(14122,1,'2016-02-03 16:41:13','2016-02-03 08:41:13','<img class=\"alignleft\" title=\"Umpire - \'Supply Chins\'\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/large/supplychins_LRG.jpg\" alt=\"\" width=\"184\" height=\"184\" />Hidden Shoal Recordings is excited to announce the release of ‘<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=191\">Supply Chins</a>’, the second single from Perth’s widescreen indie-rock craftsmen <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a>, taken from their brilliant 2011 debut album<em> <a href=\"http://hsrlink.me/umpire_music\">Now We’re Active</a></em>.\n\nOn an album crammed to breaking point with hooks, ‘Supply Chins’ has perhaps the catchiest hooks of all. Alternating between a massive fist-pumping chorus and reflective verses, the song builds towards a breathtaking climax punctuated by sumptuous horns, weaving vocals and driving guitars. This is indie-rock at its most unashamedly anthemic.\n\nUmpire combine sprawling indie-rock sounds with reflective melancholy, expertly wielding massive sun-drenched melodies, serpentine guitar parts and soaring vocals to spectacular effect. From singles ‘Green Light District’ and ‘Supply Chins’ through the chiming guitar surge of ‘The Canyon’ to gorgeous finale ‘Cyclones Into Sunshowers’, <em>Now We’re Active</em> is a stunning release, as expansive as it is propulsive, as heartbreaking as it is life-affirming.\n\n\'Supply Chins\' is available now as a <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=191\">free download</a> from the Hidden Shoal Store where you\'ll also find Umpire\'s amazing debut album <em><a href=\"http://hsrlink.me/umpire_music\">Now We’re Active</a>. </em>For more info read a full press release <a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Umpire-Supply_Chins_Single.pdf\">here</a>.\n\n[soundcloud params=\"auto_play=false&amp;show_comments=false\"]http://soundcloud.com/hidden_shoal/umpire-supply-chins[/soundcloud]\nUmpire - \'Supply Chins\'\n\n<strong> </strong><strong> </strong>\n\n<strong> </strong>\n\n<strong> </strong>\n\n<a href=\"http://hiddenshoal.info/Umpire-Now_Were_Active_Press_Pack.zip\"></a>','New Umpire Single - Free Download','','inherit','closed','closed','','4811-revision-v1','','','2016-02-03 16:41:13','2016-02-03 08:41:13','',4811,'http://www.hiddenshoal.com/4811-revision-v1/',0,'revision','',0),(14123,1,'2016-02-03 16:41:13','2016-02-03 08:41:13','<img src=\"http://www.hiddenshoal.com/wp-content/uploads/2011/04/umpire.jpg\" alt=\"\" width=\"175\" height=\"141\" align=\"left\" />Hidden Shoal Recordings is proud to announce the release of new single ‘<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=168\">Green Light District</a>’ by Perth’s widescreen indie-rock craftsmen <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a>.   ‘Green Light District’ marries Umpire’s sprawling indie-rock sounds and reflective melancholy, providing the instant gratification of massive sun-drenched melodies and soaring vocals. The track is taken from Umpire’s forthcoming debut album <em>Now We’re Active</em>, the band’s first release to feature new drummer Josh Watkins, and produced at Umpire’s own studio by bass player Simon Struthers.\n\n\'Green Light District\' follows up the band\'s self-titled EP of 2009, which featured the standout track ‘Streamers’. ‘Streamers’ received rave reviews and achieved widespread high rotation airplay across Australian radio including national broadcaster Triple J. The track also took out the grand prize in the WAM Song of the Year in 2009.\n\n<em>“manages to completely avoid every current trend being flogged at  the moment to approach a timelessness that rewards upon repeated  listens”</em> – <strong>The Vine on Umpire’s debut EP </strong>\n\n<em>“A song I can’t get out of my head. A wonderful place to be.”</em> – <strong>Richard Kingsmill on ‘Streamers’ </strong>\n\n<em>“Record of the year thus far no doubt.”</em> – <strong>X-Press Magazine on Umpire’s debut EP</strong>\n\n‘Green Light District’ is available now for <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=168\">free download from the Hidden Shoal Store</a>. Umpire launch their single in Perth on 23 April at Amplifier Bar. Their debut full-length <em>Now We’re Active</em> receives its Australian CD release and digital release on 2 June, and international CD release on 14 July. The Australian album launch will take place in Perth at the Rosemount on 4th of June. Umpire will be touring Australia during July and August. Check the <a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Umpire-Green_Light_District.pdf\">press release</a> for more details.','New Umpire Single Out Now - Free Download','','inherit','closed','closed','','3693-revision-v1','','','2016-02-03 16:41:13','2016-02-03 08:41:13','',3693,'http://www.hiddenshoal.com/3693-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (14124,1,'2016-02-03 16:41:13','2016-02-03 08:41:13','<img class=\"alignleft\" title=\"Umpire\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2011/04/umpire.jpg\" alt=\"\" width=\"175\" height=\"141\" />Thanks to the wonderfully talented Perth based director Robert Livings we\'re excited to present the official music video for <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire\'s</a> latest single \'<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=168\">Green Light District</a>\'. For the uninitiated, the track marries Umpire’s sprawling indie-rock sounds  and reflective melancholy, providing the instant gratification of  massive sun-drenched melodies and soaring vocals. \'Green Light District\' is lifted from Umpire’s forthcoming debut album <em>Now We’re Active</em> out in Australia June 2nd and everywhere else July 14th.\n\n<em>“Umpire’s breezy wide-panned progressive rock – smothered in buttery, reverberating humbucker tone – puts you in a daze ... the full-length is one Ill be sticking on as soon as it drops”</em> – <strong>Rave Magazine on ‘Green Light District’, their Single of the Week</strong>\n\n<em>“Once again we’re blessed with another amazing band brought to us by Hidden Shoal Recordings... the single is upbeat and poppy with a chorus that wails, featuring a guitar line mid-way through the song that would make Sonic Youth bow their heads. If this track is in any way a sign of things to come, then rest assured that when the album hits, it’ll leave fans mesmerized.”</em> – <strong>DOA on ‘Green Light District’</strong>\n\nThe video is available in glorious HD at both <a href=\"http://www.youtube.com/watch?v=w8Ii0yu1UjU\" target=\"_blank\">Youtube</a> and <a href=\"http://vimeo.com/24267111\">Vimeo</a> and you can download the track for free <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=168\">here</a>. A full press release for the single is also available <a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Umpire-Green_Light_District.pdf\">here</a>.\n\n<strong><code>[kml_flashembed movie=\"http://www.youtube.com/v/w8Ii0yu1UjU\" width=\"425\" height=\"344\" allowfullscreen=\"true\" fvars=\"fs=1\" /]</code>\n</strong>','Umpire &#039;Green Light District&#039; Official Music Video','','inherit','closed','closed','','3955-revision-v1','','','2016-02-03 16:41:13','2016-02-03 08:41:13','',3955,'http://www.hiddenshoal.com/3955-revision-v1/',0,'revision','',0),(14125,1,'2016-02-03 16:41:13','2016-02-03 08:41:13','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview.jpg\"><img class=\"alignleft size-thumbnail wp-image-3913\" title=\"Umpire - &quot;Now We\'re Active&quot;\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>Day 10 and finally we arrive at the end of  <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a>\'s brilliant and imminent full length <em>Now We\'re Active</em>. I could squander words describing track 10 but it\'s title sums it up better than I ever could. Without further ado we introduce to you the absolutely stunning album closer, \'Cyclones Into Sunshowers\'.\n\nYou can follow the link below to grab the track and embed it on your Facebook page, website, wherever. Even better the album is out tomorrow (June 2) on CD in Australia and digitally everywhere!\n\n<iframe width=\"400\" height=\"100\" style=\"position: relative; display: block; width: 400px; height: 100px;\" src=\"http://bandcamp.com/EmbeddedPlayer/v=2/track=2202390553/size=venti/bgcol=FFFFFF/linkcol=4285BB/\" allowtransparency=\"true\" frameborder=\"0\"><a href=\"http://umpire.bandcamp.com/track/cyclones-into-sunshowers\">Cyclones Into Sunshowers by Umpire</a></iframe>','Umpire &quot;Now We&#039;re Active&quot; - Final Track!','','inherit','closed','closed','','4018-revision-v1','','','2016-02-03 16:41:13','2016-02-03 08:41:13','',4018,'http://www.hiddenshoal.com/4018-revision-v1/',0,'revision','',0),(14126,1,'2016-02-03 16:41:13','2016-02-03 08:41:13','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview.jpg\"><img class=\"alignleft size-thumbnail wp-image-3913\" title=\"Umpire - &quot;Now We\'re Active&quot;\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>Starting today we\'re going to post a streaming track a day from the forthcoming Umpire album, <em>Now We\'re Active</em>, right up until the release on the 2nd of June. Keep your eyes and ears out here on the label site and also on the <a href=\"http://www.facebook.com/#!/pages/UMPIRE/33345133221\">Umpire</a> and <a href=\"http://www.facebook.com/#!/hiddenshoal\">Hidden Shoal</a> facebook pages and be prepared to work your way up to a sonic frenzy by release time!\n\nToday we\'re easing you in to Umpire\'s 10 track empire of sonic and melodic awesomeness. Track 1 of <em>Now We\'re Active</em> is indeed the stunning single \'<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=168\">Green Light District</a>\' which you can download for free <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=168\">here</a>. You can follow the link below to grab the track and embed it on your Facebook page, website, wherever. Tune in here tomorrow for track 2!\n\n<iframe width=\"400\" height=\"100\" style=\"position: relative; display: block; width: 400px; height: 100px;\" src=\"http://bandcamp.com/EmbeddedPlayer/v=2/track=1126971284/size=venti/bgcol=FFFFFF/linkcol=4285BB/\" allowtransparency=\"true\" frameborder=\"0\"><a href=\"http://umpire.bandcamp.com/track/green-light-district-2\">Green Light District by Umpire</a></iframe>\n','Umpire &quot;Now We&#039;re Active&quot; - Track 1','','inherit','closed','closed','','3912-revision-v1','','','2016-02-03 16:41:13','2016-02-03 08:41:13','',3912,'http://www.hiddenshoal.com/3912-revision-v1/',0,'revision','',0),(14127,1,'2016-02-03 16:41:13','2016-02-03 08:41:13','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview.jpg\"><img class=\"alignleft size-thumbnail wp-image-3913\" title=\"Umpire - &quot;Now We\'re Active&quot;\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>Its that time of day (well in this timezone anyway - apologies to our International fans!). Today we present track 2 of <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a>\'s forthcoming glorybox of sublimity (I looked it up, its a word ok?). Track 2 of <em>Now We\'re Active</em> is the exultant and purely addictive  \'Supply Chins\'. Perth folks had a sneak peak at this song over the last year via an earlier version of the track sent in to RTRFM. You can follow the link below to grab the track and embed it on your Facebook page, website, wherever. Tune in here tomorrow for track 3!\n\n<iframe width=\"400\" height=\"100\" style=\"position: relative; display: block; width: 400px; height: 100px;\" src=\"http://bandcamp.com/EmbeddedPlayer/v=2/track=1388009854/size=venti/bgcol=FFFFFF/linkcol=4285BB/\" allowtransparency=\"true\" frameborder=\"0\"><a href=\"http://umpire.bandcamp.com/track/supply-chins\">Supply Chins by Umpire</a></iframe>\n','Umpire &quot;Now We&#039;re Active&quot; - Track 2','','inherit','closed','closed','','3920-revision-v1','','','2016-02-03 16:41:13','2016-02-03 08:41:13','',3920,'http://www.hiddenshoal.com/3920-revision-v1/',0,'revision','',0),(14128,1,'2016-02-03 16:41:13','2016-02-03 08:41:13','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview.jpg\"><img class=\"alignleft size-thumbnail wp-image-3913\" title=\"Umpire - &quot;Now We\'re Active&quot;\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>Happy Wednesday as we unfurl track 3 of <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a>\'s forthcoming full length melody bomb <em>Now We\'re Active</em> for your streaming pleasure. \'Corner An Owl In An Alcove\' is yet another example of Umpire\'s innate ability to marry a pop sensibility with epic rockness!  The track moves from upbeat to loaded with gravitas in a matter of bars. Just as we like it.\n\nYou can follow the link below to grab the track and embed it on your Facebook page, website, wherever. Tune in here tomorrow for track 4!\n\n<iframe width=\"400\" height=\"100\" style=\"position: relative; display: block; width: 400px; height: 100px;\" src=\"http://bandcamp.com/EmbeddedPlayer/v=2/track=3040248499/size=venti/bgcol=FFFFFF/linkcol=4285BB/\" allowtransparency=\"true\" frameborder=\"0\"><a href=\"http://umpire.bandcamp.com/track/corner-an-owl-in-an-alcove\">Corner An Owl In An Alcove by Umpire</a></iframe>\n','Umpire &quot;Now We&#039;re Active&quot; - Track 3!','','inherit','closed','closed','','3928-revision-v1','','','2016-02-03 16:41:13','2016-02-03 08:41:13','',3928,'http://www.hiddenshoal.com/3928-revision-v1/',0,'revision','',0),(14129,1,'2016-02-03 16:41:13','2016-02-03 08:41:13','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview.jpg\"><img class=\"alignleft size-thumbnail wp-image-3913\" title=\"Umpire - &quot;Now We\'re Active&quot;\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>Thursday turns golden as we present track 4 of <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a>\'s forthcoming full length <em>Now We\'re Active</em>. \'The Canyon\' is a chiming, surging epic that grabs you by the grabbables and slingshots you towards the horizon! The track had its first public airing on RTRFM this week and has already scooped a track of the day on <a href=\"http://www.rtrfm.com.au/shows/drivetime\" target=\"_blank\">Tuesdays Drivetime</a> (thanks Sarah Delfante!).\n\nYou can follow the link below to grab the track and embed it on your Facebook page, website, wherever. Tune in here tomorrow for track 5!\n\n<iframe width=\"400\" height=\"100\" style=\"position: relative; display: block; width: 400px; height: 100px;\" src=\"http://bandcamp.com/EmbeddedPlayer/v=2/track=3747787981/size=venti/bgcol=FFFFFF/linkcol=4285BB/\" allowtransparency=\"true\" frameborder=\"0\"><a href=\"http://umpire.bandcamp.com/track/the-canyon\">The Canyon by Umpire</a></iframe>\n','Umpire &quot;Now We&#039;re Active&quot; - Track 4!','','inherit','closed','closed','','3934-revision-v1','','','2016-02-03 16:41:13','2016-02-03 08:41:13','',3934,'http://www.hiddenshoal.com/3934-revision-v1/',0,'revision','',0),(14130,1,'2016-02-03 16:41:13','2016-02-03 08:41:13','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview.jpg\"><img class=\"alignleft size-thumbnail wp-image-3913\" title=\"Umpire - &quot;Now We\'re Active&quot;\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>Finally we make TGIF meaningful as we present track 5 of <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a>\'s forthcoming full length <em>Now We\'re Active</em>. \'Jewellery Can Be Disturbing\' was described to us by the band as their \"big dumb rock song\" but in actuality its their \"big smart rock song\"! Like The Posies playing an ode to Polvo, the track\'s huge rockery is smothered in layers of melodic charm. You\'ll be humming this sucker all through the weekend, trust us.\n\nYou can follow the link below to grab the track and embed it on your Facebook page, website, wherever. Tune in here tomorrow for track 6!\n\n<iframe width=\"400\" height=\"100\" style=\"position: relative; display: block; width: 400px; height: 100px;\" src=\"http://bandcamp.com/EmbeddedPlayer/v=2/track=3848745890/size=venti/bgcol=FFFFFF/linkcol=4285BB/\" allowtransparency=\"true\" frameborder=\"0\"><a href=\"http://umpire.bandcamp.com/track/jewellery-can-be-disturbing\">Jewellery Can Be Disturbing by Umpire</a></iframe>\n','Umpire &quot;Now We&#039;re Active&quot; - Track 5!','','inherit','closed','closed','','3947-revision-v1','','','2016-02-03 16:41:13','2016-02-03 08:41:13','',3947,'http://www.hiddenshoal.com/3947-revision-v1/',0,'revision','',0),(14131,1,'2016-02-03 16:41:13','2016-02-03 08:41:13','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview.jpg\"><img class=\"alignleft size-thumbnail wp-image-3913\" title=\"Umpire - &quot;Now We\'re Active&quot;\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>What better way to introduce your weekend than with a brand new Umpire track. Sit back and open your ears as we present track 6 of <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a>\'s forthcoming full length <em>Now We\'re Active</em>. \'On The Fringes\'\' is the stunning centerpiece  of the album with its lulling verse that leads you like a drugged candle in the intense slow burn chorus. Devastatingly beautiful!\n\nYou can follow the link below to grab the track and embed it on your Facebook page, website, wherever. Tune in here tomorrow for track 7 and get ready for the Australian and digital release on the 2nd of June (everywhere else on the 14th of July).\n\n<iframe width=\"400\" height=\"100\" style=\"position: relative; display: block; width: 400px; height: 100px;\" src=\"http://bandcamp.com/EmbeddedPlayer/v=2/track=1956031450/size=venti/bgcol=FFFFFF/linkcol=4285BB/\" allowtransparency=\"true\" frameborder=\"0\"><a href=\"http://umpire.bandcamp.com/track/on-the-fringes\">On The Fringes by Umpire</a></iframe>\n','Umpire &quot;Now We&#039;re Active&quot; - Track 6!','','inherit','closed','closed','','3968-revision-v1','','','2016-02-03 16:41:13','2016-02-03 08:41:13','',3968,'http://www.hiddenshoal.com/3968-revision-v1/',0,'revision','',0),(14132,1,'2016-02-03 16:41:13','2016-02-03 08:41:13','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview.jpg\"><img class=\"alignleft size-thumbnail wp-image-3913\" title=\"Umpire - &quot;Now We\'re Active&quot;\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>Sunday, Happy Sunday! Australian fans will know track 7 of <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a>\'s forthcoming full length <em>Now We\'re Active</em> well. The original version of \'Streamers\'\' featured on the band\'s gorgeous debut EP (Australian release only) and also won WAM Song of the Year in 2009. Here we have a touched up and remastered version of the track ready to spring upon international audiences and new Australian ears. If you are not humming the lead melody of this song all week after listening, you are not human.\n\nYou can follow the link below to grab the track and embed it on your Facebook page, website, wherever. Tune in here tomorrow for track 8.  Only 4 more sleeps until the Australian and digital release on the 2nd of June (everywhere else on the 14th of July).\n\n<iframe width=\"400\" height=\"100\" style=\"position: relative; display: block; width: 400px; height: 100px;\" src=\"http://bandcamp.com/EmbeddedPlayer/v=2/track=954016481/size=venti/bgcol=FFFFFF/linkcol=4285BB/\" allowtransparency=\"true\" frameborder=\"0\"><a href=\"http://umpire.bandcamp.com/track/streamers\">Streamers by Umpire</a></iframe>','Umpire &quot;Now We&#039;re Active&quot; - Track 7!','','inherit','closed','closed','','3970-revision-v1','','','2016-02-03 16:41:13','2016-02-03 08:41:13','',3970,'http://www.hiddenshoal.com/3970-revision-v1/',0,'revision','',0),(14133,1,'2016-02-03 16:41:13','2016-02-03 08:41:13','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview.jpg\"><img class=\"alignleft size-thumbnail wp-image-3913\" title=\"Umpire - &quot;Now We\'re Active&quot;\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>The first day of the new working week not only brings a new Umpire track to preview but also sees their new album featured all week on <a href=\"http://www.rtrfm.com.au/shows/breakfast\" target=\"_blank\">RTRFM\'s breakfast show</a> and beyond! RTR subscribers can win a copy of the album to boot. And now for track 8 from <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a>\'s forthcoming full length <em>Now We\'re Active, </em>\'Milking A Thistle\'. One the surface a little rock nugget but wait for that unbridled chorus and you\'ll realise you\'ve been played by the best. This track literally sticks a finger out of the speaker and presses the repeat button for you.\n\nYou can follow the link below to grab the track and embed it on your Facebook page, website, wherever. Tune in here tomorrow for track 9.  Only 3 more sleeps until the Australian and digital release on the 2nd of June (everywhere else on the 14th of July).\n\n<iframe width=\"400\" height=\"100\" style=\"position: relative; display: block; width: 400px; height: 100px;\" src=\"http://bandcamp.com/EmbeddedPlayer/v=2/track=922135093/size=venti/bgcol=FFFFFF/linkcol=4285BB/\" allowtransparency=\"true\" frameborder=\"0\"><a href=\"http://umpire.bandcamp.com/track/milking-a-thistle\">Milking a Thistle by Umpire</a></iframe>\n','Umpire &quot;Now We&#039;re Active&quot; - Track 8 and RTRFM Feature Album!','','inherit','closed','closed','','3976-revision-v1','','','2016-02-03 16:41:13','2016-02-03 08:41:13','',3976,'http://www.hiddenshoal.com/3976-revision-v1/',0,'revision','',0),(14134,1,'2016-02-03 16:41:14','2016-02-03 08:41:14','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview.jpg\"><img class=\"alignleft size-thumbnail wp-image-3913\" title=\"Umpire - &quot;Now We\'re Active&quot;\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2011/05/now_were_active_preview-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>Time to reveal the second last track from <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a>\'s imminent full length <em>Now We\'re Active</em>. \'Spotlights\' sees Umpire stripped back and introspective with just guitar, voice and atmospherics. Geoff Symons takes the lead here and if you listen closely you can actually hear the rest of the band banging on the locked studio door. This is stunning minimal, guitar based melancholia.\n\nYou can follow the link below to grab the track and embed it on your Facebook page, website, wherever. Tune in here tomorrow for the final track!\n\n<iframe width=\"400\" height=\"100\" style=\"position: relative; display: block; width: 400px; height: 100px;\" src=\"http://bandcamp.com/EmbeddedPlayer/v=2/track=1890563026/size=venti/bgcol=FFFFFF/linkcol=4285BB/\" allowtransparency=\"true\" frameborder=\"0\"><a href=\"http://umpire.bandcamp.com/track/spotlights\">Spotlights by Umpire</a></iframe>\n','Umpire &quot;Now We&#039;re Active&quot; - Track 9','','inherit','closed','closed','','4003-revision-v1','','','2016-02-03 16:41:14','2016-02-03 08:41:14','',4003,'http://www.hiddenshoal.com/4003-revision-v1/',0,'revision','',0),(14135,1,'2016-02-03 16:41:14','2016-02-03 08:41:14','<img class=\"alignleft\" title=\"Umpire - &quot;Now We\'re Active&quot;\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/medium/active_MED.jpg\" alt=\"\" width=\"150\" height=\"150\" />Umpire\'s epic debut album <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=172\"><em>Now We\'re Active</em></a> has quite appropriately been garnering some wonderful reviews and press since its Australian release a few weeks back. Check out what folks had to say at these fine blogs and zines - <a href=\"http://www.adequacy.net/2011/06/umpire-now-were-active/\" target=\"_blank\">Delusions of Adequacy</a>, <a href=\"http://twicerememberedtwiceremoved.blogspot.com/2011/06/umpire-now-were-active.html\" target=\"_blank\">Twiceremoved</a>, <a href=\"http://reviewedmusic.com/2011/album-review-umpire-now-were-active/\" target=\"_blank\">ReviewedMusic</a>, <a href=\"http://theundergroundofhappiness.blogspot.com/2011/05/random-friday-reviews.html\" target=\"_blank\">The Underground of Happiness</a>, <a href=\"http://www.thevine.com.au/music/single-reviews/new-oz-music-_-umpire,-mildlife,-jonti,-raed,-sietta20110621.aspx\" target=\"_blank\">The Vine</a>, <a href=\"http://www.ravemagazine.com.au/content/view/26830/182/\" target=\"_blank\">Rave Magazine</a>, <a href=\"http://derdigitaleflaneur.blogspot.com/2011/05/umpire-green-light-district-neues-video_29.html\" target=\"_blank\">Der Digital Flaneur</a> and theres plenty more on the way. Not to mention the Australian radio love the album has been getting across community stations and JJJ.\n\nThe album will see its international release in just a few short weeks as July 14th approaches. Eager internationals can pre-order the CD via our US distributor <a href=\"http://n5mailorder.com/release/1228/umpire-now-we%27re-active\" target=\"_blank\">n5mailorder</a> now which includes a free mp3 download of the album. Australian fans can hit up their favourite record store for the CD or the <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=172\">Hidden Shoal Store</a> for CD and digital  love.','Umpire &quot;Now We&#039;re Active&quot; Review Roundup','','inherit','closed','closed','','4112-revision-v1','','','2016-02-03 16:41:14','2016-02-03 08:41:14','',4112,'http://www.hiddenshoal.com/4112-revision-v1/',0,'revision','',0),(14136,1,'2016-02-03 16:41:31','2016-02-03 08:41:31','<a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire\'s</a> outrageously great <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=172\">debut album</a> is getting lots of deserved love including some excellent charting in its early days at radio in the US and also a bunch of glowing reviews (more on the latter soon). The album has been nestled in the official CMJ Top 30 charts at KMNR, KRNU, KWVA, WHFR, WMCX, WRBC, WSHC, KRUA and KTSW. This is still early days and these are just the ones we\'ve got reporting on so far. More I say!\n\n<iframe width=\"300\" height=\"100\" style=\"position: relative; display: block; width: 300px; height: 100px;\" src=\"http://bandcamp.com/EmbeddedPlayer/v=2/track=2202390553/size=grande/bgcol=FFFFFF/linkcol=4285BB/\" allowtransparency=\"true\" frameborder=\"0\"><a href=\"http://umpire.bandcamp.com/track/cyclones-into-sunshowers\">Cyclones Into Sunshowers by Umpire</a></iframe>\n','Umpire &quot;Now We&#039;re Active&quot; US Radio Charting Madness!','','inherit','closed','closed','','4205-revision-v1','','','2016-02-03 16:41:31','2016-02-03 08:41:31','',4205,'http://www.hiddenshoal.com/4205-revision-v1/',0,'revision','',0),(14137,1,'2016-02-03 16:41:31','2016-02-03 08:41:31','<img src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/large/active_LRG.jpg\" alt=\"\" width=\"190\" height=\"190\" align=\"left\" /><a href=\"http://www.hiddenshoal.com/\">Hidden Shoal Recordings</a> is proud to announce the US/International release of debut album <em>Now We’re Active</em> by Perth’s widescreen indie-rock craftsmen <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a> following on from the album\'s Australian release last month.\n\nOn <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=172\"><em>Now We’re Active</em></a>, Umpire combine sprawling indie-rock sounds with reflective melancholy, expertly wielding massive sun-drenched melodies, serpentine guitar parts and soaring vocals to spectacular effect. From lead single ‘Green Light District’ through the chiming guitar surge of ‘The Canyon’ to gorgeous finale ‘Cyclones Into Sunshowers’, <em>Now We’re Active</em> is a stunning release, as expansive as it is propulsive, as heartbreaking as it is life-affirming.\n\nImmaculately produced by bassist Simon Struthers at Forensic Audio, the album’s ten tracks bring progressive rock influences, indie-pop sensibilities and shades of math-rock into explosive collision, then shape them into songs that are at once epic and intimate. After the last song fades you’re left with a lump in your throat and admiration of how Umpire’s songcraft and sonics are so consistently elegant, melodic and widescreen. <em>Now We’re Active</em> is much more than a collection of tracks – it’s an album that blossoms beautifully on repeat plays.\n\n<em>“Now We’re Active is an album which reveals a band whose imaginations are now finally within their own grasp as musicians. Alternately full on, grandiose and brilliantly inventive, Umpire have very nearly made a prog rock masterpiece, and I say nearly only because their more ambitious ideas are continuing to develop.”</em> <strong>– DOA</strong>\n\n<em>\"Beautiful, chiming guitar pop with layered, soaring vocals from the Perth band\'s upcoming new album. Comes on like The Shins with more gumption. \"Widescreen\" (always a description that gets my attention), it says here, and I concur.\" </em><strong>– </strong><strong>The Underground of Happiness on \'Supply Chins</strong><em>\'\n</em>\n\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=172\"><em>Now We’re Active</em></a> is available now on CD and digitally worldwide, distributed through <a href=\"http://www.hiddenshoal.com/wp-content/uploads/\">Hidden Shoal</a> in Australia and <a href=\"http://n5mailorder.com/index.php?main_page=product_music_info&amp;cPath=3&amp;products_id=1228\">n5mailorder</a> in the US and internationally. Head to the <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=172\">Hidden Shoal Store</a> for all availability details.<strong> </strong> Read a full press release <a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Umpire-Now_Were_Active_US.pdf\">here</a> and be sure to check out the <a href=\"http://www.youtube.com/my_videos?feature=mhee\" target=\"_blank\">fantastic music video</a> for single \'<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&cPath=50&products_id=168\">Green Light District</a>\'.\n\n<iframe width=\"46\" height=\"23\" style=\"position: relative; display: block; width: 46px; height: 23px;\" src=\"http://bandcamp.com/EmbeddedPlayer/v=2/track=1388009854/size=short/bgcol=FFFFFF/linkcol=4285BB/\" allowtransparency=\"true\" frameborder=\"0\"><a href=\"http://umpire.bandcamp.com/track/supply-chins\">\'Supply Chins\' by Umpire</a></iframe><strong>\'Supply Chins\' by Umpire</strong>\n','Umpire &quot;Now We&#039;re Active&quot; US Release','','inherit','closed','closed','','4157-revision-v1','','','2016-02-03 16:41:31','2016-02-03 08:41:31','',4157,'http://www.hiddenshoal.com/4157-revision-v1/',0,'revision','',0),(14138,1,'2016-02-03 16:41:31','2016-02-03 08:41:31','Another awesome write up at the superfine German blog <a href=\"http://derdigitaleflaneur.blogspot.com/2011/05/umpire-green-light-district-neues-video_29.html?spref=fb\" target=\"_blank\">Der Digitale Flaneur</a>. This time for Umpire\'s \'<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=168\">Green Light District</a>\' single. You\'ll have to do some Google translating if you\'re not a German speaker but trust us, its worth it!','Umpire Featured at Der Digitale Flaneur','','inherit','closed','closed','','4014-revision-v1','','','2016-02-03 16:41:31','2016-02-03 08:41:31','',4014,'http://www.hiddenshoal.com/4014-revision-v1/',0,'revision','',0),(14139,1,'2016-02-03 16:41:31','2016-02-03 08:41:31','<img class=\"alignleft\" title=\"Umpire\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/active.jpg\" alt=\"\" width=\"100\" height=\"100\" />Umpire\'s amazing debut full length <em>Now We\'re Active</em> has started to hit US radio ahead of this week\'s US/international release. The album is one of<a href=\"http://wlurradio.blogspot.com/2011/07/best-new-music-july-5.html\"> WLUR\'s \"Best of the Week\"</a> rotation adds!\n\nStream the album in full and download the first single \'Green Light District\' for free <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=50\">here</a>. US and international folk can grab the cd from <a href=\"http://n5mailorder.com/release/1228/umpire-now-we%27re-active\" target=\"_blank\">n5mailorder</a>.','Umpire Love at WLUR','','inherit','closed','closed','','4154-revision-v1','','','2016-02-03 16:41:31','2016-02-03 08:41:31','',4154,'http://www.hiddenshoal.com/4154-revision-v1/',0,'revision','',0),(14140,1,'2016-02-03 16:41:31','2016-02-03 08:41:31','<img class=\"alignleft\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/active.jpg\" alt=\"\" width=\"100\" height=\"100\" />Umpire\'s superb debut album <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=172\" target=\"_blank\"><em>Now We\'re Active</em></a> has just received an excellent review on music site <a href=\"http://www.adequacy.net/2011/06/umpire-now-were-active/\" target=\"_blank\">DOA</a>. Visit DOA to read the review in full, or visit <a href=\"http://www.hiddenshoal.com/cat/reviews/umpire-reviews/\" target=\"_blank\">Umpire\'s reviews archive</a> to read an excerpt. Plus, five (count \'em) tracks from the album received airplay on <a href=\"http://www.breakthruradio.com/#/programdetail/?blog=11&amp;post=1002\" target=\"_blank\">BreakThru Radio</a> this weekend. Visit <a href=\"http://www.breakthruradio.com/#/programdetail/?blog=11&amp;post=1002\" target=\"_blank\">BreakThru Radio</a> to restream the show, which also features Australian artists Gotye, PVT and Midnight Juggernauts.\n\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=172\" target=\"_blank\"><em>Now We\'re Active</em></a> was launched in Perth last weekend and is currently available on CD in Australia, and digitally around the world. The album receives its international CD release on 14 July.','Umpire on DOA and Breakthru Radio ','','inherit','closed','closed','','4081-revision-v1','','','2016-02-03 16:41:31','2016-02-03 08:41:31','',4081,'http://www.hiddenshoal.com/4081-revision-v1/',0,'revision','',0),(14141,1,'2016-02-03 16:41:31','2016-02-03 08:41:31','<img class=\"alignleft\" title=\"Umpire - Now We\'re Active\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/medium/active_MED.jpg\" alt=\"\" width=\"150\" height=\"150\" />Love for Umpire  continues to grow as more sets of ears manage to wrap themselves around the band\'s glorious debut album <em>Now We\'re Active. </em>Along with their recent chart sucess in the US the band have also been scooping a bunch of glowing new reviews.<em> </em>Check out the latest batch in <a href=\"http://www.popmatters.com/pm/review/145289-umpire-now-were-active/\" target=\"_blank\">PopMatters</a>, <a href=\"http://stereosubversion.com/reviews/umpire-now-we%E2%80%99re-active\" target=\"_blank\">Stereo Subversion</a>, <a href=\"http://musosguide.com/umpire-now-were-active/17223\" target=\"_blank\">Muso\'s Guide</a> and <a href=\"http://leonardslair.wordpress.com/2011/07/29/review-umpire-now-were-active/\" target=\"_blank\">Leonard\'s Lair</a>.\n\nAlso lovely to hear \'Milking a Thistle\' beaming out of the breakfast show on Triple J the other day. Nice one Tom Ballard!\n\n<iframe width=\"400\" height=\"100\" style=\"position: relative; display: block; width: 400px; height: 100px;\" src=\"http://bandcamp.com/EmbeddedPlayer/v=2/track=922135093/size=venti/bgcol=FFFFFF/linkcol=4285BB/\" allowtransparency=\"true\" frameborder=\"0\"><a href=\"http://umpire.bandcamp.com/track/milking-a-thistle\">Milking a Thistle by Umpire</a></iframe>\n','Umpire Reviews','','inherit','closed','closed','','4208-revision-v1','','','2016-02-03 16:41:31','2016-02-03 08:41:31','',4208,'http://www.hiddenshoal.com/4208-revision-v1/',0,'revision','',0),(14142,1,'2016-02-03 16:41:31','2016-02-03 08:41:31','<img class=\"alignleft\" title=\"Umpire\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2011/04/umpire.jpg\" alt=\"Umpire\" width=\"175\" height=\"141\" />Hidden Shoal Recordings is proud to announce the signing of Perth’s widescreen indie-rock craftsmen <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a> to its roster of artists. Umpire combine sprawling indie-rock sounds with reflective melancholy, expertly wielding massive sun-drenched melodies, serpentine guitar parts and soaring vocals to spectacular effect. Australian audiences will be familiar with their debut single ‘Streamers’, which achieved widespread critical acclaim, national airplay and won WAM Song of the Year in 2009.\n\nThe founding members of Umpire (Geoff Symons, Simon Struthers and Michael Lake) have a long history in the Perth music scene, playing in many seminal progressive indie-rock bands, including Adam Said Galore, O and Hidden Shoal’s very own <a href=\"http://www.hiddenshoal.com/project/mukaizake/\">Mukaizake</a>, so it was a natural progression for the band to develop their live show by adding drummer, Josh Watkins. Performing the songs live has allowed the band to tour Australia and play with many of their musical heroes, including Stephen Malkmus, Built to Spill, Paul Dempsey, The Jezebels, Sugar Army, Jebediah, Love Of Diagrams, Dan Kelly, Bob Log III and Tame Impala.\n\nUmpire’s debut Hidden Shoal release is single ‘Green Light District’, available as a free download on 19 April and launched in Perth on 23 April at Amplifier Bar. Umpire’s debut full-length album, <em>Now We’re Active,</em> is due for its Australian release on 2 June and worldwide release on 14 July. The Australian album launch will take place in Perth at the Rosemount on the 4th of June.','Umpire Sign to Hidden Shoal, New Single Next Week!','','inherit','closed','closed','','3665-revision-v1','','','2016-02-03 16:41:31','2016-02-03 08:41:31','',3665,'http://www.hiddenshoal.com/3665-revision-v1/',0,'revision','',0),(14143,1,'2016-02-03 16:41:31','2016-02-03 08:41:31','<img class=\"alignleft\" title=\"Umpire\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2011/04/umpire.jpg\" alt=\"\" width=\"138\" height=\"112\" />Fabulous review by the wonderful Brad Tilbe of the new <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a> single, \'Green Light District\',  over at Delusions of Adequacy. Check it out <a href=\"http://www.adequacy.net/2011/04/umpire-green-light-district/\" target=\"_blank\">here</a> and grab the single for free <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=168\">here</a>!','Umpire Single Review at DOA','','inherit','closed','closed','','3754-revision-v1','','','2016-02-03 16:41:31','2016-02-03 08:41:31','',3754,'http://www.hiddenshoal.com/3754-revision-v1/',0,'revision','',0),(14144,1,'2016-02-03 16:41:31','2016-02-03 08:41:31','As we approach the Australian release date of <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=50\">Umpire\'s</a> debut full length album<em> Now We\'re Active</em> the first single lifted from it continues to get love. Brisbane\'s Rave Magazine has just published a glowing review of the track and given it a single of the week badge. Read the review over at <a href=\"http://www.ravemagazine.com.au/content/blogcategory/42/182/\" target=\"_blank\">Rave</a>, download the track for free at the <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=168\">HSR Store</a>, love it and then be prepared to get blown away by the album.','Umpire&#039;s &#039;Green Light District&#039; is Rave Magazine&#039;s Single of the Week!','','inherit','closed','closed','','3834-revision-v1','','','2016-02-03 16:41:31','2016-02-03 08:41:31','',3834,'http://www.hiddenshoal.com/3834-revision-v1/',0,'revision','',0),(14145,1,'2016-02-03 16:41:31','2016-02-03 08:41:31','<img class=\"alignleft\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/active.jpg\" alt=\"\" width=\"100\" height=\"100\" />Umpire\'s fantastic debut album <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=172\" target=\"_blank\"><em>Now We\'re Active</em></a> is now, er, \'active\' at three of Melbourne\'s finest independent records stores: <a href=\"http://www.polyesterrecords.com/\" target=\"_blank\">Polyester Records</a> in Fitzroy, <a href=\"http://www.missinglink.net.au/\" target=\"_blank\">Missing Link</a> in the City, and Greville Records in Prahran. So, if you like your music to come with a jewel case, a super cover to look at, plus a booklet with liner notes and full lyrics, you know where to go. Head on down, grab a copy, have a chat with the smashing staff, and support your local independent record store!\n\n(If you like your music without a jewel case and downloadable, just head to the <a href=\"http://www.hiddenshoal.com/wp-content/uploads/\" target=\"_blank\">HSR Store</a>.)','Umpire&#039;s &#039;Now We&#039;re Active&#039; at Melbourne&#039;s Indie Record Stores','','inherit','closed','closed','','4094-revision-v1','','','2016-02-03 16:41:31','2016-02-03 08:41:31','',4094,'http://www.hiddenshoal.com/4094-revision-v1/',0,'revision','',0),(14146,1,'2016-02-03 16:41:32','2016-02-03 08:41:32','<img src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/large/active_LRG.jpg\" alt=\"\" width=\"190\" height=\"190\" align=\"left\" /><a href=\"http://www.hiddenshoal.com/\">Hidden Shoal Recordings</a> is proud to announce the Australian release of debut album <em>Now We’re Active</em> by Perth’s widescreen indie-rock craftsmen <a href=\"http://www.hiddenshoal.com/artists/umpire/\">Umpire</a> ahead of its international release on July 14th.\n\nOn <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=172\"><em>Now We’re Active</em></a>, Umpire combine sprawling indie-rock sounds with reflective melancholy, expertly wielding massive sun-drenched melodies, serpentine guitar parts and soaring vocals to spectacular effect. From lead single ‘Green Light District’ through the chiming guitar surge of ‘The Canyon’ to gorgeous finale ‘Cyclones Into Sunshowers’, <em>Now We’re Active</em> is a stunning release, as expansive as it is propulsive, as heartbreaking as it is life-affirming.\n\nImmaculately produced by bassist Simon Struthers at Forensic Audio, the album’s ten tracks bring progressive rock influences, indie-pop sensibilities and shades of math-rock into explosive collision, then shape them into songs that are at once epic and intimate. After the last song fades you’re left with a lump in your throat and admiration of how Umpire’s songcraft and sonics are so consistently elegant, melodic and widescreen. <em>Now We’re Active</em> is much more than a collection of tracks – it’s an album that blossoms beautifully on repeat plays.\n\n<em>“Once again we’re blessed with another amazing band brought to us by   Hidden Shoal Recordings... the single is upbeat and poppy with a chorus   that wails, featuring a guitar line mid-way through the song that  would  make Sonic Youth bow their heads. If this track is in any way a  sign of  things to come, then rest assured that when the album hits,  it’ll leave  fans mesmerized.” – </em><strong>DOA on ‘Green Light District’</strong>\n\n<strong>Availability</strong>\n\n<strong> </strong>\n\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=172\"><em>Now We’re Active</em></a> is available now on CD in Australia and digitally everywhere. The album sees its international CD release on 14 July. Head to the <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=50&amp;products_id=172\">Hidden Shoal Store</a> for all availability details. The Australian album launch will take place in Perth at the Rosemount on 4 June. Umpire will be touring Australia during July and August.<strong> </strong> Read a full press release <a href=\"http://www.hiddenshoal.com/publicity/press-releases/HSR_Press_Release-Umpire-Now_Were_Active.pdf\">here</a> and be sure to check out the <a href=\"http://www.youtube.com/my_videos?feature=mhee\" target=\"_blank\">fantastic music video</a> for single \'Green Light District\'.','Umpire&#039;s &quot;Now We&#039;re Active&quot; Australian Release','','inherit','closed','closed','','4027-revision-v1','','','2016-02-03 16:41:32','2016-02-03 08:41:32','',4027,'http://www.hiddenshoal.com/4027-revision-v1/',0,'revision','',0),(14147,1,'2016-02-03 16:41:32','2016-02-03 08:41:32','<img class=\"alignleft\" title=\"UMPIRE - Now We\'re Active\" src=\"http://www.hiddenshoal.com/wp-content/uploads/store_images/medium/active_MED.jpg\" alt=\"\" width=\"150\" height=\"150\" />The wonderful crew at <a href=\"http://www.scenepointblank.com/competitions/win-gear-from-umpire\" target=\"_blank\">Scene Point Blank</a> in conjunction with Hidden Shoal have another super cool competition running. This time there\'s some awesome <a href=\"http://www.scenepointblank.com/competitions/win-hotels-cds\">Umpire</a> goodies up for for grabs including a bunch of Umpire CD\'s, Umpire t-shirts and <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=43\">Mukaizake</a> CD\'s (featuring 3 members of Umpire). That\'s a win-win-win! So head to <a href=\"http://www.scenepointblank.com/competitions/win-gear-from-umpire\" target=\"_blank\">Scene Point Blank</a>, enter and wait by the mailbox.\n\nAlso don\'t forget to enter the <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&amp;cPath=35\">Hotels</a> comp also running over at Scene Point Blank. Check it out <a href=\"http://www.scenepointblank.com/competitions/win-hotels-cds\" target=\"_blank\">here</a>.','Win Umpire Goodies at Scene Point Blank!','','inherit','closed','closed','','4483-revision-v1','','','2016-02-03 16:41:32','2016-02-03 08:41:32','',4483,'http://www.hiddenshoal.com/4483-revision-v1/',0,'revision','',0),(14148,1,'2016-02-03 16:42:17','2016-02-03 08:42:17','<img width=\"108\" height=\"108\" align=\"right\" alt=\" \" src=\"/wp-content/uploads/File/wayne_harriss/Harriss_Fairweather_MED.gif\" />\n\n\"Aerospace\" album to be released 1st May, 2006. Album and 1st Single, \"Fairweather and the Plimsol Line\" available <a href=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=index&cPath=9\">now</a> .\n\nborn from a relationship breakup and its chaos, post overseas travel, aerospace is a textural, introspective journey. it is an album that one aurally emerses in. the whole album was an unplanned montage of musical pieces. it explores the simplicity of rich, repetitive instrumental refrains and moods, and layers them with emotive, melodic vocal lines. it is ambience without being ambient. it is an album of places and spaces.\n\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/Media/HSR_Radio/wayne_harriss/Private_Aerospace.mp3\">mp3link</a> <em>Wayne Harriss - Private Aerospace </em>','Wayne Harriss to Release Aerospace Album','','inherit','closed','closed','','108-revision-v1','','','2016-02-03 16:42:17','2016-02-03 08:42:17','',108,'http://www.hiddenshoal.com/108-revision-v1/',0,'revision','',0),(14151,1,'2016-02-08 11:24:59','2016-02-08 03:24:59','On Monday 29th February, Markus Mehr will be performing live in a trio alongside vocalist Isabell Münsch and saxophonist Kai Fischer as part of Augsburg\'s Brecht Festival, which runs from 26th February until Sunday 6th March, celebrating the work of famous playwright Bertolt Brecht. Their performance addresses the issue of \"coming home\", and is based on material that Brecht wrote during his exile in the USA.\r\n\r\nMarkus is currently putting the finishing touches to his new album “Re-Directed”, due for release on Hidden Shoal in May.','Markus Mehr to Perform at Bertholdt Brecht Festival','','inherit','closed','closed','','14150-revision-v1','','','2016-02-08 11:24:59','2016-02-08 03:24:59','',14150,'http://www.hiddenshoal.com/14150-revision-v1/',0,'revision','',0),(14152,1,'2016-02-08 11:25:53','2016-02-08 03:25:53','We\'re excited to anouce that on Monday 29th February, Markus Mehr will be performing live in a trio alongside vocalist Isabell Münsch and saxophonist Kai Fischer as part of Augsburg\'s Brecht Festival, which runs from 26th February until Sunday 6th March, celebrating the work of famous playwright Bertolt Brecht. Their performance addresses the issue of \"coming home\", and is based on material that Brecht wrote during his exile in the USA.\r\n\r\nMarkus is currently putting the finishing touches to his new album <em>Re-Directed</em>, due for release on Hidden Shoal in May with the first taste of the album appearing in March.','Markus Mehr to Perform at Bertolt Brecht Festival','','inherit','closed','closed','','14150-revision-v1','','','2016-02-08 11:25:53','2016-02-08 03:25:53','',14150,'http://www.hiddenshoal.com/14150-revision-v1/',0,'revision','',0),(14153,1,'2016-02-08 11:38:49','2016-02-08 03:38:49','','Markus 2013','','inherit','closed','closed','','markus-2013-3','','','2016-02-08 11:38:49','2016-02-08 03:38:49','',14150,'http://www.hiddenshoal.com/wp-content/uploads/2016/02/Markus-2013.jpg',0,'attachment','image/jpeg',0),(14154,1,'2016-02-08 11:39:42','2016-02-08 03:39:42','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1.jpg\"><img class=\"alignleft size-medium wp-image-10433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" /></a>We\'re excited to anouce that on Monday 29th February, Markus Mehr will be performing live in a trio alongside vocalist Isabell Münsch and saxophonist Kai Fischer as part of Augsburg\'s Brecht Festival, which runs from 26th February until Sunday 6th March, celebrating the work of famous playwright Bertolt Brecht. Their performance addresses the issue of \"coming home\", and is based on material that Brecht wrote during his exile in the USA.\r\n\r\nMarkus is currently putting the finishing touches to his new album <em>Re-Directed</em>, due for release on Hidden Shoal in May with the first taste of the album appearing in March.','Markus Mehr to Perform at Bertolt Brecht Festival','','inherit','closed','closed','','14150-revision-v1','','','2016-02-08 11:39:42','2016-02-08 03:39:42','',14150,'http://www.hiddenshoal.com/14150-revision-v1/',0,'revision','',0),(14155,1,'2016-02-08 11:48:07','2016-02-08 03:48:07','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1.jpg\"><img class=\"alignleft size-medium wp-image-10433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" /></a>We\'re excited to announce that on Monday 29th February, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> will be performing live in a trio alongside vocalist Isabell Münsch and saxophonist Kai Fischer as part of Augsburg\'s <a title=\"Brecht Festival\" href=\"http://www.brechtfestival.de/index.php?id=22828&amp;tx_webrechteventextension_pi2[eventId]=709&amp;cHash=b9c371dfb7010f209ad7c69412a2a113\" target=\"_blank\">Brecht Festival</a>, which runs from 26th February until Sunday 6th March, celebrating the work of famous playwright Bertolt Brecht. Their performance addresses the issue of \"coming home\", and is based on material that Brecht wrote during his exile in the USA.\r\n\r\nMarkus is currently putting the finishing touches to his new album <em>Re-Directed</em>, due for release on Hidden Shoal in May with the first taste of the album appearing in March. In the meantime be sure to check our his brilliant album of 2015 <a title=\"Binary Rooms\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><em>Binary Rooms</em></a>.','Markus Mehr to Perform at Bertolt Brecht Festival','','inherit','closed','closed','','14150-revision-v1','','','2016-02-08 11:48:07','2016-02-08 03:48:07','',14150,'http://www.hiddenshoal.com/14150-revision-v1/',0,'revision','',0),(14156,1,'2016-02-15 09:41:10','2016-02-15 01:41:10','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1.jpg\"><img class=\"alignleft size-medium wp-image-10433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" /></a>We\'re excited to announce that on Monday 29th February, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> will be performing live in a trio alongside vocalist Isabell Münsch and saxophonist Kay Fischer as part of Augsburg\'s <a title=\"Brecht Festival\" href=\"http://www.brechtfestival.de/index.php?id=22828&amp;tx_webrechteventextension_pi2[eventId]=709&amp;cHash=b9c371dfb7010f209ad7c69412a2a113\" target=\"_blank\">Brecht Festival</a>, which runs from 26th February until Sunday 6th March, celebrating the work of famous playwright Bertolt Brecht. Their performance addresses the issue of \"coming home\", and is based on material that Brecht wrote during his exile in the USA among other works.\r\n\r\nMarkus is currently putting the finishing touches to his new album <em>Re-Directed</em>, due for release on Hidden Shoal in May with the first taste of the album appearing in March. In the meantime be sure to check our his brilliant album of 2015 <a title=\"Binary Rooms\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><em>Binary Rooms</em></a>.','Markus Mehr to Perform at Bertolt Brecht Festival','','inherit','closed','closed','','14150-revision-v1','','','2016-02-15 09:41:10','2016-02-15 01:41:10','',14150,'http://www.hiddenshoal.com/14150-revision-v1/',0,'revision','',0),(14157,1,'2016-02-15 09:45:39','2016-02-15 01:45:39','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1.jpg\"><img class=\"alignleft size-medium wp-image-10433\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/07/Markus-Mehr-2014-1-300x200.jpg\" alt=\"Markus Mehr\" width=\"300\" height=\"200\" /></a>We\'re excited to announce that on Monday 29th February, <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\">Markus Mehr</a> will be performing live in a trio alongside vocalist Isabell Münsch and saxophonist Kay Fischer as part of Augsburg\'s <a title=\"Brecht Festival\" href=\"http://www.brechtfestival.de/index.php?id=22828&amp;tx_webrechteventextension_pi2[eventId]=709&amp;cHash=b9c371dfb7010f209ad7c69412a2a113\" target=\"_blank\">Brecht Festival</a>, which runs from 26th February until Sunday 6th March, celebrating the work of famous playwright Bertolt Brecht. Their performance addresses the issue of \"coming home\", and is based on material that Brecht wrote during his exile in the USA among other works.\r\n\r\nMarkus is currently putting the finishing touches to his new album <em>Re-Directed</em>, due for release on Hidden Shoal on 30th April, with the first taste of the album appearing in March. In the meantime be sure to check our his brilliant album of 2015 <a title=\"Binary Rooms\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><em>Binary Rooms</em></a>.','Markus Mehr to Perform at Bertolt Brecht Festival','','inherit','closed','closed','','14150-revision-v1','','','2016-02-15 09:45:39','2016-02-15 01:45:39','',14150,'http://www.hiddenshoal.com/14150-revision-v1/',0,'revision','',0),(14159,1,'2016-02-17 13:37:06','2016-02-17 05:37:06','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/01/Kramies-300px.jpg\"><img class=\"alignleft  wp-image-13317\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/01/Kramies-300px.jpg\" alt=\"Kramies-300px\" width=\"186\" height=\"124\" /></a>Check out the lovely live, lo-fi acoustic version of the <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>\' track \'The Fate That Never Favoured Us\' over at the excellent <a title=\"Sould Kitchen\" href=\"http://www.soul-kitchen.fr/63871-kramies-au-coin-du-feu\" target=\"_blank\">Soul Kitchen</a> webzine. The performance was filmed in the haunted(!) woods of Ohio last year. While you\'re in the mood for live Kramies be sure to download his latest EP,<a title=\"forets antiques\" href=\"http://kramies.bandcamp.com/album/for-ts-antiques\" target=\"_blank\"><em> forêts antiques</em></a>, which documents tracks from his 2015 live show in France. The EP is available as a <a title=\"forets antiques\" href=\"http://kramies.bandcamp.com/album/for-ts-antiques\" target=\"_blank\">free download</a>.','Kramies Featured at Soul Kitchen','','publish','closed','closed','','kramies-featured-at-soul-kitchen','','','2016-02-17 13:37:06','2016-02-17 05:37:06','',0,'http://www.hiddenshoal.com/?p=14159',0,'post','',0),(14160,1,'2016-02-17 13:35:07','2016-02-17 05:35:07','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/01/Kramies-300px.jpg\"><img class=\"alignleft  wp-image-13317\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/01/Kramies-300px.jpg\" alt=\"Kramies-300px\" width=\"186\" height=\"124\" /></a>Check out the lovely live, lo-fi acoustic version of the <a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\">Kramies</a>\' track \'The Fate That Never Favoured Us\' over at the excellent <a title=\"Sould Kitchen\" href=\"http://www.soul-kitchen.fr/63871-kramies-au-coin-du-feu\" target=\"_blank\">Soul Kitchen</a> webzine. The performance was filmed in the haunted(!) woods of Ohio last year. While you\'re in the mood for live Kramies be sure to download his latest EP,<a title=\"forets antiques\" href=\"http://kramies.bandcamp.com/album/for-ts-antiques\" target=\"_blank\"><em> forêts antiques</em></a>, which documents tracks from his 2015 live show in France. The EP is available as a <a title=\"forets antiques\" href=\"http://kramies.bandcamp.com/album/for-ts-antiques\" target=\"_blank\">free download</a>.','Kramies Featured at Soul Kitchen','','inherit','closed','closed','','14159-revision-v1','','','2016-02-17 13:35:07','2016-02-17 05:35:07','',14159,'http://www.hiddenshoal.com/14159-revision-v1/',0,'revision','',0),(14161,1,'2016-03-07 10:53:14','2016-03-07 02:53:14','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Memorybell</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft wp-image-14162 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"212\" height=\"212\" /></a>Memorybell explores the emotional and environmental possibilities of ambient music, creating pieces that are simultaneously cinematic and intimate, evoking solitude and yearning, affliction and recovery. Debut album <i>Obsolete</i>, created using just a creaky grand piano and two microphones, is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breath and encouraging the ear to wander.\r\n\r\n&nbsp;\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/memorybellmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/granthazard\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/memorybell\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://granthazard.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Obsolete</h4>\r\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4101987488/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://memorybell.bandcamp.com/album/obsolete\">Obsolete by Memorybell</a></iframe>\r\nJune 2016\r\n\r\n<em>Obsolete</em> is the debut album by piano minimalist Memorybell.  Exploring the emotional and environmental possibilities of ambient music, Memorybell creates pieces that are simultaneously cinematic and intimate, evoking solitude and yearning, affliction and recovery. Recorded live in a single sitting using just a creaky grand piano and two microphones, <em>Obsolete</em> is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breathe and encouraging the ear to wander. The percussive qualities of the piano are almost dissolved by the air surrounding each note, leaving an aching space for the tones to resonate.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nMemorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly 30 years. From 2003 to 2008, he played bass, keys, and occasionally sang in band The Very Hush Hush. Alternately called dream-pop, electro-pop, shoegaze and indie, TVHH released two albums, <i>Mourir C’est Facile</i> (2006) and <i>Evil Milk </i>(2008), and two EPs, <i>Washing Songs </i>(2003) and <i>Sign Language </i>(2004). They toured nationally and shared the stage with bands such as Okkervil River, Stereolab, and TV on the Radio. In 2010, under the name Grant Hazard, Outerbridge self-released <i>Genus Euphony</i>, a solo effort of classical piano infused with subtle electronics.\r\n\r\nIn February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence.\r\n\r\nGrant lives with his wife and sons in Denver, CO.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=memorybell-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=memorybell-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"14204,14206\"]\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMemorybell\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Memorybell','','publish','closed','closed','','memorybell','','','2016-10-05 11:04:25','2016-10-05 03:04:25','',0,'http://www.hiddenshoal.com/?post_type=project&#038;p=14161',0,'project','',0),(14163,1,'2016-02-22 13:59:10','2016-02-22 05:59:10','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Memorybell</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft wp-image-14162 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"300\" height=\"300\" /></a><em>XXXXXX</em>\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/memorybellmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/granthazard\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/memorybell\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://granthazard.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Memorybell','','inherit','closed','closed','','14161-revision-v1','','','2016-02-22 13:59:10','2016-02-22 05:59:10','',14161,'http://www.hiddenshoal.com/14161-revision-v1/',0,'revision','',0),(14162,1,'2016-02-22 13:58:23','2016-02-22 05:58:23','','Memorybell','','inherit','closed','closed','','gho-web-photo-1_2000x2000-b','','','2016-02-22 13:58:57','2016-02-22 05:58:57','',14161,'http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg',0,'attachment','image/jpeg',0),(14164,1,'2016-03-11 06:19:35','2016-03-10 22:19:35','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko:<a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <strong> <a title=\"Facebook\" href=\"http://www.facebook.com/GlankoMusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/glankofficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/glanko-official\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a href=\"https://open.spotify.com/album/0ZKxGgPORucUFmaBmmhnls\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a>   <a href=\"https://geo.itunes.apple.com/us/album/isometrik-ep/id1094316786?at=11lRii&amp;app=itunes\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n</strong>Daniel Bailey:<a title=\"Glanko\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <strong> <a title=\"Facebook\" href=\"http://www.facebook.com/danielbaileymusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/DBaileyOfficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>   <a href=\"https://open.spotify.com/album/0ZKxGgPORucUFmaBmmhnls\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a></strong>   <a href=\"https://geo.itunes.apple.com/us/album/isometrik-ep/id1094316786?at=11lRii&amp;app=itunes\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Isometrik Remixes</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2259559827/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://glanko.bandcamp.com/album/isometrik-remixes\">Isometrik Remixes by Glanko, Daniel Bailey, Davide Cantile, Arc Lab, Marco Caricola</a></iframe>\r\n<strong>November 2016</strong>\r\n\r\nOn their debut collaboration, <em>Isometrik</em>, Glanko &amp; Daniel Bailey delivered an EP rich with textural counterpoint, full of brooding yet innately melodic pieces that envelope the listener with their intensity and grace. On this beautiful new companion EP we see these tracks brilliantly deconstructed and made new by Marco Caricola, Arc Lab, Davide Cantile, and Glanko and Daniel Bailey themselves.\r\n\r\nFrom Arc Lab’s sublime expansive reworking of ‘Consunzione’ to Marco Caricola’s emotive neo-classical take on ‘Adiaphora’ to David Cantile’s minimal and brooding dual takes on ‘Vaucanson’, Glanko &amp; Danely Bailey’s guests bring a sense of reverence for the originals along with ingenuity in their re-incarnation. Glanko’s own re-working of ‘Vaucanson’ is luscious and pensive electronic neo-classicism whilst Daniel Bailey delivers an epic and brooding slow build in the form of 12.15’s Riddle (Outro)’.\r\n\r\n&nbsp;\r\n<h4>Isometrik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2839413960/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://glanko.bandcamp.com/album/isometrik\">Isometrik by Glanko, Daniel Bailey</a></iframe>\r\n<strong>May 2016</strong>\r\n\r\n<em>Isometrik</em> is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace. This music exists at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar.\r\n\r\nOver its 4-track, 23-minute runtime, <em>Isometrik</em> delivers an immersive musical narrative. Opener ‘In Eboli’ conveys a bustling and brooding nocturnal scene, before ‘Vaucanson’ evokes the sunrise of the morning after – but one coloured by melancholy. On ‘Consunzione’, the cave-like ambience of echoing voices and field recordings is overwhelmed by guitar drones, synths and percussion, which accumulates into a majestic wall of sound. And on mesmerising closer ‘Adiaphora’, Glanko constructs a towering edifice of reverb and glitch around Daniel Bailey’s deliciously languid guitar loops.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP are available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','publish','closed','closed','','glanko-daniel-bailey','','','2016-11-23 10:50:21','2016-11-23 02:50:21','',0,'http://www.hiddenshoal.com/?post_type=project&#038;p=14164',0,'project','',0),(14188,1,'2016-02-29 15:16:50','2016-02-29 07:16:50','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n&nbsp;\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012,\r\n\r\nwhile Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP is available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 15:16:50','2016-02-29 07:16:50','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14167,1,'2016-02-22 16:49:38','2016-02-22 08:49:38','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"300\" height=\"240\" /></a> <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-22 16:49:38','2016-02-22 08:49:38','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14165,1,'2016-02-22 16:40:35','2016-02-22 08:40:35','','Glanko & Daniel Bailey','','inherit','closed','closed','','3','','','2016-02-22 16:41:36','2016-02-22 08:41:36','',14164,'http://www.hiddenshoal.com/wp-content/uploads/2016/02/3.jpg',0,'attachment','image/jpeg',0),(14166,1,'2016-02-22 16:43:46','2016-02-22 08:43:46','','Glanko and Daniel Bailey','','inherit','closed','closed','','glanko-and-daniel-bailey','','','2016-02-22 16:44:01','2016-02-22 08:44:01','',14164,'http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg',0,'attachment','image/jpeg',0),(14168,1,'2016-02-24 12:41:07','2016-02-24 04:41:07','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14173\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art-300x300.jpg\" alt=\"Towards Tragedy and Dissolution\" width=\"226\" height=\"226\" /></a>Hidden Shoal is proud to announce the release of ‘Towards Tragedy and Dissolution’, the stunning new single by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>, taken from the forthcoming album <em>(For Now We See) Through A Glass Dimly</em>. The track is available for streaming now via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/antonymes-towards-tragedy-and-dissolution\" target=\"_blank\">SoundCloud</a>.\r\n\r\nSonically minimal yet emotionally formidable, ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of <a title=\"James Banbury\" href=\"http://component-music.com/?page_id=265\" target=\"_blank\">James Banbury</a> (The Auteurs) and <a title=\"Christoph Berg\" href=\"http://christophberg.com/\" target=\"_blank\">Christoph Berg</a> (Field Rotation), which engage in reflective conversation with Ian M. Hazeldine\'s plaintive piano. Its emotional potency and compositional dexterity draws you into an evocative world, demanding engagement.\r\n\r\nIn addition to James Banbury and Christoph Berg, <em>(For Now We See) Through A Glass Dimly</em> also includes contributions from composer <a title=\"Stefano Guzzetti\" href=\"http://www.stefanoguzzetti.com/\" target=\"_blank\">Stefano Guzzetti</a>, <a title=\"Ilya\" href=\"http://www.ilyasounds.com/\" target=\"_blank\">Joanna Swan</a> (Ilya) and writer <a title=\"Paul Morley\" href=\"http://www.theguardian.com/profile/paulmorley\" target=\"_blank\">Paul Morley</a>. Mixed by Stefano Guzzetti and <a title=\"Paul Humphreys\" href=\"http://www.avclub.com/article/paul-humphreys-of-orchestral-manoeuvres-in-the-dar-14284\" target=\"_blank\">Paul Humphreys</a> (OMD), and mastered by <a title=\"Rafael Anton Irisarri \" href=\"http://irisarri.tumblr.com/\" target=\"_blank\">Rafael Anton Irisarri</a> (The Sight Below), the album’s depth of sound is awe-inspiring. It is released by Hidden Shoal on 21st April 2016.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/248270696&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Antonymes Single from His Forthcoming Album','','publish','closed','closed','','new-antonymes-track','','','2016-08-23 17:37:10','2016-08-23 09:37:10','',0,'http://www.hiddenshoal.com/?p=14168',0,'post','',0),(14169,1,'2016-02-23 10:45:08','2016-02-23 02:45:08','','New Antonymes Track','','inherit','closed','closed','','14168-revision-v1','','','2016-02-23 10:45:08','2016-02-23 02:45:08','',14168,'http://www.hiddenshoal.com/14168-revision-v1/',0,'revision','',0),(14170,1,'2016-02-23 10:45:26','2016-02-23 02:45:26','','New Antonymes Track from Forthcoming Album','','inherit','closed','closed','','14168-revision-v1','','','2016-02-23 10:45:26','2016-02-23 02:45:26','',14168,'http://www.hiddenshoal.com/14168-revision-v1/',0,'revision','',0),(14171,1,'2016-02-23 11:27:14','2016-02-23 03:27:14','Hidden Shoal is proud to announce the release of ‘Towards Tragedy and Dissolution’, the stunning new single by acclaimed neo-classical ambient artist Antonymes, taken from the forthcoming album <em>(For Now We See) Through A Glass Dimly</em>.\r\n\r\nSonically minimal yet emotionally formidable, ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (The Auteurs) and Christoph Berg (Field Rotation), which engage in reflective conversation with Ian M. Hazeldine\'s plaintive piano. Its emotional potency and compositional dexterity draws you into an evocative world, demanding engagement.\r\n\r\nIn addition to James Banbury and Christoph Berg, (For Now We See) Through A Glass Dimly also includes contributions from composer Stefano Guzzetti, Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring. It is released by Hidden Shoal on 21st April 2016.','New Single from Antonymes Forthcoming Album','','inherit','closed','closed','','14168-revision-v1','','','2016-02-23 11:27:14','2016-02-23 03:27:14','',14168,'http://www.hiddenshoal.com/14168-revision-v1/',0,'revision','',0),(14172,1,'2016-02-23 12:19:03','2016-02-23 04:19:03','Hidden Shoal is proud to announce the release of ‘Towards Tragedy and Dissolution’, the stunning new single by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>, taken from the forthcoming album <em>(For Now We See) Through A Glass Dimly</em>.\r\n\r\nSonically minimal yet emotionally formidable, ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of <a title=\"James Banbury\" href=\"http://component-music.com/?page_id=265\" target=\"_blank\">James Banbury</a> (The Auteurs) and <a title=\"Christoph Berg\" href=\"http://christophberg.com/\" target=\"_blank\">Christoph Berg</a> (Field Rotation), which engage in reflective conversation with Ian M. Hazeldine\'s plaintive piano. Its emotional potency and compositional dexterity draws you into an evocative world, demanding engagement.\r\n\r\nIn addition to James Banbury and Christoph Berg, (For Now We See) Through A Glass Dimly also includes contributions from composer <a title=\"Stefano Guzzetti\" href=\"http://www.stefanoguzzetti.com/\" target=\"_blank\">Stefano Guzzetti</a>, <a title=\"Ilya\" href=\"http://www.ilyasounds.com/\" target=\"_blank\">Joanna Swan</a> (Ilya) and writer <a title=\"Paul Morley\" href=\"http://www.theguardian.com/profile/paulmorley\" target=\"_blank\">Paul Morley</a>. Mixed by Stefano Guzzetti and <a title=\"Paul Humphreys\" href=\"http://www.avclub.com/article/paul-humphreys-of-orchestral-manoeuvres-in-the-dar-14284\" target=\"_blank\">Paul Humphreys</a> (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring. It is released by Hidden Shoal on 21st April 2016.','New Single from Antonymes Forthcoming Album','','inherit','closed','closed','','14168-revision-v1','','','2016-02-23 12:19:03','2016-02-23 04:19:03','',14168,'http://www.hiddenshoal.com/14168-revision-v1/',0,'revision','',0),(14173,1,'2016-02-23 16:12:12','2016-02-23 08:12:12','','Towards Tragedy and Dissolution','','inherit','closed','closed','','towards-tragedy-and-dissolution-cover-art','','','2016-02-23 16:12:26','2016-02-23 08:12:26','',14168,'http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art.jpg',0,'attachment','image/jpeg',0),(14174,1,'2016-02-23 16:12:35','2016-02-23 08:12:35','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14173\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art-300x300.jpg\" alt=\"Towards Tragedy and Dissolution\" width=\"242\" height=\"242\" /></a>Hidden Shoal is proud to announce the release of ‘Towards Tragedy and Dissolution’, the stunning new single by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>, taken from the forthcoming album <em>(For Now We See) Through A Glass Dimly</em>. The track is available for streaming now via SoundCloud.\r\n\r\nSonically minimal yet emotionally formidable, ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of <a title=\"James Banbury\" href=\"http://component-music.com/?page_id=265\" target=\"_blank\">James Banbury</a> (The Auteurs) and <a title=\"Christoph Berg\" href=\"http://christophberg.com/\" target=\"_blank\">Christoph Berg</a> (Field Rotation), which engage in reflective conversation with Ian M. Hazeldine\'s plaintive piano. Its emotional potency and compositional dexterity draws you into an evocative world, demanding engagement.\r\n\r\nIn addition to James Banbury and Christoph Berg, (For Now We See) Through A Glass Dimly also includes contributions from composer <a title=\"Stefano Guzzetti\" href=\"http://www.stefanoguzzetti.com/\" target=\"_blank\">Stefano Guzzetti</a>, <a title=\"Ilya\" href=\"http://www.ilyasounds.com/\" target=\"_blank\">Joanna Swan</a> (Ilya) and writer <a title=\"Paul Morley\" href=\"http://www.theguardian.com/profile/paulmorley\" target=\"_blank\">Paul Morley</a>. Mixed by Stefano Guzzetti and <a title=\"Paul Humphreys\" href=\"http://www.avclub.com/article/paul-humphreys-of-orchestral-manoeuvres-in-the-dar-14284\" target=\"_blank\">Paul Humphreys</a> (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring. It is released by Hidden Shoal on 21st April 2016.','New Single from Antonymes Forthcoming Album','','inherit','closed','closed','','14168-revision-v1','','','2016-02-23 16:12:35','2016-02-23 08:12:35','',14168,'http://www.hiddenshoal.com/14168-revision-v1/',0,'revision','',0),(14175,1,'2016-02-23 16:14:04','2016-02-23 08:14:04','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14173\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art-300x300.jpg\" alt=\"Towards Tragedy and Dissolution\" width=\"242\" height=\"242\" /></a>Hidden Shoal is proud to announce the release of ‘Towards Tragedy and Dissolution’, the stunning new single by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>, taken from the forthcoming album <em>(For Now We See) Through A Glass Dimly</em>. The track is available for streaming now via SoundCloud.\r\n\r\nSonically minimal yet emotionally formidable, ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of <a title=\"James Banbury\" href=\"http://component-music.com/?page_id=265\" target=\"_blank\">James Banbury</a> (The Auteurs) and <a title=\"Christoph Berg\" href=\"http://christophberg.com/\" target=\"_blank\">Christoph Berg</a> (Field Rotation), which engage in reflective conversation with Ian M. Hazeldine\'s plaintive piano. Its emotional potency and compositional dexterity draws you into an evocative world, demanding engagement.\r\n\r\nIn addition to James Banbury and Christoph Berg, <em>(For Now We See) Through A Glass Dimly</em> also includes contributions from composer <a title=\"Stefano Guzzetti\" href=\"http://www.stefanoguzzetti.com/\" target=\"_blank\">Stefano Guzzetti</a>, <a title=\"Ilya\" href=\"http://www.ilyasounds.com/\" target=\"_blank\">Joanna Swan</a> (Ilya) and writer <a title=\"Paul Morley\" href=\"http://www.theguardian.com/profile/paulmorley\" target=\"_blank\">Paul Morley</a>. Mixed by Stefano Guzzetti and <a title=\"Paul Humphreys\" href=\"http://www.avclub.com/article/paul-humphreys-of-orchestral-manoeuvres-in-the-dar-14284\" target=\"_blank\">Paul Humphreys</a> (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring. It is released by Hidden Shoal on 21st April 2016.','New Single from Antonymes Forthcoming Album','','inherit','closed','closed','','14168-revision-v1','','','2016-02-23 16:14:04','2016-02-23 08:14:04','',14168,'http://www.hiddenshoal.com/14168-revision-v1/',0,'revision','',0),(14176,1,'2016-02-24 12:36:44','2016-02-24 04:36:44','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14173\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art-300x300.jpg\" alt=\"Towards Tragedy and Dissolution\" width=\"242\" height=\"242\" /></a>Hidden Shoal is proud to announce the release of ‘Towards Tragedy and Dissolution’, the stunning new single by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>, taken from the forthcoming album <em>(For Now We See) Through A Glass Dimly</em>. The track is available for streaming now via SoundCloud.\r\n\r\nSonically minimal yet emotionally formidable, ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of <a title=\"James Banbury\" href=\"http://component-music.com/?page_id=265\" target=\"_blank\">James Banbury</a> (The Auteurs) and <a title=\"Christoph Berg\" href=\"http://christophberg.com/\" target=\"_blank\">Christoph Berg</a> (Field Rotation), which engage in reflective conversation with Ian M. Hazeldine\'s plaintive piano. Its emotional potency and compositional dexterity draws you into an evocative world, demanding engagement.\r\n\r\nIn addition to James Banbury and Christoph Berg, <em>(For Now We See) Through A Glass Dimly</em> also includes contributions from composer <a title=\"Stefano Guzzetti\" href=\"http://www.stefanoguzzetti.com/\" target=\"_blank\">Stefano Guzzetti</a>, <a title=\"Ilya\" href=\"http://www.ilyasounds.com/\" target=\"_blank\">Joanna Swan</a> (Ilya) and writer <a title=\"Paul Morley\" href=\"http://www.theguardian.com/profile/paulmorley\" target=\"_blank\">Paul Morley</a>. Mixed by Stefano Guzzetti and <a title=\"Paul Humphreys\" href=\"http://www.avclub.com/article/paul-humphreys-of-orchestral-manoeuvres-in-the-dar-14284\" target=\"_blank\">Paul Humphreys</a> (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring. It is released by Hidden Shoal on 21st April 2016.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/248270696&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Single from Antonymes Forthcoming Album','','inherit','closed','closed','','14168-revision-v1','','','2016-02-24 12:36:44','2016-02-24 04:36:44','',14168,'http://www.hiddenshoal.com/14168-revision-v1/',0,'revision','',0),(14177,1,'2016-02-24 12:37:12','2016-02-24 04:37:12','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14173\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art-300x300.jpg\" alt=\"Towards Tragedy and Dissolution\" width=\"242\" height=\"242\" /></a>Hidden Shoal is proud to announce the release of ‘Towards Tragedy and Dissolution’, the stunning new single by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>, taken from the forthcoming album <em>(For Now We See) Through A Glass Dimly</em>. The track is available for streaming now via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/antonymes-towards-tragedy-and-dissolution\" target=\"_blank\">SoundCloud</a>.\r\n\r\nSonically minimal yet emotionally formidable, ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of <a title=\"James Banbury\" href=\"http://component-music.com/?page_id=265\" target=\"_blank\">James Banbury</a> (The Auteurs) and <a title=\"Christoph Berg\" href=\"http://christophberg.com/\" target=\"_blank\">Christoph Berg</a> (Field Rotation), which engage in reflective conversation with Ian M. Hazeldine\'s plaintive piano. Its emotional potency and compositional dexterity draws you into an evocative world, demanding engagement.\r\n\r\nIn addition to James Banbury and Christoph Berg, <em>(For Now We See) Through A Glass Dimly</em> also includes contributions from composer <a title=\"Stefano Guzzetti\" href=\"http://www.stefanoguzzetti.com/\" target=\"_blank\">Stefano Guzzetti</a>, <a title=\"Ilya\" href=\"http://www.ilyasounds.com/\" target=\"_blank\">Joanna Swan</a> (Ilya) and writer <a title=\"Paul Morley\" href=\"http://www.theguardian.com/profile/paulmorley\" target=\"_blank\">Paul Morley</a>. Mixed by Stefano Guzzetti and <a title=\"Paul Humphreys\" href=\"http://www.avclub.com/article/paul-humphreys-of-orchestral-manoeuvres-in-the-dar-14284\" target=\"_blank\">Paul Humphreys</a> (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring. It is released by Hidden Shoal on 21st April 2016.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/248270696&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Single from Antonymes Forthcoming Album','','inherit','closed','closed','','14168-revision-v1','','','2016-02-24 12:37:12','2016-02-24 04:37:12','',14168,'http://www.hiddenshoal.com/14168-revision-v1/',0,'revision','',0),(14178,1,'2016-02-24 12:38:22','2016-02-24 04:38:22','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14173\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art-300x300.jpg\" alt=\"Towards Tragedy and Dissolution\" width=\"226\" height=\"226\" /></a>Hidden Shoal is proud to announce the release of ‘Towards Tragedy and Dissolution’, the stunning new single by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>, taken from the forthcoming album <em>(For Now We See) Through A Glass Dimly</em>. The track is available for streaming now via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/antonymes-towards-tragedy-and-dissolution\" target=\"_blank\">SoundCloud</a>.\r\n\r\nSonically minimal yet emotionally formidable, ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of <a title=\"James Banbury\" href=\"http://component-music.com/?page_id=265\" target=\"_blank\">James Banbury</a> (The Auteurs) and <a title=\"Christoph Berg\" href=\"http://christophberg.com/\" target=\"_blank\">Christoph Berg</a> (Field Rotation), which engage in reflective conversation with Ian M. Hazeldine\'s plaintive piano. Its emotional potency and compositional dexterity draws you into an evocative world, demanding engagement.\r\n\r\nIn addition to James Banbury and Christoph Berg, <em>(For Now We See) Through A Glass Dimly</em> also includes contributions from composer <a title=\"Stefano Guzzetti\" href=\"http://www.stefanoguzzetti.com/\" target=\"_blank\">Stefano Guzzetti</a>, <a title=\"Ilya\" href=\"http://www.ilyasounds.com/\" target=\"_blank\">Joanna Swan</a> (Ilya) and writer <a title=\"Paul Morley\" href=\"http://www.theguardian.com/profile/paulmorley\" target=\"_blank\">Paul Morley</a>. Mixed by Stefano Guzzetti and <a title=\"Paul Humphreys\" href=\"http://www.avclub.com/article/paul-humphreys-of-orchestral-manoeuvres-in-the-dar-14284\" target=\"_blank\">Paul Humphreys</a> (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring. It is released by Hidden Shoal on 21st April 2016.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/248270696&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Single from Antonymes Forthcoming Album','','inherit','closed','closed','','14168-revision-v1','','','2016-02-24 12:38:22','2016-02-24 04:38:22','',14168,'http://www.hiddenshoal.com/14168-revision-v1/',0,'revision','',0),(14179,1,'2016-02-24 12:41:07','2016-02-24 04:41:07','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14173\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art-300x300.jpg\" alt=\"Towards Tragedy and Dissolution\" width=\"226\" height=\"226\" /></a>Hidden Shoal is proud to announce the release of ‘Towards Tragedy and Dissolution’, the stunning new single by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>, taken from the forthcoming album <em>(For Now We See) Through A Glass Dimly</em>. The track is available for streaming now via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/antonymes-towards-tragedy-and-dissolution\" target=\"_blank\">SoundCloud</a>.\r\n\r\nSonically minimal yet emotionally formidable, ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of <a title=\"James Banbury\" href=\"http://component-music.com/?page_id=265\" target=\"_blank\">James Banbury</a> (The Auteurs) and <a title=\"Christoph Berg\" href=\"http://christophberg.com/\" target=\"_blank\">Christoph Berg</a> (Field Rotation), which engage in reflective conversation with Ian M. Hazeldine\'s plaintive piano. Its emotional potency and compositional dexterity draws you into an evocative world, demanding engagement.\r\n\r\nIn addition to James Banbury and Christoph Berg, <em>(For Now We See) Through A Glass Dimly</em> also includes contributions from composer <a title=\"Stefano Guzzetti\" href=\"http://www.stefanoguzzetti.com/\" target=\"_blank\">Stefano Guzzetti</a>, <a title=\"Ilya\" href=\"http://www.ilyasounds.com/\" target=\"_blank\">Joanna Swan</a> (Ilya) and writer <a title=\"Paul Morley\" href=\"http://www.theguardian.com/profile/paulmorley\" target=\"_blank\">Paul Morley</a>. Mixed by Stefano Guzzetti and <a title=\"Paul Humphreys\" href=\"http://www.avclub.com/article/paul-humphreys-of-orchestral-manoeuvres-in-the-dar-14284\" target=\"_blank\">Paul Humphreys</a> (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring. It is released by Hidden Shoal on 21st April 2016.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/248270696&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Antonymes Single from His Forthcoming Album','','inherit','closed','closed','','14168-revision-v1','','','2016-02-24 12:41:07','2016-02-24 04:41:07','',14168,'http://www.hiddenshoal.com/14168-revision-v1/',0,'revision','',0),(14180,1,'2016-02-25 11:32:17','2016-02-25 03:32:17','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art.jpg\"><img class=\"alignleft  wp-image-14173\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Towards-Tragedy-and-Dissolution-Cover-Art-300x300.jpg\" alt=\"Towards Tragedy and Dissolution\" width=\"226\" height=\"226\" /></a>Hidden Shoal is proud to announce the release of ‘Towards Tragedy and Dissolution’, the stunning new single by acclaimed neo-classical ambient artist <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>, taken from the forthcoming album <em>(For Now We See) Through A Glass Dimly</em>. The track is available for streaming now via <a title=\"SoundCloud\" href=\"https://soundcloud.com/hidden_shoal/antonymes-towards-tragedy-and-dissolution\" target=\"_blank\">SoundCloud</a>.\r\n\r\nSonically minimal yet emotionally formidable, ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of <a title=\"James Banbury\" href=\"http://component-music.com/?page_id=265\" target=\"_blank\">James Banbury</a> (The Auteurs) and <a title=\"Christoph Berg\" href=\"http://christophberg.com/\" target=\"_blank\">Christoph Berg</a> (Field Rotation), which engage in reflective conversation with Ian M. Hazeldine\'s plaintive piano. Its emotional potency and compositional dexterity draws you into an evocative world, demanding engagement.\r\n\r\nIn addition to James Banbury and Christoph Berg, <em>(For Now We See) Through A Glass Dimly</em> also includes contributions from composer <a title=\"Stefano Guzzetti\" href=\"http://www.stefanoguzzetti.com/\" target=\"_blank\">Stefano Guzzetti</a>, <a title=\"Ilya\" href=\"http://www.ilyasounds.com/\" target=\"_blank\">Joanna Swan</a> (Ilya) and writer <a title=\"Paul Morley\" href=\"http://www.theguardian.com/profile/paulmorley\" target=\"_blank\">Paul Morley</a>. Mixed by Stefano Guzzetti and <a title=\"Paul Humphreys\" href=\"http://www.avclub.com/article/paul-humphreys-of-orchestral-manoeuvres-in-the-dar-14284\" target=\"_blank\">Paul Humphreys</a> (OMD), and mastered by <a title=\"Rafael Anton Irisarri \" href=\"http://irisarri.tumblr.com/\" target=\"_blank\">Rafael Anton Irisarri</a> (The Sight Below), the album’s depth of sound is awe-inspiring. It is released by Hidden Shoal on 21st April 2016.\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/248270696&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Antonymes Single from His Forthcoming Album','','inherit','closed','closed','','14168-revision-v1','','','2016-02-25 11:32:17','2016-02-25 03:32:17','',14168,'http://www.hiddenshoal.com/14168-revision-v1/',0,'revision','',0),(14187,1,'2016-02-29 15:04:49','2016-02-29 07:04:49','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"300\" height=\"240\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012,\r\n\r\nwhile Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP is available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 15:04:49','2016-02-29 07:04:49','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14219,1,'2016-03-08 16:42:25','2016-03-08 08:42:25','','Chloe March','','inherit','closed','closed','','chloe-2016-1000px','','','2016-03-08 16:42:31','2016-03-08 08:42:31','',10515,'http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg',0,'attachment','image/jpeg',0),(14182,1,'2016-02-29 14:51:45','2016-02-29 06:51:45','','Glanko & Daniel Bailey','','inherit','closed','closed','','1','','','2016-02-29 14:55:43','2016-02-29 06:55:43','',14164,'http://www.hiddenshoal.com/wp-content/uploads/2016/02/1.jpg',0,'attachment','image/jpeg',0),(14183,1,'2016-02-29 14:53:08','2016-02-29 06:53:08','','Glanko & Daniel Bailey','','inherit','closed','closed','','2','','','2016-02-29 14:55:46','2016-02-29 06:55:46','',14164,'http://www.hiddenshoal.com/wp-content/uploads/2016/02/2.jpg',0,'attachment','image/jpeg',0),(14184,1,'2016-02-29 14:55:00','2016-02-29 06:55:00','','Glanko & Daniel Bailey','','inherit','closed','closed','','3-2','','','2016-02-29 14:55:59','2016-02-29 06:55:59','',14164,'http://www.hiddenshoal.com/wp-content/uploads/2016/02/31.jpg',0,'attachment','image/jpeg',0),(14185,1,'2016-02-29 14:56:30','2016-02-29 06:56:30','','Glanko & Daniel Bailey','','inherit','closed','closed','','4','','','2016-02-29 15:03:14','2016-02-29 07:03:14','',14164,'http://www.hiddenshoal.com/wp-content/uploads/2016/02/4.jpg',0,'attachment','image/jpeg',0),(14186,1,'2016-02-29 14:57:44','2016-02-29 06:57:44','','Glanko & Daniel Bailey','','inherit','closed','closed','','5','','','2016-02-29 15:03:21','2016-02-29 07:03:21','',14164,'http://www.hiddenshoal.com/wp-content/uploads/2016/02/5.jpg',0,'attachment','image/jpeg',0),(14189,1,'2016-02-29 15:27:04','2016-02-29 07:27:04','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012,\r\n\r\nwhile Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP is available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 15:27:04','2016-02-29 07:27:04','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14190,1,'2016-02-29 15:27:37','2016-02-29 07:27:37','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"244\" height=\"195\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012,\r\n\r\nwhile Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP is available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 15:27:37','2016-02-29 07:27:37','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14191,1,'2016-02-29 15:55:13','2016-02-29 07:55:13','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"244\" height=\"195\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n&nbsp;\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012,\r\n\r\nwhile Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP is available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 15:55:13','2016-02-29 07:55:13','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14192,1,'2016-02-29 15:55:42','2016-02-29 07:55:42','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"244\" height=\"195\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.   <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012,\r\n\r\nwhile Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP is available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 15:55:42','2016-02-29 07:55:42','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14193,1,'2016-02-29 15:57:12','2016-02-29 07:57:12','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Glanko &amp; Daniel Bailey</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"244\" height=\"195\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.</p><p>  <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012,\r\n\r\nwhile Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP is available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 15:57:12','2016-02-29 07:57:12','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14194,1,'2016-02-29 16:15:26','2016-02-29 08:15:26','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"244\" height=\"195\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012,\r\n\r\nwhile Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP is available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 16:15:26','2016-02-29 08:15:26','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14195,1,'2016-02-29 16:16:39','2016-02-29 08:16:39','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"244\" height=\"195\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Daniel Bailey\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012,\r\n\r\nwhile Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP is available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 16:16:39','2016-02-29 08:16:39','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14196,1,'2016-02-29 17:09:33','2016-02-29 09:09:33','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Daniel Bailey\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012,\r\n\r\nwhile Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP is available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 17:09:33','2016-02-29 09:09:33','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14197,1,'2016-02-29 17:30:29','2016-02-29 09:30:29','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Daniel Bailey\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012,\r\n\r\nwhile Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP is available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 17:30:29','2016-02-29 09:30:29','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14198,1,'2016-02-29 17:36:44','2016-02-29 09:36:44','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Daniel Bailey\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP is available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 17:36:44','2016-02-29 09:36:44','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14199,1,'2016-02-29 17:38:16','2016-02-29 09:38:16','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Daniel Bailey\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP is available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 17:38:16','2016-02-29 09:38:16','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14200,1,'2016-02-29 17:39:23','2016-02-29 09:39:23','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Daniel Bailey\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP is available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 17:39:23','2016-02-29 09:39:23','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14201,1,'2016-02-29 17:40:12','2016-02-29 09:40:12','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Daniel Bailey\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP are available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-02-29 17:40:12','2016-02-29 09:40:12','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14207,1,'2016-03-01 15:39:37','2016-03-01 07:39:37','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Memorybell</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft wp-image-14162 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"300\" height=\"300\" /></a>Memorybell explores the emotional and environmental possibilities of ambient music, creating pieces that are simultaneously cinematic and intimate, evoking solitude and yearning, affliction and recovery. Debut album <i>Obsolete</i>, created using just a creaky grand piano and two microphones, is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breath and encouraging the ear to wander.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/memorybellmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/granthazard\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/memorybell\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://granthazard.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div>The new Memorybell full length<em>, Obsolete,</em> will see release through Hidden Shoal on the 2nd June 2016.</div>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nMemorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly 30 years. From 2003 to 2008, he played bass, keys, and occasionally sang in band The Very Hush Hush. Alternately called dream-pop, electro-pop, shoegaze and indie, TVHH released two albums, <i>Mourir C’est Facile</i> (2006) and <i>Evil Milk </i>(2008), and two EPs, <i>Washing Songs </i>(2003) and <i>Sign Language </i>(2004). They toured nationally and shared the stage with bands such as Okkervil River, Stereolab, and TV on the Radio. In 2010, under the name Grant Hazard, Outerbridge self-released <i>Genus Euphony</i>, a solo effort of classical piano infused with subtle electronics.\r\n\r\nIn February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence.\r\n\r\nGrant lives with his wife and son in Denver, CO.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=memorybell-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=memorybell-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"14203,14204,14205,14206\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMemorybell\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Memorybell','','inherit','closed','closed','','14161-revision-v1','','','2016-03-01 15:39:37','2016-03-01 07:39:37','',14161,'http://www.hiddenshoal.com/14161-revision-v1/',0,'revision','',0),(14202,1,'2016-03-01 15:35:46','2016-03-01 07:35:46','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Daniel Bailey\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Daniel Bailey\" width=\"26\" height=\"20\" /></a>  <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP are available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-03-01 15:35:46','2016-03-01 07:35:46','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14203,1,'2016-03-01 15:36:19','2016-03-01 07:36:19','','Grant Hazard Outerbridge','Photo by Peter Bo Rappmund','inherit','closed','closed','','gho-web-photo-1_2000x1000','','','2016-03-01 15:38:38','2016-03-01 07:38:38','',14161,'http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x1000.jpg',0,'attachment','image/jpeg',0),(14204,1,'2016-03-01 15:36:47','2016-03-01 07:36:47','','Grant Hazard Outerbridge','','inherit','closed','closed','','gho-web-photo-1_2000x2000-b-2','','','2016-04-12 13:53:03','2016-04-12 05:53:03','',14161,'http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b.jpg',0,'attachment','image/jpeg',0),(14205,1,'2016-03-01 15:37:09','2016-03-01 07:37:09','','Grant Hazard Outerbridge','Photo by Peter Bo Rappmund','inherit','closed','closed','','gho-web-photo-2_2000x1000','','','2016-03-01 15:38:28','2016-03-01 07:38:28','',14161,'http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-2_2000x1000.jpg',0,'attachment','image/jpeg',0),(14206,1,'2016-03-01 15:37:47','2016-03-01 07:37:47','','Grant Hazard Outerbridge','Photo by Peter Bo Rappmund','inherit','closed','closed','','gho-web-photo-2_2000x2000-a','','','2016-03-01 15:38:24','2016-03-01 07:38:24','',14161,'http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-2_2000x2000-a.jpg',0,'attachment','image/jpeg',0),(14302,1,'2016-04-12 13:53:16','2016-04-12 05:53:16','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft  wp-image-14204\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Grant Hazard Outerbridge\" width=\"195\" height=\"195\" /></a>','New Memorybell Single, Forthcoming Album','','inherit','closed','closed','','14301-revision-v1','','','2016-04-12 13:53:16','2016-04-12 05:53:16','',14301,'http://www.hiddenshoal.com/14301-revision-v1/',0,'revision','',0),(14208,1,'2016-03-01 15:51:42','2016-03-01 07:51:42','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Memorybell</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft wp-image-14162 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"190\" height=\"190\" /></a>Memorybell explores the emotional and environmental possibilities of ambient music, creating pieces that are simultaneously cinematic and intimate, evoking solitude and yearning, affliction and recovery. Debut album <i>Obsolete</i>, created using just a creaky grand piano and two microphones, is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breath and encouraging the ear to wander.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/memorybellmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/granthazard\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/memorybell\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://granthazard.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div>The new Memorybell full length<em>, Obsolete,</em> will see release through Hidden Shoal on the 2nd June 2016.</div>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nMemorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly 30 years. From 2003 to 2008, he played bass, keys, and occasionally sang in band The Very Hush Hush. Alternately called dream-pop, electro-pop, shoegaze and indie, TVHH released two albums, <i>Mourir C’est Facile</i> (2006) and <i>Evil Milk </i>(2008), and two EPs, <i>Washing Songs </i>(2003) and <i>Sign Language </i>(2004). They toured nationally and shared the stage with bands such as Okkervil River, Stereolab, and TV on the Radio. In 2010, under the name Grant Hazard, Outerbridge self-released <i>Genus Euphony</i>, a solo effort of classical piano infused with subtle electronics.\r\n\r\nIn February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence.\r\n\r\nGrant lives with his wife and son in Denver, CO.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=memorybell-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=memorybell-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"14203,14204,14205,14206\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMemorybell\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Memorybell','','inherit','closed','closed','','14161-revision-v1','','','2016-03-01 15:51:42','2016-03-01 07:51:42','',14161,'http://www.hiddenshoal.com/14161-revision-v1/',0,'revision','',0),(14209,1,'2016-03-01 15:52:25','2016-03-01 07:52:25','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Memorybell</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft wp-image-14162 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"212\" height=\"212\" /></a>Memorybell explores the emotional and environmental possibilities of ambient music, creating pieces that are simultaneously cinematic and intimate, evoking solitude and yearning, affliction and recovery. Debut album <i>Obsolete</i>, created using just a creaky grand piano and two microphones, is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breath and encouraging the ear to wander.\r\n\r\n&nbsp;\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/memorybellmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/granthazard\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/memorybell\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://granthazard.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div>The new Memorybell full length<em>, Obsolete,</em> will see release through Hidden Shoal on the 2nd June 2016.</div>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nMemorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly 30 years. From 2003 to 2008, he played bass, keys, and occasionally sang in band The Very Hush Hush. Alternately called dream-pop, electro-pop, shoegaze and indie, TVHH released two albums, <i>Mourir C’est Facile</i> (2006) and <i>Evil Milk </i>(2008), and two EPs, <i>Washing Songs </i>(2003) and <i>Sign Language </i>(2004). They toured nationally and shared the stage with bands such as Okkervil River, Stereolab, and TV on the Radio. In 2010, under the name Grant Hazard, Outerbridge self-released <i>Genus Euphony</i>, a solo effort of classical piano infused with subtle electronics.\r\n\r\nIn February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence.\r\n\r\nGrant lives with his wife and son in Denver, CO.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=memorybell-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=memorybell-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"14203,14204,14205,14206\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMemorybell\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Memorybell','','inherit','closed','closed','','14161-revision-v1','','','2016-03-01 15:52:25','2016-03-01 07:52:25','',14161,'http://www.hiddenshoal.com/14161-revision-v1/',0,'revision','',0),(14210,1,'2016-03-01 15:56:13','2016-03-01 07:56:13','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Memorybell</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft wp-image-14162 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"212\" height=\"212\" /></a>Memorybell explores the emotional and environmental possibilities of ambient music, creating pieces that are simultaneously cinematic and intimate, evoking solitude and yearning, affliction and recovery. Debut album <i>Obsolete</i>, created using just a creaky grand piano and two microphones, is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breath and encouraging the ear to wander.\r\n\r\n&nbsp;\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/memorybellmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/granthazard\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/memorybell\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://granthazard.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div>The new Memorybell full length<em>, Obsolete,</em> will see release through Hidden Shoal on the 2nd June 2016.</div>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nMemorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly 30 years. From 2003 to 2008, he played bass, keys, and occasionally sang in band The Very Hush Hush. Alternately called dream-pop, electro-pop, shoegaze and indie, TVHH released two albums, <i>Mourir C’est Facile</i> (2006) and <i>Evil Milk </i>(2008), and two EPs, <i>Washing Songs </i>(2003) and <i>Sign Language </i>(2004). They toured nationally and shared the stage with bands such as Okkervil River, Stereolab, and TV on the Radio. In 2010, under the name Grant Hazard, Outerbridge self-released <i>Genus Euphony</i>, a solo effort of classical piano infused with subtle electronics.\r\n\r\nIn February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence.\r\n\r\nGrant lives with his wife and son in Denver, CO.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=memorybell-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=memorybell-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"14204,14206\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nMemorybell\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Memorybell','','inherit','closed','closed','','14161-revision-v1','','','2016-03-01 15:56:13','2016-03-01 07:56:13','',14161,'http://www.hiddenshoal.com/14161-revision-v1/',0,'revision','',0),(14211,1,'2016-03-07 10:53:14','2016-03-07 02:53:14','<p>[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]</p>\r\n<h1>Memorybell</h1>\r\n<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft wp-image-14162 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"212\" height=\"212\" /></a>Memorybell explores the emotional and environmental possibilities of ambient music, creating pieces that are simultaneously cinematic and intimate, evoking solitude and yearning, affliction and recovery. Debut album <i>Obsolete</i>, created using just a creaky grand piano and two microphones, is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breath and encouraging the ear to wander.</p>\r\n<p>&nbsp;</p>\r\n<p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/memorybellmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/granthazard\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"http://soundcloud.com/memorybell\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://granthazard.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>\r\n<p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]</p>\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div>The new Memorybell full length<em>, Obsolete,</em> will see release through Hidden Shoal on the 2nd June 2016.</div>\r\n<p>[/et_pb_tab][et_pb_tab title=\"Bio\"]</p>\r\n<h3>Biography</h3>\r\n<p>Memorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly 30 years. From 2003 to 2008, he played bass, keys, and occasionally sang in band The Very Hush Hush. Alternately called dream-pop, electro-pop, shoegaze and indie, TVHH released two albums, <i>Mourir C’est Facile</i> (2006) and <i>Evil Milk </i>(2008), and two EPs, <i>Washing Songs </i>(2003) and <i>Sign Language </i>(2004). They toured nationally and shared the stage with bands such as Okkervil River, Stereolab, and TV on the Radio. In 2010, under the name Grant Hazard, Outerbridge self-released <i>Genus Euphony</i>, a solo effort of classical piano infused with subtle electronics.</p>\r\n<p>In February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence.</p>\r\n<p>Grant lives with his wife and son in Denver, CO.</p>\r\n<p>[/et_pb_tab][et_pb_tab title=\"News\"]</p>\r\n<h3>News</h3>\r\n<p>[catlist name=memorybell-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]</p>\r\n<h2>Reviews</h2>\r\n<p>[catlist name=memorybell-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]</p>\r\n<p>No reviews yet, sorry.</p>\r\n<p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]</p>\r\n<h3>Press Releases</h3>\r\n<p>No press releases yet, sorry.</p>\r\n<p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]</p>\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n<p>[gallery columns=\"2\" ids=\"14204,14206\"]</p>\r\n<p>[/et_pb_tab][et_pb_tab title=\"Video\"]</p>\r\n<h3>Music Videos</h3>\r\n<p>No music videos yet, sorry.</p>\r\n<p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]</p>\r\n<h3>Licensing</h3>\r\n<p>Memorybell\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n<p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]</p>\r\n','Memorybell','','inherit','closed','closed','','14161-revision-v1','','','2016-03-07 10:53:14','2016-03-07 02:53:14','',14161,'http://www.hiddenshoal.com/14161-revision-v1/',0,'revision','',0),(14266,1,'2016-03-15 22:24:39','2016-03-15 14:24:39','<p class=\"bodytext\">\"The title of Ian Hazeldine\'s latest Antonymes opus obviously calls to mind two things in particular: Ingmar Bergman\'s 1961 film <em>Through a Glass Darkly</em>, whose title is itself drawn from the Biblical passage “For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known” (1 Corinthians 13). No one, however, needs to obsess too much over the title and its associated meanings when the album\'s fifty minutes of music already prove so captivating in their own right.</p>\r\n<p class=\"bodytext\">The aural evidence suggests that Hazeldine clearly spent a great deal of time and effort crafting the album, and it\'s easy to picture him toiling on the material for weeks if not months on end at his Gladstone country, Wales residence; he also clearly dedicated much thought to the sequencing of the ten tracks, given its arc and how effectively it flows. Though there are individuating differences between the pieces, piano and strings are the core elements; further to that, the music\'s mood is predominantly melancholy, even at times hymnal. A number of vocal and instrumental contributors help bring the album to life, specifically vocalists Joanna Swan, Martine Bijn, and Jan Van den Broeke, plus pianist Stefano Guzzetti, cellist James Banbury, violinist Christoph Berg (aka Field Rotation), flugelhorn player Claus Højensgård Andersen, and Richard Talbot, who\'s credited with electronics on “Little Emblems of Eternity.” In addition, Guzzetti mixed all but one of the album\'s tracks, and Rafael Anton Irisarri mastered the material.</p>\r\n<p class=\"bodytext\">However much electronic production techniques were involved in its production, <em>(For Now We See) Through A Glass Dimly </em> is more a modern classical chamber collection than electronic album. That the material is primarily classical in character is evident from the moment the luscious orchestral strings of Berg and Banbury (and Guzzetti\'s piano and celeste) introduce the album on “The Lure of the Land,” in essence a scene-setting overture for the recording; an unabashedly emotional quality also emerges due to the track\'s plaintive mood and the way the players\' strings swell to an elegant crescendo. Yet as lovely as it is, it\'s bettered by “Elegy (II),” whose strings-heavy introduction (Berg again) is followed by a stunning vocal performance by Joanna Swan; on this album highlight, she sings with an unaffected, natural grace so beautiful it takes one\'s breath away. Elsewhere, the brooding “Towards Tragedy and Dissolution,” a co-composition by Hazeldine and Banbury, is elevated by the latter\'s lyrical cello playing and Berg\'s violins, and speaking voices on “Sixteen Zero Six Fifteen” and “Little Emblems of Eternity” (the latter featuring text by Paul Morley) add variety to this largely instrumental project.</p>\r\n<p class=\"bodytext\">Though <em>(For Now We See) Through A Glass Dimly</em>, as mentioned, generally invites the modern classical designation, that doesn\'t apply to every track. When strings are joined by a downtempo beat pattern in “Delicate Power,” an electronic dimension adds to the classical one, and in “Elegy (IV),” an ambient breath shadows the solo piano playing in a way that also suggests an ambient-electronic connection. But the biggest surprise in that regard is “Fatal Ambition,” not only for featuring Andersen\'s flugelhorn as the lead voice but for nudging the stylistic tone away from classical and in the direction of something akin to romantic, late-night jazz. That said, as interesting as such a change-up is, it\'s perhaps a little bit too much out of character with the rest of the album. Such a complaint is of the minor variety, however, and does little to mar the overall strong impression left by the album. For that matter, any recording that includes something as stirring as “Elegy (II)” rewards one\'s time and attention all by itself.\"</p>\r\n<p class=\"bodytext\">- <a title=\"Textura\" href=\"http://www.textura.org/reviews/antonymes_nowseeglassdarkly.htm\" target=\"_blank\"><strong>Textura</strong></a></p>','Antonymes \"(For Now We See) Through A Glass Dimly\" Reviewed at Textura','The title of Ian Hazeldine\'s latest Antonymes opus obviously calls to mind two things in particular: Ingmar Bergman\'s 1961 film Through a Glass Darkly, whose title is itself drawn from the Biblical passage “For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known” (1 Corinthians 13). No one, however, needs to obsess too much over the title and its associated meanings when the album\'s fifty minutes of music already prove so captivating in their own right.','inherit','closed','closed','','14264-revision-v1','','','2016-03-15 22:24:39','2016-03-15 14:24:39','',14264,'http://www.hiddenshoal.com/14264-revision-v1/',0,'revision','',0),(14213,1,'2016-03-07 10:57:08','2016-03-07 02:57:08',' ','','','publish','closed','closed','','14213','','','2017-03-16 12:02:57','2017-03-16 04:02:57','',0,'http://www.hiddenshoal.com/?p=14213',35,'nav_menu_item','',0),(14214,1,'2016-03-07 14:48:31','2016-03-07 06:48:31','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft  wp-image-14162\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"246\" height=\"246\" /></a>Hidden Shoal is proud to announce the signing of the brilliant Colorado based artist <a title=\"Memorybell\" href=\"http://www.hiddenshoal.com/project/memorybell/\">Memorybell </a>to it\'s roster of artists. Memorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly 30 years. In February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence. The result is the debut Memorybell album <i>Obsolete</i>, created using just a creaky grand piano and two microphones, which is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breath and encouraging the ear to wander.\r\n\r\n<em>Obsolete</em> will see release through Hidden Shoal on the 2nd June 2016 with the first taste of the album dropping mid-April. This amazing collection of compositions is also now available as part of the Hidden Shoal <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\">licensing catalogue</a>. Read more on Memorybell <a title=\"Memorybell\" href=\"http://www.hiddenshoal.com/project/memorybell/\">here</a>.','Memorybell Signs to Hidden Shoal','','publish','closed','closed','','memorybell-signs-to-hidden-shoal','','','2016-03-08 06:51:41','2016-03-07 22:51:41','',0,'http://www.hiddenshoal.com/?p=14214',0,'post','',0),(14215,1,'2016-03-07 14:33:07','2016-03-07 06:33:07','Hidden Shoal is proud to announce the signing of the brilliant Colorado based artist <a title=\"Memorybell\" href=\"http://www.hiddenshoal.com/project/memorybell/\">Memorybell </a>to it\'s roster of artists. Memorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly 30 years. In February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence. The result is the debut Memorybell album <i>Obsolete</i>, created using just a creaky grand piano and two microphones, is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breath and encouraging the ear to wander.\r\n\r\n<em>Obsolete</em> will see release will see release through Hidden Shoal on the 2nd June 2016. This amazing collection of compositions is also now available as part of the Hidden Shoal <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\">licensing catalogue</a>.','Memorybell Signs to Hidden Shoal','','inherit','closed','closed','','14214-revision-v1','','','2016-03-07 14:33:07','2016-03-07 06:33:07','',14214,'http://www.hiddenshoal.com/14214-revision-v1/',0,'revision','',0),(14216,1,'2016-03-07 14:34:37','2016-03-07 06:34:37','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft  wp-image-14162\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"246\" height=\"246\" /></a>Hidden Shoal is proud to announce the signing of the brilliant Colorado based artist <a title=\"Memorybell\" href=\"http://www.hiddenshoal.com/project/memorybell/\">Memorybell </a>to it\'s roster of artists. Memorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly 30 years. In February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence. The result is the debut Memorybell album <i>Obsolete</i>, created using just a creaky grand piano and two microphones, is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breath and encouraging the ear to wander.\r\n\r\n<em>Obsolete</em> will see release will see release through Hidden Shoal on the 2nd June 2016. This amazing collection of compositions is also now available as part of the Hidden Shoal <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\">licensing catalogue</a>. Read more on Memorybell <a title=\"Memorybell\" href=\"http://www.hiddenshoal.com/project/memorybell/\">here</a>.','Memorybell Signs to Hidden Shoal','','inherit','closed','closed','','14214-revision-v1','','','2016-03-07 14:34:37','2016-03-07 06:34:37','',14214,'http://www.hiddenshoal.com/14214-revision-v1/',0,'revision','',0),(14217,1,'2016-03-07 14:48:31','2016-03-07 06:48:31','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft  wp-image-14162\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"246\" height=\"246\" /></a>Hidden Shoal is proud to announce the signing of the brilliant Colorado based artist <a title=\"Memorybell\" href=\"http://www.hiddenshoal.com/project/memorybell/\">Memorybell </a>to it\'s roster of artists. Memorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly 30 years. In February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence. The result is the debut Memorybell album <i>Obsolete</i>, created using just a creaky grand piano and two microphones, is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breath and encouraging the ear to wander.\r\n\r\n<em>Obsolete</em> will see release through Hidden Shoal on the 2nd June 2016 with the first taste of the album dropping mid-April. This amazing collection of compositions is also now available as part of the Hidden Shoal <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\">licensing catalogue</a>. Read more on Memorybell <a title=\"Memorybell\" href=\"http://www.hiddenshoal.com/project/memorybell/\">here</a>.','Memorybell Signs to Hidden Shoal','','inherit','closed','closed','','14214-revision-v1','','','2016-03-07 14:48:31','2016-03-07 06:48:31','',14214,'http://www.hiddenshoal.com/14214-revision-v1/',0,'revision','',0),(14218,1,'2016-03-08 06:51:41','2016-03-07 22:51:41','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b.jpg\"><img class=\"alignleft  wp-image-14162\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/GHO-web-photo-1_2000x2000-b-300x300.jpg\" alt=\"Memorybell (Photo by Peter Bo Rappmund)\" width=\"246\" height=\"246\" /></a>Hidden Shoal is proud to announce the signing of the brilliant Colorado based artist <a title=\"Memorybell\" href=\"http://www.hiddenshoal.com/project/memorybell/\">Memorybell </a>to it\'s roster of artists. Memorybell is the ambient project of Grant Hazard Outerbridge, a multi-instrumentalist and classically trained pianist who has been playing music for nearly 30 years. In February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia, a condition that causes the brain to temporarily stop making new memories. When he returned to the piano, Outerbridge found his previous compositions sounded garish. He pared them down to their essence and, along with new, more spacious material, constructed a set of variegated and subtle songs that explore the interplay between dissonance and silence. The result is the debut Memorybell album <i>Obsolete</i>, created using just a creaky grand piano and two microphones, which is as concerned with exploring the spaces between notes as the notes themselves, giving each song room to breath and encouraging the ear to wander.\r\n\r\n<em>Obsolete</em> will see release through Hidden Shoal on the 2nd June 2016 with the first taste of the album dropping mid-April. This amazing collection of compositions is also now available as part of the Hidden Shoal <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\">licensing catalogue</a>. Read more on Memorybell <a title=\"Memorybell\" href=\"http://www.hiddenshoal.com/project/memorybell/\">here</a>.','Memorybell Signs to Hidden Shoal','','inherit','closed','closed','','14214-revision-v1','','','2016-03-08 06:51:41','2016-03-07 22:51:41','',14214,'http://www.hiddenshoal.com/14214-revision-v1/',0,'revision','',0),(14220,1,'2016-03-08 16:42:42','2016-03-08 08:42:42','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Chloë March</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"218\" height=\"218\" /></a><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a href=\"https://geo.itunes.apple.com/au/artist/chloe-march/id47255965?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>To Set The River On Fire</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe>\r\nFebruary 2015\r\n\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<h4>Nights Bright Days</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe>\r\nNovember 2014\r\n\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.\r\n<h4>Under The Day</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe>\r\nNovember 2014\r\n\r\nA set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.\r\n<h4>Politik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe>\r\nJuly 2012\r\n\r\nChloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.\r\n<h4>Garden On The Boulevard</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe>\r\nNovember 2009\r\n\r\n<em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.\r\n<h4>Divining</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe>\r\nNovember 2008\r\n\r\nChloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.\r\n<div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div>\r\n&nbsp;\r\n<h4>Snowdrop</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe>\r\nNovember 2004\r\n\r\nChloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"10523,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/UDmvHmMWV6o?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2016-03-08 16:42:42','2016-03-08 08:42:42','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(14221,1,'2016-03-08 17:24:37','2016-03-08 09:24:37','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Chloë March</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"231\" height=\"231\" /></a><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a href=\"https://geo.itunes.apple.com/au/artist/chloe-march/id47255965?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>To Set The River On Fire</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe>\r\nFebruary 2015\r\n\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<h4>Nights Bright Days</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe>\r\nNovember 2014\r\n\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.\r\n<h4>Under The Day</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe>\r\nNovember 2014\r\n\r\nA set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.\r\n<h4>Politik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe>\r\nJuly 2012\r\n\r\nChloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.\r\n<h4>Garden On The Boulevard</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe>\r\nNovember 2009\r\n\r\n<em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.\r\n<h4>Divining</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe>\r\nNovember 2008\r\n\r\nChloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.\r\n<div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div>\r\n&nbsp;\r\n<h4>Snowdrop</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe>\r\nNovember 2004\r\n\r\nChloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"10523,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/UDmvHmMWV6o?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2016-03-08 17:24:37','2016-03-08 09:24:37','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(14222,1,'2016-03-08 17:25:41','2016-03-08 09:25:41','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Chloë March</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"246\" height=\"246\" /></a><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a href=\"https://geo.itunes.apple.com/au/artist/chloe-march/id47255965?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>To Set The River On Fire</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe>\r\nFebruary 2015\r\n\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<h4>Nights Bright Days</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe>\r\nNovember 2014\r\n\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.\r\n<h4>Under The Day</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe>\r\nNovember 2014\r\n\r\nA set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.\r\n<h4>Politik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe>\r\nJuly 2012\r\n\r\nChloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.\r\n<h4>Garden On The Boulevard</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe>\r\nNovember 2009\r\n\r\n<em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.\r\n<h4>Divining</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe>\r\nNovember 2008\r\n\r\nChloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.\r\n<div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div>\r\n&nbsp;\r\n<h4>Snowdrop</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe>\r\nNovember 2004\r\n\r\nChloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"10523,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/UDmvHmMWV6o?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2016-03-08 17:25:41','2016-03-08 09:25:41','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(14223,1,'2016-03-08 22:28:25','2016-03-08 14:28:25','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Chloë March</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"246\" height=\"246\" /></a><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a href=\"https://geo.itunes.apple.com/au/artist/chloe-march/id47255965?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>To Set The River On Fire</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe>\r\nFebruary 2015\r\n\r\nThe new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<h4>Nights Bright Days</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe>\r\nNovember 2014\r\n\r\nAlthough often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.\r\n<h4>Under The Day</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe>\r\nNovember 2014\r\n\r\nA set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.\r\n<h4>Politik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe>\r\nJuly 2012\r\n\r\nChloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.\r\n<h4>Garden On The Boulevard</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe>\r\nNovember 2009\r\n\r\n<em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.\r\n<h4>Divining</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe>\r\nNovember 2008\r\n\r\nChloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.\r\n<div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div>\r\n&nbsp;\r\n<h4>Snowdrop</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe>\r\nNovember 2004\r\n\r\nChloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"10523,14219,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/UDmvHmMWV6o?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2016-03-08 22:28:25','2016-03-08 14:28:25','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(14225,1,'2016-03-11 06:01:09','2016-03-10 22:01:09','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n<strong>Glanko: <a title=\"Facebook\" href=\"http://www.facebook.com/GlankoMusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/glankofficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/glanko-official\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a></strong><strong>\r\nDaniel Bailey: <a title=\"Facebook\" href=\"http://www.facebook.com/danielbaileymusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/DBaileyOfficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>     <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP are available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-03-11 06:01:09','2016-03-10 22:01:09','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14226,1,'2016-03-11 06:03:43','2016-03-10 22:03:43','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/GlankoMusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/glankofficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/glanko-official\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a></strong><strong>\r\n</strong>Daniel Bailey:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/danielbaileymusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/DBaileyOfficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>    <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 29th April 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP are available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-03-11 06:03:43','2016-03-10 22:03:43','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14227,1,'2016-03-11 06:14:57','2016-03-10 22:14:57','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/GlankoMusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/glankofficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/glanko-official\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a></strong><strong>\r\n</strong>Daniel Bailey:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/danielbaileymusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/DBaileyOfficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>    <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 5th May 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP are available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-03-11 06:14:57','2016-03-10 22:14:57','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14228,1,'2016-03-11 06:17:24','2016-03-10 22:17:24','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/GlankoMusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/glankofficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/glanko-official\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a></strong><strong>\r\n</strong>Daniel Bailey:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/danielbaileymusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/DBaileyOfficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Glanko\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 5th May 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP are available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-03-11 06:17:24','2016-03-10 22:17:24','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14229,1,'2016-03-11 06:21:28','2016-03-10 22:21:28',' ','','','publish','closed','closed','','14229','','','2017-03-16 12:02:57','2017-03-16 04:02:57','',0,'http://www.hiddenshoal.com/?p=14229',21,'nav_menu_item','',0),(14230,1,'2016-03-11 11:16:40','2016-03-11 03:16:40','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/31.jpg\"><img class=\"alignleft size-medium wp-image-14184\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/31-300x200.jpg\" alt=\"Glanko &amp; Daniel Bailey\" width=\"300\" height=\"200\" /></a>We\'re excited to welcome the wonderful <a title=\"Glanko &amp; Daniel Bailey\" href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\">Glanko &amp; Daniel Bailey</a> to the Hidden Shoal family. The pair collaborated on the sublime forthcoming EP <em>Isometrik</em>, which will see release through Hidden Shoal on 5th May 2016 and is now available as part of the <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\">Hidden Shoal licensing catalogue</a>.\r\n\r\nGlanko &amp; Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. <a title=\"Glanko Website\" href=\"http://www.glanko.com/\" target=\"_blank\">Glanko</a> has been an IDM/glitch/industrial producer since 2012, while <a title=\"Daniel Bailey\" href=\"http://www.glanko.com/\" target=\"_blank\">Daniel Bailey</a> has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project.\r\n\r\nTheir collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <em>Isometrik</em> EP, conceived and recorded during a short stay in Monti Picentini, Italy.','Glanko & Daniel Bailey Sign to Hidden Shoal','','publish','closed','closed','','glanko-daniel-bailey-sign-to-hidden-shoal','','','2016-03-11 11:16:40','2016-03-11 03:16:40','',0,'http://www.hiddenshoal.com/?p=14230',0,'post','',0),(14231,1,'2016-03-11 06:30:58','2016-03-10 22:30:58','','Glanko & Daniel Bailey Sign to Hidden Shoal','','inherit','closed','closed','','14230-revision-v1','','','2016-03-11 06:30:58','2016-03-10 22:30:58','',14230,'http://www.hiddenshoal.com/14230-revision-v1/',0,'revision','',0),(14232,1,'2016-03-11 06:50:24','2016-03-10 22:50:24','We\'re very excited to welcome the wonderful Glanko &amp; Daniel Bailey to the Hidden Shoal family.','Glanko & Daniel Bailey Sign to Hidden Shoal','','inherit','closed','closed','','14230-revision-v1','','','2016-03-11 06:50:24','2016-03-10 22:50:24','',14230,'http://www.hiddenshoal.com/14230-revision-v1/',0,'revision','',0),(14233,1,'2016-03-11 07:00:18','2016-03-10 23:00:18','We\'re very excited to welcome the wonderful Glanko &amp; Daniel Bailey to the Hidden Shoal family. The pair have collaborated on the sublime forthcoming EP <em>Isometrik </em>which will see release through Hidden Shoal on the 5th of May 2016.\r\n\r\nGlanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\n&nbsp;\r\n\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.','Glanko & Daniel Bailey Sign to Hidden Shoal','','inherit','closed','closed','','14230-revision-v1','','','2016-03-11 07:00:18','2016-03-10 23:00:18','',14230,'http://www.hiddenshoal.com/14230-revision-v1/',0,'revision','',0),(14234,1,'2016-03-11 10:37:21','2016-03-11 02:37:21','<div data-contents=\"true\">\r\n<div class=\"\" data-offset-key=\"8tme2-0-0\" data-block=\"true\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"8tme2-0-0\"><span data-offset-key=\"8tme2-0-0\"><span data-text=\"true\"><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/willem_gator_profile_pic.jpg\"><img class=\"alignleft  wp-image-11757\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/willem_gator_profile_pic.jpg\" alt=\"Willem Gator\" width=\"87\" height=\"102\" /></a>For those that missed it, check out this <a title=\"Tomatrax\" href=\"https://tomatrax.wordpress.com/2015/12/21/interview-with-giuseppe-musmeci-from-hc-b/\" target=\"_blank\">wonderful interview</a> with Giuseppe Musmeci of <a title=\"HC-B\" href=\"http://www.hiddenshoal.com/project/hc-b/\">HC-B</a> and <a title=\"Willem Gator\" href=\"http://www.hiddenshoal.com/project/willem-gator/\">Willem Gator</a> at <a title=\"Tomatrax\" href=\"https://tomatrax.wordpress.com/\" target=\"_blank\">Tomatrax </a>late last year. Giuseppe is currently finalising the next Willem Gator album so keep your ears peeled for more news on that. It\'s going to be something special!\r\n</span></span></div>\r\n</div>\r\n<div class=\"\" data-offset-key=\"aa6o6-0-0\" data-block=\"true\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"aa6o6-0-0\"><span data-offset-key=\"aa6o6-0-0\"> </span></div>\r\n</div>\r\n<div class=\"\" data-offset-key=\"cfb5k-0-0\" data-block=\"true\"></div>\r\n</div>','Giuseppe Musmeci of HC-B and Willem Gator Interview at Tomatrax','','publish','closed','closed','','giuseppe-musmeci-of-hc-b-and-willem-gator-interview-at-tomatrax','','','2016-03-11 10:37:21','2016-03-11 02:37:21','',0,'http://www.hiddenshoal.com/?p=14234',0,'post','',0),(14235,1,'2016-03-11 10:36:57','2016-03-11 02:36:57','<div data-contents=\"true\">\r\n<div class=\"\" data-offset-key=\"8tme2-0-0\" data-block=\"true\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"8tme2-0-0\"><span data-offset-key=\"8tme2-0-0\"><span data-text=\"true\"><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/willem_gator_profile_pic.jpg\"><img class=\"alignleft  wp-image-11757\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/01/willem_gator_profile_pic.jpg\" alt=\"Willem Gator\" width=\"87\" height=\"102\" /></a>For those that missed it, check out this <a title=\"Tomatrax\" href=\"https://tomatrax.wordpress.com/2015/12/21/interview-with-giuseppe-musmeci-from-hc-b/\" target=\"_blank\">wonderful interview</a> with Giuseppe Musmeci of <a title=\"HC-B\" href=\"http://www.hiddenshoal.com/project/hc-b/\">HC-B</a> and <a title=\"Willem Gator\" href=\"http://www.hiddenshoal.com/project/willem-gator/\">Willem Gator</a> at <a title=\"Tomatrax\" href=\"https://tomatrax.wordpress.com/\" target=\"_blank\">Tomatrax </a>late last year. Giuseppe is currently finalising the next Willem Gator album so keep your ears peeled for more news on that. It\'s going to be something special!\r\n</span></span></div>\r\n</div>\r\n<div class=\"\" data-offset-key=\"aa6o6-0-0\" data-block=\"true\">\r\n<div class=\"_1mf _1mj\" data-offset-key=\"aa6o6-0-0\"><span data-offset-key=\"aa6o6-0-0\"> </span></div>\r\n</div>\r\n<div class=\"\" data-offset-key=\"cfb5k-0-0\" data-block=\"true\"></div>\r\n</div>','Giuseppe Musmeci of HC-B and Willem Gator Interview at Tomatrax','','inherit','closed','closed','','14234-revision-v1','','','2016-03-11 10:36:57','2016-03-11 02:36:57','',14234,'http://www.hiddenshoal.com/14234-revision-v1/',0,'revision','',0),(14236,1,'2016-03-11 10:38:22','2016-03-11 02:38:22','We\'re excited to welcome the wonderful Glanko &amp; Daniel Bailey to the Hidden Shoal family. The pair have collaborated on the sublime forthcoming EP <em>Isometrik </em>which will see release through Hidden Shoal on the 5th of May 2016.\r\n\r\nGlanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.','Glanko & Daniel Bailey Sign to Hidden Shoal','','inherit','closed','closed','','14230-revision-v1','','','2016-03-11 10:38:22','2016-03-11 02:38:22','',14230,'http://www.hiddenshoal.com/14230-revision-v1/',0,'revision','',0),(14237,1,'2016-03-11 10:41:49','2016-03-11 02:41:49','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/31.jpg\"><img class=\"alignleft size-medium wp-image-14184\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/31-300x200.jpg\" alt=\"Glanko &amp; Daniel Bailey\" width=\"300\" height=\"200\" /></a>We\'re excited to welcome the wonderful <a title=\"Glanko &amp; Daniel Bailey\" href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\">Glanko &amp; Daniel Bailey</a> to the Hidden Shoal family. The pair have collaborated on the sublime forthcoming EP <em>Isometrik </em>which will see release through Hidden Shoal on the 5th of May 2016.\r\n\r\nGlanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.','Glanko & Daniel Bailey Sign to Hidden Shoal','','inherit','closed','closed','','14230-revision-v1','','','2016-03-11 10:41:49','2016-03-11 02:41:49','',14230,'http://www.hiddenshoal.com/14230-revision-v1/',0,'revision','',0),(14238,1,'2016-03-11 11:12:15','2016-03-11 03:12:15','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/31.jpg\"><img class=\"alignleft size-medium wp-image-14184\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/31-300x200.jpg\" alt=\"Glanko &amp; Daniel Bailey\" width=\"300\" height=\"200\" /></a>We\'re excited to welcome the wonderful <a title=\"Glanko &amp; Daniel Bailey\" href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\">Glanko &amp; Daniel Bailey</a> to the Hidden Shoal family. The pair collaborated on the sublime forthcoming EP <em>Isometrik</em>, which will see release through Hidden Shoal on 5th May 2016.\r\n\r\nGlanko &amp; Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. <a title=\"Glanko Website\" href=\"http://www.glanko.com/\" target=\"_blank\">Glanko</a> has been an IDM/glitch/industrial producer since 2012, while <a title=\"Daniel Bailey\" href=\"http://www.glanko.com/\" target=\"_blank\">Daniel Bailey</a> has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project.\r\n\r\nTheir collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <em>Isometrik</em> EP, conceived and recorded during a short stay in Monti Picentini, Italy.','Glanko & Daniel Bailey Sign to Hidden Shoal','','inherit','closed','closed','','14230-revision-v1','','','2016-03-11 11:12:15','2016-03-11 03:12:15','',14230,'http://www.hiddenshoal.com/14230-revision-v1/',0,'revision','',0),(14239,1,'2016-03-11 11:14:36','2016-03-11 03:14:36','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/31.jpg\"><img class=\"alignleft size-medium wp-image-14184\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/31-300x200.jpg\" alt=\"Glanko &amp; Daniel Bailey\" width=\"300\" height=\"200\" /></a>We\'re excited to welcome the wonderful <a title=\"Glanko &amp; Daniel Bailey\" href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\">Glanko &amp; Daniel Bailey</a> to the Hidden Shoal family. The pair collaborated on the sublime forthcoming EP <em>Isometrik</em>, which will see release through Hidden Shoal on 5th May 2016 and is now available as part of the Hidden Shoal licensing catalogue.\r\n\r\nGlanko &amp; Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. <a title=\"Glanko Website\" href=\"http://www.glanko.com/\" target=\"_blank\">Glanko</a> has been an IDM/glitch/industrial producer since 2012, while <a title=\"Daniel Bailey\" href=\"http://www.glanko.com/\" target=\"_blank\">Daniel Bailey</a> has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project.\r\n\r\nTheir collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <em>Isometrik</em> EP, conceived and recorded during a short stay in Monti Picentini, Italy.','Glanko & Daniel Bailey Sign to Hidden Shoal','','inherit','closed','closed','','14230-revision-v1','','','2016-03-11 11:14:36','2016-03-11 03:14:36','',14230,'http://www.hiddenshoal.com/14230-revision-v1/',0,'revision','',0),(14240,1,'2016-03-11 11:15:55','2016-03-11 03:15:55','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/31.jpg\"><img class=\"alignleft size-medium wp-image-14184\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/31-300x200.jpg\" alt=\"Glanko &amp; Daniel Bailey\" width=\"300\" height=\"200\" /></a>We\'re excited to welcome the wonderful <a title=\"Glanko &amp; Daniel Bailey\" href=\"http://www.hiddenshoal.com/project/glanko-daniel-bailey/\">Glanko &amp; Daniel Bailey</a> to the Hidden Shoal family. The pair collaborated on the sublime forthcoming EP <em>Isometrik</em>, which will see release through Hidden Shoal on 5th May 2016 and is now available as part of the <a title=\"Licensing\" href=\"http://www.hiddenshoal.com/licensing/\">Hidden Shoal licensing catalogue</a>.\r\n\r\nGlanko &amp; Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. <a title=\"Glanko Website\" href=\"http://www.glanko.com/\" target=\"_blank\">Glanko</a> has been an IDM/glitch/industrial producer since 2012, while <a title=\"Daniel Bailey\" href=\"http://www.glanko.com/\" target=\"_blank\">Daniel Bailey</a> has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project.\r\n\r\nTheir collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <em>Isometrik</em> EP, conceived and recorded during a short stay in Monti Picentini, Italy.','Glanko & Daniel Bailey Sign to Hidden Shoal','','inherit','closed','closed','','14230-revision-v1','','','2016-03-11 11:15:55','2016-03-11 03:15:55','',14230,'http://www.hiddenshoal.com/14230-revision-v1/',0,'revision','',0),(14241,1,'2016-03-11 19:36:25','2016-03-11 11:36:25','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Glanko &amp; Daniel Bailey</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey.jpg\"><img class=\"alignleft wp-image-14166 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/02/Glanko-and-Daniel-Bailey-300x240.jpg\" alt=\"Glanko and Daniel Bailey\" width=\"265\" height=\"212\" /></a>Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut <em>Isometrik</em> EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.\r\n\r\nGlanko:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/GlankoMusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/glankofficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/glanko-official\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.glanko.com/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a></strong><strong>\r\n</strong>Daniel Bailey:<strong> <a title=\"Facebook\" href=\"http://www.facebook.com/danielbaileymusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"http://twitter.com/DBaileyOfficial\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>   <a title=\"Glanko\" href=\"http://www.danielbailey.org/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\nThe <em>Isometrik</em> EP will see release through Hidden Shoal on 5th May 2016.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nGlanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the <i>Isometrik </i>EP, conceived and recorded during a short stay in Monti Picentini, Italy.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=glankobailey content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=glankobailey-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n\r\nNo reviews yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\nNo press releases yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"14182,14183,14184,14185,14186\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo music videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAll tracks from the <em>Isometrik</em> EP are available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Glanko & Daniel Bailey','','inherit','closed','closed','','14164-revision-v1','','','2016-03-11 19:36:25','2016-03-11 11:36:25','',14164,'http://www.hiddenshoal.com/14164-revision-v1/',0,'revision','',0),(14242,1,'2016-03-14 17:30:17','2016-03-14 09:30:17','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big.jpg\"><img class=\"alignleft  wp-image-14243\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"200\" height=\"200\" /></a>Hidden Shoal is excited to present the release of <a title=\"The Orpheus Pavement\" href=\"https://chloemarch.bandcamp.com/album/the-orpheus-pavement\"><em>The Orpheus Pavement</em></a>, the new six-track EP by English artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, featuring new song ‘<a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">The Orpheus Pavement</a>’, along with two originals from her acclaimed album <em><a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Nights Bright Days</a></em> and three remixes (by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark</a>, <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a>, and Chloë March).\r\n\r\n<em>The Orpheus Pavement</em> is dreamy, slow<strong>-</strong>motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic… it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore</em>” – <strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a> is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. <a title=\"Sam Atkin\" href=\"http://samatkin.bandcamp.com/\" target=\"_blank\">Sam Atkin</a> is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.\r\n\r\n<em>The Orpheus Pavement</em> is available now via <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/album/the-orpheus-pavement\" target=\"_blank\">BandCamp </a>and the usual digital stores. You can also check out the <a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">title track</a> and the two remixes by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark </a>and <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a> at the Hidden Shoal SoundCloud. Chloe has also produced a beautiful music video for \'The Orpheus Pavement\' which you can check out over at <a title=\"YouTube\" href=\"https://www.youtube.com/watch?v=_tJHFgi6FXM\" target=\"_blank\">YouTube</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/250651026&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Chloe March EP, Remixes & Video!','','publish','closed','closed','','new-chloe-march-ep-the-orpheus-pavement','','','2016-03-16 06:29:05','2016-03-15 22:29:05','',0,'http://www.hiddenshoal.com/?p=14242',0,'post','',0),(14243,1,'2016-03-14 11:59:44','2016-03-14 03:59:44','','The Orpheus Pavement','','inherit','closed','closed','','the-orpheus-pavement-cover-big','','','2016-03-14 12:01:40','2016-03-14 04:01:40','',14242,'http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big.jpg',0,'attachment','image/jpeg',0),(14244,1,'2016-03-14 12:02:46','2016-03-14 04:02:46','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big.jpg\"><img class=\"alignleft  wp-image-14243\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"200\" height=\"200\" /></a>Hidden Shoal is excited to present the release of <em>The Orpheus Pavement</em>, the new six-track EP by English artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, featuring new song ‘The Orpheus Pavement’, along with two originals from her acclaimed album <em><a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Nights Bright Days</a></em> and three remixes (by Lvmark, Sam Atkin, and Chloë March).\r\n\r\n<em>The Orpheus Pavement</em> is dreamy, slow<strong>-</strong>motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic… it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore</em>” – <strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds. Lvmark is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. Sam Atkin is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.\r\n\r\n&nbsp;\r\n\r\n<em>The Orpheus Pavement</em> is available now via BandCamp and the usual digital stores.','New Chloe March EP, \"The Orpheus Pavement\"','','inherit','closed','closed','','14242-revision-v1','','','2016-03-14 12:02:46','2016-03-14 04:02:46','',14242,'http://www.hiddenshoal.com/14242-revision-v1/',0,'revision','',0),(14245,1,'2016-03-14 12:35:41','2016-03-14 04:35:41','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big.jpg\"><img class=\"alignleft  wp-image-14243\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"200\" height=\"200\" /></a>Hidden Shoal is excited to present the release of <em>The Orpheus Pavement</em>, the new six-track EP by English artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, featuring new song ‘The Orpheus Pavement’, along with two originals from her acclaimed album <em><a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Nights Bright Days</a></em> and three remixes (by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark</a>, <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a>, and Chloë March).\r\n\r\n<em>The Orpheus Pavement</em> is dreamy, slow<strong>-</strong>motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic… it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore</em>” – <strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a> is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. <a title=\"Sam Atkin\" href=\"http://samatkin.bandcamp.com/\" target=\"_blank\">Sam Atkin</a> is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.\r\n\r\n<em>The Orpheus Pavement</em> is available now via <a title=\"Bandcamp\" href=\"http://chloemarch.bandcamp.com/\" target=\"_blank\">BandCamp </a>and the usual digital stores. You can also check out the <a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">title track</a> and the two remixes by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark </a>and <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a> at the Hidden Shoal SoundCloud.','New Chloe March EP & Remixes!','','inherit','closed','closed','','14242-revision-v1','','','2016-03-14 12:35:41','2016-03-14 04:35:41','',14242,'http://www.hiddenshoal.com/14242-revision-v1/',0,'revision','',0),(14246,1,'2016-03-14 12:43:11','2016-03-14 04:43:11','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big.jpg\"><img class=\"alignleft  wp-image-14243\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"200\" height=\"200\" /></a>Hidden Shoal is excited to present the release of <em>The Orpheus Pavement</em>, the new six-track EP by English artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, featuring new song ‘<a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">The Orpheus Pavement</a>’, along with two originals from her acclaimed album <em><a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Nights Bright Days</a></em> and three remixes (by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark</a>, <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a>, and Chloë March).\r\n\r\n<em>The Orpheus Pavement</em> is dreamy, slow<strong>-</strong>motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic… it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore</em>” – <strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a> is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. <a title=\"Sam Atkin\" href=\"http://samatkin.bandcamp.com/\" target=\"_blank\">Sam Atkin</a> is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.\r\n\r\n<em>The Orpheus Pavement</em> is available now via <a title=\"Bandcamp\" href=\"http://chloemarch.bandcamp.com/\" target=\"_blank\">BandCamp </a>and the usual digital stores. You can also check out the <a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">title track</a> and the two remixes by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark </a>and <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a> at the Hidden Shoal SoundCloud.','New Chloe March EP & Remixes!','','inherit','closed','closed','','14242-revision-v1','','','2016-03-14 12:43:11','2016-03-14 04:43:11','',14242,'http://www.hiddenshoal.com/14242-revision-v1/',0,'revision','',0),(14247,1,'2016-03-14 12:44:39','2016-03-14 04:44:39','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big.jpg\"><img class=\"alignleft  wp-image-14243\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"200\" height=\"200\" /></a>Hidden Shoal is excited to present the release of <em>The Orpheus Pavement</em>, the new six-track EP by English artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, featuring new song ‘<a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">The Orpheus Pavement</a>’, along with two originals from her acclaimed album <em><a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Nights Bright Days</a></em> and three remixes (by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark</a>, <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a>, and Chloë March).\r\n\r\n<em>The Orpheus Pavement</em> is dreamy, slow<strong>-</strong>motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic… it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore</em>” – <strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a> is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. <a title=\"Sam Atkin\" href=\"http://samatkin.bandcamp.com/\" target=\"_blank\">Sam Atkin</a> is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.\r\n\r\n<em>The Orpheus Pavement</em> is available now via <a title=\"Bandcamp\" href=\"http://chloemarch.bandcamp.com/\" target=\"_blank\">BandCamp </a>and the usual digital stores. You can also check out the <a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">title track</a> and the two remixes by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark </a>and <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a> at the Hidden Shoal SoundCloud.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/250651026&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Chloe March EP & Remixes!','','inherit','closed','closed','','14242-revision-v1','','','2016-03-14 12:44:39','2016-03-14 04:44:39','',14242,'http://www.hiddenshoal.com/14242-revision-v1/',0,'revision','',0),(14248,1,'2016-03-14 17:16:28','2016-03-14 09:16:28','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art.jpg\"><img class=\"alignleft size-medium wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"300\" height=\"300\" /></a>We\'re excited to announce the availability of <a title=\"Pre-Order\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\">pre-orders</a> for <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>\' new album <em>(For Now We See) Through A Glass Dimly</em>, which features contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, with mixing by Stefano Guzzetti and Paul Humphreys (OMD), and mastering by Rafael Anton Irisarri (The Sight Below).\r\n\r\nThe 10-track CD comes in a glorious six-panel full-colour card sleeve with 8-page insert. Album pre-orders include the immediate download of the 2 pre-release tracks (\'Delicate Power\' and \'Towards Tragedy and Dissolution\'), plus the complete album the moment it\'s released. Orders are shipped on or around 21 April 2016. Head to <a title=\"BandCamp\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\">Antonymes Bandcamp</a> and secure yourself a copy of this incredible album.\r\n\r\n&nbsp;\r\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/248270696&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\"></iframe>','New Antonymes Album Now Available for Pre-Order','','publish','closed','closed','','new-antonymes-album-now-available-for-pre-order','','','2016-08-23 17:37:10','2016-08-23 09:37:10','',0,'http://www.hiddenshoal.com/?p=14248',0,'post','',0),(14249,1,'2016-03-14 14:29:42','2016-03-14 06:29:42','','New Antonymes Album Now Available for Pre-Order','','inherit','closed','closed','','14248-revision-v1','','','2016-03-14 14:29:42','2016-03-14 06:29:42','',14248,'http://www.hiddenshoal.com/14248-revision-v1/',0,'revision','',0),(14250,1,'2016-03-14 14:30:16','2016-03-14 06:30:16','','(For Now We See) Through a Glass Dimly','','inherit','closed','closed','','for-now-we-see-through-a-glass-dimly-cover-art','','','2016-03-14 14:30:30','2016-03-14 06:30:30','',14248,'http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art.jpg',0,'attachment','image/jpeg',0),(14251,1,'2016-03-14 14:30:38','2016-03-14 06:30:38','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art.jpg\"><img class=\"alignleft size-medium wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"300\" height=\"300\" /></a>','New Antonymes Album Now Available for Pre-Order','','inherit','closed','closed','','14248-revision-v1','','','2016-03-14 14:30:38','2016-03-14 06:30:38','',14248,'http://www.hiddenshoal.com/14248-revision-v1/',0,'revision','',0),(14252,1,'2016-03-14 15:40:33','2016-03-14 07:40:33','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art.jpg\"><img class=\"alignleft size-medium wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"300\" height=\"300\" /></a>We\'re excited to announce the availability of <a title=\"Pre-Order\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\">pre-orders</a> for <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>\' new album <em>(For Now We See) Through A Glass Dimly</em>, which features contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, with mixing by Stefano Guzzetti and Paul Humphreys (OMD), and mastering by Rafael Anton Irisarri (The Sight Below).\r\n\r\nThe 10-track CD comes in a glorious six-panel full-colour card sleeve with 8-page insert. Album pre-orders include the immediate download of the 2 pre-release tracks (\'Delicate Power\' and \'Towards Tragedy and Dissolution\'), plus the complete album the moment it\'s released. Orders are shipped on or around 21 April 2016. Head to <a title=\"BandCamp\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\">Antonymes Bandcamp</a> and secure yourself a copy of this incredible album.\r\n\r\n&nbsp;','New Antonymes Album Now Available for Pre-Order','','inherit','closed','closed','','14248-revision-v1','','','2016-03-14 15:40:33','2016-03-14 07:40:33','',14248,'http://www.hiddenshoal.com/14248-revision-v1/',0,'revision','',0),(14253,1,'2016-03-14 17:15:14','2016-03-14 09:15:14','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art.jpg\"><img class=\"alignleft size-medium wp-image-14250\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/For-Now-We-See-Through-a-Glass-Dimly-Cover-Art-300x300.jpg\" alt=\"(For Now We See) Through a Glass Dimly\" width=\"300\" height=\"300\" /></a>We\'re excited to announce the availability of <a title=\"Pre-Order\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\">pre-orders</a> for <a title=\"Antonymes\" href=\"http://www.hiddenshoal.com/project/antonymes/\">Antonymes</a>\' new album <em>(For Now We See) Through A Glass Dimly</em>, which features contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, with mixing by Stefano Guzzetti and Paul Humphreys (OMD), and mastering by Rafael Anton Irisarri (The Sight Below).\r\n\r\nThe 10-track CD comes in a glorious six-panel full-colour card sleeve with 8-page insert. Album pre-orders include the immediate download of the 2 pre-release tracks (\'Delicate Power\' and \'Towards Tragedy and Dissolution\'), plus the complete album the moment it\'s released. Orders are shipped on or around 21 April 2016. Head to <a title=\"BandCamp\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\">Antonymes Bandcamp</a> and secure yourself a copy of this incredible album.\r\n\r\n&nbsp;\r\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/248270696&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\"></iframe>','New Antonymes Album Now Available for Pre-Order','','inherit','closed','closed','','14248-revision-v1','','','2016-03-14 17:15:14','2016-03-14 09:15:14','',14248,'http://www.hiddenshoal.com/14248-revision-v1/',0,'revision','',0),(14254,1,'2016-03-14 17:19:23','2016-03-14 09:19:23','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big.jpg\"><img class=\"alignleft  wp-image-14243\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"200\" height=\"200\" /></a>Hidden Shoal is excited to present the release of <em>The Orpheus Pavement</em>, the new six-track EP by English artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, featuring new song ‘<a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">The Orpheus Pavement</a>’, along with two originals from her acclaimed album <em><a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Nights Bright Days</a></em> and three remixes (by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark</a>, <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a>, and Chloë March).\r\n\r\n<em>The Orpheus Pavement</em> is dreamy, slow<strong>-</strong>motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic… it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore</em>” – <strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a> is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. <a title=\"Sam Atkin\" href=\"http://samatkin.bandcamp.com/\" target=\"_blank\">Sam Atkin</a> is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.\r\n\r\n<em>The Orpheus Pavement</em> is available now via <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/album/the-orpheus-pavement\" target=\"_blank\">BandCamp </a>and the usual digital stores. You can also check out the <a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">title track</a> and the two remixes by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark </a>and <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a> at the Hidden Shoal SoundCloud.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/250651026&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Chloe March EP & Remixes!','','inherit','closed','closed','','14242-revision-v1','','','2016-03-14 17:19:23','2016-03-14 09:19:23','',14242,'http://www.hiddenshoal.com/14242-revision-v1/',0,'revision','',0),(14255,1,'2016-03-14 17:26:38','2016-03-14 09:26:38','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big.jpg\"><img class=\"alignleft  wp-image-14243\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"200\" height=\"200\" /></a>Hidden Shoal is excited to present the release of <em>The Orpheus Pavement</em>, the new six-track EP by English artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, featuring new song ‘<a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">The Orpheus Pavement</a>’, along with two originals from her acclaimed album <em><a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Nights Bright Days</a></em> and three remixes (by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark</a>, <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a>, and Chloë March).\r\n\r\n<em>The Orpheus Pavement</em> is dreamy, slow<strong>-</strong>motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic… it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore</em>” – <strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a> is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. <a title=\"Sam Atkin\" href=\"http://samatkin.bandcamp.com/\" target=\"_blank\">Sam Atkin</a> is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.\r\n\r\n<em>The Orpheus Pavement</em> is available now via <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/album/the-orpheus-pavement\" target=\"_blank\">BandCamp </a>and the usual digital stores. You can also check out the <a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">title track</a> and the two remixes by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark </a>and <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a> at the Hidden Shoal SoundCloud. Chloe has also produced a beautiful music video for \'The Orpheus Pavement\' which you can check out over at <a title=\"YouTube\" href=\"https://youtu.be/_tJHFgi6FXM\" target=\"_blank\">YouTube</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/250651026&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Chloe March EP, Remixes & Video!','','inherit','closed','closed','','14242-revision-v1','','','2016-03-14 17:26:38','2016-03-14 09:26:38','',14242,'http://www.hiddenshoal.com/14242-revision-v1/',0,'revision','',0),(14256,1,'2016-03-14 17:27:05','2016-03-14 09:27:05','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Chloë March</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"246\" height=\"246\" /></a><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a href=\"https://geo.itunes.apple.com/au/artist/chloe-march/id47255965?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><p> </p><h4>The Orpheus Pavement</h4><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2106000878/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/the-orpheus-pavement\">The Orpheus Pavement by Chloë March</a></iframe> <br />March 14 2016</p><p><i>The Orpheus Pavement </i>is the new six-track EP by English artist Chloë March, featuring new song ‘The Orpheus Pavement’, along with two originals from her acclaimed album <i>Nights Bright Days </i>and three remixes (by Lvmark, Sam Atkin, and Chloë March).</p><p><i>The Orpheus Pavement</i> is dreamy, slow-motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.</p><p>Lvmark is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. Sam Atkin is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.</p><h4>To Set The River On Fire</h4><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe> February 2015 The new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.</p><h4>Nights Bright Days</h4><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe> November 2014 Although often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.</p><h4>Under The Day</h4><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe> November 2014 A set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.</p><h4>Politik</h4><p><iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe> July 2012 Chloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.</p><h4>Garden On The Boulevard</h4><p><iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe> November 2009 <em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.</p><h4>Divining</h4><p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe> November 2008 Chloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.</p><div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div><p> </p><h4>Snowdrop</h4><p><iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe> November 2004 Chloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong></p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n \r\n\r\n[gallery columns=\"2\" ids=\"10523,14219,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/UDmvHmMWV6o?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2016-03-14 17:27:05','2016-03-14 09:27:05','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(14257,1,'2016-03-14 17:30:08','2016-03-14 09:30:08','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Chloë March</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px.jpg\"><img class=\"alignleft  wp-image-14219\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/09/Chloe-2016-1000px-300x300.jpg\" alt=\"Chloe March\" width=\"246\" height=\"246\" /></a><em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic... it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore”<strong> – </strong></em><strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/chloemarchmusic\" target=\"_blank\"><img class=\"alignnone wp-image-8763 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/chloejmarch\" target=\"_blank\"><img class=\"alignnone wp-image-8766 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/chloe-march\" target=\"_blank\"><img class=\"alignnone wp-image-8764 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.chloemarch.co.uk/\" target=\"_blank\"><img class=\"alignnone wp-image-8767 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a href=\"https://geo.itunes.apple.com/au/artist/chloe-march/id47255965?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n\r\n&nbsp;\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>The Orpheus Pavement</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2106000878/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/the-orpheus-pavement\">The Orpheus Pavement by Chloë March</a></iframe>\r\nMarch 14 2016\r\n\r\n<i>The Orpheus Pavement </i>is the new six-track EP by English artist Chloë March, featuring new song ‘The Orpheus Pavement’, along with two originals from her acclaimed album <i>Nights Bright Days </i>and three remixes (by Lvmark, Sam Atkin, and Chloë March).\r\n\r\n<i>The Orpheus Pavement</i> is dreamy, slow-motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.\r\n\r\n<a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark </a>is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. <a title=\"Sam Atkin\" href=\"http://samatkin.bandcamp.com/\" target=\"_blank\">Sam Atkin</a> is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.\r\n<h4>To Set The River On Fire</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1811294613/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/to-set-the-river-on-fire\">To Set The River On Fire by Chloe March vs. Markus Mehr</a></iframe> February 2015 The new EP release To Set The River On Fire opens a window into a new universe of possibilities: Hidden Shoal artists remixing each other’s music. In the first of what we hope will become an ongoing series, English dream-pop artist Chloë March takes on a track from the latest album by German experimentalist Markus Mehr – and vice versa. Listening to ‘Buoy (Chloë March Remix)’ feels like watching Chloë March creep tentatively into Markus Mehr’s shadowy soundworld, casting her radiant voice around the room like torchlight. While on ‘Ember (Markus Mehr Remix)’, the original’s beautifully simple arrangement for voice and piano is trapped within a hall of industrial-sized mirrors, anxiously roving around in search of escape. Each remix complements the other, masterfully re-interpreting the source material while inviting fresh listens to the original.\r\n<h4>Nights Bright Days</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=352680896/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/nights-bright-days\">Nights Bright Days by Chloë March</a></iframe> November 2014 Although often compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own unique path, writing, engineering and producing from her studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences on <em>Nights Bright Days</em> to create poetic, emotionally charged and atmospheric songs and soundworlds. Four years in the making and originally self-released in 2013, <em>Nights Bright Days</em> is a cycle of songs as dreams, imbued with imagery of darkness and light, night and day. The album embraces elements of jazz, classical, folk and dream-pop, and features guest musicians on bass clarinet, soprano sax, French horn and guitar. <em>Nights Bright Days</em> features single ‘Winter Deep’, a shimmering waltz that opens the album with weightless grace.The Hidden Shoal re-release also includes the bonus digital EP <em>Under The Day</em> which features six previously un-released tracks.\r\n<h4>Under The Day</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852980130/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/under-the-day\">Under The Day by Chloë March</a></iframe> November 2014 A set of daydreams that form a miniature B-side to the album <em>Nights Bright Days</em>, this is a collection of six songs including the piano ballad ‘May’ and the dream-folk synth/harp reverie for the oldest tree in Kew Gardens ‘Old Tree, Mon Coeur’ that garnered Chloë Soundclouder of the Day earlier in 2014 - ‘Dreamy voice… A magical atmospheric song’. The new songs on this EP include ‘Ballooniad’ inspired by tales of the early Balloonists lifting off from coastal cliffs, a dreamily buoyant track tethered to a circling bass and ‘Big Tree Engine’ a minimalist reflection centred around deep jazz-inflected piano chords inspired by an ancient tree in central London.\r\n<h4>Politik</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 307px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1181470453/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/politik\">Politik by Chloë March</a></iframe> July 2012 Chloë was commissioned to compose a score for the dance-theatre piece <em>realPolitik</em>, choreographed by Julie Hope and performed at the Michaelis Theatre, London in 2008.   <em>realPolitik</em> was a re-working of <em>The Green Table</em>, a tanztheater piece created by German choreographer Kurt Jooss in 1932. <em>The Green Table</em> explored political corruption and the futility and horror of war. This modern version also concentrated on those issues, focusing on modern warfare and personal power-plays between characters.   Inspired by composers such as Walton, Weil and Stravinsky, <em>Politik</em> mixes orchestral drama with intricate and atmospheric electronica and weaves texts from A. E. Housman and Jonathan Swift into the score as spoken word elements. Highly atmospheric and emotionally involving, <em>Politik</em> offers an evocation of the 1930’s era of the original piece with a dynamic contemporary twist.\r\n<h4>Garden On The Boulevard</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=687642755/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/garden-on-the-boulevard\">Garden On The Boulevard by Chloë March</a></iframe> November 2009 <em>Garden On The Boulevard</em> is a collection of six songs that includes tracks inspired by boulevard cafés and old cameras, lost love and seductive glamour, the dawn chorus, mythical bees, ghosts in the garden and frozen lakes.\r\n<h4>Divining</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=953079602/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/divining\">Divining by Chloë March</a></iframe> November 2008 Chloë spent three years writing, recording and producing her second album <em>Divining</em> (2008). Inspired by water and featuring Chloë\'s trademark poetic lyrics and immersive, cinematic soundworlds, <em>Divining</em> journeys through immersive sensuous soundscapes including a decaying Venice, a lament for Anne Boleyn, nostalgic sunlit reveries, tales of sadistic sculptors, grieving wolves and dark seas of love and loss.\r\n<div>With the piano at it’s heart and interweaving french horn, strings, marimbas and found-sounds including wind-chimes, paper and grass, this is a meticulously and lovingly-crafted album with a haunting, melancholic undertow.</div>\r\n&nbsp;\r\n<h4>Snowdrop</h4>\r\n<iframe style=\"border: 0; width: 500px; height: 439px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=335688940/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://chloemarch.bandcamp.com/album/snowdrop\">Snowdrop by Chloë March</a></iframe> November 2004 Chloë March\'s first album includes pared-down ballads for piano and voice and her first explorations into more epic, multi-layered highly evocative soundworlds. <em>\"Sophisticated songwriting... a trace of David Sylvian\'s jazz-tinted sound...The utterly gorgeous melody and March\'s singing are exceptional. Snowdrop is a thing of beauty.\"</em> - <strong>Collected Sounds</strong>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nChloë March has always lived a life with music at its heart. She grew up as part of a musical family, with both her parents musicians at the Royal Shakespeare Theatre. Her mother’s daily practice of playing Chopin, Beethoven, Debussy and Schumann pieces on the piano was the soundtrack to her young life, and March began piano lessons aged four. Later, after her parents divorced, songwriting and improvising on the piano became vital to her. Her early life was steeped in classical and jazz, with raids on her siblings’ record collections revealing wondrous new worlds created by Kate Bush, Pink Floyd and Joni Mitchell, which led to the discovery of David Sylvian, the Cocteau Twins and Steve Reich, all of which influenced her own music. Playing in bands with her brother and spending time in his 8-track home studio sparked a passion for recording, particularly for building up soundscapes with the texture and depth of multi-tracking. This early experimentation forged a determination to be in control of her own recording at home, with her current digital set-up only occasionally disrupted by her cat, musicologist partner, and various guest musicians. March’s long, slow discovery of her singing voice has been an odyssey of sorts, gradually finding the confidence and freedom to reveal a jazz-inflected alto that has been variously described as “absolutely charismatic”, “mesmerising” and “luminous”.\r\n\r\nInspired by myth, history, fairytales, books, film and the sensuality of the natural world, with an obsessive attention to detail and a desire to create intensely atmospheric and emotionally truthful music, March has been recording and producing her own music since she released her second album <i>Divining</i> in 2008. Prior to <i>Divining</i>, she toured the UK and Italy as keyboard player with the band Cousteau, released her first album <i>Snowdrop</i> in 2004, and composed for theatre and dance, including the 40-minute electro-orchestral soundtrack <i>Politik</i>. March has also worked with German ambient producer Jumpel, singing on his 2010 single ‘Edinburgh’ and four songs on his 2013 album <i>Bloc4</i>. Her latest album, and her first for Hidden Shoal, <i>Nights Bright Days</i>, has been four years in the making. It was initially inspired by the night and metamorphosis, and became a cycle of songs as dreams, imbued with images of darkness and light. The album embraces jazz, classical, folk and dream-pop influences, and features guest musicians on bass clarinet, soprano sax and guitar.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=chloe-march-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chloe-march-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a title=\"Nights Bright Days Press Release\" href=\"http://www.hiddenshoal.com/publicity/chloe-march/Chloe_March-Nights_Bright_Days-Press_Release.pdf\">Nights Bright Days Re-Release</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"10523,14219,10524,10525,10526\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/p9P5ruVwdN4?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/oM7W6d5frbY?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"https://www.youtube.com/embed/UDmvHmMWV6o?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChloë March\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chloë March','','inherit','closed','closed','','10515-revision-v1','','','2016-03-14 17:30:08','2016-03-14 09:30:08','',10515,'http://www.hiddenshoal.com/10515-revision-v1/',0,'revision','',0),(14258,1,'2016-03-14 17:38:22','2016-03-14 09:38:22','<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big.jpg\"><img class=\"alignleft  wp-image-14243\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/The-Orpheus-Pavement-Cover-Big-300x300.jpg\" alt=\"The Orpheus Pavement\" width=\"200\" height=\"200\" /></a>Hidden Shoal is excited to present the release of <a title=\"The Orpheus Pavement\" href=\"https://chloemarch.bandcamp.com/album/the-orpheus-pavement\"><em>The Orpheus Pavement</em></a>, the new six-track EP by English artist <a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Chloë March</a>, featuring new song ‘<a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">The Orpheus Pavement</a>’, along with two originals from her acclaimed album <em><a href=\"http://www.hiddenshoal.com/project/chloe-march/\">Nights Bright Days</a></em> and three remixes (by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark</a>, <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a>, and Chloë March).\r\n\r\n<em>The Orpheus Pavement</em> is dreamy, slow<strong>-</strong>motion pop music, pulsating with sensuality. Listening to the EP feels like surreptitiously ingesting laudanum and wandering half-dazed through a secret garden that’s slowly shifting and warping around you. As with so much of Chloë March’s work, it was inspired by the mythical – the largest Roman mosaic ever found in Britain, which depicts Orpheus charming nymphs, tigers and other creatures with his songs. In this instance, the story is just the start, as March’s compositions bloom from reverberating piano and voice into evocative soundworlds that contain multitudes. Two of the songs are further transformed by remixers Lvmark, Sam Atkin, and March herself, into shimmering refractions of their former selves.\r\n\r\n<em>“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic… it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore</em>” – <strong>textura</strong>\r\n\r\nOft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a> is an electronic music producer hailing from Northern Sweden, drawing influence from the isolation and vastness of his homeland to create echoing electronica. <a title=\"Sam Atkin\" href=\"http://samatkin.bandcamp.com/\" target=\"_blank\">Sam Atkin</a> is a Fremantle-based ambient and experimental producer operating out of his shed-bedroom, who released his debut album <i>Gently, Quietly</i> in 2015 through Workplace Safety CDRs, and has been keeping it slow and sad ever since.\r\n\r\n<em>The Orpheus Pavement</em> is available now via <a title=\"Bandcamp\" href=\"https://chloemarch.bandcamp.com/album/the-orpheus-pavement\" target=\"_blank\">BandCamp </a>and the usual digital stores. You can also check out the <a title=\"The Orpheus Pavement\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-the-orpheus-pavement\" target=\"_blank\">title track</a> and the two remixes by <a title=\"Lvmark Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-lvmark-remix\" target=\"_blank\">Lvmark </a>and <a title=\"Sam Atkin Remix\" href=\"https://soundcloud.com/hidden_shoal/chloe-march-orpheus-head-sam-atkin-remix\" target=\"_blank\">Sam Atkin</a> at the Hidden Shoal SoundCloud. Chloe has also produced a beautiful music video for \'The Orpheus Pavement\' which you can check out over at <a title=\"YouTube\" href=\"https://youtu.be/_tJHFgi6FXM\" target=\"_blank\">YouTube</a>.\r\n\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/250651026&amp;color=000000&amp;auto_play=false&amp;hide_related=true&amp;show_comments=false&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"></iframe>','New Chloe March EP, Remixes & Video!','','inherit','closed','closed','','14242-revision-v1','','','2016-03-14 17:38:22','2016-03-14 09:38:22','',14242,'http://www.hiddenshoal.com/14242-revision-v1/',0,'revision','',0),(14263,1,'2016-03-15 13:03:04','2016-03-15 05:03:04','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"301\" height=\"200\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>(For Now We See) Through A Glass Dimly</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2361958115/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\">(For Now We See) Through A Glass Dimly by Antonymes</a></iframe>\r\n21 April 2016\r\n<div></div>\r\nWhile Ian M. Hazeldine’s discography as Antonymes has always been as far-reaching as it is immediately affecting, there’s a recognisable progression on <em>(For Now We See) Through A Glass Dimly</em>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the body of work that precedes them, drawing you into their evocative world and demanding engagement. Antonymes’ deft minimalism is at play, transcending a superficially melancholy aesthetic to create something truly life-affirming. Its restraint brings to mind the famous quotation from Mark Hollis of seminal band Talk Talk: \"Before you play two notes learn how to play one note – and don\'t play one note unless you\'ve got a reason to play it.\" Including contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, the album’s depth of sound is awe-inspiring.\r\n\r\nThe sonically minimal yet emotionally formidable ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (Bloc Party, Editors and U2), which engage in reflective conversation with Hazeldine’s plaintive piano. Second single ‘Delicate Power’ gently flowers from its hushed origins into a stately piece akin to early Deaf Center. On ‘Elegy (ii)’, the piano gives way to incisive strings and the elegantly dexterous vocals of Joanna Swan (Ilya). ‘Little Emblems of Eternity’ sets the words of British writer Paul Morley, hauntingly intoned by Jan van den Broeke, against an atmospheric backdrop of echoing piano figures. And the title track swells into a magisterial call to arms, ending the album on a suitably triumphant note.\r\n\r\nThe album was mixed by Stefano Guzzetti and Paul Humphreys (OMD), with mastering by Rafael Anton Irisarri (The Sight Below).\r\n<h4>There Can Be No True Beauty Without Decay</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 610px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1056281027/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/there-can-be-no-true-beauty-without-decay\">There Can Be No True Beauty Without Decay by Antonymes</a></iframe>\r\nOctober 2013\r\n<div></div>\r\nIn late 2009 Antonymes released Beauty Becomes the <em>Enemy of the Future</em> on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, <em>There Can Be No True Beauty Without Decay</em>. Hazeldine\'s own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.  (Please note only the [i] tracks are available for licensing).\r\n<h4>Light Dispersed</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2513406585/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/light-dispersed\">Light Dispersed by Antonymes</a></iframe>\r\nFebruary 2012\r\n<div></div>\r\nOriginally released by Hibernate Recordings as a limited edition postcard CD. Recorded at The Lightbox, Hawarden, September 2010.\r\nAntonymes: Guitar, piano, shells, tambourine, prepared piano, organ, frequencies.\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\nOctober 2011\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<h4>Like Rumours Of Hushed Thunder</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1103442133/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/like-rumours-of-hushed-thunder\">Like Rumours Of Hushed Thunder by Antonymes</a></iframe>\r\nMay 2011\r\n\r\nRecorded between Christmas day and new year\'s eve 2011 using:\r\n\r\nSteingraeber 130 upright piano.\r\nAudio Technica AT4033 microphone.\r\nLexicon reverb.\r\nCheap violin.\r\nVoice.\r\n\r\nThis album has been mastered to retain dynamics, not to enhance loudness.  To appreciate these pieces fully, please adjust your volume accordingly or use headphones.\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 185px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\nMay 2011\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\nApril 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.\r\n<h4>31: Before The Light Fails</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4084737592/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/31-before-the-light-fails\">31: Before The Light Fails by Antonymes</a></iframe>\r\nMarch 2010\r\n<div></div>\r\n<em>31: Before The Light Fails Pt.1</em> is a personal photographic diary for May 2010, a reminder of day to day activities throughout a fairly ordinary and typical month in Antonymes\' life. Includes two high quality 35 page PDF booklets, part 1 with 31 black and white photographs. Part 2 with 31 colour photographs, a 4.0 surround sound file of both parts mixed together and Quicktime video.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"13334,10501,13335,13333,8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','closed','closed','','8572-revision-v1','','','2016-03-15 13:03:04','2016-03-15 05:03:04','',8572,'http://www.hiddenshoal.com/8572-revision-v1/',0,'revision','',0),(14259,1,'2016-03-15 12:55:45','2016-03-15 04:55:45','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"301\" height=\"200\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>(For Now We See) Through A Glass Dimly</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2361958115/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\">(For Now We See) Through A Glass Dimly by Antonymes</a></iframe>\r\n21 April 2016\r\n<div></div>\r\nWhile Ian M. Hazeldine’s discography as Antonymes has always been as far-reaching as it is immediately affecting, there’s a recognisable progression on <em>(For Now We See) Through A Glass Dimly</em>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the body of work that precedes them, drawing you into their evocative world and demanding engagement. Antonymes’ deft minimalism is at play, transcending a superficially melancholy aesthetic to create something truly life-affirming. Its restraint brings to mind the famous quotation from Mark Hollis of seminal band Talk Talk: \"Before you play two notes learn how to play one note – and don\'t play one note unless you\'ve got a reason to play it.\" Including contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, the album’s depth of sound is awe-inspiring.\r\n\r\nThe sonically minimal yet emotionally formidable ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (Bloc Party, Editors and U2), which engage in reflective conversation with Hazeldine’s plaintive piano. Second single ‘Delicate Power’ gently flowers from its hushed origins into a stately piece akin to early Deaf Center. On ‘Elegy (ii)’, the piano gives way to incisive strings and the elegantly dexterous vocals of Joanna Swan (Ilya). ‘Little Emblems of Eternity’ sets the words of British writer Paul Morley, hauntingly intoned by Jan van den Broeke, against an atmospheric backdrop of echoing piano figures. And the title track swells into a magisterial call to arms, ending the album on a suitably triumphant note.\r\n\r\nThe album was mixed by Stefano Guzzetti and Paul Humphreys (OMD), with mastering by Rafael Anton Irisarri (The Sight Below).\r\n<div></div>\r\n<div></div>\r\n<h4>There Can Be No True Beauty Without Decay</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 610px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1056281027/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/there-can-be-no-true-beauty-without-decay\">There Can Be No True Beauty Without Decay by Antonymes</a></iframe>\r\nOctober 2013\r\n<div></div>\r\nIn late 2009 Antonymes released Beauty Becomes the <em>Enemy of the Future</em> on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, <em>There Can Be No True Beauty Without Decay</em>. Hazeldine\'s own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.  (Please note only the [i] tracks are available for licensing).\r\n<div></div>\r\n<div></div>\r\n<h4>Light Dispersed</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2513406585/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/light-dispersed\">Light Dispersed by Antonymes</a></iframe>\r\nFebruary 2012\r\n<div></div>\r\nOriginally released by Hibernate Recordings as a limited edition postcard CD. Recorded at The Lightbox, Hawarden, September 2010.\r\nAntonymes: Guitar, piano, shells, tambourine, prepared piano, organ, frequencies.\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\nOctober 2011\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Like Rumours Of Hushed Thunder</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1103442133/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/like-rumours-of-hushed-thunder\">Like Rumours Of Hushed Thunder by Antonymes</a></iframe>\r\nMay 2011\r\n\r\nRecorded between Christmas day and new year\'s eve 2011 using:\r\n\r\nSteingraeber 130 upright piano.\r\nAudio Technica AT4033 microphone.\r\nLexicon reverb.\r\nCheap violin.\r\nVoice.\r\n\r\nThis album has been mastered to retain dynamics, not to enhance loudness.  To appreciate these pieces fully, please adjust your volume accordingly or use headphones.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 185px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\nMay 2011\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\nApril 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.\r\n<div></div>\r\n<div></div>\r\n<h4>31: Before The Light Fails</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4084737592/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/31-before-the-light-fails\">31: Before The Light Fails by Antonymes</a></iframe>\r\nMarch 2010\r\n<div></div>\r\n<em>31: Before The Light Fails Pt.1</em> is a personal photographic diary for May 2010, a reminder of day to day activities throughout a fairly ordinary and typical month in Antonymes\' life. Includes two high quality 35 page PDF booklets, part 1 with 31 black and white photographs. Part 2 with 31 colour photographs, a 4.0 surround sound file of both parts mixed together and Quicktime video.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"13334,10501,13335,13333,8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','closed','closed','','8572-revision-v1','','','2016-03-15 12:55:45','2016-03-15 04:55:45','',8572,'http://www.hiddenshoal.com/8572-revision-v1/',0,'revision','',0),(14260,1,'2016-03-15 12:57:21','2016-03-15 04:57:21','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"301\" height=\"200\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>(For Now We See) Through A Glass Dimly</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2361958115/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\">(For Now We See) Through A Glass Dimly by Antonymes</a></iframe>\r\n21 April 2016\r\n<div></div>\r\nWhile Ian M. Hazeldine’s discography as Antonymes has always been as far-reaching as it is immediately affecting, there’s a recognisable progression on <em>(For Now We See) Through A Glass Dimly</em>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the body of work that precedes them, drawing you into their evocative world and demanding engagement. Antonymes’ deft minimalism is at play, transcending a superficially melancholy aesthetic to create something truly life-affirming. Its restraint brings to mind the famous quotation from Mark Hollis of seminal band Talk Talk: \"Before you play two notes learn how to play one note – and don\'t play one note unless you\'ve got a reason to play it.\" Including contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, the album’s depth of sound is awe-inspiring.\r\n\r\nThe sonically minimal yet emotionally formidable ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (Bloc Party, Editors and U2), which engage in reflective conversation with Hazeldine’s plaintive piano. Second single ‘Delicate Power’ gently flowers from its hushed origins into a stately piece akin to early Deaf Center. On ‘Elegy (ii)’, the piano gives way to incisive strings and the elegantly dexterous vocals of Joanna Swan (Ilya). ‘Little Emblems of Eternity’ sets the words of British writer Paul Morley, hauntingly intoned by Jan van den Broeke, against an atmospheric backdrop of echoing piano figures. And the title track swells into a magisterial call to arms, ending the album on a suitably triumphant note.\r\n\r\nThe album was mixed by Stefano Guzzetti and Paul Humphreys (OMD), with mastering by Rafael Anton Irisarri (The Sight Below).\r\n<div></div>\r\n<div></div>\r\n<h4>There Can Be No True Beauty Without Decay</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 610px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1056281027/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/there-can-be-no-true-beauty-without-decay\">There Can Be No True Beauty Without Decay by Antonymes</a></iframe>\r\nOctober 2013\r\n<div></div>\r\nIn late 2009 Antonymes released Beauty Becomes the <em>Enemy of the Future</em> on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, <em>There Can Be No True Beauty Without Decay</em>. Hazeldine\'s own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.  (Please note only the [i] tracks are available for licensing).\r\n<div></div>\r\n<div></div>\r\n<h4>Light Dispersed</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2513406585/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/light-dispersed\">Light Dispersed by Antonymes</a></iframe>\r\nFebruary 2012\r\n<div></div>\r\nOriginally released by Hibernate Recordings as a limited edition postcard CD. Recorded at The Lightbox, Hawarden, September 2010.\r\nAntonymes: Guitar, piano, shells, tambourine, prepared piano, organ, frequencies.\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\nOctober 2011\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Like Rumours Of Hushed Thunder</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1103442133/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/like-rumours-of-hushed-thunder\">Like Rumours Of Hushed Thunder by Antonymes</a></iframe>\r\nMay 2011\r\n\r\nRecorded between Christmas day and new year\'s eve 2011 using:\r\n\r\nSteingraeber 130 upright piano.\r\nAudio Technica AT4033 microphone.\r\nLexicon reverb.\r\nCheap violin.\r\nVoice.\r\n\r\nThis album has been mastered to retain dynamics, not to enhance loudness.  To appreciate these pieces fully, please adjust your volume accordingly or use headphones.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 185px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\nMay 2011\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\nApril 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.\r\n<div></div>\r\n<div></div>\r\n<h4>31: Before The Light Fails</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4084737592/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/31-before-the-light-fails\">31: Before The Light Fails by Antonymes</a></iframe>\r\nMarch 2010\r\n<div></div>\r\n<em>31: Before The Light Fails Pt.1</em> is a personal photographic diary for May 2010, a reminder of day to day activities throughout a fairly ordinary and typical month in Antonymes\' life. Includes two high quality 35 page PDF booklets, part 1 with 31 black and white photographs. Part 2 with 31 colour photographs, a 4.0 surround sound file of both parts mixed together and Quicktime video.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"13334,10501,13335,13333,8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','closed','closed','','8572-revision-v1','','','2016-03-15 12:57:21','2016-03-15 04:57:21','',8572,'http://www.hiddenshoal.com/8572-revision-v1/',0,'revision','',0),(14262,1,'2016-03-15 13:01:10','2016-03-15 05:01:10','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"301\" height=\"200\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>(For Now We See) Through A Glass Dimly</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2361958115/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\">(For Now We See) Through A Glass Dimly by Antonymes</a></iframe>\r\n21 April 2016\r\n<div></div>\r\nWhile Ian M. Hazeldine’s discography as Antonymes has always been as far-reaching as it is immediately affecting, there’s a recognisable progression on <em>(For Now We See) Through A Glass Dimly</em>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the body of work that precedes them, drawing you into their evocative world and demanding engagement. Antonymes’ deft minimalism is at play, transcending a superficially melancholy aesthetic to create something truly life-affirming. Its restraint brings to mind the famous quotation from Mark Hollis of seminal band Talk Talk: \"Before you play two notes learn how to play one note – and don\'t play one note unless you\'ve got a reason to play it.\" Including contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, the album’s depth of sound is awe-inspiring.\r\n\r\nThe sonically minimal yet emotionally formidable ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (Bloc Party, Editors and U2), which engage in reflective conversation with Hazeldine’s plaintive piano. Second single ‘Delicate Power’ gently flowers from its hushed origins into a stately piece akin to early Deaf Center. On ‘Elegy (ii)’, the piano gives way to incisive strings and the elegantly dexterous vocals of Joanna Swan (Ilya). ‘Little Emblems of Eternity’ sets the words of British writer Paul Morley, hauntingly intoned by Jan van den Broeke, against an atmospheric backdrop of echoing piano figures. And the title track swells into a magisterial call to arms, ending the album on a suitably triumphant note.\r\n\r\nThe album was mixed by Stefano Guzzetti and Paul Humphreys (OMD), with mastering by Rafael Anton Irisarri (The Sight Below).\r\n<div></div>\r\n<div></div>\r\n<h4>There Can Be No True Beauty Without Decay</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 610px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1056281027/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/there-can-be-no-true-beauty-without-decay\">There Can Be No True Beauty Without Decay by Antonymes</a></iframe>\r\nOctober 2013\r\n<div></div>\r\nIn late 2009 Antonymes released Beauty Becomes the <em>Enemy of the Future</em> on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, <em>There Can Be No True Beauty Without Decay</em>. Hazeldine\'s own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.  (Please note only the [i] tracks are available for licensing).\r\n<div></div>\r\n<div></div>\r\n<h4>Light Dispersed</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2513406585/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/light-dispersed\">Light Dispersed by Antonymes</a></iframe>\r\nFebruary 2012\r\n<div></div>\r\nOriginally released by Hibernate Recordings as a limited edition postcard CD. Recorded at The Lightbox, Hawarden, September 2010.\r\nAntonymes: Guitar, piano, shells, tambourine, prepared piano, organ, frequencies.\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\nOctober 2011\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Like Rumours Of Hushed Thunder</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1103442133/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/like-rumours-of-hushed-thunder\">Like Rumours Of Hushed Thunder by Antonymes</a></iframe>\r\nMay 2011\r\n\r\nRecorded between Christmas day and new year\'s eve 2011 using:\r\n\r\nSteingraeber 130 upright piano.\r\nAudio Technica AT4033 microphone.\r\nLexicon reverb.\r\nCheap violin.\r\nVoice.\r\n\r\nThis album has been mastered to retain dynamics, not to enhance loudness.  To appreciate these pieces fully, please adjust your volume accordingly or use headphones.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 185px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\nMay 2011\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\nApril 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.\r\n<div></div>\r\n<div></div>\r\n<h4>31: Before The Light Fails</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4084737592/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/31-before-the-light-fails\">31: Before The Light Fails by Antonymes</a></iframe>\r\nMarch 2010\r\n<div></div>\r\n<em>31: Before The Light Fails Pt.1</em> is a personal photographic diary for May 2010, a reminder of day to day activities throughout a fairly ordinary and typical month in Antonymes\' life. Includes two high quality 35 page PDF booklets, part 1 with 31 black and white photographs. Part 2 with 31 colour photographs, a 4.0 surround sound file of both parts mixed together and Quicktime video.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"13334,10501,13335,13333,8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','closed','closed','','8572-revision-v1','','','2016-03-15 13:01:10','2016-03-15 05:01:10','',8572,'http://www.hiddenshoal.com/8572-revision-v1/',0,'revision','',0),(14261,1,'2016-03-15 12:59:55','2016-03-15 04:59:55','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"301\" height=\"200\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<h4>(For Now We See) Through A Glass Dimly</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2361958115/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\">(For Now We See) Through A Glass Dimly by Antonymes</a></iframe>\r\n21 April 2016\r\n<div></div>\r\nWhile Ian M. Hazeldine’s discography as Antonymes has always been as far-reaching as it is immediately affecting, there’s a recognisable progression on <em>(For Now We See) Through A Glass Dimly</em>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the body of work that precedes them, drawing you into their evocative world and demanding engagement. Antonymes’ deft minimalism is at play, transcending a superficially melancholy aesthetic to create something truly life-affirming. Its restraint brings to mind the famous quotation from Mark Hollis of seminal band Talk Talk: \"Before you play two notes learn how to play one note – and don\'t play one note unless you\'ve got a reason to play it.\" Including contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, the album’s depth of sound is awe-inspiring.\r\n\r\nThe sonically minimal yet emotionally formidable ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (Bloc Party, Editors and U2), which engage in reflective conversation with Hazeldine’s plaintive piano. Second single ‘Delicate Power’ gently flowers from its hushed origins into a stately piece akin to early Deaf Center. On ‘Elegy (ii)’, the piano gives way to incisive strings and the elegantly dexterous vocals of Joanna Swan (Ilya). ‘Little Emblems of Eternity’ sets the words of British writer Paul Morley, hauntingly intoned by Jan van den Broeke, against an atmospheric backdrop of echoing piano figures. And the title track swells into a magisterial call to arms, ending the album on a suitably triumphant note.\r\n\r\nThe album was mixed by Stefano Guzzetti and Paul Humphreys (OMD), with mastering by Rafael Anton Irisarri (The Sight Below).\r\n<div></div>\r\n<div></div>\r\n<h4>There Can Be No True Beauty Without Decay</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 610px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1056281027/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/there-can-be-no-true-beauty-without-decay\">There Can Be No True Beauty Without Decay by Antonymes</a></iframe>\r\nOctober 2013\r\n<div></div>\r\nIn late 2009 Antonymes released Beauty Becomes the <em>Enemy of the Future</em> on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, <em>There Can Be No True Beauty Without Decay</em>. Hazeldine\'s own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.  (Please note only the [i] tracks are available for licensing).\r\n<div></div>\r\n<div></div>\r\n<h4>Light Dispersed</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2513406585/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/light-dispersed\">Light Dispersed by Antonymes</a></iframe>\r\nFebruary 2012\r\n<div></div>\r\nOriginally released by Hibernate Recordings as a limited edition postcard CD. Recorded at The Lightbox, Hawarden, September 2010.\r\nAntonymes: Guitar, piano, shells, tambourine, prepared piano, organ, frequencies.\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\nOctober 2011\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Like Rumours Of Hushed Thunder</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1103442133/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/like-rumours-of-hushed-thunder\">Like Rumours Of Hushed Thunder by Antonymes</a></iframe>\r\nMay 2011\r\n\r\nRecorded between Christmas day and new year\'s eve 2011 using:\r\n\r\nSteingraeber 130 upright piano.\r\nAudio Technica AT4033 microphone.\r\nLexicon reverb.\r\nCheap violin.\r\nVoice.\r\n\r\nThis album has been mastered to retain dynamics, not to enhance loudness.  To appreciate these pieces fully, please adjust your volume accordingly or use headphones.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 185px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\nMay 2011\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\nApril 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.\r\n<div></div>\r\n<div></div>\r\n<h4>31: Before The Light Fails</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4084737592/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/31-before-the-light-fails\">31: Before The Light Fails by Antonymes</a></iframe>\r\nMarch 2010\r\n<div></div>\r\n<em>31: Before The Light Fails Pt.1</em> is a personal photographic diary for May 2010, a reminder of day to day activities throughout a fairly ordinary and typical month in Antonymes\' life. Includes two high quality 35 page PDF booklets, part 1 with 31 black and white photographs. Part 2 with 31 colour photographs, a 4.0 surround sound file of both parts mixed together and Quicktime video.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"13334,10501,13335,13333,8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','closed','closed','','8572-revision-v1','','','2016-03-15 12:59:55','2016-03-15 04:59:55','',8572,'http://www.hiddenshoal.com/8572-revision-v1/',0,'revision','',0),