4>48</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=572848825/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://summonthebirds.bandcamp.com/album/48-2\">48 by Summon the Birds</a></iframe>\r\n<div></div>\r\nXXXXXXxxxxxxxx\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSummon the Birds began in 2007, when singer-songwriter Jonathan Shaw and bassist/producer Peter Woodlands kicked up an idea for a record called <i>48</i>, based on the iChing. Kris Arrowsmith joined on drums, with guitarist Tim Clarke seduced into the fray after the dissolution of instrumental shoegaze band Bury the Sound. <i>48</i> saw release in 2012, launched alongside Melbourne space-rock compatriots All India Radio, closely followed by single ‘Digger’ in 2013.\r\n\r\nThe seeds of second album <i>Blood Love</i> were sown back in 2009, with song sketches dreamt up by Shaw massaged into shape in the band’s Hurstbridge rehearsal room. These new songs had a lyrical intensity that lent itself to a more dynamic musical setting, inspired by Clarke’s measured guitar playing, tracing itself like gold wire over the regal patter of Arrowsmith’s drums and Woodlands’ bass runs. Labyrinthine pieces like ‘The Anatomy Lesson’ – based on the famous painting by Rembrandt – nine-minute opus ‘Journey to the Centre of the Earth’ and instrumental tracks ‘Tactile Hallucination’ and ‘Cloud Cars’ began to realise the reach of the band’s ambition.\r\n\r\nIn 2014, bassist Drew Corby replaced original member Peter Woodlands, and the recording of <i>Blood Love</i> began in earnest, bolstered by Paul Spurling on keyboards, Marlene Samson on backing vocals, and Adrian Perger on horns. Producer and engineer Tim Johnston (Nick Cave &amp; The Bad Seeds, The Dandy Warhols, The Drones) oversaw the sessions and lent his golden ears to the mixes, and the album was mastered by John Ruberto (Courtney Barnett, The Drones, Electric Mary).\r\n\r\n<i>Blood Love</i> is dedicated to the late Peter Woodlands, who died far too soon, but whose song rings on in the vault of the endless sky.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=summon-the-birds-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=summon-the-birds-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Lyrics\"]\r\n<h3>Lyrics</h3>\r\nNo lyrics list as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[gallery columns=\"4\" ids=\"15485,15486,15487,15480\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSummon The Birds music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Summon The Birds','','inherit','closed','closed','','15479-revision-v1','','','2017-06-16 17:17:24','2017-06-16 09:17:24','',15479,'http://www.hiddenshoal.com/15479-revision-v1/',0,'revision','',0),(15495,1,'2017-06-16 17:13:40','2017-06-16 09:13:40','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Summon The Birds</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds.jpg\"><img class=\"alignleft wp-image-15480 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2017/06/Summon-The-Birds-300x200.jpg\" alt=\"Summon The Birds\" width=\"300\" height=\"200\" /></a>Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. The canvas weaving these disparate threads together is the ornate musical setting in which the song-stories become an unflinching and expanding whole. Imagine latter-day Talk Talk picking the locks to Spoon’s basement as The Drones circle, restless, looking for the pink pill...\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/summonthebirds/?ref=br_rs\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>    <a title=\"SoundCloud\" href=\"https://soundcloud.com/summonthebirds\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>    <a href=\"https://play.spotify.com/artist/4LoH0XhcxumBpn8EVSmslK?play=true&amp;utm_source=open.spotify.com&amp;utm_medium=open\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"Spotify\" width=\"20\" height=\"20\" /></a>\r\n</strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<h4>Digger (Single)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/track=2348712011/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://summonthebirds.bandcamp.com/track/digger\">Digger by Summon the Birds</a></iframe>\r\n<div></div>\r\nXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<h4>48</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=572848825/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://summonthebirds.bandcamp.com/album/48-2\">48 by Summon the Birds</a></iframe>\r\n<div></div>\r\nXXXXXXxxxxxxxx\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nSummon the Birds began in 2007, when singer-songwriter Jonathan Shaw and bassist/producer Peter Woodlands kicked up an idea for a record called <i>48</i>, based on the iChing. Kris Arrowsmith joined on drums, with guitarist Tim Clarke seduced into the fray after the dissolution of instrumental shoegaze band Bury the Sound. <i>48</i> saw release in 2012, launched alongside Melbourne space-rock compatriots All India Radio, closely followed by single ‘Digger’ in 2013.\r\n\r\nThe seeds of second album <i>Blood Love</i> were sown back in 2009, with song sketches dreamt up by Shaw massaged into shape in the band’s Hurstbridge rehearsal room. These new songs had a lyrical intensity that lent itself to a more dynamic musical setting, inspired by Clarke’s measured guitar playing, tracing itself like gold wire over the regal patter of Arrowsmith’s drums and Woodlands’ bass runs. Labyrinthine pieces like ‘The Anatomy Lesson’ – based on the famous painting by Rembrandt – nine-minute opus ‘Journey to the Centre of the Earth’ and instrumental tracks ‘Tactile Hallucination’ and ‘Cloud Cars’ began to realise the reach of the band’s ambition.\r\n\r\nIn 2014, bassist Drew Corby replaced original member Peter Woodlands, and the recording of <i>Blood Love</i> began in earnest, bolstered by Paul Spurling on keyboards, Marlene Samson on backing vocals, and Adrian Perger on horns. Producer and engineer Tim Johnston (Nick Cave &amp; The Bad Seeds, The Dandy Warhols, The Drones) oversaw the sessions and lent his golden ears to the mixes, and the album was mastered by John Ruberto (Courtney Barnett, The Drones, Electric Mary).\r\n\r\n<i>Blood Love</i> is dedicated to the late Peter Woodlands, who died far too soon, but whose song rings on in the vault of the endless sky.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=summon-the-birds-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=summon-the-birds-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Lyrics\"]\r\n<h3>Lyrics</h3>\r\nNo lyrics list as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[gallery columns=\"4\" ids=\"15485,15486,15487,15480\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos as yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nSummon The Birds music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Summon The Birds','','inherit','closed','closed','','15479-revision-v1','','','2017-06-16 17:13:40','2017-06-16 09:13:40','',15479,'http://www.hiddenshoal.com/15479-revision-v1/',0,'revision','',0);
