(14465,1,'2016-05-13 15:52:14','2016-05-13 07:52:14','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Arc Lab</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square.jpg\"><img class=\"alignleft  wp-image-14464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square-288x300.jpg\" alt=\"Arc Lab\" width=\"232\" height=\"242\" /></a><i>“…one of the most original releases in the IDM field in some time…confounding the set-in-stone rules of a stagnant IDM genre”</i> –<b> [sic] Magazine on The Goodbye Radio</b>\r\n\r\nEschewing easy genre classification, Medard Fischer’s output as Arc Lab effectively blends IDM’s technical sophistication with the moving and poignant character of neo-classical ambience and a finely tuned ear for electroacoustic pop. His new album, <i>Anthem </i>(2016), folds classic analogue timbres and detuned FM ambience into fragmented radio broadcasts, forgotten NASA program materials and layers of deep space noise, creating music that is, by turns, menacing and contemplative, forbidding and epic.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/Arc-Lab-Medard-Fischer-Tyyson-6829244204/?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/medard-fischer\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.medardfischer.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\nArc Lab\'s debut album for Hidden Shoal, <em>Anthem</em>, will see release on the 28th July 2016 with a single preceding the album in June.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nArc Lab is Hidden Shoal artist <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s primary vehicle for musical experimentation – a blank-slate platform on which he has released a diverse catalogue of emotive, conceptual work. We last heard from Arc Lab in 2008, with the release of<i> The Goodbye Radio</i> (n5MD), an album described as “‘genre-defying’ or, perhaps most appropriately, ‘genre-transcending’” (Textura) and as “one of the most original releases in the IDM field in some time” and “downright ingenious” ([sic] Magazine). As suggested by its cryptic title, <i>The Goodbye Radio</i> was heavily driven by internal narrative, with thematic touchpoints including early space exploration and relativistic physics. Fischer’s latest full-length <i>Anthem</i> (2016), and his first for Hidden Shoal, continues the story, marking another chapter in an alternative arc of history only hinted at in buried audio fragments, track titles and structures. The result is essential Arc Lab – evocative and compelling pieces rich with meaning and purpose.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=arclab-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=arclab-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n[gallery ids=\"14442\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nArc Lab\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Arc Lab','','inherit','closed','closed','','14440-revision-v1','','','2016-05-13 15:52:14','2016-05-13 07:52:14','',14440,'http://www.hiddenshoal.com/14440-revision-v1/',0,'revision','',0),(14466,1,'2016-05-13 15:54:10','2016-05-13 07:54:10','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Arc Lab</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square.jpg\"><img class=\"alignleft  wp-image-14464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square-288x300.jpg\" alt=\"Arc Lab\" width=\"243\" height=\"253\" /></a><i>“…one of the most original releases in the IDM field in some time…confounding the set-in-stone rules of a stagnant IDM genre”</i> –<b> [sic] Magazine on The Goodbye Radio</b>\r\n\r\nEschewing easy genre classification, Medard Fischer’s output as Arc Lab effectively blends IDM’s technical sophistication with the moving and poignant character of neo-classical ambience and a finely tuned ear for electroacoustic pop. His new album, <i>Anthem </i>(2016), folds classic analogue timbres and detuned FM ambience into fragmented radio broadcasts, forgotten NASA program materials and layers of deep space noise, creating music that is, by turns, menacing and contemplative, forbidding and epic.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/Arc-Lab-Medard-Fischer-Tyyson-6829244204/?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/medard-fischer\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.medardfischer.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\nArc Lab\'s debut album for Hidden Shoal, <em>Anthem</em>, will see release on the 28th July 2016 with a single preceding the album in June.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nArc Lab is Hidden Shoal artist <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s primary vehicle for musical experimentation – a blank-slate platform on which he has released a diverse catalogue of emotive, conceptual work. We last heard from Arc Lab in 2008, with the release of<i> The Goodbye Radio</i> (n5MD), an album described as “‘genre-defying’ or, perhaps most appropriately, ‘genre-transcending’” (Textura) and as “one of the most original releases in the IDM field in some time” and “downright ingenious” ([sic] Magazine). As suggested by its cryptic title, <i>The Goodbye Radio</i> was heavily driven by internal narrative, with thematic touchpoints including early space exploration and relativistic physics. Fischer’s latest full-length <i>Anthem</i> (2016), and his first for Hidden Shoal, continues the story, marking another chapter in an alternative arc of history only hinted at in buried audio fragments, track titles and structures. The result is essential Arc Lab – evocative and compelling pieces rich with meaning and purpose.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=arclab-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=arclab-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n[gallery ids=\"14442\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nArc Lab\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Arc Lab','','inherit','closed','closed','','14440-revision-v1','','','2016-05-13 15:54:10','2016-05-13 07:54:10','',14440,'http://www.hiddenshoal.com/14440-revision-v1/',0,'revision','',0),(14467,1,'2016-05-13 15:55:55','2016-05-13 07:55:55','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Arc Lab</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square.jpg\"><img class=\"alignleft  wp-image-14464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square-288x300.jpg\" alt=\"Arc Lab\" width=\"255\" height=\"265\" /></a><i>“…one of the most original releases in the IDM field in some time…confounding the set-in-stone rules of a stagnant IDM genre”</i> –<b> [sic] Magazine on The Goodbye Radio</b>\r\n\r\nEschewing easy genre classification, <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s output as Arc Lab effectively blends IDM’s technical sophistication with the moving and poignant character of neo-classical ambience and a finely tuned ear for electroacoustic pop. His new album, <i>Anthem </i>(2016), folds classic analogue timbres and detuned FM ambience into fragmented radio broadcasts, forgotten NASA program materials and layers of deep space noise, creating music that is, by turns, menacing and contemplative, forbidding and epic.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/Arc-Lab-Medard-Fischer-Tyyson-6829244204/?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/medard-fischer\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.medardfischer.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\nArc Lab\'s debut album for Hidden Shoal, <em>Anthem</em>, will see release on the 28th July 2016 with a single preceding the album in June.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nArc Lab is Hidden Shoal artist <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s primary vehicle for musical experimentation – a blank-slate platform on which he has released a diverse catalogue of emotive, conceptual work. We last heard from Arc Lab in 2008, with the release of<i> The Goodbye Radio</i> (n5MD), an album described as “‘genre-defying’ or, perhaps most appropriately, ‘genre-transcending’” (Textura) and as “one of the most original releases in the IDM field in some time” and “downright ingenious” ([sic] Magazine). As suggested by its cryptic title, <i>The Goodbye Radio</i> was heavily driven by internal narrative, with thematic touchpoints including early space exploration and relativistic physics. Fischer’s latest full-length <i>Anthem</i> (2016), and his first for Hidden Shoal, continues the story, marking another chapter in an alternative arc of history only hinted at in buried audio fragments, track titles and structures. The result is essential Arc Lab – evocative and compelling pieces rich with meaning and purpose.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=arclab-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=arclab-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n[gallery ids=\"14442\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nArc Lab\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Arc Lab','','inherit','closed','closed','','14440-revision-v1','','','2016-05-13 15:55:55','2016-05-13 07:55:55','',14440,'http://www.hiddenshoal.com/14440-revision-v1/',0,'revision','',0),(14468,1,'2016-05-13 15:56:42','2016-05-13 07:56:42','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Arc Lab</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square.jpg\"><img class=\"alignleft  wp-image-14464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square-288x300.jpg\" alt=\"Arc Lab\" width=\"268\" height=\"279\" /></a><i>“…one of the most original releases in the IDM field in some time…confounding the set-in-stone rules of a stagnant IDM genre”</i> –<b> [sic] Magazine on The Goodbye Radio</b>\r\n\r\nEschewing easy genre classification, <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s output as Arc Lab effectively blends IDM’s technical sophistication with the moving and poignant character of neo-classical ambience and a finely tuned ear for electroacoustic pop. His new album, <i>Anthem </i>(2016), folds classic analogue timbres and detuned FM ambience into fragmented radio broadcasts, forgotten NASA program materials and layers of deep space noise, creating music that is, by turns, menacing and contemplative, forbidding and epic.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/Arc-Lab-Medard-Fischer-Tyyson-6829244204/?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/medard-fischer\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.medardfischer.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\nArc Lab\'s debut album for Hidden Shoal, <em>Anthem</em>, will see release on the 28th July 2016 with a single preceding the album in June.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nArc Lab is Hidden Shoal artist <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s primary vehicle for musical experimentation – a blank-slate platform on which he has released a diverse catalogue of emotive, conceptual work. We last heard from Arc Lab in 2008, with the release of<i> The Goodbye Radio</i> (n5MD), an album described as “‘genre-defying’ or, perhaps most appropriately, ‘genre-transcending’” (Textura) and as “one of the most original releases in the IDM field in some time” and “downright ingenious” ([sic] Magazine). As suggested by its cryptic title, <i>The Goodbye Radio</i> was heavily driven by internal narrative, with thematic touchpoints including early space exploration and relativistic physics. Fischer’s latest full-length <i>Anthem</i> (2016), and his first for Hidden Shoal, continues the story, marking another chapter in an alternative arc of history only hinted at in buried audio fragments, track titles and structures. The result is essential Arc Lab – evocative and compelling pieces rich with meaning and purpose.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=arclab-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=arclab-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n[gallery ids=\"14442\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nArc Lab\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Arc Lab','','inherit','closed','closed','','14440-revision-v1','','','2016-05-13 15:56:42','2016-05-13 07:56:42','',14440,'http://www.hiddenshoal.com/14440-revision-v1/',0,'revision','',0),(14469,1,'2016-05-13 15:58:29','2016-05-13 07:58:29','\" \"Tail Lights\" is the first single lifted from Erik Nilsson\'s debut album Recollage (2011), which is being reissued by Hidden Shoal in May. Nilsson\'s ambient electronica is of the cool and higly charming kind, like we heard on Nilsson\'s second album, Hearing Things, so let\'s go check it out.\r\n\r\nIf you\'re up for The Books, Four Tet, Tortoise, The Sea and Cake, and Matmos, Erik Nilsson\'s music could be your cup of tea. Nilsson\'s subtle and efficient guitar playing and discreet electronic instrumentation, composing and performing mixing live instruments and field recordings is quite gorgeous. When Hypnagogue magazine checked out Hearing Things they wrote: \'[Nilsson\'s] work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes\'. Yes, it\'s true. Spot on. Like Hearing Things, \"Tail Lights\" is a most delicate composition. It\'s a feather-light song, taking off just hovering above the ground, swirling, spinning, shining with a dim light. Being perfect music for an early morning. We\'ll revisit and check out the rest of Recollage next moonth. Until the I\'ll put on Hearing Things once more, as well as spinning \"Tail Lights\" over and over again.\"\r\n\r\n- <a title=\"Luna Kafe\" href=\"http://lunakafe.com/moon241/se241b.php\" target=\"_blank\"><strong>Luna Kafe</strong></a>','Erik Nilsson \'Tail Lights\' Reviewed at Luna Kafe','If you\'re up for The Books, Four Tet, Tortoise, The Sea and Cake, and Matmos, Erik Nilsson\'s music could be your cup of tea. Nilsson\'s subtle and efficient guitar playing and discreet electronic instrumentation, composing and performing mixing live instruments and field recordings is quite gorgeous.','inherit','closed','closed','','14457-revision-v1','','','2016-05-13 15:58:29','2016-05-13 07:58:29','',14457,'http://www.hiddenshoal.com/14457-revision-v1/',0,'revision','',0),(14470,1,'2016-05-13 15:59:08','2016-05-13 07:59:08','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Arc Lab</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square.jpg\"><img class=\"alignleft  wp-image-14464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square-288x300.jpg\" alt=\"Arc Lab\" width=\"272\" height=\"283\" /></a><i>“…one of the most original releases in the IDM field in some time…confounding the set-in-stone rules of a stagnant IDM genre”</i> –<b> [sic] Magazine on The Goodbye Radio</b>\r\n\r\nEschewing easy genre classification, <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s output as Arc Lab effectively blends IDM’s technical sophistication with the moving and poignant character of neo-classical ambience and a finely tuned ear for electroacoustic pop. His new album, <i>Anthem </i>(2016), folds classic analogue timbres and detuned FM ambience into fragmented radio broadcasts, forgotten NASA program materials and layers of deep space noise, creating music that is, by turns, menacing and contemplative, forbidding and epic.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/Arc-Lab-Medard-Fischer-Tyyson-6829244204/?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/medard-fischer\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.medardfischer.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\nArc Lab\'s debut album for Hidden Shoal, <em>Anthem</em>, will see release on the 28th July 2016 with a single preceding the album in June.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nArc Lab is Hidden Shoal artist <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s primary vehicle for musical experimentation – a blank-slate platform on which he has released a diverse catalogue of emotive, conceptual work. We last heard from Arc Lab in 2008, with the release of<i> The Goodbye Radio</i> (n5MD), an album described as “‘genre-defying’ or, perhaps most appropriately, ‘genre-transcending’” (Textura) and as “one of the most original releases in the IDM field in some time” and “downright ingenious” ([sic] Magazine). As suggested by its cryptic title, <i>The Goodbye Radio</i> was heavily driven by internal narrative, with thematic touchpoints including early space exploration and relativistic physics. Fischer’s latest full-length <i>Anthem</i> (2016), and his first for Hidden Shoal, continues the story, marking another chapter in an alternative arc of history only hinted at in buried audio fragments, track titles and structures. The result is essential Arc Lab – evocative and compelling pieces rich with meaning and purpose.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=arclab-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=arclab-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n[gallery ids=\"14442\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nArc Lab\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Arc Lab','','inherit','closed','closed','','14440-revision-v1','','','2016-05-13 15:59:08','2016-05-13 07:59:08','',14440,'http://www.hiddenshoal.com/14440-revision-v1/',0,'revision','',0),(14471,1,'2008-05-13 16:21:08','2008-05-13 08:21:08','\"Medard Fischer was initially motivated by architecture to begin the Arc Lab project and wrote songs as \"musings on the interplay between structurally defined space and musical expression,\" by his own admission. On Fischer\'s third full-length, <i>The Goodbye Radio</i>, the aim might be less esoteric but the songs are more focused. The tracks put layers of warm synths and drifting beats under an echoing fog of Fischer\'s melancholy vocals. Walking the line between IDM and indie-pop like Figurine, Arc Lab splits Fischer\'s personality between aural architect and laptop troubadour. \"\r\n\r\n- <a title=\"XLR8\" href=\"https://www.xlr8r.com/mp3/2008/04/i-wish-i-could-tell-you/\" target=\"_blank\"><strong>XLR8</strong></a>','Arc Lab \'I Wish I Could Tell You\' Reviewed at XLR8','','publish','closed','closed','','arc-lab','','','2016-05-13 16:26:21','2016-05-13 08:26:21','',0,'http://www.hiddenshoal.com/?p=14471',0,'post','',0),(14472,1,'2016-05-13 16:26:21','2016-05-13 08:26:21','\"Medard Fischer was initially motivated by architecture to begin the Arc Lab project and wrote songs as \"musings on the interplay between structurally defined space and musical expression,\" by his own admission. On Fischer\'s third full-length, <i>The Goodbye Radio</i>, the aim might be less esoteric but the songs are more focused. The tracks put layers of warm synths and drifting beats under an echoing fog of Fischer\'s melancholy vocals. Walking the line between IDM and indie-pop like Figurine, Arc Lab splits Fischer\'s personality between aural architect and laptop troubadour. \"\r\n\r\n- <a title=\"XLR8\" href=\"https://www.xlr8r.com/mp3/2008/04/i-wish-i-could-tell-you/\" target=\"_blank\"><strong>XLR8</strong></a>','Arc Lab \'I Wish I Could Tell You\' Reviewed at XLR8','','inherit','closed','closed','','14471-revision-v1','','','2016-05-13 16:26:21','2016-05-13 08:26:21','',14471,'http://www.hiddenshoal.com/14471-revision-v1/',0,'revision','',0),(14473,1,'2008-05-13 16:27:24','2008-05-13 08:27:24','\"Though Arc Lab’s 2007 release “No Spectre” displayed potent levels of production prowess, the emotional aspects one has come to expect from an n5MD release didn’t quite reach the same mark. On his second outing for the Californian imprint, Torontonian Medard Fischer has struck the perfect balance between the two aspects, authoring a certain career best piece of work, if not one of the most original releases in the IDM field for some time. “The Goodbye Radio” runs very much like the title suggests, as if Fischer is slowly guiding us through a variety of channels or stations on the radio spectrum. Confounding the set-in-stone rules of a stagnant IDM genre, hisses of static, soft piano sonnets, distant, grainy monologues and tranquil orchestral segments all weave their way throughout Fischer’s rich, intricate tapestry. To say the variety on the 50+ minutes of music here is remarkable would be doing Arc Lab a disservice. The way so many styles are uniquely incorporated is downright ingenious. “Transients” establishes the mood early on mixing radio interference with grainy, melodious drones, soft twilight tones and indecipherable speech, as if the radio dial has absent-mindedly been left between stations. From there, Fischer ushers us towards the serene pairing of “Reflexives Part 1 &amp; Part 2”. The first part introduces a soft piano led melody and sombre orchestration, while it’s accompanying second part finds Fischer adding subtle electronics and soulful chimes and tones. In keeping with the radio concept, “Song for Oleg” is a haunting electro pop number, as Fischer spins that dial towards a style that vaguely resembles his label mate Tobias Lilja. While, “I Wish I Could Tell You” pleasingly mixes chilled male/female vocals with a velvet synth backdrop to produce what can only be described as the album’s radio friendly unit shifter. The fact that these differing styles are seamlessly blended is testament to Fischer’s production capabilities. A lesser musician may well have folded under such an ambitious concept. Given these sentiments, the strange “Recidivist Waltz”, a medieval sounding harpsichord piece, and the poignant “Like Conquistadors”, augment the overall flow rather than hinder. If anything, they add a personal touch, as if Fischer has invited us to trawl through his listening habits. As the closing number “Departure Music” fades into quiet, the only cause for concern on this release is possibility of a cryptic message in the album title (and indeed the last track). On this form, we really can’t afford to lose Arc Lab.\"\r\n\r\n- <a title=\"[sic] Magazine\" href=\"http://www.sicmagazine.net/13/arc-lab-the-goodbye-radio/\" target=\"_blank\"><strong>[sic] Magazine</strong></a>','Arc Lab \"The Goodbye Radio\" Reviewed at [sic] Magazine','','publish','closed','closed','','arc-lab-goodbye-radio-reviewed-sic-magazine','','','2016-05-13 16:29:33','2016-05-13 08:29:33','',0,'http://www.hiddenshoal.com/?p=14473',0,'post','',0),(14474,1,'2016-05-13 16:28:47','2016-05-13 08:28:47','\"Though Arc Lab’s 2007 release “No Spectre” displayed potent levels of production prowess, the emotional aspects one has come to expect from an n5MD release didn’t quite reach the same mark. On his second outing for the Californian imprint, Torontonian Medard Fischer has struck the perfect balance between the two aspects, authoring a certain career best piece of work, if not one of the most original releases in the IDM field for some time. “The Goodbye Radio” runs very much like the title suggests, as if Fischer is slowly guiding us through a variety of channels or stations on the radio spectrum. Confounding the set-in-stone rules of a stagnant IDM genre, hisses of static, soft piano sonnets, distant, grainy monologues and tranquil orchestral segments all weave their way throughout Fischer’s rich, intricate tapestry. To say the variety on the 50+ minutes of music here is remarkable would be doing Arc Lab a disservice. The way so many styles are uniquely incorporated is downright ingenious. “Transients” establishes the mood early on mixing radio interference with grainy, melodious drones, soft twilight tones and indecipherable speech, as if the radio dial has absent-mindedly been left between stations. From there, Fischer ushers us towards the serene pairing of “Reflexives Part 1 &amp; Part 2”. The first part introduces a soft piano led melody and sombre orchestration, while it’s accompanying second part finds Fischer adding subtle electronics and soulful chimes and tones. In keeping with the radio concept, “Song for Oleg” is a haunting electro pop number, as Fischer spins that dial towards a style that vaguely resembles his label mate Tobias Lilja. While, “I Wish I Could Tell You” pleasingly mixes chilled male/female vocals with a velvet synth backdrop to produce what can only be described as the album’s radio friendly unit shifter. The fact that these differing styles are seamlessly blended is testament to Fischer’s production capabilities. A lesser musician may well have folded under such an ambitious concept. Given these sentiments, the strange “Recidivist Waltz”, a medieval sounding harpsichord piece, and the poignant “Like Conquistadors”, augment the overall flow rather than hinder. If anything, they add a personal touch, as if Fischer has invited us to trawl through his listening habits. As the closing number “Departure Music” fades into quiet, the only cause for concern on this release is possibility of a cryptic message in the album title (and indeed the last track). On this form, we really can’t afford to lose Arc Lab.\"\r\n\r\n- <a title=\"[sic] Magazine\" href=\"http://www.sicmagazine.net/13/arc-lab-the-goodbye-radio/\" target=\"_blank\"><strong>[sic] Magazine</strong></a>','Arc Lab \"The Goodbye Radio\" Reviewed at [sic] Magazine','','inherit','closed','closed','','14473-revision-v1','','','2016-05-13 16:28:47','2016-05-13 08:28:47','',14473,'http://www.hiddenshoal.com/14473-revision-v1/',0,'revision','',0),(14475,1,'2008-04-13 16:31:33','2008-04-13 08:31:33','\"It\'s a huge step forward, synthetic elements only serve as the auxiliary material to realize the ideas of the musician and to support the acoustic line. Despite the discrepant feelings, open conventionality of the sound, the album doesn\'t lose its originality. The unique content was influenced by original interlacement of influences, the basic element of which is the space program of the USSR, the most well-known female serial murderer Aileen Wuornos and parting with the close friend. Complicated, wide range of styles and various methods. They are all connected by a tiny undistinguished line - general mood of eternal melancholy, characteristic rhythmics of clockwork and characteristic features of a sonnet - creative crisis? Such an amalgamation of different incomparable stylistic influences was first thought off by Medard, but had never been represented in such a way before.\r\n\r\nSincere vocalisms and instrumental melodies chain up together into one intricate and elegant counterpoint. The album starts with the overture of touching electroacoustic fog with its own emotions (\"Transients\"). \"Reflexives I\" is a rather impressive play - mutiny of classic sound textures of piano and violoncello.\r\n\"Song for Oleg\" and \"I Wish I Could Tell You\" is some kind of \'experimental electo-pop\', perhaps the most powerful part of this album, this emotional splash makes you feel, recollect something, regret... Great combination of all the elements of the complicated engineer construction with a wide spectrum of human feelings. Warm southern elements from the composition \"Departure Music Part One\" are like the ikebana on an oak-tree, perfect instrumental content - harp, acoustic bass and castanets, amazing and beautiful. The Goodbye Radio is the old \'house\' of memories without doors and windows.\"\r\n\r\n- <a title=\"Sound Projector\" href=\"http://en.soundproector.ru/?cat=reviews&amp;id=104\" target=\"_blank\"><strong>Sound Projector</strong></a>','Arc Lab \"The Goodbye Radio\" Reviewed at Sound Projector','','publish','closed','closed','','arc-lab-the-goodbye-radio-reviewed-at-sound-projector','','','2016-05-13 16:33:19','2016-05-13 08:33:19','',0,'http://www.hiddenshoal.com/?p=14475',0,'post','',0),(14476,1,'2016-05-13 16:33:19','2016-05-13 08:33:19','\"It\'s a huge step forward, synthetic elements only serve as the auxiliary material to realize the ideas of the musician and to support the acoustic line. Despite the discrepant feelings, open conventionality of the sound, the album doesn\'t lose its originality. The unique content was influenced by original interlacement of influences, the basic element of which is the space program of the USSR, the most well-known female serial murderer Aileen Wuornos and parting with the close friend. Complicated, wide range of styles and various methods. They are all connected by a tiny undistinguished line - general mood of eternal melancholy, characteristic rhythmics of clockwork and characteristic features of a sonnet - creative crisis? Such an amalgamation of different incomparable stylistic influences was first thought off by Medard, but had never been represented in such a way before.\r\n\r\nSincere vocalisms and instrumental melodies chain up together into one intricate and elegant counterpoint. The album starts with the overture of touching electroacoustic fog with its own emotions (\"Transients\"). \"Reflexives I\" is a rather impressive play - mutiny of classic sound textures of piano and violoncello.\r\n\"Song for Oleg\" and \"I Wish I Could Tell You\" is some kind of \'experimental electo-pop\', perhaps the most powerful part of this album, this emotional splash makes you feel, recollect something, regret... Great combination of all the elements of the complicated engineer construction with a wide spectrum of human feelings. Warm southern elements from the composition \"Departure Music Part One\" are like the ikebana on an oak-tree, perfect instrumental content - harp, acoustic bass and castanets, amazing and beautiful. The Goodbye Radio is the old \'house\' of memories without doors and windows.\"\r\n\r\n- <a title=\"Sound Projector\" href=\"http://en.soundproector.ru/?cat=reviews&amp;id=104\" target=\"_blank\"><strong>Sound Projector</strong></a>','Arc Lab \"The Goodbye Radio\" Reviewed at Sound Projector','','inherit','closed','closed','','14475-revision-v1','','','2016-05-13 16:33:19','2016-05-13 08:33:19','',14475,'http://www.hiddenshoal.com/14475-revision-v1/',0,'revision','',0),(14477,1,'2008-05-13 16:35:11','2008-05-13 08:35:11','<p class=\"bodytext\">\"Medard Fischer\'s third Arc Lab album ranges so widely, it invites descriptors such as “genre-defying” or, perhaps most appropriately, “genre-transcending.” Some common threads do run throughout, however, one in particular being the material\'s oft-classical feel. And if the tracks do feel somewhat classical in spirit, they should as Fischer based their structures on the sonnet form. In many pieces, multiple vocal and instrumental melodies interlock in intricate and graceful counterpoint, and often the compositions feel reminiscent of gamelan and Asian music in their clockwork rhythms and overall delicacy. Though piano is the nucleus, the arrangements are rich in evocation, something that also doesn\'t surprise given that Fischer works field recordings, radio noise, male and female vocals, and bits and pieces of ancient recordings into the material\'s fabric.</p>\r\n<p class=\"bodytext\">There\'s much high-caliber music-making on display, with its emotive electronic character representative of n5MD in general. Following an overture of electroacoustic haze (“Transients”), the album proper ensues with the melancholic piano-based ballad “The Secret Lives of A.C. Wuornos” (yes, the serial killer) whose haunting effect is undercut slightly by the robotic filtering of the vocal (“I am the movie with no sound / I am the girl you dream about”). Other highlights include “Reflexives,” an impressive two-part composition that begins as a classical sounding piano-and-strings setting before turning pensive in part two and gradually evolving into a gamelan-flavoured setting for mallet instruments, and “Departure Music Part One,” featuring an arresting mix of harp, glockenspiel, acoustic bass, and even castanets. Memorable vocal pieces appear too, specifically the elegant ballad “Small Numbers” and “I Wish I Could Tell You,” whose melancholic electro-pop style brings Styrofoam to mind.</p>\r\n<p class=\"bodytext\">Might this be Fischer\'s adieu, as the album title suggests? Stay tuned…\"</p>\r\n<p class=\"bodytext\">- <a title=\"Textura\" href=\"http://www.textura.org/archives/a/arclab_goodbyeradio.htm\" target=\"_blank\"><strong>Textura</strong></a></p>','Arc Lab \"The Goodbye Radio\" Reviewed at Textura','','publish','closed','closed','','arc-lab-the-goodbye-radio-reviewed-at-textura','','','2016-05-13 16:36:37','2016-05-13 08:36:37','',0,'http://www.hiddenshoal.com/?p=14477',0,'post','',0),(14478,1,'2016-05-13 16:36:37','2016-05-13 08:36:37','<p class=\"bodytext\">\"Medard Fischer\'s third Arc Lab album ranges so widely, it invites descriptors such as “genre-defying” or, perhaps most appropriately, “genre-transcending.” Some common threads do run throughout, however, one in particular being the material\'s oft-classical feel. And if the tracks do feel somewhat classical in spirit, they should as Fischer based their structures on the sonnet form. In many pieces, multiple vocal and instrumental melodies interlock in intricate and graceful counterpoint, and often the compositions feel reminiscent of gamelan and Asian music in their clockwork rhythms and overall delicacy. Though piano is the nucleus, the arrangements are rich in evocation, something that also doesn\'t surprise given that Fischer works field recordings, radio noise, male and female vocals, and bits and pieces of ancient recordings into the material\'s fabric.</p>\r\n<p class=\"bodytext\">There\'s much high-caliber music-making on display, with its emotive electronic character representative of n5MD in general. Following an overture of electroacoustic haze (“Transients”), the album proper ensues with the melancholic piano-based ballad “The Secret Lives of A.C. Wuornos” (yes, the serial killer) whose haunting effect is undercut slightly by the robotic filtering of the vocal (“I am the movie with no sound / I am the girl you dream about”). Other highlights include “Reflexives,” an impressive two-part composition that begins as a classical sounding piano-and-strings setting before turning pensive in part two and gradually evolving into a gamelan-flavoured setting for mallet instruments, and “Departure Music Part One,” featuring an arresting mix of harp, glockenspiel, acoustic bass, and even castanets. Memorable vocal pieces appear too, specifically the elegant ballad “Small Numbers” and “I Wish I Could Tell You,” whose melancholic electro-pop style brings Styrofoam to mind.</p>\r\n<p class=\"bodytext\">Might this be Fischer\'s adieu, as the album title suggests? Stay tuned…\"</p>\r\n<p class=\"bodytext\">- <a title=\"Textura\" href=\"http://www.textura.org/archives/a/arclab_goodbyeradio.htm\" target=\"_blank\"><strong>Textura</strong></a></p>','Arc Lab \"The Goodbye Radio\" Reviewed at Textura','','inherit','closed','closed','','14477-revision-v1','','','2016-05-13 16:36:37','2016-05-13 08:36:37','',14477,'http://www.hiddenshoal.com/14477-revision-v1/',0,'revision','',0),(14544,1,'2016-05-26 17:07:49','2016-05-26 09:07:49','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2608530510/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/album/recollage\">Recollage by Erik Nilsson</a></iframe><em>\r\nRecollage\r\n</em>by <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3657521899/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://dbailey.bandcamp.com/album/isometrik-ep\">Isometrik EP by Daniel Bailey, Glanko</a></iframe>\r\n<em>Isometrik</em>\r\nby<a title=\"Glanko &amp; Daniel Bailey\" href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"> Glanko &amp; Daniel Bailey</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=799048543/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/re-directed\">RE DIRECTED by Markus Mehr</a></iframe>\r\n<em>Re-Directed</em>\r\nby <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2361958115/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\">(For Now We See) Through A Glass Dimly by Antonymes</a></iframe>\r\n<em>(For Now We See) Through A Glass Dimly</em>\r\nby <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal Publishing is an Australia-based independent music publisher &amp; label releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2016-05-26 17:07:49','2016-05-26 09:07:49','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(14480,1,'2016-05-17 13:57:32','2016-05-17 05:57:32','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Kramies</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-8971\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Kramies-2013-Press-Shot-300x300.jpg\" alt=\"Kramies\" width=\"232\" height=\"232\" /></a><em>“It’s rare to find dream-pop that resolves with such assured optimism, in which you can sense experience shifting into its proper place... Kramies seems to have mastered the talent of simply breathing it into shape”<strong> – Misfit City</strong></em>\r\n\r\nDutch-American singer-songwriter Kramies has been honing his inimitable craft for many years, bewitching all who have heard his music along the way. Fusing masterful songwriting with electronics and atmospherics, stepping into a Kramies song means being swept up into an emotionally resonant vortex of swooning pop that simply demands repeat listens.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Into The Sparks (Single)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2137271471/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/into-the-sparks-by-kramies-alma-forrer\">Into The Sparks by Kramies &amp; Alma Forrer by Kramies &amp; Alma Forrer</a></iframe>\r\nMay 2016\r\n\r\nA duet with French singer-songwriter Alma Forrer, ‘Into The Sparks’ is a gorgeous anti-gravity ballad. Kramies and Alma’s voices reverberate amidst open acoustic guitar chords, backed by aching synths. The release also includes a stripped back acoustic version of the single.\r\n\r\n&nbsp;\r\n<div></div>\r\n<div></div>\r\n<h4>forêts antiques</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=513788054/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/for-ts-antiques\">forêts antiques by Kramies</a></iframe>\r\nOctober 2015\r\n\r\nRecorded live on April 8th 2015 at The Grand Théâtre in Angers, France\r\n\r\nOn a spring evening in 2015, the setting sun cast deep shadows over The Grand Théâtre in Angers, France, where Kramies was due to play to a sold-out crowd. As the 700 ticket-holders took to their seats and the theatre dimmed to a single amber light, Kramies walked on stage to perform his haunting, romantic songs. This is a recording of that night.\r\n\r\n<em>forêts antiques</em> is the new live EP by singer-songwriter Kramies, featuring recordings of tracks from his acclaimed EPs, plus a previously unreleased song.\r\n<div></div>\r\n<div></div>\r\n<h4>The Fate That Never Favored Us</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4058454627/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-fate-that-never-favored-us\">The Fate That Never Favored Us by Kramies</a></iframe>\r\nMarch 2015\r\n\r\nAhead of his forthcoming French tour, dream-pop troubadour Kramies has dropped another gorgeous track produced by Jason Lytle (Grandaddy). ‘The Fate That Never Favored Us’ is a lilting, swaying cosmic waltz, delicately built around melancholy acoustic guitar and eerie synths, through which Kramies weaves his languid vocals. As with so much of his music, Kramies delivers soundtracks to moments rather than mere songs.\r\n<div></div>\r\n<div></div>\r\n<h4>The Folklore Sessions</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe>\r\nMay 2014\r\n<div></div>\r\n<em>The Folklore Sessions</em> is the free new EP by dream-pop singer-songwriter Kramies, featuring acoustic versions of songs from his two acclaimed Hidden Shoal EPs <em>The European</em> and <em>The Wooden Heart</em>, plus the beautiful piano talents of Grant Wilson (from Syfy\'s Ghost Hunters). While his previous EPs mined a wonderfully rich seam of atmospheric yet epic songcraft, <em>The Folklore Sessions</em> demonstrates that Kramies’ songwriting is just as stunning without the undeniable production talents of Jason Lytle (Grandaddy) and Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils). With just his voice and acoustic guitar, plus languid piano backing by Grant Wilson (of Ghost Hunters TV show fame), these stripped-back versions of <em>The European</em>’s ‘Antiquarian Days’, <em>The Wooden Heart</em>’s title track and ‘Sea Otter Cottage’ are given vivid new life through Kramies’ genuinely affecting performances.\r\n<div></div>\r\n<div></div>\r\n<h4>The Wooden Heart</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2389044161/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe>\r\nOctober 2013\r\n<div></div>\r\n<em>The Wooden Heart</em> is the luscious and expansive new EP from Colorado-based dream-pop artist Kramies. The EP features the production and instrumental talents of Jason Lytle of Grandaddy fame, along with the inimitable production and additional instrumentation of Robert Pollard co-conspirator Todd Tobias. <em>The Wooden Heart</em> mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal. In addition to Todd Tobias’s production (on ‘The Beginning’, ‘The Wooden Heart’, ‘Upon The Northern Isles’ and ‘The Ending’), <em>The Wooden Heart</em> EP also features the production and instrumental talents of Jason Lytle of Grandaddy fame (on ‘Sea Otter Cottage’ and ‘Clocks Were All Broken’). Rounded out by the beautiful artwork of French photographer Jérôme Sevrette, The Wooden Heart EP is a lovingly constructed work of art.\r\n<div></div>\r\n<div></div>\r\n<h4>The European</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2414891436/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-european\">The European by Kramies</a></iframe>\r\nNovember 2011\r\n<div></div>\r\nProduced by Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils), <em>The European</em> sets Kramies’ gorgeous voice and acoustic guitar within a glowing tableau, epic in scope yet delicate in detail. The EP fades into view with ‘Intro’, a simple cyclical pattern of guitar, piano and vocals gradually subsumed by drones and distortion. This leads into the majestic, glacial sway of the title track, guaranteed to make the hairs on the back of your neck stand on end. Then, ‘Inventors’ is the album’s dark, shadowy heart, a ballad of subtle intensity. Single ‘Coal Miners Executive Club’ is an emotionally resonant vortex of swooning pop built around an absolutely heartbreaking chord progression on synthesizer, carried skyward as layers and layers of instruments build and build. And the closing ‘Antiquarian Days’ is a fitting fade towards a sepia horizon, burbling loops and chiming guitars accompanying Kramies’ gentle lament.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nDutch-American singer-songwriter Kramies Windt began writing songs at the age of 14 after buying his first synth, acoustic guitar and four-track cassette recorder at an estate sale in his home town of Cleveland, Ohio. Even though he was never really exposed to any music other than old Dutch Christmas records his family had lying around when he was a kid, their haunting sound would shape the direction of his future songwriting.\r\n\r\nKramies started forming and playing in bands around the age of 16, and by the age of 19, the bands he formed became based around the songs he was writing. The bands took on many forms, playing the underground music scene from Ohio to Chicago. Come the late ’90s, Kramies developed his own sound, based around old-world imagery of cobblestone streets, old trains and castles, and romantic, poetic moments. Kramies and his band went on to open for Spiritualized, Grandaddy, Yo La Tengo, Calexico, Stereolab, Dirty Three and Red House Painters.\r\n\r\nCome 2004, Kramies decided to focus on writing and recording in the studio, and began working with producer and engineer Todd Tobias (Guided By Voices, Robert Pollard) and guitarist David Paolucci. Working with Todd and David, Kramies released two albums to critical acclaim: Golden Like A New Thing (ACM, 2008) and Castle of Ghosts (ACM, 2010).\r\n\r\nIn 2010 Kramies began writing the songs for his first Hidden Shoal release, The European EP, in his coat closet in Colorado. The songs were demoed on four-track, painting a vivid sonic picture of the direction the release would take, drawing on the haunting old-world imagery he loved so much as a kid. The demos were sent to David Paolucci to start working on guitar parts in Ohio. Kramies then toured Ireland, playing really old pubs and small concert halls, which brought new ideas and layers to the songs. The European EP was recorded in June and July 2011 with Todd Tobias, with prominent, swirling guitar work from Dave Paolucci.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kramies-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><strong><a title=\"More Kramies News\" href=\"http://www.hiddenshoal.com/category/news/kramies-news/\">More News</a></strong></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kramies-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Kramies Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/kramies-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">Kramies <em>The Folklore Sessions</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">Kramies <em>The Wooden Heart</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart%28Single%29.pdf\">Kramies ‘The Wooden Heart’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">Kramies – <em>The European</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">Kramies – ‘Coal Miners Executive Club’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9000,8999,9001\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/uM1_Ov-ont0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/-l4F8vCH8MM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/vOHV7ZWshkM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/TdmV4aOSmxE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/C5865MiACPA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/KxAnc3dj3b0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKramies\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kramies','','inherit','closed','closed','','8970-revision-v1','','','2016-05-17 13:57:32','2016-05-17 05:57:32','',8970,'http://www.hiddenshoal.com/8970-revision-v1/',0,'revision','',0),(14482,1,'2016-05-17 14:07:08','2016-05-17 06:07:08','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Kramies</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-8971\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Kramies-2013-Press-Shot-300x300.jpg\" alt=\"Kramies\" width=\"232\" height=\"232\" /></a><em>“It’s rare to find dream-pop that resolves with such assured optimism, in which you can sense experience shifting into its proper place... Kramies seems to have mastered the talent of simply breathing it into shape”<strong> – Misfit City</strong></em>\r\n\r\nDutch-American singer-songwriter Kramies has been honing his inimitable craft for many years, bewitching all who have heard his music along the way. Fusing masterful songwriting with electronics and atmospherics, stepping into a Kramies song means being swept up into an emotionally resonant vortex of swooning pop that simply demands repeat listens.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Into The Sparks (Single)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2137271471/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/into-the-sparks-by-kramies-alma-forrer\">Into The Sparks by Kramies &amp; Alma Forrer by Kramies &amp; Alma Forrer</a></iframe>\r\nMay 2016\r\n\r\nA duet with French singer-songwriter <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">Alma Forrer</a>, ‘Into The Sparks’ is a gorgeous anti-gravity ballad. Kramies and Alma’s voices reverberate amidst open acoustic guitar chords, backed by aching synths. The release also includes a stripped back acoustic version of the single.\r\n<h4>forêts antiques</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=513788054/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/for-ts-antiques\">forêts antiques by Kramies</a></iframe>\r\nOctober 2015\r\n\r\nRecorded live on April 8th 2015 at The Grand Théâtre in Angers, France\r\n\r\nOn a spring evening in 2015, the setting sun cast deep shadows over The Grand Théâtre in Angers, France, where Kramies was due to play to a sold-out crowd. As the 700 ticket-holders took to their seats and the theatre dimmed to a single amber light, Kramies walked on stage to perform his haunting, romantic songs. This is a recording of that night.\r\n\r\n<em>forêts antiques</em> is the new live EP by singer-songwriter Kramies, featuring recordings of tracks from his acclaimed EPs, plus a previously unreleased song.\r\n<h4>The Fate That Never Favored Us</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4058454627/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-fate-that-never-favored-us\">The Fate That Never Favored Us by Kramies</a></iframe>\r\nMarch 2015\r\n\r\nAhead of his forthcoming French tour, dream-pop troubadour Kramies has dropped another gorgeous track produced by Jason Lytle (Grandaddy). ‘The Fate That Never Favored Us’ is a lilting, swaying cosmic waltz, delicately built around melancholy acoustic guitar and eerie synths, through which Kramies weaves his languid vocals. As with so much of his music, Kramies delivers soundtracks to moments rather than mere songs.\r\n<h4>The Folklore Sessions</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe>\r\nMay 2014\r\n<div></div>\r\n<em>The Folklore Sessions</em> is the free new EP by dream-pop singer-songwriter Kramies, featuring acoustic versions of songs from his two acclaimed Hidden Shoal EPs <em>The European</em> and <em>The Wooden Heart</em>, plus the beautiful piano talents of Grant Wilson (from Syfy\'s Ghost Hunters). While his previous EPs mined a wonderfully rich seam of atmospheric yet epic songcraft, <em>The Folklore Sessions</em> demonstrates that Kramies’ songwriting is just as stunning without the undeniable production talents of Jason Lytle (Grandaddy) and Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils). With just his voice and acoustic guitar, plus languid piano backing by Grant Wilson (of Ghost Hunters TV show fame), these stripped-back versions of <em>The European</em>’s ‘Antiquarian Days’, <em>The Wooden Heart</em>’s title track and ‘Sea Otter Cottage’ are given vivid new life through Kramies’ genuinely affecting performances.\r\n<h4>The Wooden Heart</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2389044161/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe>\r\nOctober 2013\r\n<div></div>\r\n<em>The Wooden Heart</em> is the luscious and expansive new EP from Colorado-based dream-pop artist Kramies. The EP features the production and instrumental talents of Jason Lytle of Grandaddy fame, along with the inimitable production and additional instrumentation of Robert Pollard co-conspirator Todd Tobias. <em>The Wooden Heart</em> mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal. In addition to Todd Tobias’s production (on ‘The Beginning’, ‘The Wooden Heart’, ‘Upon The Northern Isles’ and ‘The Ending’), <em>The Wooden Heart</em> EP also features the production and instrumental talents of Jason Lytle of Grandaddy fame (on ‘Sea Otter Cottage’ and ‘Clocks Were All Broken’). Rounded out by the beautiful artwork of French photographer Jérôme Sevrette, The Wooden Heart EP is a lovingly constructed work of art.\r\n<h4>The European</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2414891436/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-european\">The European by Kramies</a></iframe>\r\nNovember 2011\r\n<div></div>\r\nProduced by Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils), <em>The European</em> sets Kramies’ gorgeous voice and acoustic guitar within a glowing tableau, epic in scope yet delicate in detail. The EP fades into view with ‘Intro’, a simple cyclical pattern of guitar, piano and vocals gradually subsumed by drones and distortion. This leads into the majestic, glacial sway of the title track, guaranteed to make the hairs on the back of your neck stand on end. Then, ‘Inventors’ is the album’s dark, shadowy heart, a ballad of subtle intensity. Single ‘Coal Miners Executive Club’ is an emotionally resonant vortex of swooning pop built around an absolutely heartbreaking chord progression on synthesizer, carried skyward as layers and layers of instruments build and build. And the closing ‘Antiquarian Days’ is a fitting fade towards a sepia horizon, burbling loops and chiming guitars accompanying Kramies’ gentle lament.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nDutch-American singer-songwriter Kramies Windt began writing songs at the age of 14 after buying his first synth, acoustic guitar and four-track cassette recorder at an estate sale in his home town of Cleveland, Ohio. Even though he was never really exposed to any music other than old Dutch Christmas records his family had lying around when he was a kid, their haunting sound would shape the direction of his future songwriting.\r\n\r\nKramies started forming and playing in bands around the age of 16, and by the age of 19, the bands he formed became based around the songs he was writing. The bands took on many forms, playing the underground music scene from Ohio to Chicago. Come the late ’90s, Kramies developed his own sound, based around old-world imagery of cobblestone streets, old trains and castles, and romantic, poetic moments. Kramies and his band went on to open for Spiritualized, Grandaddy, Yo La Tengo, Calexico, Stereolab, Dirty Three and Red House Painters.\r\n\r\nCome 2004, Kramies decided to focus on writing and recording in the studio, and began working with producer and engineer Todd Tobias (Guided By Voices, Robert Pollard) and guitarist David Paolucci. Working with Todd and David, Kramies released two albums to critical acclaim: Golden Like A New Thing (ACM, 2008) and Castle of Ghosts (ACM, 2010).\r\n\r\nIn 2010 Kramies began writing the songs for his first Hidden Shoal release, The European EP, in his coat closet in Colorado. The songs were demoed on four-track, painting a vivid sonic picture of the direction the release would take, drawing on the haunting old-world imagery he loved so much as a kid. The demos were sent to David Paolucci to start working on guitar parts in Ohio. Kramies then toured Ireland, playing really old pubs and small concert halls, which brought new ideas and layers to the songs. The European EP was recorded in June and July 2011 with Todd Tobias, with prominent, swirling guitar work from Dave Paolucci.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kramies-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><strong><a title=\"More Kramies News\" href=\"http://www.hiddenshoal.com/category/news/kramies-news/\">More News</a></strong></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kramies-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Kramies Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/kramies-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">Kramies <em>The Folklore Sessions</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">Kramies <em>The Wooden Heart</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart%28Single%29.pdf\">Kramies ‘The Wooden Heart’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">Kramies – <em>The European</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">Kramies – ‘Coal Miners Executive Club’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9000,8999,9001\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/uM1_Ov-ont0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/-l4F8vCH8MM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/vOHV7ZWshkM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/TdmV4aOSmxE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/C5865MiACPA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/KxAnc3dj3b0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKramies\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kramies','','inherit','closed','closed','','8970-revision-v1','','','2016-05-17 14:07:08','2016-05-17 06:07:08','',8970,'http://www.hiddenshoal.com/8970-revision-v1/',0,'revision','',0),(14481,1,'2016-05-17 13:58:16','2016-05-17 05:58:16','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Kramies</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-8971\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Kramies-2013-Press-Shot-300x300.jpg\" alt=\"Kramies\" width=\"232\" height=\"232\" /></a><em>“It’s rare to find dream-pop that resolves with such assured optimism, in which you can sense experience shifting into its proper place... Kramies seems to have mastered the talent of simply breathing it into shape”<strong> – Misfit City</strong></em>\r\n\r\nDutch-American singer-songwriter Kramies has been honing his inimitable craft for many years, bewitching all who have heard his music along the way. Fusing masterful songwriting with electronics and atmospherics, stepping into a Kramies song means being swept up into an emotionally resonant vortex of swooning pop that simply demands repeat listens.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Into The Sparks (Single)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2137271471/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/into-the-sparks-by-kramies-alma-forrer\">Into The Sparks by Kramies &amp; Alma Forrer by Kramies &amp; Alma Forrer</a></iframe>\r\nMay 2016\r\n\r\nA duet with French singer-songwriter <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">Alma Forrer</a>, ‘Into The Sparks’ is a gorgeous anti-gravity ballad. Kramies and Alma’s voices reverberate amidst open acoustic guitar chords, backed by aching synths. The release also includes a stripped back acoustic version of the single.\r\n\r\n&nbsp;\r\n<div></div>\r\n<div></div>\r\n<h4>forêts antiques</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=513788054/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/for-ts-antiques\">forêts antiques by Kramies</a></iframe>\r\nOctober 2015\r\n\r\nRecorded live on April 8th 2015 at The Grand Théâtre in Angers, France\r\n\r\nOn a spring evening in 2015, the setting sun cast deep shadows over The Grand Théâtre in Angers, France, where Kramies was due to play to a sold-out crowd. As the 700 ticket-holders took to their seats and the theatre dimmed to a single amber light, Kramies walked on stage to perform his haunting, romantic songs. This is a recording of that night.\r\n\r\n<em>forêts antiques</em> is the new live EP by singer-songwriter Kramies, featuring recordings of tracks from his acclaimed EPs, plus a previously unreleased song.\r\n<div></div>\r\n<div></div>\r\n<h4>The Fate That Never Favored Us</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4058454627/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-fate-that-never-favored-us\">The Fate That Never Favored Us by Kramies</a></iframe>\r\nMarch 2015\r\n\r\nAhead of his forthcoming French tour, dream-pop troubadour Kramies has dropped another gorgeous track produced by Jason Lytle (Grandaddy). ‘The Fate That Never Favored Us’ is a lilting, swaying cosmic waltz, delicately built around melancholy acoustic guitar and eerie synths, through which Kramies weaves his languid vocals. As with so much of his music, Kramies delivers soundtracks to moments rather than mere songs.\r\n<div></div>\r\n<div></div>\r\n<h4>The Folklore Sessions</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe>\r\nMay 2014\r\n<div></div>\r\n<em>The Folklore Sessions</em> is the free new EP by dream-pop singer-songwriter Kramies, featuring acoustic versions of songs from his two acclaimed Hidden Shoal EPs <em>The European</em> and <em>The Wooden Heart</em>, plus the beautiful piano talents of Grant Wilson (from Syfy\'s Ghost Hunters). While his previous EPs mined a wonderfully rich seam of atmospheric yet epic songcraft, <em>The Folklore Sessions</em> demonstrates that Kramies’ songwriting is just as stunning without the undeniable production talents of Jason Lytle (Grandaddy) and Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils). With just his voice and acoustic guitar, plus languid piano backing by Grant Wilson (of Ghost Hunters TV show fame), these stripped-back versions of <em>The European</em>’s ‘Antiquarian Days’, <em>The Wooden Heart</em>’s title track and ‘Sea Otter Cottage’ are given vivid new life through Kramies’ genuinely affecting performances.\r\n<div></div>\r\n<div></div>\r\n<h4>The Wooden Heart</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2389044161/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe>\r\nOctober 2013\r\n<div></div>\r\n<em>The Wooden Heart</em> is the luscious and expansive new EP from Colorado-based dream-pop artist Kramies. The EP features the production and instrumental talents of Jason Lytle of Grandaddy fame, along with the inimitable production and additional instrumentation of Robert Pollard co-conspirator Todd Tobias. <em>The Wooden Heart</em> mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal. In addition to Todd Tobias’s production (on ‘The Beginning’, ‘The Wooden Heart’, ‘Upon The Northern Isles’ and ‘The Ending’), <em>The Wooden Heart</em> EP also features the production and instrumental talents of Jason Lytle of Grandaddy fame (on ‘Sea Otter Cottage’ and ‘Clocks Were All Broken’). Rounded out by the beautiful artwork of French photographer Jérôme Sevrette, The Wooden Heart EP is a lovingly constructed work of art.\r\n<div></div>\r\n<div></div>\r\n<h4>The European</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2414891436/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-european\">The European by Kramies</a></iframe>\r\nNovember 2011\r\n<div></div>\r\nProduced by Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils), <em>The European</em> sets Kramies’ gorgeous voice and acoustic guitar within a glowing tableau, epic in scope yet delicate in detail. The EP fades into view with ‘Intro’, a simple cyclical pattern of guitar, piano and vocals gradually subsumed by drones and distortion. This leads into the majestic, glacial sway of the title track, guaranteed to make the hairs on the back of your neck stand on end. Then, ‘Inventors’ is the album’s dark, shadowy heart, a ballad of subtle intensity. Single ‘Coal Miners Executive Club’ is an emotionally resonant vortex of swooning pop built around an absolutely heartbreaking chord progression on synthesizer, carried skyward as layers and layers of instruments build and build. And the closing ‘Antiquarian Days’ is a fitting fade towards a sepia horizon, burbling loops and chiming guitars accompanying Kramies’ gentle lament.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nDutch-American singer-songwriter Kramies Windt began writing songs at the age of 14 after buying his first synth, acoustic guitar and four-track cassette recorder at an estate sale in his home town of Cleveland, Ohio. Even though he was never really exposed to any music other than old Dutch Christmas records his family had lying around when he was a kid, their haunting sound would shape the direction of his future songwriting.\r\n\r\nKramies started forming and playing in bands around the age of 16, and by the age of 19, the bands he formed became based around the songs he was writing. The bands took on many forms, playing the underground music scene from Ohio to Chicago. Come the late ’90s, Kramies developed his own sound, based around old-world imagery of cobblestone streets, old trains and castles, and romantic, poetic moments. Kramies and his band went on to open for Spiritualized, Grandaddy, Yo La Tengo, Calexico, Stereolab, Dirty Three and Red House Painters.\r\n\r\nCome 2004, Kramies decided to focus on writing and recording in the studio, and began working with producer and engineer Todd Tobias (Guided By Voices, Robert Pollard) and guitarist David Paolucci. Working with Todd and David, Kramies released two albums to critical acclaim: Golden Like A New Thing (ACM, 2008) and Castle of Ghosts (ACM, 2010).\r\n\r\nIn 2010 Kramies began writing the songs for his first Hidden Shoal release, The European EP, in his coat closet in Colorado. The songs were demoed on four-track, painting a vivid sonic picture of the direction the release would take, drawing on the haunting old-world imagery he loved so much as a kid. The demos were sent to David Paolucci to start working on guitar parts in Ohio. Kramies then toured Ireland, playing really old pubs and small concert halls, which brought new ideas and layers to the songs. The European EP was recorded in June and July 2011 with Todd Tobias, with prominent, swirling guitar work from Dave Paolucci.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kramies-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><strong><a title=\"More Kramies News\" href=\"http://www.hiddenshoal.com/category/news/kramies-news/\">More News</a></strong></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kramies-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Kramies Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/kramies-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">Kramies <em>The Folklore Sessions</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">Kramies <em>The Wooden Heart</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart%28Single%29.pdf\">Kramies ‘The Wooden Heart’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">Kramies – <em>The European</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">Kramies – ‘Coal Miners Executive Club’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9000,8999,9001\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/uM1_Ov-ont0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/-l4F8vCH8MM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/vOHV7ZWshkM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/TdmV4aOSmxE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/C5865MiACPA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/KxAnc3dj3b0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKramies\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kramies','','inherit','closed','closed','','8970-revision-v1','','','2016-05-17 13:58:16','2016-05-17 05:58:16','',8970,'http://www.hiddenshoal.com/8970-revision-v1/',0,'revision','',0),(14483,1,'2016-05-17 14:31:28','2016-05-17 06:31:28','','Into The Sparks','','inherit','closed','closed','','into-the-sparks-cover-art','','','2016-05-17 14:33:41','2016-05-17 06:33:41','',8417,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art.png',0,'attachment','image/png',0),(14545,1,'2016-05-26 17:15:01','2016-05-26 09:15:01','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2016\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2016</h3>\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Recollage\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-14296 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px-300x300.jpg\" alt=\"Recollage\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Recollage </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Into The Sparks\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-14483 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>Into The Sparks </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"isometrik\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><img class=\"alignnone size-medium wp-image-14392\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Isometrik-Cover-Art-300x300.jpg\" alt=\"Isometrik Cover Art\" width=\"300\" height=\"300\" /></a>\r\nGlanko and Daniel Bailey\r\n<em>Isometrik </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"re-directed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Re-Directed </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"glass dimly\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<em><a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"300\" height=\"300\" /></a></em>\r\nAntonymes\r\n<em>(For Now We See) Through A Glass Dimly </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"orpheus pavement\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-14243 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>The Orpheus Pavement </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2015\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2015</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"white guilt\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/crisis-actors/\"><img class=\"alignnone wp-image-13203 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/12/CA-cover-300x300.jpg\" alt=\"Crisis Actors - White Guilt, White Heat EP\" width=\"300\" height=\"300\" /></a>\r\nCrisis Actors\r\n<em>White Guilt, White Heat</em> (2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"long range\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"https://hiddenshoal.bandcamp.com/album/long-range-transmissions\"><img class=\"alignnone wp-image-13139 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/11/Long-Range-Transmissions-300.jpg\" alt=\"Long Range Transmissions\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Long Range Transmissions</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"forets\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-13061 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"forêts antiques\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>forêts antiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Palm\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-13050\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork-300x300.jpg\" alt=\"In The Palm of Your Hand - The Remix EP\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In The Palm of Your Hand - The Remix EP </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"AWMA\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/awma/\"><img class=\"alignnone wp-image-13036 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/AWMA-1000-300x300.jpg\" alt=\"AWMA EP\" width=\"300\" height=\"300\" /></a>\r\nAWMA\r\n<em>AWMA </em>(2015)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Extent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/battlestations/\"><img class=\"alignnone wp-image-12955 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/09/The-Extent-of-Damage-Cover-1200px-300x300.jpg\" alt=\"The Extent of Damage\" width=\"300\" height=\"300\" /></a>\r\nBattlestations\r\n<em>The Extent of Damage </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"New York\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/medard-fischer/\"><img class=\"alignnone size-medium wp-image-12847\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Cover-art-300x300.jpg\" alt=\"Four Songs for the City of New York\" width=\"300\" height=\"300\" /></a>\r\nMedard Fischer\r\n<em>Four Songs for the City of New York </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Troubled Mystic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/liminal-drifter/\"><img class=\"alignnone wp-image-12861 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Troubled-Mystic-Album-1000px-300x300.jpg\" alt=\"Liminal Drifter - Troubled Mystic\" width=\"300\" height=\"300\" /></a>\r\nLiminal Drifter\r\n<em>Troubled Mystic </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Olive Skinned\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/rew/\"><img class=\"alignnone wp-image-12249 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Olive-Skinned-Cover-1400x1400-pxl-300x300.jpg\" alt=\"Olive Skinned, Silver Tongued Sirens Sing Swan Songs\" width=\"300\" height=\"300\" /></a>\r\nREW&lt;&lt;\r\n<em>Olive Skinned, Silver Tongued Sirens Sing Swan Songs </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Pea Green\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/the-star-department/\"><img class=\"alignnone wp-image-12312 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Pea-Green-Boat-Cover-Art-1000px-300x300.jpg\" alt=\"The Pea Green Boat\" width=\"300\" height=\"300\" /></a>\r\nThe Star Department\r\n<em>The Pea Green Boat </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearing Things\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><img class=\"alignnone size-medium wp-image-12629\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Hearing-Things-Front-Cover-1000px-300x300.jpg\" alt=\"Erik Nilsson - Hearing Things\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Hearing Things </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Rough\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12669\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Rough-Cover-Art-1400px-300x300.jpg\" alt=\"Rough\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Rough </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Tristes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-12367 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Tristes-Tropiques-Cover-300px.jpg\" alt=\"Todd Tobias - Tristes Tropiques\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Tristes Tropiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"les limbes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/les-limbes/\"><img class=\"alignnone wp-image-12271 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Les-Limbes-EP-Cover-300px.jpg\" alt=\"Les Limbes EP\" width=\"300\" height=\"300\" /></a>\r\nLes Limbes\r\n<em>Les Limbes </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"axis swim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/october-solution/\"><img class=\"alignnone wp-image-12242 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"300\" height=\"300\" /></a>\r\nThe October Solution\r\n<em>Axis Swim Scar</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"fate\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-12109 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/03/Kramies-The-Fate-300px-300x300.jpg\" alt=\"Kramies \'The Fate That Never Favored Us\'\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Fate That Never Favored Us</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"river fire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-12036 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/To-Set-The-River-On-Fire-300px.jpg\" alt=\"To-Set-The-River-On-Fire-300px\" width=\"300\" height=\"300\" /></a>\r\nChloe March vs. Markus Mehr\r\n<em>To Set The River on Fire </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2014\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2014</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"dusk recital\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-11402 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/duskrecital_300.jpg\" alt=\"The Dusk Recital\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Dusk Recital</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"makee\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/makee/\"><img class=\"alignnone wp-image-11088 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Makee-EP-300px.jpg\" alt=\"Makee EP\" width=\"300\" height=\"300\" /></a>\r\nmakee\r\n<em>makee</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Nights Bright Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-11189 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Nights-Bright-Days-Cover-1000px-300x300.jpg\" alt=\"Nights Bright Days\" width=\"300\" height=\"300\" /></a>\r\nChloë March\r\n<em>Nights bright Days</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under The Day\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone size-medium wp-image-11191\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderTheDayCov350-300x300.jpg\" alt=\"Under The Day\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>Under The Day</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Enchanting Gaze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone wp-image-11190 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enchanting-Gaze-1000px-300x300.jpg\" alt=\"Enchanting Gaze\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Enchanting Gaze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-medium wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities 2\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-11192 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Impossible-Cites-2-1000px-300x300.jpg\" alt=\"Impossible Cites 2\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities 2</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Binary Rooms\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-10985 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - \" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Binary Rooms</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deconstruction Manual\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\"><img class=\"alignnone wp-image-10803 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Deconstruction Manual</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"In Between\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-10470 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/In-Between-Cover-1000px-300x300.jpg\" alt=\"Kryshe - In Between\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>In Between</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Revolving Maze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignnone wp-image-10715 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Revolving-Maze-Front-Cover-300x300.jpg\" alt=\"Revolving Maze\" width=\"300\" height=\"300\" /></a>\r\nInvolved\r\n<em>Revolving Maze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Positive Haywires\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignnone size-medium wp-image-10728\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Positive-Haywires-Front-Cover-1000px-300x300.jpg\" alt=\"Positive Haywires\" width=\"300\" height=\"300\" /></a>\r\nBrother Earth\r\n<em>Positive Haywires</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under Songs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/draliensmith/\"><img class=\"alignnone wp-image-10373 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderSongsCoverArt-300x300.jpg\" alt=\"Under Songs\" width=\"300\" height=\"300\" /></a>\r\nDrAlienSmith\r\n<em>Under Songs</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Cogent Sea</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Growing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-11052 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Growing-Cover-300x300.jpg\" alt=\"Growing\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Growing</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em> The Folklore Sessions</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone wp-image-9399 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /></a>\r\nperth\r\nWhere\'s Utopia (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2013\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2013</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a>\r\nperth\r\n<em>What’s Your Utopia?</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"No True Beauty\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/NO-TRUE-BEAUTY-300x300.jpg\" alt=\"There Can Be True Beauty Without Decay\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>There Can Be No True Beauty Without Decay </em></em>(2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Voices Out There</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Wooden Heart</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Live in Bari</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Let\'s Adjourn To The Garden</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope III\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12430 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemacope-III-cover-CMYK-300x300.jpg\" alt=\"Cinemacope III\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope III</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias &amp; Circus Devils\r\n<em>I Razor </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Momentary Mask\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone wp-image-10374 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Momentary-Mask-Cover-300x300.jpg\" alt=\"The Momentary Mask\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>The Momentary Mask </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em>Quarrels</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Off</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2012\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2012</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>East of Monument </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>The Road To The Crater </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope II\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone wp-image-12434 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover1-300x300.jpg\" alt=\"Cinemascope II\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope II</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>Terrane </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Laterna Magica</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>On</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Un Giorno Sospeso</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dreamland\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone size-medium wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Dreamland </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope I\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-12433 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemascope-I-Cover-1000px-300x300.jpg\" alt=\"Cinemascope I\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope I</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Medicine Show </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Light Dispersed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11492\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIGHT-DISPERSED-300x300.jpg\" alt=\"Light Dispersed\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Light Dispersed </em>(2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2011\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2011</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The European</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Remixed</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a>\r\nAntonymes meets Slow Dancing Society\r\n<em><em>We Don’t Look Back For Very Long</em> </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Letters From The Coast </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hong Kong\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone wp-image-12038 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Hong-Kong-Express-Cover-Art-1400px-300x300.jpg\" alt=\"Hong Kong Express\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\n<em>Hong Kong Express </em>(2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Like Rumours\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIKE-RUMOURS-300x300.jpg\" alt=\"Like Rumours Of Hushed Thunder\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Like Rumours Of Hushed Thunder</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>A Frame of Reference</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"casino\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone wp-image-12431 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/On-The-Casino-Floor-Cover-300x300.jpg\" alt=\"On The Casino Floor\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>On The Casino Floor</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Now We\'re Active</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Lost in Waves of Light </em></em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>The Licence To Interpret Dreams </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>The Stones And The Rabbits</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"hears like a bat\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12428 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Heart-That-Hears-Like-A-Bat-Cover-Art-1-300x300.jpg\" alt=\"The Heart That Hears Like A Bat\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>The Heart That Hears Like A Bat</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2010\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2010</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em><em>Under The Sodium Lights </em></em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Lava </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>Heresy and Rite</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Before The Light Fails\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/BEFORE-THE-LIGHT-FAILS-300x300.jpg\" alt=\"31: Before The Light Fails\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>31: Before The Light Fails</em> (2010)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"machine\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9475\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/machine_LRG1.jpg\" alt=\"Machine Is My Animal\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Machine Is My Animal </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2009\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2009</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em><em>Unknown Knowns </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>I Haven’t Got It In Me</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"soundcheck\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12040\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Soundcheck_Mp3-300x300.jpg\" alt=\"Soundcheck For A Missing Movie\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Soundcheck For A Missing Movie</em> (2009)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Umpire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-medium wp-image-11478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Umpire-EP-Cover-Art-1000px-300x300.jpg\" alt=\"Umpire\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Umpire</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Chromatic Sigh</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a>\r\nDown Review\r\n<em>From Here, For Anyone</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em><em>Apricot Rail </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>That Time</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a>\r\nSleeping Me\r\n<em>Cradlesongs</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearts\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/hotels/\"><img class=\"alignnone wp-image-12426 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Where-Hearts-Go-Broke-mp3-300x300.jpg\" alt=\"Where Hearts Go Broke\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Where Hearts Go Broke</em>  (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2008\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2008</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"spook\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9486\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG1.jpg\" alt=\"The Spook\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em><em>The Spook </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Too Late, The Day</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"touch me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone size-medium wp-image-12039\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Touch-Me-Cover-Art-1400px-300x300.jpg\" alt=\"Touch me and i will save you\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\nTouch me and i will save you (2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Priest Lake Circa \'88 </em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a>\r\nThe Slow Beings\r\n<em>We Know Why The Earth Moves</em>  (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em><em>Evergreen </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Our Man in Eden Hill</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2007\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2007</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>September 16th </em>(2007)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Slow And Steady Winter</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a>\r\nCheekbone\r\n<em><em>Yesterday </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Restless </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Fining</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em><em>It\'s Now Or Later </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes &amp; Ponds\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a>\r\nThe Hero Cycle\r\n<em>Lakes and Ponds </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2006\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2006</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Sound Of Lights When Dim</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>Golden Days </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a>\r\nEnargeia\r\n<em><em>UFO: Stryker Force </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a>\r\nMotor Eye\r\n<em>Motor Eye </em>(2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>Slow Attack</em> (2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Up Down Up </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em><em>Ideas Are The Answer </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a>\r\nWayne Harriss\r\n<em>Aerospace</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2005\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2005</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Thank You For Choosing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone wp-image-12424 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover-300x300.jpg\" alt=\"Thank You For Choosing...\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Thank You For Choosing</em> (2005)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2003\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2003</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Mapping the static\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-medium wp-image-11477\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Mapping-The-Static-Cover-Art-1000px-300x300.jpg\" alt=\"Mapping The Static\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em>Mapping The Static</em> (2003)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','closed','','8417-revision-v1','','','2016-05-26 17:15:01','2016-05-26 09:15:01','',8417,'http://www.hiddenshoal.com/8417-revision-v1/',0,'revision','',0),(14484,1,'2016-05-17 14:36:13','2016-05-17 06:36:13','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2016\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2016</h3>\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Into The Sparks\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-14483 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>Into The Sparks </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"isometrik\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"><img class=\"alignnone size-medium wp-image-14392\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Isometrik-Cover-Art-300x300.jpg\" alt=\"Isometrik Cover Art\" width=\"300\" height=\"300\" /></a>\r\nGlanko and Daniel Bailey\r\n<em>Isometrik </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"re-directed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-14270\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/Re-Directed-Cover-Art-300x300.jpg\" alt=\"Re-Directed\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Re-Directed </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"glass dimly\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<em><a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"300\" height=\"300\" /></a></em>\r\nAntonymes\r\n<em>(For Now We See) Through A Glass Dimly </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"orpheus pavement\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-14243 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>The Orpheus Pavement </em>(2016)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2015\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2015</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"white guilt\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/crisis-actors/\"><img class=\"alignnone wp-image-13203 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/12/CA-cover-300x300.jpg\" alt=\"Crisis Actors - White Guilt, White Heat EP\" width=\"300\" height=\"300\" /></a>\r\nCrisis Actors\r\n<em>White Guilt, White Heat</em> (2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"long range\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"https://hiddenshoal.bandcamp.com/album/long-range-transmissions\"><img class=\"alignnone wp-image-13139 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/11/Long-Range-Transmissions-300.jpg\" alt=\"Long Range Transmissions\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Long Range Transmissions</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"forets\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-13061 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/forêts-antiques-cover-art-300x300.jpg\" alt=\"forêts antiques\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>forêts antiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Palm\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-medium wp-image-13050\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/In-The-Palm-of-Your-Hand-Remix-EP-Artwork-300x300.jpg\" alt=\"In The Palm of Your Hand - The Remix EP\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In The Palm of Your Hand - The Remix EP </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"AWMA\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/awma/\"><img class=\"alignnone wp-image-13036 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/10/AWMA-1000-300x300.jpg\" alt=\"AWMA EP\" width=\"300\" height=\"300\" /></a>\r\nAWMA\r\n<em>AWMA </em>(2015)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Extent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/battlestations/\"><img class=\"alignnone wp-image-12955 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/09/The-Extent-of-Damage-Cover-1200px-300x300.jpg\" alt=\"The Extent of Damage\" width=\"300\" height=\"300\" /></a>\r\nBattlestations\r\n<em>The Extent of Damage </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"New York\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/medard-fischer/\"><img class=\"alignnone size-medium wp-image-12847\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Cover-art-300x300.jpg\" alt=\"Four Songs for the City of New York\" width=\"300\" height=\"300\" /></a>\r\nMedard Fischer\r\n<em>Four Songs for the City of New York </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Troubled Mystic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/liminal-drifter/\"><img class=\"alignnone wp-image-12861 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/08/Troubled-Mystic-Album-1000px-300x300.jpg\" alt=\"Liminal Drifter - Troubled Mystic\" width=\"300\" height=\"300\" /></a>\r\nLiminal Drifter\r\n<em>Troubled Mystic </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Olive Skinned\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/rew/\"><img class=\"alignnone wp-image-12249 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Olive-Skinned-Cover-1400x1400-pxl-300x300.jpg\" alt=\"Olive Skinned, Silver Tongued Sirens Sing Swan Songs\" width=\"300\" height=\"300\" /></a>\r\nREW&lt;&lt;\r\n<em>Olive Skinned, Silver Tongued Sirens Sing Swan Songs </em>(2015)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Pea Green\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/the-star-department/\"><img class=\"alignnone wp-image-12312 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Pea-Green-Boat-Cover-Art-1000px-300x300.jpg\" alt=\"The Pea Green Boat\" width=\"300\" height=\"300\" /></a>\r\nThe Star Department\r\n<em>The Pea Green Boat </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearing Things\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><img class=\"alignnone size-medium wp-image-12629\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Hearing-Things-Front-Cover-1000px-300x300.jpg\" alt=\"Erik Nilsson - Hearing Things\" width=\"300\" height=\"300\" /></a>\r\nErik Nilsson\r\n<em>Hearing Things </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Rough\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12669\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Rough-Cover-Art-1400px-300x300.jpg\" alt=\"Rough\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Rough </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Tristes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-12367 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Tristes-Tropiques-Cover-300px.jpg\" alt=\"Todd Tobias - Tristes Tropiques\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Tristes Tropiques </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"les limbes\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/les-limbes/\"><img class=\"alignnone wp-image-12271 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/Les-Limbes-EP-Cover-300px.jpg\" alt=\"Les Limbes EP\" width=\"300\" height=\"300\" /></a>\r\nLes Limbes\r\n<em>Les Limbes </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"axis swim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/october-solution/\"><img class=\"alignnone wp-image-12242 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/04/artwork_album_axis_1000px-300x300.jpg\" alt=\"The October Solution - Axis Swim Scar\" width=\"300\" height=\"300\" /></a>\r\nThe October Solution\r\n<em>Axis Swim Scar</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"fate\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone wp-image-12109 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/03/Kramies-The-Fate-300px-300x300.jpg\" alt=\"Kramies \'The Fate That Never Favored Us\'\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Fate That Never Favored Us</em> (2015)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"river fire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-12036 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/To-Set-The-River-On-Fire-300px.jpg\" alt=\"To-Set-The-River-On-Fire-300px\" width=\"300\" height=\"300\" /></a>\r\nChloe March vs. Markus Mehr\r\n<em>To Set The River on Fire </em>(2015)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2014\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2014</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"dusk recital\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone wp-image-11402 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/12/duskrecital_300.jpg\" alt=\"The Dusk Recital\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Dusk Recital</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"makee\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/makee/\"><img class=\"alignnone wp-image-11088 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Makee-EP-300px.jpg\" alt=\"Makee EP\" width=\"300\" height=\"300\" /></a>\r\nmakee\r\n<em>makee</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Nights Bright Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone wp-image-11189 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Nights-Bright-Days-Cover-1000px-300x300.jpg\" alt=\"Nights Bright Days\" width=\"300\" height=\"300\" /></a>\r\nChloë March\r\n<em>Nights bright Days</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under The Day\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/chloe-march/\"><img class=\"alignnone size-medium wp-image-11191\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderTheDayCov350-300x300.jpg\" alt=\"Under The Day\" width=\"300\" height=\"300\" /></a>\r\nChloe March\r\n<em>Under The Day</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Enchanting Gaze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone wp-image-11190 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Enchanting-Gaze-1000px-300x300.jpg\" alt=\"Enchanting Gaze\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Enchanting Gaze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-medium wp-image-10601\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Impossible-Cities-1000px-300x300.jpg\" alt=\"Impossible Cities\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Impossible Cities 2\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone wp-image-11192 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Impossible-Cites-2-1000px-300x300.jpg\" alt=\"Impossible Cites 2\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Impossible Cities 2</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Binary Rooms\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone wp-image-10985 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Markus-Mehr-Binary-Rooms-Cover-300px.jpg\" alt=\"Markus Mehr - \" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Binary Rooms</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Deconstruction Manual\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/deconstruction-manual-hidden-shoal-remix-ep-featuring-antonymes-and-slow-dancing-society/\"><img class=\"alignnone wp-image-10803 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"300\" height=\"300\" /></a>\r\nVarious Artists\r\n<em>Deconstruction Manual</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"In Between\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-10470 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/In-Between-Cover-1000px-300x300.jpg\" alt=\"Kryshe - In Between\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>In Between</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Revolving Maze\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/involved/\"><img class=\"alignnone wp-image-10715 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Revolving-Maze-Front-Cover-300x300.jpg\" alt=\"Revolving Maze\" width=\"300\" height=\"300\" /></a>\r\nInvolved\r\n<em>Revolving Maze</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Positive Haywires\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/brother-earth/\"><img class=\"alignnone size-medium wp-image-10728\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Positive-Haywires-Front-Cover-1000px-300x300.jpg\" alt=\"Positive Haywires\" width=\"300\" height=\"300\" /></a>\r\nBrother Earth\r\n<em>Positive Haywires</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Under Songs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/draliensmith/\"><img class=\"alignnone wp-image-10373 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/UnderSongsCoverArt-300x300.jpg\" alt=\"Under Songs\" width=\"300\" height=\"300\" /></a>\r\nDrAlienSmith\r\n<em>Under Songs</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Cogent Sea</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Growing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-11052 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/10/Growing-Cover-300x300.jpg\" alt=\"Growing\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Growing</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em> The Folklore Sessions</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone wp-image-9399 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /></a>\r\nperth\r\nWhere\'s Utopia (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2013\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2013</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a>\r\nperth\r\n<em>What’s Your Utopia?</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"No True Beauty\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/NO-TRUE-BEAUTY-300x300.jpg\" alt=\"There Can Be True Beauty Without Decay\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>There Can Be No True Beauty Without Decay </em></em>(2013)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Voices Out There</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The Wooden Heart</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Live in Bari</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"adjourn\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/adjourn_LRG.jpg\" alt=\"Let\'s Adjourn To The Garden\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Let\'s Adjourn To The Garden</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope III\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12430 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemacope-III-cover-CMYK-300x300.jpg\" alt=\"Cinemacope III\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope III</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"I Razor\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/irazor_LRG.jpg\" alt=\"I Razor\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias &amp; Circus Devils\r\n<em>I Razor </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Momentary Mask\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone wp-image-10374 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Momentary-Mask-Cover-300x300.jpg\" alt=\"The Momentary Mask\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>The Momentary Mask </em>(2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Quarrels\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG1.jpg\" alt=\"Quarrels\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em>Quarrels</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"OFF\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/off_LRG.jpg\" alt=\"Off\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Off</em> (2013)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2012\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2012</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"monument\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/East-of-Monument-1000px-300x300.jpg\" alt=\"East of Monument\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>East of Monument </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"crater\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone size-medium wp-image-9427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Road-To-The-Crater-1000px-300x300.jpg\" alt=\"The Road To The Crater\" width=\"300\" height=\"300\" /></a>\r\nHalf Film\r\n<em>The Road To The Crater </em>Re-Issue (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope II\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Half Film\" href=\"http://www.hiddenshoal.com/project/half-film/\"><img class=\"alignnone wp-image-12434 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover1-300x300.jpg\" alt=\"Cinemascope II\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope II</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Terrane\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone size-full wp-image-9430\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/terrane_LRG.jpg\" alt=\"Terrane\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>Terrane </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Laterna\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9432\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/laterna_LRG.jpg\" alt=\"Laterna Magica\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Laterna Magica</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"On\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/on_LRG.jpg\" alt=\"On\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>On</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Un Giorno Sospeso\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9434\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sospeso_LRG.jpg\" alt=\"Un Giorno Sospeso\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Un Giorno Sospeso</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dreamland\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone size-medium wp-image-11309\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/11/Dreamland-Artwork-300x300.jpg\" alt=\"Dreamland\" width=\"300\" height=\"300\" /></a>\r\nKryshe\r\n<em>Dreamland </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cinemascope I\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kryshe/\"><img class=\"alignnone wp-image-12433 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cinemascope-I-Cover-1000px-300x300.jpg\" alt=\"Cinemascope I\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Cinemascope I</em> (2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Medicine Show\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Todd Tobias\" href=\"http://www.hiddenshoal.com/project/todd-tobias/\"><img class=\"alignnone size-full wp-image-9435\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MedicineShow_LRG.jpg\" alt=\"Medicine Show\" width=\"300\" height=\"300\" /></a>\r\nTodd Tobias\r\n<em>Medicine Show </em>(2012)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Light Dispersed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11492\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIGHT-DISPERSED-300x300.jpg\" alt=\"Light Dispersed\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Light Dispersed </em>(2012)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"IN\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9438\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/in_LRG.jpg\" alt=\"In\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>In</em> (2012)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2011\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2011</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"European\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9439\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/europeancd_01_LRG.jpg\" alt=\"The European\" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em>The European</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"CoS Remixed\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9440\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG1.jpg\" alt=\"Remixed\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Remixed</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Look Back\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9441\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WDLBFVLCD_03_LRG1.jpg\" alt=\"We Don’t Look Back For Very Long\" width=\"300\" height=\"300\" /></a>\r\nAntonymes meets Slow Dancing Society\r\n<em><em>We Don’t Look Back For Very Long</em> </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"letters\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9456\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/coast_LRG.jpg\" alt=\"Letters From The Coast\" width=\"300\" height=\"300\" /></a>\r\n[The] Caseworker\r\n<em>Letters From The Coast </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hong Kong\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone wp-image-12038 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Hong-Kong-Express-Cover-Art-1400px-300x300.jpg\" alt=\"Hong Kong Express\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\n<em>Hong Kong Express </em>(2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Like Rumours\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/LIKE-RUMOURS-300x300.jpg\" alt=\"Like Rumours Of Hushed Thunder\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>Like Rumours Of Hushed Thunder</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"frame\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9458\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/frame_LRG.jpg\" alt=\"frame_LRG\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>A Frame of Reference</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"casino\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone wp-image-12431 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/On-The-Casino-Floor-Cover-300x300.jpg\" alt=\"On The Casino Floor\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>On The Casino Floor</em> (2011)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"active\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Umpire\" href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-full wp-image-9463\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/active_LRG.jpg\" alt=\"Now We\'re Active\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Now We\'re Active</em> (2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"waves of light\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lost_LRG.jpg\" alt=\"Lost in Waves of Light\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em><em>Lost in Waves of Light </em></em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"licence\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-full wp-image-9465\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/licence_LRG1.jpg\" alt=\"The Licence To Interpret Dreams\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>The Licence To Interpret Dreams </em>(2011)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"rabbits\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9467\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/stones_LRG.jpg\" alt=\"The Stones And The Rabbits\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>The Stones And The Rabbits</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"hears like a bat\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/jumpel/\"><img class=\"alignnone wp-image-12428 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/The-Heart-That-Hears-Like-A-Bat-Cover-Art-1-300x300.jpg\" alt=\"The Heart That Hears Like A Bat\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>The Heart That Hears Like A Bat</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2010\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2010</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"sodium\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9470\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/undersodium_LRG.jpg\" alt=\"Under The Sodium Lights\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em><em>Under The Sodium Lights </em></em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"lava\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9473\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lava_LRG.jpg\" alt=\"Lava\" width=\"300\" height=\"300\" /></a>\r\nMarkus Mehr\r\n<em>Lava </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"heresy\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\"><img class=\"alignnone size-full wp-image-9474\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/heresy_LRG.jpg\" alt=\"Heresy and Rite\" width=\"300\" height=\"300\" /></a>\r\nSalli Lunn\r\n<em>Heresy and Rite</em> (2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Before The Light Fails\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"alignnone size-medium wp-image-11494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/BEFORE-THE-LIGHT-FAILS-300x300.jpg\" alt=\"31: Before The Light Fails\" width=\"300\" height=\"300\" /></a>\r\nAntonymes\r\n<em>31: Before The Light Fails</em> (2010)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"machine\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9475\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/machine_LRG1.jpg\" alt=\"Machine Is My Animal\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em>Machine Is My Animal </em>(2010)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2009\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2009</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"unknown\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Mukaizake\" href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-full wp-image-9476\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/unknownknowns_LRG.jpg\" alt=\"Unknown Knowns\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em><em>Unknown Knowns </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"got it in me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_havent_LRG.jpg\" alt=\"I Haven’t Got It In Me\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>I Haven’t Got It In Me</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"soundcheck\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/hc-b/\"><img class=\"alignnone size-medium wp-image-12040\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Soundcheck_Mp3-300x300.jpg\" alt=\"Soundcheck For A Missing Movie\" width=\"300\" height=\"300\" /></a>\r\nHC-B\r\n<em>Soundcheck For A Missing Movie</em> (2009)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Umpire\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/umpire/\"><img class=\"alignnone size-medium wp-image-11478\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Umpire-EP-Cover-Art-1000px-300x300.jpg\" alt=\"Umpire\" width=\"300\" height=\"300\" /></a>\r\nUmpire\r\n<em>Umpire</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"chromatic\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Elisa Luu\" href=\"http://www.hiddenshoal.com/project/elisa-luu/\"><img class=\"alignnone size-full wp-image-9479\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/chromaticsigh_LRG.jpg\" alt=\"Chromatic Sigh\" width=\"300\" height=\"300\" /></a>\r\nElisa Luu\r\n<em>Chromatic Sigh</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"from here\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Down Review\" href=\"http://www.hiddenshoal.com/project/down-review/\"><img class=\"alignnone size-full wp-image-9480\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/down_review_ep_LRG.jpg\" alt=\"From Here, For Anyone\" width=\"300\" height=\"300\" /></a>\r\nDown Review\r\n<em>From Here, For Anyone</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"apricot\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Apricot Rail\" href=\"http://www.hiddenshoal.com/project/apricot-rail/\"><img class=\"alignnone size-full wp-image-9481\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG1.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"300\" /></a>\r\nApricot Rail\r\n<em><em>Apricot Rail </em></em>(2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"that time\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9484\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/that_time_LRG.jpg\" alt=\"That Time\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>That Time</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"cradlesongs\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Sleeping Me\" href=\"http://www.hiddenshoal.com/project/sleeping-me/\"><img class=\"alignnone size-full wp-image-9483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cradlesongs_LRG.jpg\" alt=\"Cradlesongs \" width=\"300\" height=\"300\" /></a>\r\nSleeping Me\r\n<em>Cradlesongs</em> (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Hearts\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Jumpel\" href=\"http://www.hiddenshoal.com/project/hotels/\"><img class=\"alignnone wp-image-12426 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Where-Hearts-Go-Broke-mp3-300x300.jpg\" alt=\"Where Hearts Go Broke\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Where Hearts Go Broke</em>  (2009)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2008\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2008</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"spook\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"City of Satellites\" href=\"http://www.hiddenshoal.com/project/city-of-satellites/\"><img class=\"alignnone size-full wp-image-9486\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG1.jpg\" alt=\"The Spook\" width=\"300\" height=\"300\" /></a>\r\nCity of Satellites\r\n<em><em>The Spook </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"too late\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9487\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/MMS_Too_Late_LRG.jpg\" alt=\"Too Late, The Day\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Too Late, The Day</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"touch me\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/willem-gator/\"><img class=\"alignnone size-medium wp-image-12039\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Touch-Me-Cover-Art-1400px-300x300.jpg\" alt=\"Touch me and i will save you\" width=\"300\" height=\"300\" /></a>\r\nWillem Gator\r\nTouch me and i will save you (2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"priest lake\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9488\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/priest_LRG.jpg\" alt=\"Priest Lake Circa \'88\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>Priest Lake Circa \'88 </em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Earth Moves\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Slow Beings\" href=\"http://www.hiddenshoal.com/project/the-slow-beings/\"><img class=\"alignnone size-full wp-image-9489\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/earthmoves_LRG.jpg\" alt=\"We Know Why The Earth Moves\" width=\"300\" height=\"300\" /></a>\r\nThe Slow Beings\r\n<em>We Know Why The Earth Moves</em>  (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"evergreen\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9490\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/evergreen_LRG.jpg\" alt=\"Evergreen\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em><em>Evergreen </em></em>(2008)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Eden Hill\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9491\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/our_man_in_eden_hill_LRG.jpg\" alt=\"Our Man in Eden Hill \" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em>Our Man in Eden Hill</em> (2008)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2007\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2007</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"september 16th\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9493\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/september16th_LRG.jpg\" alt=\"September 16th\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>September 16th </em>(2007)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Winter\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9494\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/winter_LRG.jpg\" alt=\"The Slow And Steady Winter \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Slow And Steady Winter</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Yesterday\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Cheekbone\" href=\"http://www.hiddenshoal.com/project/cheekbone/\"><img class=\"alignnone size-full wp-image-9495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG1.jpg\" alt=\"Yesterday\" width=\"300\" height=\"300\" /></a>\r\nCheekbone\r\n<em><em>Yesterday </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"restless\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG1.jpg\" alt=\"Restless\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Restless </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Fining\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9499\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mmsfining_LRG.jpg\" alt=\"Fining\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em>Fining</em>  (2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Now or Later\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Tangled Star\" href=\"http://www.hiddenshoal.com/project/tangled-star/\"><img class=\"alignnone size-full wp-image-9500\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/tstar_LRG.jpg\" alt=\"It\'s Now Or Later\" width=\"300\" height=\"300\" /></a>\r\nTangled Star\r\n<em><em>It\'s Now Or Later </em></em>(2007)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lakes &amp; Ponds\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"The Hero Cycle\" href=\"http://www.hiddenshoal.com/project/the-hero-cycle/\"><img class=\"alignnone size-full wp-image-9502\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/lakesponds_LRG.jpg\" alt=\"Lakes and Ponds\" width=\"300\" height=\"300\" /></a>\r\nThe Hero Cycle\r\n<em>Lakes and Ponds </em>(2007)\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2006\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2006</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Lights When Dim\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"alignnone size-full wp-image-9501\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/sds_lights_LRG.jpg\" alt=\"The Sound Of Lights When Dim\" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Sound Of Lights When Dim</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Golden Days\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Toby Richardson\" href=\"http://www.hiddenshoal.com/project/toby-richardson/\"><img class=\"alignnone size-full wp-image-9503\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/goldendays_LRG.jpg\" alt=\"Golden Days\" width=\"300\" height=\"300\" /></a>\r\nToby Richardson\r\n<em>Golden Days </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"UFO\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Enargeia\" href=\"http://www.hiddenshoal.com/project/enargeia/\"><img class=\"alignnone size-full wp-image-9504\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/ufo_LRG.jpg\" alt=\"UFO: Stryker Force\" width=\"300\" height=\"300\" /></a>\r\nEnargeia\r\n<em><em>UFO: Stryker Force </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Motor Eye\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Motor Eye\" href=\"http://www.hiddenshoal.com/project/motor-eye/\"><img class=\"alignnone size-full wp-image-9506\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/motor_eye_LRG.jpg\" alt=\"Motor Eye\" width=\"300\" height=\"300\" /></a>\r\nMotor Eye\r\n<em>Motor Eye </em>(2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Slow Attack\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Glassacre\" href=\"http://www.hiddenshoal.com/project/glassacre/\"><img class=\"alignnone size-full wp-image-9505\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/glassacre-slow_attack_LRG.jpg\" alt=\"Slow Attack\" width=\"300\" height=\"300\" /></a>\r\nGlassacre\r\n<em>Slow Attack</em> (2006)\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Up Down Up\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Chris Mason\" href=\"http://www.hiddenshoal.com/project/chris-mason/\"><img class=\"alignnone size-full wp-image-9507\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG1.jpg\" alt=\"Up Down Up\" width=\"300\" height=\"300\" /></a>\r\nChris Mason\r\n<em>Up Down Up </em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Ideas\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"My Majestic Star\" href=\"http://www.hiddenshoal.com/project/my-majestic-star/\"><img class=\"alignnone size-full wp-image-9508\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/mms_ideas_LRG.jpg\" alt=\"Ideas Are The Answer\" width=\"300\" height=\"300\" /></a>\r\nMy Majestic Star\r\n<em><em>Ideas Are The Answer </em></em>(2006)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Aerospace\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Wayne Harriss\" href=\"http://www.hiddenshoal.com/project/wayne-harriss/\"><img class=\"alignnone size-full wp-image-9509\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/aerospace_LRG.jpg\" alt=\"Aerospace\" width=\"300\" height=\"300\" /></a>\r\nWayne Harriss\r\n<em>Aerospace</em> (2006)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2005\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2005</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Thank You For Choosing\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone wp-image-12424 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cover-300x300.jpg\" alt=\"Thank You For Choosing...\" width=\"300\" height=\"300\" /></a>\r\nHotels\r\n<em>Thank You For Choosing</em> (2005)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"2003\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h3>2003</h3>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Mapping the static\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/mukaizake/\"><img class=\"alignnone size-medium wp-image-11477\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Mapping-The-Static-Cover-Art-1000px-300x300.jpg\" alt=\"Mapping The Static\" width=\"300\" height=\"300\" /></a>\r\nMukaizake\r\n<em>Mapping The Static</em> (2003)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][et_pb_column type=\"1_4\"][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','closed','closed','','8417-revision-v1','','','2016-05-17 14:36:13','2016-05-17 06:36:13','',8417,'http://www.hiddenshoal.com/8417-revision-v1/',0,'revision','',0),(14485,1,'2016-05-18 06:16:32','2016-05-17 22:16:32','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art.png\"><img class=\"alignleft  wp-image-14483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"224\" height=\"224\" /></a>It\'s a special day when you get to share a new single from our very own dream pop troubadour <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>. So you can\'t hold back our excitement at being able to announce the release of Kramies’ stunning new single ‘Into The Sparks’. A duet with French singer-songwriter <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">Alma Forrer</a>, ‘Into The Sparks’ is a gorgeous anti-gravity ballad. Kramies and Alma’s voices reverberate amidst open acoustic guitar chords, backed by aching synths. Simply beautiful. The release also comes with a special acoustic version of the single.\r\n\r\nHead to <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/into-the-sparks-by-kramies-alma-forrer\" target=\"_blank\">Kramies\' BandCamp</a> to grab yourself a free download of the single. Be sure to check out Kramies other releases, music videos and news <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a> and listen to more of Alma Forrer\'s music <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/264522311&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Kramies New Single \'Into The Sparks\' Out Now!','','publish','closed','closed','','kramies-new-single-into-the-sparks-out-now','','','2016-05-18 06:17:13','2016-05-17 22:17:13','',0,'http://www.hiddenshoal.com/?p=14485',0,'post','',0),(14486,1,'2016-05-17 15:47:03','2016-05-17 07:47:03','','Kramies New Single \'Into The Sparks\' Out Now!','','inherit','closed','closed','','14485-revision-v1','','','2016-05-17 15:47:03','2016-05-17 07:47:03','',14485,'http://www.hiddenshoal.com/14485-revision-v1/',0,'revision','',0),(14487,1,'2016-05-17 15:50:43','2016-05-17 07:50:43','It\'s a special day when you get to share a new single from our very own dream pop troubadour Kramies. So you can\'t hold back our excitement at being able to announce the release of Kramies’ stunning new single ‘Into The Sparks’. A duet with French singer-songwriter Alma Forrer, ‘Into The Sparks’ is a gorgeous anti-gravity ballad. Kramies and Alma’s voices reverberate amidst open acoustic guitar chords, backed by aching synths.','Kramies New Single \'Into The Sparks\' Out Now!','','inherit','closed','closed','','14485-revision-v1','','','2016-05-17 15:50:43','2016-05-17 07:50:43','',14485,'http://www.hiddenshoal.com/14485-revision-v1/',0,'revision','',0),(14488,1,'2016-05-17 15:54:50','2016-05-17 07:54:50','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art.png\"><img class=\"alignleft  wp-image-14483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"215\" height=\"215\" /></a>It\'s a special day when you get to share a new single from our very own dream pop troubadour <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>. So you can\'t hold back our excitement at being able to announce the release of Kramies’ stunning new single ‘Into The Sparks’. A duet with French singer-songwriter <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">Alma Forrer</a>, ‘Into The Sparks’ is a gorgeous anti-gravity ballad. Kramies and Alma’s voices reverberate amidst open acoustic guitar chords, backed by aching synths. Simply gorgeous. The release also comes with a special acoustic version of the single.\r\n\r\nHead to <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/into-the-sparks-by-kramies-alma-forrer\" target=\"_blank\">Kramies\' BandCam</a>p to grab yourself a copy now and be sure to check out Kramies other releases, music videos and news <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a>.','Kramies New Single \'Into The Sparks\' Out Now!','','inherit','closed','closed','','14485-revision-v1','','','2016-05-17 15:54:50','2016-05-17 07:54:50','',14485,'http://www.hiddenshoal.com/14485-revision-v1/',0,'revision','',0),(14489,1,'2016-05-17 16:03:04','2016-05-17 08:03:04','','Kramies and Alma','','inherit','closed','closed','','kramies-and-alma','','','2016-05-17 16:03:16','2016-05-17 08:03:16','',14485,'http://www.hiddenshoal.com/wp-content/uploads/2016/05/Kramies-and-Alma.jpeg',0,'attachment','image/jpeg',0),(14490,1,'2016-05-17 16:03:37','2016-05-17 08:03:37','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art.png\"><img class=\"alignleft  wp-image-14483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"201\" height=\"201\" /></a>It\'s a special day when you get to share a new single from our very own dream pop troubadour <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>. So you can\'t hold back our excitement at being able to announce the release of Kramies’ stunning new single ‘Into The Sparks’. A duet with French singer-songwriter <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">Alma Forrer</a>, ‘Into The Sparks’ is a gorgeous anti-gravity ballad. Kramies and Alma’s voices reverberate amidst open acoustic guitar chords, backed by aching synths. Simply gorgeous. The release also comes with a special acoustic version of the single.\r\n\r\nHead to <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/into-the-sparks-by-kramies-alma-forrer\" target=\"_blank\">Kramies\' BandCam</a>p to grab yourself a copy now. Be sure to check out Kramies other releases, music videos and news <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a> and  listen to more of Alma Forrer\'s music <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">here</a>.','Kramies New Single \'Into The Sparks\' Out Now!','','inherit','closed','closed','','14485-revision-v1','','','2016-05-17 16:03:37','2016-05-17 08:03:37','',14485,'http://www.hiddenshoal.com/14485-revision-v1/',0,'revision','',0),(14491,1,'2016-05-17 16:06:50','2016-05-17 08:06:50','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art.png\"><img class=\"alignleft  wp-image-14483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"201\" height=\"201\" /></a>It\'s a special day when you get to share a new single from our very own dream pop troubadour <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>. So you can\'t hold back our excitement at being able to announce the release of Kramies’ stunning new single ‘Into The Sparks’. A duet with French singer-songwriter <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">Alma Forrer</a>, ‘Into The Sparks’ is a gorgeous anti-gravity ballad. Kramies and Alma’s voices reverberate amidst open acoustic guitar chords, backed by aching synths. Simply beautiful. The release also comes with a special acoustic version of the single.\r\n\r\nHead to <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/into-the-sparks-by-kramies-alma-forrer\" target=\"_blank\">Kramies\' BandCam</a>p to grab yourself a free download of the single. Be sure to check out Kramies other releases, music videos and news <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a> and  listen to more of Alma Forrer\'s music <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">here</a>.','Kramies New Single \'Into The Sparks\' Out Now!','','inherit','closed','closed','','14485-revision-v1','','','2016-05-17 16:06:50','2016-05-17 08:06:50','',14485,'http://www.hiddenshoal.com/14485-revision-v1/',0,'revision','',0),(14492,1,'2016-05-18 06:08:50','2016-05-17 22:08:50','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art.png\"><img class=\"alignleft  wp-image-14483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"201\" height=\"201\" /></a>It\'s a special day when you get to share a new single from our very own dream pop troubadour <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>. So you can\'t hold back our excitement at being able to announce the release of Kramies’ stunning new single ‘Into The Sparks’. A duet with French singer-songwriter <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">Alma Forrer</a>, ‘Into The Sparks’ is a gorgeous anti-gravity ballad. Kramies and Alma’s voices reverberate amidst open acoustic guitar chords, backed by aching synths. Simply beautiful. The release also comes with a special acoustic version of the single.\r\n\r\nHead to <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/into-the-sparks-by-kramies-alma-forrer\" target=\"_blank\">Kramies\' BandCam</a>p to grab yourself a free download of the single. Be sure to check out Kramies other releases, music videos and news <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a> and  listen to more of Alma Forrer\'s music <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">here</a>.\r\n\r\n&nbsp;','Kramies New Single \'Into The Sparks\' Out Now!','','inherit','closed','closed','','14485-revision-v1','','','2016-05-18 06:08:50','2016-05-17 22:08:50','',14485,'http://www.hiddenshoal.com/14485-revision-v1/',0,'revision','',0),(14493,1,'2016-05-18 06:12:39','2016-05-17 22:12:39','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art.png\"><img class=\"alignleft  wp-image-14483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"201\" height=\"201\" /></a>It\'s a special day when you get to share a new single from our very own dream pop troubadour <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>. So you can\'t hold back our excitement at being able to announce the release of Kramies’ stunning new single ‘Into The Sparks’. A duet with French singer-songwriter <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">Alma Forrer</a>, ‘Into The Sparks’ is a gorgeous anti-gravity ballad. Kramies and Alma’s voices reverberate amidst open acoustic guitar chords, backed by aching synths. Simply beautiful. The release also comes with a special acoustic version of the single.\r\n\r\nHead to <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/into-the-sparks-by-kramies-alma-forrer\" target=\"_blank\">Kramies\' BandCam</a>p to grab yourself a free download of the single. Be sure to check out Kramies other releases, music videos and news <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a> and  listen to more of Alma Forrer\'s music <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">here</a>.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/264522311&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Kramies New Single \'Into The Sparks\' Out Now!','','inherit','closed','closed','','14485-revision-v1','','','2016-05-18 06:12:39','2016-05-17 22:12:39','',14485,'http://www.hiddenshoal.com/14485-revision-v1/',0,'revision','',0),(14494,1,'2016-05-18 06:14:03','2016-05-17 22:14:03','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art.png\"><img class=\"alignleft  wp-image-14483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"214\" height=\"214\" /></a>It\'s a special day when you get to share a new single from our very own dream pop troubadour <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>. So you can\'t hold back our excitement at being able to announce the release of Kramies’ stunning new single ‘Into The Sparks’. A duet with French singer-songwriter <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">Alma Forrer</a>, ‘Into The Sparks’ is a gorgeous anti-gravity ballad. Kramies and Alma’s voices reverberate amidst open acoustic guitar chords, backed by aching synths. Simply beautiful. The release also comes with a special acoustic version of the single.\r\n\r\nHead to <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/into-the-sparks-by-kramies-alma-forrer\" target=\"_blank\">Kramies\' BandCam</a>p to grab yourself a free download of the single. Be sure to check out Kramies other releases, music videos and news <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a> and  listen to more of Alma Forrer\'s music <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">here</a>.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/264522311&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Kramies New Single \'Into The Sparks\' Out Now!','','inherit','closed','closed','','14485-revision-v1','','','2016-05-18 06:14:03','2016-05-17 22:14:03','',14485,'http://www.hiddenshoal.com/14485-revision-v1/',0,'revision','',0),(14495,1,'2016-05-18 06:14:38','2016-05-17 22:14:38','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art.png\"><img class=\"alignleft  wp-image-14483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"224\" height=\"224\" /></a>It\'s a special day when you get to share a new single from our very own dream pop troubadour <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>. So you can\'t hold back our excitement at being able to announce the release of Kramies’ stunning new single ‘Into The Sparks’. A duet with French singer-songwriter <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">Alma Forrer</a>, ‘Into The Sparks’ is a gorgeous anti-gravity ballad. Kramies and Alma’s voices reverberate amidst open acoustic guitar chords, backed by aching synths. Simply beautiful. The release also comes with a special acoustic version of the single.\r\n\r\nHead to <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/into-the-sparks-by-kramies-alma-forrer\" target=\"_blank\">Kramies\' BandCam</a>p to grab yourself a free download of the single. Be sure to check out Kramies other releases, music videos and news <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a> and  listen to more of Alma Forrer\'s music <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">here</a>.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/264522311&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Kramies New Single \'Into The Sparks\' Out Now!','','inherit','closed','closed','','14485-revision-v1','','','2016-05-18 06:14:38','2016-05-17 22:14:38','',14485,'http://www.hiddenshoal.com/14485-revision-v1/',0,'revision','',0),(14496,1,'2016-05-18 06:17:13','2016-05-17 22:17:13','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art.png\"><img class=\"alignleft  wp-image-14483\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Into-The-Sparks-Cover-Art-300x300.png\" alt=\"Into The Sparks\" width=\"224\" height=\"224\" /></a>It\'s a special day when you get to share a new single from our very own dream pop troubadour <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>. So you can\'t hold back our excitement at being able to announce the release of Kramies’ stunning new single ‘Into The Sparks’. A duet with French singer-songwriter <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">Alma Forrer</a>, ‘Into The Sparks’ is a gorgeous anti-gravity ballad. Kramies and Alma’s voices reverberate amidst open acoustic guitar chords, backed by aching synths. Simply beautiful. The release also comes with a special acoustic version of the single.\r\n\r\nHead to <a title=\"Bandcamp\" href=\"https://kramies.bandcamp.com/album/into-the-sparks-by-kramies-alma-forrer\" target=\"_blank\">Kramies\' BandCamp</a> to grab yourself a free download of the single. Be sure to check out Kramies other releases, music videos and news <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">here</a> and listen to more of Alma Forrer\'s music <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">here</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/264522311&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Kramies New Single \'Into The Sparks\' Out Now!','','inherit','closed','closed','','14485-revision-v1','','','2016-05-18 06:17:13','2016-05-17 22:17:13','',14485,'http://www.hiddenshoal.com/14485-revision-v1/',0,'revision','',0),(14497,1,'2016-05-19 10:00:31','2016-05-19 02:00:31','[Translated from the <a title=\"Soul Kitchen\" href=\"http://www.soul-kitchen.fr/66340-66340\" target=\"_blank\">original French</a>]\r\n\r\n\"There are encounters that make sparks. And when in addition there are two artists that we love at SK, it kindles the senses, a musical nirvana. Alma &amp; Kramies Forrer - Alma in Paris, Kramies in Denver. One, the enlightened American dream, the other is an ardent Francophile. Together, they offer us a suspended moment of delicacy and sweetness, an air of musical embrace.\"\r\n\r\n- <a title=\"Soul Kitchen\" href=\"http://www.soul-kitchen.fr/66340-66340\" target=\"_blank\"><strong>Soul Kitchen</strong></a>','Kramies \"Into The Sparks\" Reviewed at Soul Kitchen','There are encounters that make sparks. And when in addition there are two artists that we love at SK, it kindles the senses, a musical nirvana. Alma & Kramies Forrer - Alma in Paris, Kramies in Denver. One, the enlightened American dream, the other is an ardent Francophile. Together, they offer us a suspended moment of delicacy and sweetness, an air of musical embrace.','publish','closed','closed','','kramies-into-the-sparks-reviewed-at-soul-kitchen','','','2016-05-19 10:00:31','2016-05-19 02:00:31','',0,'http://www.hiddenshoal.com/?p=14497',0,'post','',0),(14498,1,'2016-05-19 10:00:31','2016-05-19 02:00:31','[Translated from the <a title=\"Soul Kitchen\" href=\"http://www.soul-kitchen.fr/66340-66340\" target=\"_blank\">original French</a>]\r\n\r\n\"There are encounters that make sparks. And when in addition there are two artists that we love at SK, it kindles the senses, a musical nirvana. Alma &amp; Kramies Forrer - Alma in Paris, Kramies in Denver. One, the enlightened American dream, the other is an ardent Francophile. Together, they offer us a suspended moment of delicacy and sweetness, an air of musical embrace.\"\r\n\r\n- <a title=\"Soul Kitchen\" href=\"http://www.soul-kitchen.fr/66340-66340\" target=\"_blank\"><strong>Soul Kitchen</strong></a>','Kramies \"Into The Sparks\" Reviewed at Soul Kitchen','There are encounters that make sparks. And when in addition there are two artists that we love at SK, it kindles the senses, a musical nirvana. Alma & Kramies Forrer - Alma in Paris, Kramies in Denver. One, the enlightened American dream, the other is an ardent Francophile. Together, they offer us a suspended moment of delicacy and sweetness, an air of musical embrace.','inherit','closed','closed','','14497-revision-v1','','','2016-05-19 10:00:31','2016-05-19 02:00:31','',14497,'http://www.hiddenshoal.com/14497-revision-v1/',0,'revision','',0),(14499,1,'2016-05-19 22:13:12','2016-05-19 14:13:12','\"The French chanson creator Alma Forrer and US based avant-garde musician Kramies release the dream-folk two track single Into The Sparks today. The single consists of an acoustic version and a full version of Into The Sparks (available on bandcamp). Whilst Kramies has often featured on the site this is the first time I have had the opportunity to hear Alma Forrer and listening to her compositions is time well spent (also available on bandcamp).\r\n\r\nThe calmly paced track circles around the room akin to an eagle gliding on thermals and the combinations of voices hold the listener entranced as the subtle electronic hum flows imperceptibly through the four and a quarter minutes of the full version, whilst acoustic guitar flecks dappled shapes to the composition.\"\r\n\r\n- <strong><a title=\"Emerging Indie Bands\" href=\"http://emergingindiebands.com/kramies-alma-forrer-into-the-sparks-audio/\" target=\"_blank\">Emerging Indie Bands</a></strong>','Kramies \"Into The Sparks\" Reviewed at Emerging Indie Bands','The French chanson creator Alma Forrer and US based avant-garde musician Kramies release the dream-folk two track single Into The Sparks today. The single consists of an acoustic version and a full version of Into The Sparks (available on bandcamp). Whilst Kramies has often featured on the site this is the first time I have had the opportunity to hear Alma Forrer and listening to her compositions is time well spent (also available on bandcamp).\r\n\r\nThe calmly paced track circles around the room akin to an eagle gliding on thermals and the combinations of voices hold the listener entranced as the subtle electronic hum flows imperceptibly through the four and a quarter minutes of the full version, whilst acoustic guitar flecks dappled shapes to the composition.','publish','closed','closed','','kramies-into-the-sparks-reviewed-at-emerging-indie-bands','','','2016-05-19 10:15:46','2016-05-19 02:15:46','',0,'http://www.hiddenshoal.com/?p=14499',0,'post','',0),(14500,1,'2016-05-19 10:15:46','2016-05-19 02:15:46','\"The French chanson creator Alma Forrer and US based avant-garde musician Kramies release the dream-folk two track single Into The Sparks today. The single consists of an acoustic version and a full version of Into The Sparks (available on bandcamp). Whilst Kramies has often featured on the site this is the first time I have had the opportunity to hear Alma Forrer and listening to her compositions is time well spent (also available on bandcamp).\r\n\r\nThe calmly paced track circles around the room akin to an eagle gliding on thermals and the combinations of voices hold the listener entranced as the subtle electronic hum flows imperceptibly through the four and a quarter minutes of the full version, whilst acoustic guitar flecks dappled shapes to the composition.\"\r\n\r\n- <strong><a title=\"Emerging Indie Bands\" href=\"http://emergingindiebands.com/kramies-alma-forrer-into-the-sparks-audio/\" target=\"_blank\">Emerging Indie Bands</a></strong>','Kramies \"Into The Sparks\" Reviewed at Emerging Indie Bands','The French chanson creator Alma Forrer and US based avant-garde musician Kramies release the dream-folk two track single Into The Sparks today. The single consists of an acoustic version and a full version of Into The Sparks (available on bandcamp). Whilst Kramies has often featured on the site this is the first time I have had the opportunity to hear Alma Forrer and listening to her compositions is time well spent (also available on bandcamp).\r\n\r\nThe calmly paced track circles around the room akin to an eagle gliding on thermals and the combinations of voices hold the listener entranced as the subtle electronic hum flows imperceptibly through the four and a quarter minutes of the full version, whilst acoustic guitar flecks dappled shapes to the composition.','inherit','closed','closed','','14499-revision-v1','','','2016-05-19 10:15:46','2016-05-19 02:15:46','',14499,'http://www.hiddenshoal.com/14499-revision-v1/',0,'revision','',0),(14501,1,'2016-05-19 14:31:46','2016-05-19 06:31:46','\"Antonymes -- musician/photographer/designer Ian M. Hazeldine -- strange and fantastic music to reflect strange and fantastic surroundings. He begins at the piano, playing and rearranging notes and then adds detail at his computer to create the fully formed pieces that make his music. It’s these little details that provide interest; the moments of quiet solitude evoked by his piano playing on ‘Towards Tragedy and Dissolution’ have left me breathless, before the most flowing, harmonious and sorrowful strings come in to reduce you to a puddle of tears.\r\n\r\nOn opening track ‘The Lure of the Land’, gentle strings course slowly but surely, trickling then tumbling as a mountain stream into a crystalline lake. The sound builds and opens up, reflecting the wilds of the landscape in Ian’s native North Wales. The sense of space on this record is overwhelming. On ‘Elegy (ii)’, the piano gives way to swathes of strings and the beautiful vocals of Joanna Swan (Ilya). The way ‘Delicate Power’ builds and ebbs reminds me of Deaf Center.\r\n\r\n‘Elegy (iv)’ is Ian at his most affecting, once more coaxing single notes at the piano, free of obvious electronic over-processing, to produce a calming sketch worthy of comparison to Olafur Arnalds, then on ‘Fatal Ambition’ the piano is accompanied by a mournful muted trumpet. I’m wiping the tears off my cheeks before they drip into my falafel salad. ‘A Sadder Light Than Waning Moon’ may well have been composed at his dusty piano in a hut near Aberystwyth on a clear September night, and I’m glad he did. So we don’t have to. A gorgeous record. 9/10\"\r\n\r\n- <a title=\"Norman Records\" href=\"https://www.normanrecords.com/records/158537-antonymes-for-now-we-see-through\" target=\"_blank\"><strong>Norman Records</strong></a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Norman Records','','publish','closed','closed','','antonymes-for-now-we-see-through-a-glass-dimly-reviewed-at-norman-records','','','2016-05-19 14:31:46','2016-05-19 06:31:46','',0,'http://www.hiddenshoal.com/?p=14501',0,'post','',0),(14502,1,'2016-05-19 14:31:46','2016-05-19 06:31:46','\"Antonymes -- musician/photographer/designer Ian M. Hazeldine -- strange and fantastic music to reflect strange and fantastic surroundings. He begins at the piano, playing and rearranging notes and then adds detail at his computer to create the fully formed pieces that make his music. It’s these little details that provide interest; the moments of quiet solitude evoked by his piano playing on ‘Towards Tragedy and Dissolution’ have left me breathless, before the most flowing, harmonious and sorrowful strings come in to reduce you to a puddle of tears.\r\n\r\nOn opening track ‘The Lure of the Land’, gentle strings course slowly but surely, trickling then tumbling as a mountain stream into a crystalline lake. The sound builds and opens up, reflecting the wilds of the landscape in Ian’s native North Wales. The sense of space on this record is overwhelming. On ‘Elegy (ii)’, the piano gives way to swathes of strings and the beautiful vocals of Joanna Swan (Ilya). The way ‘Delicate Power’ builds and ebbs reminds me of Deaf Center.\r\n\r\n‘Elegy (iv)’ is Ian at his most affecting, once more coaxing single notes at the piano, free of obvious electronic over-processing, to produce a calming sketch worthy of comparison to Olafur Arnalds, then on ‘Fatal Ambition’ the piano is accompanied by a mournful muted trumpet. I’m wiping the tears off my cheeks before they drip into my falafel salad. ‘A Sadder Light Than Waning Moon’ may well have been composed at his dusty piano in a hut near Aberystwyth on a clear September night, and I’m glad he did. So we don’t have to. A gorgeous record. 9/10\"\r\n\r\n- <a title=\"Norman Records\" href=\"https://www.normanrecords.com/records/158537-antonymes-for-now-we-see-through\" target=\"_blank\"><strong>Norman Records</strong></a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Norman Records','','inherit','closed','closed','','14501-revision-v1','','','2016-05-19 14:31:46','2016-05-19 06:31:46','',14501,'http://www.hiddenshoal.com/14501-revision-v1/',0,'revision','',0),(14503,1,'2016-05-19 16:56:00','2016-05-19 08:56:00','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Les Limbes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Les-Limbes-2.jpg\"><img class=\"alignleft  wp-image-11747\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/Les-Limbes-2-300x246.jpg\" alt=\"Les Limbes\" width=\"244\" height=\"200\" /></a>French outfit Les Limbes are all about propulsion and atmosphere. Their brand of epic, rocket-fuelled post-rock\'n\'roll is woven together with heavy guitars, soaring strings and driving pianos. Their debut self-titled EP (April 17 2015) is testament to the band’s ability to not only write smart compositions, but also bring them to life with incredible energy and a stratospheric sound.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/leslimbes33\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Leslimbesmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/leslimbes\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a> <a title=\"Website\" href=\"http://www.leslimbes.fr/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a></strong>  <a href=\"https://geo.itunes.apple.com/us/album/les-limbes-ep/id995494680?uo=6&amp;at=11lRii\" target=\"itunes_store\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n&nbsp;\r\n<h4>Les Limbes</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2486123016/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://leslimbes.bandcamp.com/album/les-limbes\">Les Limbes by Les Limbes</a></iframe>\r\nApril 2015\r\n\r\nLes Limbes’ debut self-titled EP is an exercise in intensely focused energy and atmosphere. Its four instrumental tracks are driven by dense, heavy guitars and a lithe, propulsive rhythm section, counterpointed with soaring strings and driving pianos. This mix of adrenalised rock heft with atmospheric pop dynamics is both mesmerising and incredibly visceral, no better exemplified than on new single ‘Hypersonic’.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nBorn from the ashes of a number of previously active bands from Bordeaux, south west France (Beautiful Lunar Landscape, Nihil, Nucold), several members of Les Limbes began working together in 2012. Initially the band jammed and recorded their ideas, which made it clear something special was brewing. The band grew to a five piece (Arnaud Sigonney, Yoann Roy, Daniel Guerin, Julien Favreau, Nicolas Pointeau), began playing shows in Bordeaux, and recorded their brilliant four-track self-titled debut EP, to be released through Hidden Shoal (May 2015). Fans of Beautiful Lunar Landscape, who also released their debut through Hidden Shoal in 2007, will recognise the epic atmospheric rock stylings that Les Limbes effortlessly exude. However, the band also bring a new level of energy to the table, propelling these compositions into the stratosphere. This is noisy, rocket-fuelled post-rock\'n\'roll at its finest.[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=les-limbes-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=les-limbes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Les Limbes EP\" href=\"http://www.hiddenshoal.com/publicity/les-limbes/Les_Limbes-Self_Titled_EP-Press_Release.pdf\"><em>Les Limbes </em>Debut EP Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"11746,11747\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/-T0mZSTBJ78?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nLes Limbes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Les Limbes','','inherit','closed','closed','','11728-revision-v1','','','2016-05-19 16:56:00','2016-05-19 08:56:00','',11728,'http://www.hiddenshoal.com/11728-revision-v1/',0,'revision','',0),(14504,1,'2016-05-19 21:47:26','2016-05-19 13:47:26','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"301\" height=\"200\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n<a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"https://open.spotify.com/artist/1FXNgc8dxBxW9XQzQBWUj7\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a>   <a href=\"https://geo.itunes.apple.com/us/artist/antonymes/id293029227?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>(For Now We See) Through A Glass Dimly</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2361958115/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\">(For Now We See) Through A Glass Dimly by Antonymes</a></iframe>\r\n21 April 2016\r\n<div></div>\r\nWhile Ian M. Hazeldine’s discography as Antonymes has always been as far-reaching as it is immediately affecting, there’s a recognisable progression on <em>(For Now We See) Through A Glass Dimly</em>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the body of work that precedes them, drawing you into their evocative world and demanding engagement. Antonymes’ deft minimalism is at play, transcending a superficially melancholy aesthetic to create something truly life-affirming. Its restraint brings to mind the famous quotation from Mark Hollis of seminal band Talk Talk: \"Before you play two notes learn how to play one note – and don\'t play one note unless you\'ve got a reason to play it.\" Including contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, the album’s depth of sound is awe-inspiring.\r\n\r\nThe sonically minimal yet emotionally formidable ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (Bloc Party, Editors and U2), which engage in reflective conversation with Hazeldine’s plaintive piano. Second single ‘Delicate Power’ gently flowers from its hushed origins into a stately piece akin to early Deaf Center. On ‘Elegy (ii)’, the piano gives way to incisive strings and the elegantly dexterous vocals of Joanna Swan (Ilya). ‘Little Emblems of Eternity’ sets the words of British writer Paul Morley, hauntingly intoned by Jan van den Broeke, against an atmospheric backdrop of echoing piano figures. And the title track swells into a magisterial call to arms, ending the album on a suitably triumphant note.\r\n\r\nThe album was mixed by Stefano Guzzetti and Paul Humphreys (OMD), with mastering by Rafael Anton Irisarri (The Sight Below).\r\n<h4>There Can Be No True Beauty Without Decay</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 610px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1056281027/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/there-can-be-no-true-beauty-without-decay\">There Can Be No True Beauty Without Decay by Antonymes</a></iframe>\r\nOctober 2013\r\n<div></div>\r\nIn late 2009 Antonymes released Beauty Becomes the <em>Enemy of the Future</em> on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, <em>There Can Be No True Beauty Without Decay</em>. Hazeldine\'s own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.  (Please note only the [i] tracks are available for licensing).\r\n<h4>Light Dispersed</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2513406585/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/light-dispersed\">Light Dispersed by Antonymes</a></iframe>\r\nFebruary 2012\r\n<div></div>\r\nOriginally released by Hibernate Recordings as a limited edition postcard CD. Recorded at The Lightbox, Hawarden, September 2010.\r\nAntonymes: Guitar, piano, shells, tambourine, prepared piano, organ, frequencies.\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\nOctober 2011\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<h4>Like Rumours Of Hushed Thunder</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1103442133/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/like-rumours-of-hushed-thunder\">Like Rumours Of Hushed Thunder by Antonymes</a></iframe>\r\nMay 2011\r\n\r\nRecorded between Christmas day and new year\'s eve 2011 using:\r\n\r\nSteingraeber 130 upright piano.\r\nAudio Technica AT4033 microphone.\r\nLexicon reverb.\r\nCheap violin.\r\nVoice.\r\n\r\nThis album has been mastered to retain dynamics, not to enhance loudness.  To appreciate these pieces fully, please adjust your volume accordingly or use headphones.\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 185px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\nMay 2011\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\nApril 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.\r\n<h4>31: Before The Light Fails</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4084737592/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/31-before-the-light-fails\">31: Before The Light Fails by Antonymes</a></iframe>\r\nMarch 2010\r\n<div></div>\r\n<em>31: Before The Light Fails Pt.1</em> is a personal photographic diary for May 2010, a reminder of day to day activities throughout a fairly ordinary and typical month in Antonymes\' life. Includes two high quality 35 page PDF booklets, part 1 with 31 black and white photographs. Part 2 with 31 colour photographs, a 4.0 surround sound file of both parts mixed together and Quicktime video.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"13334,10501,13335,13333,8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://player.vimeo.com/video/167053241\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<a href=\"https://vimeo.com/167053241\">Antonymes - Delicate Power (In The Hands of Others) Trailer</a> from <a href=\"https://vimeo.com/hiddenshoal\">Hidden Shoal</a> on <a href=\"https://vimeo.com\">Vimeo</a>.\r\n\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','closed','closed','','8572-revision-v1','','','2016-05-19 21:47:26','2016-05-19 13:47:26','',8572,'http://www.hiddenshoal.com/8572-revision-v1/',0,'revision','',0),(14505,1,'2016-05-20 09:37:09','2016-05-20 01:37:09','\"Antonymes is a project of the English composer Ian M. Hazendine. (For Now We See) Through a Glass Dimly is his fourth album and contains 10 songs. According to the press release, he works in the style of Max Richter and Erik Satie, and that is correct, because the piano plays an important role in his compositions. But in contrast to his colleagues, Antonymes introduces vocals (sometimes) and a broad carpet of beautiful symphonic sounds in which the violins create a warm background.\r\n\r\nThe Lure of the Land begins with rustling strings, careful and delicate, and then gets more volume, with an insistent solo violin in the foreground and short piano notes as falling drops of water: a dreamy and atmospheric symphonic track. In Elegy (ii) the piano comes strongly to the fore with deep tones, supported by high violins in the background. The sound of a solo violin, a dark cello and a piano are added, and finally the silky and warm voice of Joanna Swan (from the Bristol band Ilya): a beautiful classical sounding composition as the modern counterpart of the 19th-century German Lied. Music for sensitive souls.\r\n\r\nToward Tragedy and Dissolution is a simple composition for piano and cello with a gentle orchestral accompaniment in the background (arrangement by James Banbury - Bloc Party, Editors). We hear Satie-like sounds in a 19th-century romantic setting: andante and meditative. Delicate Power is the second single from the album, but you will not hear this track on pop radio stations, because Antonymes remains in the field of classical music, although the emphatic wood percussion and the repetitive violins define this composition as a contemporary piece of music. In Elegy (iv), the suggested silence is as important as the reverberating piano sound that quietly finds its way as a slow flowing stream through a pristine landscape.\r\n\r\nIn Fatal Ambition, the repetitive piano is accompanied by brass instruments, giving the track a cautious jazz atmosphere. It is the least classic composition so far. A Sadder Light than Waning Moon gets a brief intro of bubbling electronics. It is a quiet piano ballad in the style of Max Richter and Ludovicus Einaudi. Halfway, a buzzing orchestra enters the soundscape with electronic accents that sound like a monotonous Morse signal. Very beautiful and special. In Sixteen Zero Six Fifteen, the slightly surreal piano creates a nice canvas for a quiet orchestra. For a moment, thunder-like percussion accompanies the violins on their way to a crescendo. A beautiful track with celestial strings, and then a lone piano...\r\n\r\nThe short track Little Emblems of Eternity gets surreal piano sounds, wind-like electronics and a text by the British writer Paul Morley, intoned by Paul van den Broeke, while title track Through a Glass Dimly starts with an atmospheric intro of dark strings and high violins, and then evolves into a composition with march-like qualities and a grand finale.\r\n\r\n(For Now We See) Through a Glass Dimly is an album that will appeal to lovers of classical and neoclassical music, to people who love adventure and who are familiar with contemporary developments in the field of piano music. We put Antonymes between Erik Satie, Max Richter, Ludovicus Einaudi and Bruno Sanfilippo.\"\r\n\r\n- <a title=\"Peek-a-Boo\" href=\"http://www.peek-a-boo-magazine.be/en/reviews/antonymes-for-now-we-see-through-a-glass-dimly/\" target=\"_blank\"><strong>Peek-a-Boo</strong></a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Peek-a-Boo','','publish','closed','closed','','antonymes-for-now-we-see-through-a-glass-dimly-reviewed-at-peekaboo','','','2016-05-20 09:37:09','2016-05-20 01:37:09','',0,'http://www.hiddenshoal.com/?p=14505',0,'post','',0),(14506,1,'2016-05-20 09:37:09','2016-05-20 01:37:09','\"Antonymes is a project of the English composer Ian M. Hazendine. (For Now We See) Through a Glass Dimly is his fourth album and contains 10 songs. According to the press release, he works in the style of Max Richter and Erik Satie, and that is correct, because the piano plays an important role in his compositions. But in contrast to his colleagues, Antonymes introduces vocals (sometimes) and a broad carpet of beautiful symphonic sounds in which the violins create a warm background.\r\n\r\nThe Lure of the Land begins with rustling strings, careful and delicate, and then gets more volume, with an insistent solo violin in the foreground and short piano notes as falling drops of water: a dreamy and atmospheric symphonic track. In Elegy (ii) the piano comes strongly to the fore with deep tones, supported by high violins in the background. The sound of a solo violin, a dark cello and a piano are added, and finally the silky and warm voice of Joanna Swan (from the Bristol band Ilya): a beautiful classical sounding composition as the modern counterpart of the 19th-century German Lied. Music for sensitive souls.\r\n\r\nToward Tragedy and Dissolution is a simple composition for piano and cello with a gentle orchestral accompaniment in the background (arrangement by James Banbury - Bloc Party, Editors). We hear Satie-like sounds in a 19th-century romantic setting: andante and meditative. Delicate Power is the second single from the album, but you will not hear this track on pop radio stations, because Antonymes remains in the field of classical music, although the emphatic wood percussion and the repetitive violins define this composition as a contemporary piece of music. In Elegy (iv), the suggested silence is as important as the reverberating piano sound that quietly finds its way as a slow flowing stream through a pristine landscape.\r\n\r\nIn Fatal Ambition, the repetitive piano is accompanied by brass instruments, giving the track a cautious jazz atmosphere. It is the least classic composition so far. A Sadder Light than Waning Moon gets a brief intro of bubbling electronics. It is a quiet piano ballad in the style of Max Richter and Ludovicus Einaudi. Halfway, a buzzing orchestra enters the soundscape with electronic accents that sound like a monotonous Morse signal. Very beautiful and special. In Sixteen Zero Six Fifteen, the slightly surreal piano creates a nice canvas for a quiet orchestra. For a moment, thunder-like percussion accompanies the violins on their way to a crescendo. A beautiful track with celestial strings, and then a lone piano...\r\n\r\nThe short track Little Emblems of Eternity gets surreal piano sounds, wind-like electronics and a text by the British writer Paul Morley, intoned by Paul van den Broeke, while title track Through a Glass Dimly starts with an atmospheric intro of dark strings and high violins, and then evolves into a composition with march-like qualities and a grand finale.\r\n\r\n(For Now We See) Through a Glass Dimly is an album that will appeal to lovers of classical and neoclassical music, to people who love adventure and who are familiar with contemporary developments in the field of piano music. We put Antonymes between Erik Satie, Max Richter, Ludovicus Einaudi and Bruno Sanfilippo.\"\r\n\r\n- <a title=\"Peek-a-Boo\" href=\"http://www.peek-a-boo-magazine.be/en/reviews/antonymes-for-now-we-see-through-a-glass-dimly/\" target=\"_blank\"><strong>Peek-a-Boo</strong></a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Peek-a-Boo','','inherit','closed','closed','','14505-revision-v1','','','2016-05-20 09:37:09','2016-05-20 01:37:09','',14505,'http://www.hiddenshoal.com/14505-revision-v1/',0,'revision','',0),(14507,1,'2016-05-20 10:15:15','2016-05-20 02:15:15','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"229\" height=\"152\" /></a>We\'re excited to announce the forthcoming <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> EP, <em>Delicate Power (In the Hands of Others)</em>. The EP which sees the light of day on the 31st of May features remixes from <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a>, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>, <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark </a>and Antonymes himself.\r\n\r\nCheck out the EP trailer at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=mPN3AtrqFWQ\" target=\"_blank\">Youtube </a>or <a title=\"Vimeo\" href=\"https://vimeo.com/167053241\" target=\"_blank\">Vimeo </a>and also stream the single \'Delicate Power\' over at <a title=\"Delicate Power\" href=\"https://soundcloud.com/hidden_shoal/antonymes-delicate-power\" target=\"_blank\">SoundCloud </a>ahead of the EP release. \'Delicate Power\' is lifted from Antonymes stunning new album <em>(For Now We See) Through A Glass Dimly</em>, <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">available now</a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/mPN3AtrqFWQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','New Antonymes EP Trailer','','publish','closed','closed','','antonymes-new-ep-trailer','','','2016-08-23 17:37:09','2016-08-23 09:37:09','',0,'http://www.hiddenshoal.com/?p=14507',0,'post','',0),(14508,1,'2016-05-20 10:04:07','2016-05-20 02:04:07','We\'re excited to announce the forthcoming <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> EP, <em>Delicate Power (In the Hands of Others)</em>. The EP which sees the light of day on the 31st of May features remixes from Marconi Union, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>, Lvmark and Antonymes himself.\r\n\r\nCheck out the EP trailer at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=mPN3AtrqFWQ\" target=\"_blank\">Youtube </a>or <a title=\"Vimeo\" href=\"https://vimeo.com/167053241\" target=\"_blank\">Vimeo </a>and also stream the single \'Delicate Power\' over at <a title=\"Delicate Power\" href=\"https://soundcloud.com/hidden_shoal/antonymes-delicate-power\" target=\"_blank\">SoundCloud </a>ahead of the EP release.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/mPN3AtrqFWQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes New EP Trailer','','inherit','closed','closed','','14507-revision-v1','','','2016-05-20 10:04:07','2016-05-20 02:04:07','',14507,'http://www.hiddenshoal.com/14507-revision-v1/',0,'revision','',0),(14509,1,'2016-05-20 10:06:28','2016-05-20 02:06:28','We\'re excited to announce the forthcoming <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> EP, <em>Delicate Power (In the Hands of Others)</em>. The EP which sees the light of day on the 31st of May features remixes from <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a>, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>, <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark </a>and Antonymes himself.\r\n\r\nCheck out the EP trailer at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=mPN3AtrqFWQ\" target=\"_blank\">Youtube </a>or <a title=\"Vimeo\" href=\"https://vimeo.com/167053241\" target=\"_blank\">Vimeo </a>and also stream the single \'Delicate Power\' over at <a title=\"Delicate Power\" href=\"https://soundcloud.com/hidden_shoal/antonymes-delicate-power\" target=\"_blank\">SoundCloud </a>ahead of the EP release.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/mPN3AtrqFWQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes New EP Trailer','','inherit','closed','closed','','14507-revision-v1','','','2016-05-20 10:06:28','2016-05-20 02:06:28','',14507,'http://www.hiddenshoal.com/14507-revision-v1/',0,'revision','',0),(14510,1,'2016-05-20 10:08:16','2016-05-20 02:08:16','We\'re excited to announce the forthcoming <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> EP, <em>Delicate Power (In the Hands of Others)</em>. The EP which sees the light of day on the 31st of May features remixes from <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a>, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>, <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark </a>and Antonymes himself.\r\n\r\nCheck out the EP trailer at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=mPN3AtrqFWQ\" target=\"_blank\">Youtube </a>or <a title=\"Vimeo\" href=\"https://vimeo.com/167053241\" target=\"_blank\">Vimeo </a>and also stream the single \'Delicate Power\' over at <a title=\"Delicate Power\" href=\"https://soundcloud.com/hidden_shoal/antonymes-delicate-power\" target=\"_blank\">SoundCloud </a>ahead of the EP release. \'Delicate Power\' is lifted from Antonymes stunning new album <em>(For Now We See) Through A Glass Dimly</em>, <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">available now</a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/mPN3AtrqFWQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes New EP Trailer','','inherit','closed','closed','','14507-revision-v1','','','2016-05-20 10:08:16','2016-05-20 02:08:16','',14507,'http://www.hiddenshoal.com/14507-revision-v1/',0,'revision','',0),(14511,1,'2016-05-20 10:09:32','2016-05-20 02:09:32','','Delicate Power (In The Hands of Others) Cover Art','','inherit','closed','closed','','delicate-power-in-the-hands-of-others-cover-art','','','2016-05-20 10:09:46','2016-05-20 02:09:46','',14507,'http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art.jpg',0,'attachment','image/jpeg',0),(14513,1,'2016-05-20 10:12:07','2016-05-20 02:12:07','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"176\" height=\"117\" /></a>We\'re excited to announce the forthcoming <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> EP, <em>Delicate Power (In the Hands of Others)</em>. The EP which sees the light of day on the 31st of May features remixes from <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a>, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>, <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark </a>and Antonymes himself.\r\n\r\nCheck out the EP trailer at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=mPN3AtrqFWQ\" target=\"_blank\">Youtube </a>or <a title=\"Vimeo\" href=\"https://vimeo.com/167053241\" target=\"_blank\">Vimeo </a>and also stream the single \'Delicate Power\' over at <a title=\"Delicate Power\" href=\"https://soundcloud.com/hidden_shoal/antonymes-delicate-power\" target=\"_blank\">SoundCloud </a>ahead of the EP release. \'Delicate Power\' is lifted from Antonymes stunning new album <em>(For Now We See) Through A Glass Dimly</em>, <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">available now</a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/mPN3AtrqFWQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes New EP Trailer','','inherit','closed','closed','','14507-revision-v1','','','2016-05-20 10:12:07','2016-05-20 02:12:07','',14507,'http://www.hiddenshoal.com/14507-revision-v1/',0,'revision','',0),(14512,1,'2016-05-20 10:09:57','2016-05-20 02:09:57','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14511\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art-300x300.jpg\" alt=\"Delicate Power (In The Hands of Others) Cover Art\" width=\"220\" height=\"220\" /></a>We\'re excited to announce the forthcoming <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> EP, <em>Delicate Power (In the Hands of Others)</em>. The EP which sees the light of day on the 31st of May features remixes from <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a>, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>, <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark </a>and Antonymes himself.\r\n\r\nCheck out the EP trailer at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=mPN3AtrqFWQ\" target=\"_blank\">Youtube </a>or <a title=\"Vimeo\" href=\"https://vimeo.com/167053241\" target=\"_blank\">Vimeo </a>and also stream the single \'Delicate Power\' over at <a title=\"Delicate Power\" href=\"https://soundcloud.com/hidden_shoal/antonymes-delicate-power\" target=\"_blank\">SoundCloud </a>ahead of the EP release. \'Delicate Power\' is lifted from Antonymes stunning new album <em>(For Now We See) Through A Glass Dimly</em>, <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">available now</a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/mPN3AtrqFWQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes New EP Trailer','','inherit','closed','closed','','14507-revision-v1','','','2016-05-20 10:09:57','2016-05-20 02:09:57','',14507,'http://www.hiddenshoal.com/14507-revision-v1/',0,'revision','',0),(14514,1,'2016-05-20 10:12:55','2016-05-20 02:12:55','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"193\" height=\"128\" /></a>We\'re excited to announce the forthcoming <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> EP, <em>Delicate Power (In the Hands of Others)</em>. The EP which sees the light of day on the 31st of May features remixes from <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a>, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>, <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark </a>and Antonymes himself.\r\n\r\nCheck out the EP trailer at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=mPN3AtrqFWQ\" target=\"_blank\">Youtube </a>or <a title=\"Vimeo\" href=\"https://vimeo.com/167053241\" target=\"_blank\">Vimeo </a>and also stream the single \'Delicate Power\' over at <a title=\"Delicate Power\" href=\"https://soundcloud.com/hidden_shoal/antonymes-delicate-power\" target=\"_blank\">SoundCloud </a>ahead of the EP release. \'Delicate Power\' is lifted from Antonymes stunning new album <em>(For Now We See) Through A Glass Dimly</em>, <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">available now</a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/mPN3AtrqFWQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes New EP Trailer','','inherit','closed','closed','','14507-revision-v1','','','2016-05-20 10:12:55','2016-05-20 02:12:55','',14507,'http://www.hiddenshoal.com/14507-revision-v1/',0,'revision','',0),(14515,1,'2016-05-20 10:13:15','2016-05-20 02:13:15','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"223\" height=\"148\" /></a>We\'re excited to announce the forthcoming <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> EP, <em>Delicate Power (In the Hands of Others)</em>. The EP which sees the light of day on the 31st of May features remixes from <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a>, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>, <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark </a>and Antonymes himself.\r\n\r\nCheck out the EP trailer at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=mPN3AtrqFWQ\" target=\"_blank\">Youtube </a>or <a title=\"Vimeo\" href=\"https://vimeo.com/167053241\" target=\"_blank\">Vimeo </a>and also stream the single \'Delicate Power\' over at <a title=\"Delicate Power\" href=\"https://soundcloud.com/hidden_shoal/antonymes-delicate-power\" target=\"_blank\">SoundCloud </a>ahead of the EP release. \'Delicate Power\' is lifted from Antonymes stunning new album <em>(For Now We See) Through A Glass Dimly</em>, <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">available now</a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/mPN3AtrqFWQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes New EP Trailer','','inherit','closed','closed','','14507-revision-v1','','','2016-05-20 10:13:15','2016-05-20 02:13:15','',14507,'http://www.hiddenshoal.com/14507-revision-v1/',0,'revision','',0),(14516,1,'2016-05-20 10:14:57','2016-05-20 02:14:57','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"229\" height=\"152\" /></a>We\'re excited to announce the forthcoming <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> EP, <em>Delicate Power (In the Hands of Others)</em>. The EP which sees the light of day on the 31st of May features remixes from <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a>, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>, <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark </a>and Antonymes himself.\r\n\r\nCheck out the EP trailer at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=mPN3AtrqFWQ\" target=\"_blank\">Youtube </a>or <a title=\"Vimeo\" href=\"https://vimeo.com/167053241\" target=\"_blank\">Vimeo </a>and also stream the single \'Delicate Power\' over at <a title=\"Delicate Power\" href=\"https://soundcloud.com/hidden_shoal/antonymes-delicate-power\" target=\"_blank\">SoundCloud </a>ahead of the EP release. \'Delicate Power\' is lifted from Antonymes stunning new album <em>(For Now We See) Through A Glass Dimly</em>, <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">available now</a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/mPN3AtrqFWQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes New EP Trailer','','inherit','closed','closed','','14507-revision-v1','','','2016-05-20 10:14:57','2016-05-20 02:14:57','',14507,'http://www.hiddenshoal.com/14507-revision-v1/',0,'revision','',0),(14517,1,'2016-05-20 10:15:51','2016-05-20 02:15:51','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"229\" height=\"152\" /></a>We\'re excited to announce the forthcoming <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a> EP, <em>Delicate Power (In the Hands of Others)</em>. The EP which sees the light of day on the 31st of May features remixes from <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a>, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a>, <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark </a>and Antonymes himself.\r\n\r\nCheck out the EP trailer at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=mPN3AtrqFWQ\" target=\"_blank\">Youtube </a>or <a title=\"Vimeo\" href=\"https://vimeo.com/167053241\" target=\"_blank\">Vimeo </a>and also stream the single \'Delicate Power\' over at <a title=\"Delicate Power\" href=\"https://soundcloud.com/hidden_shoal/antonymes-delicate-power\" target=\"_blank\">SoundCloud </a>ahead of the EP release. \'Delicate Power\' is lifted from Antonymes stunning new album <em>(For Now We See) Through A Glass Dimly</em>, <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">available now</a>.\r\n\r\n<iframe src=\"https://www.youtube.com/embed/mPN3AtrqFWQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','New Antonymes EP Trailer','','inherit','closed','closed','','14507-revision-v1','','','2016-05-20 10:15:51','2016-05-20 02:15:51','',14507,'http://www.hiddenshoal.com/14507-revision-v1/',0,'revision','',0),(14518,1,'2016-05-20 10:30:51','2016-05-20 02:30:51','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Kramies</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-8971\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Kramies-2013-Press-Shot-300x300.jpg\" alt=\"Kramies\" width=\"232\" height=\"232\" /></a><em>“It’s rare to find dream-pop that resolves with such assured optimism, in which you can sense experience shifting into its proper place... Kramies seems to have mastered the talent of simply breathing it into shape”<strong> – Misfit City</strong></em>\r\n\r\nDutch-American singer-songwriter Kramies has been honing his inimitable craft for many years, bewitching all who have heard his music along the way. Fusing masterful songwriting with electronics and atmospherics, stepping into a Kramies song means being swept up into an emotionally resonant vortex of swooning pop that simply demands repeat listens.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/kramies\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Into The Sparks (Single)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2137271471/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/into-the-sparks-by-kramies-alma-forrer\">Into The Sparks by Kramies &amp; Alma Forrer by Kramies &amp; Alma Forrer</a></iframe>\r\nMay 2016\r\n\r\nA duet with French singer-songwriter <a title=\"Alma Forrer\" href=\"https://almaforrer.bandcamp.com/music\" target=\"_blank\">Alma Forrer</a>, ‘Into The Sparks’ is a gorgeous anti-gravity ballad. Kramies and Alma’s voices reverberate amidst open acoustic guitar chords, backed by aching synths. The release also includes a stripped back acoustic version of the single.\r\n<h4>forêts antiques</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=513788054/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/for-ts-antiques\">forêts antiques by Kramies</a></iframe>\r\nOctober 2015\r\n\r\nRecorded live on April 8th 2015 at The Grand Théâtre in Angers, France\r\n\r\nOn a spring evening in 2015, the setting sun cast deep shadows over The Grand Théâtre in Angers, France, where Kramies was due to play to a sold-out crowd. As the 700 ticket-holders took to their seats and the theatre dimmed to a single amber light, Kramies walked on stage to perform his haunting, romantic songs. This is a recording of that night.\r\n\r\n<em>forêts antiques</em> is the new live EP by singer-songwriter Kramies, featuring recordings of tracks from his acclaimed EPs, plus a previously unreleased song.\r\n<h4>The Fate That Never Favored Us</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4058454627/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-fate-that-never-favored-us\">The Fate That Never Favored Us by Kramies</a></iframe>\r\nMarch 2015\r\n\r\nAhead of his forthcoming French tour, dream-pop troubadour Kramies has dropped another gorgeous track produced by Jason Lytle (Grandaddy). ‘The Fate That Never Favored Us’ is a lilting, swaying cosmic waltz, delicately built around melancholy acoustic guitar and eerie synths, through which Kramies weaves his languid vocals. As with so much of his music, Kramies delivers soundtracks to moments rather than mere songs.\r\n<h4>The Folklore Sessions</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2676132242/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-folklore-sessions\">The Folklore Sessions by Kramies</a></iframe>\r\nMay 2014\r\n<div></div>\r\n<em>The Folklore Sessions</em> is the free new EP by dream-pop singer-songwriter Kramies, featuring acoustic versions of songs from his two acclaimed Hidden Shoal EPs <em>The European</em> and <em>The Wooden Heart</em>, plus the beautiful piano talents of Grant Wilson (from Syfy\'s Ghost Hunters). While his previous EPs mined a wonderfully rich seam of atmospheric yet epic songcraft, <em>The Folklore Sessions</em> demonstrates that Kramies’ songwriting is just as stunning without the undeniable production talents of Jason Lytle (Grandaddy) and Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils). With just his voice and acoustic guitar, plus languid piano backing by Grant Wilson (of Ghost Hunters TV show fame), these stripped-back versions of <em>The European</em>’s ‘Antiquarian Days’, <em>The Wooden Heart</em>’s title track and ‘Sea Otter Cottage’ are given vivid new life through Kramies’ genuinely affecting performances.\r\n<h4>The Wooden Heart</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2389044161/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-wooden-heart\">The Wooden Heart by Kramies</a></iframe>\r\nOctober 2013\r\n<div></div>\r\n<em>The Wooden Heart</em> is the luscious and expansive new EP from Colorado-based dream-pop artist Kramies. The EP features the production and instrumental talents of Jason Lytle of Grandaddy fame, along with the inimitable production and additional instrumentation of Robert Pollard co-conspirator Todd Tobias. <em>The Wooden Heart</em> mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal. In addition to Todd Tobias’s production (on ‘The Beginning’, ‘The Wooden Heart’, ‘Upon The Northern Isles’ and ‘The Ending’), <em>The Wooden Heart</em> EP also features the production and instrumental talents of Jason Lytle of Grandaddy fame (on ‘Sea Otter Cottage’ and ‘Clocks Were All Broken’). Rounded out by the beautiful artwork of French photographer Jérôme Sevrette, The Wooden Heart EP is a lovingly constructed work of art.\r\n<h4>The European</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2414891436/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://kramies.bandcamp.com/album/the-european\">The European by Kramies</a></iframe>\r\nNovember 2011\r\n<div></div>\r\nProduced by Todd Tobias (Guided By Voices, Robert Pollard, Circus Devils), <em>The European</em> sets Kramies’ gorgeous voice and acoustic guitar within a glowing tableau, epic in scope yet delicate in detail. The EP fades into view with ‘Intro’, a simple cyclical pattern of guitar, piano and vocals gradually subsumed by drones and distortion. This leads into the majestic, glacial sway of the title track, guaranteed to make the hairs on the back of your neck stand on end. Then, ‘Inventors’ is the album’s dark, shadowy heart, a ballad of subtle intensity. Single ‘Coal Miners Executive Club’ is an emotionally resonant vortex of swooning pop built around an absolutely heartbreaking chord progression on synthesizer, carried skyward as layers and layers of instruments build and build. And the closing ‘Antiquarian Days’ is a fitting fade towards a sepia horizon, burbling loops and chiming guitars accompanying Kramies’ gentle lament.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nDutch-American singer-songwriter Kramies Windt began writing songs at the age of 14 after buying his first synth, acoustic guitar and four-track cassette recorder at an estate sale in his home town of Cleveland, Ohio. Even though he was never really exposed to any music other than old Dutch Christmas records his family had lying around when he was a kid, their haunting sound would shape the direction of his future songwriting.\r\n\r\nKramies started forming and playing in bands around the age of 16, and by the age of 19, the bands he formed became based around the songs he was writing. The bands took on many forms, playing the underground music scene from Ohio to Chicago. Come the late ’90s, Kramies developed his own sound, based around old-world imagery of cobblestone streets, old trains and castles, and romantic, poetic moments. Kramies and his band went on to open for Spiritualized, Grandaddy, Yo La Tengo, Calexico, Stereolab, Dirty Three and Red House Painters.\r\n\r\nCome 2004, Kramies decided to focus on writing and recording in the studio, and began working with producer and engineer Todd Tobias (Guided By Voices, Robert Pollard) and guitarist David Paolucci. Working with Todd and David, Kramies released two albums to critical acclaim: Golden Like A New Thing (ACM, 2008) and Castle of Ghosts (ACM, 2010).\r\n\r\nIn 2010 Kramies began writing the songs for his first Hidden Shoal release, The European EP, in his coat closet in Colorado. The songs were demoed on four-track, painting a vivid sonic picture of the direction the release would take, drawing on the haunting old-world imagery he loved so much as a kid. The demos were sent to David Paolucci to start working on guitar parts in Ohio. Kramies then toured Ireland, playing really old pubs and small concert halls, which brought new ideas and layers to the songs. The European EP was recorded in June and July 2011 with Todd Tobias, with prominent, swirling guitar work from Dave Paolucci.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=kramies-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><strong><a title=\"More Kramies News\" href=\"http://www.hiddenshoal.com/category/news/kramies-news/\">More News</a></strong></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=kramies-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Kramies Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/kramies-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/Press_Release-Kramies-The_Folklore_Sessions_EP.pdf\">Kramies <em>The Folklore Sessions</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart_EP.pdf\">Kramies <em>The Wooden Heart</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_Wooden_Heart%28Single%29.pdf\">Kramies ‘The Wooden Heart’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-The_European.pdf\">Kramies – <em>The European</em> EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Kramies-Coal_Miners_Executive_Club.pdf\">Kramies – ‘Coal Miners Executive Club’ Single Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"9000,8999,9001\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/RM6BtRhdOzM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/uM1_Ov-ont0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/-l4F8vCH8MM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/vOHV7ZWshkM?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/TdmV4aOSmxE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/C5865MiACPA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/KxAnc3dj3b0?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nKramies\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Kramies','','inherit','closed','closed','','8970-revision-v1','','','2016-05-20 10:30:51','2016-05-20 02:30:51','',8970,'http://www.hiddenshoal.com/8970-revision-v1/',0,'revision','',0),(14601,1,'2016-06-07 22:55:21','2016-06-07 14:55:21','\"Memorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly three decades. From 2003 to 2008, he played bass, keys, and occasionally sang in band The Very Hush Hush, who toured nationally and shared the stage with bands such as Okkervil River, Stereolab, and TV on the Radio. In 2010, under the name Grant Hazard, Outerbridge self-released ‘Genus Euphony’, a solo effort of classical piano infused with subtle electronics.\r\n\r\nIn February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence.\r\n\r\nCarrying his newfound sound forward, Outerbridge adopted the new moniker of Memorybell, creating a new musical project that explores the emotional and environmental possibilities of ambient music, creating pieces that are simultaneously cinematic and intimate, evoking solitude and yearning, affliction and recovery.\r\n\r\nAfter landing in the hands of Hidden Shoal, an Australia-based independent music label, Outerbridge put in motion his new album ‘Obsolete’, an ambient recording of immense potential. Recorded live in a single sitting using only a creaky grand piano and two microphones, ‘Obsolete’ holds a rare, solitary sound and lingering brilliance that most ambient pieces can only dream of.\r\n\r\nIt’s spacious, with songs often composed of just a few hallowed notes, but what Outerbridge creates from the silence between is astonishing. Deeply affecting and instantly captivating, the album captures Outerbridge’s world in vivid sound and tantalising composition. 8/10\"\r\n\r\n- <a title=\"Anthem\" href=\"http://www.anthemreview.net/post/143553383619/memorybell-obsolete-memorybell-is-the-ambient\" target=\"_blank\"><strong>Anthem Reviews</strong></a>','Memorybell \"Obsolete\" Reviewed at Anthem','It’s spacious, with songs often composed of just a few hallowed notes, but what Outerbridge creates from the silence between is astonishing. Deeply affecting and instantly captivating, the album captures Outerbridge’s world in vivid sound and tantalising composition. 8/10','publish','closed','closed','','14601','','','2016-06-07 22:55:55','2016-06-07 14:55:55','',0,'http://www.hiddenshoal.com/?p=14601',0,'post','',0),(14520,1,'2016-05-20 14:46:19','2016-05-20 06:46:19','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Arc Lab</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square.jpg\"><img class=\"alignleft  wp-image-14464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square-288x300.jpg\" alt=\"Arc Lab\" width=\"272\" height=\"283\" /></a><i>“…one of the most original releases in the IDM field in some time…confounding the set-in-stone rules of a stagnant IDM genre”</i> –<b> [sic] Magazine on The Goodbye Radio</b></p><p>Eschewing easy genre classification, <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s output as Arc Lab effectively blends IDM’s technical sophistication with the moving and poignant character of neo-classical ambience and a finely tuned ear for electroacoustic pop. His new album, <i>Anthem </i>(2016), folds classic analogue timbres and detuned FM ambience into fragmented radio broadcasts, forgotten NASA program materials and layers of deep space noise, creating music that is, by turns, menacing and contemplative, forbidding and epic.<br /> <strong><a title=\"Facebook\" href=\"https://www.facebook.com/Arc-Lab-Medard-Fischer-Tyyson-6829244204/?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/medard-fischer\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.medardfischer.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\nArc Lab\'s debut album for Hidden Shoal, <em>Anthem</em>, will see release on the 28th July 2016 with a single preceding the album in June.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nArc Lab is Hidden Shoal artist <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s primary vehicle for musical experimentation – a blank-slate platform on which he has released a diverse catalogue of emotive, conceptual work. We last heard from Arc Lab in 2008, with the release of<i> The Goodbye Radio</i> (n5MD), an album described as “‘genre-defying’ or, perhaps most appropriately, ‘genre-transcending’” (Textura) and as “one of the most original releases in the IDM field in some time” and “downright ingenious” ([sic] Magazine). As suggested by its cryptic title, <i>The Goodbye Radio</i> was heavily driven by internal narrative, with thematic touchpoints including early space exploration and relativistic physics. Fischer’s latest full-length <i>Anthem</i> (2016), and his first for Hidden Shoal, continues the story, marking another chapter in an alternative arc of history only hinted at in buried audio fragments, track titles and structures. The result is essential Arc Lab – evocative and compelling pieces rich with meaning and purpose.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=arclab-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=arclab-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n[gallery ids=\"14442\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nArc Lab\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Arc Lab','','inherit','closed','closed','','14440-revision-v1','','','2016-05-20 14:46:19','2016-05-20 06:46:19','',14440,'http://www.hiddenshoal.com/14440-revision-v1/',0,'revision','',0),(14521,1,'2016-05-20 15:01:42','2016-05-20 07:01:42',' ','','','publish','closed','closed','','14521','','','2017-03-16 12:02:56','2017-03-16 04:02:56','',0,'http://www.hiddenshoal.com/?p=14521',5,'nav_menu_item','',0),(14522,1,'2016-05-20 16:10:36','2016-05-20 08:10:36','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square.jpg\"><img class=\"alignleft  wp-image-14464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square-288x300.jpg\" alt=\"Arc Lab\" width=\"139\" height=\"145\" /></a>We\'re very excited to announce the addition of <a title=\"Arc Lab\" href=\"http://www.hiddenshoal.com/project/arc-lab/\">Arc Lab</a> to the Hidden Shoal family. Arc Lab is of course Hidden Shoal artist <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s primary vehicle for musical experimentation – a blank-slate platform on which he has released a diverse catalogue of emotive, conceptual work.\r\n\r\nArc Lab\'s last release, 2008\'s<i> The Goodbye Radio</i> on the wonderful <a title=\"n5MD\" href=\"http://n5md.com/\">n5MD </a>label, was described as <em>“genre-defying or, perhaps most appropriately, genre-transcending”</em> (Textura) and as <em>“one of the most original releases in the IDM field in some time”</em> and <em>“downright ingenious”</em> ([sic] Magazine). Almost 8 years on it\'s easy to see why we\'re champing at the bit to tell you about his new album <em>Anthem</em>, out  28th July 2016. Yet rather than sully the experience with words now, we\'ll ask you to hold on until the 9th of June when first single \'Burning Glass\' drops. It\'s worth the wait, trust us. Read more on Arc Lab <a title=\"Arc Lab\" href=\"http://www.hiddenshoal.com/project/arc-lab/\">here</a>.','Arc Lab Joins Hidden Shoal, New Album In July','','publish','closed','closed','','arc-lab-joins-hidden-shoal-new-album-in-july','','','2016-08-23 17:36:27','2016-08-23 09:36:27','',0,'http://www.hiddenshoal.com/?p=14522',0,'post','',0),(14523,1,'2016-05-20 15:24:56','2016-05-20 07:24:56','','Arc Lab Joins Hidden Shoal, New Album In July','','inherit','closed','closed','','14522-revision-v1','','','2016-05-20 15:24:56','2016-05-20 07:24:56','',14522,'http://www.hiddenshoal.com/14522-revision-v1/',0,'revision','',0),(14524,1,'2016-05-20 15:45:06','2016-05-20 07:45:06','We\'re excited to announce the addition of A','Arc Lab Joins Hidden Shoal, New Album In July','','inherit','closed','closed','','14522-revision-v1','','','2016-05-20 15:45:06','2016-05-20 07:45:06','',14522,'http://www.hiddenshoal.com/14522-revision-v1/',0,'revision','',0),(14525,1,'2016-05-20 16:08:50','2016-05-20 08:08:50','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square.jpg\"><img class=\"alignleft  wp-image-14464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square-288x300.jpg\" alt=\"Arc Lab\" width=\"139\" height=\"145\" /></a>We\'re excited to announce the addition of <a title=\"Arc Lab\" href=\"http://www.hiddenshoal.com/project/arc-lab/\">Arc Lab</a> to the Hidden Shoal family. Arc Lab is of course Hidden Shoal artist <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s primary vehicle for musical experimentation – a blank-slate platform on which he has released a diverse catalogue of emotive, conceptual work.\r\n\r\nArc Lab\'s last release, 2008\'s<i> The Goodbye Radio</i> on the wonderful <a title=\"n5MD\" href=\"http://n5md.com/\">n5MD </a>label, was described as <em>“genre-defying or, perhaps most appropriately, genre-transcending”</em> (Textura) and as <em>“one of the most original releases in the IDM field in some time”</em> and <em>“downright ingenious”</em> ([sic] Magazine). Almost 8 years on it\'s easy to see why we\'re champing at the bit to tell you about his new album <em>Anthem</em>, out  28th July 2016. Yet rather than sully the experience with words now, we\'ll ask you to hold on until the 9th of June when first single \'Burning Glass\' drops. It\'s worth the wait, trust us.','Arc Lab Joins Hidden Shoal, New Album In July','','inherit','closed','closed','','14522-revision-v1','','','2016-05-20 16:08:50','2016-05-20 08:08:50','',14522,'http://www.hiddenshoal.com/14522-revision-v1/',0,'revision','',0),(14526,1,'2016-05-20 16:09:11','2016-05-20 08:09:11','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square.jpg\"><img class=\"alignleft  wp-image-14464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square-288x300.jpg\" alt=\"Arc Lab\" width=\"139\" height=\"145\" /></a>We\'re very excited to announce the addition of <a title=\"Arc Lab\" href=\"http://www.hiddenshoal.com/project/arc-lab/\">Arc Lab</a> to the Hidden Shoal family. Arc Lab is of course Hidden Shoal artist <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s primary vehicle for musical experimentation – a blank-slate platform on which he has released a diverse catalogue of emotive, conceptual work.\r\n\r\nArc Lab\'s last release, 2008\'s<i> The Goodbye Radio</i> on the wonderful <a title=\"n5MD\" href=\"http://n5md.com/\">n5MD </a>label, was described as <em>“genre-defying or, perhaps most appropriately, genre-transcending”</em> (Textura) and as <em>“one of the most original releases in the IDM field in some time”</em> and <em>“downright ingenious”</em> ([sic] Magazine). Almost 8 years on it\'s easy to see why we\'re champing at the bit to tell you about his new album <em>Anthem</em>, out  28th July 2016. Yet rather than sully the experience with words now, we\'ll ask you to hold on until the 9th of June when first single \'Burning Glass\' drops. It\'s worth the wait, trust us.','Arc Lab Joins Hidden Shoal, New Album In July','','inherit','closed','closed','','14522-revision-v1','','','2016-05-20 16:09:11','2016-05-20 08:09:11','',14522,'http://www.hiddenshoal.com/14522-revision-v1/',0,'revision','',0),(14527,1,'2016-05-20 16:10:36','2016-05-20 08:10:36','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square.jpg\"><img class=\"alignleft  wp-image-14464\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Arc-Lab-Square-288x300.jpg\" alt=\"Arc Lab\" width=\"139\" height=\"145\" /></a>We\'re very excited to announce the addition of <a title=\"Arc Lab\" href=\"http://www.hiddenshoal.com/project/arc-lab/\">Arc Lab</a> to the Hidden Shoal family. Arc Lab is of course Hidden Shoal artist <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s primary vehicle for musical experimentation – a blank-slate platform on which he has released a diverse catalogue of emotive, conceptual work.\r\n\r\nArc Lab\'s last release, 2008\'s<i> The Goodbye Radio</i> on the wonderful <a title=\"n5MD\" href=\"http://n5md.com/\">n5MD </a>label, was described as <em>“genre-defying or, perhaps most appropriately, genre-transcending”</em> (Textura) and as <em>“one of the most original releases in the IDM field in some time”</em> and <em>“downright ingenious”</em> ([sic] Magazine). Almost 8 years on it\'s easy to see why we\'re champing at the bit to tell you about his new album <em>Anthem</em>, out  28th July 2016. Yet rather than sully the experience with words now, we\'ll ask you to hold on until the 9th of June when first single \'Burning Glass\' drops. It\'s worth the wait, trust us. Read more on Arc Lab <a title=\"Arc Lab\" href=\"http://www.hiddenshoal.com/project/arc-lab/\">here</a>.','Arc Lab Joins Hidden Shoal, New Album In July','','inherit','closed','closed','','14522-revision-v1','','','2016-05-20 16:10:36','2016-05-20 08:10:36','',14522,'http://www.hiddenshoal.com/14522-revision-v1/',0,'revision','',0),(14528,1,'2016-05-23 09:24:03','2016-05-23 01:24:03','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14511\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art-300x300.jpg\" alt=\"Delicate Power (In The Hands of Others) Cover Art\" width=\"209\" height=\"209\" /></a>More airplay for <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes </a>on <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b07bl9d5\" target=\"_blank\">BBC6</a> thanks once again to Mary Anne Hobbs. She rounded off her 6 Music Recommends show this week with \"Delicate Power (A Waltz For Mary Anne)\", which is taken from the forthcoming Remix EP, <em>Delicate Power (In The Hands Of Others)</em>.\r\n\r\n<em>Delicate Power (In The Hands Of Others)</em>, which will see release on the 31st of June 2016, features remixes from Marconi Union, Markus Mehr, Lvmark and Antonymes. Stream the show <a title=\"BBC6 - Mary Anne Hobbs\" href=\"http://www.bbc.co.uk/programmes/b07bl9d5\" target=\"_blank\">here</a> and check out the trailer for the EP below.\r\n<iframe src=\"https://www.youtube.com/embed/mPN3AtrqFWQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','More airplay for Antonymes on BBC6 ','','publish','closed','closed','','more-airplay-for-antonymes-on-bbc6','','','2016-08-23 17:37:09','2016-08-23 09:37:09','',0,'http://www.hiddenshoal.com/?p=14528',0,'post','',0),(14529,1,'2016-05-23 09:20:52','2016-05-23 01:20:52','More airplay for <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes </a>on <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b07bl9d5\" target=\"_blank\">BBC6</a> thanks once again to Mary Anne Hobbs. She rounded off her 6 Music Recommends show this week with \"Delicate Power (A Waltz For Mary Anne)\", which is taken from the forthcoming Remix EP, <em>Delicate Power (In The Hands Of Others)</em>.\r\n\r\n<em>Delicate Power (In The Hands Of Others)</em>, which will see release on the 31st of June 2016, features remixes from Marconi Union, Markus Mehr, Lvmark and Antonymes. Stream the show <a title=\"BBC6 - Mary Anne Hobbs\" href=\"http://www.bbc.co.uk/programmes/b07bl9d5\" target=\"_blank\">here</a> and check out the trailer for the EP below.\r\n<iframe src=\"https://www.youtube.com/embed/mPN3AtrqFWQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','More airplay for Antonymes on BBC6 ','','inherit','closed','closed','','14528-revision-v1','','','2016-05-23 09:20:52','2016-05-23 01:20:52','',14528,'http://www.hiddenshoal.com/14528-revision-v1/',0,'revision','',0),(14530,1,'2016-05-23 09:23:44','2016-05-23 01:23:44','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14511\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art-300x300.jpg\" alt=\"Delicate Power (In The Hands of Others) Cover Art\" width=\"209\" height=\"209\" /></a>More airplay for <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes </a>on <a title=\"BBC6\" href=\"http://www.bbc.co.uk/programmes/b07bl9d5\" target=\"_blank\">BBC6</a> thanks once again to Mary Anne Hobbs. She rounded off her 6 Music Recommends show this week with \"Delicate Power (A Waltz For Mary Anne)\", which is taken from the forthcoming Remix EP, <em>Delicate Power (In The Hands Of Others)</em>.\r\n\r\n<em>Delicate Power (In The Hands Of Others)</em>, which will see release on the 31st of June 2016, features remixes from Marconi Union, Markus Mehr, Lvmark and Antonymes. Stream the show <a title=\"BBC6 - Mary Anne Hobbs\" href=\"http://www.bbc.co.uk/programmes/b07bl9d5\" target=\"_blank\">here</a> and check out the trailer for the EP below.\r\n<iframe src=\"https://www.youtube.com/embed/mPN3AtrqFWQ?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','More airplay for Antonymes on BBC6 ','','inherit','closed','closed','','14528-revision-v1','','','2016-05-23 09:23:44','2016-05-23 01:23:44','',14528,'http://www.hiddenshoal.com/14528-revision-v1/',0,'revision','',0),(14531,1,'2016-05-23 13:20:20','2016-05-23 05:20:20','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\n<h1>Erik Nilsson</h1>\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Erik_Nilsson_Main-300x300.jpg\" alt=\"Erik Nilsson\" width=\"265\" height=\"265\" /></a><i>“delights at every turn... an unfailingly tuneful and entertaining whole that transcends its techniques through sheer musicality”</i> – <b>Music is Good</b>\n\nDrawing on folk, classical and electronica, Erik Nilsson blends acoustic instruments with field recordings and computer-generated sounds, crafting music akin to early Four Tet, Tortoise at their most minimal, and fellow Scandinavian soundscapers The Gentleman Losers. His Hidden Shoal debut <i>Hearing Things</i> advances the compositional strategy Nilsson first explored on his acclaimed debut <i>Recollage</i>: simple rhythmic and melodic elements are manipulated and recontextualised into richly textured, emotive pieces.\n\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Erik-Nilsson/611820405621104\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/nosslinkire\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/apanmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"https://eriknilsson.bandcamp.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/au/artist/erik-nilsson/id24938710?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /> </a></strong>\n\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\n<h3>Discography</h3>\n&nbsp;\n<h4>Recollage</h4>\n<div></div>\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2608530510/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/album/recollage\">Recollage by Erik Nilsson</a></iframe>\nMay 2016\n\nThere is a vibrant playfulness across <i>Recollage</i>’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, <i>Recollage</i>’s music-box melodies bring to mind Björk’s <i>Vespertine</i>, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\n\nThe album is clearly a vivid precursor to acclaimed second album <em>Hearing Things</em> (2015), but also its own unique creature. First released through <a title=\"Luxus Arctica\" href=\"http://luxusarctica.wordpress.com/\" target=\"_blank\">Luxus-Artica Records</a> in 2011, this re-issue of <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\n\n&nbsp;\n<h4>Hearing Things</h4>\n<div></div>\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3271579377/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/album/hearing-things\">Hearing Things by Erik Nilsson</a></iframe>\nJuly 2015\n<div></div>\nDrawing on folk, classical and electronica, Erik Nilsson blends acoustic instruments with field recordings and computer-generated sounds, crafting music akin to early Four Tet, Tortoise at their most minimal, and fellow Scandinavian soundscapers The Gentleman Losers. His Hidden Shoal debut <em>Hearing Things</em> advances the compositional strategy Nilsson first explored on his acclaimed debut <em>Recollage</em>: simple rhythmic and melodic elements are manipulated and recontextualised into richly textured, emotive pieces.\n\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\n<h3>Biography</h3>\nErik Nilsson lives and works in Stockholm, Sweden. Initially inspired by the grunge scene, Erik first picked up his mother’s old, busted guitar in his early teens and formed rock quartet Banda de Ladrones. Upon hearing Björk some years later, Erik became fascinated with audio manipulation and spent much of his time in the following years mangling samples on his digital workstation. Meanwhile, his musical tastes and influences evolved and expanded into folk, jazz, classical and contemporary experimental music.\n\nErik’s previous work includes the album <i>Recollage</i>, released by Luxus-Artica Records, and the score for <i>Ahmed – Almost 13</i>, a Norwegian documentary screened at the prestigious International Documentary Film Festival of Amsterdam. His music can be heard in <i>Project Power</i>, which chronicles civic resistance to privatisation in New Brunswick, Canada, and in <i>Are You Still There?</i>, finalist in the 2011 edition of the short film competition The 24 Hour Film Race. Erik is a regular contributor to the Disquiet Junto Project, an online collective exploring the creative potential of constraints. He is also singer and guitarist of folk-rock trio Otinget, whose debut album will be released in 2015.\n\n[/et_pb_tab][et_pb_tab title=\"News\"]\n<h3>News</h3>\n[catlist name=eriknilsson-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\n<h2>Reviews</h2>\n[catlist name=eriknilsson-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\n<h3>Press Releases</h3>\nNo press releases yet, sorry.\n\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\n<h3>Artist Photos</h3>\n&nbsp;\n\n[gallery ids=\"12504,12500,12501,12502,12503\"]\n\n[/et_pb_tab][et_pb_tab title=\"Video\"]\n<h3>Music Videos</h3>\nNo videos yet, sorry.\n\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\n<h3>Licensing</h3>\nErik Nilsson\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\n\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Erik Nilsson','','inherit','closed','closed','','12497-autosave-v1','','','2016-05-23 13:20:20','2016-05-23 05:20:20','',12497,'http://www.hiddenshoal.com/12497-autosave-v1/',0,'revision','',0),(14532,1,'2016-05-23 13:20:51','2016-05-23 05:20:51','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Erik Nilsson</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Erik_Nilsson_Main-300x300.jpg\" alt=\"Erik Nilsson\" width=\"265\" height=\"265\" /></a><i>“delights at every turn... an unfailingly tuneful and entertaining whole that transcends its techniques through sheer musicality”</i> – <b>Music is Good</b>\r\n\r\nDrawing on folk, classical and electronica, Erik Nilsson blends acoustic instruments with field recordings and computer-generated sounds, crafting music akin to early Four Tet, Tortoise at their most minimal, and fellow Scandinavian soundscapers The Gentleman Losers. His Hidden Shoal debut <i>Hearing Things</i> advances the compositional strategy Nilsson first explored on his acclaimed debut <i>Recollage</i>: simple rhythmic and melodic elements are manipulated and recontextualised into richly textured, emotive pieces.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Erik-Nilsson/611820405621104\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/nosslinkire\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/apanmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"https://eriknilsson.bandcamp.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/au/artist/erik-nilsson/id24938710?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>  <a href=\"https://open.spotify.com/artist/5VndlB36RKonvx7JQYLff1\"><img class=\"alignnone wp-image-14396 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Recollage</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2608530510/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/album/recollage\">Recollage by Erik Nilsson</a></iframe>\r\nMay 2016\r\n\r\nThere is a vibrant playfulness across <i>Recollage</i>’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, <i>Recollage</i>’s music-box melodies bring to mind Björk’s <i>Vespertine</i>, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\nThe album is clearly a vivid precursor to acclaimed second album <em>Hearing Things</em> (2015), but also its own unique creature. First released through <a title=\"Luxus Arctica\" href=\"http://luxusarctica.wordpress.com/\" target=\"_blank\">Luxus-Artica Records</a> in 2011, this re-issue of <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n&nbsp;\r\n<h4>Hearing Things</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3271579377/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/album/hearing-things\">Hearing Things by Erik Nilsson</a></iframe>\r\nJuly 2015\r\n<div></div>\r\nDrawing on folk, classical and electronica, Erik Nilsson blends acoustic instruments with field recordings and computer-generated sounds, crafting music akin to early Four Tet, Tortoise at their most minimal, and fellow Scandinavian soundscapers The Gentleman Losers. His Hidden Shoal debut <em>Hearing Things</em> advances the compositional strategy Nilsson first explored on his acclaimed debut <em>Recollage</em>: simple rhythmic and melodic elements are manipulated and recontextualised into richly textured, emotive pieces.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nErik Nilsson lives and works in Stockholm, Sweden. Initially inspired by the grunge scene, Erik first picked up his mother’s old, busted guitar in his early teens and formed rock quartet Banda de Ladrones. Upon hearing Björk some years later, Erik became fascinated with audio manipulation and spent much of his time in the following years mangling samples on his digital workstation. Meanwhile, his musical tastes and influences evolved and expanded into folk, jazz, classical and contemporary experimental music.\r\n\r\nErik’s previous work includes the album <i>Recollage</i>, released by Luxus-Artica Records, and the score for <i>Ahmed – Almost 13</i>, a Norwegian documentary screened at the prestigious International Documentary Film Festival of Amsterdam. His music can be heard in <i>Project Power</i>, which chronicles civic resistance to privatisation in New Brunswick, Canada, and in <i>Are You Still There?</i>, finalist in the 2011 edition of the short film competition The 24 Hour Film Race. Erik is a regular contributor to the Disquiet Junto Project, an online collective exploring the creative potential of constraints. He is also singer and guitarist of folk-rock trio Otinget, whose debut album will be released in 2015.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=eriknilsson-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=eriknilsson-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12504,12500,12501,12502,12503\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nErik Nilsson\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Erik Nilsson','','inherit','closed','closed','','12497-revision-v1','','','2016-05-23 13:20:51','2016-05-23 05:20:51','',12497,'http://www.hiddenshoal.com/12497-revision-v1/',0,'revision','',0),(14533,1,'2016-05-23 13:24:30','2016-05-23 05:24:30','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Erik Nilsson</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-12498\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/06/Erik_Nilsson_Main-300x300.jpg\" alt=\"Erik Nilsson\" width=\"265\" height=\"265\" /></a><i>“delights at every turn... an unfailingly tuneful and entertaining whole that transcends its techniques through sheer musicality”</i> – <b>Music is Good</b>\r\n\r\nDrawing on folk, classical and electronica, Erik Nilsson blends acoustic instruments with field recordings and computer-generated sounds, crafting music akin to early Four Tet, Tortoise at their most minimal, and fellow Scandinavian soundscapers The Gentleman Losers. His Hidden Shoal debut <i>Hearing Things</i> advances the compositional strategy Nilsson first explored on his acclaimed debut <i>Recollage</i>: simple rhythmic and melodic elements are manipulated and recontextualised into richly textured, emotive pieces.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Erik-Nilsson/611820405621104\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/nosslinkire\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/apanmusic\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"https://eriknilsson.bandcamp.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>  <a href=\"https://geo.itunes.apple.com/au/artist/erik-nilsson/id24938710?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>  <a href=\"https://open.spotify.com/artist/5VndlB36RKonvx7JQYLff1\"><img class=\"alignnone wp-image-14396 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Recollage</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2608530510/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/album/recollage\">Recollage by Erik Nilsson</a></iframe>\r\nMay 2016\r\n\r\nThere is a vibrant playfulness across <i>Recollage</i>’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, <i>Recollage</i>’s music-box melodies bring to mind Björk’s <i>Vespertine</i>, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\nThe album is clearly a vivid precursor to acclaimed second album <em>Hearing Things</em> (2015), but also its own unique creature. First released through <a title=\"Luxus Arctica\" href=\"http://luxusarctica.wordpress.com/\" target=\"_blank\">Luxus-Artica Records</a> in 2011, this re-issue of <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n&nbsp;\r\n<h4>Hearing Things</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3271579377/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/album/hearing-things\">Hearing Things by Erik Nilsson</a></iframe>\r\nJuly 2015\r\n<div></div>\r\nDrawing on folk, classical and electronica, Erik Nilsson blends acoustic instruments with field recordings and computer-generated sounds, crafting music akin to early Four Tet, Tortoise at their most minimal, and fellow Scandinavian soundscapers The Gentleman Losers. His Hidden Shoal debut <em>Hearing Things</em> advances the compositional strategy Nilsson first explored on his acclaimed debut <em>Recollage</em>: simple rhythmic and melodic elements are manipulated and recontextualised into richly textured, emotive pieces.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nErik Nilsson lives and works in Stockholm, Sweden. Initially inspired by the grunge scene, Erik first picked up his mother’s old, busted guitar in his early teens and formed rock quartet Banda de Ladrones. Upon hearing Björk some years later, Erik became fascinated with audio manipulation and spent much of his time in the following years mangling samples on his digital workstation. Meanwhile, his musical tastes and influences evolved and expanded into folk, jazz, classical and contemporary experimental music.\r\n\r\nErik’s previous work includes the album <i>Recollage</i>, released by Luxus-Artica Records, and the score for <i>Ahmed – Almost 13</i>, a Norwegian documentary screened at the prestigious International Documentary Film Festival of Amsterdam. His music can be heard in <i>Project Power</i>, which chronicles civic resistance to privatisation in New Brunswick, Canada, and in <i>Are You Still There?</i>, finalist in the 2011 edition of the short film competition The 24 Hour Film Race. Erik is a regular contributor to the Disquiet Junto Project, an online collective exploring the creative potential of constraints. He is also singer and guitarist of folk-rock trio Otinget, whose debut album will be released in 2015.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=eriknilsson-news content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=eriknilsson-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"12504,12500,12501,12502,12503\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nErik Nilsson\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Erik Nilsson','','inherit','closed','closed','','12497-revision-v1','','','2016-05-23 13:24:30','2016-05-23 05:24:30','',12497,'http://www.hiddenshoal.com/12497-revision-v1/',0,'revision','',0),(14534,1,'2016-05-23 13:39:51','2016-05-23 05:39:51','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px.jpg\"><img class=\"alignleft  wp-image-14296\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px-300x300.jpg\" alt=\"Recollage\" width=\"224\" height=\"224\" /></a>Hidden Shoal is proud to announce the reissue of <em>Recollage</em>, <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a>’s superb debut album and predecessor to his sublime 2015 album <a title=\"Hearing Things\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><em>Hearing Things</em></a>.\r\n\r\nThere is a vibrant playfulness across <em>Recollage</em>’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, <em>Recollage</em>’s music-box melodies bring to mind Björk’s <em>Vespertine</em>, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\n<em>Recollage</em> is clearly a vivid precursor to acclaimed second album <em>Hearing Things</em> (2015), but also its own unique creature. First released through <a title=\"Luxus Arctica\" href=\"https://luxusarctica.wordpress.com/\" target=\"_blank\">Luxus-Artica</a> Records in 2011, <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n<em>“Nilsson’s work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes”</em> – <strong>Hypnagogue on <em>Hearing Things</em></strong>\r\n\r\nDownload <em>Recollage</em> now via Erik Nilsson\'s <a title=\"Bandcamp\" href=\"https://eriknilsson.bandcamp.com/album/recollage\" target=\"_blank\">Bandcamp</a> or find it in your favourite 3rd party online store/streaming service.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/256475493&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Re-Issue of Erik Nilsson\'s \"Recollage\" Out Now!','','publish','closed','closed','','re-issue-of-erik-nilssons-recollage-out-now','','','2016-05-23 13:39:51','2016-05-23 05:39:51','',0,'http://www.hiddenshoal.com/?p=14534',0,'post','',0),(14535,1,'2016-05-23 13:26:39','2016-05-23 05:26:39','Hidden Shoal is proud to announce the reissue of <em>Recollage</em>, Erik Nilsson’s superb debut album.\r\n\r\nThere is a vibrant playfulness across Recollage’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, Recollage’s music-box melodies bring to mind Björk’s Vespertine, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\nRecollage is clearly a vivid precursor to acclaimed second album Hearing Things (2015), but also its own unique creature. First released through Luxus-Artica Records in 2011, Recollage has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n“Nilsson’s work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes” – Hypnagogue on Hearing Things\r\n\r\n&nbsp;\r\n\r\nhttp://www.hiddenshoal.com/project/erik-nilsson/','Re-Issue of Erik Nilsson\'s \"Recollage\" Out Now!','','inherit','closed','closed','','14534-revision-v1','','','2016-05-23 13:26:39','2016-05-23 05:26:39','',14534,'http://www.hiddenshoal.com/14534-revision-v1/',0,'revision','',0),(14536,1,'2016-05-23 13:33:58','2016-05-23 05:33:58','Hidden Shoal is proud to announce the reissue of <em>Recollage</em>, <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a>’s superb debut album and predecessor to his sublime 2015 album <a title=\"Hearing Things\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><em>Hearing Things</em></a>.\r\n\r\nThere is a vibrant playfulness across Recollage’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, Recollage’s music-box melodies bring to mind Björk’s Vespertine, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\n<em>Recollage</em> is clearly a vivid precursor to acclaimed second album <em>Hearing Things</em> (2015), but also its own unique creature. First released through <a title=\"Luxus Arctica\" href=\"https://luxusarctica.wordpress.com/\" target=\"_blank\">Luxus-Artica</a> Records in 2011, <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n<em>“Nilsson’s work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes”</em> – <strong>Hypnagogue on <em>Hearing Things</em></strong>\r\n\r\nDownload <em>Recollage</em> now via Erik Nilsson\'s <a title=\"Bandcamp\" href=\"https://eriknilsson.bandcamp.com/album/recollage\" target=\"_blank\">Bandcamp</a> or find it in your favourite 3rd party online store/streaming service.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Re-Issue of Erik Nilsson\'s \"Recollage\" Out Now!','','inherit','closed','closed','','14534-revision-v1','','','2016-05-23 13:33:58','2016-05-23 05:33:58','',14534,'http://www.hiddenshoal.com/14534-revision-v1/',0,'revision','',0),(14537,1,'2016-05-23 13:35:55','2016-05-23 05:35:55','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px.jpg\"><img class=\"alignleft  wp-image-14296\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px-300x300.jpg\" alt=\"Recollage\" width=\"230\" height=\"230\" /></a>Hidden Shoal is proud to announce the reissue of <em>Recollage</em>, <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a>’s superb debut album and predecessor to his sublime 2015 album <a title=\"Hearing Things\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><em>Hearing Things</em></a>.\r\n\r\nThere is a vibrant playfulness across Recollage’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, Recollage’s music-box melodies bring to mind Björk’s Vespertine, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\n<em>Recollage</em> is clearly a vivid precursor to acclaimed second album <em>Hearing Things</em> (2015), but also its own unique creature. First released through <a title=\"Luxus Arctica\" href=\"https://luxusarctica.wordpress.com/\" target=\"_blank\">Luxus-Artica</a> Records in 2011, <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n<em>“Nilsson’s work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes”</em> – <strong>Hypnagogue on <em>Hearing Things</em></strong>\r\n\r\nDownload <em>Recollage</em> now via Erik Nilsson\'s <a title=\"Bandcamp\" href=\"https://eriknilsson.bandcamp.com/album/recollage\" target=\"_blank\">Bandcamp</a> or find it in your favourite 3rd party online store/streaming service.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/256475493&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Re-Issue of Erik Nilsson\'s \"Recollage\" Out Now!','','inherit','closed','closed','','14534-revision-v1','','','2016-05-23 13:35:55','2016-05-23 05:35:55','',14534,'http://www.hiddenshoal.com/14534-revision-v1/',0,'revision','',0),(14538,1,'2016-05-23 13:36:41','2016-05-23 05:36:41','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px.jpg\"><img class=\"alignleft  wp-image-14296\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px-300x300.jpg\" alt=\"Recollage\" width=\"230\" height=\"230\" /></a>Hidden Shoal is proud to announce the reissue of <em>Recollage</em>, <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a>’s superb debut album and predecessor to his sublime 2015 album <a title=\"Hearing Things\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><em>Hearing Things</em></a>.\r\n\r\nThere is a vibrant playfulness across <em>Recollage</em>’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, <em>Recollage</em>’s music-box melodies bring to mind Björk’s <em>Vespertine</em>, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\n<em>Recollage</em> is clearly a vivid precursor to acclaimed second album <em>Hearing Things</em> (2015), but also its own unique creature. First released through <a title=\"Luxus Arctica\" href=\"https://luxusarctica.wordpress.com/\" target=\"_blank\">Luxus-Artica</a> Records in 2011, <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n<em>“Nilsson’s work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes”</em> – <strong>Hypnagogue on <em>Hearing Things</em></strong>\r\n\r\nDownload <em>Recollage</em> now via Erik Nilsson\'s <a title=\"Bandcamp\" href=\"https://eriknilsson.bandcamp.com/album/recollage\" target=\"_blank\">Bandcamp</a> or find it in your favourite 3rd party online store/streaming service.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/256475493&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Re-Issue of Erik Nilsson\'s \"Recollage\" Out Now!','','inherit','closed','closed','','14534-revision-v1','','','2016-05-23 13:36:41','2016-05-23 05:36:41','',14534,'http://www.hiddenshoal.com/14534-revision-v1/',0,'revision','',0),(14539,1,'2016-05-23 13:37:50','2016-05-23 05:37:50','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px.jpg\"><img class=\"alignleft  wp-image-14296\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/04/Recollage-Cover-Art-1400px-300x300.jpg\" alt=\"Recollage\" width=\"224\" height=\"224\" /></a>Hidden Shoal is proud to announce the reissue of <em>Recollage</em>, <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a>’s superb debut album and predecessor to his sublime 2015 album <a title=\"Hearing Things\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\"><em>Hearing Things</em></a>.\r\n\r\nThere is a vibrant playfulness across <em>Recollage</em>’s nine tracks, with each song mapping out its own discrete world. Nilsson skilfully mixes electronics with live instruments and field recordings, before subjecting the songs to digital manipulation, creating an uncanny and arresting blend that is often as technically dizzying as it is musically and emotionally engaging. Glitchy yet exquisitely tuneful, <em>Recollage</em>’s music-box melodies bring to mind Björk’s <em>Vespertine</em>, while its compositional style is reminiscent of The Books’ cut-up approach to songcraft.\r\n\r\n<em>Recollage</em> is clearly a vivid precursor to acclaimed second album <em>Hearing Things</em> (2015), but also its own unique creature. First released through <a title=\"Luxus Arctica\" href=\"https://luxusarctica.wordpress.com/\" target=\"_blank\">Luxus-Artica</a> Records in 2011, <em>Recollage</em> has received extra instrumentation, been fully re-mastered, and also includes the original version of album track ‘Rumore del Roma’.\r\n\r\n<em>“Nilsson’s work lands in something of a sweet spot for me as a listener, taking approachable bases, things possessed of an easy, lilting beauty, and then working them through this filter or that concept, finding workable juxtapositions and pushing envelopes as he goes”</em> – <strong>Hypnagogue on <em>Hearing Things</em></strong>\r\n\r\nDownload <em>Recollage</em> now via Erik Nilsson\'s <a title=\"Bandcamp\" href=\"https://eriknilsson.bandcamp.com/album/recollage\" target=\"_blank\">Bandcamp</a> or find it in your favourite 3rd party online store/streaming service.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/256475493&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','Re-Issue of Erik Nilsson\'s \"Recollage\" Out Now!','','inherit','closed','closed','','14534-revision-v1','','','2016-05-23 13:37:50','2016-05-23 05:37:50','',14534,'http://www.hiddenshoal.com/14534-revision-v1/',0,'revision','',0),(14540,1,'2016-05-25 11:30:38','2016-05-25 03:30:38','[Translated from the French via Google. Read the original <a title=\"Indiemusic\" href=\"http://www.indiemusic.fr/2016/05/17/kramies-alma-forrer-into-the-sparks/\" target=\"_blank\">here</a>.]\r\n\r\n\"Accompanied by the soft Alma Forrer, Kramies offers us \"Into The Sparks,\" a lavish and spooky folk ballad set against a matching backdrop.\r\n\r\nIt all started with a magical and rare encounter between two folk lovers shivering. On one side of the Atlantic, the young Parisian Alma Forrer, author of the first two EPs moving, the eternal and priceless stories. On the other side of the ocean, beyond the trails and mountains in the heart of Colorado lost forests, Denvers Kramies, soulful singer and friend of accomplice exciting Jason Lytle. Together, the two interpreters offer us a rare moment: \"Into The Sparks,\" an unexpected and delicate conversation between two dreamers, between two sensitivities, distance and both so close. Alma in French and in English Kramies reconnect with the singular art of correspondence; where, when both voices agree to better unite.\r\n\r\nThis sacred Kramies has not finished surprising us!\"\r\n\r\n- <a title=\"Indiemusic\" href=\"http://www.indiemusic.fr/2016/05/17/kramies-alma-forrer-into-the-sparks/\" target=\"_blank\"><strong>Indiemusic</strong></a>','Kramies \'Into The Sparks\' Reviewed at Indiemusic','Accompanied by the soft Alma Forrer, Kramies offers us \"Into The Sparks,\" a lavish and spooky folk ballad set against a matching backdrop.\r\n\r\nIt all started with a magical and rare encounter between two folk lovers shivering. On one side of the Atlantic, the young Parisian Alma Forrer, author of the first two EPs moving, the eternal and priceless stories. On the other side of the ocean, beyond the trails and mountains in the heart of Colorado lost forests, Denvers Kramies, soulful singer and friend of accomplice exciting Jason Lytle. Together, the two interpreters offer us a rare moment: \"Into The Sparks,\" an unexpected and delicate conversation between two dreamers, between two sensitivities, distance and both so close. Alma in French and in English Kramies reconnect with the singular art of correspondence; where, when both voices agree to better unite.\r\n\r\nThis sacred Kramies has not finished surprising us!','publish','closed','closed','','kramies-into-the-sparks-reviewed-at-indiemusic','','','2016-05-25 11:30:38','2016-05-25 03:30:38','',0,'http://www.hiddenshoal.com/?p=14540',0,'post','',0),(14541,1,'2016-05-25 11:30:38','2016-05-25 03:30:38','[Translated from the French via Google. Read the original <a title=\"Indiemusic\" href=\"http://www.indiemusic.fr/2016/05/17/kramies-alma-forrer-into-the-sparks/\" target=\"_blank\">here</a>.]\r\n\r\n\"Accompanied by the soft Alma Forrer, Kramies offers us \"Into The Sparks,\" a lavish and spooky folk ballad set against a matching backdrop.\r\n\r\nIt all started with a magical and rare encounter between two folk lovers shivering. On one side of the Atlantic, the young Parisian Alma Forrer, author of the first two EPs moving, the eternal and priceless stories. On the other side of the ocean, beyond the trails and mountains in the heart of Colorado lost forests, Denvers Kramies, soulful singer and friend of accomplice exciting Jason Lytle. Together, the two interpreters offer us a rare moment: \"Into The Sparks,\" an unexpected and delicate conversation between two dreamers, between two sensitivities, distance and both so close. Alma in French and in English Kramies reconnect with the singular art of correspondence; where, when both voices agree to better unite.\r\n\r\nThis sacred Kramies has not finished surprising us!\"\r\n\r\n- <a title=\"Indiemusic\" href=\"http://www.indiemusic.fr/2016/05/17/kramies-alma-forrer-into-the-sparks/\" target=\"_blank\"><strong>Indiemusic</strong></a>','Kramies \'Into The Sparks\' Reviewed at Indiemusic','Accompanied by the soft Alma Forrer, Kramies offers us \"Into The Sparks,\" a lavish and spooky folk ballad set against a matching backdrop.\r\n\r\nIt all started with a magical and rare encounter between two folk lovers shivering. On one side of the Atlantic, the young Parisian Alma Forrer, author of the first two EPs moving, the eternal and priceless stories. On the other side of the ocean, beyond the trails and mountains in the heart of Colorado lost forests, Denvers Kramies, soulful singer and friend of accomplice exciting Jason Lytle. Together, the two interpreters offer us a rare moment: \"Into The Sparks,\" an unexpected and delicate conversation between two dreamers, between two sensitivities, distance and both so close. Alma in French and in English Kramies reconnect with the singular art of correspondence; where, when both voices agree to better unite.\r\n\r\nThis sacred Kramies has not finished surprising us!','inherit','closed','closed','','14540-revision-v1','','','2016-05-25 11:30:38','2016-05-25 03:30:38','',14540,'http://www.hiddenshoal.com/14540-revision-v1/',0,'revision','',0),(14542,1,'2016-05-25 11:44:43','2016-05-25 03:44:43','[Translated from the original German via Google. Read the original <a title=\"Kulturforum\" href=\"https://gerhardemmerkunst.wordpress.com/2016/05/13/reingehoert-163/\" target=\"_blank\">here</a>.]\r\n\r\n\"Pure euphony presents Ian Hazeldine from Hawarden / North Wales on his new opus, a dominated by piano and strings dance from worn, meditative ambient and contemporary classical music and a perfectly structured sequence of individual pieces provide an uplifting listening experience, selectively incorporated Winds sequences from the conventional jazz section and the vocal parts of the song artists Joanna Swan, Martine Bijn and Jan Van den Broeke reinforce the melancholy mood and the overall impression of deep relaxation. The chamber orchestra character of production dominated far more than the electronic additions, but the latter sounded superfluous or even distracting in any sequence. (**** ½)\"\r\n\r\n- <a title=\"Kulturforum\" href=\"https://gerhardemmerkunst.wordpress.com/2016/05/13/reingehoert-163/\" target=\"_blank\">Kulturforum</a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Kulturforum','Pure euphony presents Ian Hazeldine from Hawarden / North Wales on his new opus, a dominated by piano and strings dance from worn, meditative ambient and contemporary classical music and a perfectly structured sequence of individual pieces provide an uplifting listening experience, selectively incorporated Winds sequences from the conventional jazz section and the vocal parts of the song artists Joanna Swan, Martine Bijn and Jan Van den Broeke reinforce the melancholy mood and the overall impression of deep relaxation. The chamber orchestra character of production dominated far more than the electronic additions, but the latter sounded superfluous or even distracting in any sequence. (**** ½)','publish','closed','closed','','antonymes-for-now-we-see-through-a-glass-dimly-reviewed-at-kulturforum','','','2016-05-25 11:44:43','2016-05-25 03:44:43','',0,'http://www.hiddenshoal.com/?p=14542',0,'post','',0),(14543,1,'2016-05-25 11:44:43','2016-05-25 03:44:43','[Translated from the original German via Google. Read the original <a title=\"Kulturforum\" href=\"https://gerhardemmerkunst.wordpress.com/2016/05/13/reingehoert-163/\" target=\"_blank\">here</a>.]\r\n\r\n\"Pure euphony presents Ian Hazeldine from Hawarden / North Wales on his new opus, a dominated by piano and strings dance from worn, meditative ambient and contemporary classical music and a perfectly structured sequence of individual pieces provide an uplifting listening experience, selectively incorporated Winds sequences from the conventional jazz section and the vocal parts of the song artists Joanna Swan, Martine Bijn and Jan Van den Broeke reinforce the melancholy mood and the overall impression of deep relaxation. The chamber orchestra character of production dominated far more than the electronic additions, but the latter sounded superfluous or even distracting in any sequence. (**** ½)\"\r\n\r\n- <a title=\"Kulturforum\" href=\"https://gerhardemmerkunst.wordpress.com/2016/05/13/reingehoert-163/\" target=\"_blank\">Kulturforum</a>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Kulturforum','Pure euphony presents Ian Hazeldine from Hawarden / North Wales on his new opus, a dominated by piano and strings dance from worn, meditative ambient and contemporary classical music and a perfectly structured sequence of individual pieces provide an uplifting listening experience, selectively incorporated Winds sequences from the conventional jazz section and the vocal parts of the song artists Joanna Swan, Martine Bijn and Jan Van den Broeke reinforce the melancholy mood and the overall impression of deep relaxation. The chamber orchestra character of production dominated far more than the electronic additions, but the latter sounded superfluous or even distracting in any sequence. (**** ½)','inherit','closed','closed','','14542-revision-v1','','','2016-05-25 11:44:43','2016-05-25 03:44:43','',14542,'http://www.hiddenshoal.com/14542-revision-v1/',0,'revision','',0),(14546,1,'2016-05-27 10:54:53','2016-05-27 02:54:53','<p style=\"text-align: justify;\">Hidden Shoal is proud to announce the release of the new EP <a title=\"Deconstruction Manual\" href=\"https://hiddenshoal.bandcamp.com/album/deconstruction-manual\" target=\"_blank\"><em>Deconstruction Manual</em></a> featuring remixes of Hidden Shoal artists by Murdoch University Sound students. The EP is available as a free download via Hidden Shoal’s <a title=\"Deconstruction Manual\" href=\"https://hiddenshoal.bandcamp.com/album/deconstruction-manual\" target=\"_blank\">Bandcamp</a>. Download the full press release <a title=\"Press Release\" href=\"http://www.hiddenshoal.com/publicity/hiddenshoal/Deconstruction_Manual-Press_Release.pdf\" target=\"_blank\">here</a>.</p>\r\n<p style=\"text-align: justify;\"><img class=\"alignright wp-image-10803\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Deconstruction-Manual-Cover-Art-300x300.jpg\" alt=\"Deconstruction Manual\" width=\"225\" height=\"225\" />On <em>Deconstruction Manual</em>, three students of Perth’s <a title=\"Murdoch University\" href=\"http://murdoch.edu.au/\" target=\"_blank\">Murdoch University</a> have taken the work of Hidden Shoal artists and subjected it to deconstruction, manipulation and glorious reinterpretation. The project is an ongoing collaboration between Hidden Shoal and the <a title=\"Murdoch University Sound Program\" href=\"http://www.murdoch.edu.au/Courses/Sound/\" target=\"_blank\">Murdoch University Sound Program</a>, and the three remixes collected on this EP represent some of the diverse, innovative work produced by students of the course. Dr Simon Order, Chair of the Murdoch Sound Program, says of the project <em>\"Remix is such a powerful activity which fires up the imagination. These fabulous tracks bear witness to the creative energy of Murdoch Sound students.\"</em></p>\r\n<p style=\"text-align: justify;\"><a title=\"Skybreaker\" href=\"http://www.skybreakergames.com/\" target=\"_blank\">Skybreaker</a>’s remix of <a title=\"Slow Dancing Society\" href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\">Slow Dancing Society</a>’s ‘I’ll Leave A Light On’ throws the original into an industrial thresher, transforming its calming piano and nylon-string guitar into a juddering nightmare of synths and snarl. <a title=\"Karl Ockelford\" href=\"https://www.facebook.com/pages/Sub-Ordnance/152815881454617\" target=\"_blank\">Karl Ockelford</a>’s ‘Greylands’ renders source audio from <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>, <a title=\"Boxharp\" href=\"http://boxharp.com/happening/\" target=\"_blank\">Boxharp</a>, <a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\">Gilded</a> and <a title=\"Salli Lunn\" href=\"http://www.hiddenshoal.com/project/salli-lunn/\">Salli Lunn</a> into an expansive, glowering horizon of drones, strings and distortion. Finally, <a title=\"Lövmark\" href=\"https://soundcloud.com/hidden_shoal/doubt-l-vmark-remix\" target=\"_blank\">Lövmark</a>’s reworking of <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>’ ‘Doubt’ immerses Jan Van Den Broek’s monologue within patient, melodically rich minimal electronica.</p>\r\n<p style=\"text-align: justify;\">Skybreaker is the moniker of Hadyn Lander, a versatile multi-instrumentalist and game designer whose influences range wildly from ’60s jazz-rock to modern electronica. Karl Ockelford is a musician and visual artist who has been working in and around the Perth experimental music scene for the past 15 years as part of Sub Ordnance and Abe Sada, and also releases music under the moniker Reluctant Carnivore. Lövmark is an electronic music producer hailing from Northern Sweden, now based in Fremantle, whose influences range from heavy metal to down-tempo bass music.</p>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/53035690&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"100%\" height=\"320\" frameborder=\"no\" scrolling=\"no\"></iframe>','\"Deconstruction Manual\" – Hidden Shoal Remix EP featuring Antonymes and Slow Dancing Society','','inherit','closed','closed','','10801-revision-v1','','','2016-05-27 10:54:53','2016-05-27 02:54:53','',10801,'http://www.hiddenshoal.com/10801-revision-v1/',0,'revision','',0),(14548,1,'2016-05-31 10:23:16','2016-05-31 02:23:16','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14511\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art-300x300.jpg\" alt=\"Delicate Power (In The Hands of Others) Cover Art\" width=\"312\" height=\"312\" /></a>Hidden Shoal is proud to announce <a title=\"Delicate Power (In The Hands Of Others)\" href=\"http://antonymes.bandcamp.com/\" target=\"_blank\"><em>Delicate Power (In The Hands of Others)</em></a>, a new EP by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes </a>featuring the single ‘<a title=\"Delicate Power\" href=\"https://soundcloud.com/hidden_shoal/antonymes-delicate-power\" target=\"_blank\">Delicate Power</a>’.\r\n\r\n‘Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>. The track showcases Antonymes deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere. The single is accompanied by a gorgeous <a title=\"Vimeo\" href=\"https://vimeo.com/168580004\" target=\"_blank\">music video</a> filmed by the incredible people at Chasing Light and shot on location at a beautiful, hidden otherworld in mid Wales.\r\n\r\nThe hypnotic rhythmic underpinning of ‘Delicate Power’ has invited five magical re-workings on this EP, each with its own subtle majesty. <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a> tease the original into a beautifully orchestrated anti-gravity ballad. <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>’s inimitable skills for re-invention have helped him to create a brooding version that draws heavily on the original’s rhythmic details. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a>’s reinterpretation foregrounds the melodic elements of the original, wedded to gently pulsing electronica. Alongside these three guest remixes, there are two reworkings from Antonymes himself: ‘Delicate Power’ (Waltz For Mary Anne)’ transforms the original into a beautiful, late-night swing, and ‘Delicate Power (Jung’s Drug Drum Waltz)’ lives up to the promise of its title with more heft to its woody rhythms.\r\n\r\n<em>Delicate Power (In The Hands of Others)</em> is available now via Antonymes\' <a title=\"Bandcamp\" href=\"http://antonymes.bandcamp.com/\" target=\"_blank\">Bandcamp </a>and the usual 3rd party online stores. Be sure to check out Antonymes\' sublime new album <em>(For Now We See) Through A Glass Dimly</em> while you\'re there.\r\n\r\n<iframe src=\"https://player.vimeo.com/video/168580004\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes \"Delicate Power (In The Hands Of Others)\" EP, New Music Video','','publish','closed','closed','','antonymes-delicate-power-ep-out-now','','','2016-08-23 17:37:09','2016-08-23 09:37:09','',0,'http://www.hiddenshoal.com/?p=14548',0,'post','',0),(14549,1,'2016-05-31 09:24:23','2016-05-31 01:24:23','Hidden Shoal is proud to announce <em>Delicate Power (In The Hands of Others)</em>, an new EP by acclaimed neo-classical ambient artist Antonymes featuring the single ‘Delicate Power’.\r\n\r\n‘Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <em>(For Now We See) Through A Glass Dimly</em>. The track showcases Antonymes deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere. The single is accompanied by a gorgeous music video filmed by the incredible people at Chasing Light and shot on location at a beautiful, hidden otherworld in mid Wales.\r\n\r\nThe hypnotic rhythmic underpinning of ‘Delicate Power’ has invited five magical re-workings on this EP, each with its own subtle majesty. Marconi Union tease the original into a beautifully orchestrated anti-gravity ballad. Markus Mehr’s inimitable skills for re-invention have helped him to create a brooding version that draws heavily on the original’s rhythmic details. Lvmark’s reinterpretation foregrounds the melodic elements of the original, wedded to gently pulsing electronica. Alongside these three guest remixes, there are two reworkings from Antonymes himself: ‘Delicate Power’ (Waltz For Mary Anne)’ transforms the original into a beautiful, late-night swing, and ‘Delicate Power (Jung’s Drug Drum Waltz)’ lives up to the promise of its title with more heft to its woody rhythms.\r\n\r\n<em>Delicate Power (In The Hands of Others)</em> is available now via Antonymes\' Bandcamp and the usual 3rd party online stores. Be sure to check out Antonymes\' sublime new album <em>(For Now We See) Through A Glass Dimly</em> while you\'re there.','Antonymes \"Delicate Power\" EP Out Now','','inherit','closed','closed','','14548-revision-v1','','','2016-05-31 09:24:23','2016-05-31 01:24:23','',14548,'http://www.hiddenshoal.com/14548-revision-v1/',0,'revision','',0),(14550,1,'2016-05-31 09:42:33','2016-05-31 01:42:33','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art.jpg\"><img class=\"alignleft size-medium wp-image-14511\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art-300x300.jpg\" alt=\"Delicate Power (In The Hands of Others) Cover Art\" width=\"300\" height=\"300\" /></a>Hidden Shoal is proud to announce <em>Delicate Power (In The Hands of Others)</em>, an new EP by acclaimed neo-classical ambient artist Antonymes featuring the single ‘Delicate Power’.\r\n\r\n‘Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <em>(For Now We See) Through A Glass Dimly</em>. The track showcases Antonymes deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere. The single is accompanied by a gorgeous music video filmed by the incredible people at Chasing Light and shot on location at a beautiful, hidden otherworld in mid Wales.\r\n\r\nThe hypnotic rhythmic underpinning of ‘Delicate Power’ has invited five magical re-workings on this EP, each with its own subtle majesty. <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a> tease the original into a beautifully orchestrated anti-gravity ballad. <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>’s inimitable skills for re-invention have helped him to create a brooding version that draws heavily on the original’s rhythmic details. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a>’s reinterpretation foregrounds the melodic elements of the original, wedded to gently pulsing electronica. Alongside these three guest remixes, there are two reworkings from Antonymes himself: ‘Delicate Power’ (Waltz For Mary Anne)’ transforms the original into a beautiful, late-night swing, and ‘Delicate Power (Jung’s Drug Drum Waltz)’ lives up to the promise of its title with more heft to its woody rhythms.\r\n\r\n<em>Delicate Power (In The Hands of Others)</em> is available now via Antonymes\' Bandcamp and the usual 3rd party online stores. Be sure to check out Antonymes\' sublime new album <em>(For Now We See) Through A Glass Dimly</em> while you\'re there.\r\n<iframe src=\"https://player.vimeo.com/video/168580004\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes \"Delicate Power (In The Hands Of Others)\" EP, New Music Video Out Now','','inherit','closed','closed','','14548-revision-v1','','','2016-05-31 09:42:33','2016-05-31 01:42:33','',14548,'http://www.hiddenshoal.com/14548-revision-v1/',0,'revision','',0),(14551,1,'2016-05-31 09:46:40','2016-05-31 01:46:40','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art.jpg\"><img class=\"alignleft size-medium wp-image-14511\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art-300x300.jpg\" alt=\"Delicate Power (In The Hands of Others) Cover Art\" width=\"300\" height=\"300\" /></a>Hidden Shoal is proud to announce <em>Delicate Power (In The Hands of Others)</em>, a new EP by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes </a>featuring the single ‘Delicate Power’.\r\n\r\n‘Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <em>(For Now We See) Through A Glass Dimly</em>. The track showcases Antonymes deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere. The single is accompanied by a gorgeous <a title=\"Vimeo\" href=\"https://vimeo.com/168580004\" target=\"_blank\">music video</a> filmed by the incredible people at Chasing Light and shot on location at a beautiful, hidden otherworld in mid Wales.\r\n\r\nThe hypnotic rhythmic underpinning of ‘Delicate Power’ has invited five magical re-workings on this EP, each with its own subtle majesty. <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a> tease the original into a beautifully orchestrated anti-gravity ballad. <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>’s inimitable skills for re-invention have helped him to create a brooding version that draws heavily on the original’s rhythmic details. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a>’s reinterpretation foregrounds the melodic elements of the original, wedded to gently pulsing electronica. Alongside these three guest remixes, there are two reworkings from Antonymes himself: ‘Delicate Power’ (Waltz For Mary Anne)’ transforms the original into a beautiful, late-night swing, and ‘Delicate Power (Jung’s Drug Drum Waltz)’ lives up to the promise of its title with more heft to its woody rhythms.\r\n\r\n<em>Delicate Power (In The Hands of Others)</em> is available now via Antonymes\' Bandcamp and the usual 3rd party online stores. Be sure to check out Antonymes\' sublime new album <em>(For Now We See) Through A Glass Dimly</em> while you\'re there.\r\n<iframe src=\"https://player.vimeo.com/video/168580004\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes \"Delicate Power (In The Hands Of Others)\" EP, New Music Video Out Now','','inherit','closed','closed','','14548-revision-v1','','','2016-05-31 09:46:40','2016-05-31 01:46:40','',14548,'http://www.hiddenshoal.com/14548-revision-v1/',0,'revision','',0),(14552,1,'2016-05-31 09:47:52','2016-05-31 01:47:52','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art.jpg\"><img class=\"alignleft size-medium wp-image-14511\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art-300x300.jpg\" alt=\"Delicate Power (In The Hands of Others) Cover Art\" width=\"300\" height=\"300\" /></a>Hidden Shoal is proud to announce <a title=\"Delicate Power (In The Hands Of Others)\" href=\"http://antonymes.bandcamp.com/\" target=\"_blank\"><em>Delicate Power (In The Hands of Others)</em></a>, a new EP by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes </a>featuring the single ‘Delicate Power’.\r\n\r\n‘Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <em>(For Now We See) Through A Glass Dimly</em>. The track showcases Antonymes deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere. The single is accompanied by a gorgeous <a title=\"Vimeo\" href=\"https://vimeo.com/168580004\" target=\"_blank\">music video</a> filmed by the incredible people at Chasing Light and shot on location at a beautiful, hidden otherworld in mid Wales.\r\n\r\nThe hypnotic rhythmic underpinning of ‘Delicate Power’ has invited five magical re-workings on this EP, each with its own subtle majesty. <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a> tease the original into a beautifully orchestrated anti-gravity ballad. <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>’s inimitable skills for re-invention have helped him to create a brooding version that draws heavily on the original’s rhythmic details. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a>’s reinterpretation foregrounds the melodic elements of the original, wedded to gently pulsing electronica. Alongside these three guest remixes, there are two reworkings from Antonymes himself: ‘Delicate Power’ (Waltz For Mary Anne)’ transforms the original into a beautiful, late-night swing, and ‘Delicate Power (Jung’s Drug Drum Waltz)’ lives up to the promise of its title with more heft to its woody rhythms.\r\n\r\n<em>Delicate Power (In The Hands of Others)</em> is available now via Antonymes\' <a title=\"Bandcamp\" href=\"http://antonymes.bandcamp.com/\" target=\"_blank\">Bandcamp </a>and the usual 3rd party online stores. Be sure to check out Antonymes\' sublime new album <em>(For Now We See) Through A Glass Dimly</em> while you\'re there.\r\n<iframe src=\"https://player.vimeo.com/video/168580004\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes \"Delicate Power (In The Hands Of Others)\" EP, New Music Video Out Now','','inherit','closed','closed','','14548-revision-v1','','','2016-05-31 09:47:52','2016-05-31 01:47:52','',14548,'http://www.hiddenshoal.com/14548-revision-v1/',0,'revision','',0),(14553,1,'2016-05-31 09:52:01','2016-05-31 01:52:01','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art.jpg\"><img class=\"alignleft size-medium wp-image-14511\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art-300x300.jpg\" alt=\"Delicate Power (In The Hands of Others) Cover Art\" width=\"300\" height=\"300\" /></a>Hidden Shoal is proud to announce <a title=\"Delicate Power (In The Hands Of Others)\" href=\"http://antonymes.bandcamp.com/\" target=\"_blank\"><em>Delicate Power (In The Hands of Others)</em></a>, a new EP by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes </a>featuring the single ‘<a title=\"Delicate Power\" href=\"https://soundcloud.com/hidden_shoal/antonymes-delicate-power\" target=\"_blank\">Delicate Power</a>’.\r\n\r\n‘Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>. The track showcases Antonymes deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere. The single is accompanied by a gorgeous <a title=\"Vimeo\" href=\"https://vimeo.com/168580004\" target=\"_blank\">music video</a> filmed by the incredible people at Chasing Light and shot on location at a beautiful, hidden otherworld in mid Wales.\r\n\r\nThe hypnotic rhythmic underpinning of ‘Delicate Power’ has invited five magical re-workings on this EP, each with its own subtle majesty. <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a> tease the original into a beautifully orchestrated anti-gravity ballad. <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>’s inimitable skills for re-invention have helped him to create a brooding version that draws heavily on the original’s rhythmic details. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a>’s reinterpretation foregrounds the melodic elements of the original, wedded to gently pulsing electronica. Alongside these three guest remixes, there are two reworkings from Antonymes himself: ‘Delicate Power’ (Waltz For Mary Anne)’ transforms the original into a beautiful, late-night swing, and ‘Delicate Power (Jung’s Drug Drum Waltz)’ lives up to the promise of its title with more heft to its woody rhythms.\r\n\r\n<em>Delicate Power (In The Hands of Others)</em> is available now via Antonymes\' <a title=\"Bandcamp\" href=\"http://antonymes.bandcamp.com/\" target=\"_blank\">Bandcamp </a>and the usual 3rd party online stores. Be sure to check out Antonymes\' sublime new album <em>(For Now We See) Through A Glass Dimly</em> while you\'re there.\r\n<iframe src=\"https://player.vimeo.com/video/168580004\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes \"Delicate Power (In The Hands Of Others)\" EP, New Music Video Out Now','','inherit','closed','closed','','14548-revision-v1','','','2016-05-31 09:52:01','2016-05-31 01:52:01','',14548,'http://www.hiddenshoal.com/14548-revision-v1/',0,'revision','',0),(14554,1,'2016-05-31 10:06:58','2016-05-31 02:06:58','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"301\" height=\"200\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n<a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"https://open.spotify.com/artist/1FXNgc8dxBxW9XQzQBWUj7\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a>   <a href=\"https://geo.itunes.apple.com/us/artist/antonymes/id293029227?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Delicate Power (In The Hand Of Others)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2136674112/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/delicate-power-in-the-hands-of-others\">Delicate Power (In The Hands Of Others) by Antonymes</a></iframe>\r\n31 May 2016\r\n<div></div>\r\n<em>Delicate Power (In The Hands of Others) is</em> the new EP by acclaimed neo-classical ambient artist Antonymes featuring the single ‘Delicate Power’.\r\n\r\n‘Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>. The track showcases Antonymes deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere. The single is accompanied by a gorgeous <a title=\"Vimeo\" href=\"https://vimeo.com/168580004\" target=\"_blank\">music video</a> filmed by the incredible people at Chasing Light and shot on location at a beautiful, hidden otherworld in mid Wales.\r\n\r\nThe hypnotic rhythmic underpinning of ‘Delicate Power’ has invited five magical re-workings on this EP, each with its own subtle majesty. <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a> tease the original into a beautifully orchestrated anti-gravity ballad. <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>’s inimitable skills for re-invention have helped him to create a brooding version that draws heavily on the original’s rhythmic details. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a>’s reinterpretation foregrounds the melodic elements of the original, wedded to gently pulsing electronica. Alongside these three guest remixes, there are two reworkings from Antonymes himself: ‘Delicate Power’ (Waltz For Mary Anne)’ transforms the original into a beautiful, late-night swing, and ‘Delicate Power (Jung’s Drug Drum Waltz)’ lives up to the promise of its title with more heft to its woody rhythms.\r\n\r\n&nbsp;\r\n<h4>(For Now We See) Through A Glass Dimly</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2361958115/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\">(For Now We See) Through A Glass Dimly by Antonymes</a></iframe>\r\n21 April 2016\r\n<div></div>\r\nWhile Ian M. Hazeldine’s discography as Antonymes has always been as far-reaching as it is immediately affecting, there’s a recognisable progression on <em>(For Now We See) Through A Glass Dimly</em>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the body of work that precedes them, drawing you into their evocative world and demanding engagement. Antonymes’ deft minimalism is at play, transcending a superficially melancholy aesthetic to create something truly life-affirming. Its restraint brings to mind the famous quotation from Mark Hollis of seminal band Talk Talk: \"Before you play two notes learn how to play one note – and don\'t play one note unless you\'ve got a reason to play it.\" Including contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, the album’s depth of sound is awe-inspiring.\r\n\r\nThe sonically minimal yet emotionally formidable ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (Bloc Party, Editors and U2), which engage in reflective conversation with Hazeldine’s plaintive piano. Second single ‘Delicate Power’ gently flowers from its hushed origins into a stately piece akin to early Deaf Center. On ‘Elegy (ii)’, the piano gives way to incisive strings and the elegantly dexterous vocals of Joanna Swan (Ilya). ‘Little Emblems of Eternity’ sets the words of British writer Paul Morley, hauntingly intoned by Jan van den Broeke, against an atmospheric backdrop of echoing piano figures. And the title track swells into a magisterial call to arms, ending the album on a suitably triumphant note.\r\n\r\nThe album was mixed by Stefano Guzzetti and Paul Humphreys (OMD), with mastering by Rafael Anton Irisarri (The Sight Below).\r\n<h4>There Can Be No True Beauty Without Decay</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 610px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1056281027/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/there-can-be-no-true-beauty-without-decay\">There Can Be No True Beauty Without Decay by Antonymes</a></iframe>\r\nOctober 2013\r\n<div></div>\r\nIn late 2009 Antonymes released Beauty Becomes the <em>Enemy of the Future</em> on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, <em>There Can Be No True Beauty Without Decay</em>. Hazeldine\'s own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.  (Please note only the [i] tracks are available for licensing).\r\n<h4>Light Dispersed</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2513406585/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/light-dispersed\">Light Dispersed by Antonymes</a></iframe>\r\nFebruary 2012\r\n<div></div>\r\nOriginally released by Hibernate Recordings as a limited edition postcard CD. Recorded at The Lightbox, Hawarden, September 2010.\r\nAntonymes: Guitar, piano, shells, tambourine, prepared piano, organ, frequencies.\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\nOctober 2011\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<h4>Like Rumours Of Hushed Thunder</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1103442133/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/like-rumours-of-hushed-thunder\">Like Rumours Of Hushed Thunder by Antonymes</a></iframe>\r\nMay 2011\r\n\r\nRecorded between Christmas day and new year\'s eve 2011 using:\r\n\r\nSteingraeber 130 upright piano.\r\nAudio Technica AT4033 microphone.\r\nLexicon reverb.\r\nCheap violin.\r\nVoice.\r\n\r\nThis album has been mastered to retain dynamics, not to enhance loudness.  To appreciate these pieces fully, please adjust your volume accordingly or use headphones.\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 185px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\nMay 2011\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\nApril 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.\r\n<h4>31: Before The Light Fails</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4084737592/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/31-before-the-light-fails\">31: Before The Light Fails by Antonymes</a></iframe>\r\nMarch 2010\r\n<div></div>\r\n<em>31: Before The Light Fails Pt.1</em> is a personal photographic diary for May 2010, a reminder of day to day activities throughout a fairly ordinary and typical month in Antonymes\' life. Includes two high quality 35 page PDF booklets, part 1 with 31 black and white photographs. Part 2 with 31 colour photographs, a 4.0 surround sound file of both parts mixed together and Quicktime video.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"13334,10501,13335,13333,8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://player.vimeo.com/video/167053241\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<a href=\"https://vimeo.com/167053241\">Antonymes - Delicate Power (In The Hands of Others) Trailer</a> from <a href=\"https://vimeo.com/hiddenshoal\">Hidden Shoal</a> on <a href=\"https://vimeo.com\">Vimeo</a>.\r\n\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','closed','closed','','8572-revision-v1','','','2016-05-31 10:06:58','2016-05-31 02:06:58','',8572,'http://www.hiddenshoal.com/8572-revision-v1/',0,'revision','',0),(14562,1,'2016-05-31 22:35:30','2016-05-31 14:35:30','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"301\" height=\"200\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n<a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"https://open.spotify.com/artist/1FXNgc8dxBxW9XQzQBWUj7\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a>   <a href=\"https://geo.itunes.apple.com/us/artist/antonymes/id293029227?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Delicate Power (In The Hand Of Others)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2136674112/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/delicate-power-in-the-hands-of-others\">Delicate Power (In The Hands Of Others) by Antonymes</a></iframe>\r\n31 May 2016\r\n<div></div>\r\n<em>Delicate Power (In The Hands of Others) is</em> the new EP by acclaimed neo-classical ambient artist Antonymes featuring the single ‘Delicate Power’.\r\n\r\n‘Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>. The track showcases Antonymes deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere. The single is accompanied by a gorgeous <a title=\"Vimeo\" href=\"https://vimeo.com/168580004\" target=\"_blank\">music video</a> filmed by the incredible people at Chasing Light and shot on location at a beautiful, hidden otherworld in mid Wales.\r\n\r\nThe hypnotic rhythmic underpinning of ‘Delicate Power’ has invited five magical re-workings on this EP, each with its own subtle majesty. <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a> tease the original into a beautifully orchestrated anti-gravity ballad. <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>’s inimitable skills for re-invention have helped him to create a brooding version that draws heavily on the original’s rhythmic details. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a>’s reinterpretation foregrounds the melodic elements of the original, wedded to gently pulsing electronica. Alongside these three guest remixes, there are two reworkings from Antonymes himself: ‘Delicate Power’ (Waltz For Mary Anne)’ transforms the original into a beautiful, late-night swing, and ‘Delicate Power (Jung’s Drug Drum Waltz)’ lives up to the promise of its title with more heft to its woody rhythms.\r\n\r\n&nbsp;\r\n<h4>(For Now We See) Through A Glass Dimly</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2361958115/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\">(For Now We See) Through A Glass Dimly by Antonymes</a></iframe>\r\n21 April 2016\r\n<div></div>\r\nWhile Ian M. Hazeldine’s discography as Antonymes has always been as far-reaching as it is immediately affecting, there’s a recognisable progression on <em>(For Now We See) Through A Glass Dimly</em>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the body of work that precedes them, drawing you into their evocative world and demanding engagement. Antonymes’ deft minimalism is at play, transcending a superficially melancholy aesthetic to create something truly life-affirming. Its restraint brings to mind the famous quotation from Mark Hollis of seminal band Talk Talk: \"Before you play two notes learn how to play one note – and don\'t play one note unless you\'ve got a reason to play it.\" Including contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, the album’s depth of sound is awe-inspiring.\r\n\r\nThe sonically minimal yet emotionally formidable ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (Bloc Party, Editors and U2), which engage in reflective conversation with Hazeldine’s plaintive piano. Second single ‘Delicate Power’ gently flowers from its hushed origins into a stately piece akin to early Deaf Center. On ‘Elegy (ii)’, the piano gives way to incisive strings and the elegantly dexterous vocals of Joanna Swan (Ilya). ‘Little Emblems of Eternity’ sets the words of British writer Paul Morley, hauntingly intoned by Jan van den Broeke, against an atmospheric backdrop of echoing piano figures. And the title track swells into a magisterial call to arms, ending the album on a suitably triumphant note.\r\n\r\nThe album was mixed by Stefano Guzzetti and Paul Humphreys (OMD), with mastering by Rafael Anton Irisarri (The Sight Below).\r\n\r\n&nbsp;\r\n<h4>There Can Be No True Beauty Without Decay</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 610px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1056281027/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/there-can-be-no-true-beauty-without-decay\">There Can Be No True Beauty Without Decay by Antonymes</a></iframe>\r\nOctober 2013\r\n<div></div>\r\nIn late 2009 Antonymes released Beauty Becomes the <em>Enemy of the Future</em> on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, <em>There Can Be No True Beauty Without Decay</em>. Hazeldine\'s own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.  (Please note only the [i] tracks are available for licensing).\r\n\r\n&nbsp;\r\n<h4>Light Dispersed</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2513406585/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/light-dispersed\">Light Dispersed by Antonymes</a></iframe>\r\nFebruary 2012\r\n<div></div>\r\nOriginally released by Hibernate Recordings as a limited edition postcard CD. Recorded at The Lightbox, Hawarden, September 2010.\r\nAntonymes: Guitar, piano, shells, tambourine, prepared piano, organ, frequencies.\r\n\r\n&nbsp;\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\nOctober 2011\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n\r\n&nbsp;\r\n<h4>Like Rumours Of Hushed Thunder</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1103442133/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/like-rumours-of-hushed-thunder\">Like Rumours Of Hushed Thunder by Antonymes</a></iframe>\r\nMay 2011\r\n\r\nRecorded between Christmas day and new year\'s eve 2011 using:\r\n\r\nSteingraeber 130 upright piano.\r\nAudio Technica AT4033 microphone.\r\nLexicon reverb.\r\nCheap violin.\r\nVoice.\r\n\r\nThis album has been mastered to retain dynamics, not to enhance loudness.  To appreciate these pieces fully, please adjust your volume accordingly or use headphones.\r\n\r\n&nbsp;\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 185px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\nMay 2011\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n\r\n&nbsp;\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\nApril 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.\r\n\r\n&nbsp;\r\n<h4>31: Before The Light Fails</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4084737592/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/31-before-the-light-fails\">31: Before The Light Fails by Antonymes</a></iframe>\r\nMarch 2010\r\n<div></div>\r\n<em>31: Before The Light Fails Pt.1</em> is a personal photographic diary for May 2010, a reminder of day to day activities throughout a fairly ordinary and typical month in Antonymes\' life. Includes two high quality 35 page PDF booklets, part 1 with 31 black and white photographs. Part 2 with 31 colour photographs, a 4.0 surround sound file of both parts mixed together and Quicktime video.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"13334,10501,13335,13333,8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/1acwdwznPlw?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','closed','closed','','8572-revision-v1','','','2016-05-31 22:35:30','2016-05-31 14:35:30','',8572,'http://www.hiddenshoal.com/8572-revision-v1/',0,'revision','',0),(14555,1,'2016-05-31 10:20:41','2016-05-31 02:20:41','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"301\" height=\"200\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n<a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"https://open.spotify.com/artist/1FXNgc8dxBxW9XQzQBWUj7\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a>   <a href=\"https://geo.itunes.apple.com/us/artist/antonymes/id293029227?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Delicate Power (In The Hand Of Others)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2136674112/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/delicate-power-in-the-hands-of-others\">Delicate Power (In The Hands Of Others) by Antonymes</a></iframe>\r\n31 May 2016\r\n<div></div>\r\n<em>Delicate Power (In The Hands of Others) is</em> the new EP by acclaimed neo-classical ambient artist Antonymes featuring the single ‘Delicate Power’.\r\n\r\n‘Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>. The track showcases Antonymes deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere. The single is accompanied by a gorgeous <a title=\"Vimeo\" href=\"https://vimeo.com/168580004\" target=\"_blank\">music video</a> filmed by the incredible people at Chasing Light and shot on location at a beautiful, hidden otherworld in mid Wales.\r\n\r\nThe hypnotic rhythmic underpinning of ‘Delicate Power’ has invited five magical re-workings on this EP, each with its own subtle majesty. <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a> tease the original into a beautifully orchestrated anti-gravity ballad. <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>’s inimitable skills for re-invention have helped him to create a brooding version that draws heavily on the original’s rhythmic details. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a>’s reinterpretation foregrounds the melodic elements of the original, wedded to gently pulsing electronica. Alongside these three guest remixes, there are two reworkings from Antonymes himself: ‘Delicate Power’ (Waltz For Mary Anne)’ transforms the original into a beautiful, late-night swing, and ‘Delicate Power (Jung’s Drug Drum Waltz)’ lives up to the promise of its title with more heft to its woody rhythms.\r\n\r\n&nbsp;\r\n<h4>(For Now We See) Through A Glass Dimly</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2361958115/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\">(For Now We See) Through A Glass Dimly by Antonymes</a></iframe>\r\n21 April 2016\r\n<div></div>\r\nWhile Ian M. Hazeldine’s discography as Antonymes has always been as far-reaching as it is immediately affecting, there’s a recognisable progression on <em>(For Now We See) Through A Glass Dimly</em>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the body of work that precedes them, drawing you into their evocative world and demanding engagement. Antonymes’ deft minimalism is at play, transcending a superficially melancholy aesthetic to create something truly life-affirming. Its restraint brings to mind the famous quotation from Mark Hollis of seminal band Talk Talk: \"Before you play two notes learn how to play one note – and don\'t play one note unless you\'ve got a reason to play it.\" Including contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, the album’s depth of sound is awe-inspiring.\r\n\r\nThe sonically minimal yet emotionally formidable ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (Bloc Party, Editors and U2), which engage in reflective conversation with Hazeldine’s plaintive piano. Second single ‘Delicate Power’ gently flowers from its hushed origins into a stately piece akin to early Deaf Center. On ‘Elegy (ii)’, the piano gives way to incisive strings and the elegantly dexterous vocals of Joanna Swan (Ilya). ‘Little Emblems of Eternity’ sets the words of British writer Paul Morley, hauntingly intoned by Jan van den Broeke, against an atmospheric backdrop of echoing piano figures. And the title track swells into a magisterial call to arms, ending the album on a suitably triumphant note.\r\n\r\nThe album was mixed by Stefano Guzzetti and Paul Humphreys (OMD), with mastering by Rafael Anton Irisarri (The Sight Below).\r\n\r\n&nbsp;\r\n<h4>There Can Be No True Beauty Without Decay</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 610px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1056281027/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/there-can-be-no-true-beauty-without-decay\">There Can Be No True Beauty Without Decay by Antonymes</a></iframe>\r\nOctober 2013\r\n<div></div>\r\nIn late 2009 Antonymes released Beauty Becomes the <em>Enemy of the Future</em> on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, <em>There Can Be No True Beauty Without Decay</em>. Hazeldine\'s own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.  (Please note only the [i] tracks are available for licensing).\r\n\r\n&nbsp;\r\n<h4>Light Dispersed</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2513406585/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/light-dispersed\">Light Dispersed by Antonymes</a></iframe>\r\nFebruary 2012\r\n<div></div>\r\nOriginally released by Hibernate Recordings as a limited edition postcard CD. Recorded at The Lightbox, Hawarden, September 2010.\r\nAntonymes: Guitar, piano, shells, tambourine, prepared piano, organ, frequencies.\r\n\r\n&nbsp;\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\nOctober 2011\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n\r\n&nbsp;\r\n<h4>Like Rumours Of Hushed Thunder</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1103442133/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/like-rumours-of-hushed-thunder\">Like Rumours Of Hushed Thunder by Antonymes</a></iframe>\r\nMay 2011\r\n\r\nRecorded between Christmas day and new year\'s eve 2011 using:\r\n\r\nSteingraeber 130 upright piano.\r\nAudio Technica AT4033 microphone.\r\nLexicon reverb.\r\nCheap violin.\r\nVoice.\r\n\r\nThis album has been mastered to retain dynamics, not to enhance loudness.  To appreciate these pieces fully, please adjust your volume accordingly or use headphones.\r\n\r\n&nbsp;\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 185px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\nMay 2011\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n\r\n&nbsp;\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\nApril 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.\r\n\r\n&nbsp;\r\n<h4>31: Before The Light Fails</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4084737592/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/31-before-the-light-fails\">31: Before The Light Fails by Antonymes</a></iframe>\r\nMarch 2010\r\n<div></div>\r\n<em>31: Before The Light Fails Pt.1</em> is a personal photographic diary for May 2010, a reminder of day to day activities throughout a fairly ordinary and typical month in Antonymes\' life. Includes two high quality 35 page PDF booklets, part 1 with 31 black and white photographs. Part 2 with 31 colour photographs, a 4.0 surround sound file of both parts mixed together and Quicktime video.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"13334,10501,13335,13333,8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://player.vimeo.com/video/167053241\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<a href=\"https://vimeo.com/167053241\">Antonymes - Delicate Power (In The Hands of Others) Trailer</a> from <a href=\"https://vimeo.com/hiddenshoal\">Hidden Shoal</a> on <a href=\"https://vimeo.com\">Vimeo</a>.\r\n\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','closed','closed','','8572-revision-v1','','','2016-05-31 10:20:41','2016-05-31 02:20:41','',8572,'http://www.hiddenshoal.com/8572-revision-v1/',0,'revision','',0),(14556,1,'2016-05-31 10:21:42','2016-05-31 02:21:42','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14511\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art-300x300.jpg\" alt=\"Delicate Power (In The Hands of Others) Cover Art\" width=\"312\" height=\"312\" /></a>Hidden Shoal is proud to announce <a title=\"Delicate Power (In The Hands Of Others)\" href=\"http://antonymes.bandcamp.com/\" target=\"_blank\"><em>Delicate Power (In The Hands of Others)</em></a>, a new EP by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes </a>featuring the single ‘<a title=\"Delicate Power\" href=\"https://soundcloud.com/hidden_shoal/antonymes-delicate-power\" target=\"_blank\">Delicate Power</a>’.\r\n\r\n‘Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>. The track showcases Antonymes deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere. The single is accompanied by a gorgeous <a title=\"Vimeo\" href=\"https://vimeo.com/168580004\" target=\"_blank\">music video</a> filmed by the incredible people at Chasing Light and shot on location at a beautiful, hidden otherworld in mid Wales.\r\n\r\nThe hypnotic rhythmic underpinning of ‘Delicate Power’ has invited five magical re-workings on this EP, each with its own subtle majesty. <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a> tease the original into a beautifully orchestrated anti-gravity ballad. <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>’s inimitable skills for re-invention have helped him to create a brooding version that draws heavily on the original’s rhythmic details. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a>’s reinterpretation foregrounds the melodic elements of the original, wedded to gently pulsing electronica. Alongside these three guest remixes, there are two reworkings from Antonymes himself: ‘Delicate Power’ (Waltz For Mary Anne)’ transforms the original into a beautiful, late-night swing, and ‘Delicate Power (Jung’s Drug Drum Waltz)’ lives up to the promise of its title with more heft to its woody rhythms.\r\n\r\n<em>Delicate Power (In The Hands of Others)</em> is available now via Antonymes\' <a title=\"Bandcamp\" href=\"http://antonymes.bandcamp.com/\" target=\"_blank\">Bandcamp </a>and the usual 3rd party online stores. Be sure to check out Antonymes\' sublime new album <em>(For Now We See) Through A Glass Dimly</em> while you\'re there.\r\n<iframe src=\"https://player.vimeo.com/video/168580004\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes \"Delicate Power (In The Hands Of Others)\" EP, New Music Video Out Now','','inherit','closed','closed','','14548-revision-v1','','','2016-05-31 10:21:42','2016-05-31 02:21:42','',14548,'http://www.hiddenshoal.com/14548-revision-v1/',0,'revision','',0),(14557,1,'2016-05-31 10:23:52','2016-05-31 02:23:52','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14511\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/05/Delicate-Power-In-The-Hands-of-Others-Cover-Art-300x300.jpg\" alt=\"Delicate Power (In The Hands of Others) Cover Art\" width=\"312\" height=\"312\" /></a>Hidden Shoal is proud to announce <a title=\"Delicate Power (In The Hands Of Others)\" href=\"http://antonymes.bandcamp.com/\" target=\"_blank\"><em>Delicate Power (In The Hands of Others)</em></a>, a new EP by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes </a>featuring the single ‘<a title=\"Delicate Power\" href=\"https://soundcloud.com/hidden_shoal/antonymes-delicate-power\" target=\"_blank\">Delicate Power</a>’.\r\n\r\n‘Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>. The track showcases Antonymes deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere. The single is accompanied by a gorgeous <a title=\"Vimeo\" href=\"https://vimeo.com/168580004\" target=\"_blank\">music video</a> filmed by the incredible people at Chasing Light and shot on location at a beautiful, hidden otherworld in mid Wales.\r\n\r\nThe hypnotic rhythmic underpinning of ‘Delicate Power’ has invited five magical re-workings on this EP, each with its own subtle majesty. <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a> tease the original into a beautifully orchestrated anti-gravity ballad. <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>’s inimitable skills for re-invention have helped him to create a brooding version that draws heavily on the original’s rhythmic details. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a>’s reinterpretation foregrounds the melodic elements of the original, wedded to gently pulsing electronica. Alongside these three guest remixes, there are two reworkings from Antonymes himself: ‘Delicate Power’ (Waltz For Mary Anne)’ transforms the original into a beautiful, late-night swing, and ‘Delicate Power (Jung’s Drug Drum Waltz)’ lives up to the promise of its title with more heft to its woody rhythms.\r\n\r\n<em>Delicate Power (In The Hands of Others)</em> is available now via Antonymes\' <a title=\"Bandcamp\" href=\"http://antonymes.bandcamp.com/\" target=\"_blank\">Bandcamp </a>and the usual 3rd party online stores. Be sure to check out Antonymes\' sublime new album <em>(For Now We See) Through A Glass Dimly</em> while you\'re there.\r\n\r\n<iframe src=\"https://player.vimeo.com/video/168580004\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>','Antonymes \"Delicate Power (In The Hands Of Others)\" EP, New Music Video','','inherit','closed','closed','','14548-revision-v1','','','2016-05-31 10:23:52','2016-05-31 02:23:52','',14548,'http://www.hiddenshoal.com/14548-revision-v1/',0,'revision','',0),(14604,1,'2016-06-09 07:34:56','2016-06-08 23:34:56','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/06/Anthem-Cover-1000px.jpg\"><img class=\"alignleft  wp-image-14609\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/06/Anthem-Cover-1000px-300x300.jpg\" alt=\"Arc Lab &quot;Anthem&quot;\" width=\"221\" height=\"221\" /></a>We\'re very excited to announce the release of \'<a title=\"Through The Burning Glass\" href=\"https://soundcloud.com/hidden_shoal/arc-lab-through-the-burning-glass\" target=\"_blank\">Through The Burning Glass</a>\', the first single lifted from the forthcoming <a title=\"Arc Lab\" href=\"http://www.hiddenshoal.com/project/arc-lab/\">Arc Lab</a> album <em><a title=\"Anthem Pre-Orders\" href=\"https://medardfischer.bandcamp.com/album/anthem\" target=\"_blank\">Anthem</a>. </em>On ‘Through the Burning Glass’, <a title=\"Medard Fischer\" href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a> draws inspiration from the majesty of <em>Geogaddi</em>-era Boards of Canada and lends it his own unique twist. Combining deep, propulsive beats with a shifting matrix of synths, the track’s soaring trajectory is truly something to behold.\r\n\r\nAfter years away, <a href=\"http://www.hiddenshoal.com/project/medard-fischer/\">Medard Fischer</a>’s <a href=\"http://www.hiddenshoal.com/project/arc-lab/\">Arc Lab</a> project returns with <em>Anthem</em>, a retrofuturistic sci-fi travelogue. Folding classic analogue timbres and detuned FM ambience over fragmented radio broadcasts, forgotten NASA program materials and layers of deep space noise, <em>Anthem</em> is in turns menacing and contemplative, forbidding and epic. The album shifts between claustrophobic tension and widescreen, cinematic expanse. Crushes of static and thundering percussion sit alongside diminutive synth studies, all plotted against an almost palpable narrative of anxiety, struggle and, ultimately, salvation. It’s the grandeur of classic space opera, refracting darkly through a contemporary lens. <em>Anthem</em> sees release through Hidden Shoal on 28th July.\r\n\r\n<em>“…one of the most original releases in the IDM field in some time…confounding the set-in-stone rules of a stagnant IDM genre”</em> – <strong>[sic] Magazine on <em>The Goodbye Radio</em></strong>\r\n\r\n<em>Anthem</em> will see release through Hidden Shoal on the 28th of July with pre-orders now available via <a title=\"Bandcamp\" href=\"https://medardfischer.bandcamp.com/album/anthem\" target=\"_blank\">Bandcamp</a>. First single, \'Through The Burning Glass\', is available now for streaming via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/arc-lab-through-the-burning-glass\" target=\"_blank\">SoundCloud </a>and a beautiful album video teaser is available for streaming at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=V0vJH-u3NJQ\" target=\"_blank\">YouTube </a>and <a title=\"Vimeo\" href=\"https://vimeo.com/169479648\" target=\"_blank\">Vimeo</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/267766096&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Arc Lab Single, Album Pre-Orders & Video Teaser','','publish','closed','closed','','new-arc-lab-single-and-album-video-teaser','','','2016-08-23 17:36:27','2016-08-23 09:36:27','',0,'http://www.hiddenshoal.com/?p=14604',0,'post','',0),(14560,1,'2016-05-31 11:58:38','2016-05-31 03:58:38','\"For those who are unaccustomed to the work of Erik Nilsson, the recent reissue of his debut album ‘Recollage’ will certainly coming as something of an unexpected treat. It’s an album that often seems to have been unfairly eclipsed by the progressive sounds of successor, 2015’s ‘Hearing Things’, but in this new re-release by Hidden Shoal, ‘Recollage’ is brought back into the spotlight, letting it shine once again as a unique and unhindered triumph.\r\n\r\nAn album filled with a joyous and vibrant sense of playfulness, the re-issue of ‘Recollage’ brings together nine tracks (eight re-mastered and one original version) of skillfully blended electronics, live instruments, and field recordings, all of which are tussled, tossed and twisted through a series of digital manipulations. The end result is an expanding horizon of dizzying, technically precise instrumentals that are emotionally charged and brilliantly balanced.\r\n\r\nFragmented by sporadic, glitch bursts of open space, ‘Recollage’ was always a thoroughly unique spectacle, but with the re-issue has come a burst of extra instrumentation and a full re-mastering, and it’s taken the album from mesmerising to break-taking. The added flourishes and clarity has made ‘Recollage’ brighter, more vibrant, and more exciting than ever, offering a greater depth and a completely captivating experience.\r\n\r\nThe reissue of ‘Recollage’ has brought renewed life and colour to the old classic, and it’s amazing to revisit such a precious debut. 9/10\"\r\n\r\n- <a title=\"Anthem\" href=\"http://www.anthemreview.net/post/144752369355/erik-nilsson-recollage-reissue-for-those-who\" target=\"_blank\"><strong>Anthem</strong></a>','Erik Nilsson \"Recollage\" Reviewed at Anthem','For those who are unaccustomed to the work of Erik Nilsson, the recent reissue of his debut album ‘Recollage’ will certainly coming as something of an unexpected treat. It’s an album that often seems to have been unfairly eclipsed by the progressive sounds of successor, 2015’s ‘Hearing Things’, but in this new re-release by Hidden Shoal, ‘Recollage’ is brought back into the spotlight, letting it shine once again as a unique and unhindered triumph.\r\n\r\nAn album filled with a joyous and vibrant sense of playfulness, the re-issue of ‘Recollage’ brings together nine tracks (eight re-mastered and one original version) of skillfully blended electronics, live instruments, and field recordings, all of which are tussled, tossed and twisted through a series of digital manipulations. The end result is an expanding horizon of dizzying, technically precise instrumentals that are emotionally charged and brilliantly balanced.\r\n\r\nFragmented by sporadic, glitch bursts of open space, ‘Recollage’ was always a thoroughly unique spectacle, but with the re-issue has come a burst of extra instrumentation and a full re-mastering, and it’s taken the album from mesmerising to break-taking. The added flourishes and clarity has made ‘Recollage’ brighter, more vibrant, and more exciting than ever, offering a greater depth and a completely captivating experience.\r\n\r\nThe reissue of ‘Recollage’ has brought renewed life and colour to the old classic, and it’s amazing to revisit such a precious debut. 9/10','publish','closed','closed','','erik-nilsson-recollage-reviewed-at-anthem','','','2016-05-31 11:58:38','2016-05-31 03:58:38','',0,'http://www.hiddenshoal.com/?p=14560',0,'post','',0),(14561,1,'2016-05-31 11:58:38','2016-05-31 03:58:38','\"For those who are unaccustomed to the work of Erik Nilsson, the recent reissue of his debut album ‘Recollage’ will certainly coming as something of an unexpected treat. It’s an album that often seems to have been unfairly eclipsed by the progressive sounds of successor, 2015’s ‘Hearing Things’, but in this new re-release by Hidden Shoal, ‘Recollage’ is brought back into the spotlight, letting it shine once again as a unique and unhindered triumph.\r\n\r\nAn album filled with a joyous and vibrant sense of playfulness, the re-issue of ‘Recollage’ brings together nine tracks (eight re-mastered and one original version) of skillfully blended electronics, live instruments, and field recordings, all of which are tussled, tossed and twisted through a series of digital manipulations. The end result is an expanding horizon of dizzying, technically precise instrumentals that are emotionally charged and brilliantly balanced.\r\n\r\nFragmented by sporadic, glitch bursts of open space, ‘Recollage’ was always a thoroughly unique spectacle, but with the re-issue has come a burst of extra instrumentation and a full re-mastering, and it’s taken the album from mesmerising to break-taking. The added flourishes and clarity has made ‘Recollage’ brighter, more vibrant, and more exciting than ever, offering a greater depth and a completely captivating experience.\r\n\r\nThe reissue of ‘Recollage’ has brought renewed life and colour to the old classic, and it’s amazing to revisit such a precious debut. 9/10\"\r\n\r\n- <a title=\"Anthem\" href=\"http://www.anthemreview.net/post/144752369355/erik-nilsson-recollage-reissue-for-those-who\" target=\"_blank\"><strong>Anthem</strong></a>','Erik Nilsson \"Recollage\" Reviewed at Anthem','For those who are unaccustomed to the work of Erik Nilsson, the recent reissue of his debut album ‘Recollage’ will certainly coming as something of an unexpected treat. It’s an album that often seems to have been unfairly eclipsed by the progressive sounds of successor, 2015’s ‘Hearing Things’, but in this new re-release by Hidden Shoal, ‘Recollage’ is brought back into the spotlight, letting it shine once again as a unique and unhindered triumph.\r\n\r\nAn album filled with a joyous and vibrant sense of playfulness, the re-issue of ‘Recollage’ brings together nine tracks (eight re-mastered and one original version) of skillfully blended electronics, live instruments, and field recordings, all of which are tussled, tossed and twisted through a series of digital manipulations. The end result is an expanding horizon of dizzying, technically precise instrumentals that are emotionally charged and brilliantly balanced.\r\n\r\nFragmented by sporadic, glitch bursts of open space, ‘Recollage’ was always a thoroughly unique spectacle, but with the re-issue has come a burst of extra instrumentation and a full re-mastering, and it’s taken the album from mesmerising to break-taking. The added flourishes and clarity has made ‘Recollage’ brighter, more vibrant, and more exciting than ever, offering a greater depth and a completely captivating experience.\r\n\r\nThe reissue of ‘Recollage’ has brought renewed life and colour to the old classic, and it’s amazing to revisit such a precious debut. 9/10','inherit','closed','closed','','14560-revision-v1','','','2016-05-31 11:58:38','2016-05-31 03:58:38','',14560,'http://www.hiddenshoal.com/14560-revision-v1/',0,'revision','',0),(14563,1,'2016-05-31 22:40:57','2016-05-31 14:40:57','https://www.youtube.com/watch?v=1acwdwznPlw\r\n\r\n\'Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <a title=\"(For Now We See) Through A Glass Dimly\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><em>(For Now We See) Through A Glass Dimly</em></a>. The track showcases Antonymes\' deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere.','Antonymes - \'Delicate Power\'','  ','publish','closed','closed','','antonymes-delicate-power','','','2016-07-12 13:27:24','2016-07-12 05:27:24','',0,'http://www.hiddenshoal.com/?p=14563',0,'post','',0),(14564,1,'2016-05-31 22:40:57','2016-05-31 14:40:57','https://www.youtube.com/watch?v=1acwdwznPlw\r\n\r\n\'Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <a title=\"(For Now We See) Through A Glass Dimly\" href=\"http://www.hiddenshoal.com/project/antonymes/\"><em>(For Now We See) Through A Glass Dimly</em></a>. The track showcases Antonymes\' deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere.','Antonymes \'Delicate Power\'','  ','inherit','closed','closed','','14563-revision-v1','','','2016-05-31 22:40:57','2016-05-31 14:40:57','',14563,'http://www.hiddenshoal.com/14563-revision-v1/',0,'revision','',0),(14565,1,'2016-05-31 22:46:08','2016-05-31 14:46:08','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2608530510/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/album/recollage\">Recollage by Erik Nilsson</a></iframe><em>\r\nRecollage\r\n</em>by <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3657521899/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://dbailey.bandcamp.com/album/isometrik-ep\">Isometrik EP by Daniel Bailey, Glanko</a></iframe>\r\n<em>Isometrik</em>\r\nby<a title=\"Glanko &amp; Daniel Bailey\" href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"> Glanko &amp; Daniel Bailey</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=799048543/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/re-directed\">RE DIRECTED by Markus Mehr</a></iframe>\r\n<em>Re-Directed</em>\r\nby <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2136674112/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/delicate-power-in-the-hands-of-others\">Delicate Power (In The Hands Of Others) by Antonymes</a></iframe>\r\n<em>Delicate Power (In The Hands Of Others)</em>\r\nby <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal Publishing is an Australia-based independent music publisher &amp; label releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2016-05-31 22:46:08','2016-05-31 14:46:08','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0),(14566,1,'2016-05-31 22:47:46','2016-05-31 14:47:46','[et_pb_section fullwidth=\"off\" specialty=\"off\" background_color=\"#000000\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Releases</h1>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2136674112/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/delicate-power-in-the-hands-of-others\">Delicate Power (In The Hands Of Others) by Antonymes</a></iframe>\r\n<em>Delicate Power (In The Hands Of Others)</em>\r\nby <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2608530510/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://eriknilsson.bandcamp.com/album/recollage\">Recollage by Erik Nilsson</a></iframe><em>\r\nRecollage\r\n</em>by <a title=\"Erik Nilsson\" href=\"http://www.hiddenshoal.com/project/erik-nilsson/\">Erik Nilsson</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3657521899/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://dbailey.bandcamp.com/album/isometrik-ep\">Isometrik EP by Daniel Bailey, Glanko</a></iframe>\r\n<em>Isometrik</em>\r\nby<a title=\"Glanko &amp; Daniel Bailey\" href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\"> Glanko &amp; Daniel Bailey</a></h4>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h4 style=\"text-align: center;\"><iframe style=\"border: 0; width: 220px; height: 220px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=799048543/size=large/bgcol=333333/linkcol=ffffff/minimal=true/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://markusmehr.bandcamp.com/album/re-directed\">RE DIRECTED by Markus Mehr</a></iframe>\r\n<em>Re-Directed</em>\r\nby <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a></h4>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest News Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest News &amp; Features</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest News\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2126,5\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][et_pb_cta admin_label=\"More News Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/news/\" button_text=\"More News\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Featured Videos Title\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Featured Videos</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Featured Videos\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"2134\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"off\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" /][et_pb_cta admin_label=\"More Videos Button\" use_background_color=\"off\" background_color=\"#2EA3F2\" background_layout=\"dark\" text_orientation=\"center\" button_url=\"http://www.hiddenshoal.com/hsr-tv/\" button_text=\"More Videos\" /][et_pb_divider admin_label=\"Divider\" color=\"#f4f4f4\" show_divider=\"on\" /][et_pb_text admin_label=\"Latest Reviews\" background_layout=\"dark\" text_orientation=\"left\"]\r\n<h1>Latest Reviews</h1>\r\n[/et_pb_text][et_pb_blog admin_label=\"Latest Reviews\" fullwidth=\"off\" posts_number=\"6\" include_categories=\"8\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"off\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"off\" background_layout=\"dark\" module_id=\"blogfront\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h6 style=\"text-align: center;\">Hidden Shoal Publishing is an Australia-based independent music publisher &amp; label releasing and licensing music for film, tv, games and web.</h6>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Hidden Shoal','','inherit','closed','closed','','7982-revision-v1','','','2016-05-31 22:47:46','2016-05-31 14:47:46','',7982,'http://www.hiddenshoal.com/7982-revision-v1/',0,'revision','',0);
