INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES (8829,1,'2014-06-24 09:09:24','2014-06-24 09:09:24','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Elisa Luu</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong></p><p>Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.</p><p><a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Un Giorno Sospeso</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 410px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe></p><div> </div><p><em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display.</p><p>Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.</p><div> </div><div> </div><h4>Chromatic Sigh</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 430px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe></p><div> </div><p>Though digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative.</p><p>The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Elisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.</p><p>In 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.</p><p>In 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.</p><p>Accompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a></p><p><a href=\"../../publicity/publicity/press-releases/HSR%20Press%20Release-Elisa_Luu-Come.pdf\">‘Come’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Sankt_Otten_Morgen_wieder_lustig_Pre-Release.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8822,8823,8820\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No videos yet, sorry.</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Elisa Luu\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','open','open','','8817-revision-v1','','','2014-06-24 09:09:24','2014-06-24 09:09:24','',8817,'http://hiddenshoalpublishing.onesmallcloud.com/8817-revision-v1/',0,'revision','',0),(8831,1,'2014-06-24 09:10:58','2014-06-24 09:10:58','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Elisa Luu</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong></p><p>Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.</p><p><a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Un Giorno Sospeso</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 405px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe></p><div> </div><p><em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display.</p><p>Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.</p><div> </div><div> </div><h4>Chromatic Sigh</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 430px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe></p><div> </div><p>Though digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative.</p><p>The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Elisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.</p><p>In 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.</p><p>In 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.</p><p>Accompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a></p><p><a href=\"../../publicity/publicity/press-releases/HSR%20Press%20Release-Elisa_Luu-Come.pdf\">‘Come’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Sankt_Otten_Morgen_wieder_lustig_Pre-Release.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8822,8823,8820\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No videos yet, sorry.</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Elisa Luu\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','open','open','','8817-revision-v1','','','2014-06-24 09:10:58','2014-06-24 09:10:58','',8817,'http://hiddenshoalpublishing.onesmallcloud.com/8817-revision-v1/',0,'revision','',0),(8830,1,'2014-06-24 09:10:08','2014-06-24 09:10:08','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<br />\r\n<h1>Elisa Luu</h1>\r\n<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong></p>\r\n<p>Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.</p>\r\n<p><a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<p> </p><h3>Discography</h3><div> </div><div> </div><h4>Un Giorno Sospeso</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 400px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe></p><div> </div><p><em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display.</p><p>Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.</p><div> </div><div> </div><h4>Chromatic Sigh</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 425px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe></p><div> </div><p>Though digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative.</p><p>The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<br />\r\n<h3>Biography</h3>\r\n<p>Elisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.</p>\r\n<p>In 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.</p>\r\n<p>In 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.</p>\r\n<p>Accompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]<br />\r\n<h3>News</h3>\r\n[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<br />\r\n<h2>Reviews</h2>\r\n[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<br />\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a></p>\r\n<p><a href=\"../../publicity/publicity/press-releases/HSR%20Press%20Release-Elisa_Luu-Come.pdf\">‘Come’ Single Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Sankt_Otten_Morgen_wieder_lustig_Pre-Release.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<br />\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8822,8823,8820\"][/et_pb_tab][et_pb_tab title=\"Video\"]<br />\r\n<h3>Music Videos</h3>\r\n<p> No videos yet, sorry.</p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]<br />\r\n<h3>Licensing</h3>\r\n<p>Elisa Luu\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','open','open','','8817-revision-v1','','','2014-06-24 09:10:08','2014-06-24 09:10:08','',8817,'http://hiddenshoalpublishing.onesmallcloud.com/8817-revision-v1/',0,'revision','',0),(8827,1,'2014-06-24 08:55:06','2014-06-24 08:55:06','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Elisa Luu</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong></p><p>Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.</p><p><a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Un Giorno Sospeso</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 430px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe></p><div> </div><p><em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display.</p><p>Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.</p><div> </div><div> </div><h4>Chromatic Sigh</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 440px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe></p><div> </div><p>Though digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative.</p><p>The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Elisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.</p><p>In 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.</p><p>In 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.</p><p>Accompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a></p><p><a href=\"../../publicity/publicity/press-releases/HSR%20Press%20Release-Elisa_Luu-Come.pdf\">‘Come’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Sankt_Otten_Morgen_wieder_lustig_Pre-Release.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8822,8823,8820\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No videos yet, sorry.</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Elisa Luu\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','open','open','','8817-revision-v1','','','2014-06-24 08:55:06','2014-06-24 08:55:06','',8817,'http://hiddenshoalpublishing.onesmallcloud.com/8817-revision-v1/',0,'revision','',0),(8826,1,'2014-06-24 08:53:54','2014-06-24 08:53:54','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<br />\r\n<h1>Elisa Luu</h1>\r\n<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong></p>\r\n<p>Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.</p>\r\n<p><a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<p> </p><h3>Discography</h3><div> </div><div> </div><h4>Un Giorno Sospeso</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 460px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe></p><div> </div><p><em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display.</p><p>Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.</p><div> </div><div> </div><h4>Chromatic Sigh</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 460px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe></p><div> </div><p>Though digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative.</p><p>The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<br />\r\n<h3>Biography</h3>\r\n<p>Elisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.</p>\r\n<p>In 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.</p>\r\n<p>In 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.</p>\r\n<p>Accompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]<br />\r\n<h3>News</h3>\r\n[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<br />\r\n<h2>Reviews</h2>\r\n[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<br />\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a></p>\r\n<p><a href=\"../../publicity/publicity/press-releases/HSR%20Press%20Release-Elisa_Luu-Come.pdf\">‘Come’ Single Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Sankt_Otten_Morgen_wieder_lustig_Pre-Release.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<br />\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8822,8823,8820\"][/et_pb_tab][et_pb_tab title=\"Video\"]<br />\r\n<h3>Music Videos</h3>\r\n<p> No videos yet, sorry.</p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]<br />\r\n<h3>Licensing</h3>\r\n<p>Elisa Luu\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','open','open','','8817-revision-v1','','','2014-06-24 08:53:54','2014-06-24 08:53:54','',8817,'http://hiddenshoalpublishing.onesmallcloud.com/8817-revision-v1/',0,'revision','',0),(8828,1,'2014-08-01 01:34:02','2014-08-01 01:34:02','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\n<h1>Elisa Luu</h1>\n<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong></p>\n<p>Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.</p>\n<p><a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\n<p> </p>\n<h3>Discography</h3>\n<div></div>\n<div></div>\n<h4>Un Giorno Sospeso</h4>\n<div></div>\n<p><iframe style=\"border: 0; width: 500px; height: 405px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe><br />\nJuly 2012</p>\n<div></div>\n<p><em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display.</p>\n<p>Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.</p>\n<div></div>\n<div></div>\n<h4>Chromatic Sigh</h4>\n<div></div>\n<p><iframe style=\"border: 0; width: 500px; height: 440px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe><br />\nSeptember 2009</p>\n<div></div>\n<p>Though digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative.</p>\n<p>The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.</p>\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\n<h3>Biography</h3>\n<p>Elisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.</p>\n<p>In 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.</p>\n<p>In 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.</p>\n<p>Accompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.</p>\n[/et_pb_tab][et_pb_tab title=\"News\"]\n<h3>News</h3>\n[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\n<h2>Reviews</h2>\n[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Chromatic_Sigh.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]\n<h3>Artist Photos</h3>\n<p> </p>\n[gallery ids=\"8822,8823,8820\"]\n[/et_pb_tab][et_pb_tab title=\"Video\"]\n<h3>Music Videos</h3>\n<p>No videos yet, sorry.</p>\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\n<h3>Licensing</h3>\n<p>Elisa Luu\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','open','open','','8817-autosave-v1','','','2014-08-01 01:34:02','2014-08-01 01:34:02','',8817,'http://hiddenshoalpublishing.onesmallcloud.com/8817-autosave-v1/',0,'revision','',0),(8822,1,'2014-06-24 08:44:09','2014-06-24 08:44:09','','Elisa Luu','','inherit','open','open','','elisabetta_bio_shot-2','','','2014-06-24 08:44:09','2014-06-24 08:44:09','',8817,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_Bio_Shot.jpg',0,'attachment','image/jpeg',0),(8823,1,'2014-06-24 08:44:11','2014-06-24 08:44:11','','Elisa Luu','','inherit','open','open','','elisabetta_in_berlin-2','','','2014-06-24 08:44:11','2014-06-24 08:44:11','',8817,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Berlin.jpg',0,'attachment','image/jpeg',0),(8819,1,'2014-06-24 08:34:33','2014-06-24 08:34:33','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Cheekbone</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8714 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cheekbone_3-300x300.jpg\" alt=\"Cheekbone\" width=\"300\" height=\"300\" /></a><em>\"...expertly sequenced; short soundscapes drift and merge into one another, while intricate beats, deft samples, and obscured field recordings are woven into the mix… <em>Yesterday</em> acts as a poignant snapshot of nostalgic (and often forgotten) memories amidst the hustle and bustle of everyday life. ”</em> –<strong> Sonic Frontiers </strong>\r\n\r\nA drifting, organic space in which to lose yourself completely, Cheekbone’s masterful ambient electronica is guaranteed to appeal to anyone with an interest in the possibilities of synthesized sound.\r\n\r\nLuscious, disorientating and utterly enchanting, Cheekbone\'s debut EP<em> Yesterday</em> is essential listening.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Cheekbone/128913593851252?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Tumblr\" href=\"http://cheekbone-log.tumblr.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8765\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Tumblr1.png\" alt=\"Tumblr\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/cheekbone\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Yesterday</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nInspired by psychedelic German rock, Kouichi Moriuchi began making music in the mid-’90s using guitar, organ, theremin and tapes. From these initial explorations, the luscious three-dimensional soundworld of Cheekbone began to take shape. In 2002, Kouichi began using a laptop, stirring in a whole host of sounds and influences, ranging from early favourites such as Neu, Cluster and Tangerine Dream, to noisemakers Sonic Youth and My Bloody Valentine, and ambient pioneer Brian Eno.\r\n\r\nCheekbone’s agile, amorphous brand of ambient electronica is constantly transforming, evoking the growth of nature and the decay of light across space, agitated by human activity and the background chatter and clang of everyday life. But rather than being inspired by real world events, this music expresses an aching sense of nostalgic melancholy, pining for something that only exists as memory and imagination.\r\n\r\nKuoichi’s experimentation with melody and texture to create luminous new soundscapes evokes seminal British electronic acts such as Aphex Twin, Plaid and Boards of Canada whilst carving his own unique space. He has recently remixed a track by Italian band Port-Royal, and improvises live with laptop and synthesizer in his hometown of Nara, Japan.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h2>News</h2>\r\n[catlist name=cheekbone content=yes pagination=no title_tag=h4 title_class=lcp_title] [/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=cheekbone-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Cheekbone_EP_Release.pdf\" target=\"_blank\">Yesterday EP Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Jumpel_and_Cheekbone_Signings.pdf\" target=\"_blank\">Cheekbone Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8723,8724,8725\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nCheekbone\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Cheekbone','','inherit','open','open','','8713-revision-v1','','','2014-06-24 08:34:33','2014-06-24 08:34:33','',8713,'http://hiddenshoalpublishing.onesmallcloud.com/8713-revision-v1/',0,'revision','',0),(8820,1,'2014-06-24 08:36:56','2014-06-24 08:36:56','','Elisa Luu','','inherit','open','open','','elisabetta_in_stockholm-2','','','2014-06-24 08:36:56','2014-06-24 08:36:56','',8817,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm.jpg',0,'attachment','image/jpeg',0),(8817,1,'2014-06-24 08:33:57','2014-06-24 08:33:57','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Elisa Luu</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong>\r\n\r\nThough digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.\r\n\r\n<a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Enchanting Gaze</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2683447859/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://labelnetlabel.bandcamp.com/album/enchanting-gaze\">Enchanting Gaze by Elisa Luu</a></iframe>\r\nNovember 2014\r\n<div></div>\r\nOn <em>Enchanting Gaze</em>, Elisa Luu’s shimmering tones and deftly handled rhythms are manipulated into breathtaking new shapes. On tracks such as ‘Bro’, expansive synths paint wondrous starscapes, while the gritty ‘B.P.M.’ chases beats and growing drones through dark city streets. <em>Enchanting Gaze</em> manages to beautifully balance its cosmic/terrestrial duality throughout its six tracks, making it a wonderful progression in the Elisa Luu discography.\r\n<div></div>\r\n<div></div>\r\n<h4>Un Giorno Sospeso</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 405px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe>\r\nJuly 2012\r\n<div></div>\r\n<em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display. Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.\r\n<div></div>\r\n<div></div>\r\n<h4>Chromatic Sigh</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 440px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe>\r\nSeptember 2009\r\n<div></div>\r\nThough digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative. The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.\r\n<div></div>\r\n<div></div>\r\n<h4>Unreleased</h4>\r\n<div></div>\r\n<iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/52927332&amp;color=000000&amp;auto_play=false&amp;hide_related=false&amp;show_comments=false&amp;show_user=false&amp;show_reposts=false\" width=\"500\" height=\"400\" frameborder=\"no\" scrolling=\"no\"></iframe>\r\n<div></div>\r\nA collection of previously unreleased tracks from Elisa Luu. All available for licensing as part of the Hidden Shoal Publishing catalogue.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nElisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.\r\n\r\nIn 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.\r\n\r\nIn 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.\r\n\r\nAccompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Elisa Luu News\" href=\"http://www.hiddenshoal.com/category/news/elisa-luu/\"><strong>More News</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Chromatic_Sigh.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8822,8823,8820\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nNo videos yet, sorry.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nElisa Luu\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','publish','open','open','','elisa-luu','','','2014-12-27 00:12:04','2014-12-26 16:12:04','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?post_type=project&#038;p=8817',0,'project','',0),(9885,1,'2014-08-01 01:34:44','2014-08-01 01:34:44','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Elisa Luu</h1>\r\n<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong></p>\r\n<p>Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.</p>\r\n<p><a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<p> </p>\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Un Giorno Sospeso</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 405px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe><br />\r\nJuly 2012</p>\r\n<div></div>\r\n<p><em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display.</p>\r\n<p>Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Chromatic Sigh</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 440px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe><br />\r\nSeptember 2009</p>\r\n<div></div>\r\n<p>Though digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative.</p>\r\n<p>The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.</p>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Elisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.</p>\r\n<p>In 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.</p>\r\n<p>In 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.</p>\r\n<p>Accompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Chromatic_Sigh.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8822,8823,8820\"]\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p>No videos yet, sorry.</p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Elisa Luu\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','closed','closed','','8817-revision-v1','','','2014-08-01 01:34:44','2014-08-01 01:34:44','',8817,'http://www.hiddenshoal.com/8817-revision-v1/',0,'revision','',0),(8825,1,'2014-06-24 08:52:58','2014-06-24 08:52:58','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Elisa Luu</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong></p><p>Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.</p><p><a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Un Giorno Sospeso</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 500px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2149015477/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/un-giorno-sospeso\">Un Giorno Sospeso by Elisa Luu</a></iframe></p><div> </div><p><em>Un Giorno Sospeso</em> is the new album by Italian ambient electronica artist Elisa Luu.  As evidenced on recently released single ‘Se Fosse Per Me’, <em>Un Giorno Sospeso</em> is dense with chiming tones, buoyant beats, skittering horns and immersive drones. From the shimmering, levitating tones of ‘Flussigirl’ to the rattling, dark drone-beat of ‘Il Tempo Di Capire’, Elisa Luu’s brilliant marriage of texture and composition is on virtuoso display.</p><p>Elisa Luu’s alchemical touch is in full bloom on this, her long-awaited second album for Hidden Shoal. Her uniquely crafted compositions carry a warmth and vulnerability that belies their digitally manipulated textures. The album takes the glorious blueprint of debut <em>Chromatic Sigh</em> and accentuates the highlights and shadows, making for a deliciously disorientating trip.</p><div> </div><div> </div><h4>Chromatic Sigh</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 500px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2386771120/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://elisaluu.bandcamp.com/album/chromatic-sigh\">Chromatic Sigh by Elisa Luu</a></iframe></p><div> </div><p>Though digitally crafted, <em>Chromatic Sigh</em> is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawling and sparkling track. The album deftly moves in and out of the realms of ambient and electronica, creating a blissful, liminal realm where everything is rendered transformative.</p><p>The opening title track is a shifting kaleidoscope of drones, enveloping the listener with its gorgeous metallic haze. Single ‘The Garden’ creates a humid atmosphere of synths and glistening textures, carried aloft by crisp, skittering drum breaks. Melancholic centerpiece ‘Slow Bass Flute’ – which also appeared on debut EP Floating Sounds (Phantom Channel) – is so emotionally weighty that one can’t help but feel humbled in its presence. And album closer ‘Warn Plate’ is the gentle return to terra firma, leaving the listener conscious of having visited somewhere unique, complex and beautiful.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Elisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.</p><p>In 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.</p><p>In 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.</p><p>Accompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a></p><p><a href=\"../../publicity/publicity/press-releases/HSR%20Press%20Release-Elisa_Luu-Come.pdf\">‘Come’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Sankt_Otten_Morgen_wieder_lustig_Pre-Release.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8822,8823,8820\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No videos yet, sorry.</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Elisa Luu\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','open','open','','8817-revision-v1','','','2014-06-24 08:52:58','2014-06-24 08:52:58','',8817,'http://hiddenshoalpublishing.onesmallcloud.com/8817-revision-v1/',0,'revision','',0),(8824,1,'2014-06-24 08:47:46','2014-06-24 08:47:46','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Elisa Luu</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong>\r\n\r\nThough digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.\r\n\r\n<a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div></div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Elisa Luu (Elisabetta Luciani) is a Rome-based composer, who began her musical career as a jazz/fusion saxophone player. Elisa has been involved in a number of  musical projects over the years, including fusion quartet Prodotti Speciali and Short’s Monday Night Jazz Orchestra. She has also participated in Berklee Jazz clinics, where she received special mention as an alto sax player.</p><p>In 2007 Elisa began to compose electronic music using flute, saxophone and guitar as sound sources. Though digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica.</p><p>In 2008, UK net label Phantom Channel released her debut EP <em>Floating Sounds</em>, which garnered glowing online reviews. <em>Chromatic Sigh</em> is her first full-length release.</p><p>Accompanied by her two beloved dogs, Elisa is constantly creating new music in her home studio, away from the madding Roman bustle.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3><p>[catlist name=elisa-luu content=yes pagination=no title_tag=h4 title_class=lcp_title]</p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2><p>[catlist name=elisa-luu-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]</p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Un_Giorno_Sospeso.pdf\"><em> Un Giorno Sospeso</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu-Se_Fosse_Per_Me.pdf\">‘Se fosse per me’ Single Release</a>\r\n\r\n<a href=\"../../publicity/publicity/press-releases/HSR%20Press%20Release-Elisa_Luu-Come.pdf\">‘Come’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Sankt_Otten_Morgen_wieder_lustig_Pre-Release.pdf\"><em>Chromatic Sigh</em> Album Digital Pre-Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Elisa_Luu_Single.pdf\">‘The Garden’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_-_Elisa_Luu_Signing.pdf\" target=\"_blank\">Elisa Luu Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p><p>[gallery ids=\"8822,8823,8820\"]</p>[/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No videos yet, sorry.</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Elisa Luu\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','open','open','','8817-revision-v1','','','2014-06-24 08:47:46','2014-06-24 08:47:46','',8817,'http://hiddenshoalpublishing.onesmallcloud.com/8817-revision-v1/',0,'revision','',0),(8821,1,'2014-06-24 08:40:42','2014-06-24 08:40:42','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Elisa Luu</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8820 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Elisabetta_in_Stockholm-300x225.jpg\" alt=\"Elisa Luu\" width=\"300\" height=\"225\" /></a><em>“an astonishingly talented artist, crafting immersive and emotive soundfields with ease”</em> <strong>- Luna Kafe</strong>\r\n\r\nThough digitally crafted, Elisa Luu’s music is warm, inviting and uniquely human, betraying a vulnerability and sensitivity that is rarely found in the male-dominated sphere of electronica. With its sighing, lilting qualities, Elisa Luu’s music reawakens a sense of childlike wonder and adventure with every sprawliong and sparkling track.\r\n\r\n<a title=\"Website\" href=\"http://www.elisaluu.com/home.html\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p>\r\n<div></div>\r\n<p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p>\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p>\r\n<div></div>\r\n<p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p>&nbsp;</p>\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','open','open','','8817-revision-v1','','','2014-06-24 08:40:42','2014-06-24 08:40:42','',8817,'http://hiddenshoalpublishing.onesmallcloud.com/8817-revision-v1/',0,'revision','',0),(8818,1,'2014-06-24 08:33:57','2014-06-24 08:33:57','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it. <strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming. Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011. [/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a> <em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a> [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> <iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe> [/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away. [/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Elisa Luu','','inherit','open','open','','8817-revision-v1','','','2014-06-24 08:33:57','2014-06-24 08:33:57','',8817,'http://hiddenshoalpublishing.onesmallcloud.com/8817-revision-v1/',0,'revision','',0),(8758,1,'2014-06-24 06:28:06','2014-06-24 06:28:06','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Apricot Rail</h1>\r\n&nbsp;\r\n\r\n<a id=\"start\"></a>\r\n<img class=\"alignleft wp-image-8576 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1-300x202.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"202\" /><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face.”</em><strong> – Love Is My Velocity</strong> Most instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\">Facebook</a> | <a href=\"#news\">News</a></strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><h4>Quarrels</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=153203644/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/quarrels\">Quarrels by Apricot Rail</a></iframe></p><div> </div><p>Almost four years after the release of their acclaimed self-titled debut album, Perth-based multi-instrumental pop sextet Apricot Rail return with their sophomore album <em>Quarrels</em>, which features the singles ‘Basket Press’ and ‘Surry Hills’. A foray into more experimental territory, <em>Quarrels</em> features lusher, denser instrumentation, is rich in ideas yet toys with new levels of restraint. The band’s trademark harmonic guitar passages and syncopation sit beneath languid brass and woodwind, balanced by glitchy electronica, dramatic crescendos and opium-infused oriental explorations; slow, meandering waltzes give way to moments of ethereal lightness and beauty. This music transcends fads and trends to appeal to anyone drawn to beautiful, supple songcraft. The majority of <em>Quarrels</em> was recorded over a four-day period during January 2012 in an isolated farmhouse in Western Australia’s bleak Central Wheatbelt. Instruments were sprawled across a lounge room and picked up at will by the players and in turn by microphones placed in different corners of the room. Back in Perth the real work began, with Justin Manzano going through the recordings, making adjustments and adding the odd track to the collection. Towards the end of 2012, the album was mixed by indie producer extraordinaire Scott Solter and mastered by Simon Struthers (Umpire, Muzaizake).</p><div> </div><div> </div><h4>Surry Hills EP</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=40892357/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/surry-hills-bonus-ep\">Surry Hills (Bonus EP) by Apricot Rail</a></iframe></p><div> </div><p>Features exclusive bonus tracks previously only available on a limited run cd-r available at the \'Surry Hills\' launch show. ‘Surry Hills’ is a stunning new song from the much-beloved Apricot Rail that gradually blooms from a shimmering haze of harmonics and ride cymbal into a delicious interweave of resonant guitars and woodwind melodies. The song’s restraint becomes its strength as the hairs on the back of your neck slowly rise. Inhabiting a similar sonic space to Sweden’s marvellous trio Tape, ‘Surry Hills’ is destined to garner a fresh new raft of fans for Apricot Rail’s addictive brand of melodic instrumental pop. After the success of their debut album, ideas for new Apricot Rail songs, including ‘Surry Hills’, were formulated during the band’s extended break late in 2009, after which the songs were road-tested live. While ‘Surry Hills’ maintains a minimalist, restrained and rustic feel typical of Apricot Rail’s debut album, the track also represents a shift in instrumental duties for the band, with new member (number 6!) Justin Manzano (Tin Man) playing guitar, Matt Saville moving from drums to glockenspiel, Daniel Burt moving from bass to percussion, and Jack Quirk moving from guitar to keyboards/electronics, along with Ambrose Nock on guitar and Mayuka Juber on flute.</p><div> </div><div> </div><h4>Apricot Rail (Self Titled)</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=110748402/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/apricot-rail\">Apricot Rail by Apricot Rail</a></iframe></p><div> </div><p>Apricot Rail produce some of the most discretely charming, lush instrumental pop music you’re likely to hear all year. Delicate, bell-like arpeggiated guitars weave around snaking clarinet and flute, while the beautifully held back yet sanguine rhythm section drives the whole thing into a blurred, sun-soaked horizon. Their debut album features the wonderfully received single ‘Pouring Milk Out The Window’, an anthem without ever having to be anthemic, a melancholic reverie that never resorts to the emotional ease of sadness. ‘If You Can’t Join Them, Beat Them’, which featured on the 2009 Spunk Singles Club compilation album, is another chiming standout. And gorgeous closing track ‘Halfway House’ weaves in bubbling electronics as the band lead the listener through glowing landscapes and light-drenched vistas.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>One day, after his star sign promised a ‘dynamic’ afternoon, Ambrose Nock (guitar) decided it was the right time to form a band known as Apricot Rail. He was soon joined by Jack Quirk (guitar), Matthew Saville (drums) and Daniel Burt (bass). The premise of the band was simple: music based on unique guitar tunings, the use of natural harmonics, and very open ideas about other instruments, electronica and song structure. After a debut gig at the Hyde Park Hotel in March 2008 with four members and as many songs, the band soon added a fifth in Mayuka Juber (clarinet/flute), redefining the balance of guitars with the addition of beautiful woodwind melodies.</p><p>The band’s debut recording was a DIY affair, with members heading off to a rural property near Yorkrakine, 220km north-east of Perth in WA’s Central Wheatbelt. In the following months, the resulting demo got regular rotation on Perth’s RTRFM, and though unreleased, was rated by the station’s Homegrown presenter Chris Wheeldon as his second-favourite local outing of 2008. In the second half of the year, Apricot Rail chalked up some serious gig mileage, along the way supporting the likes of Holly Throsby, Charge Group and Adam Said Galore and finding refuge among Perth’s emerging post-rock/experimental scene.</p><p>In November 2008 the band headed into Kingdom studios under the guidance of Simon Struthers (Umpire, Adam Said Galore, Mukaizake) where the band recorded their soon to be released self-titled debut long player. Australian fans got a chance to taste some of the new album’s sublime wares when the Apricot Rail track ‘If You Can’t Join Them, Beat Them’ was released on the prestigious Spunk Singles Club compilation album along with the likes of Leader Cheetah, The Dead Sea and The Middle East. The band was also recently nominated for Favourite Newcomer in the 2009 Western Australian Music Industry Awards.</p><p>Apricot Rail are:<br /> Jack Quirk – Guitar, Glock, Trumpet, Electronica, Voice<br /> Daniel Burt – Bass guitar, Saxophone<br /> Matt Saville – Drum Kit/Percussion<br /> Mayuka Juber – Clarinet, Flute, Keyboard, Melodica, Voice<br /> Ambrose Nock – Guitar, Glock, Keyboard<br /> Justin Manzano – Guitar, Electronics</p><p> </p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3><p>[catlist name=apricot-rail-news content=yes pagination=yes title_tag=h4 title_class=lcp_title]</p><p><a href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h3>Reviews</h3>\r\n[catlist name=apricot-rail-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title] <a href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Dore_Strauch.pdf\">‘Dore Strauch’ Single + Video Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Quarrels.pdf\"><em>Quarrels</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Surry_Hills_Single.pdf\">‘Surry Hills’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Tin_Man_Remix.pdf\">Apricot Rail ‘Pouring Milk Out The Window (Tin Man Spilt Milk Remix)’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Album.pdf\">Apricot Rail Self-Titled Debut Album </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail ‘Pouring Milk Out The Window’ Single </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail Sign to Hidden Shoal Recordings</a><br />  [/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery columns=\"4\" link=\"file\" ids=\"8576,8584,8585,8586,8587,8588,8589,8590,8591\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/hBYJ6sdcvLo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p> </p><p><iframe src=\"//www.youtube.com/embed/VeTN3QNo2Ck?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p> </p><p><iframe src=\"//www.youtube.com/embed/puWnzmHCPxA?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Apricot Rail\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a id=\"news\"></a></p><h1>Apricot Rail News</h1><p> [/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"10000\" include_categories=\"57\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','inherit','open','open','','8574-revision-v1','','','2014-06-24 06:28:06','2014-06-24 06:28:06','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-revision-v1/',0,'revision','',0),(8754,1,'2014-06-24 06:10:40','2014-06-24 06:10:40','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<a id=\"start\"><h1>Apricot Rail</h1></a>\r\n<img class=\"alignleft wp-image-8576 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1-300x202.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"202\" /><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face.”</em><strong> – Love Is My Velocity</strong> Most instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\">Facebook</a> | <a href=\"#news\">News</a></strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div> </div>\r\n<div> </div>\r\n<h4>Quarrels</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=153203644/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/quarrels\">Quarrels by Apricot Rail</a></iframe></p>\r\n<div> </div>\r\n<p>Almost four years after the release of their acclaimed self-titled debut album, Perth-based multi-instrumental pop sextet Apricot Rail return with their sophomore album <em>Quarrels</em>, which features the singles ‘Basket Press’ and ‘Surry Hills’. A foray into more experimental territory, <em>Quarrels</em> features lusher, denser instrumentation, is rich in ideas yet toys with new levels of restraint. The band’s trademark harmonic guitar passages and syncopation sit beneath languid brass and woodwind, balanced by glitchy electronica, dramatic crescendos and opium-infused oriental explorations; slow, meandering waltzes give way to moments of ethereal lightness and beauty. This music transcends fads and trends to appeal to anyone drawn to beautiful, supple songcraft. The majority of <em>Quarrels</em> was recorded over a four-day period during January 2012 in an isolated farmhouse in Western Australia’s bleak Central Wheatbelt. Instruments were sprawled across a lounge room and picked up at will by the players and in turn by microphones placed in different corners of the room. Back in Perth the real work began, with Justin Manzano going through the recordings, making adjustments and adding the odd track to the collection. Towards the end of 2012, the album was mixed by indie producer extraordinaire Scott Solter and mastered by Simon Struthers (Umpire, Muzaizake).</p>\r\n<div> </div>\r\n<div> </div>\r\n<h4>Surry Hills EP</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=40892357/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/surry-hills-bonus-ep\">Surry Hills (Bonus EP) by Apricot Rail</a></iframe></p>\r\n<div> </div>\r\n<p>Features exclusive bonus tracks previously only available on a limited run cd-r available at the \'Surry Hills\' launch show. ‘Surry Hills’ is a stunning new song from the much-beloved Apricot Rail that gradually blooms from a shimmering haze of harmonics and ride cymbal into a delicious interweave of resonant guitars and woodwind melodies. The song’s restraint becomes its strength as the hairs on the back of your neck slowly rise. Inhabiting a similar sonic space to Sweden’s marvellous trio Tape, ‘Surry Hills’ is destined to garner a fresh new raft of fans for Apricot Rail’s addictive brand of melodic instrumental pop. After the success of their debut album, ideas for new Apricot Rail songs, including ‘Surry Hills’, were formulated during the band’s extended break late in 2009, after which the songs were road-tested live. While ‘Surry Hills’ maintains a minimalist, restrained and rustic feel typical of Apricot Rail’s debut album, the track also represents a shift in instrumental duties for the band, with new member (number 6!) Justin Manzano (Tin Man) playing guitar, Matt Saville moving from drums to glockenspiel, Daniel Burt moving from bass to percussion, and Jack Quirk moving from guitar to keyboards/electronics, along with Ambrose Nock on guitar and Mayuka Juber on flute.</p>\r\n<div> </div>\r\n<div> </div>\r\n<h4>Apricot Rail (Self Titled)</h4>\r\n<div> </div>\r\n<p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=110748402/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/apricot-rail\">Apricot Rail by Apricot Rail</a></iframe></p>\r\n<div> </div>\r\n<p>Apricot Rail produce some of the most discretely charming, lush instrumental pop music you’re likely to hear all year. Delicate, bell-like arpeggiated guitars weave around snaking clarinet and flute, while the beautifully held back yet sanguine rhythm section drives the whole thing into a blurred, sun-soaked horizon. Their debut album features the wonderfully received single ‘Pouring Milk Out The Window’, an anthem without ever having to be anthemic, a melancholic reverie that never resorts to the emotional ease of sadness. ‘If You Can’t Join Them, Beat Them’, which featured on the 2009 Spunk Singles Club compilation album, is another chiming standout. And gorgeous closing track ‘Halfway House’ weaves in bubbling electronics as the band lead the listener through glowing landscapes and light-drenched vistas.</p>\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>One day, after his star sign promised a ‘dynamic’ afternoon, Ambrose Nock (guitar) decided it was the right time to form a band known as Apricot Rail. He was soon joined by Jack Quirk (guitar), Matthew Saville (drums) and Daniel Burt (bass). The premise of the band was simple: music based on unique guitar tunings, the use of natural harmonics, and very open ideas about other instruments, electronica and song structure. After a debut gig at the Hyde Park Hotel in March 2008 with four members and as many songs, the band soon added a fifth in Mayuka Juber (clarinet/flute), redefining the balance of guitars with the addition of beautiful woodwind melodies.</p>\r\n<p>The band’s debut recording was a DIY affair, with members heading off to a rural property near Yorkrakine, 220km north-east of Perth in WA’s Central Wheatbelt. In the following months, the resulting demo got regular rotation on Perth’s RTRFM, and though unreleased, was rated by the station’s Homegrown presenter Chris Wheeldon as his second-favourite local outing of 2008. In the second half of the year, Apricot Rail chalked up some serious gig mileage, along the way supporting the likes of Holly Throsby, Charge Group and Adam Said Galore and finding refuge among Perth’s emerging post-rock/experimental scene.</p>\r\n<p>In November 2008 the band headed into Kingdom studios under the guidance of Simon Struthers (Umpire, Adam Said Galore, Mukaizake) where the band recorded their soon to be released self-titled debut long player. Australian fans got a chance to taste some of the new album’s sublime wares when the Apricot Rail track ‘If You Can’t Join Them, Beat Them’ was released on the prestigious Spunk Singles Club compilation album along with the likes of Leader Cheetah, The Dead Sea and The Middle East. The band was also recently nominated for Favourite Newcomer in the 2009 Western Australian Music Industry Awards.</p>\r\n<p>Apricot Rail are:<br /> Jack Quirk – Guitar, Glock, Trumpet, Electronica, Voice<br /> Daniel Burt – Bass guitar, Saxophone<br /> Matt Saville – Drum Kit/Percussion<br /> Mayuka Juber – Clarinet, Flute, Keyboard, Melodica, Voice<br /> Ambrose Nock – Guitar, Glock, Keyboard<br /> Justin Manzano – Guitar, Electronics</p>\r\n<p> </p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h3>Apricot Rail Reviews</h3><p>[catlist name=apricot-rail-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title] <a href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Dore_Strauch.pdf\">‘Dore Strauch’ Single + Video Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Quarrels.pdf\"><em>Quarrels</em> Album Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Surry_Hills_Single.pdf\">‘Surry Hills’ Single Release</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Tin_Man_Remix.pdf\">Apricot Rail ‘Pouring Milk Out The Window (Tin Man Spilt Milk Remix)’ Single</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Album.pdf\">Apricot Rail Self-Titled Debut Album </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail ‘Pouring Milk Out The Window’ Single </a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail Sign to Hidden Shoal Recordings</a><br />  [/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery columns=\"4\" link=\"file\" ids=\"8576,8584,8585,8586,8587,8588,8589,8590,8591\"][/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/hBYJ6sdcvLo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p> </p>\r\n<p><iframe src=\"//www.youtube.com/embed/VeTN3QNo2Ck?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p> </p>\r\n<p><iframe src=\"//www.youtube.com/embed/puWnzmHCPxA?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Apricot Rail\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a id=\"news\"></a></p>\r\n<h1>Apricot Rail News</h1>\r\n<p> [/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"10000\" include_categories=\"57\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','inherit','open','open','','8574-revision-v1','','','2014-06-24 06:10:40','2014-06-24 06:10:40','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-revision-v1/',0,'revision','',0),(8759,1,'2014-06-24 06:28:22','2014-06-24 06:28:22','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Apricot Rail</h1>\r\n&nbsp;\r\n\r\n<a id=\"start\"></a>\r\n<img class=\"alignleft wp-image-8576 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1-300x202.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"202\" /><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face.”</em><strong> – Love Is My Velocity</strong> Most instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\">Facebook</a> | <a href=\"#news\">News</a></strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<h4>Quarrels</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=153203644/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/quarrels\">Quarrels by Apricot Rail</a></iframe>\r\n<div></div>\r\nAlmost four years after the release of their acclaimed self-titled debut album, Perth-based multi-instrumental pop sextet Apricot Rail return with their sophomore album <em>Quarrels</em>, which features the singles ‘Basket Press’ and ‘Surry Hills’. A foray into more experimental territory, <em>Quarrels</em> features lusher, denser instrumentation, is rich in ideas yet toys with new levels of restraint. The band’s trademark harmonic guitar passages and syncopation sit beneath languid brass and woodwind, balanced by glitchy electronica, dramatic crescendos and opium-infused oriental explorations; slow, meandering waltzes give way to moments of ethereal lightness and beauty. This music transcends fads and trends to appeal to anyone drawn to beautiful, supple songcraft. The majority of <em>Quarrels</em> was recorded over a four-day period during January 2012 in an isolated farmhouse in Western Australia’s bleak Central Wheatbelt. Instruments were sprawled across a lounge room and picked up at will by the players and in turn by microphones placed in different corners of the room. Back in Perth the real work began, with Justin Manzano going through the recordings, making adjustments and adding the odd track to the collection. Towards the end of 2012, the album was mixed by indie producer extraordinaire Scott Solter and mastered by Simon Struthers (Umpire, Muzaizake).\r\n<div></div>\r\n<div></div>\r\n<h4>Surry Hills EP</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=40892357/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/surry-hills-bonus-ep\">Surry Hills (Bonus EP) by Apricot Rail</a></iframe>\r\n<div></div>\r\nFeatures exclusive bonus tracks previously only available on a limited run cd-r available at the \'Surry Hills\' launch show. ‘Surry Hills’ is a stunning new song from the much-beloved Apricot Rail that gradually blooms from a shimmering haze of harmonics and ride cymbal into a delicious interweave of resonant guitars and woodwind melodies. The song’s restraint becomes its strength as the hairs on the back of your neck slowly rise. Inhabiting a similar sonic space to Sweden’s marvellous trio Tape, ‘Surry Hills’ is destined to garner a fresh new raft of fans for Apricot Rail’s addictive brand of melodic instrumental pop. After the success of their debut album, ideas for new Apricot Rail songs, including ‘Surry Hills’, were formulated during the band’s extended break late in 2009, after which the songs were road-tested live. While ‘Surry Hills’ maintains a minimalist, restrained and rustic feel typical of Apricot Rail’s debut album, the track also represents a shift in instrumental duties for the band, with new member (number 6!) Justin Manzano (Tin Man) playing guitar, Matt Saville moving from drums to glockenspiel, Daniel Burt moving from bass to percussion, and Jack Quirk moving from guitar to keyboards/electronics, along with Ambrose Nock on guitar and Mayuka Juber on flute.\r\n<div></div>\r\n<div></div>\r\n<h4>Apricot Rail (Self Titled)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=110748402/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/apricot-rail\">Apricot Rail by Apricot Rail</a></iframe>\r\n<div></div>\r\nApricot Rail produce some of the most discretely charming, lush instrumental pop music you’re likely to hear all year. Delicate, bell-like arpeggiated guitars weave around snaking clarinet and flute, while the beautifully held back yet sanguine rhythm section drives the whole thing into a blurred, sun-soaked horizon. Their debut album features the wonderfully received single ‘Pouring Milk Out The Window’, an anthem without ever having to be anthemic, a melancholic reverie that never resorts to the emotional ease of sadness. ‘If You Can’t Join Them, Beat Them’, which featured on the 2009 Spunk Singles Club compilation album, is another chiming standout. And gorgeous closing track ‘Halfway House’ weaves in bubbling electronics as the band lead the listener through glowing landscapes and light-drenched vistas.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nOne day, after his star sign promised a ‘dynamic’ afternoon, Ambrose Nock (guitar) decided it was the right time to form a band known as Apricot Rail. He was soon joined by Jack Quirk (guitar), Matthew Saville (drums) and Daniel Burt (bass). The premise of the band was simple: music based on unique guitar tunings, the use of natural harmonics, and very open ideas about other instruments, electronica and song structure. After a debut gig at the Hyde Park Hotel in March 2008 with four members and as many songs, the band soon added a fifth in Mayuka Juber (clarinet/flute), redefining the balance of guitars with the addition of beautiful woodwind melodies.\r\n\r\nThe band’s debut recording was a DIY affair, with members heading off to a rural property near Yorkrakine, 220km north-east of Perth in WA’s Central Wheatbelt. In the following months, the resulting demo got regular rotation on Perth’s RTRFM, and though unreleased, was rated by the station’s Homegrown presenter Chris Wheeldon as his second-favourite local outing of 2008. In the second half of the year, Apricot Rail chalked up some serious gig mileage, along the way supporting the likes of Holly Throsby, Charge Group and Adam Said Galore and finding refuge among Perth’s emerging post-rock/experimental scene.\r\n\r\nIn November 2008 the band headed into Kingdom studios under the guidance of Simon Struthers (Umpire, Adam Said Galore, Mukaizake) where the band recorded their soon to be released self-titled debut long player. Australian fans got a chance to taste some of the new album’s sublime wares when the Apricot Rail track ‘If You Can’t Join Them, Beat Them’ was released on the prestigious Spunk Singles Club compilation album along with the likes of Leader Cheetah, The Dead Sea and The Middle East. The band was also recently nominated for Favourite Newcomer in the 2009 Western Australian Music Industry Awards.\r\n\r\nApricot Rail are:\r\nJack Quirk – Guitar, Glock, Trumpet, Electronica, Voice\r\nDaniel Burt – Bass guitar, Saxophone\r\nMatt Saville – Drum Kit/Percussion\r\nMayuka Juber – Clarinet, Flute, Keyboard, Melodica, Voice\r\nAmbrose Nock – Guitar, Glock, Keyboard\r\nJustin Manzano – Guitar, Electronics\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=apricot-rail-news content=yes pagination=yes title_tag=h4 title_class=lcp_title]\r\n\r\n<a href=\"#start\"><strong>Back</strong></a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h3>Reviews</h3>\r\n[catlist name=apricot-rail-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title] <a href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Dore_Strauch.pdf\">‘Dore Strauch’ Single + Video Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Quarrels.pdf\"><em>Quarrels</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Surry_Hills_Single.pdf\">‘Surry Hills’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Tin_Man_Remix.pdf\">Apricot Rail ‘Pouring Milk Out The Window (Tin Man Spilt Milk Remix)’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Album.pdf\">Apricot Rail Self-Titled Debut Album </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail ‘Pouring Milk Out The Window’ Single </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail Sign to Hidden Shoal Recordings</a>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"4\" link=\"file\" ids=\"8576,8584,8585,8586,8587,8588,8589,8590,8591\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/hBYJ6sdcvLo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/VeTN3QNo2Ck?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/puWnzmHCPxA?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nApricot Rail\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','inherit','open','open','','8574-revision-v1','','','2014-06-24 06:28:22','2014-06-24 06:28:22','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-revision-v1/',0,'revision','',0),(8757,1,'2014-06-24 06:14:47','2014-06-24 06:14:47','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Apricot Rail</h1>\r\n&nbsp;\r\n\r\n<a id=\"start\"></a>\r\n<img class=\"alignleft wp-image-8576 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1-300x202.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"202\" /><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face.”</em><strong> – Love Is My Velocity</strong> Most instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\">Facebook</a> | <a href=\"#news\">News</a></strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><h4>Quarrels</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=153203644/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/quarrels\">Quarrels by Apricot Rail</a></iframe></p><div> </div><p>Almost four years after the release of their acclaimed self-titled debut album, Perth-based multi-instrumental pop sextet Apricot Rail return with their sophomore album <em>Quarrels</em>, which features the singles ‘Basket Press’ and ‘Surry Hills’. A foray into more experimental territory, <em>Quarrels</em> features lusher, denser instrumentation, is rich in ideas yet toys with new levels of restraint. The band’s trademark harmonic guitar passages and syncopation sit beneath languid brass and woodwind, balanced by glitchy electronica, dramatic crescendos and opium-infused oriental explorations; slow, meandering waltzes give way to moments of ethereal lightness and beauty. This music transcends fads and trends to appeal to anyone drawn to beautiful, supple songcraft. The majority of <em>Quarrels</em> was recorded over a four-day period during January 2012 in an isolated farmhouse in Western Australia’s bleak Central Wheatbelt. Instruments were sprawled across a lounge room and picked up at will by the players and in turn by microphones placed in different corners of the room. Back in Perth the real work began, with Justin Manzano going through the recordings, making adjustments and adding the odd track to the collection. Towards the end of 2012, the album was mixed by indie producer extraordinaire Scott Solter and mastered by Simon Struthers (Umpire, Muzaizake).</p><div> </div><div> </div><h4>Surry Hills EP</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=40892357/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/surry-hills-bonus-ep\">Surry Hills (Bonus EP) by Apricot Rail</a></iframe></p><div> </div><p>Features exclusive bonus tracks previously only available on a limited run cd-r available at the \'Surry Hills\' launch show. ‘Surry Hills’ is a stunning new song from the much-beloved Apricot Rail that gradually blooms from a shimmering haze of harmonics and ride cymbal into a delicious interweave of resonant guitars and woodwind melodies. The song’s restraint becomes its strength as the hairs on the back of your neck slowly rise. Inhabiting a similar sonic space to Sweden’s marvellous trio Tape, ‘Surry Hills’ is destined to garner a fresh new raft of fans for Apricot Rail’s addictive brand of melodic instrumental pop. After the success of their debut album, ideas for new Apricot Rail songs, including ‘Surry Hills’, were formulated during the band’s extended break late in 2009, after which the songs were road-tested live. While ‘Surry Hills’ maintains a minimalist, restrained and rustic feel typical of Apricot Rail’s debut album, the track also represents a shift in instrumental duties for the band, with new member (number 6!) Justin Manzano (Tin Man) playing guitar, Matt Saville moving from drums to glockenspiel, Daniel Burt moving from bass to percussion, and Jack Quirk moving from guitar to keyboards/electronics, along with Ambrose Nock on guitar and Mayuka Juber on flute.</p><div> </div><div> </div><h4>Apricot Rail (Self Titled)</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=110748402/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/apricot-rail\">Apricot Rail by Apricot Rail</a></iframe></p><div> </div><p>Apricot Rail produce some of the most discretely charming, lush instrumental pop music you’re likely to hear all year. Delicate, bell-like arpeggiated guitars weave around snaking clarinet and flute, while the beautifully held back yet sanguine rhythm section drives the whole thing into a blurred, sun-soaked horizon. Their debut album features the wonderfully received single ‘Pouring Milk Out The Window’, an anthem without ever having to be anthemic, a melancholic reverie that never resorts to the emotional ease of sadness. ‘If You Can’t Join Them, Beat Them’, which featured on the 2009 Spunk Singles Club compilation album, is another chiming standout. And gorgeous closing track ‘Halfway House’ weaves in bubbling electronics as the band lead the listener through glowing landscapes and light-drenched vistas.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>One day, after his star sign promised a ‘dynamic’ afternoon, Ambrose Nock (guitar) decided it was the right time to form a band known as Apricot Rail. He was soon joined by Jack Quirk (guitar), Matthew Saville (drums) and Daniel Burt (bass). The premise of the band was simple: music based on unique guitar tunings, the use of natural harmonics, and very open ideas about other instruments, electronica and song structure. After a debut gig at the Hyde Park Hotel in March 2008 with four members and as many songs, the band soon added a fifth in Mayuka Juber (clarinet/flute), redefining the balance of guitars with the addition of beautiful woodwind melodies.</p><p>The band’s debut recording was a DIY affair, with members heading off to a rural property near Yorkrakine, 220km north-east of Perth in WA’s Central Wheatbelt. In the following months, the resulting demo got regular rotation on Perth’s RTRFM, and though unreleased, was rated by the station’s Homegrown presenter Chris Wheeldon as his second-favourite local outing of 2008. In the second half of the year, Apricot Rail chalked up some serious gig mileage, along the way supporting the likes of Holly Throsby, Charge Group and Adam Said Galore and finding refuge among Perth’s emerging post-rock/experimental scene.</p><p>In November 2008 the band headed into Kingdom studios under the guidance of Simon Struthers (Umpire, Adam Said Galore, Mukaizake) where the band recorded their soon to be released self-titled debut long player. Australian fans got a chance to taste some of the new album’s sublime wares when the Apricot Rail track ‘If You Can’t Join Them, Beat Them’ was released on the prestigious Spunk Singles Club compilation album along with the likes of Leader Cheetah, The Dead Sea and The Middle East. The band was also recently nominated for Favourite Newcomer in the 2009 Western Australian Music Industry Awards.</p><p>Apricot Rail are:<br /> Jack Quirk – Guitar, Glock, Trumpet, Electronica, Voice<br /> Daniel Burt – Bass guitar, Saxophone<br /> Matt Saville – Drum Kit/Percussion<br /> Mayuka Juber – Clarinet, Flute, Keyboard, Melodica, Voice<br /> Ambrose Nock – Guitar, Glock, Keyboard<br /> Justin Manzano – Guitar, Electronics</p><p> </p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h3>Reviews</h3>[catlist name=apricot-rail-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title] <a href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Dore_Strauch.pdf\">‘Dore Strauch’ Single + Video Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Quarrels.pdf\"><em>Quarrels</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Surry_Hills_Single.pdf\">‘Surry Hills’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Tin_Man_Remix.pdf\">Apricot Rail ‘Pouring Milk Out The Window (Tin Man Spilt Milk Remix)’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Album.pdf\">Apricot Rail Self-Titled Debut Album </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail ‘Pouring Milk Out The Window’ Single </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail Sign to Hidden Shoal Recordings</a><br />  [/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery columns=\"4\" link=\"file\" ids=\"8576,8584,8585,8586,8587,8588,8589,8590,8591\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/hBYJ6sdcvLo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p> </p><p><iframe src=\"//www.youtube.com/embed/VeTN3QNo2Ck?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p> </p><p><iframe src=\"//www.youtube.com/embed/puWnzmHCPxA?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Apricot Rail\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>Apricot Rail News</h3>[catlist name=apricot-rail-news content=yes pagination=yes title_tag=h4 title_class=lcp_title] <a href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a id=\"news\"></a></p><h1>Apricot Rail News</h1><p> [/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"10000\" include_categories=\"57\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','inherit','open','open','','8574-revision-v1','','','2014-06-24 06:14:47','2014-06-24 06:14:47','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-revision-v1/',0,'revision','',0),(8755,1,'2014-06-24 06:12:47','2014-06-24 06:12:47','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<a><br /></a></p><h1>Apricot Rail</h1><p> </p><p><a id=\"start\"></a><br /> <img class=\"alignleft wp-image-8576 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1-300x202.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"202\" /><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face.”</em><strong> – Love Is My Velocity</strong> Most instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\">Facebook</a> | <a href=\"#news\">News</a></strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Quarrels</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=153203644/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/quarrels\">Quarrels by Apricot Rail</a></iframe></p><div> </div><p>Almost four years after the release of their acclaimed self-titled debut album, Perth-based multi-instrumental pop sextet Apricot Rail return with their sophomore album <em>Quarrels</em>, which features the singles ‘Basket Press’ and ‘Surry Hills’. A foray into more experimental territory, <em>Quarrels</em> features lusher, denser instrumentation, is rich in ideas yet toys with new levels of restraint. The band’s trademark harmonic guitar passages and syncopation sit beneath languid brass and woodwind, balanced by glitchy electronica, dramatic crescendos and opium-infused oriental explorations; slow, meandering waltzes give way to moments of ethereal lightness and beauty. This music transcends fads and trends to appeal to anyone drawn to beautiful, supple songcraft. The majority of <em>Quarrels</em> was recorded over a four-day period during January 2012 in an isolated farmhouse in Western Australia’s bleak Central Wheatbelt. Instruments were sprawled across a lounge room and picked up at will by the players and in turn by microphones placed in different corners of the room. Back in Perth the real work began, with Justin Manzano going through the recordings, making adjustments and adding the odd track to the collection. Towards the end of 2012, the album was mixed by indie producer extraordinaire Scott Solter and mastered by Simon Struthers (Umpire, Muzaizake).</p><div> </div><div> </div><h4>Surry Hills EP</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=40892357/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/surry-hills-bonus-ep\">Surry Hills (Bonus EP) by Apricot Rail</a></iframe></p><div> </div><p>Features exclusive bonus tracks previously only available on a limited run cd-r available at the \'Surry Hills\' launch show. ‘Surry Hills’ is a stunning new song from the much-beloved Apricot Rail that gradually blooms from a shimmering haze of harmonics and ride cymbal into a delicious interweave of resonant guitars and woodwind melodies. The song’s restraint becomes its strength as the hairs on the back of your neck slowly rise. Inhabiting a similar sonic space to Sweden’s marvellous trio Tape, ‘Surry Hills’ is destined to garner a fresh new raft of fans for Apricot Rail’s addictive brand of melodic instrumental pop. After the success of their debut album, ideas for new Apricot Rail songs, including ‘Surry Hills’, were formulated during the band’s extended break late in 2009, after which the songs were road-tested live. While ‘Surry Hills’ maintains a minimalist, restrained and rustic feel typical of Apricot Rail’s debut album, the track also represents a shift in instrumental duties for the band, with new member (number 6!) Justin Manzano (Tin Man) playing guitar, Matt Saville moving from drums to glockenspiel, Daniel Burt moving from bass to percussion, and Jack Quirk moving from guitar to keyboards/electronics, along with Ambrose Nock on guitar and Mayuka Juber on flute.</p><div> </div><div> </div><h4>Apricot Rail (Self Titled)</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=110748402/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/apricot-rail\">Apricot Rail by Apricot Rail</a></iframe></p><div> </div><p>Apricot Rail produce some of the most discretely charming, lush instrumental pop music you’re likely to hear all year. Delicate, bell-like arpeggiated guitars weave around snaking clarinet and flute, while the beautifully held back yet sanguine rhythm section drives the whole thing into a blurred, sun-soaked horizon. Their debut album features the wonderfully received single ‘Pouring Milk Out The Window’, an anthem without ever having to be anthemic, a melancholic reverie that never resorts to the emotional ease of sadness. ‘If You Can’t Join Them, Beat Them’, which featured on the 2009 Spunk Singles Club compilation album, is another chiming standout. And gorgeous closing track ‘Halfway House’ weaves in bubbling electronics as the band lead the listener through glowing landscapes and light-drenched vistas.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>One day, after his star sign promised a ‘dynamic’ afternoon, Ambrose Nock (guitar) decided it was the right time to form a band known as Apricot Rail. He was soon joined by Jack Quirk (guitar), Matthew Saville (drums) and Daniel Burt (bass). The premise of the band was simple: music based on unique guitar tunings, the use of natural harmonics, and very open ideas about other instruments, electronica and song structure. After a debut gig at the Hyde Park Hotel in March 2008 with four members and as many songs, the band soon added a fifth in Mayuka Juber (clarinet/flute), redefining the balance of guitars with the addition of beautiful woodwind melodies.</p><p>The band’s debut recording was a DIY affair, with members heading off to a rural property near Yorkrakine, 220km north-east of Perth in WA’s Central Wheatbelt. In the following months, the resulting demo got regular rotation on Perth’s RTRFM, and though unreleased, was rated by the station’s Homegrown presenter Chris Wheeldon as his second-favourite local outing of 2008. In the second half of the year, Apricot Rail chalked up some serious gig mileage, along the way supporting the likes of Holly Throsby, Charge Group and Adam Said Galore and finding refuge among Perth’s emerging post-rock/experimental scene.</p><p>In November 2008 the band headed into Kingdom studios under the guidance of Simon Struthers (Umpire, Adam Said Galore, Mukaizake) where the band recorded their soon to be released self-titled debut long player. Australian fans got a chance to taste some of the new album’s sublime wares when the Apricot Rail track ‘If You Can’t Join Them, Beat Them’ was released on the prestigious Spunk Singles Club compilation album along with the likes of Leader Cheetah, The Dead Sea and The Middle East. The band was also recently nominated for Favourite Newcomer in the 2009 Western Australian Music Industry Awards.</p><p>Apricot Rail are:<br /> Jack Quirk – Guitar, Glock, Trumpet, Electronica, Voice<br /> Daniel Burt – Bass guitar, Saxophone<br /> Matt Saville – Drum Kit/Percussion<br /> Mayuka Juber – Clarinet, Flute, Keyboard, Melodica, Voice<br /> Ambrose Nock – Guitar, Glock, Keyboard<br /> Justin Manzano – Guitar, Electronics</p><p> </p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h3>Apricot Rail Reviews</h3>[catlist name=apricot-rail-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title] <a href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Dore_Strauch.pdf\">‘Dore Strauch’ Single + Video Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Quarrels.pdf\"><em>Quarrels</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Surry_Hills_Single.pdf\">‘Surry Hills’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Tin_Man_Remix.pdf\">Apricot Rail ‘Pouring Milk Out The Window (Tin Man Spilt Milk Remix)’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Album.pdf\">Apricot Rail Self-Titled Debut Album </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail ‘Pouring Milk Out The Window’ Single </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail Sign to Hidden Shoal Recordings</a><br />  [/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery columns=\"4\" link=\"file\" ids=\"8576,8584,8585,8586,8587,8588,8589,8590,8591\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/hBYJ6sdcvLo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p> </p><p><iframe src=\"//www.youtube.com/embed/VeTN3QNo2Ck?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p> </p><p><iframe src=\"//www.youtube.com/embed/puWnzmHCPxA?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Apricot Rail\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>Apricot Rail News</h3>\r\n[catlist name=apricot-rail-news content=yes pagination=yes title_tag=h4 title_class=lcp_title] <a href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a id=\"news\"></a></p><h1>Apricot Rail News</h1><p> [/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"10000\" include_categories=\"57\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','inherit','open','open','','8574-revision-v1','','','2014-06-24 06:12:47','2014-06-24 06:12:47','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-revision-v1/',0,'revision','',0),(8756,1,'2014-06-24 06:13:51','2014-06-24 06:13:51','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<a><br /></a></p><h1>Apricot Rail</h1><p> </p><p><a id=\"start\"></a><br /> <img class=\"alignleft wp-image-8576 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1-300x202.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"202\" /><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face.”</em><strong> – Love Is My Velocity</strong> Most instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\">Facebook</a> | <a href=\"#news\">News</a></strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><h4>Quarrels</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=153203644/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/quarrels\">Quarrels by Apricot Rail</a></iframe></p><div> </div><p>Almost four years after the release of their acclaimed self-titled debut album, Perth-based multi-instrumental pop sextet Apricot Rail return with their sophomore album <em>Quarrels</em>, which features the singles ‘Basket Press’ and ‘Surry Hills’. A foray into more experimental territory, <em>Quarrels</em> features lusher, denser instrumentation, is rich in ideas yet toys with new levels of restraint. The band’s trademark harmonic guitar passages and syncopation sit beneath languid brass and woodwind, balanced by glitchy electronica, dramatic crescendos and opium-infused oriental explorations; slow, meandering waltzes give way to moments of ethereal lightness and beauty. This music transcends fads and trends to appeal to anyone drawn to beautiful, supple songcraft. The majority of <em>Quarrels</em> was recorded over a four-day period during January 2012 in an isolated farmhouse in Western Australia’s bleak Central Wheatbelt. Instruments were sprawled across a lounge room and picked up at will by the players and in turn by microphones placed in different corners of the room. Back in Perth the real work began, with Justin Manzano going through the recordings, making adjustments and adding the odd track to the collection. Towards the end of 2012, the album was mixed by indie producer extraordinaire Scott Solter and mastered by Simon Struthers (Umpire, Muzaizake).</p><div> </div><div> </div><h4>Surry Hills EP</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=40892357/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/surry-hills-bonus-ep\">Surry Hills (Bonus EP) by Apricot Rail</a></iframe></p><div> </div><p>Features exclusive bonus tracks previously only available on a limited run cd-r available at the \'Surry Hills\' launch show. ‘Surry Hills’ is a stunning new song from the much-beloved Apricot Rail that gradually blooms from a shimmering haze of harmonics and ride cymbal into a delicious interweave of resonant guitars and woodwind melodies. The song’s restraint becomes its strength as the hairs on the back of your neck slowly rise. Inhabiting a similar sonic space to Sweden’s marvellous trio Tape, ‘Surry Hills’ is destined to garner a fresh new raft of fans for Apricot Rail’s addictive brand of melodic instrumental pop. After the success of their debut album, ideas for new Apricot Rail songs, including ‘Surry Hills’, were formulated during the band’s extended break late in 2009, after which the songs were road-tested live. While ‘Surry Hills’ maintains a minimalist, restrained and rustic feel typical of Apricot Rail’s debut album, the track also represents a shift in instrumental duties for the band, with new member (number 6!) Justin Manzano (Tin Man) playing guitar, Matt Saville moving from drums to glockenspiel, Daniel Burt moving from bass to percussion, and Jack Quirk moving from guitar to keyboards/electronics, along with Ambrose Nock on guitar and Mayuka Juber on flute.</p><div> </div><div> </div><h4>Apricot Rail (Self Titled)</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=110748402/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/apricot-rail\">Apricot Rail by Apricot Rail</a></iframe></p><div> </div><p>Apricot Rail produce some of the most discretely charming, lush instrumental pop music you’re likely to hear all year. Delicate, bell-like arpeggiated guitars weave around snaking clarinet and flute, while the beautifully held back yet sanguine rhythm section drives the whole thing into a blurred, sun-soaked horizon. Their debut album features the wonderfully received single ‘Pouring Milk Out The Window’, an anthem without ever having to be anthemic, a melancholic reverie that never resorts to the emotional ease of sadness. ‘If You Can’t Join Them, Beat Them’, which featured on the 2009 Spunk Singles Club compilation album, is another chiming standout. And gorgeous closing track ‘Halfway House’ weaves in bubbling electronics as the band lead the listener through glowing landscapes and light-drenched vistas.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>One day, after his star sign promised a ‘dynamic’ afternoon, Ambrose Nock (guitar) decided it was the right time to form a band known as Apricot Rail. He was soon joined by Jack Quirk (guitar), Matthew Saville (drums) and Daniel Burt (bass). The premise of the band was simple: music based on unique guitar tunings, the use of natural harmonics, and very open ideas about other instruments, electronica and song structure. After a debut gig at the Hyde Park Hotel in March 2008 with four members and as many songs, the band soon added a fifth in Mayuka Juber (clarinet/flute), redefining the balance of guitars with the addition of beautiful woodwind melodies.</p><p>The band’s debut recording was a DIY affair, with members heading off to a rural property near Yorkrakine, 220km north-east of Perth in WA’s Central Wheatbelt. In the following months, the resulting demo got regular rotation on Perth’s RTRFM, and though unreleased, was rated by the station’s Homegrown presenter Chris Wheeldon as his second-favourite local outing of 2008. In the second half of the year, Apricot Rail chalked up some serious gig mileage, along the way supporting the likes of Holly Throsby, Charge Group and Adam Said Galore and finding refuge among Perth’s emerging post-rock/experimental scene.</p><p>In November 2008 the band headed into Kingdom studios under the guidance of Simon Struthers (Umpire, Adam Said Galore, Mukaizake) where the band recorded their soon to be released self-titled debut long player. Australian fans got a chance to taste some of the new album’s sublime wares when the Apricot Rail track ‘If You Can’t Join Them, Beat Them’ was released on the prestigious Spunk Singles Club compilation album along with the likes of Leader Cheetah, The Dead Sea and The Middle East. The band was also recently nominated for Favourite Newcomer in the 2009 Western Australian Music Industry Awards.</p><p>Apricot Rail are:<br /> Jack Quirk – Guitar, Glock, Trumpet, Electronica, Voice<br /> Daniel Burt – Bass guitar, Saxophone<br /> Matt Saville – Drum Kit/Percussion<br /> Mayuka Juber – Clarinet, Flute, Keyboard, Melodica, Voice<br /> Ambrose Nock – Guitar, Glock, Keyboard<br /> Justin Manzano – Guitar, Electronics</p><p> </p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h3>Reviews</h3><p>[catlist name=apricot-rail-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title] <a href=\"#start\"><strong>Back</strong></a></p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Dore_Strauch.pdf\">‘Dore Strauch’ Single + Video Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Quarrels.pdf\"><em>Quarrels</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Surry_Hills_Single.pdf\">‘Surry Hills’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Tin_Man_Remix.pdf\">Apricot Rail ‘Pouring Milk Out The Window (Tin Man Spilt Milk Remix)’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Album.pdf\">Apricot Rail Self-Titled Debut Album </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail ‘Pouring Milk Out The Window’ Single </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail Sign to Hidden Shoal Recordings</a><br />  [/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery columns=\"4\" link=\"file\" ids=\"8576,8584,8585,8586,8587,8588,8589,8590,8591\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/hBYJ6sdcvLo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p> </p><p><iframe src=\"//www.youtube.com/embed/VeTN3QNo2Ck?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p> </p><p><iframe src=\"//www.youtube.com/embed/puWnzmHCPxA?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Apricot Rail\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>Apricot Rail News</h3>\r\n[catlist name=apricot-rail-news content=yes pagination=yes title_tag=h4 title_class=lcp_title] <a href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a id=\"news\"></a></p><h1>Apricot Rail News</h1><p> [/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"10000\" include_categories=\"57\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','inherit','open','open','','8574-revision-v1','','','2014-06-24 06:13:51','2014-06-24 06:13:51','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-revision-v1/',0,'revision','',0),(8545,1,'2014-06-19 06:02:43','2014-06-19 06:02:43','[et_pb_section][et_pb_row][et_pb_column type=\"1_4\"][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=49&amp;products_id=170\" url_new_window=\"off\" animation=\"left\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/project/antonymes/\" url_new_window=\"off\" animation=\"left\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/project/antonymes/\" url_new_window=\"off\" animation=\"left\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 06:02:43','2014-06-19 06:02:43','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8546,1,'2014-06-19 06:03:07','2014-06-19 06:03:07','[et_pb_section][et_pb_row][et_pb_column type=\"1_4\"][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=49&amp;products_id=170\" url_new_window=\"off\" animation=\"left\" /][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/project/antonymes/\" url_new_window=\"off\" animation=\"left\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/project/antonymes/\" url_new_window=\"off\" animation=\"left\" /][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/project/antonymes/\" url_new_window=\"off\" animation=\"left\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/project/antonymes/\" url_new_window=\"off\" animation=\"left\" /][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=49&amp;products_id=170\" url_new_window=\"off\" animation=\"left\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 06:03:07','2014-06-19 06:03:07','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8547,1,'2014-06-19 06:04:42','2014-06-19 06:04:42','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h2>Releases</h2>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=49&amp;products_id=170\" url_new_window=\"off\" animation=\"left\" /][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/project/antonymes/\" url_new_window=\"off\" animation=\"left\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/project/antonymes/\" url_new_window=\"off\" animation=\"left\" /][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/project/antonymes/\" url_new_window=\"off\" animation=\"left\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/project/antonymes/\" url_new_window=\"off\" animation=\"left\" /][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=49&amp;products_id=170\" url_new_window=\"off\" animation=\"left\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 06:04:42','2014-06-19 06:04:42','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8549,1,'2014-06-19 07:23:24','2014-06-19 07:23:24','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h2>Releases</h2>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\"><img class=\"size-full wp-image-8429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - &quot;Remixed&quot;\" width=\"300\" height=\"300\" /></a> City of Satellites - \"Remixed\"[/caption][/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\"><img class=\"size-full wp-image-8429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - &quot;Remixed&quot;\" width=\"300\" height=\"300\" /></a> City of Satellites - \"Remixed\"[/caption][/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\"><img class=\"size-full wp-image-8429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - &quot;Remixed&quot;\" width=\"300\" height=\"300\" /></a> City of Satellites - \"Remixed\"[/caption][/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 07:23:24','2014-06-19 07:23:24','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8548,1,'2014-06-19 06:05:22','2014-06-19 06:05:22','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" 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/][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/project/antonymes/\" url_new_window=\"off\" animation=\"left\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/project/antonymes/\" url_new_window=\"off\" animation=\"left\" /][et_pb_image admin_label=\"Image\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" show_in_lightbox=\"off\" url=\"http://www.hiddenshoal.com/wp-content/uploads/index.php?main_page=product_info&amp;cPath=49&amp;products_id=170\" url_new_window=\"off\" animation=\"left\" /][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 06:05:22','2014-06-19 06:05:22','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8550,1,'2014-06-19 07:25:54','2014-06-19 07:25:54','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<br />\r\n<h2>Releases</h2>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - &quot;Remixed&quot;\" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" 2011[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\"><img class=\"size-full wp-image-8429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - &quot;Remixed&quot;\" width=\"300\" height=\"300\" /></a> City of Satellites - \"Remixed\"[/caption][/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\"><img class=\"size-full wp-image-8429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - &quot;Remixed&quot;\" width=\"300\" height=\"300\" /></a> City of Satellites - \"Remixed\"[/caption][/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 07:25:54','2014-06-19 07:25:54','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8551,1,'2014-06-19 07:26:28','2014-06-19 07:26:28','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h2>Releases</h2>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"City of Satellites \"Remixed\" \" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a 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align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\"><img class=\"size-full wp-image-8429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - &quot;Remixed&quot;\" width=\"300\" height=\"300\" /></a> City of Satellites - \"Remixed\"[/caption][/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"light\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 07:26:28','2014-06-19 07:26:28','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8555,1,'2014-06-19 07:41:21','2014-06-19 07:41:21','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h2>Releases</h2>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 07:41:21','2014-06-19 07:41:21','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8552,1,'2014-06-19 07:27:24','2014-06-19 07:27:24','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h2>Releases</h2>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 07:27:24','2014-06-19 07:27:24','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8554,1,'2014-06-19 07:33:40','2014-06-19 07:33:40','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h2>Releases</h2>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 07:33:40','2014-06-19 07:33:40','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8553,1,'2014-06-19 07:32:57','2014-06-19 07:32:57','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h2>Releases</h2>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\"><img class=\"size-full wp-image-8429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - &quot;Remixed&quot;\" width=\"300\" height=\"300\" /></a> City of Satellites - \"Remixed\"[/caption]<p><img class=\"alignnone size-full wp-image-8428\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/machine_LRG.jpg\" alt=\"machine_LRG\" width=\"300\" height=\"300\" /></p><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG.jpg\"><img class=\"alignnone size-full wp-image-8427\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cosSpook_LRG.jpg\" alt=\"cosSpook_LRG\" width=\"300\" height=\"300\" /></a> <a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG.jpg\"><img class=\"alignnone size-full wp-image-8426\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/updownup_LRG.jpg\" alt=\"updownup_LRG\" width=\"300\" height=\"300\" /></a> <a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG.jpg\"><img class=\"alignnone size-full wp-image-8425\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/restless_LRG.jpg\" alt=\"restless_LRG\" width=\"300\" height=\"300\" /></a></p>[caption id=\"attachment_8424\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG.jpg\"><img class=\"size-full wp-image-8424\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG.jpg\" alt=\"Cheekbone - &quot;Yesterday&quot;\" width=\"300\" height=\"300\" /></a> Cheekbone - \"Yesterday\"[/caption][caption id=\"attachment_8423\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG.jpg\"><img class=\"size-full wp-image-8423\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Quarrels_LRG.jpg\" alt=\"Apricot Rail - &quot;Quarrels&quot;\" width=\"300\" height=\"300\" /></a> Apricot Rail - \"Quarrels\"[/caption]<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG.jpg\"><img class=\"alignnone size-full wp-image-8422\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricotrailalbum_LRG.jpg\" alt=\"apricotrailalbum_LRG\" width=\"300\" height=\"300\" /></a></p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 07:32:57','2014-06-19 07:32:57','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8557,1,'2014-06-19 07:45:38','2014-06-19 07:45:38','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h2>Releases</h2>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_cta admin_label=\"Call To Action\" title=\"More Releases\" button_url=\"http://www.hiddenshoal.com/releases2/\" button_text=\"More Releases\" use_background_color=\"on\" background_color=\"#ffffff\" background_layout=\"light\" text_orientation=\"center\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 07:45:38','2014-06-19 07:45:38','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8556,1,'2014-06-19 07:43:42','2014-06-19 07:43:42','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<br />\r\n<h2>Releases</h2>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n<p> </p>\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n<p> </p>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n<p> </p>\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n<p> </p>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n<p> </p>\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n<p> </p>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_accordion admin_label=\"Accordion\"][et_pb_accordion_item title=\"City of Satellites - \"Remixed\"\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\"><img class=\"size-full wp-image-8429\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - &quot;Remixed&quot;\" width=\"300\" height=\"300\" /></a> City of Satellites - \"Remixed\"[/caption][/et_pb_accordion_item][et_pb_accordion_item title=\"Cheekbone - \"Yesterday\"\"][caption id=\"attachment_8424\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG.jpg\"><img class=\"size-full wp-image-8424\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/yesterday_LRG.jpg\" alt=\"Cheekbone - &quot;Yesterday&quot;\" width=\"300\" height=\"300\" /></a> Cheekbone - \"Yesterday\"[/caption][/et_pb_accordion_item][/et_pb_accordion][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 07:43:42','2014-06-19 07:43:42','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8558,1,'2014-06-19 07:45:57','2014-06-19 07:45:57','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h2>Releases</h2>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_cta admin_label=\"Call To Action\" title=\"More Releases\" button_url=\"http://www.hiddenshoal.com/releases2/\" button_text=\"More Releases\" use_background_color=\"on\" background_color=\"#ffffff\" background_layout=\"light\" text_orientation=\"center\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 07:45:57','2014-06-19 07:45:57','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(9422,1,'2014-07-11 03:42:01','2014-07-11 03:42:01','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h2>Discography</h2>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]\r\n<p><a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a><br /> Slow Dancing Society<br /> <em>The Cogent Sea</em> (2014)</p>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]\r\n<p><a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a><br /> Kramies<br /> <em> The Folklore Sessions</em> (2014)</p>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignleft size-full wp-image-9399\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /><br /> </a><br /> perth<br /> Where\'s Utopia (2013)[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]\r\n<p><a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a><br /> Gilded<br /> <em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)</p>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]\r\n<p><a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a><br />perth <br /><em>What’s Your Utopia?</em> (2013)</p>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]\r\n<p><a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a><br />[The] Caseworker <br /><em>Voices Out There</em> (2013)</p>\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"wooden heart\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Kramies\" href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"alignnone size-full wp-image-9419\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/wooden-ep_LRG.jpg\" alt=\"The Wooden Heart\" width=\"300\" height=\"300\" /></a><br />Kramies<br /><em>The Wooden Heart</em> (2013)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"bari\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\"><img class=\"alignnone size-full wp-image-9421\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/bari_LRG.jpg\" alt=\"Live in Bari\" width=\"300\" height=\"300\" /></a><br />Markus Mehr<br /><em>Live in Bari</em> (2013) </p>[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','open','open','','8417-revision-v1','','','2014-07-11 03:42:01','2014-07-11 03:42:01','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(9416,1,'2014-07-11 03:24:32','2014-07-11 03:24:32','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h2>Releases</h2>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a><br /> Slow Dancing Society<br /> <em>The Cogent Sea</em> (2014)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a><br /> Kramies<br /> <em> The Folklore Sessions</em> (2014)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignleft size-full wp-image-9399\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /><br /> </a><br /> perth<br /> Where\'s Utopia (2013)[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a><br /> Gilded<br /> <em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)</p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a><br />perth <br /><em>What’s Your Utopia?</em> (2013)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','open','open','','8417-revision-v1','','','2014-07-11 03:24:32','2014-07-11 03:24:32','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(9414,1,'2014-07-11 03:22:55','2014-07-11 03:22:55','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h2>Releases</h2>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a>\r\nSlow Dancing Society\r\n<em>The Cogent Sea</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a>\r\nKramies\r\n<em> The Folklore Sessions</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignleft size-full wp-image-9399\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" />\r\n</a>\r\nperth\r\nWhere\'s Utopia (2013)[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n<a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a>\r\nGilded\r\n<em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','open','open','','8417-revision-v1','','','2014-07-11 03:22:55','2014-07-11 03:22:55','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8559,1,'2014-06-19 07:46:24','2014-06-19 07:46:24','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h2>Releases</h2>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"right\" area=\"sidebar-1\" background_layout=\"dark\" /][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 07:46:24','2014-06-19 07:46:24','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(9417,1,'2014-07-11 03:25:32','2014-07-11 03:25:32','','Voices Out There','','inherit','open','open','','voices-album_lrg','','','2014-07-11 03:25:32','2014-07-11 03:25:32','',8417,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg',0,'attachment','image/jpeg',0),(9418,1,'2014-07-11 03:26:41','2014-07-11 03:26:41','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h2>Releases</h2>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a><br /> Slow Dancing Society<br /> <em>The Cogent Sea</em> (2014)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a><br /> Kramies<br /> <em> The Folklore Sessions</em> (2014)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Dystopia\" background_layout=\"light\" text_orientation=\"left\"]<a href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignleft size-full wp-image-9399\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/dystopia_LRG.jpg\" alt=\"perth - \" width=\"300\" height=\"300\" /><br /> </a><br /> perth<br /> Where\'s Utopia (2013)[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Smooth Sea\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"Gilded\" href=\"http://www.hiddenshoal.com/project/gilded/\"><img class=\"alignnone wp-image-9408 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/smoothsea_LRG.jpg\" alt=\"A Smooth Sea Never Made A Skilful Sailor\" width=\"300\" height=\"300\" /></a><br /> Gilded<br /> <em>A Smooth Sea Never Made A Skilful Sailor</em> (2014)</p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Utopia\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"perth\" href=\"http://www.hiddenshoal.com/project/perth/\"><img class=\"alignnone size-full wp-image-9415\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/WYU_LRG.jpg\" alt=\"What’s Your Utopia?\" width=\"300\" height=\"300\" /></a><br />perth <br /><em>What’s Your Utopia?</em> (2013)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"voices\" background_layout=\"light\" text_orientation=\"left\"]<p><a title=\"The Caseworker\" href=\"http://www.hiddenshoal.com/project/the-caseworker/\"><img class=\"alignnone size-full wp-image-9417\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/voices-album_LRG.jpg\" alt=\"Voices Out There\" width=\"300\" height=\"300\" /></a><br />[The] Caseworker <br /><em>Voices Out There</em> (2013)</p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Discography','','inherit','open','open','','8417-revision-v1','','','2014-07-11 03:26:41','2014-07-11 03:26:41','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(9398,1,'2014-07-10 14:58:34','2014-07-10 14:58:34','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h2>Releases</h2>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a><br /> Slow Dancing Society<br /> <em>The Cogent Sea</em> (2014)</p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - \" width=\"300\" height=\"300\" /></a><br /> Kramies<br /><em> The Folklore Sessions</em> (2014)</p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-07-10 14:58:34','2014-07-10 14:58:34','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(9397,1,'2014-07-10 14:55:41','2014-07-10 14:55:41','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h2>Releases</h2>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Cogent\" background_layout=\"light\" text_orientation=\"left\"]<p><a href=\"http://www.hiddenshoal.com/project/slow-dancing-society/\"><img class=\"size-full wp-image-9391\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/cogent_LRG.jpg\" alt=\"Slow Dancing Society - \" width=\"300\" height=\"300\" /></a><br /> Slow Dancing Society<br /> \"The Cogent Sea\" (2014)</p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Folklore\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_9393\" align=\"alignleft\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/kramies/\"><img class=\"size-full wp-image-9393\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/folklore_LRG.jpg\" alt=\"Kramies - &quot;The Folklore Sessions&quot; (2014)\" width=\"300\" height=\"300\" /></a> Kramies - \"The Folklore Sessions\" (2014)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"][caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]<p> </p>[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-07-10 14:55:41','2014-07-10 14:55:41','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8560,1,'2014-06-19 07:47:43','2014-06-19 07:47:43','[et_pb_section][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h2>Releases</h2>\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n\r\n[caption id=\"attachment_8429\" align=\"alignnone\" width=\"300\"]<a href=\"http://www.hiddenshoal.com/project/antonymes/\"><img class=\"wp-image-8429 size-full\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/remixed_LRG.jpg\" alt=\"City of Satellites - \" width=\"300\" height=\"300\" /></a> City of Satellites \"Remixed\" (2011)[/caption]\r\n\r\n&nbsp;\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Releases','','inherit','open','open','','8417-revision-v1','','','2014-06-19 07:47:43','2014-06-19 07:47:43','',8417,'http://hiddenshoalpublishing.onesmallcloud.com/8417-revision-v1/',0,'revision','',0),(8561,1,'2014-06-19 08:11:03','2014-06-19 08:11:03',' ','','','publish','open','closed','','8561','','','2017-03-16 12:02:57','2017-03-16 04:02:57','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?p=8561',60,'nav_menu_item','',0),(8996,1,'2014-06-30 14:05:49','2014-06-30 14:05:49','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Antonymes</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe><br />October 2011</p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe><br />May 2011</p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe><br />April 2011</p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"]<p><br /> [/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-30 14:05:49','2014-06-30 14:05:49','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8816,1,'2014-06-24 08:32:30','2014-06-24 08:32:30','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<br />\r\n<h1>Antonymes</h1>\r\n<p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong> The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.</p>\r\n<p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p>\r\n<p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<br />\r\n<h3>Press Releases</h3>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a></p>\r\n<p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p>\r\n<p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n<p> </p>\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n<p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\n<p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 08:32:30','2014-06-24 08:32:30','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8572,1,'2014-06-19 08:27:00','2014-06-19 08:27:00','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"301\" height=\"200\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n<a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> <a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a href=\"https://open.spotify.com/artist/1FXNgc8dxBxW9XQzQBWUj7\"><img class=\"alignnone size-full wp-image-14396\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2016/03/spotify.png\" alt=\"spotify\" width=\"20\" height=\"20\" /></a>   <a href=\"https://geo.itunes.apple.com/us/artist/antonymes/id293029227?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Delicate Power (In The Hand Of Others)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 340px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2136674112/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/delicate-power-in-the-hands-of-others\">Delicate Power (In The Hands Of Others) by Antonymes</a></iframe>\r\n31 May 2016\r\n<div></div>\r\n<em>Delicate Power (In The Hands of Others) is</em> the new EP by acclaimed neo-classical ambient artist Antonymes featuring the single ‘Delicate Power’.\r\n\r\n‘Delicate Power’ is the second single to be taken from Antonymes’ sublime new album <a title=\"(For Now We See) Through A Glass Dimly\" href=\"https://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\" target=\"_blank\"><em>(For Now We See) Through A Glass Dimly</em></a>. The track showcases Antonymes deft musical skills with its restrained rhythms infusing the melodies with a gravitas that is at once warmly human and gravely austere. The single is accompanied by a gorgeous <a title=\"Vimeo\" href=\"https://vimeo.com/168580004\" target=\"_blank\">music video</a> filmed by the incredible people at Chasing Light and shot on location at a beautiful, hidden otherworld in mid Wales.\r\n\r\nThe hypnotic rhythmic underpinning of ‘Delicate Power’ has invited five magical re-workings on this EP, each with its own subtle majesty. <a title=\"Marconi Union\" href=\"http://www.marconiunion.com/\" target=\"_blank\">Marconi Union</a> tease the original into a beautifully orchestrated anti-gravity ballad. <a title=\"Markus Mehr\" href=\"http://www.hiddenshoal.com/project/markus-mehr/\" target=\"_blank\">Markus Mehr</a>’s inimitable skills for re-invention have helped him to create a brooding version that draws heavily on the original’s rhythmic details. <a title=\"Lvmark\" href=\"https://soundcloud.com/lvmark\" target=\"_blank\">Lvmark</a>’s reinterpretation foregrounds the melodic elements of the original, wedded to gently pulsing electronica. Alongside these three guest remixes, there are two reworkings from Antonymes himself: ‘Delicate Power’ (Waltz For Mary Anne)’ transforms the original into a beautiful, late-night swing, and ‘Delicate Power (Jung’s Drug Drum Waltz)’ lives up to the promise of its title with more heft to its woody rhythms.\r\n\r\n&nbsp;\r\n<h4>(For Now We See) Through A Glass Dimly</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2361958115/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly\">(For Now We See) Through A Glass Dimly by Antonymes</a></iframe>\r\n21 April 2016\r\n<div></div>\r\nWhile Ian M. Hazeldine’s discography as Antonymes has always been as far-reaching as it is immediately affecting, there’s a recognisable progression on <em>(For Now We See) Through A Glass Dimly</em>. These 10 pieces have an emotional potency and compositional dexterity that surpasses the body of work that precedes them, drawing you into their evocative world and demanding engagement. Antonymes’ deft minimalism is at play, transcending a superficially melancholy aesthetic to create something truly life-affirming. Its restraint brings to mind the famous quotation from Mark Hollis of seminal band Talk Talk: \"Before you play two notes learn how to play one note – and don\'t play one note unless you\'ve got a reason to play it.\" Including contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley, the album’s depth of sound is awe-inspiring.\r\n\r\nThe sonically minimal yet emotionally formidable ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (Bloc Party, Editors and U2), which engage in reflective conversation with Hazeldine’s plaintive piano. Second single ‘Delicate Power’ gently flowers from its hushed origins into a stately piece akin to early Deaf Center. On ‘Elegy (ii)’, the piano gives way to incisive strings and the elegantly dexterous vocals of Joanna Swan (Ilya). ‘Little Emblems of Eternity’ sets the words of British writer Paul Morley, hauntingly intoned by Jan van den Broeke, against an atmospheric backdrop of echoing piano figures. And the title track swells into a magisterial call to arms, ending the album on a suitably triumphant note.\r\n\r\nThe album was mixed by Stefano Guzzetti and Paul Humphreys (OMD), with mastering by Rafael Anton Irisarri (The Sight Below).\r\n\r\n&nbsp;\r\n<h4>There Can Be No True Beauty Without Decay</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 610px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1056281027/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/there-can-be-no-true-beauty-without-decay\">There Can Be No True Beauty Without Decay by Antonymes</a></iframe>\r\nOctober 2013\r\n<div></div>\r\nIn late 2009 Antonymes released Beauty Becomes the <em>Enemy of the Future</em> on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, <em>There Can Be No True Beauty Without Decay</em>. Hazeldine\'s own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.  (Please note only the [i] tracks are available for licensing).\r\n\r\n&nbsp;\r\n<h4>Light Dispersed</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2513406585/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/light-dispersed\">Light Dispersed by Antonymes</a></iframe>\r\nFebruary 2012\r\n<div></div>\r\nOriginally released by Hibernate Recordings as a limited edition postcard CD. Recorded at The Lightbox, Hawarden, September 2010.\r\nAntonymes: Guitar, piano, shells, tambourine, prepared piano, organ, frequencies.\r\n\r\n&nbsp;\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\nOctober 2011\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n\r\n&nbsp;\r\n<h4>Like Rumours Of Hushed Thunder</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1103442133/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/like-rumours-of-hushed-thunder\">Like Rumours Of Hushed Thunder by Antonymes</a></iframe>\r\nMay 2011\r\n\r\nRecorded between Christmas day and new year\'s eve 2011 using:\r\n\r\nSteingraeber 130 upright piano.\r\nAudio Technica AT4033 microphone.\r\nLexicon reverb.\r\nCheap violin.\r\nVoice.\r\n\r\nThis album has been mastered to retain dynamics, not to enhance loudness.  To appreciate these pieces fully, please adjust your volume accordingly or use headphones.\r\n\r\n&nbsp;\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 185px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\nMay 2011\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n\r\n&nbsp;\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\nApril 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.\r\n\r\n&nbsp;\r\n<h4>31: Before The Light Fails</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4084737592/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/31-before-the-light-fails\">31: Before The Light Fails by Antonymes</a></iframe>\r\nMarch 2010\r\n<div></div>\r\n<em>31: Before The Light Fails Pt.1</em> is a personal photographic diary for May 2010, a reminder of day to day activities throughout a fairly ordinary and typical month in Antonymes\' life. Includes two high quality 35 page PDF booklets, part 1 with 31 black and white photographs. Part 2 with 31 colour photographs, a 4.0 surround sound file of both parts mixed together and Quicktime video.\r\n\r\n&nbsp;\r\n<h4>Beauty Becomes The Enemy Of The Future</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 406px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1686183713/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/beauty-becomes-the-enemy-of-the-future\">Beauty Becomes The Enemy Of The Future by Antonymes</a></iframe>\r\nDecember 2009\r\n<div></div>\r\nFirst released on Cathedral Transmission, <em>Beauty Becomes The Enemy Of The Future</em>  is the debut full length from Antonymes. Featuring seven enigmatic, sparsely arranged piano odes, subtly accompanied by hints of electronics and strings. A stunning piece of work.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Apricot Rail Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/antonymes-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"13334,10501,13335,13333,8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/1acwdwznPlw?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','publish','open','closed','','antonymes','','','2016-11-25 15:41:15','2016-11-25 07:41:15','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?post_type=project&#038;p=8572',0,'project','',0),(13336,1,'2016-01-22 11:06:34','2016-01-22 03:06:34','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton.jpg\"><img class=\"alignleft  wp-image-13334\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Antonymes-Sitting-Photo-by-Paul-Bretherton-300x200.jpg\" alt=\"Antonymes\" width=\"251\" height=\"167\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n<a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>There Can Be No True Beauty Without Decay</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 610px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1056281027/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/there-can-be-no-true-beauty-without-decay\">There Can Be No True Beauty Without Decay by Antonymes</a></iframe>\r\nOctober 2013\r\n<div></div>\r\nIn late 2009 Antonymes released Beauty Becomes the <em>Enemy of the Future</em> on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, <em>There Can Be No True Beauty Without Decay</em>. Hazeldine\'s own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.  (Please note only the [i] tracks are available for licensing).\r\n<div></div>\r\n<div></div>\r\n<h4>Light Dispersed</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2513406585/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/light-dispersed\">Light Dispersed by Antonymes</a></iframe>\r\nFebruary 2012\r\n<div></div>\r\nOriginally released by Hibernate Recordings as a limited edition postcard CD. Recorded at The Lightbox, Hawarden, September 2010.\r\nAntonymes: Guitar, piano, shells, tambourine, prepared piano, organ, frequencies.\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\nOctober 2011\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Like Rumours Of Hushed Thunder</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 373px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1103442133/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/like-rumours-of-hushed-thunder\">Like Rumours Of Hushed Thunder by Antonymes</a></iframe>\r\nMay 2011\r\n\r\nRecorded between Christmas day and new year\'s eve 2011 using:\r\n\r\nSteingraeber 130 upright piano.\r\nAudio Technica AT4033 microphone.\r\nLexicon reverb.\r\nCheap violin.\r\nVoice.\r\n\r\nThis album has been mastered to retain dynamics, not to enhance loudness.  To appreciate these pieces fully, please adjust your volume accordingly or use headphones.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 185px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\nMay 2011\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\nApril 2011\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.\r\n<div></div>\r\n<div></div>\r\n<h4>31: Before The Light Fails</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 208px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4084737592/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/31-before-the-light-fails\">31: Before The Light Fails by Antonymes</a></iframe>\r\nMarch 2010\r\n<div></div>\r\n<em>31: Before The Light Fails Pt.1</em> is a personal photographic diary for May 2010, a reminder of day to day activities throughout a fairly ordinary and typical month in Antonymes\' life. Includes two high quality 35 page PDF booklets, part 1 with 31 black and white photographs. Part 2 with 31 colour photographs, a 4.0 surround sound file of both parts mixed together and Quicktime video.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"13334,10501,13335,13333,8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','closed','closed','','8572-revision-v1','','','2016-01-22 11:06:34','2016-01-22 03:06:34','',8572,'http://www.hiddenshoal.com/8572-revision-v1/',0,'revision','',0),(10496,1,'2014-09-03 06:08:05','2014-09-03 06:08:05','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Antonymes</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft  wp-image-10495\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/2014-Portrait-300x300.jpeg\" alt=\"Antonymes\" width=\"226\" height=\"226\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong></p><p>The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8766\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>  <a title=\"Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8767\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Website.png\" alt=\"Website\" width=\"26\" height=\"20\" /></a> </strong></p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe><br /> October 2011</p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe><br /> May 2011</p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe><br /> April 2011</p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"News\"]<h3>News</h3>[catlist name=antonymes-news content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> </a> <a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a></p>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"]<p><br /> [/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes\' music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','closed','closed','','8572-revision-v1','','','2014-09-03 06:08:05','2014-09-03 06:08:05','',8572,'http://www.hiddenshoal.com/8572-revision-v1/',0,'revision','',0),(8651,1,'2014-06-20 05:14:27','2014-06-20 05:14:27','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Antonymes</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong></p><p>The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\">Facebook</a> | <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\">Twitter</a> | <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\">SoundCloud</a> | <a title=\"Artist\'s Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\">Website</a> | <a href=\"#news\">News</a> | <a href=\"#reviews\">Reviews</a></strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a><br /></a></p><h1>Antonymes News</h1><p> </p><p><a id=\"news\"></a>[/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"0\" include_categories=\"55\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-20 05:14:27','2014-06-20 05:14:27','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8573,1,'2014-06-19 08:27:00','2014-06-19 08:27:00','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Antonymes</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong></p><p>The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<p><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone\" src=\"http://www.hiddenshoal.com/wp-content/uploads/icons/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone\" src=\"http://www.hiddenshoal.com/wp-content/uploads/icons/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone\" src=\"http://www.hiddenshoal.com/wp-content/uploads/icons/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a> <a title=\"Artist\'s Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone\" src=\"http://www.hiddenshoal.com/wp-content/uploads/icons/Website.png\" alt=\"Artist\'s Website\" width=\"26\" height=\"20\" /></a>  <strong><a href=\"#news\">Artist News</a></strong></p>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a><br /></a></p><h1>Antonymes News</h1><p> </p><p><a id=\"news\"></a>[/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"0\" include_categories=\"55\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-19 08:27:00','2014-06-19 08:27:00','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8808,1,'2014-06-24 08:18:09','2014-06-24 08:18:09','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Chris Mason</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/christrees-square.jpg\"><img class=\"alignleft wp-image-8704 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/christrees-square-300x300.jpg\" alt=\"christrees square\" width=\"258\" height=\"258\" /></a><em>“Hidden Shoal delivers another winner with this record as Mason deftly sets himself apart from a long list of singer-songwriters.”</em> –<strong> Delusions of Adequacy<br /> </strong></p><p>It was inevitable, really. From a family of musicians (father, brother, uncountable sisters) …another musician. Treading the path most trodden, taking the easy decision into a life of creative despair and financial ruin. No, really…</p><p>The stunning pop of Masons debut <em>Up Down Up</em> was the result of an auteur’s touch. The album was wonderfully received and resulted in Mason becoming an iTunes indie feature artist. Chris Mason is also the founding member of sonic star-gazers My Majestic Star.</p><p><strong> </strong></p>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Restless</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 500px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4268673450/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/restless\">Restless by Chris Mason</a></iframe></p><div> </div><p>On his sophomore release Chris Mason and his band The Implosion traverse the realms of melancholic pop, gorgeously crafted acoustica and shining newgaze rock. <em>Restless</em> is a masterful foray into pop music in all its varied guises. <br /> <br /> The albums features the recently released single ‘Fast and Furious’ with its visceral growling guitars, layered rolling hooks and aching vocals. Along with the hanging ambient acoustica of \'Wait\', the down rock viscera of the Swerverdriver\'esque \"The Safety Day\" and the gorgeous rising pop of the title track, Restless is kaleidoscopically beautiful, built around a wonderful sense of songcraft and pop sensibility.</p><div> </div><div> </div><h4>Up Down Up</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 500px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1013069559/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/up-down-up\">Up Down Up by Chris Mason</a></iframe></p><div> </div><p>Chris Mason delivers an exquisite debut, laiden with beautifully crafted melancholic pop songs. Too many adjectives? Have a listen and you\'ll see why.</p><p> </p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p><strong> The Music<br /> </strong>“Up Down Up” is a slab of layered, lush melancholic pop by Australian pop maestro Chris Mason. A beautifully crafted longplay that soars and dives with each new track, moving through landscapes of shoegaze bliss rock to gentle melancholic acoustica. This is undeniably engaging pop that leaves an impression long after the last chord is struck.</p><p>From the anthemic shoegaze pop of “Better” (the first single released off the album), to the down and drugged waltz of “Drowning”, to the gentle acoustic zen melancholia of “Running”, the album manages to embrace and distill all that is good about indie guitar pop while carving its own special space.</p><p>The album continues the lineage of the fine indie singer songwriter guitar pop that has come out of this country of late. Music that manages to infuse itself with a unique and innate Australian feel while never being cliched or obvious.</p><p>In recent recognition of the album’s strength, “Up Down Up, was chosen as one of the “Left of Centre Slices of Brilliance” in iTunes Australia’s January 2007 Indie Singer/Songwriter Spotlight.</p><p>The album saw its original release in May 2006 and is now available from all good online stores including iTunes, eMusic, Sony Connect and the HSR Store.</p><p><strong> The Man<br /> </strong>It was inevitable, really. From a family of musicians (father, brother, uncountable sisters) …another musician. Treading the path most trodden, taking the easy decision into a life of creative despair and financial ruin. No, really…</p><p>Chris Mason, solo artist, locked in the studio for quite some time but finally emerging with an album that, to his perfectionist mind, was good enough for other people to hear. Writing, arrangements, production, and instrumentation all sweated over. This album is the result of an auteur’s touch.</p><p>With an ep currently in production and a string of live shows set for 2007, the story continues and begins to look more interesting with each passing episode.</p><p> </p>[/et_pb_tab][et_pb_tab title=\"News\"]<h2>News</h2>[catlist name=chris-mason content=yes pagination=yes title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=chris-mason-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Chris_Mason_Restless_Album_Release.pdf\" target=\"_blank\">Restless Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release_9th_May.pdf\">Up Down Up Album Release</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery columns=\"2\" ids=\"8706,8707\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p>Sorry, no videos yet.</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Chris Mason\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chris Mason','','inherit','open','open','','8702-revision-v1','','','2014-06-24 08:18:09','2014-06-24 08:18:09','',8702,'http://hiddenshoalpublishing.onesmallcloud.com/8702-revision-v1/',0,'revision','',0),(8807,1,'2014-06-24 08:13:00','2014-06-24 08:13:00','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Chris Mason</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/christrees-square.jpg\"><img class=\"alignleft wp-image-8704 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/christrees-square-300x300.jpg\" alt=\"christrees square\" width=\"258\" height=\"258\" /></a><em>“Hidden Shoal delivers another winner with this record as Mason deftly sets himself apart from a long list of singer-songwriters.”</em> –<strong> Delusions of Adequacy<br /> </strong></p><p>It was inevitable, really. From a family of musicians (father, brother, uncountable sisters) …another musician. Treading the path most trodden, taking the easy decision into a life of creative despair and financial ruin. No, really…</p><p>The stunning pop of Masons debut <em>Up Down Up</em> was the result of an auteur’s touch. The album was wonderfully received and resulted in Mason becoming an iTunes indie feature artist. Chris Mason is also the founding member of sonic star-gazers My Majestic Star.</p><p><strong> </strong></p>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Restless</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 500px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4268673450/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/restless\">Restless by Chris Mason</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p><strong> The Music<br /> </strong>“Up Down Up” is a slab of layered, lush melancholic pop by Australian pop maestro Chris Mason. A beautifully crafted longplay that soars and dives with each new track, moving through landscapes of shoegaze bliss rock to gentle melancholic acoustica. This is undeniably engaging pop that leaves an impression long after the last chord is struck.</p><p>From the anthemic shoegaze pop of “Better” (the first single released off the album), to the down and drugged waltz of “Drowning”, to the gentle acoustic zen melancholia of “Running”, the album manages to embrace and distill all that is good about indie guitar pop while carving its own special space.</p><p>The album continues the lineage of the fine indie singer songwriter guitar pop that has come out of this country of late. Music that manages to infuse itself with a unique and innate Australian feel while never being cliched or obvious.</p><p>In recent recognition of the album’s strength, “Up Down Up, was chosen as one of the “Left of Centre Slices of Brilliance” in iTunes Australia’s January 2007 Indie Singer/Songwriter Spotlight.</p><p>The album saw its original release in May 2006 and is now available from all good online stores including iTunes, eMusic, Sony Connect and the HSR Store.</p><p><strong> The Man<br /> </strong>It was inevitable, really. From a family of musicians (father, brother, uncountable sisters) …another musician. Treading the path most trodden, taking the easy decision into a life of creative despair and financial ruin. No, really…</p><p>Chris Mason, solo artist, locked in the studio for quite some time but finally emerging with an album that, to his perfectionist mind, was good enough for other people to hear. Writing, arrangements, production, and instrumentation all sweated over. This album is the result of an auteur’s touch.</p><p>With an ep currently in production and a string of live shows set for 2007, the story continues and begins to look more interesting with each passing episode.</p><p> </p>[/et_pb_tab][et_pb_tab title=\"News\"]<h2>News</h2>[catlist name=chris-mason content=yes pagination=yes title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=chris-mason-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Chris_Mason_Restless_Album_Release.pdf\" target=\"_blank\">Restless Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release_9th_May.pdf\">Up Down Up Album Release</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery columns=\"2\" ids=\"8706,8707\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p>Sorry, no videos yet.</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Chris Mason\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chris Mason','','inherit','open','open','','8702-revision-v1','','','2014-06-24 08:13:00','2014-06-24 08:13:00','',8702,'http://hiddenshoalpublishing.onesmallcloud.com/8702-revision-v1/',0,'revision','',0),(8809,1,'2014-06-24 08:18:45','2014-06-24 08:18:45','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Chris Mason</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/christrees-square.jpg\"><img class=\"alignleft wp-image-8704 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/christrees-square-300x300.jpg\" alt=\"christrees square\" width=\"258\" height=\"258\" /></a><em>“Hidden Shoal delivers another winner with this record as Mason deftly sets himself apart from a long list of singer-songwriters.”</em> –<strong> Delusions of Adequacy\r\n</strong>\r\n\r\nIt was inevitable, really. From a family of musicians (father, brother, uncountable sisters) …another musician. Treading the path most trodden, taking the easy decision into a life of creative despair and financial ruin. No, really…\r\n\r\nThe stunning pop of Masons debut <em>Up Down Up</em> was the result of an auteur’s touch. The album was wonderfully received and resulted in Mason becoming an iTunes indie feature artist. Chris Mason is also the founding member of sonic star-gazers My Majestic Star.\r\n\r\n<strong> </strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>Restless</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 500px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4268673450/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/restless\">Restless by Chris Mason</a></iframe>\r\n<div></div>\r\nOn his sophomore release Chris Mason and his band The Implosion traverse the realms of melancholic pop, gorgeously crafted acoustica and shining newgaze rock. <em>Restless</em> is a masterful foray into pop music in all its varied guises.\r\n\r\nThe albums features the recently released single ‘Fast and Furious’ with its visceral growling guitars, layered rolling hooks and aching vocals. Along with the hanging ambient acoustica of \'Wait\', the down rock viscera of the Swerverdriver\'esque \"The Safety Day\" and the gorgeous rising pop of the title track, Restless is kaleidoscopically beautiful, built around a wonderful sense of songcraft and pop sensibility.\r\n<div></div>\r\n<div></div>\r\n<h4>Up Down Up</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 500px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1013069559/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/up-down-up\">Up Down Up by Chris Mason</a></iframe>\r\n<div></div>\r\nChris Mason delivers an exquisite debut, laiden with beautifully crafted melancholic pop songs. Too many adjectives? Have a listen and you\'ll see why.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\n<strong> The Music\r\n</strong>“Up Down Up” is a slab of layered, lush melancholic pop by Australian pop maestro Chris Mason. A beautifully crafted longplay that soars and dives with each new track, moving through landscapes of shoegaze bliss rock to gentle melancholic acoustica. This is undeniably engaging pop that leaves an impression long after the last chord is struck.\r\n\r\nFrom the anthemic shoegaze pop of “Better” (the first single released off the album), to the down and drugged waltz of “Drowning”, to the gentle acoustic zen melancholia of “Running”, the album manages to embrace and distill all that is good about indie guitar pop while carving its own special space.\r\n\r\nThe album continues the lineage of the fine indie singer songwriter guitar pop that has come out of this country of late. Music that manages to infuse itself with a unique and innate Australian feel while never being cliched or obvious.\r\n\r\nIn recent recognition of the album’s strength, “Up Down Up, was chosen as one of the “Left of Centre Slices of Brilliance” in iTunes Australia’s January 2007 Indie Singer/Songwriter Spotlight.\r\n\r\nThe album saw its original release in May 2006 and is now available from all good online stores including iTunes, eMusic, Sony Connect and the HSR Store.\r\n\r\n<strong> The Man\r\n</strong>It was inevitable, really. From a family of musicians (father, brother, uncountable sisters) …another musician. Treading the path most trodden, taking the easy decision into a life of creative despair and financial ruin. No, really…\r\n\r\nChris Mason, solo artist, locked in the studio for quite some time but finally emerging with an album that, to his perfectionist mind, was good enough for other people to hear. Writing, arrangements, production, and instrumentation all sweated over. This album is the result of an auteur’s touch.\r\n\r\nWith an ep currently in production and a string of live shows set for 2007, the story continues and begins to look more interesting with each passing episode.\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h2>News</h2>\r\n[catlist name=chris-mason content=yes pagination=yes title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h2>Reviews</h2>\r\n[catlist name=chris-mason-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Chris_Mason_Restless_Album_Release.pdf\" target=\"_blank\">Restless Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release_9th_May.pdf\">Up Down Up Album Release</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"2\" ids=\"8706,8707\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\nSorry, no videos yet.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nChris Mason\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chris Mason','','inherit','open','open','','8702-revision-v1','','','2014-06-24 08:18:45','2014-06-24 08:18:45','',8702,'http://hiddenshoalpublishing.onesmallcloud.com/8702-revision-v1/',0,'revision','',0),(8810,1,'2014-06-24 08:19:14','2014-06-24 08:19:14','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Chris Mason</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/christrees-square.jpg\"><img class=\"alignleft wp-image-8704 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/christrees-square-300x300.jpg\" alt=\"christrees square\" width=\"258\" height=\"258\" /></a><em>“Hidden Shoal delivers another winner with this record as Mason deftly sets himself apart from a long list of singer-songwriters.”</em> –<strong> Delusions of Adequacy\r\n</strong>\r\n\r\nIt was inevitable, really. From a family of musicians (father, brother, uncountable sisters) …another musician. Treading the path most trodden, taking the easy decision into a life of creative despair and financial ruin. No, really…\r\n\r\nThe stunning pop of Masons debut <em>Up Down Up</em> was the result of an auteur’s touch. The album was wonderfully received and resulted in Mason becoming an iTunes indie feature artist. Chris Mason is also the founding member of sonic star-gazers My Majestic Star.[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Restless</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 500px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4268673450/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/restless\">Restless by Chris Mason</a></iframe></p><div> </div><p>On his sophomore release Chris Mason and his band The Implosion traverse the realms of melancholic pop, gorgeously crafted acoustica and shining newgaze rock. <em>Restless</em> is a masterful foray into pop music in all its varied guises.</p><p>The albums features the recently released single ‘Fast and Furious’ with its visceral growling guitars, layered rolling hooks and aching vocals. Along with the hanging ambient acoustica of \'Wait\', the down rock viscera of the Swerverdriver\'esque \"The Safety Day\" and the gorgeous rising pop of the title track, Restless is kaleidoscopically beautiful, built around a wonderful sense of songcraft and pop sensibility.</p><div> </div><div> </div><h4>Up Down Up</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 500px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1013069559/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://hiddenshoal.bandcamp.com/album/up-down-up\">Up Down Up by Chris Mason</a></iframe></p><div> </div><p>Chris Mason delivers an exquisite debut, laiden with beautifully crafted melancholic pop songs. Too many adjectives? Have a listen and you\'ll see why.</p><p> </p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p><strong> The Music<br /> </strong>“Up Down Up” is a slab of layered, lush melancholic pop by Australian pop maestro Chris Mason. A beautifully crafted longplay that soars and dives with each new track, moving through landscapes of shoegaze bliss rock to gentle melancholic acoustica. This is undeniably engaging pop that leaves an impression long after the last chord is struck.</p><p>From the anthemic shoegaze pop of “Better” (the first single released off the album), to the down and drugged waltz of “Drowning”, to the gentle acoustic zen melancholia of “Running”, the album manages to embrace and distill all that is good about indie guitar pop while carving its own special space.</p><p>The album continues the lineage of the fine indie singer songwriter guitar pop that has come out of this country of late. Music that manages to infuse itself with a unique and innate Australian feel while never being cliched or obvious.</p><p>In recent recognition of the album’s strength, “Up Down Up, was chosen as one of the “Left of Centre Slices of Brilliance” in iTunes Australia’s January 2007 Indie Singer/Songwriter Spotlight.</p><p>The album saw its original release in May 2006 and is now available from all good online stores including iTunes, eMusic, Sony Connect and the HSR Store.</p><p><strong> The Man<br /> </strong>It was inevitable, really. From a family of musicians (father, brother, uncountable sisters) …another musician. Treading the path most trodden, taking the easy decision into a life of creative despair and financial ruin. No, really…</p><p>Chris Mason, solo artist, locked in the studio for quite some time but finally emerging with an album that, to his perfectionist mind, was good enough for other people to hear. Writing, arrangements, production, and instrumentation all sweated over. This album is the result of an auteur’s touch.</p><p>With an ep currently in production and a string of live shows set for 2007, the story continues and begins to look more interesting with each passing episode.</p><p> </p>[/et_pb_tab][et_pb_tab title=\"News\"]<h2>News</h2>[catlist name=chris-mason content=yes pagination=yes title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=chris-mason-reviews content=yes pagination=yes title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Chris_Mason_Restless_Album_Release.pdf\" target=\"_blank\">Restless Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release_9th_May.pdf\">Up Down Up Album Release</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery columns=\"2\" ids=\"8706,8707\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p>Sorry, no videos yet.</p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Chris Mason\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Chris Mason','','inherit','open','open','','8702-revision-v1','','','2014-06-24 08:19:14','2014-06-24 08:19:14','',8702,'http://hiddenshoalpublishing.onesmallcloud.com/8702-revision-v1/',0,'revision','',0),(8813,1,'2014-06-24 08:29:32','2014-06-24 08:29:32','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Cheekbone</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8714 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cheekbone_3-300x300.jpg\" alt=\"Cheekbone\" width=\"300\" height=\"300\" /></a><em>\"...expertly sequenced; short soundscapes drift and merge into one another, while intricate beats, deft samples, and obscured field recordings are woven into the mix… <em>Yesterday</em> acts as a poignant snapshot of nostalgic (and often forgotten) memories amidst the hustle and bustle of everyday life. ”</em> –<strong> Sonic Frontiers </strong></p><p>A drifting, organic space in which to lose yourself completely, Cheekbone’s masterful ambient electronica is guaranteed to appeal to anyone with an interest in the possibilities of synthesized sound.</p><p>Luscious, disorientating and utterly enchanting, Cheekbone\'s debut EP<em> Yesterday</em> is essential listening.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Cheekbone/128913593851252?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Tumblr\" href=\"http://cheekbone-log.tumblr.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8765\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Tumblr1.png\" alt=\"Tumblr\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/cheekbone\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Yesterday</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Inspired by psychedelic German rock, Kouichi Moriuchi began making music in the mid-’90s using guitar, organ, theremin and tapes. From these initial explorations, the luscious three-dimensional soundworld of Cheekbone began to take shape. In 2002, Kouichi began using a laptop, stirring in a whole host of sounds and influences, ranging from early favourites such as Neu, Cluster and Tangerine Dream, to noisemakers Sonic Youth and My Bloody Valentine, and ambient pioneer Brian Eno.</p><p>Cheekbone’s agile, amorphous brand of ambient electronica is constantly transforming, evoking the growth of nature and the decay of light across space, agitated by human activity and the background chatter and clang of everyday life. But rather than being inspired by real world events, this music expresses an aching sense of nostalgic melancholy, pining for something that only exists as memory and imagination.</p><p>Kuoichi’s experimentation with melody and texture to create luminous new soundscapes evokes seminal British electronic acts such as Aphex Twin, Plaid and Boards of Canada whilst carving his own unique space. He has recently remixed a track by Italian band Port-Royal, and improvises live with laptop and synthesizer in his hometown of Nara, Japan.</p><p> </p>[/et_pb_tab][et_pb_tab title=\"News\"]<h2>News</h2><p>[catlist name=cheekbone-news content=yes pagination=no title_tag=h4 title_class=lcp_title]</p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2><p>[catlist name=cheekbone-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]</p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Cheekbone_EP_Release.pdf\" target=\"_blank\">Yesterday EP Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Jumpel_and_Cheekbone_Signings.pdf\" target=\"_blank\">Cheekbone Signing</a></p><p> [/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8723,8724,8725\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No videos yet.</p><p> </p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Cheekbone\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Cheekbone','','inherit','open','open','','8713-revision-v1','','','2014-06-24 08:29:32','2014-06-24 08:29:32','',8713,'http://hiddenshoalpublishing.onesmallcloud.com/8713-revision-v1/',0,'revision','',0),(8814,1,'2014-06-24 08:30:59','2014-06-24 08:30:59','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Cheekbone</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-8714 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Cheekbone_3-300x300.jpg\" alt=\"Cheekbone\" width=\"300\" height=\"300\" /></a><em>\"...expertly sequenced; short soundscapes drift and merge into one another, while intricate beats, deft samples, and obscured field recordings are woven into the mix… <em>Yesterday</em> acts as a poignant snapshot of nostalgic (and often forgotten) memories amidst the hustle and bustle of everyday life. ”</em> –<strong> Sonic Frontiers </strong></p><p>A drifting, organic space in which to lose yourself completely, Cheekbone’s masterful ambient electronica is guaranteed to appeal to anyone with an interest in the possibilities of synthesized sound.</p><p>Luscious, disorientating and utterly enchanting, Cheekbone\'s debut EP<em> Yesterday</em> is essential listening.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Cheekbone/128913593851252?fref=ts\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Tumblr\" href=\"http://cheekbone-log.tumblr.com/\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8765\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Tumblr1.png\" alt=\"Tumblr\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/cheekbone\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8764\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a>   </strong></p>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>Yesterday</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p>[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Inspired by psychedelic German rock, Kouichi Moriuchi began making music in the mid-’90s using guitar, organ, theremin and tapes. From these initial explorations, the luscious three-dimensional soundworld of Cheekbone began to take shape. In 2002, Kouichi began using a laptop, stirring in a whole host of sounds and influences, ranging from early favourites such as Neu, Cluster and Tangerine Dream, to noisemakers Sonic Youth and My Bloody Valentine, and ambient pioneer Brian Eno.</p><p>Cheekbone’s agile, amorphous brand of ambient electronica is constantly transforming, evoking the growth of nature and the decay of light across space, agitated by human activity and the background chatter and clang of everyday life. But rather than being inspired by real world events, this music expresses an aching sense of nostalgic melancholy, pining for something that only exists as memory and imagination.</p><p>Kuoichi’s experimentation with melody and texture to create luminous new soundscapes evokes seminal British electronic acts such as Aphex Twin, Plaid and Boards of Canada whilst carving his own unique space. He has recently remixed a track by Italian band Port-Royal, and improvises live with laptop and synthesizer in his hometown of Nara, Japan.</p><p> </p>[/et_pb_tab][et_pb_tab title=\"News\"]<h2>News</h2><p>[catlist name=cheekbone content=yes pagination=no title_tag=h4 title_class=lcp_title]</p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Reviews</h2>[catlist name=cheekbone-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title][/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Cheekbone_EP_Release.pdf\" target=\"_blank\">Yesterday EP Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Jumpel_and_Cheekbone_Signings.pdf\" target=\"_blank\">Cheekbone Signing</a></p><p> [/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8723,8724,8725\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p> No videos yet.</p><p> </p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Cheekbone\'s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Cheekbone','','inherit','open','open','','8713-revision-v1','','','2014-06-24 08:30:59','2014-06-24 08:30:59','',8713,'http://hiddenshoalpublishing.onesmallcloud.com/8713-revision-v1/',0,'revision','',0),(8750,1,'2014-06-24 05:59:31','2014-06-24 05:59:31','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<a id=\"start\"><h1>Antonymes</h1></a>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\">Facebook</a> | <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\">Twitter</a> | <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\">SoundCloud</a> | <a title=\"Artist\'s Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\">Website</a> | <a href=\"#news\">News</a></strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Antonymes Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title thumbnail=yes] <a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"]<p><br /> [/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a><br /> </a></p><h1>Antonymes News</h1><p> </p><p><a id=\"news\"></a>[/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"0\" include_categories=\"55\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 05:59:31','2014-06-24 05:59:31','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8752,1,'2014-06-24 06:01:20','2014-06-24 06:01:20','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<a id=\"start\"><h1>Antonymes</h1></a>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\">Facebook</a> | <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\">Twitter</a> | <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\">SoundCloud</a> | <a title=\"Artist\'s Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\">Website</a> | <a href=\"#news\">News</a></strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]<h2>Antonymes Reviews</h2>\r\n[catlist name=antonymes-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title] <a title=\"Back to Top\" href=\"#start\"><strong>Back</strong></a>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"]<p><br /> [/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a><br /> </a></p><h1>Antonymes News</h1><p> </p><p><a id=\"news\"></a>[/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"10000\" include_categories=\"55\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-24 06:01:20','2014-06-24 06:01:20','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8656,1,'2014-06-20 05:18:05','2014-06-20 05:18:05','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Antonymes</h1>\r\n<a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong>\r\n\r\nThe music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.\r\n\r\n<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\">Facebook</a> | <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\">Twitter</a> | <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\">SoundCloud</a> | <a title=\"Artist\'s Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\">Website</a> | <a href=\"#news\">News</a> | <a href=\"#reviews\">Reviews</a></strong>\r\n\r\n[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n<div></div>\r\n<div></div>\r\n<h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe>\r\n<div></div>\r\n<em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.\r\n<div></div>\r\n<div></div>\r\n<h4>Lost In Waves of Light</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe>\r\n<div></div>\r\nCreated from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.\r\n<div></div>\r\n<div></div>\r\n<h4>The Licence To Interpret Dreams</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe>\r\n<div></div>\r\n<span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nAntonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.\r\n\r\nDebut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery ids=\"8222,8221,8220,8219\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nAntonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a>\r\n</a>\r\n<h1>Antonymes News</h1>\r\n&nbsp;\r\n\r\n<a id=\"news\"></a>[/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"5\" include_categories=\"55\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a>\r\n</a>\r\n<h1>Antonymes Reviews</h1>\r\n&nbsp;\r\n\r\n<a id=\"reviews\"></a>[/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"5\" include_categories=\"56\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-20 05:18:05','2014-06-20 05:18:05','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8655,1,'2014-06-20 05:17:46','2014-06-20 05:17:46','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Antonymes</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong></p><p>The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\">Facebook</a> | <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\">Twitter</a> | <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\">SoundCloud</a> | <a title=\"Artist\'s Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\">Website</a> | <a href=\"#news\">News</a> | <a href=\"#reviews\">Reviews</a></strong></p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<strong><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\">Facebook</a> | <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\">Twitter</a> | <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\">SoundCloud</a> | <a title=\"Artist\'s Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\">Website</a> | <a href=\"#news\">News</a> | <a href=\"#reviews\">Reviews</a></strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a id=\"news\"><h1>Antonymes News</h1></a>[/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"5\" include_categories=\"55\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a id=\"reviews\"><h1>Antonymes Reviews</h1></a>[/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"5\" include_categories=\"56\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Antonymes','','inherit','open','open','','8572-revision-v1','','','2014-06-20 05:17:46','2014-06-20 05:17:46','',8572,'http://hiddenshoalpublishing.onesmallcloud.com/8572-revision-v1/',0,'revision','',0),(8574,1,'2014-06-19 08:27:51','2014-06-19 08:27:51','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]\r\n<h1>Apricot Rail</h1>\r\n<img class=\"alignleft  wp-image-9194\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricot-rail-profile.jpg\" alt=\"Apricot Rail\" width=\"340\" height=\"266\" /><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face.”</em><strong> – Love Is My Velocity</strong>\r\n\r\nMost instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.\r\n\r\n<strong><a href=\"https://geo.itunes.apple.com/us/artist/apricot-rail/id449788915?at=11lRii&amp;mt=1&amp;app=music\"><img class=\"alignnone size-full wp-image-12412\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2015/05/badge_itunes-sm.png\" alt=\"iTunes\" width=\"44\" height=\"15\" /></a>  <a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\"><img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a></strong>\r\n\r\n[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]\r\n<h3>Discography</h3>\r\n&nbsp;\r\n<h4>Scarecrow</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1794845312/size=large/bgcol=333333/linkcol=ffffff/tracklist=false/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/scarecrow\">Scarecrow by Apricot Rail</a></iframe>\r\nOctober 2016\r\n<div></div>\r\nAfter a long hiatus, Perth’s premiere instrumental pop magicians Apricot Rail are back with a gorgeous new song and music video. As if written to celebrate the start of spring, ‘Scarecrow’ is the sound of empty fields bathed in the early morning sun, buzzing with insects, birds and liminal activity. The song embraces Apricot Rail’s unique sound, featuring syncopated glockenspiel, Casio, melodica, guitars, and even the guzheng (a Chinese stringed instrument), and their inimitable talent for weaving multiple melodies into a shimmering tapestry of songcraft. The track is accompanied by a sumptuous <a title=\"Music Video\" href=\"https://www.youtube.com/watch?v=NdPCsDsR7iw\" target=\"_blank\">music video</a> by Perth’s Chad Peacock (<a title=\"Peacock Visuals\" href=\"https://vimeo.com/peacockvisuals\" target=\"_blank\">Peacock Visuals</a>).\r\n\r\nThe track comes from the band’s forthcoming third album, tentatively titled <em>Clock of the Long Now</em>, due for release in April 2017.\r\n<div></div>\r\n<div></div>\r\n<h4>Quarrels</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=153203644/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/quarrels\">Quarrels by Apricot Rail</a></iframe>\r\nFebruary 2013\r\n<div></div>\r\nAlmost four years after the release of their acclaimed self-titled debut album, Perth-based multi-instrumental pop sextet Apricot Rail return with their sophomore album <em>Quarrels</em>, which features the singles ‘Basket Press’ and ‘Surry Hills’. A foray into more experimental territory, <em>Quarrels</em> features lusher, denser instrumentation, is rich in ideas yet toys with new levels of restraint. The band’s trademark harmonic guitar passages and syncopation sit beneath languid brass and woodwind, balanced by glitchy electronica, dramatic crescendos and opium-infused oriental explorations; slow, meandering waltzes give way to moments of ethereal lightness and beauty. This music transcends fads and trends to appeal to anyone drawn to beautiful, supple songcraft. The majority of <em>Quarrels</em> was recorded over a four-day period during January 2012 in an isolated farmhouse in Western Australia’s bleak Central Wheatbelt. Instruments were sprawled across a lounge room and picked up at will by the players and in turn by microphones placed in different corners of the room. Back in Perth the real work began, with Justin Manzano going through the recordings, making adjustments and adding the odd track to the collection. Towards the end of 2012, the album was mixed by indie producer extraordinaire Scott Solter and mastered by Simon Struthers (Umpire, Muzaizake).\r\n<div></div>\r\n<div></div>\r\n<h4>Surry Hills EP</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=40892357/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/surry-hills-bonus-ep\">Surry Hills (Bonus EP) by Apricot Rail</a></iframe>\r\nJuly 2011\r\n<div></div>\r\nFeatures exclusive bonus tracks previously only available on a limited run cd-r available at the \'Surry Hills\' launch show. ‘Surry Hills’ is a stunning new song from the much-beloved Apricot Rail that gradually blooms from a shimmering haze of harmonics and ride cymbal into a delicious interweave of resonant guitars and woodwind melodies. The song’s restraint becomes its strength as the hairs on the back of your neck slowly rise. Inhabiting a similar sonic space to Sweden’s marvellous trio Tape, ‘Surry Hills’ is destined to garner a fresh new raft of fans for Apricot Rail’s addictive brand of melodic instrumental pop. After the success of their debut album, ideas for new Apricot Rail songs, including ‘Surry Hills’, were formulated during the band’s extended break late in 2009, after which the songs were road-tested live. While ‘Surry Hills’ maintains a minimalist, restrained and rustic feel typical of Apricot Rail’s debut album, the track also represents a shift in instrumental duties for the band, with new member (number 6!) Justin Manzano (Tin Man) playing guitar, Matt Saville moving from drums to glockenspiel, Daniel Burt moving from bass to percussion, and Jack Quirk moving from guitar to keyboards/electronics, along with Ambrose Nock on guitar and Mayuka Juber on flute.\r\n<div></div>\r\n<div></div>\r\n<h4>Apricot Rail (Self Titled)</h4>\r\n<div></div>\r\n<iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=110748402/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/apricot-rail\">Apricot Rail by Apricot Rail</a></iframe>\r\nJuly 2009\r\n<div></div>\r\nApricot Rail produce some of the most discretely charming, lush instrumental pop music you’re likely to hear all year. Delicate, bell-like arpeggiated guitars weave around snaking clarinet and flute, while the beautifully held back yet sanguine rhythm section drives the whole thing into a blurred, sun-soaked horizon. Their debut album features the wonderfully received single ‘Pouring Milk Out The Window’, an anthem without ever having to be anthemic, a melancholic reverie that never resorts to the emotional ease of sadness. ‘If You Can’t Join Them, Beat Them’, which featured on the 2009 Spunk Singles Club compilation album, is another chiming standout. And gorgeous closing track ‘Halfway House’ weaves in bubbling electronics as the band lead the listener through glowing landscapes and light-drenched vistas.\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Bio\"]\r\n<h3>Biography</h3>\r\nOne day, after his star sign promised a ‘dynamic’ afternoon, Ambrose Nock (guitar) decided it was the right time to form a band known as Apricot Rail. He was soon joined by Jack Quirk (guitar), Matthew Saville (drums) and Daniel Burt (bass). The premise of the band was simple: music based on unique guitar tunings, the use of natural harmonics, and very open ideas about other instruments, electronica and song structure. After a debut gig at the Hyde Park Hotel in March 2008 with four members and as many songs, the band soon added a fifth in Mayuka Juber (clarinet/flute), redefining the balance of guitars with the addition of beautiful woodwind melodies.\r\n\r\nThe band’s debut recording was a DIY affair, with members heading off to a rural property near Yorkrakine, 220km north-east of Perth in WA’s Central Wheatbelt. In the following months, the resulting demo got regular rotation on Perth’s RTRFM, and though unreleased, was rated by the station’s Homegrown presenter Chris Wheeldon as his second-favourite local outing of 2008. In the second half of the year, Apricot Rail chalked up some serious gig mileage, along the way supporting the likes of Holly Throsby, Charge Group and Adam Said Galore and finding refuge among Perth’s emerging post-rock/experimental scene.\r\n\r\nIn November 2008 the band headed into Kingdom studios under the guidance of Simon Struthers (Umpire, Adam Said Galore, Mukaizake) where the band recorded their soon to be released self-titled debut long player. Australian fans got a chance to taste some of the new album’s sublime wares when the Apricot Rail track ‘If You Can’t Join Them, Beat Them’ was released on the prestigious Spunk Singles Club compilation album along with the likes of Leader Cheetah, The Dead Sea and The Middle East. The band was also recently nominated for Favourite Newcomer in the 2009 Western Australian Music Industry Awards.\r\n\r\nApricot Rail are:\r\nJack Quirk – Guitar, Glock, Trumpet, Electronica, Voice\r\nDaniel Burt – Bass guitar, Saxophone\r\nMatt Saville – Drum Kit/Percussion\r\nMayuka Juber – Clarinet, Flute, Keyboard, Melodica, Voice\r\nAmbrose Nock – Guitar, Glock, Keyboard\r\nJustin Manzano – Guitar, Electronics\r\n\r\n&nbsp;\r\n\r\n[/et_pb_tab][et_pb_tab title=\"News\"]\r\n<h3>News</h3>\r\n[catlist name=apricot-rail-news content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Apricot Rail News\" href=\"http://www.hiddenshoal.com/category/news/apricot-rail-news/\"><strong>More News</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Reviews\"]\r\n<h3>Reviews</h3>\r\n[catlist name=apricot-rail-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]\r\n<p style=\"text-align: right;\"><a title=\"Apricot Rail Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/apricot-rail-reviews/\"><strong>More Reviews</strong></a></p>\r\n[/et_pb_tab][et_pb_tab title=\"Press Releases\"]\r\n<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Dore_Strauch.pdf\">‘Dore Strauch’ Single + Video Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Quarrels.pdf\"><em>Quarrels</em> Album Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Surry_Hills_Single.pdf\">‘Surry Hills’ Single Release</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Tin_Man_Remix.pdf\">Apricot Rail ‘Pouring Milk Out The Window (Tin Man Spilt Milk Remix)’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Album.pdf\">Apricot Rail Self-Titled Debut Album </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail ‘Pouring Milk Out The Window’ Single </a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail Sign to Hidden Shoal Recordings</a>\r\n[/et_pb_tab][et_pb_tab title=\"Gallery\"]\r\n<h3>Artist Photos</h3>\r\n&nbsp;\r\n\r\n[gallery columns=\"4\" link=\"file\" ids=\"8576,8584,8585,8586,8587,8588,8589,8590,8591\"]\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Video\"]\r\n<h3>Music Videos</h3>\r\n<iframe src=\"https://www.youtube.com/embed/NdPCsDsR7iw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n<iframe src=\"//www.youtube.com/embed/hBYJ6sdcvLo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/VeTN3QNo2Ck?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n&nbsp;\r\n\r\n<iframe src=\"//www.youtube.com/embed/puWnzmHCPxA?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe>\r\n\r\n[/et_pb_tab][et_pb_tab title=\"Licensing\"]\r\n<h3>Licensing</h3>\r\nApricot Rail\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.\r\n\r\n[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','publish','open','closed','','apricot-rail','','','2016-10-19 10:38:41','2016-10-19 02:38:41','',0,'http://hiddenshoalpublishing.onesmallcloud.com/?post_type=project&#038;p=8574',0,'project','',0),(8578,1,'2014-06-19 08:34:10','2014-06-19 08:34:10','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Apricot Rail</h1><p><img class=\"alignleft wp-image-8576 size-medium\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1-300x202.jpg\" alt=\"Apricot Rail\" width=\"300\" height=\"202\" /></p><p><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face. That’s how I like my monumental arms of guitar served up – gigantic but also tiny”</em><strong> – Love Is My Velocity</strong></p><p>Most instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.</p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<p><a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\"><img class=\"alignnone\" src=\"http://www.hiddenshoal.com/wp-content/uploads/icons/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>       <strong><a href=\"#news\">Artist News</a></strong></p>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<p><a> </a></p><h1>Apricot Rail News</h1><p> </p><p> </p>[/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"0\" include_categories=\"57\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','inherit','open','open','','8574-revision-v1','','','2014-06-19 08:34:10','2014-06-19 08:34:10','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-revision-v1/',0,'revision','',0),(8575,1,'2014-06-19 08:27:51','2014-06-19 08:27:51','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Antonymes</h1><p><a href=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1.jpg\"><img class=\"alignleft wp-image-6978\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2013/09/Antonymes_1-300x300.jpg\" alt=\"Antonymes\" width=\"250\" height=\"250\" /></a><em>“sound sketches of enormous, if fragile, beauty”</em> –<strong> The Silent Ballet </strong></p><p>The music of Antonymes emerges from the adjustments and erasures of ambient and the pace and persistence of minimalism; from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd; from the relationship between continuity and repetition; from secrecy, quietness and pause; from thought, from emptiness; from where it is set and where it is setting off to. At the same time definite and a ghostly impression, Antonymes floats free of fixed points while anxiously staying in sight of genres, movements, scenes, connections, contexts and innovations that have piled up and broken down around it.[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<p><a title=\"Facebook\" href=\"https://www.facebook.com/pages/Antonymes/108567235841143?fref=ts\" target=\"_blank\"><img class=\"alignnone\" src=\"http://www.hiddenshoal.com/wp-content/uploads/icons/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>  <a title=\"Twitter\" href=\"https://twitter.com/Antonymes\" target=\"_blank\"><img class=\"alignnone\" src=\"http://www.hiddenshoal.com/wp-content/uploads/icons/Twitter.png\" alt=\"Twitter\" width=\"26\" height=\"20\" /></a>  <a title=\"SoundCloud\" href=\"https://soundcloud.com/antonymes\" target=\"_blank\"><img class=\"alignnone\" src=\"http://www.hiddenshoal.com/wp-content/uploads/icons/SoundCloud.png\" alt=\"SoundCloud\" width=\"26\" height=\"20\" /></a> <a title=\"Artist\'s Website\" href=\"http://www.antonymes.co.uk/\" target=\"_blank\"><img class=\"alignnone\" src=\"http://www.hiddenshoal.com/wp-content/uploads/icons/Website.png\" alt=\"Artist\'s Website\" width=\"26\" height=\"20\" /></a>  <strong><a href=\"#news\">Artist News</a></strong></p>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3>\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a>\r\n\r\n<em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a>\r\n\r\n<a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master & sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a><br /></a></p><h1>Antonymes News</h1><p> </p><p><a id=\"news\"></a>[/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"0\" include_categories=\"55\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','inherit','open','open','','8574-revision-v1','','','2014-06-19 08:27:51','2014-06-19 08:27:51','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-revision-v1/',0,'revision','',0),(8576,1,'2014-06-19 08:31:07','2014-06-19 08:31:07','','Apricot Rail','','inherit','open','open','','apricot_rail_2013_1-2','','','2014-06-19 08:31:07','2014-06-19 08:31:07','',8574,'http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1.jpg',0,'attachment','image/jpeg',0),(8577,1,'2014-08-11 14:16:06','2014-08-11 14:16:06','<p>[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]</p><h1>Apricot Rail</h1><p><img class=\"alignleft  wp-image-9194\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/apricot-rail-profile.jpg\" alt=\"Apricot Rail\" width=\"340\" height=\"266\" /><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face.”</em><strong> – Love Is My Velocity</strong></p><p>Most instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.</p><p><strong><a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\"> <img class=\"alignnone size-full wp-image-8763\" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a></strong></p><p>[/et_pb_text][et_pb_divider admin_label=\"Divider\" color=\"#ffffff\" show_divider=\"off\" /][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]</p><h3>Discography</h3><p> </p><h4>Quarrels</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 540px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=153203644/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/quarrels\">Quarrels by Apricot Rail</a></iframe><br /> February 2013</p><div> </div><p>Almost four years after the release of their acclaimed self-titled debut album, Perth-based multi-instrumental pop sextet Apricot Rail return with their sophomore album <em>Quarrels</em>, which features the singles ‘Basket Press’ and ‘Surry Hills’. A foray into more experimental territory, <em>Quarrels</em> features lusher, denser instrumentation, is rich in ideas yet toys with new levels of restraint. The band’s trademark harmonic guitar passages and syncopation sit beneath languid brass and woodwind, balanced by glitchy electronica, dramatic crescendos and opium-infused oriental explorations; slow, meandering waltzes give way to moments of ethereal lightness and beauty. This music transcends fads and trends to appeal to anyone drawn to beautiful, supple songcraft. The majority of <em>Quarrels</em> was recorded over a four-day period during January 2012 in an isolated farmhouse in Western Australia’s bleak Central Wheatbelt. Instruments were sprawled across a lounge room and picked up at will by the players and in turn by microphones placed in different corners of the room. Back in Perth the real work began, with Justin Manzano going through the recordings, making adjustments and adding the odd track to the collection. Towards the end of 2012, the album was mixed by indie producer extraordinaire Scott Solter and mastered by Simon Struthers (Umpire, Muzaizake).</p><div> </div><div> </div><h4>Surry Hills EP</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=40892357/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/surry-hills-bonus-ep\">Surry Hills (Bonus EP) by Apricot Rail</a></iframe><br /> July 2011</p><div> </div><p>Features exclusive bonus tracks previously only available on a limited run cd-r available at the \'Surry Hills\' launch show. ‘Surry Hills’ is a stunning new song from the much-beloved Apricot Rail that gradually blooms from a shimmering haze of harmonics and ride cymbal into a delicious interweave of resonant guitars and woodwind melodies. The song’s restraint becomes its strength as the hairs on the back of your neck slowly rise. Inhabiting a similar sonic space to Sweden’s marvellous trio Tape, ‘Surry Hills’ is destined to garner a fresh new raft of fans for Apricot Rail’s addictive brand of melodic instrumental pop. After the success of their debut album, ideas for new Apricot Rail songs, including ‘Surry Hills’, were formulated during the band’s extended break late in 2009, after which the songs were road-tested live. While ‘Surry Hills’ maintains a minimalist, restrained and rustic feel typical of Apricot Rail’s debut album, the track also represents a shift in instrumental duties for the band, with new member (number 6!) Justin Manzano (Tin Man) playing guitar, Matt Saville moving from drums to glockenspiel, Daniel Burt moving from bass to percussion, and Jack Quirk moving from guitar to keyboards/electronics, along with Ambrose Nock on guitar and Mayuka Juber on flute.</p><div> </div><div> </div><h4>Apricot Rail (Self Titled)</h4><div> </div><p><iframe style=\"border: 0; width: 500px; height: 472px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=110748402/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://apricotrail.bandcamp.com/album/apricot-rail\">Apricot Rail by Apricot Rail</a></iframe><br /> July 2009</p><div> </div><p>Apricot Rail produce some of the most discretely charming, lush instrumental pop music you’re likely to hear all year. Delicate, bell-like arpeggiated guitars weave around snaking clarinet and flute, while the beautifully held back yet sanguine rhythm section drives the whole thing into a blurred, sun-soaked horizon. Their debut album features the wonderfully received single ‘Pouring Milk Out The Window’, an anthem without ever having to be anthemic, a melancholic reverie that never resorts to the emotional ease of sadness. ‘If You Can’t Join Them, Beat Them’, which featured on the 2009 Spunk Singles Club compilation album, is another chiming standout. And gorgeous closing track ‘Halfway House’ weaves in bubbling electronics as the band lead the listener through glowing landscapes and light-drenched vistas.</p><p>[/et_pb_tab][et_pb_tab title=\"Bio\"]</p><h3>Biography</h3><p>One day, after his star sign promised a ‘dynamic’ afternoon, Ambrose Nock (guitar) decided it was the right time to form a band known as Apricot Rail. He was soon joined by Jack Quirk (guitar), Matthew Saville (drums) and Daniel Burt (bass). The premise of the band was simple: music based on unique guitar tunings, the use of natural harmonics, and very open ideas about other instruments, electronica and song structure. After a debut gig at the Hyde Park Hotel in March 2008 with four members and as many songs, the band soon added a fifth in Mayuka Juber (clarinet/flute), redefining the balance of guitars with the addition of beautiful woodwind melodies.</p><p>The band’s debut recording was a DIY affair, with members heading off to a rural property near Yorkrakine, 220km north-east of Perth in WA’s Central Wheatbelt. In the following months, the resulting demo got regular rotation on Perth’s RTRFM, and though unreleased, was rated by the station’s Homegrown presenter Chris Wheeldon as his second-favourite local outing of 2008. In the second half of the year, Apricot Rail chalked up some serious gig mileage, along the way supporting the likes of Holly Throsby, Charge Group and Adam Said Galore and finding refuge among Perth’s emerging post-rock/experimental scene.</p><p>In November 2008 the band headed into Kingdom studios under the guidance of Simon Struthers (Umpire, Adam Said Galore, Mukaizake) where the band recorded their soon to be released self-titled debut long player. Australian fans got a chance to taste some of the new album’s sublime wares when the Apricot Rail track ‘If You Can’t Join Them, Beat Them’ was released on the prestigious Spunk Singles Club compilation album along with the likes of Leader Cheetah, The Dead Sea and The Middle East. The band was also recently nominated for Favourite Newcomer in the 2009 Western Australian Music Industry Awards.</p><p>Apricot Rail are:<br /> Jack Quirk – Guitar, Glock, Trumpet, Electronica, Voice<br /> Daniel Burt – Bass guitar, Saxophone<br /> Matt Saville – Drum Kit/Percussion<br /> Mayuka Juber – Clarinet, Flute, Keyboard, Melodica, Voice<br /> Ambrose Nock – Guitar, Glock, Keyboard<br /> Justin Manzano – Guitar, Electronics</p><p> </p><p>[/et_pb_tab][et_pb_tab title=\"News\"]</p><h3>News</h3><p>[catlist name=apricot-rail-news content=yes pagination=no title_tag=h4 title_class=lcp_title]</p><p style=\"text-align: right;\"><a title=\"Apricot Rail News\" href=\"http://www.hiddenshoal.com/category/news/apricot-rail-news/\"><strong>More News</strong></a></p><p>[/et_pb_tab][et_pb_tab title=\"Reviews\"]</p><h3>Reviews</h3><p>[catlist name=apricot-rail-reviews content=yes pagination=no title_tag=h4 title_class=lcp_title]</p><p style=\"text-align: right;\"><a title=\"Apricot Rail Reviews\" href=\"http://www.hiddenshoal.com/category/reviews/apricot-rail-reviews/\"><strong>More Reviews</strong></a></p><p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]</p><h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Dore_Strauch.pdf\">‘Dore Strauch’ Single + Video Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Quarrels.pdf\"><em>Quarrels</em> Album Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail-Surry_Hills_Single.pdf\">‘Surry Hills’ Single Release</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Tin_Man_Remix.pdf\">Apricot Rail ‘Pouring Milk Out The Window (Tin Man Spilt Milk Remix)’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Album.pdf\">Apricot Rail Self-Titled Debut Album </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail ‘Pouring Milk Out The Window’ Single </a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Apricot_Rail_Signing.pdf\">Apricot Rail Sign to Hidden Shoal Recordings</a><br /> [/et_pb_tab][et_pb_tab title=\"Gallery\"]</p><h3>Artist Photos</h3><p> </p><div class=\"wpview-wrap wpview-type-gallery\" contenteditable=\"false\" data-wpview-text=\"%5Bgallery%20columns%3D%224%22%20link%3D%22file%22%20ids%3D%228576%2C8584%2C8585%2C8586%2C8587%2C8588%2C8589%2C8590%2C8591%22%5D\" data-wpview-type=\"gallery\"><div class=\"toolbar\"> </div><div class=\"gallery gallery-columns-4\"><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_2-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\"></dd></dl><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2_-_Photo_by_Tom_Cramond-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\">Photo by Tom Cramond</dd></dl><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_Live_1_-_Photo_by_Tom_Cramond-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\">Photo by Tom Cramond</dd></dl><br style=\"clear: both;\" /><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_Live_3_-_Photo_by_Tom_Cramond-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\">Photo by Tom Cramond</dd></dl><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_Live_4_-_Photo_by_Tom_Cramond-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\">Photo by Tom Cramond</dd></dl><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_Live_5_-_Photo_by_Tom_Cramond-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\">Photo by Tom Cramond</dd></dl><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_Live_8_-_Photo_by_Tom_Cramond-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\">Photo by Tom Cramond</dd></dl><br style=\"clear: both;\" /><dl class=\"gallery-item\"><dt class=\"gallery-icon\"><img src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_Live_9_-_Photo_by_Tom_Cramond-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></dt><dd class=\"wp-caption-text gallery-caption\">Photo by Tom Cramond</dd></dl></div><ins data-wpview-end=\"1\"></ins></div><p>[/et_pb_tab][et_pb_tab title=\"Video\"]</p><h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/hBYJ6sdcvLo?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p> </p><p><iframe src=\"//www.youtube.com/embed/VeTN3QNo2Ck?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p> </p><p><iframe src=\"//www.youtube.com/embed/puWnzmHCPxA?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]</p><h3>Licensing</h3><p>Apricot Rail\'s music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p><p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"light\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]</p>','Apricot Rail','','inherit','open','open','','8574-autosave-v1','','','2014-08-11 14:16:06','2014-08-11 14:16:06','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-autosave-v1/',0,'revision','',0),(8580,1,'2014-06-19 08:37:22','2014-06-19 08:37:22','[et_pb_section fullwidth=\"off\" specialty=\"on\" background_color=\"#050505\" inner_shadow=\"off\" parallax=\"off\" parallax_method=\"css\"][et_pb_column type=\"3_4\" specialty_columns=\"3\"][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"light\" text_orientation=\"left\"]<h1>Apricot Rail</h1><p><img class=\"alignleft wp-image-8576 \" src=\"http://www.hiddenshoal.com/wp-content/uploads/2014/06/Apricot_Rail_2013_1-300x202.jpg\" alt=\"Apricot Rail\" width=\"290\" height=\"195\" /><em>“The might of, I dunno, Mogwai is still there, but the charm of Múm is also present. They paint mountains in broad strokes but afterwards they take time to put in Sherpas and goats partying on the cliff face. That’s how I like my monumental arms of guitar served up – gigantic but also tiny”</em><strong> – Love Is My Velocity</strong> Most instrumental rock suggests the apocalypse is coming. If it is, Apricot Rail are too busy crafting beautiful lilting melodies to care. This Perth sextet have the charm, humour and songwriting nous – and a killer live show – to re-ignite anyone’s belief in music’s subtle, giddy powers.</p>[/et_pb_text][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<a title=\"Facebook\" href=\"https://www.facebook.com/apricotrail\" target=\"_blank\"><img class=\"alignnone\" src=\"http://www.hiddenshoal.com/wp-content/uploads/icons/Facebook.png\" alt=\"Facebook\" width=\"26\" height=\"20\" /></a>   <strong><a href=\"#news\">Artist News</a></strong>[/et_pb_text][et_pb_tabs admin_label=\"Artist Tabs\"][et_pb_tab title=\"Discography\"]<h3>Discography</h3><div> </div><div> </div><h4>We Don\'t Look Back For Very Long (with Slow Dancing Society)</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 274px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=4290771882/size=large/bgcol=333333/linkcol=ffffff/artwork=none/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/we-dont-look-back-for-very-long\">We Don\'t Look Back For Very Long by Antonymes meets Slow Dancing Society</a></iframe></p><div> </div><p><em>We Don’t Look Back For Very Long </em>sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.</p><div> </div><div> </div><h4>Lost In Waves of Light</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 200px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=3184595053/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/lost-in-waves-of-light\">Lost In Waves Of Light by Antonymes</a></iframe></p><div> </div><p>Created from elements lifted off Antonyme’s critically acclaimed album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span>, ‘Lost In Waves Of Light’ is a deftly crafted sonic and melodic patchwork. The track sits as a wonderful companion piece to the album, as recognised melodies unfurl, cloaked in new guises. As a work unto itself it once again places Antonymes at the height of his game, producing some of the most emotionally and sonically engaging work being released today. Antonymes new album <span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> has been met with universal acclaim since its release in April. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow.</p><div> </div><div> </div><h4>The Licence To Interpret Dreams</h4><div> </div><p><iframe style=\"border: 0; width: 600px; height: 550px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1679006704/size=large/bgcol=333333/linkcol=ffffff/artwork=small/transparent=true/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http://antonymes.bandcamp.com/album/the-licence-to-interpret-dreams\">The Licence To Interpret Dreams by Antonymes</a></iframe></p><div> </div><p><span style=\"font-style: italic;\">The Licence To Interpret Dreams</span> is the Hidden Shoal debut release by neo-classical/minimal ambient artist Antonymes. It is an album of resonant beauty, as expansive as the wilds of North Wales from which it came, yet as delicate and intimate as a loved one’s breath upon your skin. Each song deploys a modest array of instruments and textures, giving them ample space to breathe and glow. The album’s scope is immediately apparent on breathtaking opener ‘The Slow Beginnings of a ‘A Fragile Acceptance’, where faint piano notes are overwhelmed by an aching surge of cellos, and the timeless, lingering chord progression of ‘The Siren, Hopelessly Lost’. Single ‘Endlessly’ weaves traces of nature with unearthly, oscillating tones before giving way to a strident piano theme. On ‘Doubt’, Jan Van Den Broek delivers the words of Paul Morley, cradled against a bed of melancholic piano, violin and cello, leaving an indelible emotional mark. ‘A Light From The Heavens’ almost feels like a natural conclusion to the album, with its sense of reflective yearning, but it is followed by the devastating metaphysical breakdown of ‘On Arrival at the Strange Museum’, a cavernous piece that calls out like some giant magnetic spirit.[/et_pb_tab][et_pb_tab title=\"Bio\"]<h3>Biography</h3><p>Antonymes is designer, photographer, conceptualist and musician Ian M. Hazeldine, making music from the wilds of North Wales, a very strange, fantastic, ultimately unreal place of mountains, streams, woods, villages and obscure wilderness. To quote North Welsh poet R. S. Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.” His music begins at the piano, where notes, space and intention combine over time, until a shape appears. This shape is taken into the computer, where it is twisted, gently, and given more detail, until it is fully formed. Composition takes form through patience, probing, occasional accidents, spontaneity and a form of focused daydreaming.</p><p>Debut mini-album <em>Beauty Becomes The Enemy of the Future</em> was released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, <em>31: Before The Light Fails</em>, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes’ fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. Various pieces by Antonymes have appeared on compilations produced by labels Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet. The album <em>The Licence To Interpet Dreams</em> was released by Hidden Shoal to widespread critical acclaim in early 2011.</p>[/et_pb_tab][et_pb_tab title=\"Press Releases\"]<h3>Press Releases</h3><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_meets_Slow_Dancing_Society.pdf\">Antonymes meets Slow Dancing Society – <em>We Don’t Look Back For Very Long</em> EP </a></p><p><em><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Lost_In_Waves_Of_Light.pdf\">Lost In Waves Of Light</a></em></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\"><em>The Licence To Interpret Dreams</em> Album</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes-Endlessly.pdf\">‘Endlessly’ Single</a></p><p><a href=\"../../publicity/press-releases/HSR_Press_Release-Antonymes_Signing.pdf\">Antonymes Signing</a>[/et_pb_tab][et_pb_tab title=\"Gallery\"]<h3>Artist Photos</h3><p> </p>[gallery ids=\"8222,8221,8220,8219\"][/et_pb_tab][et_pb_tab title=\"Video\"]<h3>Music Videos</h3><p><iframe src=\"//www.youtube.com/embed/U7tLhh8a1lo?rel=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p><p><iframe src=\"//www.youtube.com/embed/4senhm9eiTY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"></iframe></p>[/et_pb_tab][et_pb_tab title=\"Licensing\"]<h3>Licensing</h3><p>Antonymes music is  available for licensing (master &amp; sync cleared) through Hidden Shoal. Please <a title=\"Contact Us\" href=\"http://www.hiddenshoal.com/contact-us/\">contact us</a> with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.</p>[/et_pb_tab][/et_pb_tabs][/et_pb_column_inner][/et_pb_row_inner][et_pb_row_inner][et_pb_column_inner type=\"4_4\"][et_pb_text admin_label=\"Text\" background_layout=\"dark\" text_orientation=\"left\"]<p><a> </a></p><h1>Apricot Rail News</h1><p> </p><p> </p>[/et_pb_text][et_pb_blog admin_label=\"Blog\" fullwidth=\"on\" posts_number=\"0\" include_categories=\"57\" meta_date=\"M j, Y\" show_thumbnail=\"off\" show_content=\"on\" show_author=\"off\" show_date=\"on\" show_categories=\"off\" show_pagination=\"on\" background_layout=\"dark\" /][/et_pb_column_inner][/et_pb_row_inner][/et_pb_column][et_pb_column type=\"1_4\"][et_pb_sidebar admin_label=\"Sidebar\" orientation=\"left\" area=\"sidebar-1\" background_layout=\"dark\" module_id=\"shoalsidebar\" /][/et_pb_column][/et_pb_section]','Apricot Rail','','inherit','open','open','','8574-revision-v1','','','2014-06-19 08:37:22','2014-06-19 08:37:22','',8574,'http://hiddenshoalpublishing.onesmallcloud.com/8574-revision-v1/',0,'revision','',0),