<a href="http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art.jpg"><img class="alignleft  wp-image-14173" src="http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art-300x300.jpg" alt="Towards Tragedy and Dissolution" width="242" height="242" /></a>Hidden Shoal is proud to announce the release of ‘Towards Tragedy and Dissolution’, the stunning new single by acclaimed neo-classical ambient artist <a title="Antonymes" href="http://www.hiddenshoal.com/project/antonymes/">Antonymes</a>, taken from the forthcoming album <em>(For Now We See) Through A Glass Dimly</em>. The track is available for streaming now via SoundCloud.

Sonically minimal yet emotionally formidable, ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of <a title="James Banbury" href="http://component-music.com/?page_id=265" target="_blank">James Banbury</a> (The Auteurs) and <a title="Christoph Berg" href="http://christophberg.com/" target="_blank">Christoph Berg</a> (Field Rotation), which engage in reflective conversation with Ian M. Hazeldine's plaintive piano. Its emotional potency and compositional dexterity draws you into an evocative world, demanding engagement.

In addition to James Banbury and Christoph Berg, <em>(For Now We See) Through A Glass Dimly</em> also includes contributions from composer <a title="Stefano Guzzetti" href="http://www.stefanoguzzetti.com/" target="_blank">Stefano Guzzetti</a>, <a title="Ilya" href="http://www.ilyasounds.com/" target="_blank">Joanna Swan</a> (Ilya) and writer <a title="Paul Morley" href="http://www.theguardian.com/profile/paulmorley" target="_blank">Paul Morley</a>. Mixed by Stefano Guzzetti and <a title="Paul Humphreys" href="http://www.avclub.com/article/paul-humphreys-of-orchestral-manoeuvres-in-the-dar-14284" target="_blank">Paul Humphreys</a> (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring. It is released by Hidden Shoal on 21st April 2016.